"The most complex, sophisticated, skilled and intelligent of all action heroines."
— Jennifer K. Stuller, author of Ink-Stained Amazons and Cinematic Warriors: Superwomen in Modern Mythology
Long-running (May 13, 1963-April 11, 2001) newspaper adventure serial created and written by Peter O'Donnell (1920-2010).Modesty Blaise is an orphan with a Dark and Troubled Past who was head of a criminal syndicate before she was 20, and retired wealthy before she was 30. Willie Garvin is a multi-talented Cockney former street kid who became Modesty's trusted right-hand man and followed her into wealthy retirement. Retirement was boring, so now They Fight Crime.(Only crime that's unusual enough to attract their interest, though — or nasty or personal enough to attract their anger.)Occasional attempts to adapt the series to film or television have ended badly. The 1966 film directed by Joseph Losey is particularly notorious. More successful was a sequence of novels and short story collections, all written by O'Donnell.The comic strip had an open And the Adventure Continues type ending.
As the Good Book Says: Willie can supply a quotation from the Book of Psalms to fit any situation. He once spent a year in an Indian prison with nothing to read except a psalter and so he has all of the psalms memorised.
As You Know: An occasional recurring issue, with characters using bits of criminal or spycraft jargon and then explaining them to colleagues who presumably know the jargon as well as they do. The series itself opens with a scene where Tarrant and Fraser deliver a massive infodump about Modesty's past to Modesty herself, but at least they have the excuse that what they're really telling her, which she didn't know, is how much they know that she knows.
Go ahead and hurt Modesty if you don't mind having Willie Garvin rip you to pieces. The reverse also applies.
Modesty doesn't much care for slave traders, but she really hates anybody who deals in heroin. In "Children of Lucifer," Guido actually has to talk her into getting involved in a caper that involves a couple of drug runners potentially getting murdered, in the basis that she'd as soon kill those drug runners herself.
Bond Villain Stupidity: All the time. They often have good reason to, though; they know that if they kill Modesty, Willie will hunt them down and kill them (or vice versa). Because of this, villains tend to want to kill them both at the same time.
Chained to a Railway: In "Sweet Caroline", one of the attention getting murders committed by Sweet Caroline is to drug a famous actress and tie her to a railway track like a heroine from an old-time melodrama.
Clipboard of Authority: Modesty uses what Willie calls the 'universal passport' in "Garvin's Travels" to infiltrate a spy ring hiding in a resort. She adds to the effect by asking the first employee to see her if he's new; he chalks it up to the place being so large.
Complexity Addiction: In "The Stone Age Caper", Modesty gets captured by the villain, and his adviser, who's crossed her path before, advises him to have her killed as quickly and straightforwardly as possible. The villain of course decides to do something more elaborate and entertaining, giving her time to escape.
Criminal Amnesiac: Modesty in "The Puppet Master"; notably, it wasn't a case of Easy Amnesia, but involved sustained effort on the part of the title character, a bent psychotherapist, both to suppress her real memories and to implant new false ones.
Distracted by the Sexy: Most notably with the use of The Nailer, a trick in which Modesty enters the scene of battle topless, distracting the male thugs for a few seconds, which are often enough for she and Willie to get the upper hand. Although developed for the novels, the Nailer was eventually introduced into the comic strip, too.
Double Standard: Averted; both protagonists routinely take lovers. Willie more than Modesty, admitted. By the last arcs in the strip, Modesty has several old flames who she routinely cycles between, with all parties involved aware of the others. Willie, on the other hand, has a lot of flings and one-night stands, with Maude Tiller (and in the book version, Lady Janet Gillam) as the recurring love interest.
Even Evil Has Standards: While she was running her crime syndicate, Modesty refused to deal in drugs. Or prostitution. Or anything that would require killing innocent people or police. Or even killing other criminals, except in self-defense or defense of another. Although they did a rather large amount of killing re: that last.
Faked Kidnapping: In "Milord", journalist Guido Biganzoli plans to fake his own kidnapping in order to get a big story that will get him transferred back to Italy. However, things do not go according to plan and it turns into an Accidental Kidnapping of Willie Garvin.
Fanservice: There are shots of Modesty changing clothes, bathing, or otherwise undressed in most of the serials, especially after Romero started doing the art. Willie gets quite a few Shirtless Scenes as well.
