"The temptation is to have the characters keep reminding the audience what year it is. But characters in historical fiction don't know they're living in the past. They think they're living in the present. And they can't see into the future. So they shouldn't talk as if they're cribbing from history books about their own time. Dialog shouldn't contain many temporal signifiers. Which is to say you don't want to have characters who happen to be living in the 1970s saying things like: 'Did you watch the Watergate hearings today? Can you believe Nixon taped all those conversations!' Or: 'I bought the new Zeppelin album today. Man, that Jimmy Page is a genius!' Or: 'They're called Earth Shoes. They're supposed to be much better for your feet than regular shoes.'"Popular History is when a show or movie set in a previous decade focuses on certain elements of the era's pop culture to an implausible degree, often mixing and matching things from different points in the decade and acting as if they existed at the same time (as in The Wedding Singer). For instance, every man in 1912 would have been in high spirits sporting their sharp tailored suits as they ride their horseless carriages to the ritzy Ragtime-tuned tango balls and exhibitions of exotic places, cubist pieces, flying machines, moving pictures, and affordable photography with their suffragette wife in large-feathered hats and willowy, exotic dresses that scandalously show the ankles, while lamenting the sinking of the Titanic and scoffing off the affair around the Balkans. Every gal in 1926 would have cut her hair beneath her tight-fitting hat, wearing fur-trimmed coats that blend in with her outrageously loose knee-length dress and beaded necklace, flashing her rayon stockings with painted knees, and donning heavy makeup while driving a Cardillac with her tough-faced gangster boyfriend at her side and crying her heart out for Valentino or Buster Keaton. Everyone in 1936 will be a teetotalling, dirt-poor poverty-stricken American farmer in the dustbowl or a European peasant under the steel-capped boot of Those Wacky Nazis, the Dirty Communists, or fascist flunkies. Or if one is lucky enough to escape the Dust Bowl or the Totalitarian Wasteland, he would have worn sharp tailfin suits tapdancing and singing on the talking silver screen with his leading lady wearing satin dresses lined with feathers and fur all the while flashing her flawless back as they dance around the moonlight gleaming through the trippy streamlined landscape. Everyone in 1942 would have shoulder pads in their suits, dresses, coats, uniforms, and even underwear, donning updo hairstyles with fancy hats and dancing swing while distributing war bonds. Every woman in 1955 would either wear sleek tailored suits, long tight skirts and spike heels and be fearing communism, watching B-Movies and hanging out at the local Malt Shop, or wearing fancy dresses with a cute poodle on their skirts while watching Elvis Presley on television, and men in either tailored lounge suits and trenchcoats, Nice Guy polo shirts, bowties and khakis running on suspenders, or black leather jackets, tight blue jeans and black boots with matching shiny black pompadours while riding on their custom made bikes. Everyone in 1968 will be wearing tie-dye shirts, smoking pot and going to see the Stones or The Doors while protesting The Vietnam War. For the uptights, every man would wear a colourful vintage three-piece suit to contrast the Beatles style moptop and every woman would have a giant bouffant to go with her space-agey miniskirt and go-go boots as they ride on a Vespa scooter. Everyone in 1977 will either be wearing platform shoes, a polyester leisure suit, an afro, and will be going to the disco, or wearing torn jeans, Doc Martens or converse, ripped shirt, leather Jacket and going to pogo to The Clash or the Pistols. Everyone in 1985 will sport Miami Vice-type pastel clothes and mullet hairstyles if they are men, big hair, lots of make-up and power suits if they are women, and early Madonna or Debbie Gibson-type outfits if they are teenage girls. Everyone in 1996 will wear flannel shirts, baggy jeans, moptops, Rachels, or angst-ridden hair while listening to CDs on the boombox and inserting floppy disks while listening to the squeals of their 28.8 modems. Also applies to cars in the street; they will all be models from the year portrayed, as if nobody has kept a car they bought in a previous decade. This is especially painful when you consider that the writers generally lived through the era being depicted. Sometimes, a movie about the period that's considered "not enough" will hit a lot closer to home. The early and even mid-1980s had a lot of late '70s styles hanging around. The perm or wavy haircut was very common around the mid-1980s (the Cobra Kai guys all had this cut in The Karate Kid), but you never see it being used when people recreate the '80s — probably because it "doesn't look '80s enough". None of this is to imply that nobody in a past era was conscious of the time they were living in or historically self-aware; indeed, cultural critics and pundits have often made a living in the field of attempting to be prescient (and sometimes they have succeeded!). This trope is for instances when an "average person" who can't possibly predict future nostalgia is depicted having an outlandish amount of Genre Savviness. For a good depiction of a time period, one should look at the TV shows, books, plays and movies that were made during that period. Pretty in Pink, 21 Jump Street, and Punky Brewster for the 80s; Love Story, Barney Miller, and All in the Family in the 70s; and The Fugitive, Mission: Impossible, and The Dick Van Dyke Show in the 60s. However, beware of a show that tried to be Totally Radical. Nothing But Hits is a subset of this trope. See also: Politically Correct History; Nostalgia Filter; "Mister Sandman" Sequence. Compare: Anachronism Stew; Frozen in Time. For this trope in reverse, see Present Day Past. When a work actually made during the relevant time period appears to fit this trope, it's an Unintentional Period Piece.
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- Portrayed in Back to the Future Part II where a cafe from the year 2015 is dedicated to the Popular History of the then-contemporary 1980s. In fact, Cafe '80s turns out to be right on the money when it comes to identifying the elements that would become stereotypical for the decade in later years.
