"I can't believe he didn't suspect a trap. See what happens when you don't watch enough television?"A condition afflicting many fictional characters, seen when one demonstrates by their behavior that they have never in their life ever seen the kind of story they're in, and thus have none of the reactions a typical audience member would have in the same situation. Worse, they are unable to learn from any experiences related to their genre. Genre Blindness is what keeps the cast of Three's Company leaping to outrageous conclusions even after the hundredth stupid misunderstanding, instead of sitting down and talking things out. It makes young girls go for walks alone in the woods after midnight without a flashlight or a weapon when there's an axe murderer or a vampire around. It makes the supergenius supervillains in James Bond movies stuff the hero into an elaborate melodramatic Death Trap from which he inevitably escapes instead of just shooting him. Although genre blindness can be a legitimate flaw, it should be noted that it can be difficult for writers to create characters who are not genre blind without hanging a lampshade on it by saying something like "This is just like in the movies!", especially in genres which require suspense that can easily be undone by such comedic relief (such as horrors, thrillers, etc). Furthermore, some stories in some genres really couldn't function at all if the characters displayed an innate and complete understanding of what genre they were in and exactly how they should act at all times within a story in said genre if they want to avoid trouble. A certain amount of Genre Blindness can be required to provide the story with tension and drama, since if the character knows exactly what to do to avoid trouble and conflict in their particular story, they'll do it, and consequently have an easy, trouble-free life, and... why are we watching again? Finally, not all of a genre's classic tropes are in fact Truth in Television, but as far as the characters are concerned, This Is Reality, so their "blindness" may be the same as common sense. For example, in real life, a single cough usually does not herald a fatal disease, so It's Probably Nothing is probably rational despite being Genre Blind. Ultimately, while it can be a problem if used too egregiously, sometimes you just have to shrug your shoulders and chalk it up to Willing Suspension of Disbelief. Related:
— The Joker, Justice League, "Wild Cards Part 1"
- One of the more common forms of Genre Blindness is ignorance of Hanlon's Razor.
- Reality Is Unrealistic is what happens when real people come down with this.
- Contrast with Genre Savvy, and its extreme form, Contractual Genre Blindness.
- See also Culture Blind, a more specific form of ignorance in which the characters are inexplicably clueless about the normal things that happen in their society.
- Wrong Genre Savvy, for when the character has mistaken what type of story they're in.
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- A commercial for Geico has a group of slasher movie characters running from the villain. They suggest several places to hide which no real life person would try. One character suggests getting into a running car and is dismissed as crazy. Their eventual hiding place turns out to be where the villain is hiding. He seems to be mentally rolling his eyes when he sees them.
Announcer: If you're a character in a horror movie, you make bad decisions. It's what you do.
Anime & Manga
- If Miki from Hell Teacher Nube ever approaches you with an occult magazine, RUN. Despite having nearly killed herself (or her classmates) fifty times over while testing a local rumor or deliberately Tempting Fate just to see what would happen (which resulted, very early in the manga, in her turning into a half-youkai permanently,) she will try again. And again. And again.
- In the Majora's Mask manga adaption, we have some soldiers being told Link, who has built up a reputation as an expert fighter, is visiting, and when they see that he's an Adorably Precocious Child, they assume he's harmless. One panel later, we find he humiliated them, and broke some of their swords.
- Keima of The World God Only Knows is normally incredibly, hilariously Genre Savvy. But the problem is, all his experience comes from galges, so when he runs into a situation that doesn't come up in them, he's at a loss. The best example is probably when he missed the Matchmaker Crush—twice, involving the same girl both times, no less (first time he was helping Chihiro with a boy, the second time she was helping him with Ayumi).
- When France starts to undergo its revolution in Rose of Versailles the Royals, Clergy, and Nobles who are clinging to power come off as this by trying to suppress the assembly and use deadly force on the representatives. It's Truth in Television.
- Villainous and Jerkass characters in both Yu-Gi-Oh! and Yu-Gi-Oh! GX are quick to label monsters with low ATK/DEF points as "trash". Nevermind said monsters often have powerful effects or are integral part of a combo. Also the sheer number of times a character will attack heedlessly after their opponent simply lays a card face down.
- One Piece:
- The crew arrives to a town that welcomes pirates. Luffy, Sanji and Usopp falls easily for this, while Zoro and Nami are much more Genre Savvy and fake being drunk to find out what the town is up to.
- Also, when Luffy wakes up, he finds out that Zoro attacked the entire town (who are all actually bounty hunters wanting to kill them). Instead of wondering why his friend would do that, Luffy automatically believes the injured townsfolk and assumes Zoro ruthlessly attacked the "nice people" who gave them food.
- Dragon Ball:
- When Goku, Bulma, Yamcha, Oolong and Puar infiltrate Pilaf's castle, they come across a bunch of arrows. The group decides to follow them until they reach a dead-end. A trap wall then closes behind the group, trapping them. The scene cuts to Pilaf who says, "I didn't think there even were people that stupid."
- Whenever the cast is dismissive towards a current threat because of their appearance. This happens with Frieza's final form, Androids 17 and 18 being teenagers, Cell's final transformation, Fat Buu, and finally Kid Buu. You would think they'd learn that appearances mean nothing in this series and it is often the most unassuming villains that are the most dangerous.
- Part 3 of JoJo's Bizarre Adventure features a rather egregious example when the group is being assaulted in their dreams by a stand-wielding baby. Normally the group is Genre Savvy bordering on paranoid, assuming that anything unusual happening is the result of an enemy stand, but suddenly everyone except Kakyoin decides that a stand-wielding baby is simply too farfetched an idea (when they'd already encountered a stand-wielding orangutan.)
- A phenomenal example is seen in Dance in the Vampire Bund when the Student Council hole up in the campus chapel after dark when a discussion on how to deal with several students being transformed into hostile vampires run late... and the student council president, who has been violently abducted several nights before after back-talking the self-proclaimed Queen of the Vampires, starts knocking on the entrance asking to be let in. Only one bothers to protest the doors being thrown open immediately.
- In Fairy Tail, you'd think Carla would have told more than one person about her second deadly premonition, given the way the one about the S-Class exam turned out.
- 100 Bullets: Let's say that you're confronting a Corrupt Corporate Executive who's ruined your life by putting kiddie porn on your computer. You put a gun, given to you by a mysterious benefactor, to her head and explain why you're about to kill her, and she offers to give you and your kids enough money to start over on the condition that you give her the gun so she can use it to find out who your benefactor is. Do you accept this offer? If you say no, you are a smarter man than Lee Dolan.note
- The characters of The Walking Dead have never seen zombie movies. Fine. But they still don't learn. Multiple characters die/are injured in the exact same zombie-attacking way. Zombies or no, the cop character never quite grasps the concept of "clear one room before going to next". In the TV show, however they have become considerably more Genre Savvy by the beginning of the third episode.
- One of the reasons that this series is considered one of the better zombie-themed pieces of literature is that there's an actual reason that most of them are acting stupidly: their behavior isn't consistent with low intellect so much as it's consistent with severe PTSD, including everything from panic attacks to physiological symptoms (short breath) to sudden bouts of suicidal depression. Rick himself is the only one that's not really affected — and he's also the only one not awake for the initial outbreak where 80% of the population was eaten. He hasn't had to deal with anything much beyond what he was trained to handle psychologically as a police officer in scale.
- In the comic the characters do learn from experience, they've worked out that they want to avoid firearms when possible before issue 1, and as time goes on they seek a fortified position, learn to set watches, train with polearms, regularly thin the dead population in their area to prevent buildup, and are rightfully suspicious of anyone claiming authority.
- After being knocked out many times by being hit on the back of his head, you might have thought that Tintin would at least watch his back whenever he's sneaking up on a villain's lair or on the villains themselves.
- Green Lantern: For beings who have lived for millions of years, the Guardians of Oa are painfully genre blind. Some of their greatest hits include creating an army of conscienceless machines and acting surprised when they start committing genocide; inducting someone named Sinestro into the Green Lantern Corps and acting surprised when he goes evil; banishing Sinestro to a universe full of the Guardians' worst enemies and acting surprised when he comes back and starts killing Green Lanterns; trying to stop a Self-Fulfilling Prophecy and acting surprised when it is fulfilled; and firing Hal Jordan after he saved their lives for the umpteenth million time. But probably the most egregious example of blindness is the fact that the Guardians demand absolute obedience from the Green Lantern Corps, an organization made up exclusively of the most willful Determinators in the universe. It's gotten so bad at this point that the Guardians are set to become the Big Bad of the current Green Lantern arc. The only reason for this is if the Guardians were Genre Savvy they could turn every issue of Green Lantern into a Curb-Stomp Battle. As it is, Ganthet usually manages to be savvy enough that the Guardians get by... when they listen to him.
