Duck Amuck is an incredibly postmodernMerrie Melodies short directed by Chuck Jones in 1953, in which Daffy Duck finds himself tormented by a sadistic animator. Seen as a large pencil or paintbrush coming into frame to make alterations, the animator screws around with the backgrounds, erases Daffy, paints him absurd colors, replaces his voice with random sound effects, redraws him as a bizarre four-legged creature, and so forth.The short was an audacious experiment — which has since come to be regarded as one of the all-time great cartoon shorts. It made second place on The 50 Greatest Cartoons, behind only Jones' own What's Opera, Doc?. A couple years later Jones would direct a somewhat less successful spiritual sequel in Rabbit Rampage, this time with Bugs Bunny as the victim.
Bugs:(after the animator removes his tail) All right, you vandal, put that tail back! (the animator paints a horse's tail on Bugs) That is a horse's tail, my friend. (seething) It belongs on a horse. (the animator erases Bugs save for the tail, and paints him as a horse. Bugs is not amused, munching on a carrot) Look(Eats a carrot), my contract clearly states that I am always to be drawn as a rabbit!
Duck Amuck was the basis of a Nintendo DS game of the same name, while the SNES game Bugs Bunny Rabbit Rampage is based off of Bugs' cartoon.
Duck Amuck provides examples of:
Anvil On Head: Daffy's parachute is erased by the animator and replaced with an anvil, with predictable results.
Author Powers: Although Daffy continues to exercise his free will, the animator has godlike powers over the environment, backgrounds, sounds, and even Daffy's body.
Bait-and-Switch Credits / Fake-Out Opening: The opening titles and first few seconds of action (borrowing fonts and music from Jones' earlier Bugs Bunny short Rabbit Hood) suggest a rather conventional, "Daffy as swashbuckling would-be hero" cartoon to follow, like "The Scarlet Pumpernickel". Then Daffy jousts stage left, the background disappears into whiteness, and the cartoon goes completely crazy.
(A pencil quickly draws a sketch of a crude cityscape) Daffy: (sarcastically) That's dandy. Ho-ho, that's rich, I say. (to artist) Now how about some color, stupid?! (Daffy's head is painted bright blue...) Daffy: Hey! (...followed by the rest of him painted a myriad of colors.) Daffy: Not me, you slop-artist!
In Rabbit Rampage, after the animator removes Bugs' ears.
Bugs:(pointing at his head) ...Ears. (The animator draws large human ears on Bugs.) Bugs: Not human ears, my friend. Rabbit ears, long ones. (The animator naturally draws Bugs with ears so long he could use them to rappel down the side of a building with.) Bugs: Don't be so danged literal!
Big "NO!": Daffy pushes away a premature 'The End' card, screaming 'NO! NO!' at the top of his lungs.
Butt Monkey: Daffy has probably never been as big of a Butt Monkey in any of his other shorts as he is here, since the point of the short is essentially "let's see how angry we can make Daffy because it's funny". Theysucceeded.
Naturally Bugs becomes one under near identical circumstances in Rabbit Rampage, being one of the most notable of his rare "loser" roles.
Camera Screw: Towards the end, the frame shifts, leaving Daffy's top half on the bottom and bottom half on the top...inadvertently cloning Daffy. He then starts Talking to Himself.
Daffy: Ladies and gentlemen, there will be no further delays, so I shall attempt to entertain you in my own inimitable fashion. (Daffy starts dancing, and then the frame shifts, with Daffy's top half in the bottom frame, and his bottom half on the top frame.) Bottom!Daffy: Now what?! Top!Daffy: What are you doing down there? Bottom!Daffy: Down here? What are you doing up there? (to audience) Down here— (Top!Daffy snatches Bottom!Daffy into the top frame, which then re-centers) Daffy!Prime: Listen, bub, if you wasn't me, I'd smack you right in the puss! Daffy!Clone: Don't let that bother ya, Jack! Daffy!Prime: (winding up a punch) Okay, buddy, you asked for it! (Daffy!Clone gets erased just before Daffy throws his punch, making him miss wildly.)
