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"I can't tell you how many people have told me that they just don't get Lost in Translation. They want to know what it's about. They complain 'nothing happens.' They've been trained by movies that tell them where to look and what to feel, in stories that have a beginning, a middle and an end. Lost in Translation offers an experience in the exercise of empathy."
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Lost in Translation is a 2003 film, the second to be written and directed by Sofia Coppola after The Virgin Suicides. It stars Bill Murray and Scarlett Johansson, with Giovanni Ribisi and Anna Faris in notable supporting roles.

Bob Harris (Murray) is a Hollywood actor past his prime, who despite his fame and success feels existentially empty. He goes to Tokyo to play in a commercial for the Suntory whiskey brand. Plagued by insomnia, he meets Charlotte (Johansson), the young and bored college grad who has followed her oblivious fashion photographer husband (Ribisi) to Japan, where he's photographing a ditzy film starlet (Faris).

With too much time on their hands and no idea what to do in Japan, Bob and Charlotte drift together and become emotionally close.

Won an Academy Award for Best Original Screenplay. Boasts a great soundtrack that includes "Just Like Honey" by The Jesus and Mary Chain.

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Contains examples of:

  • Ambiguous Ending: After everything, Charlotte and Bob simply say their farewells and go back to their lives; save for the mystery of what Bob whispers to her, and the plot simply ends on a rather vague but bittersweet note.
  • Arcade Sounds: The arcade sounds in the film were not the original noises, but they're no Pac-Man Fever noises either.
  • Bilingual Bonus: Amusing scenes in which Bob and Charlotte interact with the locals are even funnier if you understand Japanese, such as the direction given to Bob.
    The Director: (in Japanese, to his interpreter) The translation is very important, okay? The translation.
    Interpreter: (in Japanese) Yes, of course. I understand.
    The Director: (In Japanese, to Bob) Mr. Bob. You are sitting quietly in your study. And then there is a bottle of Suntory whisky on top of the table. You understand, right? With wholehearted feeling, slowly, look at the camera, tenderly, and as if you are meeting old friends, say the words. As if you are Bogie in Casablanca, saying, "Here's looking at you, kid,"—Suntory time!
    The Interpreter: (In English, to Bob) He wants you to turn, look in camera, okay?
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  • The Cameo: Japanese late-night TV host Takashi Fujii, a.k.a. Matthew Minami, as himself.
  • Celebrity Paradox: Actually a weird subversion. While channel-surfing, Bob chances upon a Saturday Night Live re-run that features a younger Bill Murray, but it is implied that In-Universe it is a movie or TV show featuring Bob Harris, not Murray.
  • Central Theme: Loneliness, exclusion, communication, and self-discovery.
  • The Chanteuse: One has an act at the five-star hotel where Bob and Charlotte are staying.
  • Comically Missing the Point: Charlotte and Bob's lunch at the shabu-shabu restaurant is fraught with tension, because Charlotte has just caught Bob sleeping with someone. Because of the Unresolved Sexual Tension between the two (even though they're both married), the lunch was very awkward. The next day, as they're saying goodbye in the hotel lobby, Charlotte's in a forgiving mood. "That lunch was awful," she says with a smile on her face. "Yeah. Who makes you cook your own food?" Bob replies.
  • Deadpan Snarker:
    • Bob Harris. Well, he is played by Bill Murray.
    • Charlotte also gets in her share of barbs.
  • Desperately Looking for a Purpose in Life: Charlotte, and to a certain extent Bob as well.
  • Dumb Blonde: Kelly, the stereotypical blonde starlet who will natter on endlessly about nothing.
  • Engrish: Used and lampshaded extensively. "Lip my stockings!"
  • Exotic Backdrop Setting: Tokyo sure does look pretty.
  • Fanservice: The opening close-up Panty Shot of a sleeping Charlotte, followed by several more shots of her in her underwear.
  • Fish out of Water: Both Bob and Charlotte are completely unfamiliar with Japanese culture, and find life in Tokyo endlessly baffling.
  • Foreign Queasine: Bob and Charlotte go to a shabu-shabu restaurant. The menu has a bunch of identical pictures of meat. Bob points to one with disinterest and later complains about having to cook his own food.
  • Funny Background Event: The scene of Bob trying to reach an understanding with a Japanese native in hospital makes two ladies in the background unable to hold their laughter in.
  • Genki Girl: Kelly.
  • Germans Love David Hasselhoff: In-universe.
    • Bob Harris is apparently a fading actor, but he's popular enough in Japan to endorse liquor.
    • And the Japanese apparently think Roger Moore was the best James Bond actor.
  • Hollywood Tone-Deaf: Kelly sings a song at the bar. Badly.