- Many characters in Dracula Lives stories that are set in past centuries are ignorant to basic vampire weaknesses since many think vampires as nothing but legends. One man learns about them firsthand after stealing Dracula's journal and exploits this fact by selling the information to the villages on his menu.
- Many a Fairy Tale hero. The most common mistakes they make is eating the Forbidden Fruit and pissing off the fairies. When there are aversions, they are usually accompanied by straight examples, with the story turning into a "Right Way/Wrong Way" approach to dealing with fairies. The heroes who play it straight usually get out of it alive owing to their companions and the magical thing that someone gave them, so perhaps that was just learning they were the heroes.
- The Three Aunts: Fully averted. The heroine makes a promise to her benefactors, keeps the promise, and lives happily ever after.
- Certain stories where the heroine wins wealth and treasure by being nice to a supernatural creature. The Wicked Stepmother finds out how it happened and sends her own daughter to get some of that... only they invariably leave out the "be nice" part and get nothing — or worse.
- Surprisingly, in Kyon: Big Damn Hero Tsuruya displayed this, accepting the explanation that Kyon healed quickly, for a cut disappearing in one night. A cut that required stitches, and disappeared without a trace. Tsuruya has previously shown (in canon, even) that she's aware that there's something weird and possibly supernatural going on with Haruhi and friends, and later in the story she mentions that she noticed Kyon vanish from her bed later the same night (he was teleported away and back). It's probably better to assume that she's faking.
- Mocked In-Universe when the protagonists of Calvin and Hobbes: The Series MST a zombie B-Movie.
- In Flam Gush, Lucilla just does not understand that Erik could not care less about her and that her Murder the Hypotenuse methods will not endear her to him.
- Sonic X: Dark Chaos:
- Maledict seems to be a cliché evil overlord Bond villain at first... until his real chessmaster nature starts showing; he didn't want to kill Sonic or Shadow because they are his sons and he knows just how powerful they are. By contrast, Allysion and most of the Angels are quite genre blind, with the notable exception of the very savvy Jesus.
- The Metarex are easily the most blatant example of this trope, unaware that they were being manipulated by Maledict the whole time despite tons of suspicious hints. They also confuse Tails for Tsali simply because both of them have two tails, with near-disastrous consequences.
- Princess of the Blacks:
- James Potter thinks Jen keeping him as her father (after using a magical ritual to remove Lily as her mother) means she still wants to reconcile with her family. In reality, Jen hates her entire family, and only kept him because switching mothers resulted in a more plausible explanation of her parentage than switching fathers, and she couldn't change both.
- Meanwhile, Dumbledore simply can't comprehend that all the actions he took to keep Jen from becoming a powerful dark witch insured she did, nor that Jen has no interest in being an Evil Overlord and is capable of acting without sinister motives.
Films — Animation
- The Cy-bugs in Wreck-It Ralph. They are the only characters who don't seem to realize that they are in a video game. Unfortunately, this means that they do not know when to stop, so they actually pose a bigger threat than any of the Genre Savvy villains.
- In Brave Merrida spends way more time consorting with magical creatures in mysterious woods than any sensible Scottish girl reared on stories about The Fair Folk has any business doing.
- In Cinderella, the Grand Duke tells the king that his plot to find a wife for his son, Prince Charming, is the stuff that fairy tales are made of, and would not work in real life.
- In Penguins of Madagascar, the North Wind get hit with this when they break into Dave's submarine to capture him. They confront him in the cockpit, and after a brief exchange of banter, Dave's octopus minions capture the team inside of five seconds.
Films — Live-Action
- A textbook example occurs in E.T. the Extra-Terrestrial at the climax of the movie. When Elliot explains to his friends that they have to help E.T. get safely to his ship, one of the kids asks, "Well, can't he just beam up?" to which Elliot replies, "This is reality, Greg!"
- In Galaxy Quest, the main characters initially suffer Genre Blindness despite being actors in the genre; this is underscored by Guy's outraged query, "Did you guys ever watch the show?"
- Pirates of the Caribbean: The Curse of the Black Pearl:
- Captain Barbossa retorts Elizabeth Swann's denial of ghost stories by showing her the true, undead forms of himself and his crew.
Barbossa: You best start believing in ghost stories, Miss Turner. You're in one!
- Also present when various characters expect the pirates to act honorably (Will's first swordfight with Jack, Elizabeth negotiating with Barbossa, etc.).
Barbossa: First, your return to shore was not part of our negotiations nor our agreement so I "must" do nothing. And secondly, you must be a pirate for the pirate's code to apply and you're not. And thirdly, the code is more what you'd call "guidelines" than actual rules. Welcome aboard the Black Pearl, Miss Turner.
Barbossa: Don't dare impugn me honor, boy! I agreed she go free, but it was you who failed to specify when or where.
Will: You cheated!
Jack: (points to self) Pirate.
Will: In a fair fight, I would have beaten you.
Jack: Then there's no incentive for me to fight fair, is there?
- Captain Barbossa retorts Elizabeth Swann's denial of ghost stories by showing her the true, undead forms of himself and his crew.
- The original Night of the Living Dead (1968) is notable for its exceptions and examples. It was the first film to feature zombies as mindless flesh-eating corpses, yet at least one character seems to be pretty Genre Savvy already. Most zombie rules are based on this film.
- A particularly infuriating example is Lucio Fulci's The Beyond, in which the protagonist shoots zombies in the torso ineffectually and finally downs one with a head shot... and then continues to fire uselessly into their torsos for the remainder of the film. To put it into context, Fulci's horror movies are generally populated with characters who are juggling the Idiot Ball.
- Scary Movie parodies this when a character being chased by a killer is confronted with two signs pointing towards "Safety" and "Death" respectively. In classic horror movie fashion she chooses the wrong one and, unsurprisingly, is the first casualty of the film. In the sequel this is parodied, when one girl says: "Okay now, it's important that we don't split up." and the others ignore her and immediately split up and walk away.
- Any "victim" character in The Strangers is so genre blind it's astounding they're not forced to wear dark sunglasses and follow a seeing-eye dog. The first death involves the husband's friend, Mike, walking into the house after the three killers have already pinned the protagonists down in a corner. The husband, James, has a shotgun pointed at the door to the room they're hiding in. Instead of turning off the deafeningly loud record player and calling out to the couple, Mike slowly... creeps... down... the hall... (BLAM!) It gets really horrid when Kristen, the wife, attempts to run across the backyard for a radio in the barn. Instead of carefully selecting her steps, she tumbles into a two foot deep trench and snaps her leg like a twig.
- Batman's Genre Blindness is lampshaded in The Dark Knight when he demands that the Joker let Rachel go while standing near the edge of a broken window high up in a skyscraper. Joker stares at him for a second and responds "Very poor choice of words" before tossing Rachel over the edge.
- In Time Bandits, the dwarves don't recognize Robin Hood when they see him. Kevin attempts to explain after they have lost all their treasure to the poor.
- In Timecrimes Hector has clearly never seen or read any stories about Time Travel, thus he's completely unable to wrap his head around the fact that "that man" is himself from an hour ago, and not some impostor. This is pretty consistent with how intelligent he's shown to be prior to this point.
- In Burnt Offerings, the heroine forgets one of the most basic rules of real estate: if it seems too cheap, something is horribly wrong with the place. In real life, it's usually something like "the roof is a major rainstorm away from collapse, we're hoping the super-low price will distract you from the contract clearly stating it's being sold as-is." This, however, being a horror movie...
- The delightfully cheesy '80s film American Dreamer features a housewife who gets bonked on the head and decides that she's the heroine of her favorite series of books, which feature the female, James Bond-esque Rebecca Ryan. She manages to live through several assassination plots through sheer luck, dragging along the only person who doesn't buy into her delusion. She's an odd combo of Genre Blind and Genre Savvy, because she seems to be aware of all her tropes but thinks of them as the way the world's supposed to work.
- Used and lampshaded in Arsenic and Old Lace where the main character is a film critic, and in one scene he describes an the stupidity of an oblivious victim, even going so far as to suggest using the curtain cords as rope to tie him up.
- In Mulholland Dr., Betty, who finds the amnesiac Rita, convinces her to try investigating in order to find out her identity, "like in the movies". They have no idea what they're getting into.
- Beyoncé's character from the movie Obsessed. When her husband is stalked by a Yandere, at first she's far angrier at her husband than she is at his stalker, even though he's very very adamant that it was not an affair, and that she was a stalker. Even with the extremely clear evidence that the woman is mentally unstable, she kicks him out of the house to spend the night alone somewhere.
- In The Secret of the Magic Gourd, the eponymous Magic Gourd asks Wang Bao how he wants his wish carried out, and the impatient (and perhaps not so bright) Wang Bao responds with "I don't care, just do it!".
