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Creator / Mel Blanc

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"Eh... What's up, doc?"

Melvin Jerome "Mel" Blanc (May 30, 1908 — July 10, 1989),note  a.k.a. the original "Man of a Thousand Voices", was one of the most prolific voice actors of all time, as well as one of the best, starting in The Golden Age of Animation and working up until his death in 1989, right at the beginning of The Renaissance Age of Animation.

Born in San Francisco and raised in Portland, Blanc got his start on local Portland radio after high school, before moving to Hollywood in 1935. After getting work in commercials and radio, Blanc decided he wanted to voice cartoons too. For two years straight he would make a biweekly trip to the Leon Schlesinger studios — who produced cartoons for Warner Bros. in the late 1930s only to be rebuffed by sound effects man (and lead composer) Bernard Brown, who thought they didn't need any more voice actors and couldn't even be bothered to listen to Mel. Upon Brown's departure in 1936, however, his replacement Treg Brown did agree to hear Mel. He was impressed and had him perform in front of the directors. They too were impressed and then one of them asked Mel if he could do a voice for a drunken bull (ultimately a character within the 1937 Porky Pig short '"Picador Porky") — Mel did it and he was hired on the spot, and the rest is history.

Blanc is most notable for voicing most of the cast of Looney Tunes (among other cartoons), where most people probably wouldn't be able to notice that most, if not all, of the characters in each Looney Tunes short were being done by the same guy (Leonard Maltin once put his talent into perspective by marveling that Tweety Bird and Yosemite Sam were the same man). He was that good. It even got to the point that his knack for doing many voices was lampshaded in the Porky Pig short Curtain Razor, where he played a turtle who was a self-proclaimed "man of a thousand voices". He was also one of the only voice actors in his day to ever get a credit for his work in any theatrical shorts (which led to a variant of Misattributed Song when voices done by Daws Butler, Stan Freberg, or Arthur Q. Bryan were also assumed to be Blanc). It ought to also be remembered that Blanc essentially won voice actors the honor of being credited cast members. He had become so indispensable to Leon Schlesinger's studio that the only way the cheapskate could avoid giving into Blanc's demands for a raise was to guarantee him sole on-screen credit as a voice actor, which gave Blanc the notability to be sought after by name. Later, other voice actors followed suit, and within a few years, it was unthinkable to not credit a voice actor.

Blanc's work was not just limited to cartoons; when he wasn't recording the voice of Bugs Bunny he could be found working on many classic radio programs — like the Happy Postman on The Burns and Allen Show. But his most famous radio work was on The Jack Benny Program where he played dozens of characters — Jack's long-suffering violin teacher Professor LeBlanc, Jack's Maxwell car, amongst others. At the height of Mel's popularity brought on by now having screen credit for his cartoon work, he was given his own show on CBS, The Mel Blanc Show where he played himself as the fumbling owner of a fix-it shop. Sadly the program didn't play to Mel's comic strengths by having him play the straight man and it only lasted one season.

His wide range of work gave him the cool nickname, "The Man of a Thousand Voices", hence he is the Trope Namer (it should be noted that this is an exaggeration; he admitted in his autobiography that he'd done around 850 voices which is still very high, but not quite 1000). Despite his propensity for driving a hard bargain, especially later in his career, he was known for being affable and easy to work with once was actually in the studio. He had a fair amount of respect for his contemporary – and the only other Looney Tunes actor to regularly receive a screen credit – June Foray (though Chuck Jones held Foray in higher esteem and never hesitated to say so). Unfortunately, Blanc was also a heavy smoker and that addiction later affected his voice to a noticeable degree by the late years of his career. It didn't ruin Blanc's voice completely, but some clips used in at least one TV special had to have Blanc rerecording the soundtrack to fit, another reason why Smoking Is Not Cool.

Mel was notable for his refusal to do imitations as he believed it to be disrespectful to be "stealing" another's person's voice — he was very reluctant to take over the voice of Elmer Fudd after Arthur Q. Bryan passed away, but did so since no other suitable replacement could be found (which is why Elmer is not on the "Speechless" Lithograph). When he was cast as Barney Rubble for The Flintstones he rebuffed Hanna-Barbera's request for him to imitate Ed Norton, what he gave them was a voice similar to Norton's but not an exact imitation.

