Leslie Fish's Filk Song"Gamers (This Game Is Real)" is about "the perils of being a gamer". The narrator, a video gamer, tabletop roleplayer, and LARPer, gets her front door successively kicked in and her stuff stolen by the secret service, a bunch of fundies, and the FBI, who accuse her (respectively) of hacking, summoning demons and Eldritch Abominations, and being a terrorist. In an inversion, the Moral Guardians are the ones who think the things in the games are real, while the gamer knows them to be harmless fantasy. It ends with the line:
You gotta wonder about these people And just how they get by If they can't tell truth from fantasy Do they even know it when they lie?
Anime & Manga
On Sept. 18, 2007, a teenage girl in Kyoto hacked her father's head in half with an axe. The event made a huge impact in the Japanese media, where it was linked to an event in the first season of Higurashi No Naku Koro Ni where a teenage girl cleaves a man's head in half (to defend her father). Despite the episode in question having aired over a year ago, the next scheduled episode of the second season was canceled, as was the final episode of School Days. That the girl had said in an earlier interview that she wanted to be a mangaka didn't help.
The Japanese media attitude towards anime and manga goes much longer back. Around the late '80s, a serial child killer was found out to have several Lolicon manga in his home, and the media jumped the illogical conclusion that the killer had been guided by these stories and could no longer tell the real world from fiction, and pushed out lovely headlines like "There is an army of 10,000 killers raised by manga in our country". The Otaku lifestyle was also called anti-social, ironic, considering that the annual (and soon thereafter, bi-annual) Comiket was one of the largest public gatherings in Japan.
Death Note has earned some media attention, with various public figures overreacting to people creating replicas of the titular note. To be fair, this is partially justified, as someone bringing their hit-list to school probably should raise a few eyebrows. And, well... if the teachers at Light's school had raised a fuss over a student bringing in a Death Note, it would've saved the SPK plenty of trouble finding him.
Pick any headline about some ten-year-old that got hentai out from the library. Remember... unless specifically instructed not to by the parent of an underage patron, librarians loan out anything in the library (except reference books) to any patron, no questions asked. They can think whatever they like about it, but a patron can borrow whatever they want. It's policy.
An episode of The Good Wife featured a sleazy murderer who had manga-style artwork in his house, which he even referred to as manga to make sure we got it. And then he gave one of them to the main character as thanks for helping him beat the rap. This was all gratuitously and embarrassingly irrelevant to the episode's story, and was clearly thrown in just because the writer thought this is what manga fans are like.
Psychiatrist Frederic Wertham wrote a book in 1954, luridly titled Seduction Of The Innocent. It blamed comics, especially the crime and horror genres popular at the time, for juvenile delinquency, as well as corrupting sexual themes. He appeared before the Senate subcommittee on juvenile delinquency, which lead to veiled threats of censorship; in the end, the industry adopted the self-regulating Comics Code. Ironically, this may have helped the Super Hero genre, since it was easy enough for it to produce simple tales of good versus evil that even the harshest censor would pass.
While it doesn't excuse Wertham's jerkassery, he was not entirely making it up — comics at the time tended to have stories that would be judged PG-13 even by today's standards. Wonder Woman, for example, had a good bit of BDSM themes that track back to her creator's interests, research, and Word Of God. Comics weren't quite as innocent at the time as what survived into subsequent decades. Wertham was definitely playing it up, but the material is stuff even today's parents wouldn't want their younger children reading.
What makes the whole Comic Code thing worse is that Wertham really wasen't that bad of a guy. He didn't want the Code to be founded and was against it. He just thought that comics should have a rating system like TV and movies.
Rock and Roll is still sometimes demonized; The mini, Batman: Fortunate Son, has Batman fight against the evils of Rock and Roll and was published in 1999. The main villain of the comic is an insane and evil version of Kurt Cobain who is driven to madness by the ghost of Elvis Presley. (Linkara did a review of the comic.) Also, Batman hates rock music after witnessing a rocker kill his girlfriend.
Batman: Punk (music) is nothing but death and crime and the rage of a beast!
Not to mention the fact that — of course — he'd been listening to rock music on the radio on the day his parents were murdered and his father made him switch it off, which naturally made him associate it with and blame it for the death of his parents. One gets the feeling that Bruce Wayne couldn't do anything on that fateful day without somehow retroactively linking it to the death of his parents. Fridge Logic kicks in when you realize that if Bruce had simply insisted on continuing to listen to his radio his parents would've stayed home with him and they wouldn't have died in the first place.
Inverted in an issue of Cthulhu Tales, which reveals that the development of rock music and its later subgenres and expansion into more experimental forms of music are in fact what's keeping humanity from being driven mad and held in thrall to an Eldritch Abomination.
It's one that flares up every so often, but in the 1980s and 1990s especially there was a lot of moral panic and outcry over violent horror movies and Video Nasties and their corruptible effects on the young and impressionable. Naturally, the attempts to prevent these movies from reaching the innocent eyes and minds of these viewers (including banning them in several cases) just made peoplewant to see them more.
