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Anime and Manga
- Rossiu from Tengen Toppa Gurren Lagann is a Real Robot character stuck in a Super Robot universe. He's cool-headed, pragmatic and smart, which makes him stand-out from his hot-blooded comrades. He's still capable of piloting Gunmen powered by willpower as good as the rest of them though and they all respect him well enough, if not just lightly tease him every now and then.
- This is explored a fair bit in the second half of the show. On the one hand, this makes him one of the few competant members in actually ruling and managing their new civilization and he is pretty much The Reliable One to Simon. On the other hand, his pragmatic choices lead him to oust Simon from power to quell a riot (which he is beating himself over) and his tactics are predicted by the Anti-Spiral and only stopped by Simon and the others own style. Furthermore, they all don't blame him and understanding his reasoning (including Simon), meaning the only person that blames him... is himself. Simon eventually snaps sense back into him after stopping him from suicide.
- Gai Daigouji from Martian Successor Nadesico is the inverse: A Hot-Blooded Super Robot hero stuck in a Real Robot setting.
- Kimi ni Todoke has three such characters, Chizuru, Ryu, and Kazuichi "Pin" Arai. Who seem to have got transplanted from a fiery shonen sport series to a lighthearted shoujo romance.
- Likewise, half the cast of Ouran High School Host Club are stranded from typical shoujo reverse harem, but it's an Affectionate Parody Gag Series most of the time.
- Yandere Kanojo has a few characters who would not be out of place in the Shoujo Genre. Shiratori, who tries so hard to be Manabu's rival, is explicitly based on the rival character in Tokimeki Memorial 3 and retains some of his genre tropes. Given that the general tone of the series is Affectionate Parody of shounen romance stories, these contrasting genre elements are milked for all their comedic worth.
- Isidro in Berserk thinks himself a Kid Hero from a shonen manga. He is very much Wrong Genre Savvy.
- Retsu Akagi would be right at home as a Super Robot protagonist, or in any sufficiently Hot-Blooded shonen series... but he's a character in the little girls' magical fantasy Jewelpet Kira Deco.
- In A Certain Magical Index, Gunha Sogiita thinks and behaves like a goofy, stereotypical superhero from a Saturday morning cartoon or a Sentai series. He has the superpowers to match and is pretty good at dealing with mundane crime, but this series is a Gambit Roulette of Magic Versus Science, and he's completely oblivious to the conflicts and struggles the real main characters have to deal with.
- Yowamushi Pedal is filled with them. Naruko looks like he came from a standard battle shounen manga, while people like Midosuji look like the villains in a more physically involved story. They're in a cycling-themed Sports manga.
- In the bright and vibrant wold of One Piece, in the especially hyper-saccharine Whole Cake Island, we get Charlotte Katakuri, who looks like he would be at home in Fist of the North Star or Berserk. He does eventually display the quirkiness mandatory for One Piece characters but it's a side of him he keeps deeply private
- The superhero genre is an eclectic mix of various genres like science-fiction, detective fiction, mythology etc., but there are some characters that stick out. In the Marvel Universe for instance, heroes may encounter:
- Patsy Walker, the heroine of a girl comedy series from the 1950s and 1960s, who eventually became the superheroine Hellcat;
- Millie the Model, the heroine of a girl comedy series that last from the 1950s to the 1970s, who never became a superhero like Patsy;
- Nick Fury, a superspy in the mold of James Bond and The Man From UNCLE, who is also one of the few surviving characters from Marvel's long-defunct war comics;
- Characters from Marvel's take on classic horror stories like Dracula and the related cast (Blade, Lilith, the Harkers);
- The Punisher, expy of Mack Bolan, the main character from the Long-Running Book Series The Executioner, who at the outset was so out of tune with the rest of the Marvel Universe that he appeared primarily as an antagonist to people like Spider-Man before coming into his own during The Dark Age of Comic Books;
- Deadpool who would feel right at home in an All Adult Animation Is South Park type series.
- Shang Chi, Master of Kung Fu, a character created to cash in on the success of the martial arts films of the 1970s who also happens to be related to old Yellow Peril villain Fu Manchu; and
- Luke Cage and Iron Fist were inspired by two big film crazes of the 70s: Blaxploitation and Wuxia/Eastern martial arts. In the end they (fittingly?) became good friends and partners.
