Let me reach, let me beach, on the shores of Tripoli,
Let me sail, let me sail, let me crash upon your shore,
Let me reach, let me beach, far beyond the Yellow Sea.
Born Eithne Ní Bhraonáinnote in Gweedore (Gaoth Dobhair), County Donegal, she started out in the early 1980s, with small gigs here and there for commercials and movies, usually providing vocals. She also had a short stint with her siblings in CLANNAD, but soon started seeking a solo career. In 1985, she released a soundtrack album for an obscure film called The Frog Prince that got her some recognition with BBC, who hired her to do the soundtrack to a 1986 documentary series titled The Celts. The photogenic singer was featured throughout the series, performing the opening theme on screen during the opening credits and also appearing in two music videos created for the series; highlights from the soundtrack were released initially by BBC Records as a Self-Titled Album that make the UK charts.
Then, in 1988, she struck gold with her landmark album Watermark. From that album is the famous (or infamous as some of her fans hate the song) "Orinoco Flow (Sail Away)", which gained some moderate radio airplay. Watermark has been critically praised as a masterpiece of New Age music, but Enya refused to let herself be labeled with the New Age scene. As a devout Christian, she doesn't want to be lumped in with the New-Age Retro Hippie crowd.
Her popularity stayed the same throughout the 1990s, with a few of her albums continuing the decent sales and critical praise. Towards the end of the 1990s she settled down for a bit to get some rest from the music scene.
She made a triumphant return in the 2000s with a new album, and featured as a vocalist for "May It Be" in the first The Lord of the Rings movie. Around this time, Enya scored another major hit with "Only Time". The song became closely identified with the 9/11 attacks because US media, for some reason, incessantly used the song as background music during coverage of the aftermath. Enya was reportedly uncomfortable with this, but agreed to release a special version of the song, with proceeds supporting 9/11 families.
She is still recording music, with her latest album being released in 2015 (Enya is a self-admitted slow worker, and as such it is not uncommon for five or six years to elapse between albums). She is also notable for being the second-best selling Irish artist next to U2. To be in competition with a band completely outside her genre is something of a Moment of Awesome.
The Fugees also sampled one of her songs ("Boadicea" from her first album), without permission. Enya originally wanted to sue, but changed her mind when she found out they weren't a Gangsta Rap group, and both parties settled out of court. She has had a sort-of friendship with the Hip-Hop scene since.
She has worked almost exclusively in collaboration with the husband-and wife team Nicky and Roma Ryan (production and lyrics, respectively) throughout her career. Officially, "Enya" is said to be the partnership between these three individuals.
Her albums include:
- Enya (1987)
- Watermark (1988)
- Shepherd Moons (1991)
- The Celts (re-release of Enya, 1992)
- The Memory of Trees (1995)
- A Day Without Rain (2000)
- Amarantine (2005)
- And Winter Came... (2008)
- Dark Sky Island (2015)
And the compilation albums:
- Paint the Sky with Stars: The Best of Enya (1997)
- The Very Best of Enya (2009, notable for including a DVD of her music videos)
Enya provides examples of the following tropes:
- Awesome Moment of Crowning: At the end of the music video for "The Celts", Enya is apparently made their queen.
- Balloonacy: During the music video for "Only If".
- Book-Ends: Initially, during the Schedule Slip between The Memory of Trees and A Day Without Rain, Enya's work was bookended by the songs "Orinoco Flow" and "On My Way Home"—both songs contain the same lyrics ("Turn it up, turn it up, turn it up, adieu"), as a bridge in the first song and after the chorus in the second. Once A Day Without Rain came out, it became a Call-Back; in both cases it showed how far she had come in her music.
- Cherubic Choir: In the English version of "Storms in Africa", complete with children in the music video.
- Concept Album: And Winter Came... is a concept album about, well... winter.
- "May it Be" includes two lines in Tolkien's Quenya language, "Mornie utúlië" and "Mornie alantië" ("darkness has come" and "darkness has fallen" respectively).
- The lyrics of "Aníron" ("I desire") are written entirely in Sindarin, Tolkien's other main Elvish language.
- Continuity Nod: During the music video for "Anywhere Is", one of the pictures on the wall is the cover for Memory of Trees—the album from which the song comes.
- Cute Kitten: The music video for "Storms in Africa" includes shots of playing lion cubs.