A good parody of this shows up in the (sadly short-lived) tv show Action, where a Senate Subcommittee sits down with main character and bad film creator Peter Dragon. While there is no doubt doubt that Dragon is a slimy Unsympathetic Comedy Protagonist and that his films are over the top, lowest common denominator schlockfests, Dragon doesn't hesitate to point out the basic hypocrisy of a pro-gun, war hawk Senator criticizing him for creating fictional violence while proudly signing off on bills that create real life violence and misery.
Senator Powell: (Referring to Dragon's young daughter) How can you look that sweet little girl in the eye?! Dragon: I manage. I never voted to subsidize the growing of tobacco while turning my back on food programs for starving kids. I never vetoed a gun control bill. All my guns are fake, Senator! I never rushed to the defense of Kuwaiti oil fields while ignoring genocide in Africa, because big oil companies which line your fat pockets aren't concerned about black Africa. Those are all productions of your company Senator, his company right here!
Little Sweetheart, which came out in 1989, features a character with this mindset towards rock n' roll. It's uncertain if we're supposed to agree with her, as she's a bitch about it and switches over to a televangelist (and remember, it was made by a UK team), but at the same time, the rock fan is an amoral, psychotic, backstabbing, blackmailing sociopathic 9-year-old girl.
The protagonist Jeff of Direct-to-Video movie Rock: Its Your Decision is asked to give up listening to rock for a week and comes to decide that it really is evil, starting a series of lectures about it. Brad Jones was surprised an anti-rock movie was made as late as 1982, and had a go at the movie's various interpretations on DVD-R Hell.
Jeff: And listen to these by the rock group AC/DC. "Rock 'n' Roll Damnation", "Let There Be Rock", "Highway to Hell", and this is my favorite right here: "Hell Ain't a Bad Place to Be".
Brad: Uh-huh. First of all, metaphor, but also, it's a song about how a woman causes a shallow man everlasting torment.
Jeff: Captain & Tennille have even tried to change their images with songs like "You Need a Woman Tonight" .
Brad: The Captain & Tennille is a sin now, too?! Calling the Captain & Tennille a sin is a sin against the word "sin"!
When the movie The Warriors came out, there were a number of published incidents involving gang members fighting and that movies that "glorify" gangs shouldn't be made. Well, duh, when you make a movie about gangs, it's probably likely to attract members of gangs, and some might be from gangs outside the area where the theatre is located.
Some of those accusations weren't without merit, though. The movie didludicrously romanticize street gangs, turning them into various combinations of the Noble Savage and Loveable Rogue archetypes. Even the theme song, "Last of an Ancient Breed," suggests that gang life is a proud calling and something to which young people should aspire.
During the first chapters of Don Quixote, we see characters burning chivalry stories, referencing the real life outcry against people reading them, because they tempted away young women and distracted everyone else away from reading The Bible. What makes this scene ironic is that Don Quixote was written decades after the controversy died down, and would be like people in the 21st century upset over Jazz; naturally, Don Quixote is all about someone who's stuck in The Old Ways, and whether that's a good or bad thing. It's a bad thing.
Invoked to some extent in Animorphs with the introduction of Sixth Ranger David. It's foreshadowed early and often that he's going to go Sixth Ranger Traitor, and among the many hints given is the revelation that he likes heavy metal bands like Megadeth and reads 90s-era comic books like Spawn as opposed to the more wholesome fare that Jake and Marco subside on. Marco himself even lampshades it.
Marco: He names his cat Megadeth. He has a cobra named Spawn. What kind of a kid is that?
The Harry Potter books have been accused of getting kids interested in the occult.
Goethe's 1787 novel Die Leiden des jungen Werther (translated into English as The Sorrows of Young Werther) inspired a trend (termed 'Werther fever') of young men dressing like Werther. Certain Moral Guardians thought readers might copy more than Werther's fashion sense, and blamed the book for inspiring a wave of copycat suicides. It's a bit of a legitimate grudge: The psychological term for it has been dubbed the "Werther effect," where suicides increase after a report in the media. That is why suicides are not reported unless there is a very compelling reason to do so.
Kim Newman parodies the moral panic around violent horror movies in the short story "Where The Bodies Are Buried 3"; a series of brutal murders is blamed on the titular horror movie, which prompts a tabloid journalist to spearhead a campaign which eventually leads to horror movies getting banned because of their influence. He later comes to realize that there is indeed a dark, demonic presence at work corrupting people into committing these crimes... but it's got nothing to do with the movie. It's working through the tabloid newspaper and his campaign.
Live Action TV
When Sesame Street (Yes, THAT Sesame Street) premiered in the '70s, some PBS stations in the South wouldn't air it because it showed children of different races playing together. Then there were protests against showing Sesame Street in German TV, "because there were no poor children in Germany, who would play on dirty streets."