Mel was also a Friend to All Children, gladly calling kids on their birthday in their characters' favorite voice, and his house would be the most popular on Halloween. He was also a Shriner and would lend his talents for ads to raise money for their children's hospitals. In his later years, he and his son Noel formed Mel Blanc Associates, an advertising agency and would give lectures on voicing acting.

Blanc was still recording lines for cartoons from his hospital bed mere days before his death in 1989,note  when he fell out of a hospital bed without guardrails (though Blanc aficionados would just as soon credit exhaustion). To this day, few, if any, voice actors can match his range. Warner Bros. currently requires a regular cast of voice actors to cover what was once done by one man.

He published his autobiography That's Not All, Folks shortly before his death. And oh yeah, this is his tombstone. The "Speechless" lithograph was also made following his death, with the illustration originally used in a trade paper tribute ad taken out by WB.

Needless to say, Blanc is a legend among voice actors and fans. His voice work is considered the milestone that marks the Golden Age of animated comedy, and his characters' catchphrases are still remembered nearly a half-century later. In the years since his death, his roles were inherited by not one, but a whole cast-list of rotating voice actors; basically, the voice actor of characters like Bugs Bunny in one Looney Tunes production often doesn't reprise the role in another. For example, each film in the franchise has had different voice actors for Bugs Bunny (Billy West in Space Jam, Joe Alaskey in Looney Tunes: Back in Action, and Jeff Bergman in Space Jam: A New Legacy) and Daffy Duck (Dee Bradley Baker in Space Jam, Joe Alaskey in Back in Action, and Eric Bauza in A New Legacy). It should be noted that an important reason Warner Bros. employs so many people to do Mel's roles today is simply to prevent any one person from having enough clout or star power to demand a high fee as Mel did in his last years.

Some of his roles include:

