The remake of The Wolf Man (1941), released in 2010 and starring Benicio del Toro. A Pragmatic Adaptation and more of an Homage to its predecessor, some of the most noticeable differences from the original are that it's now set in 1891 England as opposed to 1940s Wales, and is also much darker and more violent than its counterpart.Lawrence Talbot returns from America to his home estate to investigate the disappearance of his brother.Upon arriving home, he learns that his brother is dead, and the worst is yet to come....The film adds new characters and expands upon old, and the werewolf designs are kept similar to the designs in the original and even use real makeup and costumes instead of relying on CGI.Despite not being a box office success, the film did receive an Oscar for Best Makeup. Shortly afterwards, Universal announced plans to make the Wolf Man into a direct-to-video film franchise. The first one, Werewolf: The Beast Among Us, was released in October 2012.
This film has the examples of:
Action Girl: Gwen Conliffe eventually becomes the Victorian equivalent of this when she becomes so motivated by trying to save Lawrence that she totes a gun around while running around in a dark forest in the middle of the night — certainly breaking the Damsel in Distress version of her character from 1941.
The 2010 version explores a very different side of the relationship between Lawrence and his father as well as the psychological aspects the 1941 version wanted to do intentionally.
Gwen and Lawrence's romance gets a little more foundation than in the original, mostly because this time around Gwen doesn't exactly have a living fiancé. This also does away with the creepy stalker undertones that took hold of the beginning of their relationship in the original.
Aberline is a new character, added to serve as a sort of an Anti-Villain.
Sir John's butler, Singh, is a new character as well.
Albeit very briefly, we actually get to see Lawrence's brother and mother, who only received a passing mention in the original.
In the extended cut, a good chunk of pre-establishment about Lawrence's father and mother are left out.
Adrenaline Makeover: Gwen gradually gets this over the course of the movie. Initially, she comes off as a very proper and somewhat quiet woman. However, as she becomes determined to find a cure for Lawrence towards the end of the movie, she starts to wear less fancy attire and her hair is noticeably a little unkempt from her nights of searching for answers. By the finale, her hair is down, she is wearing a slightly lower cut and dirtier looking dress than her earlier attire, and carries around a silver bullet loaded pistol.
Affably Evil: Sir John turns out to be quite evil indeed... but dang! is he suave. He is played by Hannibal Lecter, after all, the king of Affably Evil
The Alcoholic: Lawrence comes off as this in the movie. Played pretty straight in the book adaptation of the movie.
All Just a Dream: Lawrence has quite a few hallucinations while recovering from his nasty little bite, as well as hallucinations in the asylum.
Always Save The Guy: Gwen's actions in protecting Lawrence from Aberline are understandable, but she is also putting the chance that he can be cured above the likelihood that he will kill again (and in fact Lawrence does end up infecting someone directly because of her.)
Ascended Fanboy: Del Toro himself had been a long-time fan of Lon Chaney, especially of his performance as Lawrence Talbot. He reveals in an interview that he always wanted to portray him, and wouldn't you know it, he got his wish.
Badass: Aberline. But then again, when has Hugo Weaving ever played anything but a badass?
Ballroom Blitz: The extended version has Lawrence's rampage through London take him into a conservatory ballroom. Carnage ensues.
Battle Butler: Sir John's butler, Singh, is armed to the teeth with silver bullets and other monster-killing devices. It didn't do him much good in the end though, and he loses points for not realizing the silver bullets are sabotaged.
Better to Die than Be Killed: Subverted. During one of Lawrence's rampages, he chases one of his hunters into a bog. Trapped, the hunter fires his revolver at Lawrence. It doesn't work, and the hunter attempts to shoot himself. Turns out that he spent his six on the beast, and gets graphically decapitated instead.
Blood from the Mouth: One of the more squicky parts of the werewolf transformation. What? You think those pointy teeth just poof into your mouth?! Might also possibly be from internal organs shifting around and what not...
Dark and Troubled Past: You've had quite a nice little messed up childhood, haven't you, Lawrence? What with witnessing your mother's death and all, and being sent to a mad-house where you underwent all sorts of nasty treatments and then shipped off to live with a distant relative in America.
Death by Irony: Dr. Hannigan claims that Lawrence will no more likely change into a werewolf than he is likely to sprout wings and fly out the window! He doesn't sprout wings at any rate...
Demoted to Extra: Maleva, who was one of the more helpful and prominent characters in the original, gets this. Although, Gwen sort of fills her shoes as the figure trying to help Lawrence with his curse this time around.
Dream Within a Dream: During one of Lawrence's hallucinations while in the Asylum and while healing.