Although this trope is named for rock 'n' roll, the trend itself dates almost as far back as recorded history. Texts complaining that new music was corrupting the younguns have been found dating back to Babylonian times.
As said, rock 'n' roll itself, starting in The Fifties. This took many different forms over time; witness the "backmasking" controversy in the late '70s and '80s, when fundamentalist Christian groups began to claim that backwards messages in music could subliminally influence listeners, and that rock musicians were doing this to draw their fans towards Satanism. Others condemned rock 'n roll on the basis that the term itself is a depiction of sex; in fact, it refers to the steady beat.
Parodied with "Backmasking" by Mindless Self Indulgence, which starts with the lead singer inviting the listener to "play that record backwards"... and then the track reverses itself, and you hear a middle-aged mother saying things like, "Eat all your vegetables" and "Clean your room."
Petra, a band which helped pioneer the Christian Rock genre, included the back-masked message "What are you looking for the devil for when you oughta be looking for the Lord?" in their song, Judas' Kiss.
Five Iron Frenzy also takes a swipe at the backmasking kerfuffle in "My Evil Plan to Save the World," a song about a hypothetical song which, upon reversed playback would "tell the kids to stay in school."
Linkin Park's song "Anouncement Service Public" is comprised of "You should wash your hands and you should brush your teeth" backwards.
Larry Norman, known as the "Grandfather of Christian Rock", wrote one of his most well-known songs, "Why Should The Devil Have All The Good Music?", in direct response to the claim that rock 'n' roll was inherently evil.
Resurrection Band, known for pioneering Christian Rock/Metal, inverted this trope in their tongue-in-cheek song "Elevator Muzik", which described classical music as artificial and commercialized, in contrast to music which focused on evangelism and spiritual growth.
An article denounced Alice Cooper as surely not a true Christian (even though he is, in real life, a born-again Christian and a volunteer Sunday School teacher), not so much because of his particular style of shock rock, but because he happened to be involved in the rock 'n roll industry at all:
I urge you to [...] renounce everything you did in the past and the evils of rock music in general.
So has the tendency of some bands to play at 100 db or more. Admittedly, they have a point in that case, but not as much as they think they do; "this band plays at 110 decibels live; therefore all its music is evil" isn't actually valid logic.
The 1950s moral panic is parodied in Walk Hard: The Dewey Cox Story, when Dewey plays a sweet, gentle pop ballad about holding hands at his school talent show. The second he starts playing it, previously well-behaved teenage girls turn into sex-crazed nymphos, previously well-behaved teenage boys turn into violent thugs, and everyone else ends up barricading Dewey's house with Torches and Pitchforks screaming about how he's going to hell.
This has showed up in books as recently as 2005. At least one "youth minister's handbook" describes rock and roll as irrecovably tainted because Elvis was evil.
With all the furor subjected at Heavy Metal for being "devil music," one might forget that in the twenties the term was applied almost exclusively to Jazz, which, unlike its staid reputation today, was thought to inspire animalistic carnal lust and violent behavior in otherwise upstanding young boys and girls, as well as the racist perception that it was "negro music".
Reactions were even more extreme for ragtime, about which one historian wrote "not even Elvis Presley rolling his hips had as many parents and preachers up and howling and sending for the exorcism unit as ragtime did. After all, not too many kids have hips like Elvis's, but anyone who could play "Chopsticks" or whistle "The Star-Spangled Banner" could syncopate (everybody owned pianos back then).
Ragtime was notably described by a 1913 New York Herald article as "symbolic of the primitive morality and perceptible moral limitations of the Negro type", which recommended "extreme measures" to prevent it from becoming popular with white audiences.
In the mid-1980s parental and religious groups were so scared of Heavy Metal that a group called the Parents Music Resource Center (PMRC) managed to get Senate hearings on whether or not record labels should be forced to put warning labels on potentially "dangerous" music. During the hearings musicians like Frank Zappa, John Denver, and Dee Snider spoke out against music censorship, and the hearings ended when the major record labels agreed to voluntarily put warning labels on albums with adult content (which is where the now-familiar "Parental Advisory: Explicit Content" stickers came from).
Starting in the early '90s, rap and hip-hop music became an interesting case in that they were being attacked by Moral Guardians on both sides of the spectrum. Conservatives were concerned about the glorification of violence, gangs, drugs and black militancy, and liberals were concerned with the misogyny and homophobia.
Most of the criticisms of the hip-hop/rap genre is more cultural than, say. generational.
Blues was an early American form of "Devil's Music" (because it was "Negro-influenced").
Famously, the enormously influential blues singer and guitarist Robert Johnson was accused of selling his soul to the Devil in return for talent.
Documents have cited that even the Waltz was "subversive and drawing our children towards Satan" back in the day.
