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Recap / Doctor Who S24 E1 "Time and the Rani"

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Meet Michael Grade's agent of bridge-dropping against the Sixth Doctor and his heliotrope coat.

"Ahh! Thank goodness, this regeneration I've regained my impeccable sense of haute couture."
The Doctor, finally realizing the error of his ways.

Production code: 7D

The one wherenote  the Sixth Doctor suffers Death by Falling Over, and we are introduced to the Seventh Doctor... first via a wig, since Colin declined to show up for the trade-off, considering he'd been fired.

Written by by by Pip and Jane Baker. This four-episode serial first aired from September 7—28, 1987.

Without even an opening title sequence to kick things off, this serial features an impressive (for the time) CGI shot of the TARDIS randomly flying around as it gets zapped with lasers. Why it's zapped with lasers, what's going on, who's doing what, that's unimportantnote . Here, the TARDIS is being zapped and forced to land on an exotic alien planet as a day-glo lizard guy watches. The Rani steps in and gloats while the unconscious Sixth Doctor (played by Sylvester McCoy with a blond wig) regenerates into the Seventh Doctor (played by Sylvester McCoy without a blond wig).

The title sequence is now finally shown, the first one to ever use CGI in the series, equally as impressive for its time as the opening scene of the teaser. The theme arrangement it's one of the first compositions by newcomer Keff McCullough, who will be providing the soundtracks for the remainder of the classic era, and lathering every story hereafter in poppy late 80's synth.note 

Once it ends, the Rani then takes the Doctor off to her secret laboratory, where he wakes up and deduces that she's going to do something horrible with a nearby asteroid made up of Strange Matter. Before he can do anything else, one of her bat-like mooks, the Tetraps knocks him out again, and she doses him with amnesia juice, while leaving the companion Mel back in the TARDIS to stumble around the exotic alien landscape with that day-glo lizard we saw earlier. The Doctor awakens to see the Rani disguising herself as Mel in order to trick the Doctor into helping her with her experiments by pretending that they were his experiments.

The Doctor is very miffed to have regenerated, and even more miffed by what he thinks is regular old post-regenerative amnesia. He is reluctant to do any work on "his" machine until his mind starts working again and goes off to the TARDIS pick a new outfit instead, finally freeing himself— and the viewers— from two seasons of dressing up as animated clown vomit in the process. The Rani disguised as Mel has to put up with the Doctor trying on several of his old outfits before settling on his new attire. Eventually, the Doctor is able to figure out what is wrong with the Rani's machine and she leaves for her TARDIS to go get the part it needs.

Mel sneaks into the Rani's evil base of operations (after having been Trapped by Mountain Lions for a couple of hours) and the Doctor, still amnesiac, thinks that she must be the Rani. They quickly sort out the confusion by checking each other's number of pulses, and after a sweet Headbutt of Love, they head off together to stop the Rani's evil plan.

Eventually, the Rani's diabolical scheme is revealed: she's been kidnapping the smartest people throughout space and time in order to create a gigantic artificial brain. By blowing up the Strange Matter asteroid, she will expose the brain to radiation that will cause it to grow bigger and bigger until it engulfs the entire planet, and give it the power to control time anywhere in the universe. Since the Rani really loves dinosaurs, she's going to retroactively replace Earth's population with them. And possibly some other stuff. Evil stuff. However, her plan involves hooking the Doctor up to the giant brain together with the likes of Einstein and Pasteur, who of course all immediately proceed to not listen to the Rani. The Doctor rescues the lizardmen, straps their bombs to the giant brain instead, and taunts the Rani into activating said bombs. He drops the geniuses off back home (promising Einstein he'll show him how the TARDIS works later. He'd later have trouble with this.) and runs off for more adventures with Mel in the TARDIS. As for the Rani, she's left (literally) hanging with the Tetraps, who are a little peeved that she intended to let them get fried by the asteroid explosion, as she vows her revenge.

After the departure of Eric Saward near the end of the previous season, Doctor Who got its final script editor of the classic series, Andrew Cartmel. His first script, however, was inherited from the previous team. This story was originally intended for Colin Baker's Sixth Doctor by Pip and Jane Baker (old hands at writing for him by this point). Although BBC executives had ordered John Nathan-Turner to dismiss Colin Baker from the role, they were amenable to let him appear in this serial in full, with the Doctor regenerating at the end. Baker, worried about the work he might miss out on if he was still considered contracted to Doctor Who even though he wasn't actually filming the show, refused to return for anything less than a full season; the BBC refused, and the story was sent through the re-write cycles. A last-minute appeal from Pip and Jane Baker was nearly enough to change Colin Baker's mind, but by that point he had stage commitments that would have conflicted with the filming dates. It's notable for the final appearance of the Rani in the series (not counting Doctor Who 30th AS "Dimensions In Time").