Drowning My Sorrows: Lawrence after learning of Ben's death and then seeing what's left of him.
Ethereal Choir: This isDanny Elfman we're talking about, but it's not used as much as an effect compared to his other scores and is only used in a few scenes.
Erotic Dream: Err, Somewhat. During one of Lawrence's hallucinations in the asylum, we see a back-naked Gwen for a few moments. Probably foreshadowing to his growing feelings toward her and a possible subconscious desire to be with her.
Evil-Detecting Dog: More like "Evil Detecting Horses", in this case. Also evil detecting bear and evil detecting deer. Ironically averted by the single one dog (it always growls at Lawrence, well before he is infected, while it is completely oblivious to the original werewolf because he is its owner).
Excuse Me Coming Through: A more humorous moment in the film where Aberline invades a house and interrupts an in-progress violin recital in order to catch up to Lawrence during his London rampage.
Failed a Spot Check: Dr Hannigan gets so wrapped up in discussing Lawrence's delusions and the treatment he's devised, that he's the last person in the room to notice Lawrence is transforming right behind him.
Fake Memories: As a child, Lawrence's memories of his mother's death were re-formed during his time in the asylum so he would believe that his mother killed herself and concealed his real memories of his werewolf father tearing her throat out.
Forging Scene: When the village brings their silver to be forged into bullets for protection.
Glowing Eyes of Doom: When Lawrence begins his first transformation, his father moves into the shadows, with his eyes creepily glowing in the darkness — albeit only for a moment.
Go Among Mad People: Lawrence gets tossed into a hellhole asylum, the same one he'd been committed to as a boy.
God Help Us All: Inspector Aberline upon the seeing the Wolfman escape a barrage of gunfire during the London rampage.
Hope Spot: In the final scene, we see that Gwen is able to reach Lawrence and stops him from attacking her. It seems, for a moment, that Lawrence may actually pull through. That is, until the hunters show up, and break his moment of clarity, which inevitably forces Gwen to shoot him.
Horror Struck: Lawrence is initially skeptical to being a werewolf and towards werewolves in general, until, you know, he actually become one. Played a little more straight with Aberline.
Laser-Guided Amnesia: It's not so much that he forgot, but rather Lawrence's memories were re-wrote so that real memories of his werewolf father killing his mother were made to appear that she had killed herself with a razor.
Leitmotif: Talbot's werewolf form is always introduced by three short notes on a violin.
Let Them Die Happy: Lawrence dies in the end, but he stays alive for a few moments to reassure and thank Gwen for "setting him free." However, he dies before learning that he has bitten Aberline and cursed him as well. He could also be happy from realizing that since he was still alive to that point meant he had succeeded in defeating his father, meaning neither of them will hurt anyone again. However, this only makes the ending more tragic when we find out what becomes of Aberline.
Like Father, Like Son: Lawrence's father is the werewolf who bit him, and in turn, passed his werewolf curse on to him.
Logo Joke: The Universal earth reveals a full moon. Also the unrated version kept the Art-Deco Globe logo featured in the original 1941 version.
Men Are the Expendable Gender: A big offender; dozens of men are killed and messily dismembered on screen while the very few female deaths are merely implied. Or, in the case of Lawrence's mother played for maximum tragedy and horror as against the Gorn the male victims go through.
A particularly bad example occurs in a deleted scene, in which the werewolf hears a blind woman giving a singing performance and goes to investigate. As he approaches the singer, a man grabs him by the wrist, thinking he's another guest (the performance is also a costume party). It makes sense that the werewolf would freak out and kill the guy for that, given how crazy we see werewolves are. Then we get all of the guests running away, leaving the blind singer alone and confused, not knowing who the growling person in front of her is. She starts touching the werewolf's face and he doesn't do a thing to her! In fact, he doesn't move until Aberline shoots at him through a window! The singer is left entirely untouched.
Mind Rape: What essentially happens to Lawrence after his time in the asylum, poor man.
Nice Job Breaking It, Hero: Gwen stops Aberline from shooting Lawrence, which in turn causes him to get bitten. However, this really doesn't do much good since Gwen ends up shooting Lawrence herself in the end. Although, she's somewhat justified since she was still convinced she could reach Lawrence, and well... she was right. Plus, she probably figured that Lawrence would have finished off Aberline instead of chasing after her instead.
Whilst in the Hindu Kush, the locals who told Sir John about the feral child in the cave, thus causing him to get infected.
