A Better Tomorrow
(also known as Ying Hung Boon Sik
, or "True Colors of a Hero" in Cantonese) is a 1986 action film by John Woo
and produced by Tsui Hark. The story follows two brothers on opposite sides of the law. Ti Lung plays Sung Tse Ho, a respected member of a triad whose principal operation is printing and distributing counterfeit US banknotes. Mark Gor, played by Chow Yun-fat
in his breakout role, is Ho's partner in crime. Leslie Cheung
plays Sung Tse Kit, Ho's brother who has joined the HKPD. Ho cares deeply for Kit and encourages his career choice, but keeps his criminal life secret from him. When a job in Taiwan goes to hell, Ho is arrested while his accomplice, a new guy by the name of Shing (played by Waise Lee) gets away. Mark, as Ho's sworn brother, is mad as hell about this, and in one of John Woo's most iconic action sequences, he takes revenge on Ho's betrayers with both guns blazing, but near the end of the shootout, one of his kneecaps is blown out.
While Ho is in prison, Shing rises in the triad ranks and takes command of the organization. Ho's father is killed by an assassin sent by Shing, and as he dies, he begs Kit to forgive his brother. Anguished and pissed off, Kit holds his brother responsible for their father's death. When Ho comes out of prison, he wants to leave the criminal life behind and finds work as a cabbie, where he comes across Mark again. Mark has been reduced to being a crippled errand boy for Shing, and wants Ho to help him get revenge, but Ho refuses. Shing then makes his offer for Ho to come back to the triad, this time without Mark. Ho refuses again, and when Mark tries to fight Shing on his own, he gets the living shit beaten out of him and is almost killed.
Meanwhile, Kit is becoming increasingly obsessed with Shing, who ordered the hit on their father. He learns of Shing's major deal, but it's a death trap that Shing has laid in retaliation for Ho's refusal. Ho finds out about this and tries to warn him, but Kit won't believe him — he's still mad at his brother and he wants to kill Shing more than anything. In the movie's final act, Ho and Mark steal the evidence tapes from the counterfeiting business and capture Shing, planning to ransom him in exchange for money and an escape boat at a pier, and Ho gives the tapes to Kit's girlfriend, who gives it to the police. Kit is captured by Shing's men at the pier, and when the converging forces meet, an explosive final shootout ensues, setting the stage for final revenge and reconciliation.
This film put John Woo on the map and kick-started the Heroic Bloodshed
genre, along with codifying
most of the tropes associated with it. It led to the establishment of Hong Kong's film rating system
because of the film's violence, which earned it the industry's first "Category IIb" rating (equivalent to the R rating in the US). It led to a period where a lot of young people wore longcoats much like Mark (in fact, the Badass Longcoat
is still known in Hong Kong as "Brother Mark's Coat"). And it would provide a springboard for Chow Yun-Fat's career as a badass action star.
It would also spawn two sequels: A Better Tomorrow II
(1987), which would see Chow Yun-Fat's return as the twin brother of Mark Gor, and A Better Tomorrow III: Love and Death in Saigon
(1989), a prequel
directed by Tsui Hark and set in Vietnam War
-era Saigon in which Chow Yun-Fat reprises his role as Mark Gor.
- Badass Longcoat: Mark. So, so much.
- Badass in a Nice Suit
- Big Bad: Shing
- Blood Brothers: Mark and Ho.
- Conscience Makes You Go Back: When Mark turns the boat around.
- Cool Shades: Mark wears cool aviator shades.
- Cute Clumsy Girl: Jackie's introduction.
- Good Smoking, Evil Smoking
- Guns Akimbo: Trope Codifier
- Handicapped Badass: Mark continues to kick ass even with a blown out knee cap.
- Headphones Equal Isolation: Jackie during the attempted kidnapping of Kit's father.
- Heroic Bloodshed: Trope Maker and Codifier in Hong Kong.
- Killed Mid-Sentence: Mark.
- Man in White: The white suit is used as a status symbol in the triad, and Shing wears a white longcoat in the final showdown.
- Money to Burn: One of the classic shots of this movie comes in the beginning, where Mark Gor does this with a counterfeit bill.
- Neighborhood Friendly Gangsters: Ho's counterfeiters certainly qualify.
- No-Holds-Barred Beatdown: Delivered to Mark at the hands of Shing and his men. Kit also gives one to Ho at their first reunion.
- Oh, Crap: Shing when he sees Ho has another gun.
- One Last Job: Ho decides to get out of the game once he finds out that Kit's joining the police. He promptly gets arrested.
- Papa Wolf: Kit and Ho's father.
- Pin-Pulling Teeth: Happens all the damned time in the final mansion shootout in A Better Tomorrow II.
- Pretty Little Headshots: Quite a few, although the amount of blood varies according to the Rule of Drama.
- Prisoner Exchange: One of these sets off the final shootout of the movie.
- Refrain from Assuming: The theme song's title is Love in Those Years by the film's co-star, Leslie Cheung.
- The Remake: Believe it or not, this movie is actually a remake of an old 1967 Cantonese film called Ying Xiong Ben Se (Story of a Discharged Prisoner). Tsui Hark had been toying with the idea since his days in the TV business, but because of an overwhelming workload, he had to pass the directorial reins to John Woo.
- In addition, a 2010 remake of A Better Tomorrow was made in South Korea.
- Revenge: As the movie progresses, Kit becomes increasingly obsessed with revenge against Shing, who had his father killed.
- Roaring Rampage of Revenge: Mark embarks on a particularly badass one to avenge the betrayal that got Ho arrested and sent to prison.
- Sacrificial Lion: Mark is blown away by Shing near the end of the movie.
- Screaming Warrior: Ho when Shing's goons start trashing the taxi company.
- Stab the Scorpion: At the beginning of the final shootout, Ho tosses a gun to Kit, who immediately points it at him—and then shoots a man sneaking up behind.
- Star-Making Role: Mark for Chow Yun-Fat
- Too Dumb to Live: Kit nearly gets himself killed by charging in to "arrest Shing" with no support or backup. It is, naturally, a trap.
- The Triads and the Tongs: The Trope Codifier for many gangster movies to come in Hong Kong.
- You Killed My Father: Kit's reason for revenge. Ultimately, it's Ho who ends up pulling the trigger on Shing.