There would be a number of attempts over the years to give the Sixth Doctor a "proper" going-away story, including the novel Spiral Scratch, which met with dubious popularity. Years later, Big Finish would write another final chronological Sixth Doctor story, the Big Finish Doctor Who audio "The Last Adventure", which is widely popular and finally gave Colin the chance to hand over the role to Syl with some dignity. If you haven't listened to it prior to watching this, we highly suggest you do, as it fills in a very important space between this television story and the last.


  • Airplane Arms: The Lakertyans run like this, though with their arms very close to their bodies. Apparently the intention was to make their species and culture more alien: it worked very well.
  • Amnesiac Hero: The Seventh Doctor spends most of his first story as a dupe of the Rani — though this was the fault of her amnesia serum, not random happenstance.
  • Apathetic Citizens: The Lakertyans for the most part don't seem particularly bothered about what happens to them.
  • Bat People: The Rani's Tetrap mooks are something like a combination of a human, bat and boar. In particular, they sleep upside down like bats and drink blood, which the Rani supplies to them in a huge trough.
  • BBC Quarry: About two thirds of the story are spent meandering over one.
  • Bee-Bee Gun: Those spheres added to the Centre of Leisure? They contain killer bees.
  • Big Bad: The Rani.
  • Brain Monster: The Rani grows a giant brain linked to the minds of every genius in the arcade in an attempt to collect the genius of the greatest scientific minds in the universe.
  • The Cast Showoff: Invoked. McCoy was good at doing pratfalls and mugging. And playing the spoons.
  • Characterization Marches On: McCoy's performance as the Doctor is very cuddly and goofy, and he's not yet become the manipulative mastermind that Seven would later turn out to be. Also, he wears braces with his costume for the first and only time.
  • Continuity Cavalcade: While picking a new dress style, the Doctor tries on the Second Doctor's furry coat, the Third Doctor's ruffles, the Fourth Doctor's entire wardrobe, and the Fifth Doctor's cricket outfit (shin protectors and all).
  • Costume-Test Montage: After spending most of the first episode in his predecessor's costume, the Seventh Doctor tries out costumes of the Second, Third, Fourth and Fifth Doctors before settling on his new costume.
  • Death by Falling Over: Poor Six. Well, it's what we are led to believe from what plays out onscreen. The opening seemed more like a reprise from another story for the longest time. Turns out it was.
  • Death Trap: One of the most ingenious the series has had so far. It's a tripwire that, when triggered, envelops the target in a force-field bubble, which then flies off until it hits something and explodes.
  • The Dog Bites Back: Urak at the end.
  • Dropped a Bridge on Him: The not-so-pretty fate of the Sixth Doctor here. The Expanded Universe gives other explanations; either Seven, despite not being born yet, caused the death so he could become Time's Champion, or the Doctor was already weakened from using up a lot of his energy to save creation. Finally averted with "The Sixth Doctor: The Last Adventure", the True Ending to this Doctor's life.
  • Enhanced on DVD: The DVD re-release features the option to digitally insert Colin Baker into the opening regeneration scene, with his face morphing into that of his successor's in a golden glow.
  • Establishing Character Moment:
    • An arguably unintentional example, given that the character wouldn't really be taken in this direction until the following season, but the very first thing the Seventh Doctor does upon regaining consciousness after regenerating is start to organise his schedule ("That was a nice nap; now, down to business! I'm a bit worried about the temporal flicker in Sector Seventeen..."). Later series and the Doctor Who Expanded Universe would make the Seventh Doctor actively seek out conflicts rather than just stumble across them, and start planning ahead.
    • When considering the Rani controlling the universe, rather than bluster about it he quietly muses that "Shakespeare, Michelangelo, Louis Pasteur, Elvis, even Mrs Malaprop will never have existed". The Seventh Doctor sees grandiloquent plans to rule the universe in terms of their destruction of life's small, everyday pleasures, like art and music. He would be the first Doctor to really embrace human popular culture, enjoying rock'n'roll, going to outdoor jazz sessions on summer afternoons and reading the Sunday papers.
  • Evil Laugh: Kate O'Mara goes all-out with the Rani's evil laugh.
  • Evolving Credits: A new Doctor means a new intro. Discarding the starfield titles that were in place under various permutations since "The Leisure Hive" in 1980, this serial marks the debut of the final opening title sequence for the Classic Series, depicting a CGI animation of the TARDIS flying through a galaxy. Notably, the new titles are the first for any TV show to be made with 3D computer animation.