Notable Non Sequitur: Sir John Talbot warns his son not to go out on the full moon, which sets up the inevitable werewolf attack. The Notable part of this is where Sir John tells Lawrence this because Sir John is the werewolf and (at least, initially) doesn't want to be responsible for his remaining son's death.
Not Even Bothering with the Accent: Justified with Lawrence, since in this version he spent most of his life in America where his accent probably dissipated, but it's possible to still hear Sir Anthony's lilt. Since Benicio is a native Spanish speaker, his accent does seem to slip in a few scenes with varying degrees, which in turn might be justifiable as well, since his mother in this version was visibly of some Spanish decent. He still gets Brownie Points for a good effort.
Nice Job Breaking It, Hero: Gwen stops Aberline from shooting Lawrence, thus causing him to be bitten and cursed to become a werewolf. Made worse that she eventually shoots Lawrence herself in self-defense.
Only I Can Kill Him: After many days of sleepless research, Gwen discovers only how to kill Talbot, not how to cure him. In desperation she searches for the Gypsy fortune-teller, but she only confirms it: a werewolf can only be slain with silver, and only by someone who loves him.
Or Was It a Dream?: Did Gwen really visit Lawrence in the Asylum or was she just a hallucination?
Pater Familicide: Given that John is the one who killed his wife and Ben and probably would have succeeded in killing Larry if the hunters hadn't come along...
Papa Wolf: An instance of this occurs when Sir John tries to protect Lawrence from the angry mob trying to capture him by shooting at them, and possibly even blinding someone in the process, showing that he may truly care for his son. Highly subverted when he ends up trying to kill Lawrence later on after revealing he already killed his brother and mother... and that he's a werewolf himself... Trauma Conga Line much? Also subverted when he lets the angry mob drag Lawrence off to an insane asylum right after the poor guy wakes up after the full moon and is scared and confused.
Painful Transformation: Much more painful than the ol' days of the stop motion transformation sequences where the worst part was just sitting still long enough while they applied makeup.
Parental Abandonment: Lawrence witnessed his mother's "suicide" as a child, and if that's not traumatic enough, his father throws him into an asylum and then ships him off to live with his aunt in America afterwards.
Shout Out: Even though the remake differs significantly from the original, they did keep a few tidbits from the 1941 version:
Gwen's family owns an antique shop
Lawrence's cane is similar to the one in the original, sporting a wolf's head and star.
Sir John beating the crap out of Lawrence with said cane but not in self defense, oh, far from it.
Also a possible Shout Out combined with a meta-example of a Stealth Pun: Lawrence, who has lived in the United States since he was a child, and who has recently contracted lycanthropy, is sent to an asylum in London. Making him, naturally, An American Werewolf in London.
The gypsy girl Lawrence saves is named Maria, which might possibly be a subtle nod to Maria Ouspenskaya, who played Maleva in the original.
Del Toro's Talbot bears a striking resemblance to Oliver Reed's Leon from the Hammer HorrorThe Curse of the Werewolf. And you don't get more Spanish with a name like Benicio del Toro. The idea that love might inhibit the transformation is also from Curse.
Might be a subtle shout out to Werewolf of London. Not just for the fact Lawrence terrorized London for part of the film, but mainly for the ending scenes. Lawrence stays alive long enough to thank Gwen for shooting him and reassures her that it was the right thing to do, much like Dr. Glendon reassures his wife and friends in a similar nature.
The fact that Sir John received the curse from the bite of a feral child is an even subtler one. In the earliest treatment of the original movie, the titular Wolf Man would have been an orphan raised by wolves. This upbringing would have been the source of his lycanthropy. He received the bite in Tibet, just like Dr. Glendon.
Shout-Out to Shakespeare: Quite a few from Hamlet, considering Lawrence is an actor in this version whose most recent play wasHamlet and the references and parallels to the play are played pretty creepily in the film. And Hamlet was famously played by Sir Lawrence Olivier.
Silver Bullet: What kind of remake would it be if it didn't have at least one silver bullet? And unlike the original, the silver bullet is actually fired into a werewolf's body!
Travelling at the Speed of Plot: In preparation for the climax, Lawrence, Gwen, and Inspector Aberline all travel from London to the village, leaving at roughly the same time. Lawrence is on foot and seems to be keeping away from the roads. Gwen is on horseback. Aberline is in a horse-drawn carriage with several other policemen. They all arrive on the same day.
Unspoken Plan Guarantee: Maleva tells Gwen that there might be a way to lift the curse, albeit very risky one... but we don't get to hear it. Cruelly subverted: looks like it's working, but ultimately the plan fails due to hunters arriving.
Victorian Britain: Setting for the majority of the film, until we eventually venture to...