- The heroes of the National Treasure movies have apparently never seen an Indiana Jones movie.
- In The Sound of Music, Liesel's former boyfriend tells Captain Von Trapp "it's you we want, not [your family]". He presumably thinks that the German Navy will trust an anti-Nazi without having his family close by. Possibly justified as Rolfe may not fully understand how evil the Nazis he affiliated himself with really are.
- Ofelia in Pan's Labyrinth, despite loving fairy tales and having been gravely warned not to eat anything, still eats two grapes from the table of a grotesque monster and then proceeds to get her fairy guides eaten and almost die herself.
- In Iron Man 2 when the Hammer Drones begin flashing and beeping in an increasingly high pitch Pepper just stands there watching one with a confused look.
- In Now You See Me, Agent Rhodes continually takes on the Horsemen on like regular criminals and keeps playing into their hands by refusing to think how a magician would. Or so everyone thinks, see Obfuscating Stupidity.
- More horror films than not in general that feature a group of teens/young adults will have all save for maybe one, usually ignored character fall into this. Dead Snow at least nods to this with a round of Conversational Troping on the Horror Tropes that pertain to their vacation in an isolated cabin in the woods. But there's a limit to how seriously they take it, and especially won't let it spoil their fun — but they do mobilize quickly at the first sign of zombies. The campers become more victim to bad luck, Wrong Genre Savvy, and This Is Reality than the classic horror deaths.
- In Volcano, none of the characters seem to understand the signs of a volcanic eruption even as ash, firebombs and lava flows are literally exploding forth and blanketing the city. At first it's understandable that people might be confused by what's happening, but eventually the ignorance becomes so unbelievable that it seems the mere concept of a volcano or even lava is almost fantastical.
- Star Wars: The Phantom Menace. Amidala "...will not condone a course of action that will lead us to war."
- Space Battleship Yamato: After Captain Okita gives the order for the ship to prepare for warp, Doctor Sado stops a passer-by in the hallway to worriedly ask her what "Warp" is. Given that this is the first time humanity has ever used a warp engine, she might be forgiven for being uniformed. As it is, the passer-by herself only seems to be kind of sure that her explanationnote is correct. Also, Doctor Soda is very drunk.
- Faust: Love of the Damned: Lt. Margolies, an honest cop who's been investigating The Hand (a syndicate responsible for satanic sacrifices), just walks straight into their headquarters after he sees his corrupt boss go there for a meeting with M. He probably didn't think that M was really the devil himself, but even leaving that aside it was an incredibly stupid move to just introduce himself and walk into their base of operations with no real plan or back-up whatsoever. Sure enough, he gets captured and brainwashed by the bad guys after spying on them for a bit.
- In C. S. Lewis's The Voyage of the Dawn Treader, the narrator observes that Eustace "had read none of the right books," and as a result does not recognize a dragon when he sees one and is generally poorly equipped for his first visit to the world of Narnia. This is distinctly in contrast to the Pevensies, particularly Peter and Edmund, who are much more Genre Savvy.
- The Bigtime series by Jennifer Estep takes place in a world where superheroes and supervillains are as common as dirt. The characters are unaware that if you have an Alliterative Name (95% of them seem to), odds are higher that that person is a superhero, and their superidentity is something that also starts with that letter. (Examples: Fiona Fine = Fiera, Sam Sloane = Striker.) Occasionally subverted with the Belluci family's "Johnny Angel" and Sean Newman = Mr. Sage. When characters are trying to figure out who a superhero's real identity is, they have to resort to other means. This leads to an interesting experience for the reader, who knows VERY early on who everyone really is long before the characters can.
- Everyone in the whole world who isn't a member of Tribulation Force, in the Left Behind series. Not one person on Earth seems to have ever seen The Omen or any other movie featuring the Anti Christ; not one seems to recall any popular culture or '70s-style paranormal documentary that would tip one off to the true nature of a strangely charismatic world leader. One would assume that even the most hardcore agnostic or atheist would take one look at Nicolae Carpathia and say, "hey, this reminds me of that special I saw on History Channel", but... In the LB-verse, most people are staggeringly ignorant about the Bible, too. Hey, if the writers are genre-blind and ignorant of the material they're referencing, you can hardly expect the characters themselves to do much better.
- As characters in a fantasy series where mind control magic and shapeshifters exist, the mages of Avalon: Web of Magic never consider that the aforementioned phenomena are causing their friends' strange behavior. No, they just assume that their friends are being Jerk Asses, never figuring out the "if something is weird, it's caused by magic" rule.
- Harry Potter:
- Most of the time the characters in the series manage to avoid this, except for the sixth book. While it is true that Harry is always mistaken about something important, most of the other characters refuse to believe that Big Bad Voldemort would recruit Draco Malfoy to the Death Eaters because they think that Voldemort has no use for a teenage boy, not fully trained as a wizard. The only one who does know can't say anything, because it would risk the life of the recruit.
- Another big example occurs in book five when Kreacher (already established to hate Harry, Sirius, and all their friends) tells Harry that Sirius is being held captive by Voldemort. Hermione even points out that Harry has a "saving people thing" which is clearly being exploited, but Harry insists on going anyway. It is, of course a trap, and Sirius dies as a result of Harry's Genre Blindness.
- The Limper in Glen Cook's The Black Company fits this trope. Even after the Company: killed him twice, live through what seem at the end to be hundreds of attempts to kill them off, and sent the real Big Bad back into his hole in the ground, Limper still thinks he has a chance to kill them by following after them after they leave. Needless to say, he fails miserably, and he isn't even up against the company at the time, just the people who decided not to go with them.
- Despite having watched lots of movies and read tons of books Amesh, from the Secret of Ka, acts completely genre blind. Worse, he seems genre blind of his own country's myths.
- The title character in Patrick Senecal's Aliss completely misses the fact that she's inhabiting an updated Alice's Adventures in Wonderland. When she actually speaks a line from Alice during the trial, she hasn't the slightest clue where it came from. By contrast, the Red Queen is fully Genre Savvy.
- None of the characters in the Twilight universe appear to have ever heard of vampires beyond referencing a few pop culture vampire tropes or mythology.
- In Elmore Leonard's Pronto, Tommy "The Zip" Bucks is a Italian-born mafioso who constantly fails to realize that US Marshal Raylan Givens is a Cowboy Cop who does not always play by the rules. Tommy is a ruthless killer who prides himself on his ability to walk up to a person in a crowded restaurant, shoot him dead and then walk away. Yet, until the very end, he cannot imagine that a US policeman would choose to just shoot him dead rather then arrest him and have him face trial. In contrast Nicky, Tommy's Butt Monkey sidekick for most of the book, quickly realizes that Raylan is extremely deadly and should not be antagonized or threatened.
- More than a few examples from A Song of Ice and Fire. In general, many characters just can't grasp that they're in a Darker and Edgier Deconstruction of the Standard Fantasy Setting.
- Robert Baratheon started his uprising on the belief he was The Hero of a chivalric romance, nobly rescuing his lady love Lyanna Stark from the vile kidnapper Rhaegar Targayen. Not only did he fail, as Lyanna died under mysterious circumstances, but he ended up stuck with a kingdom he didn't want and politically married to a woman he hated. To top it off, comments made by Eddard Stark and others imply Lyanna never loved him back in the first place and that she (possibly) was in love with Rhaegar instead.
- Petyr Baelish in his youth was another example. After drunkenly sleeping with foster-sister Catelyn Tully after a feast, he learns that she is betrothed to Brandon Stark and challenges him to a duel for Cat's hand. After all, in ballads the little hero always defeats the big bully and Cat loves him, right? Except he's a short scrawny 15-year-old boy and Brandon is a 20-year-old expert swordsman. Reality Ensues and he nearly dies. Also, Cat did genuinely love Brandon and the girl in Petyr's bed that night was actually Cat's younger sister Lysa. However, he took this lesson very much to heart, and as an adult one of his greatest talents is causing this trope in other people; he plays the part of a smart, but overconfident, Smug Snake so that people will miss the fact that he's actually a full-fledged Magnificent Bastard, and in the first book he convinces Ned Stark (see below,) that he is a Sarcastic Devotee when he is in fact a Devil in Plain Sight.
- Eddard "Ned" Stark, having subscribed to Honor Before Reason and fought straight-forward battles his whole life, was completely unprepared to deal with the back-stabbing politics of King's Landing.
- Young knight Tristifer Botley is reunited with his childhood sweetheart Asha Greyjoy. He's waited for this for years, and never looked at another woman. She brutally disabuses him of any notion that she's waited for him or is remotely interested in him anymore, and tells him to go find a whore.