- Death's Hourglass: Downplayed in the music video for "Only Time"—the imagery is used, but it is less a fatalistic or threatening Motif and more bittersweet, a sign of how inevitably everything and everyone passes on and fades away.
- Deliberately Monochrome: The music video for "Evening Falls", to underscore the melancholy of the singer yearning for something she has not experienced, yet the memories of which remain inexplicably familiar.
- Does Not Like Shoes: The music videos for "Only Time" (the spring section) and "Wild Child" both include a shot of Enya's feet as she walks, revealing that she's not wearing shoes.
- Double Speak: Her sadder songs often include poetic euphemisms for death. "So I Could Find My Way" has "on another shore", "Only Time" has "night keeps all your heart", "Smaointe" has "in a deep peace", "I May Not Awaken" has a Title Drop, and on several occasions she uses "time keeps us apart" to indicate that someone has died.
- Of course, there are some more conventional ones as well. "No longer here" in "I Could Never Say Goodbye" and "ending all" in "I May Not Awaken" are both relatively clear.
- Early Installment Weirdness:
- The video for debut single "I Want Tomorrow" (originally broadcast during an episode of The Celts) is... odd. For one thing, Enya is shown blowing stuff up using magic powers. Even more disturbing ... there's an electric guitar solo!note
- The original BBC Records release of the 1986 album Enya has a front-cover photo of Enya looking sexy in an LBD, pumps, and posing with stuffed wolves. The rear sleeve featured her with more stuffed animals and pouffed-up 80s big hair. Not quite the ethereal Celtic pixie princess look she cultivated from Watermark onwards. When the album was reissued in 1992 (retitled The Celts), these images were replaced with new photographs of the singer that were more "on-brand").
- Echoing Acoustics: Enya is known for using large amounts of reverb. Combined with her self-backing techniques, the reverb gives her songs a distinctive cathedral-choir sound. Unfortunately, combining that with her classification-defying accent means her lyrics can be hard to make out.
- Epic Rocking: "Smaointe" at 6:07. Also pretty much the entirety of "The River Sings".
- Everything's Better with Sparkles: In both the music videos for "Caribbean Blue" and "Only If". The former involves a young boy going into the fantasy worlds he finds within books, while the latter is more explicitly a case of Enya as a muse inspiring a man with writer's block to make paper airplanes and a man struggling to blow up balloons to sail away on them, as well as repairing a girl's torn kite so she can fly it. In all of these cases she literally sprinkles or spreads sparkling light and dust from her hand.
- Everything's Louder with Bagpipes: Though not the perfect example of this trope, she tends to use Uilleann pipes a LOT. (Which suits her anyways seeing as she's a Celtic artist).
- Exactly What It Says on the Tin: Some of the lyrics of "Anywhere Is" are "It's either this or that way, it's one way or the other." At the point where she sings this in the music video, she is faced with a set of four doors with placards that actually say "This Way", "That Way", "One Way", and "Other Way". And then it cuts to the other side of the doors, and twenty-four Enyas march out of them. So that's who does her backing.
- Face on the Cover: All her albums except compilations, and all singles except "Exile", where it's based on the poster for L.A. Story. A deliberate subversion by WEA's Rob Dickins (who signed her) of the convention of New Age marketing which eschewed artist portraits.
- Foil: Two of the songs on Memory of Trees act as foils to each other: "On My Way Home" and "I May Not Awaken" share a lot of symbols, but all of these shared symbols are positive in "On My Way Home" and negative in "I May Not Awaken".
Snow falling round me
- There's snow:
Like angels in flight
Walked the way of promise to find but snow
On my way home
- And traveling:
All the good days
No guiding star
So far from home
I have been given
- And night:
One moment from heaven
As I am walking
Surrounded by night
Stars high above me
- And even wishing on stars:
Make a wish under moonlight
Even from a child, a wish is not enough
- The Four Chords of Pop: "On My Way Home" (chorus only)
- Greatest Hits Album: She has two of them, so far.
- Grief Song: "So I Could Find My Way".
- Idiosyncratic Album Theming: The title tracks of all her albums were instrumentals (or at least, had only wordless vocals) until Amarantine broke the chain.
- Iris Out: The ending of the video for "Anywhere Is."
- The Joy of X: "Book of Days" is named for the various books of The Bible.
- Jungle Drums: In the "Storms in Africa" video, complete with tribesmen playing them.