We remarked with pain that the indecent foreign dance called the Waltz was introduced (we believe for the first time) at the English court on Friday last . . . it is quite sufficient to cast one's eyes on the voluptuous intertwining of the limbs and close compressure on the bodies in their dance, to see that it is indeed far removed from the modest reserve which has hitherto been considered distinctive of English females. So long as this obscene display was confined to prostitutes and adulteresses, we did not think it deserving of notice; but now that it is attempted to be forced on the respectable classes of society by the evil examples of their superiors, we feel it a duty to warn every parent against exposing his daughter to so fatal a contagion. ... We know not how it has happened (probably by the recommendation of some worthless and ignorant French dancing-master) that so indecent a dance has now been exhibited at the English court ... we trust it will never again be tolerated in any moral English society.
Punk Rock has a funny cyclic pattern to it. First, the original '77 punk (The Ramones, Sex Pistols, The Clash et al.) were seen as promoting crime, drug use, anarchy, profanity and all other things that scare the old people. When people started noticing the social message in the music, it became more acceptable. This led to the creation of Hardcore Punk, the Darker and Edgier version, as it were, which shocked people for a good decade. In The Nineties, the new moral panic came from two sources: first, the punk scene's association with radical environmentalist and animal rights groups, and second (and quite confusingly), the Straight Edge subculture (whose followers are devoted to a lifestyle of not using alcohol, tobacco or drugs — celibacy and veganism optional), which was considered a gang activity.
Part of the problem with the Straight Edge movement's image has been the militancy of many of its adherents, which have led to violent confrontations at times (usually as part of an animal rights or environmentalist agenda). There's also the unfortunate association with various small, but highly vocal, sXe splinter movements which have gone far beyond the original mildly conservative values into far-right politics, violent homophobia, and in a few cases, white supremacy and anti-Semitism. This has, on occasion, led to violent confrontations with militant anti-racist sXe groups.
Older Than Print: In the 12th century, the Church denied all sacraments, including last rites, to all minstrels and street performers, effectively damning them all to Hell. The reason? Supposedly, what they did was unproductive and seduced people away from a "proper" Christian life.
The song "Ya Got Trouble" ("Trouble my friends, I say trouble right here in River city...") from The Music Man is a knowing parody of this trope, with a con man decrying everything that was new circa 1912 (pool tables, ragtime music, pinchback suits, Horserace Gamblin', modern slang "Words like 'swell', and 'So's your old man'", and a whole host of other things) in order to create an artificial crisis that he can solve "... with a wave of my hand, this very hand."
The Finnish metal band Lordi has occasionally been accused of encouraging Satanism or other unsavory things. While their general appearance and stage demeanor◊ is slightly demonic, more than one of the band members are Christian and have actually put God among their personal acknowledgements on the back of the CD. Song titles like "Hard Rock Hallelujah" and "Devil Is a Loser" is not the kind of thing your average Satanist puts out.
Just to make it even stupider, the song "Devil Is a Loser" was used as proof that they were Satanists. It's not exactly clear how a song about how selling your soul to the Devil is an easy way out for the weak that carries strong consequences even beyond losing your soul can be pro-Satan.
Similarly, "The Pusher" by Steppenwolf, a strongly worded anti-drug song, is often cited as encouraging drug use. Now we're headed into "Born in the U.S.A." territory.
The moral panic surrounding raves and the drug use admittedly common in the scene.
Because one of the most popular genres of music at early raves was called Acid House (it actually describes the "acidic" sound of the TB-303 synth bass), Moral Guardians assumed that the kids there were all on LSD. The actual amount and type of drug use varies by rave and by raver (many are even Straight Edge), but MDMA has the strongest association with raving, distantly followed by Ketamine, Nitrous Oxide, and good old-fashioned Weed.
Records by the Mills Brothers were tossed on bonfires in the 1980s.
The Tritone, AKA Diobolus in Musica. Play Do, Re, Me, then an extra half-tone above Fa, that is, three whole tones above the root, hence the name. In the Middle Ages, it was banned (depending on who you ask) from church music/entirely because it sounds dissonant/SUMMONS THE DEVIL! Ties into other music entries as you can find it incidentally in a lot of Blues music, and extensively, and deliberately, in early Black Sabbath. It's that ominous "dun... Dun!" you hear a lot.
Parodied quite a bit along with Christian Rock by Devo's opening band "Dove, the Band of Love," which was Devo in different costumes. It's best summed by the intro to Dove's cover of "Gotta Serve Somebody" on Recombo DNA, with Devo's mutant mascot brainwashed into being Dove's lead singer: "We used to do devil music like that band Devo, but then Jerry over here sat down on a Bobby Dylan record, and the Lord came into him! Now we do music of love!"
This article isn't real, it's actually from a parody site that's like The Onion for metalheads.
But what was real was his declaration of war on porn.
The Rock and Roll Hall of Fame in Cleveland has an exhibit showing news reports and congressional hearings calling for censorship or banning of rock and roll. Some of them are strikingly similar to arguments being used today to try to censor/ban stuff, such as promoting violence and promiscuity, or corrupting youth.