- Howard, a walking, talking anthropomorphic duck "Trapped in a World He Never Made".
- Bone features three Cartoon Creatures (think along the lines as Mickey Mouse and his friends) stumbling into a High Fantasy story.
- Teenage Mutant Ninja Turtles has been this from the very beginning. They don't quite belong in gritty martial arts or campy bizarre sci-fi, but often step into both. And meet still more characters in other genres, like the Silver Age superhero team Justice Force.
Films — Animated
- Oogie-Boogie from The Nightmare Before Christmas. The other spooks are frightening and with a bit of a skewed morality code, but are ultimately good natured creatures that scare folks for fun. Enter Oogie-Boogie, the one spook who is genuinely malicious and evil-natured, who even the other spooks seem to dislike. According to a supplmentary material he's also this in a completely literal sense, being a refugee from a different bug-themed holiday that's no longer celebrated.
Films — Live-Action
- Most of the characters in The Big Lebowski appear to have stumbled into a skewed Film Noir setting from different genres and thus aren't quite sure what movie they're in:
- The Dude's walked right out of a stoner comedy or a 1960s New Hollywood-style counterculture flick.
- Walter acts like he's in a Vietnam drama that chronicles the veteran's harrowing struggle to reacclimatize back into civilian society after everything he's seen and done.
- The Big Lebowksi, Maude, Jackie Treehorn and Da Fino seem to think and act like they're playing a Film Noir straight (and even manage to convince Walter of this for a time).
- The nihilists believe they're in a quirky-but-dark Quentin Tarantino-inspired crime thriller about a gang of eccentric Villain Protagonists, and that they're the protagonists in question.
- From what we see, Bunny apparently thinks she's in a porn movie.
- The Jesus is practically Opposing Sports Team personified.
- Sam Elliott's cowboy character gives the movie a serious-sounding Fauxlosophic Narration under the impression that he's in The Western.
- Donny is just an ordinary guy who thinks he's in a slightly eccentric bowling team but has an otherwise normal life. He's probably the most wrong out of all of them.
- Tommy Frigo in Adventureland has wandered in from a raunchy teen movie.
- Steve the Pirate in DodgeBall: A True Underdog Story.
- The James Bond films Live and Let Die and The Man with the Golden Gun feature Sheriff J.W. Pepper, who feels like he wandered in from a Burt Reynolds comedy.
- For that matter, Live and Let Die gave us Mr. Big, who not only felt like he belonged in a Blaxploitation action movie, but had subordinates with hinted-at supernatural powers, which is pretty atypical for a Bond film.
- On that note, the bumbling comic relief cops from The Last House on the Left, who clearly belong in a comedy rather than a horror film.
- Williams from Enter the Dragon is a Blaxploitation character in a martial arts film.
- In The Divine Comedy, the first damned soul Dante meetsnote is a woman who casts herself as the protagonist of a tragic, romantic ballad where her only flaw was loving too much in an unloving world. A poet himself, Dante is moved with sympathy, but context makes it clear our romantic protagonist is just making excuses for cheating on her husband with his brother.
- Quincey P. Morris from Dracula. Nothing like the presence of an American cowboy in a Gothic Horror story set in Britain to make you go "Say again?"
- Tom Bombadil is a Blithe Spirit who migrated into The Lord of the Rings from a series of poems that J. R. R. Tolkien wrote for his children.
- The heroine of Jane Austen's Mansfield Park (a textbook case of Genre Adultery) — Fanny Price, an Extreme Doormat and Shrinking Violet modeled from years of unceasing emotional and psychological abuse instead of a Spirited Young Lady Deadpan Snarker — has been frequently described (by C. S. Lewis and others) as "a Bronte sisters heroine lost in a Jane Austen novel."
- Nero Wolfe has the personal quirks and erudition of a typical Agatha Christie detective. However, all the other characters, especially Archie, belong in a tough-talking streetwise Dashiell Hammett mystery.
