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Anime and Manga
- The Comic-Book Adaptation of Magical Girl Lyrical Nanoha The Movie First appeared to be an All There in the Manual affair for the first season (For those who don't know, The Movie First is a remake of that season), much like the A's and StrikerS comics that came before it. Indeed, this seemed to be the case until it reached the series proper in Chapter 5, where it gave a summary of the first Season, except that in place of Nanoha successfully befriending Fate and the two of them joining forces to stop Precia like everyone was expecting, Bardiche is destroyed, Fate never comes out of her comatose state for the final battle, Precia dies without giving Fate any sense of closure, and our last shot is of Nanoha crying about how she wasn't able to save Fate in the end, quickly revealing how this manga was actually another alternate retelling of the first season. Nanoha ultimately succeeds in befriending Fate after a sparring battle later on.
- While not particularly well-known, people who have read the Yu-Gi-Oh! manga will be surprised when watching the Toei anime, where many stories were given twists that weren't in the manga. For example, during the Burger World episode, the villain wasn't the robber, but rather the manager of the store. Or maybe more notable in the Tamagotchi episode, where the villain wasn't Kujirada, but rather an inconspicuous classmate who liked to keep people as pets, complete with whipping as a punishment and questionable rewards.
- Rebuild of Evangelion initially follows its predecessor material faithfully, which makes the later changes all the more surprising.
- One example is that Toji is not piloting Unit-03. This is also toyed with in that Toji's replacement Asuka does not get majorly crippled or die in his place, as she is present in 3.33 with only an eye missing.
- Perhaps the greatest example is that instead of unit 01 absorbing Shinji into itself and killing Zeruel monkey-style before shutting down, Shinji takes control of Unit 01 at its full berserk power, forcibly yanks Rei's soul out of Zeruel, and proceeds to ascend to godhood and nearly kickstart Third Impact before Kaworu stops him. Needless to say, some people were a bit surprised at these developments, which officially begin the point where Rebuild splits from the original events entirely.
- In the "elevator scene" Rei acts assertively and stops Asuka from slapping her in Rebuild.
- In the manga of Death Note, Light dies in a very pathetic manner, begging and crying for his life to Ryuk, who kills him instead. All in front of a large group of people including his most loyal follower. The anime however was more respectful in this regard and decided to provide a more dignified ending, and while he did cry a lot, he managed to escape long enough to take a long view to what his life had turn into and maybe regret his actions for the first time in the series. Afterwards he peacefully dies on a quiet warehouse while the spirit of his archenemy silently watches.
- Les Misérables: Shōjo Cosette, a Lighter and Softer adaptation of Les Misérables, still kills off some of the cast but Gavroche and Javert manage to survive to the end.
- Each version of Sands of Destruction is an Alternate Continuity, which makes for plenty of surprises no matter what order you watch/play/read them in. The anime hides the fact that Kyrie is a Person of Mass Destruction until the final episode, making him an Amnesiac Hero (of sorts). The gamenote and manga open with this fact. Everybody Lives in the anime, barring the death of Aquilla Rex and a couple of his mooks in the last episode, while in the manga, Naja almost dies and Morte does. But she's revived in the last chapter. Kyrie is also Spared by the Adaptation in both of these. The exact identity of the main characters varies, too. Kyrie is always the Destruct, but in the anime that means he's been alive in his current body for millennia, and he will end the world if someone in it truly wishes him to, whereas in the manga he's still an amnesiac but what he's forgotten this time is that he's one of two angels who make up the Destruct system, and he's reincarnated every thousand years in order to destroy the world so that it can be reborn fresh and new. In the anime, Morte is just a random girl who happens to really want to end the world because her family was killed by Ferals and she believes she has nothing to live for and anyone who thinks the world is worth saving is deluding themselves, but in the manga she's the Planner, Princess of Guidance who incarnates every thousand years in order to determine the qualities of the next world after Kyrie destroys it. Yes, she royally screwed up this last time; that's why she's so eager to see the world end: so she can fix it. Agan is also merely a random smuggler in the anime, rather than being Morte's Childhood Friend as he is in the game and manga. The anime also features a small black ball called the Destruct Code, which makes no appearances in any other adaptation.note This sphere is actually a memory storage device for Kyrie, which not only allows him to recall the millennia of his life, but also to show his memories to anyone he chooses. Rhi'a loses her guns in the manga, becoming a largely-Neutral Female rather than The Gunslinger. The manga also cuts many side characters, preferring to focus on the leads.
- In The Amazing Spider-Man, Spider-Man's archnemesis, the Green Goblin, tossed Spidey's first love off a bridge in one of comics' most iconic moments. It was a huge twist when the comic was published (never before had a superhero let someone die, except in an origin story) and shocked many readers. Since then, however, whenever Gwen Stacy is present, it's become more shocking not have the Green Goblin kill Gwen Stacy.
- The most straight example of this is in the mini-series Powerless, which re-imagines, among others, Peter Parker becoming a cripple due to the spider-bite, rather than getting superpowers. When Norman Osborn kidnaps Gwen Stacy, they both fall off a balcony, but Peter manages to catch Gwen Stacy, saving her.
- In Ultimate Spider-Man, instead of throwing Gwen Stacy off a bridge, the Green Goblin throws Mary Jane, and she ends up surviving. On the other hand, Gwen Stacy is killed by Carnage instead. But then, Gwen's memories and personality were absorbed by Carnage which wasn't sentient before, resulting in Carnage essentially becoming Gwen, making her technically alive.
- Played straight or averted in Marvel 1602, depending whether or not you consider the spin-off, Spider-Man: 1602, canon. Virginia Dare is said to fill the role of Gwen Stacy, and she survives in the original mini-series, and it's heavily implied she and Peter end up together. In the spin-off, however, not only is she killed by Osborne, but Peter very quickly gets over her to get together with Marian Jane Watsonne, effectively restoring the status quo that the original mini-series worked to avoid.
- Also played straight with Marvel Adventures, in which Gwen Stacy is present, but her death is never explored.
- As with the Crisis on Infinite Earths, the new continuity created by Flashpoint went out of its way to change things up in the DCU.
- A sort of double-subversion occurs with the new version of the Crime Syndicate. In previous continuity, most of the evil counterparts of the Justice League had radically different backstories than their main counterparts. For instance, Ultraman (the evil Superman) was an astronaut who was experimented on by aliens, and Jhonny Quick (the evil Flash) gets his powers from drugs. In the ''New 52, the Crime Syndicate members' backstories are dark, twisted parodies of the main heroes of the DCU. Not only is this a subversion, but it's also an inversion since their backstories are now much closer to the pre-Crisis CSA.
- Readers of the original E.C. Segar Popeye comics will be surprised to find out that not only was Bluto a minor oneshot villain in a 1932 story (as opposed to his recurring nemesis in the animated cartoons), but that Popeye did not use his spinach to defeat him, settling for the Twisker Punch instead.
- Advice and Trust: It was foreshadowed repeatedly that the pilot of Unit-03 would not be Toji this time around. Confirmed when it was revealed that Hikari Horaki had been selected as the Fourth Child.
- My Little Pony: Friendship Is Magic inspired an abridged series by the name of Friendship is Witchcraft. For the most part, the episodes have more or less started and ended the same way as their counterparts in the actual show. Along comes Foaly Matripony, a parody of the Season 2 finale "A Canterlot Wedding." Instead of a changeling queen, Princess Cadance Notevil Goodpony really was a not-evil good pony, all the business with the changelings was completely skipped, and Twilight's had a crush on her brother since day one. Oh yeah, and at the end, Twilight leaves Cadance to die so she can marry Shining Armor. They're not biologically related, so it's okay!
- The premise of Coming Home in that James Sunderland didn't kill his wife and Mary dies of her terminal disease. Unfortunately Silent Hill still wants him.