The trope becomes a self-fulfilling prophecy any time a rock, metal or other "heavy" song even so much as has the WORD "devil" or "Satan" in it; including instances where Satan is in fact the villain, where the minions of hell are punishing evildoers, or the devil/hell are being used as metaphors (often for drugs or abusive relationships). A crowning glory was a treatise dedicated to showing "the hideous birth of heavy metal and its forcing the devil's will into our lives", whose entire premise stemmed from the line "Satan, laughing, spreads his wings! Oh lord, yeah!" That would be the final line of War Pigs, by Black Sabbath, and is speaking of Satan laughing as all the evil war-mongers who led the world to destruction just to line their pockets are damned to hell by God and the angels on Judgement Day. Apparently the book of Revelation is a glorification of Satan!
The Internet catches a lot of this; whether it's porn sites or pedophiles trolling chat rooms and MySpace, the media are constantly trying to find new things to scare people about online. This also extends to anything that can access the Internet. Big overlap with New Media Are Evil, here. Another infamous newscast dealt with the Nintendo DS, and how child molesters were allegedly using its PictoChat function to contact kids. Never mind that hardly anyone ever uses PictoChat, and that the function's range was considerably less than what the newscast said...
There was a story where they said that Leet Lingo is a language designed to hide secrets from parents, and they actually have a translator for leet speak despite the fact that the numbers in leet are supposed to look like the original letters. Leet did originate, at least in part, as a way to hide email from keyword-based filtering/eavesdropping software, so it's not entirely wrong, just blown way out of proportion.
It, of course, does not help that there's plenty of places on the Internet that practically revel in this behavior (Something Awful, /b/, Encyclopedia Dramatica, any given Shock Site) because they think it's funny to act like how every Moral Guardian thinks the Internet behaves. The subtlety is inevitably lost on said Moral Guardians.
The Daily Mail seemed to be fixated on the internet during 2012, with porn sites, Facebook, Twitter and general bad behavior (trolls) on the internet featuring in headlines. The so called 'side bar of shame,'images of dead bodies and articles of a particularly adult nature on the Mail's own website caused some to call them hypocrites.
Subverted to hell and back in early 2009 with Twitter, the bandwagon that every traditional media outlet seems desperate to jump onto. Until they got bored with it and/or remembered the media's proper role in society is to make everyone paranoid. FACEBOOK AND TWITTER WILL DESTROY YOUR LIFE.
Before he was forced to resign, Egyptian President Hosni Mubarak shut down the whole country's Internet, in order to quell street protests against his rule. It backfired on him.
In Britain, there are proposals to impose blackouts on social media, after it was heavily used in the 2011 London riots.
Several U.S. communities have attempted to pass legislation against using social media to organize flash mobs, not seeming to understand the whole "freedom of assembly" clause in the Constitution.
On the one hand, the right enshrined in the Constitution is specifically the right to peacefully assemble, which disqualifies anything you'd care to call a "riot". On the other hand, this suggests the smart move would be to "infiltrate" the would-be mob during the planning stages, learn the times, and greet them with riot cops when they get there. (It's illegal to arrest the participants before they start anything — unless you have evidence of conspiracy charges — but it's not illegal to be sitting there waiting.) On the gripping hand, there's evidence to suggest that in the past, the FBI infiltrated certain organizations, such as CORE (responsible for the antisegregation Freedom Rides)... and tried to incite them to mayhem so they could be arrested and tried.
It should be noted, however, that flash mobs, despite having the word "mob" in the name, are completely harmless; they're just fun ways to do unusual things on a large scale and weird out bystanders. I mean, come on, The Other Wiki has a separate page for pillow fight flash mobs. Attempting to ban them would, indeed, be an infringement of the right to peaceably assemble.
That depends on the flash mob. In Philadelphia, for example, flash mobs have a history of either starting out or becoming violent and destructive.
In terms of new media technology, there's some overlap with this and They Changed It, Now It Sucks. If the new media has some drawbacks that the old didn't have for instance (you can't tape on DVDs very easily, making them more difficult for recording without a DVR or something). For that matter, DVR is useless as a replacement for VCR anyway, if you can't afford cable.
With the rise in popularity of 3D printers, it was only a matter of time before someone made a 3D-printed gun. The online group "Defense Distributed" hosts CAD files for a fully functional plastic gun as well as lower receivers and mags for AR-15 rifles (the lower receiver being the part of the rifle that is legally regulated and serial numbered, and in some American states mags are regulated). Despite improvised firearms having existed since the 1900s (and at much cheaper up-front costs), and that a superior metal AR-15 lower receiver can legally and easily be milled from an 80% finished "paperweight," DIY guns went largely unnoticed by the media and politicians until it became associated with the rapidly growing world of 3D printing. Add a public who is all too easily sent into a panic over guns, and suddenly you have a wonderful new headline to remind everyone that they should be scared of new technology and that New Media Are Evil.
