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- Free! and Haikyuu!! have more or less relaunched interest of sports anime in the North American fanbase.
- Attack on Titan and Dragon Ball Kainote , similarly, have relaunched interest in Shonen anime and manga in North America, after what could be considered a Dork Age for said demographic.
- Although Re:Zero and Konosuba were written by close friends and were conceived as a satire on Cliché Storm and Marty Stu in the already almost absent in the anime and discredited genre of Trapped in Another World, the commercial success and critical recognition of their adaptations in 2016 led to the return of this genre to anime-mainstream in later years.
- From the late 80's to the mid-90's, the anime industry as a whole was on a huge decline as a result of numerous big-budget films like AKIRA and My Neighbor Totoro underperforming at the box office, causing many to feel that there was a lack of interest in the medium and motivating many Japanese animation studios to work instead on Western animation. However, the runaway success of Neon Genesis Evangelion catapulted anime back into mainstream attention; many studios vied to capitalize on the show's success in many different ways, and in the end anime itself was brought back into the limelight after it spent so much time teetering on the edge of an industrial collapse.
- Kingdom Come revived the Silver Age super hero.
Films — Animated
- This has happened at least three times for the feature-length Disney animated musical:
- Cinderella made the Disney musical popular for 1950s audiences after the genre had been killed off by the failures of films like Pinocchio and Bambi in the early 1940s due to World War II. It lasted until 1959, when the expensive Sleeping Beauty flopped and killed it off again.
- The Little Mermaid reintroduced the world to the Disney musical formula in 1989, and 1991's Beauty and the Beast made it a viable (and profitable) film-making approach. This unfortunately led to numerous imitators in the 1990s, which (coupled with Disney's refusal to do anything but musicals throughout the decade after The Rescuers Down Under bombed at the box office) had turned it stale by the end of the decade. The popularity of 2001's Shrek essentially killed off the musical formula, which led to Disney not using it for almost ten years. However, 2009's The Princess and the Frog managed to make the Disney musical popular again with critics, 2010's Tangled made it popular again with families, and 2013's Frozen made it popular again with everyone else.
- Who Framed Roger Rabbit is widely credited with revitalizing the Western animation industry and bringing it out of the Dark Age, though Yellow Submarine is often considered to be the work that made people start taking the medium seriously again.
- Subverted with traditional animation, as The Princess and the Frog and the 2011 Winnie-the-Pooh movie were intended to re-spark the medium. But following the two's completion, Disney higher-ups closed up their 2D department again as the box office numbers for these two didn't measure up to their CG counterparts. However the success of The Secret of Kells and GKIDS' commitment to such films lead to hand drawn animation's revival in the indie market.
Films — Live-Action
- Saturday Night Fever and Grease brought back the movie musical after the disaster that was Hello, Dolly!.
- Moulin Rouge! and Chicago did that a second time after the genre's reputation was killed by Xanadu and Can't Stop the Music.
- 1998's Blade, 2000's X-Men, and 2002's Spider-Man brought redemption to the superhero movie industry after the travesty of the Schumacher Batman films.
- The above revival also ensured that subsequent films would be Darker and Edgier teenage- and adult-oriented films rather than the all-ages kind that had been before, such as The Dark Knight and Man of Steel. However, family-marketed superhero films are on the rise again, thanks to 2012's The Avengers (2012), 2014's Guardians of the Galaxy, Teenage Mutant Ninja Turtles (2014) and Power Rangers (2017).
- The Pirates of the Caribbean franchise made pirates fun for the twenty-first century (although its influence has mostly been in literature rather than in more films).
- The Disaster Movie genre was left for dead by 1980, but experienced a resurgence in 1996 with Roland Emmerich's Independence Day.
- The Scream series did the same for slasher movies by hanging a massive lampshade over the genre's numerous clichés, while still employing them to scary effect. It took nearly a full decade for the resurgence to die back down, being done in by two things: a massive glut of uninspired, low-quality slashers that either couldn't emulate Scream's cheeky postmodernism, or simply didn't even try to, and the Columbine Massacre making any what Roger Ebert called "dead teenager" movies very uncomfortable by way of Too Soon.
- 3D movies have had this a few times - in the 2000s, first with IMAX 3D, then animated flicks such as The Polar Express, and culminating in 2009's Avatar.
- The Lord of the Rings trilogy directed by Peter Jackson, it can be said, effectively brought High Fantasy (or perhaps even Medieval European Fantasy) in general to the attention of film audiences, but results from attempted films of this genre have been mixed, on one hand, we got successes like The Chronicles of Narnia. On the other; commercial flops like Eragon. It's often stated that the Game of Thrones HBO series has re-killed High Fantasy, however.