- The Nightside is a dingy, morally grey, deeply cynical place. Knight in Sour Armor John Tyler and mercenary-with-a-dark-past Suzie fit in fine. But then there's:
- General Condor, an idealistic and principled starship captain who accidentally got zapped back to our own time. Everyone knows just how out of place he is and his attempts at reforming the locals get him killed.
- Ms. Fate, a superhero(ine; crossdresser) in a world where even the good guys can't really be called especially heroic.
- Julien Advent, a heroic gentleman from the Victorian age
- John hints that Godzilla (or someone similar) has rampaged through town once or twice
- The trio of Mad Scientist supervillains in Buffy the Vampire Slayer. After they disable the museum guards with an ice ray and steal a precious diamond, our heroes start searching the ancient tomes for a "frost monster that eats diamonds."
- Also Ted, a seemingly nice guy dating Buffy's mom who reveals a disturbing verbally abusive side. Compare to the demons and vampires he comes off almost like an after school special villain. And then we learn he's a serial killer. And a malfunctioning robot.
- Gwen Raiden in Angel. A character with electrical powers out of a super hero show, in a Vampire Detective series. She was completely unaware of the existence of magic, vampires, and demons before she met Angel.
- In Season 5, we met Numero Cinco, who worked in the mailroom at Wolfram and Hart. A retired luchador, he was clearly a pastiche of El Santo. His sheer incongruity was both unabashed and, since mostly all he did was sort mail, downright hilarious... until his "A Day in the Limelight" episode, when it was played more like very dreary Society Marches On drama, in a Space Whale Aesop sense.
- This is basically the point of The BBC TV film Reichenbach Falls — the central character is a Defective Detective placed into a much less noir-ish setting. A Mind Screw plot with much Leaning on the Fourth Wall ensues in which he gradually escapes from his Wrong Genre Savvy.
- This is done in The Twilight Zone (1959) episode "Execution", which mixed two of the series' most frequently-used genres: in it, an outlaw from a Western-themed Twilight Zone episode is saved from his own hanging by getting pulled into a Science Fiction-themed Twilight Zone episode by a scientist with a time machine. He's murdered by a crook planning on robbing the scientist's lab, only to bungle the time machine and be put in noose the outlaw narrowly escaped.
- A frequent theme in Doctor Who, as a stock premise of stories right from the early days is 'just drop the Doctor into [Genre] and see how he responds'. A handful of examples:
- The Doctor himself is often this, due to his slipping-between-worlds nature. He tends to fit in quite well in most sorts of stories, but it's not rare (especially in the Classic series) for him to be the only Science in Genre Only element in a hard SF, a Gothic Horror, a Fairy Tale, a Whole Plot Reference or even a Period Drama. "An Unearthly Child", "The Highlanders" and "Rose" are three stories about what happens when you drop a ridiculous fantasy alien into a normal-world setting.
- "The Enemy of the World" features Astrid and Fariah, both of whom are obviously "Bond girls", and Salamander who is a Bond-style Diabolical Mastermind. The Doctor is charmed by Astrid but does not seem to enjoy being in the company of this setting at all - he constantly tries to dodge espionage and only agrees to go undercover when absolutely forced. Young, handsome and resourceful Jamie is a bit more at home.
- The Brigadier Alistair Gordon Lethbridge-Stewart is a pastiche of the Stiff Upper Lip Officer and a Gentleman Stock Character who appeared in every classic British war movie the children watching would have grown up with.
- Milo Clancey in "The Space Pirates" is a Gold Rush prospector in a hard sci-fi story. This was done mostly for Twilight of the Old West symbolism.
- Harry Sullivan, according to his creator Terrance Dicks, was supposed to be a ridiculous, over-the-top Boy's Own adventure hero who had somehow found himself in a Doctor Who story, being narratively upstaged by the Doctor and not quite able to realise why this is happening to him. He doesn't really scan as this after "Robot", due to other writers taking his genre quirks more seriously.
- Leela is a character from an Edwardian Jungle Opera novel, to go with her Gothic Literature-themed Doctor. She's from a Cargo Cult worshipping Ancient Astronauts (albeit with a twist), uses all of the Noble Savage and Nubile Savage tropes and her name is a play on 'Leila', the stereotypical name of foreign Femme Fatale characters of Two-Fisted Tales of this era. She also takes influence from the Pygmalion Plot, to the point where she was originally conceived as a Victorian Cockney flower girl.