Patricia Pulling's organization "Bothered About Dungeons and Dragons (B.A.D.D.)" claimed that D&D was "a fantasy role-playing game which uses demonology, witchcraft, voodoo, murder, rape, blasphemy, suicide, assassination, insanity, sex perversion, homosexuality, prostitution, satanic type rituals, gambling, barbarism, cannibalism, sadism, desecration, demon summoning, necromantics, divination and other teachings." She blamed the game for her son's suicide, even suing TSR for wrongful death (she lost). Most of Pulling's arguments were demolished in 1990 by Michael Stackpole, in "The Pulling Report."
The book Mazes and Monsters by Rona Jaffe, and its later Made-for-TV Movie starring Tom Hanks, both accuse tabletop RPGs, such as Dungeons & Dragons, of encouraging occultism and Satanism, and even allege that players get so caught up in the game that they can't tell fantasy from reality. Ironically, the purely fictional book was cited as a "case study" by several rabidly anti-D&D groups, so one must ask which side actually has this problem. this is a case of I Lied. "Mazes and Monsters" was based on a missing persons case, which was actually only the official version of the story anyway, since the detective involved was trying not to alert the actual people so he could continue his investigation. The media released this assertion as fact. Strangely enough the movie makes it clear that the game itself was not responsible, it was just what he happened to be doing when he snapped. The other players are well-balanced with active social lives (although one does invent larping as an alternative to suicide).
One of the most infamous and parodied Chick Tracts, "Dark Dungeons", targeted D&D. Whether it actually converted any D&D players is highly doubtful, though it may have made them laugh uproariously at the constantly absurd claims it makes.
In an attempt to pass under the radar, Dungeons & Dragons took out all references to demons, devils, Hell, and anything else even vaguely related to That Place Down There from 2nd Edition. These were restored in 3rd Edition, which came out at least a decade later... by which point nobody except Jack Chick really cared enough to be offended any longer (and even he seems to have lost some interest, because Dark Dungeons is no longer published unless someone explicitly puts in an order).
Magic: The Gathering decided to nip this problem in the bud by turning all Demons into Beasts for a few years. This is referenced in Infernal Spawn of Evil which has demon crossed out in its typeline and Beast written in in marker.
There was also a brief spate of this in The Nineties when a guy who played Vampire The Masquerade maybe a bit too much got together with his friends, killed his folks, then drank their blood. There's a reason every White Wolf book since then opens with a disclaimer reading, "You are not a supernatural creature, and if you think you are, then for the love of God, seek professional help."
In an attempt to avoid such allegations, Rifts and other Palladium Games all come with disclaimers like the White Wolf books, though not as tongue-in-cheek. It's usually something along the lines of "This book contains depictions of magic, evil, and the supernatural, which some parents may find inappropriate for younger readers. Palladium does not condone nor encourage drugs, violence, or demon worship." They even request that anyone running a Rifts website also puts up a disclaimer.
In Elizabethan England, there was a movement to ban tragedies on stage, for fear that all the weeping would corrupt British masculinity. That's right, Hamletwill make you gay.
Theater in general was often the target of preachers in early modern Europe. The preachers claimed that theaters promoted immorality. Theaters were forcefully closed more then once. For example, when Oliver Cromwell and his puritanical supporter took power in England mid 17th century, all theaters in London were closed down. The same thing happened in the Netherlands in 1672; when the country was attacked by France, England and two German states, preachers succesfully blamed the cause of the war on God's displeasure, which was in turn caused by the theaters.
An in-universe example in The Music Man using pool as an example.
Even before Ultra Super Death Gore Fest Chainsawer 3000, video games were subjected to this. In the arcade days, they were blamed for wasting money and providing a place for unsupervised minors to hang out; with the early consoles came accusations of laziness, eyestrain, and illiteracy. Which is rather amusing, considering that some studies have shown that video games may actually improve reaction time and signal detection.
In late January 2008 there was an uproar over a lesbian sex scene in the game Mass Effect. Cybercast News Service blogger Kevin McCullough claimed that Mass Effect had a full frontal sex scene which took place with the player character volunteering information on how to make the act proceed. Yeah. This article would have fallen into the abyss of stupid blog articles never to be mentioned again — except that Fox News, for reasons unknown, took everything the article said at face value and actually ran a story on the whole affair in cable prime time.
Some of the reviews on Lawrence's book were genuine reviews, too, from people who had read the book and still gave it one star. Not only had Fox chosen an "expert" who did no research, they chose an expert who wasn't even one.
The whole debacle is especially amusing when you play the game knowing it happened - the potential lesbian partner (an alien) mentions that there are many misconceptions and bizarre rumors about her species's sexuality, but people tend to obsess over it regardless. It's almost like they knew it would happen (admittedly, it wouldn't be hard to predict).
