That conservative, strong-willed guy from the Deep South or Sweet Home Alabama (or maybe Texas). Often in a position of authority or government, or sometimes a Corrupt Corporate Executive (Oil Tycoons in particular) or a Simple Country Lawyer, or even a seller of propane and propane accessories, but in any case a Good Ol' Boy is a staunch Republican (or a staunch Democrat if set prior to 1964), pro-life (1970s and later), for the war in Iraq (or Vietnam, depending on the time period), and doesn't have much tolerance for anything he considers anti-American. He also knows what's best for his country, or at least he thinks he does, and doesn't need no nancy liberals with their bleeding hearts telling him what to do (though it should be noted that many of these guys were moderately liberal prior to the '60s, if only out of political expediency).
Can either be a very sympathetic or very unlikable character depending on the political persuasion of the writer. Portrayal can also differ widely from wise, uncompromising leader to lovable, simple buffoon to racist, homophobic, oil-loving bastard. Sympathetic characters may have a personal code of honor and invoke one or more positive Morality Tropes.
- Supergirl's adoptive father Jeremiah Danvers in Supergirl: Being Super is of the sympathetic variety. He's a Government-wary, somewhat eccentric -he doesn't believe in birthdays or sickness- gruffy man who doesn't know how handle emotionally-sensitive matters and thinks his country would be better off if "people worried less about revolution and more about getting stuff done". He is also visibly a devout husband and father.
- Most of the Southern officials in My Cousin Vinny. The civilians and the police are a bit dim and slow but otherwise are nice and quiet, while the prosecutor is just doing his job and drops the charges once evidence proving the innocence of the boys comes forth. The judge is a Jerkass, but only because he's suspicious of Vinny's credentials and dislikes his manner in the courtroom, and rightfully so on both counts.
- The cowboys from Hank the Cowdog, but especially Slim. Rip and Snort are described by Hank as "good 'ol boy coyotes" who love nothing more than fighting, eating, and singing (in that order).
- In Anita Blake, narrator Anita refers to one of Edward's methods of disguising himself as his "good ol' boy" manner. He fits the trope to a tee...when he's playing the part, anyway. The man himself is Death to Anita's Boogeyman. Not that this stops him from Becoming the Mask.
- Stud Redman of Stephen King's The Stand is a typical east Texas good ol' boy who played football in high school, dropped out of college to support his siblings, lost a wife and mother to cancer, puts in time at a calculator factory and doesn't quite get enough hours to make ends meet, and has never lived more than fifty miles from where he was born. The character himself is treated sympathetically, but his circumstances as of the novel's beginning are played as quietly tragic.
- Captain Leroy from Sharpe's Eagle is a subversion. While he is a conservative, cigar chompin' military man from rural Virginia, "conservative" in this context means he has no patience with namby-pamby liberals like the Founding Fathers and their crazy-talk about "equality" and "justice". In fact, he considers the US to be built on hypocrisy of the worst kind; money and class are just as important in the US as in Britain, but everyone pretends that isn't the case. Furthermore, his family were plantation owners who made their fortune in "slaves, molasses and cotton" before being forced to flee to Canada after the Revolution, and the army he is serving in is the British one.
- In the thriller Victoria, Bill McMoster is more or less a straight example, though perhaps a little more "upper" middle class than most, with belligerent conservative views and a love for toughening outdoor sports and Confederate history. He is also slightly unusual in being a completely heroic figure in spite of this characterization.
- District Attorney Arthur Branch from Law & Order and Law & Order: Trial by Jury. (Actor Fred Dalton Thompson is a pretty good real life example of this as well.)
- Numerous defense attorneys over the years as well.
- Dwight Hendricks from Memphis Beat (of the "Aw shucks, Ma'am" variety).
- The main characters in Letterkenny are very proud to be Good ol' Boys, although they are of the Canadian variety, which generally means that they will leave the politics part of it aside.
- Ron Swanson of Parks and Recreation veers between being an exaggerated parody and playing this type straight.