- The entirety of Indiana Jones and the Kingdom of the Crystal Skull. It looked like they were dredging up every single possible period detail relating to the 1950s.
- Forrest Gump had plenty of this.
- Done oddly in the movie version of Mamma Mia!, where Donna flashes back to her three old boyfriends in their prime. Apparently they each wore clothes from a different decade, even though these flashbacks were supposed to take place in the 1980s. Watch out for Pierce Brosnan as a hold-over hippy...
- We are talking about a movie that has cars, dresses and culture from the 40's-50's Greece in the present day! I mean...look at the cars!
- In The Naked Gun 33 1/3, Drebin recognizes a woman as a suspect in an unsolved murder back in the 70's. Cue Flash Back of the murder: It happened in a disco, and Drebin, Hocker, and Nordberg are all decked out in leisure suits, gold chains, and huge afros.
- It gets even more ridiculous when you realize that the woman, who is about in her late twenties in the present day (1994), wouldn't even have reached puberty yet when Saturday Night Fever was in theaters, but in the flashback is as...er..."buoyant" as ever.
- Rumor Has It... gets pretty annoying with it, but the worst example is probably prominently showing during a party scene three men with no bearing at all on the plot discussing how there's this thing called Google that's gonna be a huge hit.
- The Time Scout series mostly averts this. The authors go to some effort to make sure they avoid the worst stereotypes and be historically accurate. How well they succeed depends on your own knowledge.
Live Action TV
- Life on Mars (2006) and Ashes to Ashes are good examples of this. Ashes To Ashes mixes very early eighties fashions (Ray's The Professionals look) with yuppies wearing mid-to-late Eighties Miami Vice gear. Both series also play with this trope, as it's revealed that the periods we see are largely influenced by the main characters' ideas of what things looked like then.
- The Sitcom Do Over took place in 1980, but had certain elements as far as 1985. Furthermore a character in the first episode said it was the year 1981, which just made the confusion even worse. This was subverted and lampshaded in an episode where the main character (a man reliving his high school years) dresses up as a ghostbuster for Halloween. It isn't until he shows it to his dumbfounded friends that he remembers that the movie won't come out for another four years.
- Played with in How I Met Your Mother: Robin was a teen idol in Canada, and the film clip to her song Let's Go to the Mall is stereotypically eighties, but it was made during the early nineties. This is played more as a joke that Canada is behind the times, though.
- If you lived in Canada in the early to mid 90s and remember Alanis Morrissette's "Too Hot" and then re-invention as an angry grunge singer, it's even funnier.
- Cold Case frequently does this when returning to a flashback with the music playing during the era that's discussed. Pop culture references are also frequent if they happened around that decade.
- Gossip Girl: Lily has a flash back to the eighties, and it is complete with all the associated stereotypes.
- Sort of averted in Everybody Hates Chris. Most of the kids wear clothes that are generally in style (jeans and a t-shirt) and Rochelle has a seventies hairstyle in the early episodes.
- Averted in Freaks and Geeks: None of the characters wear the standard '80s attire as it is only 1980, and disco is popular (much to their annoyance).
- Averted in Mad Men: While set in the 60's, the attitude and style of the main characters still reflect the previous decade, with many of the older characters (like Duck and Roger) reflecting the decade before that one. And Bert Cooper seems to be a holdover from The Roaring Twenties.
- Mostly averted in That '70s Show, where it's a pretty well done sitcom that happens to take place in the 70's. The barely-related spin-off, That '80s Show, face-planted into this trope by pointing out the fact that it was in The Eighties so blatantly that the commercials were almost unwatchable, nevermind the show itself.
- Played in The Vampire Diaries. Everyone who's taken an American History class knows that no actual witches were persecuted at the Salem witch trials, but the writers needed to give the no longer Scottish Bonnie an explanation for her psychic abilities.
- "Haunted" states the same fact, but there's still the question of why Bonnie's family had to be from Salem specifically.
- Actually, "Haunted" toys with this trope: according to Bonnie's grandmother, no actual witches were persecuted in Salem because the real ones had enough power to escape beforehand.
- "Haunted" states the same fact, but there's still the question of why Bonnie's family had to be from Salem specifically.
- Mafia II takes place in 1951 and contains literally everything from The Fifties, with massive amounts of Anachronism Stew. It's even emphasised in a "Mister Sandman" Sequence after the main character leaves prison, meaning that in that world, as soon as The Fifties rolled in everyone threw away anything from The Forties and suddenly invented the entire 50s culture.
- Futurama: While trying to look inconspicuous in 1947 Roswell, Leela wears a poodle skirt and the Professor wears a zoot suit (though they did pretty well considering they were from a thousand years in the future, and Earth and its records were devastated by wars several times during that period). In the second episode, this is slightly lampshaded when a 31st century attraction does this to the entire 20th century. "Let's disco dance, Hammurabi!"
- The Roswell episode shows a lot of the failings of the 31st century characters' knowledge of history. The Professor and Leela don't realize that microwaves haven't been invented yet; when they go to a diner, Leela orders "an injection of FemiSlim and a side of Soylent Coleslaw", then the professor Zig Zags by ordering "the paella, two mutton pills and a stein of mead."
- The waitress simply shrugs and writes their order as "Two chilli dogs."
- Lampooned in The Simpsons episode "Itchy & Scratchy: The Movie" (with the scene described shown in the background):
Kent Brockman: But first, let's take a look at the year 1928. A year when you might have seen Al Capone dancing the Charleston on top of a flagpole.