When reports of the Virginia Tech massacre surfaced, media pundits were extremely quick to lay the blame on the game Counter-Strike, due to an offhand comment by a classmate who barely knew Seung-Hui Cho (the shooter). When later reports showed that Cho was an unmedicated schizophrenic who hadn't played anything more violent than Sonic the Hedgehog, those earlier reports were quietly swept under the rug.
Before that, of course, the Columbine massacre was blamed on Doom, as both of the killers were fans of that game. One of the killers, Eric Harris, said that the shooting would be "like ***ing Doom," and said that his shotgun was "straight out of Doom." When it came out that Harris had created some mods for Doom, there were allegations that some of the "Harris levels" were models of Columbine High School, with the demons replaced with teachers and students, and that Harris had used them to practice for the shooting. It turned out that they were just ordinary levels, and they are available on the Internet for anybody to find out — the most elaborate level can be viewed here, third down the list, complete with commentary on the scrutiny that video games came under after the massacre.
There is also the Super Columbine Massacre RPG, which was decried as a glorification of the massacre itself and violence in general. Since the game is actually doing the opposite of that, it's safe to assume the people accusing it of this never played it.
A similar, even more clueless version showed up in a few news reports soon after the Newtown school shooting in 2012. They tried to blame the massacre on the murderer's love of Starcraft, a top-down strategy game, and Dance Dance Revolution of all things.
Pokémon, prompting at least one Christian fundamentalist to say that other Christian fundamentalists were decrying Pokémon for the wrong reasons. See article here.
Parodied in Kagetsu Tohya when Akiha calls manga the work of the devil and a corruption of innocent teens etc. after Hisui reads one and apparently goes berserk. But apparently it's an ordinary girl's romance story. Which did, in fact, cause her to go berserk. What were we talking about again?
Mortal Kombat is perhaps the ultimate example. While its violence looks quite cartoonish today, no game up to that point (1993, to be precise) had featured quite so much blood and gore (except perhaps for Video Game/Wolfenstein, and that was nowhere near as realistic-looking as Mortal Kombat). What's worse, grade-school kids were playing it, which was alarming since, had the game been a movie, it probably would have received a PG-13 rating at the very least. One could theorize that future editions of the game getting Lighter and Softer were either a concession to this outcry or an ironic mockery of it. ("You want wholesome? We'll give you wholesome!")
Fittingly, the ESRB rating system was created as a result of Mortal Kombat's media attention. It was only a few years prior to its release that video games were considered a kid's hobby; before that, the target audience was whoever had money to spend on them. Basically, what the trend is becoming today.
A rather shocking aversion of this is the Shin Megami Tensei series. Despite its blatant use of God Is Evil and demon summoning, the games have attracted very little if any controversy.
This is probably because the series is almost unheard of in the West, even among gamers. As for Japan (where it is one of the most popular franchises, right alongside Final Fantasy, and Dragon Quest), they are much more laid-back, religiously speaking.
With the Smurfs, it at least somewhat made sense, since there were urban legends circulating that the Smurfs were either Hindu deities (because they had blue skin) or Communists (because their leader, Papa Smurf, looked like Karl Marx).
Rainbow Brite is occult propaganda — look at her, she has a star (pentagram!) on her cheek and a rainbow (stolen from Christians, now an occult symbol)! (Go check out the WMG page — this is a theory published in an actual book.)
The Simpsons came under attack for supposedly encouraging kids to imitate Bart.
After a school shooting incident in Finland, the largest newspaper of the country published articles concerning the corrupting influence of Plato and Friedrich Nietzsche, as the shooter was an avid reader of philosophical texts. Under the headline "Plato can mess you up."
Pinball corrupts the youth, doncha know:
There was a fairly large moral panic regarding pinball in the USA in the earlier part of the twentieth century. Back then, it was a game of chance rather than skill (before flippers were added in the 1950s), and people feared it would make children lazy and turn them into gamblers. Like many of these examples, it seems ridiculous to modern ears. This may be responsible for the "entertainment use only" warnings still seen today.
This isn't quite as nonsensical as it sounds. When gambling was outlawed in most of the US, makers of slot machines and other gambling devices tried every method they could think of to circumvent the ban. The most popular method was via flipper-less pinball machines, which were set so you could win multiple free games. If you didn't want to use the free games, the owner of the bar/parlor/whatever would give you back the cash equivalent. This resulted in New York, Los Angeles and a number of other cities simply outlawing and confiscating all pinball machines.
Of course, a modified version of the original pinball is still incredibly popular in Japan, where it's given the name pachinko.
Culinary example: In the 1600s, some French bakers started making a bread called mollet for the peasantry. This being France, riots ensued. Why? Because the bread required little to no work kneading (and didn't need to be cut with an ax) and thusly it encouraged idleness! It also used ingredients from Belgium. If you eat it, you hate the nation! Debates about what French bread was acceptable went on until well after the revolution, when a standardized bread recipe was proposed. Unable to find a compromise that would appease everyone about how wheat vs. rye bread, the new government eventually threw its hands up and told everyone to plant potatoes.