  • Fake Shemp: Colin Baker was offered the chance to appear as the Doctor in this story; as originally planned, the Doctor would have stayed behind to make sure the strike on the Rani's base was successful and been mortally wounded in the explosion. However, Baker refused to return for anything less than a full series,note  and the script was rewritten so the Doctor regenerates at the start of the story. Sylvester McCoy had to wear a wig and the regeneration was done by obscuring his face with some Quantel blurring effects. Not good enough for you? Apparently, someone else with a computer agreed. The DVD release has an easter egg with a splendid CGI edit of Colin's face.
  • Filming for Easy Dub: When Colin Baker was dropped from the series, Sylvester McCoy was forced to don a blonde curly wig and lie face down, before turning over just as the regeneration effects conveniently obscure his facial features with a bright glowing light. The truth is it doesn't even work: if you look closely you can see that it is McCoy under the glowy effect, and you can see the line between the wig and his head.
  • For the Evulz: Averted. The Doctor says that blowing up the Strange Matter asteroid would obliterate all life in that part of the galaxy, but immediately dismisses the possibility of the Rani's motive being mass-slaughter for the sake of it, saying that it doesn't fit her MO.
  • Hand Gagging: A Tetrap does this to Mel towards the end of Episode 3.
  • Headbutt of Love: The Doctor and Mel.
  • Historical Domain Character: The kidnapped geniuses, if they count as characters. None of them have lines.
  • I Was Quite a Fashion Victim: When the Doctor sheds his predecessor's... interesting... clothing, he remarks "I'm glad to see I've returned to a sense of haute couture".
  • Idiot Ball:
    • The Seventh Doctor is knocked out and given an amnesia drug by the Rani, a rogue Time Lord who has battled the Doctor at least once before. He eventually wakes up, and she disguises herself as his companion Mel and tells him that he's in his laboratory (actually the Rani's). Moments later however, the Doctor finds a gun that he actually says out loud is powerful enough to blast any passing spaceship out of orbit and — unbeknownst to him — shot the TARDIS down so violently it caused him to regenerate.note  Instead of immediately recognising that there's no reason why he'd have such a deadly weapon at all, to say nothing of leaving it just laying around in his "lab," and that something's obviously wrong, he just tosses it aside and never even looks at or mentions it again. That said, he is both in a post-regenerative state and under the influence of memory-affecting drugs at the time, which presumably have disorientated him somewhat.
    • The real Mel happens by the lab, and the Doctor realizes that the "Mel" he's been dealing with until this point is actually the Rani. He also meets two of the planet's natives, one of whom has been forced into reluctantly collaborating with the Rani, but the other of whom is actively opposing her. The Doctor realizes that the Rani will soon be returning to the lab. Instead of having Mel and at least the rebellious alien (even if the other one doesn't want to co-operate) hide somewhere, then ambush and capture the Rani when she walks in, he just sends them all out, then assists the Rani in repairing a machine which she's been adamantly demanding that he fix while refusing to explain what it actually does, and then just stands around like a lemon as she drops her guise as Mel and activates the machine.
  • Leitmotif upon Death: The cold open ends with a variation on the show's main theme as the Sixth Doctor regenerates into the Seventh.
  • Let's You and Him Fight: This happens between the Doctor and Mel — she didn't realise he was the Doctor because she hadn't seen him since the regeneration, and the last time he'd seen "her" it had been the Rani in disguise.
  • Meaningful Name: The Lakertyans were named after the Latin word Lacertian (lizard-like).
  • Mixed Metaphor: Out of sorts from regeneration, and moreso than usual because of the Rani's tampering, the newly-minted Seven is always doing this. Knowing Seven it could be Obfuscating Stupidity, but his characterization wouldn't go in that direction for a while, and the Earth phrases he's using aren't anything anyone he's talking to should ever have heard in the first place.
  • Multipurpose Tongue: The bat-like Tetraps have weaponized tongues tipped with knockout venom.
  • The Nth Doctor: Sylvester McCoy makes his debut as the Doctor.
  • Nothing Can Stop Me Now: The Rani's notorious "I HAVE THE LOYHARGIL! NOTHING CAN STOP ME NOW!".
  • The Noun and the Noun