- There'd hardly been any Sword & Sandal epic movies since Cleopatra had come out in 1963. Then along came a little film called Gladiator in 2000, and the genre became big again.
- R-rated comic book/superhero movies had declined after Watchmen underperformed at the box office, as well as studios believing that the R-rating was box office poison compared to the more economically viable PG-13. This sentiment was not helped by the fact that the few that did come out between 2009 and 2015 weren't big hits. But after a little film called Deadpool proved a critical and commercial success, there have been announcements from 20th Century Fox that their latest Wolverine movie will be R-rated, as well as Batman v Superman: Dawn of Justice having an R-rated director's cut on Blu-Ray, suggesting that the R-rated comic book/superhero movie may be experiencing a resurgence.
Live Action TV
- This happened at least twice in the Game Show genre:
- Jeopardy! helped re-popularized quiz-type game shows, which were previously thought dead after the rigging scandals of the 1950s. In fact, the show's signature "answer and question" format was inspired by a discussion between creator Merv Griffin and his wife about those very scandals. Between the 1950s and Jeopardy!'s debut, most game shows were either Panel Games or very low-stakes parlor games such as Password.
- After a rather dormant period in the late 1990s, the genre got another major reboot in 1999 with the success of Who Wants to Be a Millionaire? The show revitalized the entire genre and was the Trope Maker for many game show elements in use today — All or Nothing money ladders, Lifelines, dramatic sets and music, Commercial Break Cliffhangers and of course, massive payoffs. This led to the Who Wants to Be "Who Wants to Be a Millionaire?" trope.
- As mentioned on the Genre-Killer page, the once great genre of British telefantasy was pretty much killed by Crime Traveller (some might argue that it was killed by the cancellation of Doctor Who, and Crime Traveller was just a death rattle). Since Doctor Who's revival in 2005 showed that there's still a vast audience for SF&F, we've had Primeval, Merlin, Life on Mars, Ashes to Ashes, Torchwood, Being Human, the Discworld TV movies...
- Meanwhile, the revival of Doctor Who is credited with bringing back the concept of family shows, that is, programs that the whole family could gather together for.
- Live network television musicals entered a dormancy in the middle of The '50s. NBC revived them in 2013, with a The Sound of Music telecast starring Carrie Underwood. While it scored high ratings, it took two more years for the medium to re-enter critical favor, when NBC broadcast The Wiz to great acclaim. A few months later, FOX opened the door for other networks to stage their own musicals, by airing a warmly-reviewed Grease production that scored even higher ratings than The Wiz did.
- Thrash Metal had a resurgence in the mid 2000's on the backs of bands like Evile and Municipal Waste.
- Boy Bands were practically D.O.A. after the Backstreet Boys and *NSYNC faded in 2001-02 * . The Jonas Brothers were popular for a few years from 2007 to 2009, but that was more of a pop-rock act as opposed to a traditional boy band. Following the success of Justin Bieber, "classic" boy bands like Big Time Rush, The Wanted, and JLS started popping up. JLS and The Wanted had good success in the UK, but were nowhere near as popular as acts like Take That and Westlife were and made no impact internationally. Big Time Rush, meanwhile, had a hit show on Nickelodeon, but as a band weren't very successful mostly because their launch was parallel to the rise of Bieber.
- The act that would truly re-ignite the Boy Band craze formed on the next season of the hit UK show The X Factor. One Direction were put together by Simon Cowell after their members narrowly missed the cut as solo acts. Although the group finished third, their debut single "What Makes You Beautiful" debuted at #1 in the UK. One Direction would go on to achieve massive worldwide success, and even broke into one market that most of their predecessors failed to make it in: the United States. The Wanted also had a massive global hit with "Glad You Came" around the same time One Direction started to break through, but their hype was quickly extinguished by their rivals.
- One Direction would go on to dethrone Bieber as the biggest teen phenomenon in the world. The Canadian's sales figures began to plummet and he started to lose awards and records to the boy band. Other boy bands like Union J, The Vamps, Emblem 3, Midnight Red, and IM5 are looking to achieve success, but it's unlikely that any boy band — or Bieber-esque solo singer, for that matter — will overtake One Direction any time soon.