- "The Talons of Weng-Chiang" is about putting the Doctor and Leela into the roles of Sherlock Holmes and Dr. Watson and pitting them against characters lifted from Fu Manchu stories.
- Rose Tyler is clearly a character from a 00s Soap Opera who gets sucked into the Doctor's universe. This helped the revival serve as a Gateway Series to TV family science fiction at a time when the genre was said to be dead - and had something of a meta concept to it, seeing as the popular family viewing of that era was Soap Opera, Game Shows and Reality Shows (which later Ninth Doctor episodes also explore).
- Donna is the kind of shouty comic grotesque who'd be played in a sketch show by Catherine Tate, although with plenty of Hidden Depths and much better acted than you'd expect.
- The Return Of Doctor Mysterio drops the Doctor into a Silver Age superhero story, complete with milquetoast Clark Kent pastiche who doubles as a dashing Superman Expy, an Intrepid Reporter Lois Lane knockoff, and a group of body snatching aliens who don't seem prepared to find themselves in either a superhero story or an episode of Doctor Who.
- In The IT Crowd, the concept is that Douglas Reynholm is a character from a (apparently, shitty) telenovela who happens to have ended up in a Britcom somehow. Lots of jokes are had at the expense of his overwrought personality, which derives from the standard acting style of telenovela, but turns him into a batshit insane Mood-Swinger amongst the characters doing sitcom-acting.
- An episode of The Young Ones had a mailman who acted like he was in a Shakespeare play.
- The Captain of How I Met Your Mother.
- Teenaged cowboy Tex Barton in a few radio episodes of Our Miss Brooks.
- The Jovian Republic in Eclipse Phase are a traditional military sci-fi faction in an anarcho-transhumanist Post-Cyberpunk setting. They take this about as well as can be expected, to the point where they refuse to associate with the rest of the setting if at all possible because they believe everyone else is a soulless thing using the memories of a dead person.
- Dungeons & Dragons features knights, elves, dwarves, dragons, quests, castles... and cowboys? Yes, as it happens. The god Murlynd and his paladins are based on The Drifter from Western movies. There's also:
- In any other game, Bang Shishigami might have been The Hero (and Dogged Nice Guy to Litchi). In BlazBlue he's treated with no respect, with his only canon "victory" to date being using his Super Mode to flee from Terumi note .
- Final Fantasy:
- Most of the cast of Final Fantasy VII are traditional JRPG cast members, although fairly original and dysfunctional takes on each archetype - with the exception of Vincent Valentine, a walking homage to horror films. He's encountered in a coffin in the basement of a stereotypical Hammer Horror-style mansion, he has a Lost Lenore (Lucretia), his rival is a Mad Scientist, and he's able to transform into four monsters, each based on a different horror genre (Galian Beast is dark fantasy, Death Gigas is a gothic Frankenstein's Monster, Hellmasker is a Slasher Movie villain and Chaos is a Cosmic Horror character). In earlier drafts he was supposed to be a Film Noir-style detective, and following that, an Expy of Agent Mulder from The X-Files, and the elements of those which remain in his eventual character make him stand out as even odder in the cast.
- As the franchise has developed significantly in terms of its themes and complexity over the years, the games often play with Revisiting the Roots:
- Laguna, Kiros and Ward in Final Fantasy VIII, whose storyline takes place in the past, are intended as homages to the casts of SNES FF games, with minimal backstory and simpler characterisation that is largely Played for Laughs. In a meta example of I Hate Past Me, the modern-day timeline characters, with significantly more psychologically complex writing, are shocked and embarrassed by how childish Laguna is.
- Ardyn from Final Fantasy XV is an Internal Homage to Yoshinori Kitase's villains in a setting otherwise plastered with Tetsuya Nomura's Creator Thumbprints, and feels quite out of place.
- Much of the humour of Mobius Final Fantasy is based on the idea of a stereotypical Kazushige Nojima-style hero (a moody, adolescent Deadpan Snarker with '90s Anti-Hero elements) being recruited to save a world mostly based on the setting of the original NES Final Fantasy. He reacts to things like Moogles and Faeries with pessimism and sarcasm.
