So what the heck You're welcome Join us at the picnic You can eat your fill Of all the food you bring yourself. You really ought to give Iowa A try.
— River Citizens, "Iowa Stubborn"
This page has "Trouble" with a "T", and that rhymes with "D", and that stands for "Describe The Music Man Here".The Music Man is a Tony award winning Broadway musical. Long considered one of the classics of the genre, the theatrical version has been a staple of Summer Stock, High School and Community theatre productions for more than 50 years. There is a classic 1962 film version starring Robert Preston of the original 1957 production, and also a 2003 Wonderful World of Disney remake starring Matthew Broderick and Kristin Chenoweth.The story involves a con artist rolling into a small town in Iowa, where the people are generally staunch and cynical of any stranger. Using his charm, "Professor" Harold Hill introduces himself as a music teacher, here to organize the easily corrupted youth of the town into a band to keep them out of trouble. His plan is basically charging them through the roof for instruments and the costs of being a teacher, only to run off when the time comes to actually make good on his offer. Unfortunately for him, he starts to get too into the role and gains an attraction to the feisty and independent Marian, the local librarian, who is quick to see through his deception.Set in 1912, The Music Man misses The Gay Nineties, but not by much, and demonstrates the same nostalgic treatment, while (at least in the film version) lampshading it.
This musical provides examples of the following tropes:
A Cappella: Both the stage play and the film. Professor Harold Hill teaches the four squabbling members of the school board to sing Barbershop. All of their performances from then on are a capella. All the other songs, performed by anyone else, have orchestral accompaniment. (In both the original production and the film, the School Board was played by the 1950 International Quartet Champions of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA).)
Deliberate Values Dissonance: In the "You Got Trouble" number, Harold Hill whips the crowd into a panic about the fallout about a pool table being available for play. While we know this is a scam, it's still amusing to see the locals get agitated about their kids using language that we consider perfectly innocuous like "Swell" and "So's your old man!"
Duet Bonding: Harold Hill gets the members of the River City school board to engage in barbershop quartet bonding.
Everybody Knew Already: At the end, Harold tries to confess his true identity to Marian, only for her to tell him she's known all along.
Exact Words: Shows up in a modified form. Marian was the only friend of "miser Madison," an extremely rich man who, upon his death, donated a large amount of property to River City (including the park and gymnasium). He also willed the town the library, but as the Pick-a-Little ladies explain, he only gave the city the building—he left all of the books to Marian. Since they are her legal property, she's the only one who can have the job as librarian; presumably, Madison sensed that Marion was disliked in the town and did this to ensure that she would always be employed.
First Name Basis: Marian's evolving feelings towards Harold are echoed in the way she addresses him. At first she insistently calls him "Mr. Hill," then switches to "Professor Hill" once she warms up to him, and then finally to "Harold" after they kiss.
Gossipy Hens: Mrs. Shinn's Ladies Classical Dance Group (AKA the "pickalittle" ladies). Their signature song even has them making birdlike sounds. Lampshaded in the movie with Robert Preston: after the ladies start singing (pick a little, talk a little, pick a little, talk a little, cheep cheep cheep, talk a lot, pick a little more), the camera switches to a view of their bobbing heads—and then to a group of chickens with the same colors as the ladies’ feathered hats.
A characteristic piece of brilliance when you realize that the two songs are (musically) counterpoints to each other.
Irrelevant Act Opener: Not only does "Shipoopi" have nothing to do with the plot, it's a word Meredith Willson invented for the show.
Karma Houdini: Harold Hill is about to be punished for the crimes of tricking the town out of all their money, and making their children look like idiots by not teaching them how to play their instruments at all. All of this is true, but because the kids show up playing as a band (even though they're not playing very well), Hill gets away with it all.
Kiss of Distraction: Marian Paroo plants one on anvil-salesman Charlie Cowell, in an attempt to keep him from delivering documents that would discredit Harold Hill.
Make-Out Point: Cars aren't widespread enough for this trope to be played straight, but the youngsters can still go to "the footbridge" to kiss. Marian even Lampshades the fact that it's taken her so long to meet a guy there.
Malaproper: Mayor Shinn practically has his own version of the English language.
Malicious Misnaming: Since Marian is skeptical about Harold's qualifications, she pointedly calls him "Mister Hill" instead of "Professor Hill".
Tar and Feathers: The anvil salesman refers to tar and feathers.note Although tarring and feathering was uncommon by 1912, when this is set, isolated incidents were recorded in the United States as late as 1918.