- This happened to Disco of all things in 2013. Daft Punk's "Get Lucky", Bruno Mars' "Treasure", and Robin Thicke's "Blurred Lines" were able to revive worldwide interest in the disco genre, leading to several followers and even expanding to other forms of R&B in 2014.
- After Loveless made all other Shoe Gazing works pale in comparison, the genre died in the early-mid '90s. It's since seen a resurgence in the '10s, lead by the Brooklyn scene rather than the traditional northern English scene.
- Political Rap is having a resurgence, though it is mainly limited to the Flemish scene. One of the most famous political rappers there is Keondalini.
- Nu Metal has seen something of resurgence since around 2012, after dying unceremoniously in 2004. Bands like Issues, In This Moment, Hollywood Undead, Of Mice & Men, From Ashes To New, Emmure, and Saint Asonia prove the genre isn't completely non-viable like it used to be. Throw that in with various deathcore bands like Suicide Silence, Whitechapel, Upon a Burning Body, and Attila taking noticeable influence from the genre. Add that with the fact that bands who previously abandoned the genre returned to their roots, most notably Staind, Slipknot, Papa Roach, and Linkin Park. It'll probably never be anywhere near as popular as it once was, but it's something.
- No matter what one may think of his politics, it's hard to deny that Rush Limbaugh did this with non-music radio in general, and talk radio in particular, starting in the late '80s. His openly and proudly partisan style, made possible by the repeal of the Fairness Doctrinenote in 1987, caused radio broadcasters to realize that there was still money to be made broadcasting news and talk shows, leading to a proliferation of right-wing talk radio hosts in The '90s.
- Nintendo and the NES single-handedly brought the home video game console market back from the dead in North America, after The Great Video Game Crash of 1983.
- Titles such as Phoenix Wright: Ace Attorney and the Telltale Games Sam & Max: Freelance Police retool helped restart the popularity of Adventure Games in America after roughly a decade of dormancy. Note that this genre was never dead overseas, however; it largely mutated into genres such as Visual Novels.
- Depending on who you ask, the strategy RPG genre was revived by either Final Fantasy Tactics Advance, Disgaea: Hour of Darkness, or the first Western release of Fire Emblem on the Game Boy Advance: three games that came out in 2003.
- The rise of Kickstarter has caused a spike of interest in reviving the Point-and-Click adventure games. In particular, Double Fine's Broken Age raising over a million dollars in a day has caused a lot of Follow the Leader.
- The success of Castle Crashers revitalized interest in the side-scrolling Beat 'em Up.
- Starting in the mid 2000's, there was a resurgence in popularity with older styles of video games from the 8-bit and 16-bit era, with many existing franchises from the those eras seeing revivals heavily influenced by nostalgia.
- The recent success of Shadow Warrior (2013), Wolfenstein: The New Order, and DOOM has created a revived interest in old-school style shooters.
- Space simulators in the vein of Elite and Wing Commander are headed in this direction thanks to the advent of crowdfunding, helped in no part by the success of Star Citizen's campaigns (leading to record-breaking amounts of funding); as well as the critical acclaim and commercial success of Elite: Dangerous and the amount of press revolving around games like No Man's Sky.
- Guitar Hero Live and Rock Band 4 were released in 2015, restoring interest in the Rhythm Game that died in 2010.
- The turn based tactical genre seemed to be heading down the drain around the start of The New '10s, until the one-two punch of XCOM: Enemy Unknown and Fire Emblem Awakening came out to near unanimous acclaim and commercial success.
- Adventure Time and My Little Pony: Friendship Is Magic brought a resurgence on Western Animation in many ways in the 2010's.
- The former helped Cartoon Network Win Back the Crowd, along with Regular Show and Young Justice.
- The latter, along with Transformers Prime, showed that there was not only a market for Merchandise-Driven shows as long as they're well made and well written, but even marked a renewed interest in making cartoons for girls note , but that boys and men could enjoy cartoons for girls; like girls and women could enjoy cartoons for boys.
- While adult animation has always been a thing, it more or less died out in the mid-30's as a result of the Moral Guardian-championed Hays Code and the rise of the Animation Age Ghetto during The Dark Age of Animation. The revival of the subgenre was a gradual one; the works of Ralph Bakshi such as Fritz the Cat and Coonskin are often considered the start of the revival, albeit a niche one, while Beavis And Butthead, The Simpsons, and South Park are all credited with restoring adult animation to mainstream status.
- The point of the Pre-Raphaelite Brotherhood was to do this for classical art.
- The spy genre, which had floundered since the end of the Cold War, became relevant again thanks to 9/11 and The War on Terror.