- Cersei Lannister believes herself to be The Chessmaster. In reality, she's really just a pawn and has been led to believe this by the real chessmasters; Varys and Petyr 'Littlefinger' Baelish.
- Doctor Who has plenty of these characters.
- Of notable example is the Doctor's tenth incarnation, who says "That's impossible" far too many times for someone who's seen what he has.
- A bit character from "The Unicorn and the Wasp" goes out with the wonderfully Genre Blind line:
Professor Peach: I say, what are you doing with that lead piping?
- Special mention must go to Davros, who has created Daleks with the exact same mentality, only to be imprisoned and/or exterminated by them at least three times now. He somehow manages to be surprised by this every time, despite himself not being a Dalek, and having programmed them to hate everything that isn't a Dalek.
- A number of characters in "Genesis of the Daleks" must surely count too. Despite the fact that Davros is Obviously Evil, Kaleds and Thals alike trust him unconditionally, which generally leads to their EX-TER-MI-NA-TION.
- Another example would include "Turn Left", in which Donna Noble doesn't notice that the fortune teller she's talking to is Obviously Evil until it's too late.
- In House of Cards, Zoe Barnes starts to suspect that Underwood killed Russo, so if she even potentially thought it was true, especially because he is so powerful, a genre savvy thing to do would be to predict you are going to be disposed of and get a statement of sanity at several psychiatrists that you aren't suicidal and also write a letter/record a video with evidence of all communications with Underwood, copy it and leave it at several civil law notaries, with the instruction to mail it to news sources and the president in case of her death. And also to create a program which would mail all of those informations from several computers to major US and foreign news sources, Facebook, 4chan, YouTube, etc. That way Underwood couldn't simply cover it up as babbling of an insane man. In real life, this is what people who know a lot do to protect themselves.
- After the third or fourth time on Star Trek: The Original Series, you would think that the crew of the Enterprise would realize that if the crew is acting strange, they are being infected by space viruses/spores/controlled by aliens. And if Captain Kirk is acting strange he is either being possessed by a evil villain, acting on super secret orders, or a clone/android/manifestation of a split personality. Sheesh. Every single Star Trek show and movie suffers this. Guys, when something unusual happens or someone is acting strange, don't just ignore it or shrug it off.
- Averted in the episode Mirror, Mirror, where Spock immediately notices that something's wrong with Kirk, McCoy, Scotty, and Uhura (because they're the evil alternate dimension counterparts of the originals), and has them tossed in the brig.
- In Teen Wolf, there's at least one Horror Movie Stupidity Cliche in any given episode. The first episode takes the cake, though. Two teenagers— one of them asthmatic— search for the OTHER HALF OF A CORPSE. At night. In the woods.
- In the Torchwood episode "Countrycide", when the team split up to investigate the creepy village, they were assaulted by cannibals one-by-one.
- They might have gotten better in later seasons but throughout Season One, the boys were always fighting about if the problem of the week was supernatural or not. With the exception of "The Benders", where it was just human cannibals, you would have thought with their years of training they would know better than that. Possibly explained in-universe in that they presumably follow a lot of false leads looking for supernatural things, which aren't shown in episodes because they're boring.
- Guest characters in Supernatural also do this constantly, especially in the first season. This included the couple making out in the middle of the woods who hear strange noises. The boy gets out of the car to investigate and disappears, following which the girl gets out too.
- In one episode of Buffy the Vampire Slayer, Xander and Giles make the mistake of enlisting Spike's help at one point, and he just outright tells them he's going to now betray them, asking if they've all forgotten he's an evil demon who hates them.
Xander: ...We're dumb.
- Almost any character in Mighty Morphin' Power Rangers is afflicted with this, it would actually be quite a bit quicker to come up with a list of characters who aren't Genre Blind. This also goes for anytime they try and make a deal with a bad guy, to the point where when a bad guy keeps his word it is pretty difficult to argue it isn't an example of The Untwist. A few quick examples:
- When trying to track the movements of the mysterious Green Ranger, the rest of the Mighty Morphin Power Rangers immediately ask the new kid that dresses in green from head to toe if he has noticed anything unusual lately. He hasn't, though. False alarm, guys! The dressing in green part isn't so much the genre blindness (Less they were going to beat up everyone who wears something green) — it's the fact that said Green-wearing kid is also a known martial artist with something of a rivalry going with the Red Ranger.
- No matter the team, the Rangers also never seem to realize that if there's no explosion, the monster's not dead yet.
- The characters in Stargate SG-1 and Stargate Atlantis are usually pretty Genre Savvy. But:
- The cultures encountered by SG-1 often appear blind to the obvious fact that the Stargates aren't of a make that could be credited to an ancient culture, and just consider it an old artifact. Some don't even realize that it is a sort of gate (even if just a symbolic one), despite it standing on a pedestal with stairs leading up to it.
- In Season 4 of Atlantis, Samantha Carter has two instances of genre blindness combined with Arbitrary Skepticism:
- The first where she is skeptical about Teyla's visions.
- The second where she is skeptical about John's time-travel story. Given her wacky adventures as a member of SG-1, and the mission reports from Atlantis that she would have read about, she really should have known better.
- Compare to Gen. Hammond in SG-1, who immediately gives some of Daniel's most outlandish claims his full attention. "The things I've heard while sitting in this chair..." Though Hammond has at least one instance himself, in the third season, when Daniel is hallucinating and Hammond and everyone else dismisses it as schizophrenia. By this point Daniel has already been presumed dead two or three times (and the entire team has come back from the dead at least once), they have dealt with bizarre alien viruses, the team has used Time Travel and negotiated a peace treaty with the help of Roswell greys... but if Daniel says he sees something no-one else can, he must be crazy! It didn't help Daniel thought he was going crazy, too.
- In the opener of season 3, Mohinder Suresh, the resident scientist, tests an experimental Super-power giving serum on himself. That's something that's never gone wrong before. What's really bad is that he announces his plan to inject himself right in front of a living example of Blessed with Suck who points this out.
- This is topped by the end of Book 4. The surviving Petrellis and Matt have subdued and captured Sylar, the resident Ax-Crazy Manipulative Bastard with the powers of everybody he's ever killed. Good situation, right? So Why Don't You Just Shoot Him?... naturally, they don't. Instead, they brainwash him into thinking he's Nathan. Because even though previous attempts to control Sylar have failed disastrously, and Matt's powers are known not to be absolute, and you'll have to take on an emotionally stressful masquerade to maintain this, it can't possibly go wrong!
- Arthur has got himself a bad case. It's Probably Nothing and Let's Split Up, Gang within five minutes of each other? He probably gets it from his dad, who lets wandering weirdos stay at Camelot far too often for someone who's as paranoid about magic as he is.
- When two people carrying ornate staffs show up at his castle, what does the magic-hating Uther do? He gives them a room.
- Arthur is also pretty genre-blind for missing the fact that Merlin is a sorcerer. For five entire seasons. Merlin has to tell him face-to-face! Although Arthur is a bit of a deconstruction in that he constantly curses his inability to see the truth, wonders how fit he is for command if he keeps making these decisions, and goes into Heroic B.S.O.D. in the series four finale when he feels that most of his people have died because of his Genre Blindness. But give him credit, he does turn into Good Is Not Dumb in series four, and honestly does suspect his uncle several times.
- Katherine Reimer in Jekyll; when you're all alone with Mr. Superpowered Evil Side, who's explicitly warned you to make sure that the lights are never ever out when the good personality isn't firmly in control, anyone who's seen a single horror movie might want to think of some ways to disable the security system that don't involve drugging him and cutting off the power to the entire huge, soundproofed house...
- The main characters of The Big Bang Theory, being humongous nerds, should probably have no problem with sidestepping their Genre Blindness, maybe realizing they are at least in a situation similar to a Three's Company-type sitcom... Sadly (and gladly...?) they never do. It works just fine, though, so no biggie.
- An interesting example with the police in Orphan Black. They haven't yet made the mental leap to clones despite all the evidence of identical people involved in a murder, but they're smart enough to use the evidence they have well — to the point where they're closing in on Clone Club without really knowing what they're looking for. This trope is also Played for Laughs with Allison's friends and neighbors.
- In the Taiwanese Cop Show Black & White they meet an undercover and ask him to find some information. The guy is already leaving when he turns around and declares "Please remind the chief that he promised to retire me after this case. I have promised my girlfriend that I'll marry her soon. My boy is already five years old and still illegitimate..." This complete and utter lack of genre savvyness triggers cringing equivalent to watching someone take a head dive into a shark basin. And for good measure another cop explains that "He's the last surviving undercover in that group." It was just painful.
- One episode has Clark go through a It's a Wonderful Plot experience. It takes him over a quarter of the episode to realize what is happening. Despite seeing all the alterations to reality, he keeps going all "What's wrong with you guys? Don't you remember me?"