  • Bugs Bunny - By far his most iconic role; he even chewed raw carrots to get the sound right... and immediately spat them back out, because he couldn't swallow them fast enough since he hated the taste of them. He admits in his autobiography, That's Not All, Folks, that they tried a myriad of other vegetables for him to crunch, but unfortunately nothing else sounds like a carrot. There is a popular urban legend that he was allergic to carrots, but this is false.
    • In 1961, Blanc had a case of "I Am Spock" after a near-fatal car accident that left him in a coma for three weeks. After many attempts to wake him up from his coma, a doctor thought of saying, "How are you today, Bugs Bunny?" at which point he replied (obviously, in Bugs Bunny's voice) and went on to have a full recovery.
  • Daffy Duck - Basically, this was just his voice for Sylvester the Cat sped up.
  • Porky Pig - His first major role, as well as one of his last. Originated by Joe Dougherty, who had an actual stutter which was hard to control; Blanc replaced him in 1937.
  • Pepé Le Pew - Based on French actor, Charles Boyer (though thanks to Blanc's take on Boyer for Pepe Le Pew, many generations wouldn't know that).
  • Sylvester the Cat - The character who sounded the closest to Blanc in Real Life. It was slightly exaggerated and a lisp was added. You can hear him speak his appearance on the Johnny Carson show.
  • Tweety Bird
  • Foghorn Leghorn - Based off of Kenny Delmar's Senator Claghorn character from radio (and, much like Pepé Le Pew, has succumbed to Parody Displacement).
  • The Tasmanian Devil - This was usually Blanc making wild growls, roars, snarls, grunts, screeches, shrieks, babbles, snorts, raspberries, and other sounds.
  • Speedy Gonzales
  • Marvin the Martian
  • Yosemite Sam - One of two of his classic characters he didn't portray in Who Framed Roger Rabbit because his voice was, by that point (1987-88), too weak to handle Sam's gruffness. There was also an extended Foghorn Leghorn sequence cut from the film which was done by Joe Alaskey, at Blanc's request.
  • Elmer Fudd - Actually, Mel Blanc was not the regular voice of Elmer Fudd. Elmer was voiced by Arthur Q. Bryan, who was just about the only actor besides Blanc, Foray, Freberg, and Bea Benaderet to meaningfully contribute to the Looney Tunes canon during the Golden Age.note 
    • Blanc reluctantly did Elmer's one line in "The Scarlet Pumpernickel" though, as it was easier than bringing in Bryan for so little work, and he did Elmer's bellowed "SMOG!" in "What's Opera, Doc?", when Bryan couldn't quite get his voice powerful enough.
    • Blanc did voice Fudd in a few cartoons in the 1970s and 1980s, but couldn't do Elmer's voice to his satisfaction, which is why Elmer is not included in the "Speechless" lithograph.
  • Woody Woodpecker - He briefly voiced the character in his first three cartoons, but was immediately forced to step down from the role once he gained an exclusive contract for the Looney Tunes series—but the famous Rat-A-Tat laugh that he gave Woody would be recycled well up into the 1950s, even after Woody found other actors. His voice for Woody landed somewhere between a mix of his voices for Porky Pig and Daffy Duck (but obviously sped up), with his laugh being derived from one he used for the rabbit in "Porky's Hare Hunt" (a laugh he said he originated in the echoey halls of his high school). He also voiced Woody on records (which were exempt from the Warner contract).
    • Most curiously, Woody's very first line in "Knock Knock" is Mel Blanc's normal speaking voice, which is not sped up at all.
  • Barney Rubble - While Sylvester was closest to Blanc's normal speaking voice, Barney got Mel's laugh, just a bit more forceful (Daws Butler voiced Barney Rubble when Blanc was in the hospital. One episode even had Barney's voice change from Daws Butler's to Blanc's right in the middle of the episode).
  • Dino
  • Mr. Spacely - Also very close to his real voice (and sounds similar to Yosemite Sam's when he gets angry). His final performance before his death was for Jetsons: The Movie.
    • Gregg Berger has a lovely story about how Blanc fell asleep during one of the recording sessions for The Jetsons with a lit cigarette in his hand. When awoken on the studio headphones, he awoke with a start and immediately cried out - in Mr. Spacely's voice - the catchphrase "Jet-SON!".
  • Secret Squirrel
  • The Bully Brothers, Chugaboom and Yak-Yak
  • Speed Buggy
  • Various minor characters in Wally Gator
  • Captain Caveman
  • Heathcliff - His last "new" character, first assumed in 1980 (more than four decades after his debut as a voice actor).
  • Mr. Postman from the The Burns and Allen Show.
  • A number of minor characters on The Jack Benny Program, including Jack's parrot, Jack's polar bear, and Jack's car.
    • Also Benny's violin teacher, Professor LeBlanc; the little Mexican guy that always triggered the "Si, Sy, Sue" routine; the put-upon store clerk that Benny always drove to insanity (sometimes, even suicide!) in the annual Christmas show; and the train station announcer who always intoned the "Anaheim, Azusa, and Cuc.... amonga!" schtick and its variations.
    • There's a story that he took over doing the car when, during an early rehearsal, he noticed that the tape recorder with the prerecorded tape of a failing car was unplugged. Not wanting to miss the cue, he stepped up to the microphone and quickly "stepped in" for the car, which was such a hit with those present that it was decided to give up on the tape and permanently appoint him car-in-chief.
    • And as an "English Horse"
    • Occasionally appeared as "himself" as an out-of-work actor, trying to get Jack Benny to let him do his Al Jolson imitation on his show.
    • A sometimes-mentioned running gag on the Jack Benny Show was that all of the various characters, animals, and objects played by Mel Blanc bore a striking resemblance to each other...
  • Private Snafu - Basically the same voice he uses for Bugs Bunny (who happens to cameo in a short alongside the bumbling soldier).
  • Twiki on Buck Rogers in the 25th Century.
  • Alfred E. Neuman on the comedy song "What, Me Worry?"
  • A smattering of onscreen supporting character appearances in live-action films, like Neptune's Daughter (as the heavily-accented manager of a South American polo team) and Kiss Me, Stupid (as a small-town dentist).
  • Bob and Doug McKenzie's father (who is The Faceless - he provides the voice only) in Strange Brew. According to Rick Moranis, he and Dave Thomas wanted Blanc for the role from the beginning, but the producer balked when Blanc's agent informed him that his client's fee was $10,000 an hour. Moranis and Thomas eventually got around it by hiring Blanc for one hour to read through all his lines, and lying to the producer that Blanc had agreed to a whole day's work for that $10,000.
  • And a whole lot more, including a number of secondary and one-time characters. Many have tried to make a complete list and failed. Even That Other Wiki admits that its list of Blanc's roles is incomplete.

"Th-th-th-that's all, folks!"