Flopsy: One of Modesty's skills; in one story, when the villain has given her a tight deadline in which to make an impossible choice, she buys time by letting herself be seen getting hit by a car on her way to give her answer and carted off to hospital.
Hollywood Silencer: Just about every time somebody shows up in the comic strip with a silenced handgun, it's a revolver. Attaching a silencer to a revolver doesn't do much.
Honor Before Reason: If you've saved Modesty's life at some point, or if you were ever her friend, she regards herself as in your debt and will not forget it, even if you do. This comes back to haunt her in "Honeygun" and especially in "The Galley Slaves," where the entire second half of the plot only takes place because she lets Lim live.
I Have Your Wife: In "Samantha and the Cherub", Lucy Kolin, the wife of Soviet musician who defected to the West, is kidnapped. Her husband is told to renounce his defection and return to the USSR if he ever wants to see her again.
Joker Immunity: Gabriel is the only enemy of Modesty's to appear more than once. O'Donnell admitted he was fed up with coming up with new villains, so he decided to let Gabriel pester Modesty and Willie a few times, before he was fed up with coming up with ways for Gabriel to survive his encounters with the pair.
Latex Perfection: In "Butch Cassidy Rides Again", the gang uses latex masks to make themselves appear identical to the Hole-In-The-Wall Gang.
Legion of Lost Souls: Willie's backstory includes a stint in the Foreign Legion; it's not depicted, but is occasionally referenced as background for his jungle-survival skills (he served in the First Indochina War, rather than the trope-standard North Africa campaign).
The Nudifier: The eponymous girl in "The Girl from the Future" arrives naked because she claims that the time travel would only allow her and nothing else to be sent. Of course, it all turns out to be part of The Con.
In "Million Dollar Game", a vet is shot in the thigh in a position he cannot reach. He talks Modesty through the procedure for removing the bullet.
In "Dossier on Pluto" another vet, via telephone, has Modesty relay instructions to a scientist on how to remove a bullet from a dolphin.
Out-of-Character Alert: When captured by terrorists and forced to call Modesty in "Lady in the dark", Willie addresses her by name instead of calling her "Princess". She immediately packs her bags and comes to his rescue.
Percussive Prevention: In "Milord", Willie knocks Modesty out so she cannot interfere with a group of women taking their revenge on the men who raped and tortured them.
Pocket Protector: In "The Vampire of Malvescu", Willie is saved when a bullet fired at him hit the tin mug he was holding. Noteworthy in that the subsequent strip is spent justifying the trope; it's a "dum-dum" bullet and deformed on impact with the mug, so it only breaks one of Willie's ribs and knocks him unconscious instead of killing him.
Platonic Life Partners: Repeatedly referenced, the "beyond love" relationship between Willie and Modesty is a cornerstone of the series.
The Spymaster: Sir Gerald Tarrant, something high up in the British secret service, who occasionally passes jobs to Modesty and Willie that his agents are unable to handle. He's the hidden-heart-of-gold type: soft-hearted enough to feel bad about manipulating people for the greater good, but not so soft-hearted to stop doing it.
Suffer The Slings: Willie is an expert with the sling, and often uses one in place of a gun.
Unwanted Rescue: In "The Vanishing Dollybirds", Modesty and Willie set out to break a white slavery ring. However, at the end, it turns out that the girl they originally set out to rescue is perfectly happy as a member of the sheik's harem. Unfortunately they don't learn this until several people - including the woman's sister - are killed.
Vapor Trail: Modesty is caught in an accidental one after her jeep overturns in "Walkabout".
The Vicar: The Reverend Harold Bryant in "The Wicked Gnomes".
Western Terrorists: "The Vampire of Malvescu" featured Europe's Fist, a terrorist group dedicated to striking back by committing an retaliatory act of terrorism for every act of Middle Eastern terrorism committed against Europe.
Wretched Hive: Calia, the 'Republic of Desperados', in "The Jericho Caper"
You Have Outlived Your Usefulness: In "The Head Girls", Gabriel kills Southern when the latter stops being of use to him. According to Willie, this is not the first time Gabriel has made use of this trope.
Mythology Gag: Early in My Name is Modesty there is an encounter between some soldiers and the orphan refugee who will grow up to become Modesty Blaise. This is not a pre-existing part of Modesty Blaise's backstory, but is based on an incident from Peter O'Donnell's own life that fed into his creation of the character.