- Combined with a dose of Wrong Genre Savvy, Clark often gets confused by normal superhero tropes. For example, when he catches a cold and gains super sneezes, it does not occur to him to weaponize them until the more Genre Savvy Chloe points it out.
- In "Prey", a lone girl walks at night in the streets of Metropolis. And decides to walk down a dark alley. Her death before the opening sequence is so predictable you don't need spoiler tags.
- In The X-Files Scully ought to have realized after a while that her persistent skepticism is misguided. Eventually, she did. It's a theory that her skepticism dropped as the show ran its course... she just kept contradicting Mulder to be contrary.
- JAG: Discussed in "Déjà Vu". Harm is blindsided due to his own emotional baggage.
Harm: There's a lot of things you're blind to. But you don't realize it until it's too late.
- One episode of The Outer Limits (1995), "The New Breed", began with a scientist holding a press conference to announce that his new nanotechnological discoveries would allow him to "improve upon God's design." What series did he think that he was on!?!
- On Babylon 5, at one point Commander Sheridan says that he doesn't believe in dreams and signs and portents ... in a show whose plot runs on dreams and signs and portents.
- In an episode of Dollhouse, a recurring character in a hostage situation (and bomb vest) because of a psychotic kidnapper with multiple personalities refers to a previous good time as "a blast." He's blown up when the psycho points out "Who doesn’t love a pun?"
- One episode of Charmed had the villain conjure up fairytale monsters and traps. The sisters fall for almost every one, because they've never read (or even heard of) any of these stories, even Little Red Riding Hood.
- Mark Gordon on Highway To Heaven is the sidekick of an angel for the entire series, but never seems to learn to trust Johnathan, an angel. This is a man who has seen the miracles of God — and he's taken part in them, but when an angel tells Mark it's going to rain, what does Mark do? He laughs in his face and tells him he's crazy.
- Comically averted by Morgan Grimes, when his obsessive knowledge of bad Kung-Fu movies helps him realize Shaw faked a fight with several Ring agents and has actually been working with them. In fact Chuck and Morgan both show significant multiple-genre awareness throughout the series.
- Leads to a CMOF when Morgan points out an instance from Chuck.
Morgan: You dreamt Shaw was alive? Chuck, you saw him die. You checked for a pulse right?
Chuck: Well, he fell into a river.
Morgan: "He fell into a river"! Of course he's alive! Haven't you ever seen a John Carpenter movie?
- Typically played straight with Sarah and Casey, who are often left confused by the antics and comments of their more genre-savvy partners. Sarah in particular suffers from this. Casey, at least, recognizes that you should never say things like "one last mission" and displays a much better grasp of popular culture.
- In Community, episode "Epidemiology", as fitting for a zombie parody.
Rich: I thought I was "special!"
- In "Horror Fiction in Seven Spooky Steps", an example of why getting rid of Genre Blindness isn't always a good thing is provided. After listening to Britta's cliched horror story, Abed objects to the fact that her characters make the classic 'mistakes' of horror movie protagonists and revises the story so that they act more Genre Savvy about the situation. Unfortunately he takes it too far, to the point where because his characters know exactly what to do to avoid being taken by surprise by an insane serial killer, there's no suspense or tension whatsoever, and the people listening are just bored and irritated.
- Once Upon a Time:
- Among other things, Regina (The Evil Queen) actually believes that she can curse the entire fairy tale world to be trapped in a world without happy endings, and that she can finally end the fact that Being Evil Sucks and get her own happy ending. After she brings back her sleeping-curse-poisoned apple to get rid of Emma once and for all, she brags to Mr. Gold (Rumplestiltskin) that she's now won and made the curse even stronger. Gold clearly doubts this. He is right.
- Emma gets this when she ends up in the Enchanted Forest. She's "out of her element".
- The monsters in Toku always seem to react to the hero gearing up his Finishing Move by running straight at him. You'd think they'd learn after a while.
- Peter in Fringe takes this to a ridiculous extreme. The standard Fringe formula: person or people die bizarre, horrific death. Title sequence. Team shows up, Walter presents insane-sounding hypothesis on what happened. Peter insists that this is impossible, despite the fact that he works for Fringe Division and Walter has nearly always been correct. Remainder of episode proves that Walter is, in fact, correct. Pretty quickly, Peter is just lampshading how weird whatever is instead of doubting it. He stops entirely by the end of the series.
- Justified lampshaded this when a corrupt cop wonders whether he should make a run for it. He is too proud to subject himself to the embarrassment of being chased down and then apprehended like all those idiots that are shown on TV. On the other hand he figures that the ones who get away are not shown on TV since audiences do not want to see the bad guys get away. While he ponders this, the heroes make their move and he gives up easily. He was Genre Savvy to know he was screwed from the very start and he was just hoping that the good guys would have the Idiot Ball this time.
- On Maury, you'd think the people who are brought out to be ambushed with big secrets would guess ahead of time what was about to happen. This is particularly egregious on "cheating man" shows, when they put a suspected cheater in the green room with a sexy decoy to see if he makes a move. Naturally, the guy always takes the bait — if he'd ever seen the show, he'd know there was a camera taping his every move. Of course he might just figure that he might as well be hung for a thief as a liar, so....
- On Cops or any Reality Show featuring criminals running from the cops, as well as jail, routinely features suspects who are surprised that their attempts to run from the police are unsuccessful and resisting police officers doesn't go so well for them. This is likely caused by selective editing. It's less entertaining to have the suspects surrender quietly. Well, once in a while it's funny like in the example below where it's the guy's second time on the show, but that's funny precisely because it's a rare subversion of this. Presumably, if shows like Cops show chase scenes, then the kind of people who watch that show want to see chase scenes, or the producers think they do. So when suspected criminals don't run, it just gets edited out of the show. Unless Cops reports on the percentage of times suspects run even if they don't get filmed, or makes a point to show every single case they follow an officer along on, or something?
- The whole "To Catch a Predator" segments on Dateline. People, the second Chris Hansen shows up (instead of the jailbait you met over the internet), points out the camera, and asks you to take a seat, just ask where the cops are and turn yourself in rather than embarrass yourself further. At least one guy simply walked out of the house and laid down on the lawn with his hands behind his head, waiting for the cops. This would have been Genre Savvy on his part had it not been his second time on the show. On the other hand, genre savvy actually led to one guy's death. As soon as he saw Chris Hansen and company pulling into his driveway, he killed himself. Perhaps we should be grateful for the genre blindness.
- Aelita in one episode of Code Lyoko: Evolution. XANA makes a specter that resembles her mother and she buys it hook line and sinker. Note that this is the third time XANA has used a spectre to trick Aelita with her dead parents.
- Only Fools and Horses: Lennox has absolutely no clue whatsoever how to be an armed robber. Rodney in the same episode taking his cigarettes when he could have had the gun beside him is equally blind.
- Ik Mik Loreland: Mik has a serious blind spot whenever she finds herself in a situation reminiscent of a fairy tale.
- On The Joe Schmo Show, Matt Kennedy Gould, the original Joe Schmo who was the only person on the show unaware while it was happening that everything around him was scripted, was extremely genre blind about certain things. For example, the character Ashleigh, described as "The Rich Bitch," handed out friendship bracelets in the first episode, the purpose being to twist people around and make them think she was their friend so they'd be less expecting for her to stab them in the back. However, after the show, Matt admitted that he never did understand why she handed out those friendship bracelets.
- In Wipeout you have to get through obstacle courses as fast as possible. Being obstacle courses, there will be traps. Despite this there's a shocking number of contestants that are bum rushing through the qualifier and ignores even the most obvious traps like the sole, muddy panel by the ledge.
- A few chefs on Hell's Kitchen had actually served a dish that was not completely fresh for the competition's opening signature dish showcase, using something that is prepackaged or frozen. While one of the first chefs to do this, Rock, was able to bounce back and win his season, the other offenders got an imaginary Dunce Cap put on their heads along with a tongue-lashing from chef Gordon Ramsay (who threatened to kick a few of these people out), and none of them even made it to the halfway point of the show.
- Many professional wrestlers (and their referees!) suffer from complete Genre Blindness. Subverted by some promotions and wrestlers such as WWE wrestler Batista, whose defining character trait around the time of his Heel–Face Turn was being Genre Savvy. John Cena has also been conquering his genre blindness:
Jonathan Coachman: I've decided to give Umaga a very well-deserved night off.
John Cena: A night off? Like I haven't heard that one before. What does that mean, that he's showing up in five minutes? That he's gonna show up when I go to my car tonight? That he's gonna show up when I'm in the sho— You know what, just don't let him show up when I'm in the shower. I don't think any of us want that.
Spoony: I love how no-one in the wrestling program actually watches the wrestling program.