- In Pony Fantasy VI, a romhack of Final Fantasy VI featuring the cast of My Little Pony: Friendship Is Magic, Fluttershy stands in for Shadow, and during the game's ending, shoos her dog Angel away while opting to stay in Discord's tower as the place collapses. This time, however, Rainbow Dash/Setzer will have none of it and drags her to safety.
- Xenonauts being a Fan Remake of X-COM, you might expect that psionics and energy weapons are your endgame tools. Nope! Humanity has no psionic potential and aliens highly resistant to energy weapons come into play. You have to take a different path and hope you can go far enough before it's too late.
- A few cases in Necessary To Win
- In Girls und Panzer, while spending time in town after their practice match against St. Gloriana, the girls run into Hana's mother, who disowns her after finding out that she's been doing tankery. Here, the girls just miss Hana's mother, although she finds out later.
- Several canon matchups are different. Anzio loses to Oarai in the first round, rather than the second. St. Gloriana, rather than losing to Black Forest in the semifinals, loses to Oarai in the second round. Pravda makes it to the semifinals, but loses to Black Forest rather than Oarai; Oarai's semifinals opponent is Saunders instead.
- During the semifinals, an incident similar to Rabbit Team stalling in the river happens (but to Octopus Team), and at that point, Momo is forced to reveal that Oarai is at risk of shutting down unless it wins the tournament. In the finals, Rabbit Team makes it across the river, but loses a tread and has to stay behind.
- During the finals, Rabbit and Duck Team are eliminated early on, while the Maus quickly defeats Leopon and Turtle Team, forcing a change of tactics later in the battle.
- Madame Macabre inverted this with her song based off the Pianist - she added a twist where The titular pianist sides with the demon and they, to quote a commenter, become the demonic version of team rocket
- Corrin Reacts seems to begin with the same beginning other Reactsverse fics do, even starting with the same structure that Lucina Reacts started off with in the first chapter. Then Corrin is revealed as the resident prankster, with the story proceeding as a Perspective Flip from the Antic Order's perspective.
- A version of The Legend of Sleepy Hollow features characters from Kim Possible in the main roles, with Kim as Katrina, Ron playing the role of Ichabod Crane and Erik taking the place of Brom Bones. During the story's climax where Ron was to have the infamous Chase Scene with the Headless Horseman, he ends up getting lost in the woods and the horseman (whose identity is not ambiguous in this instant and is confirmed to be an actual ghost) ends up chasing Erik. Ron, meanwhile, gets out of the woods alive and ends up with Kim.
- The Gender Flip Harry Potter fic Weasley Girl has Snape resigning from his position as Potions master. references are made to a "replacement Potions teacher," which the reader assumes will be Horace Slughorn — but it's actually Nicolas Flamel, who in this alternate universe has chosen to stay alive for a while longer.
- The Mark Wahlberg remake of Planet of the Apes changes the twist ending. Instead of discovering that he is on a future Earth, the main character was in fact on an alien planet but returns to present-day Earth to find history has been remade by the apes, with the apes ruling over society and General Thade replacing Abraham Lincoln in the Lincoln Memorial.
- My Sister's Keeper makes major changes to the book it is based on, actually changing the ending so that Kate dies instead of Anna. This seems to work better for the movie, though, as while the book focuses on the moral and legal ramifications of obligating a child to donate organs to a sibling, the movie focuses on how the family deals with pain and loss, which would not work as well with the original Twist Ending.
- Inglourious Basterds changes the ending of World War II itself, having Shoshanna and the Basterds succeed in assassinating all of the top Nazi officials, including Hitler himself. Subtly lampshaded with this Wham Line from Hans Landa: "So, gentlemen, what shall the history books read?"
- The Live-Action Adaptation of Death Note loosely follows the structure of the first arc of the manga, though many important plot details are changed and some are combined with the second arc. The arc's climactic scene, in which Light manipulates Rem into killing L with her Death Note, first diverges when Light writes his father's name to make him hand over the task force's Death Note and then changes completely when L re-emerges alive and well, Light and Misa are arrested by the task force, Light's Note is revealed to be a fake, and Ryuk writes Light's name in his Note after he decides there is no more fun to be had. After this clears up, L dies peacefully three weeks later, as he had written in the Death Note; since his name was already written, he could not be killed by any other notebook.
- Because of this, a third movie is made entirely about L's character stopping a completely DIFFERENT group of criminals.
- Subversion of this in the Live-Action Adaptation of Speed Racer. Near the end of the movie, Speed suspects that Racer X is his long-lost brother, and asks him to take off his mask. This qualifies because it turns out he looks completely different from the Rex Racer we saw earlier in the film. Subverted at the end when we find out it really is Rex after all, he's simply undergone extensive reconstructive surgery and won't tell his family to protect them.
- The remake of Miracle on 34th Street changed the post-office ending.
- My Bloody Valentine 3D changes the final revelation of the killer's identity.
- Screamers, which was based on "Second Variety" by Dick, retains the original surprise ending that the woman the hero met and bonded with is one of the robot decoys, but changes it so she has broken her programming and isn't out to kill humans. It further departs from the original ending by having her "dying" and putting the hero safely on the shuttle to Earth in a happy Hollywood ending...until it reveals that the teddy bear the hero kept as a souvenir is another deadly robot decoy. The direct-to-video sequel briefly mentions the first film's protagonist choosing to destroy his ship rather than allow the teddy bear to get to Earth, although it's difficult to imagine a single killer robot being able to wipe out the human race without the means to make more of itself.
- The film adaptation of The Turkish Gambit changes the Secret Identity of Anwar, the Turkish spy in the Russian camp.
- The false end of the Tim Burton adaptation of Charlie and the Chocolate Factory uses this to great effect. When Charlie asks if his parents can come with him to live in the factory, Wonka responds:
"My dear boy, of course you can't! ... You can't run a chocolate factory with a family hanging over you like an old, dead goose!"
- And then he changes his mind and lets them move to the factory just like in the book after Charlie helps him reconcile with his father.
- And then they never end up flying out in the elevator. This is justified because Dahl's will prohibited anyone making Charlie and the Great Glass Elevator into a movie, so there was no point in a Sequel Hook.
- In the original Land of the Lost, Enick is a good, monk-like person, helping the heroes as much as he can. In the movie, he's a Villain with Good Publicity Big Bad who plans on using the portal to Earth to overrun it with Sleestaks.
- In the Savini remake of Night of the Living Dead (1990), Barbara survives and turns into an Action Girl. Not only that, but the black hero who steps out of the farmhouse at the end does so as a zombie, which she and the rednecks kill. Then the film's Jerkass emerges, having survived by locking everyone else out of the cellar, to greet Barbra with relief that he's alive ... and she shoots him dead, then calls to the rednecks that there's "another one for the fire".
- Used brilliantly in A Series of Unfortunate Events:
- In the first book, Violet avoids marriage by signing the marriage contract with the wrong hand. The movie resolves the plot differently than in the book, and when that moment comes up Olaf insists on her using the correct hand to sign.
- The movie consisted of the first three books squashed together, so the ending of each individual story was changed. The segment taken from The Bad Beginning ends with the children taken from Olaf's care after he tries to leave them trapped in a car about to be hit by a train, and Mr. Poe chastises him for letting Sunny sit in the driver's seat. The rest of the plot of the first book is stuck at the end, after the plots of the second and third book are gone through. The segment that was taken from The Reptile Room did not end with Klaus proving that the death of Uncle Monty did not match up with what Olaf claimed (that a snake bit him), and Sunny biting off the Hook-handed Man's fake hands, revealing his identity. Instead, Uncle Monty's death is blamed on the Incredibly Dangerous Viper, and Sunny proves the story false by going over and showing that the viper is perfectly harmless towards her. The segment taken from The Wide Window ends with Count Olaf saving the children without his Captain Sham disguise, leading Mr. Poe to mistakenly believe he has their best interests at heart and put them back in his care.