  • Homage: The opening shot is a more fanservice-y recreation of one in In the Mood for Love. The dinner scene at the Shabu-shabu restaurant is also a reference to the same movie.
  • Intergenerational Friendship: Charlotte is in her early to mid-20s, while Bob is pushing past middle age.
  • Ivy League for Everyone: When Charlotte mocks Kelly's intellectual gaffe, her husband tells her that not everyone went to Yale.
  • Japandering: The basis for Bob being in Japan is to make a Japanese commercial for whiskey.
  • Karaoke Box: Bob and Charlotte go to one with their Japanese friends after a party.
  • Life of the Party: Subverted. As Roger Ebert puts it in his review of the film: "Bob Harris, who could be funny, who could be the life of the party, who could do impressions in the karaoke bar and play games with the director of the TV commercial, but doesn't—because being funny is what he does for a living, and right now he is too tired and sad to do it for free."
  • Lonely Together: This is why Bob and Charlotte bond.
  • Lost in Translation: Being the inspiration for the film's title, this shows up a lot.
  • Lounge Lizard: Bob has a one night stand with a female one.
  • Luxurious Liquor: Bill Murray's character is at one point shooting a commercial for the expensive whiskey brand "Suntory" in which he has to convey the "Liquor is Luxury" trope. Unfortunately, he doesn't understand the director's instructions due to an inept interpreter so the whole shoot is a strenuous endeavor. However, the photo shoot works out much better.
  • May–December Romance: The possibility of Charlotte and Bob's Intergenerational Friendship turning into romance is always lingering beneath the surface, but it ultimately proves more pure than that.
  • Mid-Life Crisis Car: Lampshaded. Charlotte says to Bob, "Sounds like a midlife crisis. Did you buy a Porsche yet?"
  • Next Thing They Knew: With Bob and the lounge singer.
  • No Celebrities Were Harmed:
    • Anna Faris's portrayal of Kelly is based on director Coppola's rather dim view of actress Cameron Diaz.
    • Charlotte's husband John is thought to be a dead ringer for Coppola's ex-husband Spike Jonze; while Coppola did admit to basing elements of John's character off of Jonze, she denied making a flat-out copy of him.
  • Pants-Free: Charlotte usually goes without pants when she's alone in her apartment.
  • Panty Shot: Charlotte as seen in the very first shot of the film lying on the bed before the title of the movie fades in.
  • Product Placement:
  • Reality Has No Subtitles: As the title implies, the characters are alienated from their surroundings by not speaking the language or understanding the culture. This draws them to each other and causes them to do more self-examination than they otherwise would.
  • Riddle for the Ages:
    • What did Bob whisper in Charlotte's ear at the end? Fans have used audio enhancement to get a vague idea, but it's still unclear. Ultimately it's irrelevant—Coppola wrote no dialogue for the scene and told Murray to just say anything so she could get the shot of his lips moving. When questioned on this matter in a Reddit AMA, Murray at least partially jokingly said he forgot.
    • Also, who is the actor Bob was talking about to the waiter, the actor whom has been married a couple of times and whom Bob doesn't care is gay or not?
  • Shout-Out: The opening shot is a reference to In the Mood for Love, which Coppola is known to be a huge fan of.
  • Shrines and Temples: Charlotte visits a Zen temple. She later complains that she felt nothing from the experience.
  • Silence Is Golden: There are lots of notably centric sequences with no dialogue populated solely by the background noise of the scene and/or Coppola's music of choice.
  • Sliding Scale of Idealism vs. Cynicism: The movie is perfectly placed in the middle.
  • Silent Whisper: Bob whispers something to Charlotte just before he leaves Tokyo.
  • Talk Show: Bob is invited to appear on one.
  • Translation: "Yes": The commercial director gives a long, emphatic spiel, but this is translated into curt and simplistic instructions. Bob objects that the director seemed to be saying more.
  • Unresolved Sexual Tension: Bob and Charlotte's friendship is obviously accented by mutual attraction that neither seem to want to act on. When Bob has a one-night-stand, Charlotte's cold reaction includes some jealousy.
  • The Voice: Bob's wife is only heard on the phone.
  • Weddings in Japan: Charlotte chances upon a traditional wedding while visiting Kyoto.
  • "What Now?" Ending: Charlotte and Bob are both stuck in their lives and need to make a choice about how to proceed. It's implied that their vacation in Tokyo will help them decide what to do next, but we don't know what their choices will be.
  • Your Cheating Heart: Bob is married but has a one-night-stand with a lounge singer. His extremely close friendship with Charlotte is also charged with Unresolved Sexual Tension. It's open to interpretation if he's emotionally cheating on his wife with Charlotte.

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