Music / Bill Haley and His Comets

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Left to right: Rudy Pompilli, Billy Williamson, Al Rex, Johnny Grande, Ralph Jones, Franny Beecher. Top: Bill Haley.

"On your mark! (On your mark!) Get set! (Get set!) Now ready! (Ready!) GO!!!"

A pioneering American Rock & Roll band, led by Bill Haley (19251981), the Comets are credited with popularizing rock & roll to an international young white audience, thanks to their biggest hit and Signature Song: "Rock Around the Clock". They had two other major hits with "See You Later Alligator" and "Shake, Rattle and Roll".

Haley was born in Highland Park, Michigan and worked in radio, primarily in the Philadelphia region, while trying to launch his musical career. Initially a member of the western swing group The Down Homers, he formed his first country music group, the Four Aces of Western Swing, circa 1946. In 1949-1950 this group evolved into the Saddlemen. Their Cover Version "Rocket 88" (1951) fused African-American R&B with country swing and is seen as the very first rock 'n' roll and Rockabilly recording, though it didn't make much impact. In 1952 the Saddlemen changed their name into Bill Haley and His Comets and in 1953 scored their first national chart hit with an original song titled "Crazy Man, Crazy". In 1954 they recorded two of the first international rock and roll hits: "Rock Around the Clock" (technically a cover song, but only virtue of the fact the owner of Haley's previous record label wouldn't let him record it first), which was the first Rock and Roll song to hit No. 1 on the charts when it was reissued in 1955, and "Shake Rattle and Roll," another Cover Version which was the group's first million seller. A third million-seller, "See You Later Alligator," was recorded in late 1955.

Haley and the Comets are credited with introducing rock and roll to the mainstream (read: white) audiences, forming a buffer between the big band era familiar to most, and the wilder forms of rock and roll developed by artists such as Elvis Presley (who recorded "That's All Right Mama" months after Haley recorded "Rock Around the Clock"). Much of Haley's popularity was caused by the use of "Rock Around The Clock" in films such as Blackboard Jungle (1955) and Rock Around The Clock (1956), in which the band appeared. (They also appeared in the sequel, Dont Knock The Rock (1956).) Such films also helped make the genre more popular in the rest of the world. The band toured in Europe, Australia and South America with equal success during the late 1950s, with Haley's arrival at Waterloo Station in London in the spring of 1957 sparking a riot.

As the "father of rock 'n' roll" Haley's music was praised by teenagers, but the elder generation was genuinely outraged and scared by this wild music that inspired teenage rebellion and disobedience of authority. In the wake of theirs, and Chuck Berry's, success, countless other rock & roll performers, most notably such as Elvis Presley, Little Richard, and Jerry Lee Lewis became superstars, eclipsing Haley's own stardom in the end, because they looked far younger, sexier and energetic compared to Haley himself. For the Comets, chart hits in the US ended in 1960, however the group continued to have major success in Latin America where they recorded "Florida Twist" in 1961, co-written by Haley's sax player and which for a time was Mexico's biggest-seller ever and today is considered a standard. They also returned to the charts in the UK several times with "Rock Around the Clock" during the 1960s and early 1970s, with a 1974 reissue of the song, tying in with its dual use in American Graffiti and Happy Days leading to it returning to the Billboard Top 40 as well. In the late 1960s and 1970s, Haley and the Comets continued to be popular on the oldies revival circuit and notably secured an 8 1/2-minute standing ovation after a 1969 performance at Madison Square Garden.

Haley and his ever-changing band continued performing right through the 1970s, even getting to perform for Queen Elizabeth II in November 1979. His final performances were in May 1980 in South Africa, but ill health forced him to cancel a 1980 German tour. Haley, who had battled alcoholism since the 1960s, died of a brain tumor in 1981 (though media reports at the time suggested heart attack). He was inducted into the Rock and Roll Hall of Fame in 1987.

Since his death, numerous versions of The Comets have continued to perform and record, with at least four different contingents known as of 2016. The Comets as a band, meanwhile, entered the Rock and Roll Hall of Fame in 2012 as part of a special induction of backing groups.

Tropes associated with the band:

  • The Alcoholic: Haley suffered from alcoholism beginning in the 1960s, and admitted to being an alcoholic in a 1974 interview for BBC Radio. According to a biography by John Swenson, he was inebriated during at least some of the recording sessions for his 1972 album Just Rock and Roll.
    • Surprisingly, Haley recorded virtually no songs about being drunk (unlike many of his contemporaries who sang about their real-life problems). One rare exception: the 1970 recording "I Wouldn't Have Missed It for the World" which was meant to be a comedy song but becomes Harsher in Hindsight knowing of Haley's real-life challenges.
  • Breakup Song: "See You Later Alligator", in which the protagonist laments over a former girlfriend who left him with the message: "See you later, alligator". One of many in Haley's repertoire, but the best known.
  • The Bus Came Back: Several times. Haley and the Comets enjoyed a resurgence in popularity in the UK in 1968, in the US in 1969 (where they received an 8 1/2 minute standing ovation after a concert at Madison Square Garden), and in 1974 "Rock Around the Clock," thanks to being used in American Graffiti and Happy Days, returned to the US and UK Top 40, 20 years after it was recorded. The last time he appeared on television, in November 1979, was for a command performance for Queen Elizabeth II, who reportedly considered Haley's appearance a highlight in a show that included luminaries such as Carol Channing and Yul Brynner and the cast of The King and I.
  • Cool Old Guy: Bill Haley was seen as this in the 1950s from those who thought 28-29 was old, and remained so when he actually did get "old" (though he was only 55 when he died). The surviving members of the 1950s Comets were treated as this when they reunited in the 1990s and continue to be seen as this in the 2010s. One of the original Comets, Dick Richards (a.k.a. Dick Boccelli), added to his "cool old guy" cachet by getting into acting in the 1970s and amassing a diverse set of credits that includes appearances in B-movie action films and TV shows like Kojak and Oz.
  • Cover Version: As was the case with most performers of the era (including Elvis), the group's repertoire included many cover versions, however they also recorded a huge amount of original material, with many original songs becoming chart hits. Originals like "Crazy Man Crazy" and "Skinny Minnie" would go on to be covered by many other groups as well. Although the song was actually written for them originally, "Rock Around the Clock" ended up being technically a cover due to another band having recorded it first.
  • Counting to Three: 1, 2, 3 o' clock, 4 o' clock rock!
  • Cultural Rebel: In retrospect, Bill Haley must be one of the most unlikely rock 'n' roll stars ever. He was already near 30, balding, and had children when "Rock Around The Clock" broke through (of course, then again, Buddy Holly didn't fit the mold either, and Chuck Berry was older than Haley). Today, of course, 30 is considered young, even for a pop singer, and no one cares if someone's bald and has kids or not.
  • Egocentric Team Naming: The band's name.
  • Getting Crap Past the Radar: "Shake, Rattle & Roll" has the line "I'm a one eyed cat, peepin' in a seafood store." This does not refer to visually challenged felines and fishmarkets.
  • Heavy Meta: "R-O-C-K" refers directly to Haley and his previous hit, "Crazy Man Crazy". (Haley recorded a number of songs that do this right up to 1979, but this is the best known example.)
  • I Am the Band: It was Bill Haley's band, unquestionably.
  • Lazy Bum: "Shake, Rattle & Roll"
    Well, you'll never do nothin' to save your doggone soul.
  • Music of Note: This cannot be overstated. Since rock and roll was ultimately an evolutionary process that emerged - for the most part - out of blues, it's really debatable as to when rock & roll officially began as a genre. Some say it began with Bill and his band, some say it began with Chuck Berry, or some say even earlier with Fats Domino, or some one-offs by other artists. All that said, Bill Haley & His Comets were the band that first brought it to the top of the charts, and to mainstream (white) audiences.note  And the rest is history.
  • Never Say Goodbye: Instead say: See you later, alligator. After a while, crocodile.
  • Never Smile at a Crocodile: "See You Later Alligator".
    See you later, alligator. After a while, crocodile.
  • Pop-Cultural Osmosis: Most people know that "Rock Around The Clock" was the originator of rock 'n' roll, but the band themselves is far lesser known in pop culture. Yes, rock 'n' roll fans and music historians will know their name, but even they won't be able to tell much about the group. There isn't even one biographical film dedicated to him (though no less than Jeff Bridges and John Ritter attempted to make their own). Attempts by revisionists to paint certain artists as being the only originators of the genre (Elvis being the usual target) haven't helped.
  • Pun-Based Title: Bill Haley & His Comets refers to the Comet of Halley (in the US, it is common to mispronounce the name "Hay-lee").
  • "The Reason You Suck" Speech: "Shake, Rattle & Roll" is one long tirade against somebody who "never done nothin' to save his doggone soul" and has a "heart cold as ice".
  • Rockabilly: Bill Haley's version of "Rocket 88" (not the Jackie Brentson original) is often seen as the first song in this genre.
  • Rock & Roll: Pioneers of the genre. They may not have been the originators of rock 'n' roll, but they sure popularized it towards a young white audience.
  • Shout-Out:
    • "Rock Around The Clock" has become somewhat of a cliché idea of The '50s. Expect every film or TV series that takes place in this decade to have a scene where teenagers drive by while this song plays on their car radio, for instance in Superman (1978) and more recently in a 1950s-set episode of Legends of Tomorrow that aired in 2016. American Graffiti and the first two seasons of Happy Days both used it as their theme song.
    • "Rock Around The Clock' has been covered many times. The most bizarre one must be a version by Mae West and an ultra-slow adaptation sang (one should say spoken) by the Belgian band Telex in 1979. There have been versions ranging from waltz to zydeco too.
    • Frank Zappa's song "Father O' Blivion" from Apostrophe (') (1974) references "Rock Around The Clock."
    • "No Sleep Till Brooklyn" by Beastie Boys, from Licensed to Ill (1986) namedrops "Rock Around The Clock".
    Tour around the world - you rock around the clock
    • Another example is the Billy Joel single "We Didn't Start the Fire".
    • In 2006 an asteroid was named after Haley.
  • Spinning Clock Hands: Different hours are mentioned in "Rock Around The Clock," having everybody rock from 12 o' clock until 12 o' clock.
  • Tick Tock Tune: "Rock Around The Clock."
  • Twelve Bar Blues: Used in "Rock Around The Clock" and many others.
  • When the Clock Strikes Twelve: "Rock Around The Clock".
    "When the clock strikes twelve, we'll cool off then/ Start rockin' 'round the clock again..."
  • Younger Than They Look: Haley was only 30 when "Rock Around the Clock" took off. Due to the ageism that existed back in the 1950s, and continues to today, there are those who think he looks older.

"So long! That's all! Goodbyyyyye!!!"
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