- A Streetcar Named Desire: The 1951 film version still ends with Blanche being committed, but Stella decides to leave Stanley and take the baby with her. This change was done less to surprise the audience with a new ending and more to conform to The Hays Code, which dictated all immoral acts (Stanley's rape of Blanche) must be somehow punished.
- The Odyssey-inspired O Brother, Where Art Thou?:
- From the moment John Goodman's "cyclops" appears on screen in, one expects him to get a skewer in the eye. He doesn't, stopping a Confederate flag from impaling him inches from his face. But then, the twist is immediately untwisted when Everett cuts the wire holding up the Klan's burning cross and it falls directly onto Big Dan's face, no doubt taking his other eye.
- The Fly (1986): The original 1958 film has the scientist and the fly switching heads in the matter transporter. The David Cronenberg film features the scientist stepping out of the transporter completely unharmed. However, it turns out the fly's DNA merged with his own, and as his cells divide over the next few weeks, his body gradually mutates into a grotesque hybrid.
- In contrast to the original classic, Werner Herzog's 1979 remake of Nosferatu features a vampirized Jonathan Harker at the end of the film, who had earlier been subject to the predations of Count Dracula. Interestingly, this fate befalls no one else in the film, all of whom just die if they were drained by Dracula (or otherwise expire from The Plague he brought along with him). Likewise, Harker can apparently survive openly in broad daylight, whereas the sunlight was shown to kill Dracula outright (though possibly not permanently, as speculated by Van Helsing), even as Harker shares Dracula's aversions to religious items.
- Tromeo and Juliet: Not only do Tromeo and Juliet not die, they discover they're actually siblings, but then decide to get married anyway, and raise a family of mutant children. (Of course, the original ending has them run off and get married, then kill themselves in a motel room.)
- In Gnomeo and Juliet, the two eponymous garden gnomes manage to survive and the feud between the red and blue gnomes ends peacefully, with Gnomeo and Juliet getting a Happily Ever After.
- Roxanne is an updated version of Cyrano de Bergerac, with Steve Martin in the Cyrano role. He gets the girl.
- The Recursive Adaptation of Hairspray (the film of the musical) has, among other changes, Tracy hidden in the giant hairspray can, Velma losing her job, and Little Inez winning the pageant. Of course, much of the stage version's Act 2 was modified and swapped around to facilitate some of the changes, but the third one is a true example.
- From the original to the musical, Amber performs a Heel–Face Turn at the last moment, accepts defeat gracefully and gets to dance in the finale unlike her mother.
- Fantastic Mr. Fox plays with this trope: the Fox's Feast which the original book ended on happens around the 2/3 mark, and is rudely interrupted when Bean floods the tunnels with apple cider. However, the actual ending is much the same: the animals toast to their survival while Boggis, Bunce and Bean are left standing around a hole waiting for Mr. Fox to come out (which he never will, since he's so thoroughly outsmarted the farmers that the animals are now all living quite happily off of food stolen from them).
- Almost all of the film adaptations of Agatha Christie's And Then There Were None use a different ending from the book; the killer's identity is usually left unchanged, but their Perfect Crime doesn't go as perfectly as it does in the book with Vera and Lombard surviving. The only adaptations that retain the book's original ending are the 1987 Soviet film and the 2015 BBC miniseries.
- In the remake of The Wolfman (2010), Lawrence is not killed by his father, nor does it turn out that Malevra's son is the one who bit him. Instead, his father is the werewolf that killed Lawrence's brother and bit him. The film ends with Lawrence, as a werewolf, killing his transformed father and in turn being shot by Gwen. This leads to a Sequel Hook where we see that the police officer investigating the entire situation had also been bitten.
- Roger Ebert joked about this trope in his review of the last Harry Potter film: "I dare not reveal a single crucial detail about the story itself, lest I offend the Spoiler Police, who have been on my case lately. Besides, you never know. Maybe they've completely rewritten J. K. Rowling's final book in the series. Maybe Harry dies, Voldemort is triumphant, and evil reigns." The film series made a lot of changes, but nothing like this.
- Subverted in Harry Potter and the Deathly Hallows: In the book, Neville manages to decapitate Nagini right after he pulls Gryffindor's sword from the Sorting Hat; in the movie, he's thrown aside, and Nagini begins to fight Ron and Hermione. Just when you're sitting on the edge of your seat and wondering if Steve Kloves would have the audacity to take away Neville's Crowning Moment of Awesome, he manages to kill the snake anyway.
- Watchmen: Yes, Ozymandias is still the Big Bad. Yes, he still kills millions and thus succeeds at uniting mankind against a fictitious common enemy. The twist is that, in the film, he frames Dr. Manhattan for the destruction instead of teleporting a squid-thing into NYC.
- In Angels & Demons, just when you think Langdon won't be able to save the drowning bishop who's been weighted down in the fountain and dies in the book, a group of passers-by jump in and help lift him out of the water. Of course, the villain is still the same character, and he still gets caught. But the Red Herring doesn't win the papal election as he does in the book - this honor goes to the bishop who was saved from the fountain and who was originally a frontrunner in the election, anyway.
- In The Dark Knight Rises, a loose adaptation of the Knightfall story arc from the Batman comics, Bruce Wayne doesn't wind up paralyzed, and the Big Bad is ultimately revealed to be Talia al-Ghul rather than Bane. For bonus points, they manage to throw off fans of the comics by giving Talia Bane's origin story. It isn't until The Reveal towards the end that we realize that "The Child" born and raised in that hellish prison was actually Talia, not Bane.
- This is actually foreshadowed earlier in the film: when confronting Batman, Bane says that "I didn't see the light until I was already a man," meaning he couldn't have escaped as a child.
- Earlier, in The Dark Knight, both Harvey Dent and Sal Maroni appear, and it looks like we will see Two-Face's origin the way it was in the comics, with Maroni throwing acid in Dent's face. However, that doesn't happen, and Harvey becomes Two-Face in an explosion set-up by Joker instead.
- Inverted in the now-lost German Expressionist film The Janus Head, starring Conrad Veidt. The Twist Ending is that the movie is actually an adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde. The twist ending is the same as in the source material, but nobody in the original audience realized this because all the names had been changed and because of general ignorance of everything except the twist of the original story.
- Played with in the case of the DL-6 Incident in Phoenix Wright: Ace Attorney. The confrontation takes place in the evidence room, and almost everyone involved believed that Gregory Edgeworth was trying to destroy von Karma's key evidence (a handgun, which was later used to shoot von Karma and kill Gregory). Because the movie did not include Gregory revealing of von Karma's use of fraudulent evidence during the case (as he did in the game), von Karma has no motive to kill Gregory, which is brought up in the final case. Phoenix manages to turn it all around and prove that von Karma did have a motive - the gun was forged evidence, Gregory was in the process of figuring this out, and Phoenix is able to prove it in front of the entire courtroom.
- The remake of Ocean's Eleven whilst obviously differing significantly from the original still manages to use this, with the heart attack now being part of the plan.
- Star Trek Into Darkness: The moment Khan is revealed, viewers that saw Star Trek II: The Wrath of Khan are likely to jump to the conclusion that Spock will pull a Heroic Sacrifice again by fixing the Warp Core, complete with his Famous Last Words being mentioned early on as foreshadowing. Nope, it's switched up: Kirk does the sacrifice and Spock watches him "die" through the radiation door. This also serves as a Meta Twist for those who were expecting a completely different resolution due to the first movie in this new continuity implying that the previous continuity no longer applied.
- In the book of Avalon High, the Love Interest Will is revealed to be the reincarnation of King Arthur, in the movie in it turns out to be Protagonist Allie (which was a Foregone Conclusion considering her name was Allie Pennington)
- Roger Corman's The Raven opens with Dr. Craven in his study, reciting or paraphrasing lines from a certain poem and more or less following its arc as he does so. Until...