- Kindhearted Cat Lover: Enya writes a lot of pep-talk songs, and loves cats (she had twelve at one point). Her cat Pearl makes a cameo in the video for one of her most uplifting pieces, "Wild Child". This could also explain the frolicking lion cubs in the video for "Storms in Africa".
- Love Hurts: Implied in a few of her lonelier, sadder pieces, although even then she seems to take Tennyson's position on the matter.
- Love Nostalgia Song: Other songs take this position, choosing to remember fondly what is gone and take from it lessons, beauty, hope, and inspiration even though it and the person who brought it are gone in one sense or another. Examples: "On Your Shore", "China Roses" to some degree, "Once You Had Gold", "Fallen Embers", "If I Could Be Where You Are". "I Could Never Say Goodbye" and "Remember Your Smile" are far more explicitly and poignantly this trope.
- Me's a Crowd: Towards the end of the Anywhere Is video.
- Medium Blending: She tends to use this in a lot of her music videos, from simple matters such as back-projection putting her image on a wind-blown curtain in "Evening Falls" to literally becoming parts of the landscape in "Orinoco Flow" and "It's in the Rain." But the ultimate example of this would have to be "Caribbean Blue", where all the scenes within the portraits were filmed, rotoscoped, re-colored with smudged pastels, and even glass painting to achieve a swirling, dream-like effect that is rather stunning.
- Mind Screw: A lot of her songs are this, especially "Anywhere Is" and "Orinoco Flow". As are the music videos based on them.
- Mohs Scale of Lyrical Hardness: Tends to hang around a 4, given that a lot of her songs are mature, realistic discussions of love, loneliness, and wanderlust. Not all sunshine and roses by any means, but generally optimistic. Has gone all the way down to 1 or 2 ("Wild Child") and all the way up to around 9 ("I May Not Awaken"), though.
- Mondegreen: Irish accent + heavy vocal layering + tons of reverb = beautiful voice that's really hard to understand.
- "Exile" has an odd one. To someone unfamiliar with the lyrics, "I will sail home to you" could easily come out as, of all things, "I will sail the Baltic".
- Non-Appearing Title:
- Older Than They Look: She's in her late 50s yet still looks like a 30-something.
- Ominous Latin Chanting: "Cursuum Perficio", "Pax Deorum", and "Tempus Vernum" play the trope dead straight.
- Pep-Talk Song: "Solace" is a gentler, more bittersweet version of the trope than the usual. "Only If", "Pilgrim", and "Dreams are More Precious Than Gold" count as well.
- Picture-Perfect Presentation:
- The first painting the boy goes into in the video for "Caribbean Blue" comes to life in this way, and there are also several examples of moving scenes freezing to become paintings in books.
- Enya also poses like the cover for Memory of Trees in the video for "Anywhere Is", then "comes to life". And promptly falls asleep on her throne.
- Pimped-Out Dress: The cover art of almost every one of her albums depicts her wearing this sort of dress; notable examples are The Memory of Trees, Amarantine, And Winter Came, and The Celts. She also wears similarly gorgeous, sumptuous dresses in her music videos, such as "Book of Days", "Caribbean Blue", "Amarantine", "The Celts", "Only If", and "On My Way Home" (the latter also being an example of Pretty in Mink). Even her more simple dresses are still stunning and elegant, but with her ethereal beauty she could make almost anything look beautiful.
- Portal Picture: The entire concept for the "Caribbean Blue" video.
- The Power of Love: A few of her songs at least hint at this, such as "Exile", "Hope Has a Place", and "Marble Halls".
- Raven Hair, Ivory Skin: A textbook example.
- Rearrange the Song: "River" sounds like a stylistic rearrangement of "Storms in Africa", due to their melodic similarities.
- Recurring Riff: The opening lines of "Dark Sky Island" and "So I Could Find My Way" sound strikingly similar.
- Refrain from Assuming:
- "Orinoco Flow" is sometimes mistakenly (and even unmistakenly) given the title "Sail Away". (It's the song's official subtitle.) David Fincher actually admits to making this mistake in the commentary for The Girl with the Dragon Tattoo.
- A large proportion of fan-made music videos for "It's in the Rain" refer to it as "Listen to the Rain".
- It's easy to assume "Book of Days" is called "Far and Away", as the latter words appear more often throughout the song than the former, which only show up once. Considering this song was (according to That Other Wiki) written first as an instrumental piece for the film of the same name, and the expanded version for Shepherd Moons had lyrics written by Roma Ryan "based on the film's themes", the recurrence of the phrase is likely intentional.