Closeup On Head: Inverted: A far-away Daffy wants a closeup, and he gets one...an extreme one.
(Daffy washes up on an island far in the background.) Daffy: (distant) Hey! C'mere...c'mere! Gimme a close-up! A close-up! (The screen goes black except for the volcanic island in the far distance, which Daffy is on.) Daffy: This is a close-up? (Beat) A CLOSE-UP, YOU JERK! A CLOSE-UP! (The camera then rapidly zooms in on Daffy, accompanied by a Musical Sting, until the camera is aimed right between Daffy's bloodshot eyes.) Daffy: Thanks for the sour persimmons, cousin.
Concussions Get You High: Daffy Duck gets rather loopy near the end, reciting "The Village Blacksmith" while banging a hammer on the parachute-turned-anvil (see Anvil On Head above) that the artist's pencil then changes into a bomb.
The End: In "Duck Amuck", it shows up in the middle of the cartoon when Daffy tells the artist to get things started. At the end of "Rabbit Rampage", Bugs tells the artist, "Well, okay. But there's still one way out, and you can't stop me!" He proceeds to pull down a "The End" card from the top of the screen.
Fake-Out Fade-Out: Daffy tears the screen up, then tells the animator to "get this picture started!" The screen irises out into "The End," only for Daffy to yell "NO, NO!" and push it out of the way.
Genre Deconstruction: Word of God says that this was created in an attempt to take apart how cartoons work, as well as to explore whether or not Daffy would still be Daffy if he was changed beyond recognizability.
Genre Savvy: Bugs in Rabbit Rampage. In stark contrast to Daffy, Bugs knows from the start that a cartoon animated by Elmer Fudd will only mean torture for him, and attempts in vain to escape.
The Hunter Becomes The Hunted: Bugs Bunny, the original animator for Duck Amuck is payed out with his own coin by Elmer throughout Rabbit Rampage.
Jackass Genie: Daffy should know better, but his demands to the animator are always going to be met in this fashion. A demand for "some color, stupid!" gets him painted with loud colors and polka-dots, a demand for a "close up" zooms the camera in until all we can see are his (bloodshot!) eyes, a demand for "sound please!" causes machinegun noises to be inserted instead of normal guitar sounds, and on and on it goes.
Medium Aware: The basis of the humour, from beginning to end.
No Fourth Wall: The Fourth Wall is utterly demolished in this cartoon. The sad and sorry remains are flicked away when the animator(Bugs Bunny) addresses the audience.
Non Sequitur Thud: Not quite played straight because it actually makes sense, but not within the context: Daffy quotes The Village Blacksmith after the artist turns his parachute into an anvil. See the YMMV page for more info.
Not Quite Back To Normal: Daffy gets redrawn as some...thing that's quadrupedal, has a flower-like head, and a flagpole flying a flag with a screw and a ball for a tail. Daffy remarks he doesn't "quite feel like myself".
Record Needle Scratch: Inverted. When Daffy asks for sound, the first sound effect is a record starting to play (the quiet "static" would be dust and small scratches on a record, a sound anyone familiar with records would recognize)
Show Within a Show: An unusual example in which Daffy is aware he's in a cartoon but not aware that the cartoon is being drawn by Bugs Bunny.
This is actually different in "Rabbit Rampage": Bugs not only knows that he is in a cartoon, but he also knows that Elmer Fudd is the animator... but we don't know that until the end.
Sound Defect: What the animator does to Daffy in response to the sign mentioned below.
Special Effect Failure: In-universe examples, of sounds (strumming a guitar and getting the sound of gunfire), backgrounds (which randomly blend into one another and/or disappear entirely), Iris Out (comes about halfway through the cartoon, after Daffy pleads with the animator to "get this picture started"), and Voice Acting (random animal/jungle noises replace Daffy's speech).