Craven: Are you some dark-winged messenger from beyond? Answer me, monster, tell me truly! Shall I ever hold again the radiant maiden whom the angels call Lenore?Raven: How the hell should I know? What do I look like, a fortune teller? Ooh! I'm chilled to the bone - why don't you get me some wine?
- The film of Blood And Chocolate ends with Vivian not getting stuck as a human-wolf creature and instead defeating the bad guy and everyone living happily ever after.
- In X-Men's The Dark Phoenix Saga, Wolverine managed to open his way to Jean, and she accepted her fate and requested him to kill her. But he goes back at the last moment: he loves her, he can't bring himself to kill her. Same thing on the animated series. Same context in X-Men: The Last Stand... completely opposite outcome.
- Evil Dead (2013): The biggest twist of the original The Evil Dead (1981) was that Sheryl - the withdrawn artist set up as the movie's Final Girl - was actually the first to go, with the only survivor being her jockish, doofy brother Ash (who becomes a total badass in the sequel). The remake seems at first to be going in the same direction, but after a fair bit of flirting over which character is going to be the movie's Ash equivalent ( one girl even cuts off her own demonically-possessed hand, just as Ash did in the second film, while a male character is simply given Ash's exact character relationships within the story), ultimately reveals that the Ash equivalent is also the Sheryl equivalent, because although she's the first to get possessed, and it's explicitly shown that victims can only exorcised via one of three gruesome forms of death, her brother unexpectedly manages to kill her and resuscitate her in such a way that the demonic influence is purged. Thus, after the original subverts the Final Girl trope, the remake double-subverts it.
- In the live-action version of Space Battleship Yamato (Star Blazers), the nature of the Gamilons, Iskandar, their relationship to each other, and the Cosmo DNA, are all radically altered.
- The twist in Cinderella was that Lady Tremaine breaks the glass slipper (seemingly preventing Cinderella from trying it on) only for Cinderella to reveal that she has the other slipper - confirming her to be the right girl. In Cinderella (2015) however Lady Tremaine finds the slipper in her belongings and breaks it, and Ella ends up trying on the one the Prince still has (although he recognized her anyway). The prince is also present when Ella tries the slipper on.
- Disney's original Jungle Book film ended with Mowgli leaving the jungle to live in a human village. The live-action 2016 remake plays with this quite a bit: Mowgli actually comes within sight of the village halfway through the film but is persuaded by Baloo to stay with him instead. When he does enter it later in the film, it's only to get fire to fight Shere Khan with, and the film ends with him happily living in the jungle with his animal friends and no further mention being made of the village.
- Pan, which tries to tell the origin story of the Peter Pan lore, depicts Captain Hook as Peter's closest friend and ally. One would expect that he'd pull a Face–Heel Turn over the course of the film, but no such thing happened, and he never became the villain people would know him as. More cynical people guessed that it's being saved for the sequel.
- For years of his comic book existence, Tony Stark maintained the ruse that Iron Man was his bodyguard, using a suit provided to him by Tony's company. At the end of the movie adaptation, this is the cover story Tony has been provided to use at a press conference set up to deal with the Iron Monger incident, but Tony decides to go off script and end the movie with the bold declaration "I am Iron Man" (cue the Black Sabbath).
- In addition to adapting its samesake story, one of the major influences of Captain America: Civil War was part of its aftermath, The Death of Captain America. Despite that, Steve Rogers himself doesn't die in the film, but he does give up his identity as Captain America.
- WarCraft changes several plot points from the original game's plot:
- While Garona kills Llane like she did in the game, she does that because he orders her to do it so that she may forge peace between two species, and not because of Gul'dan's order.
- Lothar, rather than Orgrim, kills Blackhand.
- Stormwind is still standing, while in the game, it ended up ruined.
- Khadgar doesn't get magically aged from fighting Medivh.
- Durotan is killed, rather than by Gul'dan's assassins, by Gul'dan himself in a mak'gora.
- Huamns have access to dwarven guns two wars early.
- The entirety of Mannoroth's blood subplot is removed (the orc chieftains were thought to have been possessed into drinking Mannoroth's demonic blood, enslaving them, until Grom reveals the chieftains went along knowingly, later killing Mannoroth in a Heroic Sacrifice).
- "The Tortoise and the Hare" by James Thurber tells the story of a Genre Savvy tortoise who knows from reading books that in a race between a tortoise and a hare, the hare always loses. The tortoise finds a hare, challenges him to a 50-yard dash, and has proceeded less than a foot when the hare crosses the finish line.
Moral: A new broom may sweep clean, but never trust an old saw.
- The Tale of the Rose by Emma Donoghue is a Twice Told Tale of Beauty and the Beast with a Beast who constantly wears a mask around Beauty. When the Beast confesses to Beauty that he's no man underneath the mask, Beauty assumes that he means that his appearance isn't human. However, when Beauty removes the Beast's mask, she learns that the Beast meant "not male" and is actually a perfectly normal-looking woman who secluded herself not because of her appearance but because of society's attitude towards lesbians.
- The earliest versions of Beauty and the Beast have a subplot in which Beauty is torn between her growing connection with the Beast and an attractive prince who appears in her dreams begging for help; most modern adaptations skip it, because everyone knows the ending and can easily foresee the revelation that the dream prince is the Beast. Ursula Vernon's novel Bryony and Roses puts it back in, but the attractive young man in the dreams isn't the Beast — it's the novel's equivalent of the witch who cursed him, trying to distract Bryony so she won't break the curse.
- Some modern retellings of Beauty and the Beast, such as Rose Daughter, don't have the Beast change back to a handsome prince at the end to avoid the Unfortunate Implications of a tale about looking past appearances ending with both of its main characters having conventionally beautiful appearances and instead have Beauty accept him for who he is with no change in his appearance needed.
- In More Information Than You Require, during an anecdote about William Randolph Hearst (on whose life Citizen Kane was, of course, based), it's casually mentioned that "Rosebud" was his nickname for Theodore Roosevelt.
- The twist in Kim Newman's "Further Developments in The Strange Case of Dr. Jekyll and Mr. Hyde" is that Jekyll and Hyde were lovers, and the "confession" about being two sides of the same man was completely made up. Probably.
- Done In-Universe by Death in Hogfather to "The Little Match Girl"... and it is Tear-jerkingly Heartwarming.
"I'm The Hogfather. The Hogfather gives presents. There is no greater present than a future."
Live Action TV
- In Young Dracula, It is revealed that Robin Branaugh and Vladimir Dracula may have been switched at birth. This theory is quickly discarded, with Robin being forced to go back to the Branaugh way of life and Vlad continuing to stay with his father in Stokely Castle. This greatly varies from the source material, Young Dracula And Young Monsters, in which the entire point of the story is that Wilfred and Smirk were switched at birth.
- In the first season finale of Dexter, Dexter tracks the Ice Truck Killer down to a shipping container, which was the location of the final showdown between Dexter and his brother in the first novel. In the series, the shipping container is full of bananas. Also, in the novel Dexter's brother escapes alive and Deborah finds out about Dexter being a killer. LaGuerta dies. The first season ends with Brian's death and Deb remains in the dark about Dexter, while LaGuerta lives to continue to annoy Deb. Deb does end up killing LaGuerta later in order to keep Dexter's nature secret.
- One stage performance of Monty Python's Parrot Sketch ends about 30 seconds into the sketch with Palin agreeing that the parrot is dead and giving Cleese a refund. This was also to reflect the improvement in returns stores would make.
- Palin also wrote about an ill-advised ad-lib in the sketch where he plays a man who goes up to a policeman played by Cleese to say his wallet's been stolen. The policeman apologetically tells him there's not much he can do, and after an uncomfortable pause the man asks, "Do you want to come back to my place?" and the policeman is supposed to say, "Yeah, all right." One night Cleese just said "no!" instead, which left them with nothing to do except slink offstage in a way that was no longer a punchline.