- Once taken to a ridiculous extreme by Ring of Honor — which had a referee get knocked out during a match and count the pin that he saw when he was revived... completely missing the debut of a new faction, a three-way brawl, and multiple rule-breakings that happened all in the course of the same match while he was out, yet not questioning why the action was any different than when he'd woken up.
- Anyone who keeps attacking Hulk Hogan when he is hulking up. We all know he's eventually gonna point at them, block the next punch, knock them down, and do the big boot and leg drop.
- Anybody who attempts a hurricanrana, seated senton, monkey flip, or mounted punches on AJ Styles, The Undertaker, Michelle McCool, or any wrestler who has a powerbomb or Boston Crab type finisher. Also, anyone who wastes precious time by showboating or trash-talking in the middle of a match.
- "YOU CAN'T POWERBOMB KIDMAN!"
- This one has actually been subverted a few times. Dean Malenko did it at WCW Slamboree 99 in the three-way match for the WCW World Tag Team Titles where Raven and Perry Saturn d. the Champs Billy Kidman & Rey Misterio Jr. and Chris Benoit & Dean Malenko. Diamond Dallas Page, Chavo Guerrero Jr. and Shelton Benjamin have done it too.
- Jamie Noble averted it at WWE Vengeance, July 21, 2002, by giving Kidman a Tiger Driver, which is a double-underhook sit-out powerbomb, meaning that Noble had hooked Kidman's arms (sort of like a full nelson except while standing in front of the guy instead of behind him) so he couldn't counter the move.
- Anybody who attempts a crossbody on Mark Henry, who will inevitably catch them and hit them with the World's Strongest Slam. Similarly, there seems to be a running gag of Angelina Love's opponents trying to crossbody her, only for her to catch them and slam them down.
- Anybody who tried to clothesline George "The Animal" Steele would find his arm turned temporarily into a snack.
- When Rob Van Dam throws a chair, don't catch it! You'd think after nearly 15 years wrestlers would catch onto this.
- Do not attempt a frog splash, elbow drop, or any other move that involves coming off the top rope/turnbuckle against Randy Orton without first making sure that he is fully incapacitated on the mat. He will get up and catch you in mid-air with the RKO. That includes shooting star presses, Bourne!
- This can get especially egregious when a face wrestler who has recently made a Heel–Face Turn completely fails to see his heel opponent's cheating tactics coming despite having used the same type of tactics himself when he was still a heel less than a month before.
- Spoofed during the Jerry Seinfeld-Tim Allen match on the Celebrity Deathmatch episode "Seinfeld's Last Stand." Jason Alexander, Julia Louis-Dreyfus and Michael Richards do a Heel Turn on Jerry for ending the show and announcers Nick Diamond and Johnny Gomez say, "We wrestling announcers are usually so perceptive."
- When Vince McMahon challenges CM Punk to a match, Punk happily accepts, saying Vince is a feeble, senile old man and beating him will be easy. Especially egregious because Punk is normally a savvy Fourth-Wall Observer, so he should have known that Vince is a Badass Grandpa.
- Eric Bischoff imposed this on WCW's announcers, often not letting them in on what was going to happen at a given time. Bobby "The Brain" Heenan wrote in his autobiography Bobby the Brain: Wrestling's Bad Boy Tells All that Bischoff would tell the announcers to call the matches as if they were "shoots" (real.) Heenan said that they'd never seen a shoot and wouldn't recognize one if they saw one.
- Horace Hogan (yes, Hulk's nephew) faced Meng on the April 15, 1999 episode of Thunder. At one point, Horace gave Meng a sunset flip for a 2-count. He tried it again and Meng gave him the Tongan Death Grip for his troubles.
- During Booker T and Cody Rhodes' late 2011 feud, Cody kept attacking Booker from behind during his entrance. This happened for weeks and Booker never saw it coming.
- While Chavo Guerrero, Jamie Noble (see above) and Carlito are genre savvy wrestlers, they were utterly lost when it came to the Merrie Melodies type antics of Hornswoggle.
- The Glass Jaw Referee always stands too close or directly behind the wrestlers, leading to them getting hit.
- Anyone who tries a high-flying move against Samoa Joe without making sure he's distracted or groggy, meaning he'll just casually walk out of the way. One time, Christian tried it twice in the same match and failed both times.
- Everyone in Nebulous:
- On multiple occasions, the Professor will find the body of someone murdered in a ridiculously horrible, science fictional way (such as being force-fed a 'sun-segment' or having their lungs filled with honey and stung hundreds of times) and have absolutely no idea that this might be connected to the ridiculously rich entrepreneur who created a miniature sun or the Mad Scientist obsessed with genetically engineering giant hybrid bee-wasps called 'basps'.
- In the "Base under siege" parody story "Destiny of the Destinoyd", we get this:
- The final boss of Tomb Raider: Anniversary displays a shocking example of genre blindness. After the player wins the first phase of the boss battle, the Big Bad gets back up for round two, saying: "I can't die, you fool. Sooner or later, you're going to run out of bullets." Whoops. Looks like someone forgot what series this is... and the fact that Lara Croft is famously known for never, ever running out of bullets. Except for that one time.
- For a Super Robot anime fan, Ryusei of Super Robot Wars sure is clueless about love. Not only does he have one person who wants to have sex with him, he has two — and he's in a Love Triangle. The numbskull has been on dates and he's still clueless. Being completely oblivious to the fact that the guy who thinks of you all as being nothing but samples is actually evil. That's being pretty genre blind.
- Lampshaded by King Boo in Luigi's Mansion when he says, "Who honestly thinks mansions are won in contests? Talk about stupid. What do they feed you Mario Bros. anyways? Gullible soup?"
- In World of Warcraft: Wrath of the Lich King, the titular character makes every Bond Villain mistake in the book. For almost every major blow your character deals to the Scourge, the Lich King makes some kind of appearance, many of them in person! Yet, except in one instance when he's provoked to an Unstoppable Rage, the most he does is pull you in, kill you, and then toss you aside without reanimating or corrupting you in any way, fully knowing you'll resurrect and come after him again later. (In fact, you can resurrect and then run right back to where he's still standing, and he'll pull a What the Hell, Hero? before doing it again.) Instead of killing you for real, he often makes a small speech, punishes a minion, or sends a Red Shirt lieutenant on you, before walking away. It was something criticized by many players, the writers falling into the cliche of making Arthas, formerly a terrifying badass, a pathetic Bond Villain.
- In the end, it's not Genre Blindness at all. He's smart, but covers it with a lot of Obfuscating Bond Villain Stupidity. The only reason he left the players alive as long as he did was that he wanted them to become stronger than he is. The entire fight is Arthas giving more and more to the battle, until he finally holds nothing back and fights with his full strength. If the players die, unfortunate, but still good minions. If they don't, he's found minions that surpass even his own immense power, which is what he wants, being a necromancer with near-unbreakable control over his resurrected minions, and the ability to trap souls in his blade. The raid can't actually slay him on its own - either you're weaker and he kills you, or you're stronger, and he kills you. Knowing that NPCs are next to useless compared to players, he begins his reanimation ritual, mocking the frozen Tirion while he and the crippled and restrained Bolvar watch helplessly. And, in the end, he only loses because Tirion's rescue subverts every boss battle trope that WoW has. When, in any other Final Boss Battle, does an NPC disarm and permanently paralyze the boss, turning him into a glorified training dummy? Arthas, with 10% HP remaining, can actually be struck by weak melee hits until death (which can take something like an hour, if Tirion is the only one doing it). Let's rephrase that: Arthas, the Big Bad of an entire expansion, dies because an NPC gets up off the ground after the party dies, and flipping solos him. Outside of a cutscene.
- In Uncharted: Drake's Fortune, Nathan Drake, Elena Fisher and Victor Sullivan witness firsthand that the legend of El Dorado is largely twisting of reality over the ages, and that El Dorado is a big, golden coffin containing a mummy that turns people into ageless zombies. In the sequel, Among Thieves, Nathan and Elena are just as incredulous as Chloe Frazer at the suggestion that the Cintamani Stone could have some sort of supernatural or at least biologically enhancing property about it, often even saying "Do you really believe in this stuff?"
- They get better about it once they actually arrive in Shambhala, where they call Chloe out on her Arbitrary Skepticism.
Elena: We're standing in Shambhala and you're questioning what's possible?
- Though Lazarevic is savvy in certain places, like when Nate tries to take one of his men hostage (which he solves by shooting the hostage himself), he really needs to learn that you never pull a Not So Different speech on the hero when there's still monsters crawling about. Chances are they're right behind you and ready to beat you to death, thus sparing the hero from having to finish you himself.