  • Prisoner Exchange: The Rani for Mel.
  • The Quisling: Beyus.
  • Really 700 Years Old: The Doctor notes that he and the Rani are the same age, 953 years old. Either "rule one: the Doctor lies" applies, or he's forgotten how old he actually is.
  • Rearrange the Song: This serial sees the debut of another new take on the title theme by Keff McCullough, who would also serve as a frequent incidental music composer for the Seventh Doctor's era alongside Dominic Glynn and Mark Ayres. McCullough's theme continues the ethereal approach of the Dominic Glynn theme from 1986, but is much higher-pitched and baroque-sounding, with the middle 8 prominently imitating a harpsichord.
  • Recycled Premise: The concept of creating a weapon by collecting the minds of all the great thinkers, including the Doctor's, was also used in "Shada". Both stories involve the Doctor using his stolen consciousness to counteract the weapon.
  • Resurrection Sickness: The Doctor loses his memory for a while, having been drugged by the Rani.
  • Second-Person Attack: The Rani drugs the newly-regenerated Seventh Doctor with a memory-impairing drug and dresses herself up as his companion, Mel, in order to dupe him into helping her with her latest scheme. On several occasions, the drug's effects are represented by first-person shots where the Doctor sees the Rani's face morph into Mel's; when the drug starts wearing off, he sees the opposite. The camera cuts to his reaction immediately before returning to his viewpoint as the Rani slaps him to the floor to get the drug working again.
  • Senseless Sacrifice: Is there any actual reason why Beyus insists on staying with the brain to get blown up?note 
  • Sequel Episode: To "The Mark of the Rani".
  • Shout-Out: The Doctor finishes his list of wonderful Earth things to be lost with "Mrs Malaprop" - Breakout Character of Restoration Comedy The Rivals who gave her name to his particular characteristic tic, the malapropism.
  • Significant Anagram:
    • LOYHARGIL = HOLY GRAIL. ("Holy grail," in this case, is a metaphor.)
    • Tetrap is an anagram of "pet rat".
  • Something Only They Would Say: The first thing that clues Mel in that the strange man really is the Doctor is when he offhandedly mentions carrot juice and wonders what made him think of that.
    Mel: Well perhaps the real Doctor told you. It was his favourite drink.
    The Doctor: Favourite!? I hate it.
    Mel: *taken aback* Oh.
  • The Teaser: The story opens with the Rani attacking the TARDIS and the regeneration; the third of four examples of this in the classic era, and the first to be specially filmed rather than using archive footage.
  • Technobabble: As usual for a Pip and Jane Baker script, there's a lot of real scientific jargon that bears no resemblance to what's actually onscreen. The Rani's description of how she intends to transform the planet and her giant brain into a time manipulating weapon involves strange matter, PES (a plastic), gamma waves, Helium-2 and chronons (all real, though the last is theoretical) and "loyhargil".
  • Two of Your Earth Minutes: The Doctor tells Mel that strange matter was discovered "in your Earth year 1984".
  • Visible Boom Mic: The overhead microphone is visible in part one after the disguised Rani introduces herself as Mel. The boom operator seems to be having trouble following the Doctor's erratic movements.
  • Wig, Dress, Accent: The Rani is able to impersonate Mel and fool the Doctor with nothing more than a wig! Granted, the Doctor was suffering from regeneration sickness at the time. In general, the Rani just likes disguises.
  • With Catlike Tread: A monster spends an episode and a half stalking the heroes, then finally gets the drop on them, pops up from behind a rock a foot away, and roars triumphantly for ten seconds.
  • Xenafication: Mel shows combat skills she never does before or later, in the scene where she thinks the new Doctor is a bad guy.
  • You Have Outlived Your Usefulness: The Rani indirectly pulls this on the Tetraps, by telling the Doctor and Mel that she's going to leave them on the planet to die when it's transformed into a time manipulator. Unfortunately for her, the lead Tetrap overhears this, and does not take politely to it.


Video Example(s):


The Seventh Doctor's New Digs

After spending a good chunk of the serial in his previous incarnation's patchwork outfit, the Seventh Doctor goes to a wardrobe to try on a variety of costumes for his potential new getup, including a few of his previous incarnations' outfits. After settling on one, the Doctor nearly realizes that "Mel" is actually the Rani in disguise before she slaps him (as seen from his point of view) to keep him from putting two and two together.

How well does it match the trope?

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Example of:

Main / CostumeTestMontage

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