- One clip from The Young Ones appears to be setting up a rendition of the Pythons' "Cheese Shop" sketch. When asked if it's a cheese shop, however, the proprietor says "No", so the customer quips that they can't do the sketch after all.
- Being Human (US) plays around with this. Some of the plots taken from the original play out the same way as they did in the British version while others use this trope.
- In the season one finale the final confrontation with Bishop averts the big twist from the British season one as Aiden figures out what Jeff is trying to do and does not let him fight in his place.
- One episode of Midsomer Murders was a direct retelling of Hamlet... Except this time the Claudius-Expy gets wise to the Hamlet-Expy's plan and kills him.
- The Walking Dead is making a concentrated effort to surprise even people who read the comic (something creator Robert Kirkman is in favor of). Examples include: Shane dying and Lori's pregnancy being revealed much later, and the revelation that everyone's already infected, Otis' death and the debut of Michonne happening earlier. But the real winner has to be Sophia dying during their time at Hershel's farm.
- The series also adds surprise for comic readers by keeping the iconic events and deaths of the comics but changing the characters involved (though some of these are justified by the comic characters not being present or of the same prominence in the TV show). Examples include Dale's early TV death resulting in Herschel and Bob respectively replacing him in surviving a walker bite by leg amputation, and losing the other leg to cannibals, Denise suffering Abraham's death for the show and Herschel replacing Tyreese in the TV representation of the latter's death.
- A huge subversion of this trope happens in the season 7 premiere. Negan brutally kills Abraham instead of Glenn, like he did in the comics (Although the former was already dead by that time that happened)...but then some time later, Negan kills Glenn anyway.
- Word of God by the producer of Pretty Little Liars made an ambiguous comment about -A being Mona, saying that "It won't be exactly like the books", which much of the Fan Dumb interpreted as an absolute statement that Mona wasn't -A. It turned out -A was the same individual as in the books, but the motivation was altered along with other details (including that in the books Mona die immediately after being revealed). However, the reveal sequence and following confrontation still plays out almost exactly the same.
- Sherlock frequently changes details and yes, even endings, from the original books, but the most epic instance has got to be when Moriarty suicides at the climax of "The Reichenbach Fall", thereby forbidding Sherlock from pulling a Taking You with Me. It leaves the Holmes-savvy viewer feeling very wrong-footed...in the best way possible, of course.
- Another good example is the episode "The Hounds of Baskerville". The plot is similar, with Henry thinking he's been pursued by a hellish hound. However, the character of Dr. Stapleton, originally the villain, is a decoy here, and the real villain is Dr. Frankland. While the fog was an environmental hindrance in the original story, here, it is a hallucinogenic gas. The image of the hound derives from the name of Frankland's illegal project H.O.U.N.D. on his uniform, and led to Henry's Insistent Terminology (which was carried over from the book).
- Speaking of Sherlock Holmes, Elementary pulls one when Irene Adler turns out to be Moriarty.
- Once Upon a Time is built around pulling this trope with various fairy tales. One particularly notable twist is that Red-Riding Hood is not eaten by the Big Bad Wolf, she is the Big Bad Wolf by way of lycanthropy. And she eats her boyfriend before her grandmother can explain it to her.
- From Dusk Till Dawn doesn’t even try to maintain the notorious Halfway Plot Switch of the original movie. The supernatural elements are evident from the very first scene of the pilot.
- Readers of the A Song of Ice and Fire book series often delight in teasing viewers of Game of Thrones about upcoming events: "Just wait! You're not going to believe what happens next!" However, after much teasing from book-readers about the finale of Season 4, the expected event Jaime revealing Tyrion his first wife, Tysha, wasn't a whore and that he lied about it at Tywin's demand... and even worse, the appearance of Lady Stoneheart didn't occur! As of this writing, it remains to be seen if Lady Stoneheart's appearance will happen later in the series.
- An even larger one at the end of Season Five: The appearance of the Night's King, who most definitely has not appeared in the books and who the author has all but said is not going to.
- In Lois and Clark, when the Prankster first appears, Lois suspects that he's really a former Abhorrent Admirer named Randall Loomis, which would cause fans who know the comic book Prankster is Oswald Loomis to nod sagely. The Prankster turns out to be a completely unrelated guy called Kyle Griffen.
- Similarly, in Arrow one of the suspects for creating the Brother Eye computer virus is named Myron Forest, the same as the Brother Eye satellite's creator in O.M.A.C.. It's the other guy.
- In the comics, Adrian Chase is Vigilante, so people assumed he would be character in the show, but instead Adrian is Prometheus and Vigilante's identity has yet to be revealed.
- One of the major characters in The Flash (2014) is Eddie Thawne. Comics fans will immediately recognize the name as sounding remarkably close to villain Eobard Thawne, otherwise known as the Reverse-Flash, and will expect him to most likely undergo a Face–Heel Turn down the line. Then it turns out that Barry's mentor Harrison Wells is really the Reverse-Flash while Eddie turns out to be a Red Herring the entire time. And then it turns out that Eobard Thawne is still the Reverse-Flash in the series: not only has he been posing as Wells the entire time, but he's also Eddie's descendant from the future.
- The second season of the show does this again by revealing that Jay Garrick was Zoom. Quite in fact, there was never a Jay Garrick at all! It was the villain posing as a hero in order to gain Barry and his friends' trust and sympathy.
- Except there is a Jay Garrick. He's Henry Allen's Earth-3 doppelganger, as a reference to the fact that his actor, John Wesley Shipp, played the Flash in the 90s TV show.
- The second season of the show does this again by revealing that Jay Garrick was Zoom. Quite in fact, there was never a Jay Garrick at all! It was the villain posing as a hero in order to gain Barry and his friends' trust and sympathy.
- Gotham has this going on.
- Arnold Flass got a case of Decomposite Character going on with his role as Gordon's partner going to Harvey Bullock and being locked up before Bruce Wayne becomes Batman.
- Between the Season 1 finale and Season 2 opening, Carmine Falcone, Sal Maroni, and Gillain Loeb got hit with this as well. All three men continued their activities into Batman's first years, with Loeb being forced to resign from the commissioner post at the end of the first year, and the three of them dying during Batman's early years: Maroni and Falcone dying during The Long Halloween and Loeb coming Back for the Dead in Dark Victory. Season 1's finale saw Falcone retire and Maroni get killed and the season 2 opening saw Loeb forced to resign, all not long after Thomas and Martha Wayne died. This also likely means that much like Rupert Throne in Batman: The Animated Series and the Joker in the aforementioned The Dark Knight, someone else will take Maroni's role in Harvey Dent's transformation into Two-Face.
- Barbara Kean (Jim's first wife and mother of Batgirl) initially appears as his fiancée early on in the series. Several episodes in, however, she ends up leaving him for Renee Montoya (which, in turn, leads him to start a relationship with Leslie Thompkins). Then, by the season one finale, she becomes a full blown psychopathic villain and is subsequently incarcerated in Arkham Asylum.
- Sarah Essen also gets hit with his. In the comics, she ends up becoming Gordon's second wife. In the show, however, she gets killed in the season two episode "Knock Knock", therefore eliminating any possibility of a relationship with Jim.
- The fate of Nora Fries. In all other adaptations, Victor puts her into cryostasis to prevent her from dying of her illness as he researches a cure. Everything seems to be proceeding the same way in the show, up until Nora swaps out the working batch of Harmless Freezing formula with one of the failed, not-so-harmless batches while Victor isn't looking, opting to die rather than wake up to a world where Victor is either dead or in prison.