- Scenery Porn:
- The videos for "Amarantine" and "It's in the Rain" are gorgeous.
- "Storms in Africa" is also this for anyone who enjoys scenes of nature and wild animals.
- The video for "Trains and Winter Rains" attempts to do this in an urban setting.
- Seasonal Montage: During the video for "Only Time", appropriately enough.
- Self-Backing Vocalist: Part of her signature sound are the vocal layerings. Several interviews have stated that she doesn't use studio techniques to create the effect; she actually sings every layer of the thick, cloud-like harmonies. She also has quite the range, seeing as she can sing well into the male vocal range and way up into the high soprano range. This is also why she doesn't play live concerts, and even when she performs on TV she is quite often forced to lip-synch in order to replicate the sound unless she is performing a song with minimal backing.
- Self-Titled Album: Her first solo album on BBC (UK) and Atlantic (US). It was later re-released as The Celts. The original release is quite valuable.
- Thanks to Enya being inspired by the artwork of Maxfield Parrish, a number of his images appear either on album covers or in music videos. The cover of Memory of Trees is a direct Homage to The Young King of the Black Isles, a scene of young girls hanging lanterns in a snowy forest in the "On My Way Home" video references the work Lantern Bearers (as well as John Singer Sargent's Carnation, Lily, Lily, Rose), and the music video for "Caribbean Blue" imitates or outright reproduces Dream Days, Chocolate Factory; Man in the Moon; and Garden of Allah.
- Warner Music UK chairman Rob Dickins, who worked on art direction for Enya, is mentioned by name in the lyrics to "Orinoco Flow".
- "My! My! Time Flies" references The Beatles, and specifically the cover image for Abbey Road, as well as Elvis Presley.
- "Lothlórien" is named after the location from The Lord of the Rings.
- Single Stanza Song: "Sancta Maria" is nothing lyrically but its title, repeated over and over for almost four minutes. But instrumentally...
- Something Completely Different: Every once in a while she'll throw in something unusual and unique, or at least unlike her usual fare.
- A good example would be "My! My! Time Flies" from And Winter Came, which not only includes rather informal lyrics ("Four guys across Abbey Road/One forgot to wear shoes") but thanks to a reference to Elvis ("A king to sing you the blues") has a bridge passage of bluesy music with electric guitar come out of nowhere.
- See also "I Want Tomorrow."
- "I May Not Awaken", aside from being about ten times sadder than most of her other pieces, has essentially none of the echo-y self-backing Enya is known for. The single track on the melody gives this song a sparser sound that fits its mood well.
- "Anywhere Is" could perhaps be fairly described as the closest Enya gets to rap. The verses are half-chanted, with a lighter, more melodic chorus.
- The music video for "Trains and Winter Rains" is set in an urban environment. (The music video for "Wild Child" is also set in a city, but it's a City of Canals based off of Venice; this one is much more modern in style.)
- Surreal Music Video: Oh, every now and then...
- Sweet Dreams Fuel: Great music to sleep to.
- Uncommon Time: Enya commonly uses uncommon time signatures in her work, often switching them mid-song. "Book Of Days" changes time signature nearly every measure (4/4 to 3/2 to 5/4 to 2/4 to 5/4, etc...) except for the bridge which maintains the opening 4/4 time.
- Video Full of Film Clips:
- The music video for "May it Be" features clips from the first The Lord of the Rings movie. A number of clips from Far and Away also feature in the music video for "Book of Days."
- "Exile" is an unusual example. The whole song was played in a scene of L.A. Story and the video, rather than highlights of the film, features that scene intercut with full-face shots of Enya, and with the spoken dialogue either side of the song.
- Enya recorded a slightly revised new version of her 1991 track "Book of Days" as a tie-in with its use in the film Far and Away. The music video incorporated footage from the film. Later, however, when her videos were released to VHS and DVD, rights issues resulted in this video being replaced by a TV performance.
- Vocal Evolution: Especially between her first two albums Enya and Watermark.
- Woman in White: In the videos for "Wild Child", "On My Way Home", and "Only Time" (during the winter segment, of course). This last is particularly relevant since the Motif and the meaning of the song both refer to loss and death.
- You Are Not Alone: A sentiment implied, if not openly expressed, in a lot of her songs.