- That's nothing compared to the earlier moment when he had Nate and co completely helpless, but didn't just kill them because he wanted Nate "to see Shambhala and die knowing that [Lazarevic has] taken it from him."
- They get better about it once they actually arrive in Shambhala, where they call Chloe out on her Arbitrary Skepticism.
- In Kingdom Hearts: Birth by Sleep, Master Xehanort is often trusted by the heroes (particularly Terra) despite being so Obviously Evil it hurts.
- While Terra's trust is somewhat justified (Terra's master insists that dark magic is never good, despite several scenes where Terra only keeps himself or others alive because of it, while Xehanort by comparison is calm, patient, understanding, repentant, and informs Terra that darkness, used carefully and when necessary, isn't any worse than other magic), the real idiot here is his master Eraqus himself. Terra had no reason to suspect Xehanort's motives, since Xehanort was (apparently) a respected Keyblade Master. However, Xehanort had, in the past, informed Eraqus to his face that he'd blanket the multiverse in darkness if he could, for no other reason than because he didn't believe the lore that darkness was a super evil destructive force. And damn the consequences. Then he used darkness to deeply scar Eraqus' face, and left. When the game's story kicks off, he's briefly invited by to visit the apprentices before disappearing, and then Eraqus tells Terra to go FIND this guy.
- In The Godfather 2 Carmine Rosato abruptly offers a truce despite a reputation for not doing so. Most people think it Seems Legit. Obviously, it isn't. Michael even calls Dominic out on falling for it.
- In Mass Effect 3, The Illusive Man continuously warns his right-hand man, Kai Leng, to show respect to Commander Shepard's skills and how dangerous s/he is. Kai Leng stubbornly refuses and even takes being compared to Shepard in anyway as an insult to him. This underestimation ends up being his undoing.
- In Resident Evil 6, Helena's sister is infected with the C-Virus and has turned a clearly abnormal shade of green, covered with slime and general "I'm-no-longer-human"-indicative growths. So yeah, running up and hugging her is really intelligent given that you've already witnessed first-hand what the virus is capable of, because of course she isn't going to turn on you. That NEVER happens....
- In Penumbra, Philip decides to travel a remote location in Greenland that he heard about in some notes his father told him to destroy without reading, because apparently he has never read a horror novel before.
- In the Red Dead Redemption DLC Undead Nightmare, MacDougal says this utterly brilliant line in the midst of a zombie apocalypse. He gets killed by a zombified Nastas literally seconds after saying it.
- MacDougal: Right, I'm going to wander down that lonely deserted street and get my bag.
- In Batman: Arkham Origins armed guards will flock to investigate when they find a colleague whom Batman has knocked unconscious. They then makes comments such as "We'll find him quicker if we all split up!" and spread out throughout the room, allowing them to be picked off one by one.
- In Dead Island the threat of a nuke is the motivation to keep the survivors moving, which seems reasonable given the threat and the end of over half of zombie fiction. It's so effective two different characters make up the lie. One small problem: the Australian military responding to the pandemic doesn't actually have nukes. No one even wonders just how it would be possible. To be fair, the cast isn't made up of geniuses, just MacGyvers. A former sports star and a rapper are the last people that would know that, and the other two aren't soldiers, and considering Australia's tactical insignificance to anything remotely related to their jobs, it's unlikely they'd know that.
- In an example pertaining not to the game's storyline but instead its marketing, the circumstances concerning Halo: Reach's early arrival. Microsoft did everything it could to try and make it successful and apparently decided it was more efficient to distribute it to select reviewers from Live instead of just mailing copies. Guess what happened.
- The page image is from Freefall. The doctor (actually, a veterinarian) in the image survives, since he's not dealing with a werewolf, merely a genetically engineered uplifted wolf who needs his services.
- Rose from Homestuck is the most openly intellectual of the four main characters, but is the most Genre Blind of the four, often falling into enemy traps and being Too Dumb to Live on more than one occasion. Though it's a Deconstruction.
- The Order of the Stick:
- While most of the cast members are Genre Savvy, there are a few exceptions, particularly among the Azurites. In particular, Lord Shojo actually sits and strokes a white cat but no-one sees him as the cunning Chessmaster that he is until Haley figures it out. It helps that he pretends the cat in question is talking to him.
- Miko displays plenty of Genre Blindness, with her inability to grasp the real-world references that the rest of the cast use so liberally.
- Elan displays intentional Genre Blindness, in assuming that Nale must have been killed in Azure City's collapse. When Nale calls him out on how genre blind that is, Elan retorts that of course he thought Nale was dead, because "the hero always THINKS the bad guy is dead until he shows up again." This promptly leads to a near aneurysm on Nale's part, when he tries to puzzle through Elan's "logic". This overlaps with Contractual Genre Blindness because Elan might honestly have believed that Nale was dead....
- Elan in general displays a stunning mishmash of Genre Savvy, Genre Blindness, and Wrong Genre Savvy, which depending on the situation can make him anything from "oddly effective" to nuttier than squirrel poop. Elan also assumes that the two nameless guards staying behind to allow them to escape are dead, unaware that they took the spotlight for a while and had a significant bout of character development and becoming Heroes Of Another Story.
- Despite being practically the patron saint of savvy, Tarquin has one major weakness. He simply cannot, will not acknowledge that he isn't the Big Bad of the story.
- There is only one character in Books Don't Work Here who can't hear the narrator speak and ignores the 4th wall. It makes for some interesting conversations.
- Bob and George:
- Rare, but when Dr. Wiley distracts Mega Man with "there's something behind you" — he forgets to run away.
- Mynd was this at first. Although he is a smart and dangerous villain, he is handicapped by not actually reading the comic itself. Here is a prime example, where he recognizes Proto Man as a truly competent fighter, yet could not resist announcing his plans to the audience. Thus, he is a victim of a Running Gag. When he finally attacked, he abruptly became savvy, heavily following the Evil Overlord List. In fact, there was supposed to be a series of comics before the attack where he finally sat down and went on an Archive Binge. Here are the comics showing this development.
- Furthia High: Kale's girlfriend Eve demonstrated this at the end of page 147. Possibly lampshaded by the way her last line is written.
- Pibgorn Causes Geoff to be disarmed
- The man in this Subnormality strip thinks it a good idea to buy a newspaper with the headline "Local Man Devoured by Newspaper Box" from a newspaper box. No points awarded for guessing what happens next.
- Justified with Jordie the Cleric in Our Little Adventure since he has no real-world adventuring experience. The other members of Julie's group do lampshade it when it pops up.
- Lampshaded in El Goonish Shive: Sarah considers the reasons not to go through the isolated dark alley while unarmed but still decides to do it.
- Skin Horse has a fairly large cast with plenty of Genre Savvy characters, and when a side character tempts fate in the most obvious way possible, their response:
Phillips: My declaring how safe I am is perfectly safe.
Unity: Ooh, let's hang around and see how he—
Sweetheart: Just keep moving.
- In the fourth episode of the TV Tropes original webseries Echo Chamber, Tom is unaware of the nuances of "having a point" required for a dumbass to have a point.
- In the Zelda parody The Legend of Neil, Ganon takes this to ludicrous levels. He insists on making sure "Link" progresses through each of the levels in order, rather than just tricking him into the last level at the very beginning where it would be impossible to win without the items he picked up along the way. Ganon also insists on having a map in every level (in case his minions get lost). It's practically his catchphrase "Link will never beat level ___", then when Neil beats that level, "Well he'll never beat level (number one higher than the last)!" His minion, Wizzrobe, is Genre Savvy enough to catch all of Ganon's mistakes, but unfortunately Ganon doesn't listen to a word he says.
- You would have thought that The Nostalgia Critic would have learned not to tempt fate anymore. He even said early on that he should learn to keep his fucking mouth shut.
- Marble Hornets: Jay. Fucking Jay. Jay, who thinks it's a good idea to go back into the building where he got attacked in the middle of the night where he's going to get attacked again. Jay, who seems surprised when he's attacked. Jay, who, when the person he had an appointment scheduled with doesn't show up, decides to go for a walk in the nearby creepy woods.
- The reporters from this The Onion segment.
- Some people in his videos do not realise that they are being trolled, thus making themselves even bigger targets.
- This video, entitled "Bad Violin Trolling", shows a player by the name of "cider dude" refusing to mute Jay and instead angrily ranting and vowing to report him, under the perfectly rational belief that a report to Microsoft would instantly go against him.
- Considering how being trapped in corners is such a widespread tactic in Call of Duty, the amount of people that fall for it is simply staggering. While Jay himself occasionally falls victim to it, he does have legitimate excuses (replying to online hate mail during a game, etcetera).
- Daithi De Nogla is usually savvy enough when playing Garry's Mod, but in some cases, particularly in Murder, he trusts others far too easily. This results in him being literally backstabbed on a semi-regular basis.