- The producers first told everyone they would not provide an obvious origin for the Joker, instead providing several candidates for the person who would assume that identity. Then they introduced Jerome, and in Season 2 made him basically be the Joker in all but name. Then Theo Galavan kills him. So he's not going to be the Joker. But wait! Hugo Strange has his body, and is experimenting in resurrecting people, so he could become the Joker. But Strange doesn't resurrect him before Indian Hill gets shut down so he won't become the Joker. But his cryogenically-preserved body is stolen by some acolytes, who have successfully resurrected people, so he could become the Joker. But then they fail to resurrect him so he can't become the Joker and instead it will be his followers who take up the mantle. But surprise! They did manage to resurrect him, he's alive, he's in Arkham, and it looks like he will likely become the Joker. Maybe.
- In their adaptation of the villain Toyman, Superman: The Animated Series named their version "Winslow Schott Jr.", with his father being named "Winslow Schott Sr." Supergirl (2015) inverted this, as there's a character named Wynn Schott who's helping Supergirl—he's Winslow Jr. whereas it's Winslow Sr. who's Toyman.
- Supergirl works for a man named Hank Henshaw. That name belongs to a supervillain in the comics, and his duplicity seems confirmed by his glowing red eyes and hints that he killed Supergirl's adoptive father. However, it turns out that, while the real Hank Henshaw was a nasty piece of work, he apparently died years ago, and the one we've met is a certain shapeshifting alien named J'onn J'onzz.
- But, as it turns out the original Hank's still around, and was turned into the Cyborg Superman by Project Cadmus. The twist got untwisted.
- Supergirl works for a man named Hank Henshaw. That name belongs to a supervillain in the comics, and his duplicity seems confirmed by his glowing red eyes and hints that he killed Supergirl's adoptive father. However, it turns out that, while the real Hank Henshaw was a nasty piece of work, he apparently died years ago, and the one we've met is a certain shapeshifting alien named J'onn J'onzz.
- Hannibal starts out as a loose prequel to Thomas Harris' Red Dragon, portraying Detective Will Graham's relationship with the cannibalistic serial killer Hannibal Lecter at a point when Lecter is still a practicing psychologist with his secret well-hidden. Anyone familiar with the Hannibal Lecter saga (either the books or the movies) will know that it's only a matter of time before Lecter gets outed as a serial killer and imprisoned in Frederick Chilton's mental institution. Of course, that makes it all the more shocking when Season 1 instead ends with Will institutionalized after Hannibal successfully frames him for the murders that he committed. Just to drive the point home, the last scene of the season features a Mythology Gag where Will and Hannibal reenact Clarice Starling's first meeting with Hannibal from The Silence of the Lambs, but with Will in Hannibal's place.
- In the Sesame Street episode, "Birdie and the Beast", after Big Bird befriends the Beast, the Witch's curse upon the Beast is broken. However, rather than turn the Beast back into a human, the Beast's hair is straightened out. When a surprised Big Bird tells the Beast that he's still a beast, The Beast tells him that he's always been a beast, and that the Witch's curse just messed up his hair.
- Agatha Christie adapted some of her novels into plays and often changed features.
- In her adaptation of Appointment With Death, she changed the identity of the murderer.
- The stage adaptation of And Then There Were None kept the identity of the murderer the same, but replaced the original book's Downer Ending with a more hopeful conclusion.
- A different adaptation, called Ten Little Indians, keeps the audience off guard by having a different killer for each performance. Sadly, this results in an unsolvable mystery for the audience, as all clues must apply equally to all characters. Or not.
- Euripides' Medea - in the original story, Medea's sons were killed by a mob of women in revenge. Having her kill them herself was a shocking twist at the time. Ironically, it's since become the most famous part of the story.
- West Side Story is based on Romeo and Juliet, but...Maria doesn't die, and Tony is murdered.
- Shakespeare did it.
- In the story that King Lear is based on (which the audience would have been familiar with), Cordelia survives. Shakespeare killing her off changes the ending from bittersweet to bleak.
- In the original Danish legend of Amleth, the title character kills his wicked uncle and has a glorious reign as king. Shakespeare ends Hamlet by killing almost every major character.
- Historically, Macbeth's rule was fairly successful, and lasted 10 years.
- Shakespeare also changed the Ending of "A Winter's Tale" from the original Downer Ending to something worthy of a fairy tale.
- The musical adaptation of Wicked has one, compared to the book or The Wizard of Oz by giving the Wicked Witch of the West a Disney Death instead of her famous melting death.
- The German stage version of Disney's The Hunchback of Notre Dame has Esmeralda die, nixing the Happily Ever After ending from the movie. It's probably not a coincidence that this is what happened in the original Hugo novel.
- The 2013 stage adaptation of Charlie and the Chocolate Factory puts its own twist on the novel's ending: when Charlie wins the factory, he is immediately made the new owner — Willy Wonka disappears after a celebration with Charlie and his family. This is justified because Dahl's will prohibited anyone making Charlie and the Great Glass Elevator into a movie, so there was no point in staging the book's ending and leaving a Sequel Hook; other adaptations of the novel have done much the same, and at least two other stage adaptations immediately have Charlie become the new owner.
- Most productions of Chess end with Florence not getting her father back, either because Anatoly refused to throw the game or because her (real) father is probably long dead. However, an 1991 American touring production (loosely based on the Broadway version) ended with Florence and her father tearfully reuniting.
- A Very Potter Musical:
- In the first instalment, it's revealed after Harry's pseudo-death that Dumbledore somehow survived Snape's Killing Curse and is now Faking the Dead.
- The final scene reveals that Voldemort is still alive, and it's implied that he lost his duel with Harry on purpose so that he could be with Quirrell.
- In "Sequel", we're led to believe that Ron's pet rat Scabbers is Peter Pettigrew as in canon. It turns out that Scabbers died years ago, and Pettigrew was somehow hiding in a poster of Taylor Lautner.
- Once Upon a Mattress, a Fractured Fairy Tale retelling of "The Princess and the Pea," ends by revealing "it wasn't the pea at all," with a large number of unpleasant objects being pulled out from between the mattresses the princess couldn't sleep on. (The pea alone, however, is implied to have been sufficient even if the court's plan to keep her from sleeping hadn't been used: Winnifred is still uncomfortable and only after the pea is also removed does she actually fall asleep.)
- Peter Jackson's King Kong: The Official Game of the Movie ends with King Kong falling from the Empire State Building to his death. However, this then unlocks the final level where you can blast the US Army planes to bits and take Kong back to Skull Island.
- The ending of Afro Samurai was changed greatly from the anime. Might have just been Rule of Fun, though. Ninja Ninja even says that just because you watched the TV show doesn't mean you know what's going to happen here, though it does takes cues from the manga that pre-dated the anime. But the only reason you fight Justice is to avoid the manga's anticlimactic ending.
- In The Matrix: Path of Neo, after the final battle between Neo and a lone Smith, instead of Neo willingly sacrificing himself to nullify Smith, all of the Smiths combine into one giant Smith to serve as the final, final boss. At this point, the Wachowskis stop the game to explain that while a sacrificial ending works for a movie, it wouldn't be very satisfying in a game.
- In Jeanne d'Arc, it's a Foregone Conclusion that the Maid d'Orleans will be burned at the stake. How did Level-5 Studios handle a game where the main protagonist and primary player character is meant to die halfway through? By temporarily replacing her via an El Cid Ploy, so that the impersonator is the one killed instead, freeing Jeanne to continue through the rest of the campaign incognito.
- How Silent Hill ends (or perhaps more accurately, the canon Multiple Ending) is made pretty clear by its direct sequel, Silent Hill 3: Harry survives the crash and all the subsequent weirdness to succeed in getting Cheryl back, more or less. The remake, Silent Hill: Shattered Memories, plays on the players' assumed knowledge by having the big twist be that Harry died in the car crash after all and the whole game has taken place in the grown-up Cheryl's mind.