- Arthur from Fire Emblem Fates is an American comic-book superhero in a medieval fantasy setting.
- The Brothers, who have cartoonish features and talk and dress like stereotypical outlaws from the Old West, would've been far more fitting for Red Dead Revolver than a futuristic Cyberpunk setting like Perfect Dark Zero.
- Captain Martin Walker from Spec Ops: The Line starts off as a standard issue Action Genre Hero Guy who seems to think he's in a Call of Duty or Medal of Honor style straightforward military shooter, when he's actually in a Darker and Edgier War Is Hell deconstruction of such.
- Darths & Droids, a comedic retelling of Star Wars where the characters are being played by some rather zany tabletop gamers, throws a few curveballs into the space fantasy setting:
- Darth Maul gets reimagined as a Film Noir Hardboiled Detective type.
- The Polis Massans who assist Padme in childbirth talk like overblown "General Hospital"-style soap opera characters.
- Dex, the amiable owner of an inexplicably 50s-Americana Diner, was already this in the films, but it's heavily lampshaded here.
- The Amazing World of Gumball:
- "The Sweaters" has Darwin and Gumball meet the bully antagonists from a typical sports movie, who refuse to accept that the brothers are not trying to compete with them in any way (and also look terribly out of place with stereotypical 80s clothing and Speed Racer-esque character designs). However, nearly everyone else suddenly starts acting like they're in a sports movie as well, so Gumball and Darwin are the ones who end up feeling like strangers.
- "The Others" is about a student at Elmore Junior High named Clare trying to live her life as if its an angsty teen drama. Her attempts at drama are always foiled, if not by Darwin and Gumball trying to make themselves the center of attention, then by the omnipresent weirdness and silliness that she is oblivious to. She even insists that she does not "live in some amazing magic wonderland" which is exactly what Elmore is.
- An episode of Johnny Bravo involving all sorts of Halloween creatures also has a random gnome (of the lawn variety) mingling with them.
- South Park:
- Captain Black in Jackie Chan Adventures belongs in a typical spy thriller, but when the poor guy calls in his old Adventurer Archaeologist friend from school to help track down some art smugglers, he's swept up in a martial arts fantasy full of wizards and demons. Jackie gets the tables turned on him when he has to sub for Black's best agent, "Tag Stone".
- Eliza Maza had her hands rather full with being a typical Cop Show NYPD detective before she stumbled onto the Clan's Urban Fantasy world. Some episodes still revolved around her solving ordinary crimes, though; these often involved Broadway taking her place as the refugee, trying to play Film Noir detective.
- Conspiracy Theorist Matt Bluestone had it worse, since he belonged in The X-Files.
- Nokkar is an alien. From a big ol' Space Opera setting featuring an epic war between two starfaring races, and an Ancient Astronauts reveal. He was intended to set up a spin-off, but as it never came to be, he stands out as the only part of the series to even have a connection to space travel.
- Teenage Mutant Ninja Turtles (2003) introduced Bishop (and he's since become semi-regular in other TMNT media). Basically one of The Men in Black, his sci-fi elements were dramatically darker and more conspiratorial than the campy stuff usually featured on the series.
- The Simpsons:
- The episode "Homer Vs. The Eighteenth Amendment" gives us Rex Banner, the federal agent that is sent in to enforce Springfield's dry law when Wiggum can't. The man is a copycat of Robert Stack's interpretation of Elliot Ness from the old The Untouchables TV series and definitely would have had a better chance of thriving in a production done during the days of the Hays Code rather than the super-corrupt and incompetent Crapsack World that is Springfield.
- The episode "Simpsoncalifragilisticexpiala (Annoyed Grunt) cious" has Sherry Bobbins, who is a full-blown Expy of Mary Poppins with the numbers filed off (which is actually lampshaded). She is perfectly capable of doing the typical stunts of a Magical Nanny and even manages to convert the Simpsons (and, hell, even Mr. Burns) into acting incredibly nice for a while, like any other plot with this kind of character... and then the third-act twist happens and the Simpsons' dysfunctions override everything she's taught them, driving her to alcoholism because they are just that horrible.