- On Survivor, this term is used throughout the show's history to refer to a specific male casting/character archetype. Tom Buchanan was the first to be called this in Survivor: Africa (season 3). Coach called J.T. a Good Ol' Boy in Survivor: Tocantins (season 18), a man clearly cast for that trope. J.T. would continued to be referred to as one on Heroes vs. Villains by other castaways. Coach also called Rick Nelson a Good Ol' Boy in Survivor: South Pacific (season 23). Ben Driebergen referred to himself as a Good Ol' Boy on Survivor: Heroes vs. Healers vs. Hustlers (season 35). Various other male contestants have either referred to themselves as or been referred to by Jeff Probst or other contestants as "Good Ol' Boys" or similar names over the show's 40 seasons: Rodger Bingham (S2 - Australian Outback), Travis 'Bubba' Sampson (S9 - Vanuatu), James Miller (S10 - Palau), Brandon Bellinger (S11 - Guatemala), Boo Bernis (S14 - Fiji), Chicken Morris (S15 - China), Ralph Kiser (S22 - Redemption Island), Jeff Kent (S25 - Philippines), Caleb Bankston (S27 - Palau), Jeremiah Wood (S28 - Cagayan), Keith Nale (S29 - San Juan del Sur), Mike Holloway (S30 - Worlds Apart), Caleb Reynolds (S32 - Kaoh Rong) and Carl Boudreaux (S37 - David vs. Goliath).
- Don Williams' 1980 hit "Good Ole Boys Like Me" is about a good ol' boy who feels out of place in society.
- Good Old Boys is the name of Randy Newman's fifth album, and it's song "Rednecks" is a vicious mockery of this type of person.
- A Real Good Man by Tim McGraw. The lyrics admit that he's a rough and rowdy individual, but still maintains an attitude of respect where it counts.
I may drink too much and play too loudHang out with a rough and rowdy crowdThat don't mean I don't respectMy mama or my Uncle SamYes sir, yes ma'amI may be a real bad boyBut baby, I'm a real good man
- Jerry Jeff Walker song "Redneck Mothers" is about this type.
- Our Miss Brooks: In "Four Fiancés", the Texan to whom Miss Brooks finds herself unwittingly engaged. The gentleman is portrayed sympathetically.
- The Engineer from Team Fortress 2. He's even described as such on his trading card.◊ Consequently he's the nicest and calmest member of the team, though even he has his vicious side.
- Donny, the pig farmer turned warrior, from Fire Emblem Awakening.
- Kellam has elements of this as well, having been a farmer before becoming one of the Shepherds. He and Donnel can bond over it.
- Ellis from Left 4 Dead 2. We don't know much about his politics (it's not a subject that comes up much during a Zombie Apocalypse), but he knows his guns and dearly loves his loud music and NASCAR.
- Corso Riggs, the Smuggler class's companion from The Old Republic is a sympathetic example and even a romance option for a lady smuggler. He's boisterous, prone to yelling 'yee-haw!' after a good shot, and names his beloved rifle Torchy.
- Nightmare Time: Duke Keane plays with this. With his Texan accent, beat-up station wagon, mullet, and casual dress sense, he looks like a classic Good Ol' Boy, but rather than being a conservative blue collar worker, he's an incredibly dedicated social worker who does everything in his power to help people who can't help themselves, and he's a Reasonable Authority Figure and one of the few Muggles who's in on Hatchetfield's supernatural happenings.
- Hank Hill (see above picture) is a sympathetic version. His very straitlaced and conservative views are often played for humor, but even when he's in the wrong, they aren't presented as villainous traits.
- Tom Anderson from Beavis and Butt-Head, on whom Hank Hill is based (and with whom he shares a voice). He's portrayed as more buffoonish and not quite as likable compared to Hank, but he remains sympathetic due how often he undeservedly suffers from the titular duo's stupidity.
- Various locals in South Park, particularly Skeeter, Jimbo, and Ned. Zig-zagged, in that they serve as a voice of reason nearly as often at they contribute to whatever ridiculous ideas the town's adults have gotten swept up in.
- Buck Tuddrussel in Time Squad. He's full of pride towards his homeland (Texas) and his family name- and wishes for a simpler time similar to the American Old West.
- It's not uncommon for American politicians in both political parties to present themselves as this trope to appeal to blue collar workers. Many times, they are not originally from the South, nor do they necessarily have any kind of blue collar background.
- Lyndon Johnson, although a liberal, was about as close to this trope's ideal as a human being could possibly be. Texan, friendly, delightfully quirky...and also a bit of a sycophant.
- The entire state of Texas is often portrayed as this trope writ large, among the men and (to a lesser extent) women alike. Southern gentility crossed with Western toughness and integrity.