- More Agatha Christie examples:
- The video game adaptation of And Then There Were None begins to diverge radically from the book at Emily Brent's death by actual bee sting, as opposed to lethal injection. When Wargrave turns up most unambiguously dead, all hope for the original book's ending is lost. The real killer turns out to have been Emily Brent all along, a.k.a. Gabrielle Steele, an actress who took her method acting too far and was possessed by Madame Borgia while playing the role in a movie; the events on Shipwreck Island are all her plan for revenge against Wargrave, the man who sentenced her lover Edward Seton to the gallows. Thankfully, finishing the game gives you a chance to see the original book's epilogue, which reveals Wargrave as the murderer and explains his methods and motivations in a much more satisfying fashion.
- In the video game adaptation of Christie's Murder on the Orient Express, the Everybody Did It reveal is kept exactly the same but with an added reveal that even the mastermind didn't know about: it turns out that Daisy Armstrong is actually alive, was secretly adopted by the train engineer under a different name, and just happens to be hiding on board the same train as the parents who thought she was dead for years.
- The NES Rambo game based on Rambo: First Blood Part II has an alternate ending where Rambo saves his Vietnamese love interest Co, and then he turns Murdock into a frog.
- Two distinctly different versions of how Kalecgos becomes the Aspect of Magic for the Warcraft universe exist. In World of Warcraft, a player on the Dragonwrath questline, with help from Tarecgosa, uncovers Arygos plotting with Deathwing. Tarecgosa sacrifices herself, but Kalecgos becomes Aspect and makes you the Dragonwrath staff, forcing Arygos to flee. In Thrall: Twilight of the Aspects, Thrall is Kalecgos' ally, and after Kalecgos becomes Aspect, Arygos is killed by Blackmoore.
- In Dead Rising 2, it is revealed that Sullivan was the mole that framed Chuck. In the remake, Dead Rising 2: Off The Record, they change this to Stacy, who was your Mission Control in the original.
- In the computer game adaptation of I Have No Mouth and I Must Scream, the canonical ending of Ted being turned into an amorphous blob by AM is the Bad Ending and it can happen to any of the five characters. The good ending involves destroying AM so that the humans frozen in the moon can return to earth and the five characters, while dead, are remembered as heroes.
- In Shin Super Robot Wars, Master Asia is an agent of the Dug Interstellar Republic, sent in response to report intelligent life on the planet. Also, Heinel does not learn that he's the Go brothers' half-brother, and thus he doesn't sacrifice his own life. Zechs does not reveal that he's Relena's long lost brother and stays loyal to Neo Zeon, the replacement for OZ in this game.
- In Super Robot Wars Z3: Jigoku-Hen Char Aznable actually didn't want Axis to fall onto Earth. He formed Neo Zeon because he realized the Axis asteroid was the Singularity Point and wanted all of the galaxy to be united in one will against a single enemy which would solve the singularity issues like how it did in Z1. This is why he has GN particle generators set up throughout space and on the earth - to unite humanity's will and have it be expressed through the GN particles. The problem is, Full Frontal and the Banpresto Original enemies do want Axis to fall and they try to make it so.
- In Don't Look Back, unlike in the original legends of Orpheus and Eurydice, the protagonist and his lover make it out of the cave ...only to dissipate together when they come upon the protagonist still standing at the graveside.
- Being very explicitly based on Heart of Darkness, it's obvious that Spec Ops: The Line would depict the fall of a man as he realises what darkness lies within his heart. The twist is that it's not Kurtz Expy Col. John Konrad who has fallen, but Marlowe Expy and protagonist Cpt. Martin Walker.
- In Ducktales Remastered, the only things similar to the ending of the original game are that Scrooge loses the five treasures after he gathers them all, has to fight Dracula Duck, and then has an uphill race against enemies Flinthart Glomgold and Magica DeSpell at the very end. The difference is that it's Magica, the real Big Bad of this installment, who steals the treasures from Scrooge rather than Dracula Duck since they're instead used in a ritual to summon him, and because of that they are lost instead of being recovered at the end. The uphill race against the duo is now to recover Scrooge's first dime instead.
- The ending of Q.U.B.E. shows that the structure you were trapped in is in space. The Director's Cut has a narrative that not only tells you this in the beginning, but also explains why you're there in the first place. And then you get to Sector 5 and get contacted by a man who calls himself "919", who then reveals that the structure is actually an underground facility where you are forced to solve puzzles until you die, and that the woman who's been talking to you is lying, and he then goes on to keep trying to convince you of that. The woman you normally get contacted by will show some signs that what 919 said might be true. And here's where things get interesting: At the end, it's all subverted: The cube really is in space, it was gonna end all life as we know it, and 919 did go MIA and slowly went insane.
- The Nintendo GameCube remake of Resident Evil features a number of twists geared to surprise veterans of the original. Remember the key you find by draining the bathtub? This time it's a zombie. The dogs that smash through the windows? They don't show up until your second tour of that hallway. And God help you if you assumed the zombie bodies didn't vanish just to avert Everything Fades. Wesker being the Big Bad is still done as a legitimate twist.
- The La-Mulana remake does a number of things to throw off those who played the original "8-bit" version:
- The portal to the Temple of Moonlight from the Temple of the Sun requires you to hit a large sun face. In the original version, it's that simple. In the remake, you must move to the right as the sun face will fall, delivering a One-Hit Kill if it squashes you, which can easily happen to players who were expecting this puzzle to be identical in the remake.
- The "unsolvable puzzle" in the Twin Labyrinths. In the original version, one particular puzzle to access an item shop is impossible to solve, so you double-jump up to the shop door instead. However, in the remake, the puzzle has been fixed so that it is solvable, and attempting to double-jump to the shop without solving the puzzle will result in a Bolt of Divine Retribution. The tablet in the puzzle room delivers some meta-humor on this adaptational twist:
"Those that created this contraption are fools. They mistakenly created a puzzle that could not be solved. But after all this time, it has been rewritten. Those who fail to solve this puzzle shall be punished."
- The Hell Temple bridge. In the original, trying to cross it straight opens up a trap door to a Land of Hell; you need to jump over the center of the bridge to bypass the trap door. In the remake, the trap door still exists, so one could be forgiven for trying to cross it the same way...and then get punched by a massive stone fist into said Land of Hell. The way to cross this time is to jump onto the trap door, but then double-jump off and continue traveling across.
- Star Fox Zero is heavily based on Star Fox 64 but there are several twists to the storyline. For example, in 64, you see the Attack Carrier fly off into the coastline during the Corneria stage. In Zero however, instead of the Attack Carrier, you see a ship piloted by a Cornerian Army soldier. Also, in 64, the object of the Titania stage is to rescue Slippy Toad. In Zero, however, it's Peppy Hare you have to rescue. There's even an instance of Slippy pulling a Borrowed Catch Phrase during this stage (as Peppy is known to exclaim, "Do a Barrel Roll!").
- Sands of Destruction is an Alternate Continuity from its anime and manga adaptations. As mentioned above, the game opens with Kyrie accidentally losing control of his powers, which he wasn't even aware he had until the last episode of the anime. This is also the only adaptation where Kyrie dies because he decides he's a danger to the world and everyone he loves and asks Naja to kill him so he can't destroy the world. He's resurrected a few days later. Kyrie is also revealed to be the son of the Creator of the world, something not mentioned in the other adaptations. Yeah, he kinda has a Jesus metaphor going in this one. Elephas Rex is also killed, whereas he survives to the end of the anime and doesn't even appear in the manga. Morte also lacks the angsty backstories she gains in other adaptations, and the only time her mood is even slightly depressed is when Kyrie is killed. She flat-out refuses to eat for three days, though she quickly recovers when it's revealed there might be a way to revive him.
- Xenonauts, as a Spiritual Successor to X Com UFO Defense, you might expect your end-game technology to be similar to it, as the option to research these show up just as late. Not only does the game throw aliens that are highly resistant to energy weapons near the end, psionic research turns out to be a dead end because humans have no psionic potential.
- Batman: The Telltale Series plays with several aspects of the Batman canon: rather than pure and innocent, Thomas and Martha Wayne were involved with the mob, and the leader of the Children of Arkham turns out to be someone who's never been a villain in any other continuity: Vicky Vale.