- When playing Minecraft, Strippin calls out his friend Benji for building a treehouse when he has a habit of falling to his death. The less savvy Benji insists that this would be a cool base, only to fall to his death almost immediately. Strippin just comments "I totally called that".
- During Duncan Jones and Sjin's Pixelmon playthrough, the two eventually decide to set up their own gym after having beaten the others. Sjin is horrified to realise that Duncan has built their gym out of wool... since every other gym in the series was made of wool and set alight (by them).
- Derek Maza from Gargoyles has to be a lifetime achiever of this trope. He ignores Eliza's warnings, he buys everything that Xanatos says (the Genre Savvy master who CREATED the Xanatos Gambit trope) and became Talon due to his own stupidity. And again, not once does he blame Xanatos until the end. THEN he keeps FANG around, and doesn't assert that he's the leader of the Mutates. All in all...very Genre Blind.
- Explained in Kim Possible by the Villain Traditions that most of the bad guys follow. These traditions include the villains "making their lame pun and leaving" the heroes in a Death Trap. Señor Senior Senior sticks closely to this, even telling Kim how to escape. Shego, on the other hand: "I prefer the direct approach, but you know Drakken..." Drakken does start getting better about it by season 3, where he immediately launches the doomsday weapon sans countdown.
- You'd think after the first dozen or so times, Timmy of The Fairly OddParents would think for more than a few seconds before saying "I wish..." Occasionally he inverts it, and has been quite Genre Savvy at times. For example, in the second part of the Wishology special, he was able to convince Mr. Crocker to help him by simply saying he'd show Crocker his fairies.
- An episode of The Boondocks plays with this. Riley becomes a chocolate bar mogul while managing to be both Genre Blind and Genre Savvy. He achieves his success by emulating all of the methods used in a number of crime movies, primarily Scarface (1983). After Huey lampshades that none of the crimelords in the movies ever survived, Riley tells Huey that he doesn't want to hear any more downsides. Riley proceeds to fall straight into all the same tropes from the films, ending up in a shootout in the penthouse from Scarface, though he does survive by taking enough of Huey's Genre Savvy advice to wear a bulletproof vest.
- Avatar: The Last Airbender:
- While still Genre Savvy, Sokka has had one or two moments of Genre Blindness. Most notable was in "The Boiling Rock", where he tries to talk to Suki while still wearing his guard disguise. Later, he does the same thing when he tries to talk to his father.
- And Zuko tends to be fairly Genre Blind throughout. No, the golden egg on the pedestal that they found in the ancient and seemingly abandoned temple fortress couldn't possibly be booby-trapped. Then here comes the flood of glue.
Zuko: It's some kind of mystical gem stone.
Aang: Well, don't touch it! ...I'm just very suspicious of giant glowing gems sitting on pedestals.
- This is how Azula comes to grief. Of course you can trust the man who basically condemned your brother and has shown no scruples in his quest for power, there's no way he'll— oh, wait, he just had you Kicked Upstairs. Well, at least you have your servants who never seem to care about your Kick the Dog mo— nope, they just ran off.
- The heroes not only have Genre Blindness, they seem to have inter-episode amnesia. How many times can you really think say "Let's split up to explore the haunted castle" and think it's a good plan? This actually is lampshaded in one episode of What's New, Scooby-Doo? Long story short, Fred realizes that they always split up the group the same way and decides to split it up a different way with Fred and Shaggy teaming up. Hilarity Ensues.
- Then again, whenever the gang is Genre Savvy and assumes the monster is fake, it turns out to be real (like the zombies in the first movie). Perhaps they're so Genre Savvy that they know that Genre Savviness makes the monsters actually become real, so they feign Genre Blindness.
- Fred must be particularly genre savvy in What's New, Scooby Doo? In another episode, half way through, Fred suggests that, instead of trying to figure out who's under the mask, they simply set up a trap, capture them, and deal with it later... One way or another, it didn't work out just right.
- One episode of A Pup Named Scooby-Doo has Red Herring wanting to add a sidecar onto his mom's motorcycle for her birthday without her finding out. So what does he do? He steals it, and then dresses up as a monster to scare people away. This is in spite of the fact that he lives in the same neighborhood as a detective agency who regularly deals with guys dressed up as monsters.
- Almost every villain-of-the-week in A Pup Named Scooby-Doo is suffering from this. In the original series, having so many people hiding their crimes by disguising themselves as monsters could be more excusable, since Scooby and the gang are constantly road tripping across the country, but all of the crimes in this show happen in one city. After reading in the local news about the 10th or 12th person to get caught using a monster disguise to hide their evil plans, you'd think more people would realize that it's not a very good idea.
- Teen Titans: If Robin wasn't so good at improvising (and so well-trained), he would've been dead a long time ago. The boy simply has no concept that things may not be what they appear to be. He gave a frickin' communicator to a villainess who was masquerading as one of his own team, which was how the season's Big Bad and his Evil Minions almost defeated the Titans. There may be nothing wrong with giving a communicator to someone you think is a friend of yours and who you think might be in trouble soon... but there is after you just spent the whole episode fighting a shapeshifting villainess.
- In one Treehouse of Horror episode on The Simpsons, while being chased by the wolf man Flanders, Homer instructs Marge to hide in the abandoned amusement park, Lisa to hide in the pet cemetery and Bart to hide in the spooky roller disco, while he goes skinny dipping in "the lake where the sexy teenagers were killed 100 years ago tonight."
- Count Duckula:
- Count Duckula isn't going to change. He's an aimless, wimpy vegetarian schlub, and he always will be an aimless, wimpy vegetarian schlub. Every time he appears to change for the better (worse?), it's because he's possessed, he ate/drank something he shouldn't have, it's not really him, etc., and it's only temporary. Igor never learns. Ever.
- Duckula's appearances and demeanor on Danger Mouse was more 50-50. Half of him is a traditional vampire (he even threatens DM with "I'll have your blood!" in one episode), while the other half is a showbiz-crazy egomaniac.
- Dungeons & Dragons:
- The opening sequence of the animated series shows the main characters being excited to see a Dungeons & Dragons roller-coaster at an amusement park. This implies that (1) the Dungeons & Dragons role-playing game exists in their home dimension and (2) at least some of them are familiar with the game. Why is it, then, that not one of them seems to knows a thing about the world to which the ride transports them or how to negotiate the remedial plots in which they find themselves?
- The villain of the episode "Valley of the Unicorns" ends up trailing the heroes to the eponymous valley because he evidently didn't think to look for a Cave Behind The Waterfall that's rainbow-coloured.
- On one episode of Phineas and Ferb, Isabella is investigating a superhero for the Fireside Girl newspaper, swooning over him while simultaneously getting annoyed at her normal Love Interest, Phineas, for constantly disappearing. Guess who the superhero turns out to be. Genre Savvy Candace even calls her out on this.
- How many Looney Tunes characters are going to purchase from the ACME Corporation, go after the same prey, and/or mess with the same people before they realize that nothing good comes out of it?
- My Little Pony: Friendship Is Magic:
- Twilight Sparkle, the main character, insists that "the future of Equestria does not rest on me making friends.'' Read the title again and take a guess how that pans out.
- She's not the only one. In "Keep Calm and Flutter On", Rainbow Dash insists the Mane Six come up with a backup plan in case the whole "befriending" business with Discord to have him do a Heel–Face Turn doesn't work out, and the other ponies agree with her, with Twilight settling for good old fashioned brainwashing. The blindness is extra bad because not too long before the Mane Six helped another former villain turn good thanks to the Power of Friendship. Once again, read the title of the show, and see how well Twilight's brainwashing plan works out. It doesn't.
- None of the Cutie Mark Crusaders, who are searching for their special talents, have realized that they live in a world which runs off Steven Ulysses Perhero. Scootaloo and Sweetie Belle have talents related to their names that they are mostly unaware of — riding a scooter and singing, respectively.note
- "Inspiration Manifestation": Spike apparently hasn't learned from the enchanted comic that was literally enchanted that something that sounds innocuous might be much more dangerous. Also, you would think that someone who has spent his whole life around a unicorn that specializes in magic and is an expert in spellbooks would know a tome of dark magic when he sees one.
- "The Hooffields and McColts": Neither Twilight, Fluttershy or the Mc Colts anticipate the "Trojan Cake" filled with hostile ponies... quite unlike a good part of the audience.
- American Dad!: You'd think after living with him as long as they did the Smiths would probably be Genre Savvy enough by now to know just how much of a sociopathic bastard Roger is to take precaution not falling for any of his lies and schemes. Especially true with Stan and Francine both who have been regularly shown easily fooled by Roger's plans. The Smiths are the only people in-show who see through Roger's disguises, but they always seem to trust him more than they should in later per episode.