The fork. No, really. It's decadent! It's a symbol of Satan! If God wanted us to use forks, would we have these wonderful fingers? Hmm?! In fact, the reason chopsticks are commonly used in several Asian countries, is because oh-so-long-ago, Confucius promoted them as a peaceful alternative to knives and forks, which he equated with violence.
A large chunk of the premise behind parody series Jimmy Macdonald's Canada was watching the character label everything either decadent or dangerous. The show even featured a segment called Outrage of the Week, where "I show you three things, and then I tell you which one outrages me the most!" Winners included robots, Air Canada stewardess uniforms, Swedish drill teams, hamburger speed-eating, zambonis, and psychedelic body painting. Other things that he hated included ATMs, push-button phones, vending machines, Italian food, dancing shoes, American Bandstand-type programs, honeymoons, and children wearing protective equipment while playing hockey. Oh, and rock and roll.
"That capital T that rhymes with P that stands for Pool" in The Music Man, and all the other dangers that Professor Harold Hill calls out: beer, pinchback suits, galloping in horse races ("Not a wholesome trottin' race, no, but a race where they sit up right on the horse!"), smoking, ragtime music, knickerbockers rebuckled below the knee, dime novels, Captain Billy's Whiz Bang, and words like "swell" and "so's your old man". This one works especially well because a modern audience might not even know what half of this stuff is, which just emphasizes the ridiculousness of the hysteria. Harold Hill could go after the evils of pool because a pool table was being placed in a billiards parlor. Billiards was okay! (For anyone curious, billiards is somewhat like pool, but it has no pockets.) Let's not forget though... pockets make the difference between a Gentleman and a Bum! That's Bum with a capital B that rhymes with P that stands for POOL!
In addition, one of the evils that Hill rails against is Bevo a (now long defunct) product of Anheuser-Busch which was a non-alcoholic Near-Beer, further highlighting the ridiculous nature of the hysteria.
A central tenet of the beat movement was chemical experimentation, and they introduced or popularized essentially every modern "hard" drug except for LSD for recreational rather than practical use. Unprotected sex with many partners was also a big part of the movement, though they didn't give it the catchy "free love" moniker the hippies came up with. In retrospect, the guardians might have had a point for once on that one.
German politicians wanted to ban paintball since a school shooter happened to like the game. It wasn't until some paintballers were brought into parliament that some of them realised that it wasn't a video game. Nothing about that last bit in the news though. Now that a few years have passed, most people don't even remember that there was another public scare.
For modern examples, see Mormonism and Scientology, both of which are Acceptable Targets in the USA (or, in the latter case, almost everywhere). LaVeyan Satanism, being as Genre Savvy as it is, goes out of its way to invoke this; Anton LaVey himself admitted that The Satanic Bible is essentially an Objectivist screed under a layer of Crowley-esque mysticism and anti-Christian theatrics.
Modern art and architecture initially received this treatment in the West, partially because of its associations with leftist political movements and, in particular, the Soviet Union. Ironically, under Stalin, the same art and architecture was frequently condemned as "decadent" and "bourgeoise".
Compare, say, the Bauhaus or the International Style to Stalin-era Socialist Classicism. Much like the Nazis and their snazzy uniforms, Stalin knew what he was doing when it came to aesthetics.
Oddly enough, the Italian Fascists were tentatively accepting of the more right-wing strains of Modernism and Futurism, giving semi-formal blessing to a style known as "Rationalist-Fascist", a form of Modernism which emphasized the Classical and Renaissance roots of the style. It's quite odd to see the "right-wing" Casa del Fascio◊ set against the "left-wing" Moscow State University◊, but it's actually rather telling; fascism, despite its right-wing associations, considered itself a revolutionary movement, while Stalinist socialism was often culturally regressive.
This is still very much the case whenever a new, avant garde building is finished. The Lloyd's "inside out" Building in London was heavily criticised, being at complete odds with the much older structures like, say, St. Paul's Cathedral. Ironically, there was much more protesting against St. Paul's when that first opened.
In the 1700s, Marie Camargo, who was one of the first star ballerinas, caused quite a stir when she shortened her skirts a few inches to reveal her ankles. She did it in order to show off her fancy footwork, but the Moral Guardians of the time still pitched a fit.
Seattle megachurch pastor Mark Driscoll and evangelical leader Al Mohler both condemned yoga because of its eastern roots, much to the amusement of the rest of Evangelicalism (and the world).
Opera, seen as the epitome of high culture today, was decried by many critics (Giovanni Artusi being a notable one) as vulgar and unspiritual when it was first developed by Claudio Monteverdi in the 1600s. A lot of this has to do with the fact that, since most composers were still sponsored by the Church at the time, many people liked to see music as a spiritual exercise that helped people connect to the divine rhythms of the universe. Turning it into a theatrical spectacle, complete with sets and costumes, was seen as going against this, since it turned something spiritual into simple entertainment.