- Zig-zagged all over the place in Case 2 of Dai Gyakuten Saiban, which is loosely based on The Adventure of the Speckled Band. Firstly, though there is a snake involved in the case, it isn't the cause of death. Secondly, a character named Grimesby Roylott appears, who was the killer in the original story. But then it turns out "Roylott" is actually a disguise for a young ballerina named Nikomina Borchevik. But she's still the killer. But while the original Roylott was a ruthless man who willingly murdered his family for their inheritance, Nikomina is an Anti-Villain who never even meant to kill anyone: she accidently pushed the victim and ended up breaking his neck.
- This trope is also common in Sherlock Holmes' Join Reasoning sessions, where many of his deductions are based on the solutions to some of the real Holmes stories. In most cases though, they turn out to be wrong here.
- Both of the original books that Homestar Runner was based on were adapted into full cartoons years later, and, in both cases, the ending is changed (though Homestar still expects the original ending in each case.)
- In Strongest Man in the World, Pom Pom refuses to share the trophy that Homestar helped him win.
- In Where My Hat Is At?, Homestar fails to get the winning run for his game because a) his team is far behind, b) the game isn't close to over, and c) Homestar ran onto the field illegally.
- Darths & Droids is an adaptation of the Star Wars movies, so naturally Darth Vader will turn out to be Luke and Leia's father, Anakin. And since the comic goes in chronological order, it'll be even less of a surprise, since Anakin was a player character first. Vader is actually their mother, Padme. Anakin was Killed Off for Real.
- One of the most famous scenes of Pride and Prejudice is the one where Mr. Collins proposes to Lizzie Bennet and keeps mistaking her adamant "No"s to just be attempts to flirt with him. In the modernized adaptation The Lizzie Bennet Diaries, the scene is foreshadowed in Mr. Collins' introduction, where it's mentioned he and Lizzie were jokingly "married" while they were children, hinting he expects her to follow up on their Childhood Marriage Promise. However, when the scene arrives Lizzie mistakes him to be about to propose, only for the confused Collins to explain he's just making a business offer.
- The Spectacular Spider-Man
- The Green Goblin's secret identity was changed in a way that older fans could believe no change was made, until The Reveal. And after The Reveal, it turns out his identity wasn't changed. It was Norman Osborn all along, framing his own son.
- In the comics, a reporter at the Bugle, Frederick Foswell, was also the Diabolical Mastermind the Big Man in his first appearance. In this series, the Big Man is L. Thompson Lincoln, a Composite Character of Kingpin and Tombstone and Foswell is just an Intrepid Reporter.
- Also, Word of God says that they would not have killed off Gwen Stacy if the series had gone on. (Though there were vague plans for a possible direct-to-video movie where they might have.)
- In Spider-Man: The Animated Series, the writers didn't want to include a character explicitly so they could die, and so Gwen Stacy was only present in the show as part of an Alternate Universe.
- It splits the difference when recreating the scene with Mary Jane: she's saved by a portal opening under her, but this just leaves her trapped in limbo. Still, Spider-Man did not know that, and the angst was the same as if Mary Jane had died. She later inexplicably appears again, but it turns out this is just a clone; just like the clone of Gwen Stacy that showed up in comics some time after the bridge. When the clone MJ, whom he'd spent several months with and married, dies for real, his anguish is the biggest Tear Jerker in the whole series, even beyond the original MJ's "death" and Peter's belief that it was real. Then the show was cancelled before we could see any closure to the storyline, though the final episode does feature the promise that rescuing Mary Jane is Spider-Man's next stop.
- The trailer for the "Spideyology" marathon of this series really made you hold your breath with this even though the series had been over for years and everyone knew Gwen Stacy wasn't even in it except for one minute of the series finale in a parallel universe. We see images of the Green Goblin as we hear a voice say "The measure of a man is how he handles defeat. Let's see how you handle yours!" and we see a blonde woman falling. Later in the trailer, he catches her. (As for what was really going on: the line comes from the Hobgoblin as he attacks the Kingpin's Mooks. The falling woman is Felicia Hardy, who doesn't have white hair in this series until she is augmented to become the Black Cat.)
- The two-part Season Two premiere features Spider-Man facing a team of his old enemies called the Insidious Six (rather than Sinister Six like in most versions) while having the disadvantage of his powers disappearing on him. In the original comic story, the reason he was losing his powers was because of Peter's guilt over his Uncle Ben's death, causing his subconscious to unwittingly make them vanish. This version? It's the first stage of his body continuing to mutate from the bite the radioactive spider gave him, which is slowly transforming him into something completely inhuman which eventually occurs midway through the season, via some surprisingly gruesome Body Horror.
- The DCAU uses this to good effect sometimes:
- For instance, in his debut in Batman: The Animated Series, Bane tries to break Batman's back in the same manner as in the comics, but Batman manages to disable him first (in fairness, it probably helped a lot that unlike his comic counterpart, the DCAU Batman wasn't being plagued by a nasty case of fatigue at the time).
- Think Hawkgirl will be exactly what she says she is, and is known to be in the comics: a police officer from another world? Guess again.
- Likewise, the first time Doomsday (the creature that "killed" Superman in the comics) shows up in the DCAU, he faces an alternate-universe Superman who has few scruples, and wastes no time whatsoever lobotomizing Doomsday with his heat vision. Besides, his first appearance is the same as in the comics (he simply gets out from a meteorite, and begins a senseless rampage of destruction), but it is later revealed that Doomsday's origin is far more complex than that, the thing we had seen was just the peak of the iceberg.
- In the Ultimate Spider-Man cartoon, Venom appears as one of the show's toughest villains. However, here he isn't Eddie Brock. He's Harry Osborn. Also, Carnage appears later. Cletus Kasady doesn't. Peter is possessed by the Carnage symbiote through Osborn's machinations.
- Wally West taking over for Barry Allen as The Flash when he died saving the world has been a staple since the '80s. So anyone expecting this to happen in Young Justice will be surprised that Wally dies saving the world, after giving the Kid Flash name to Impulse. Especially considering that Barry's death was foreshadowed earlier in the season and when Barry realizes Wally is in trouble, he tries to slow down so that he and Impulse can take some of the pressure off Wally, despite the Atom telling them how vital it was that they not slow down at all. The implication is that Barry is trying to sacrifice himself in place of Wally, but it's too late.
- In the Phineas and Ferb episode "Wizard of Odd" Candace tries to melt Doofenwitch with water, but all it does is make his robe shrink.
- From 2002 to 2005, Nickelodeon ran a series of shorts parodying classic 1960's Christmas specials featuring the Nicktoons characters every December. One of these was entitled "How the You-Know-Who Stole You-Know-What!", featuring Angelica Pickles as "Grinchelica", stealing chocolate candy from the other Nicktoons characters. Towards the end of the short, Grinchelica thinks about the Nicktoons having nothing at all, but rather than undergo a Heel–Face Turn, she decides she doesn't care and keeps all the chocolates for herself. In the end, it's her stomach, not her heart, that grows in size.
- In the Tiny Toon Adventures episode, "Citizen Max", Montana Max yells "Acme!" and Hamton tries to solve the mystery of why he said it. In keeping with the episode being a parody of Citizen Kane, a discarded bicycle that Monty used to ride with Buster when they were friends has the ACME logo on it, leading viewers to believe that that was what Monty was referring to. Then Monty appears and tells Hamton, Buster, and Babs that he didn't say "Acme!", he said "Acne!" and shows them an outbreak of pimples on his face.
Sylvester: Say! That's not the way the poem goes!
- In another episode that parodies the poem Casey at the Bat with Buster in the main role, the episode ends with Buster hitting a home run, much to the surprise of Sylvester the Interactive Narrator.
Buster: You were expecting me to strike out? I'm the star of this show!