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It's like they had a parrot on the staff during the editorial meetings that just kept pitching "Lois gets super powers! Lois gets super powers!" over and over again... And they kept listening...

When two or more shows share the same pool of writers (or when a freelance scriptwriter is a particular combination of industrious and lazy), it's not unknown for tight deadlines to be handled by the expedient of taking a script already used by one show and "translating" it to another show. Characters are mapped onto their closest equivalents, and situations are revised slightly to fit the new program, but the same plot is used unchanged.

When properly and skillfully done, the result can be an episode that looks and feels "original". However, haste and carelessness can (and has) resulted in shows that not only have a "cookie cutter" feel, but that actually draw the viewer's mind to the similarity between the original and the retread.

Recycled scripts are also a common side-effect of writers' strikes, particularly among Westerns made in the 1950s and 1960s. The practice actually dates back as far as the early days of radio.

When a show has run for a very long time, they might find themselves inadvertently recycling their own scripts. This is often the result of changes in the writing staff, where the new writers can't possibly be expected to remember the plots of all 500 previous episodes. Particularly common in shows where every episode ends on An Aesop, since there are only so many important moral messages the audience will understand. Of course, every episode of Threes Company had the same plot anyway. This is particularly grating in a Very Special Episode.

A show targeted at a Fleeting Demographic or one that is a sufficiently Long Runner may well unabashedly recycle its own scripts every few years.

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