As I want you to be
As a friend, as a friend
As an old enemy
Take your time, hurry up
Choice is yours, don't be late
Take a rest as a friend
As an old memoria
An unexpected worldwide success, it brought Grunge and alt-rock as a whole to the mainstream in a way that only the Sex Pistols had done before with Punk Rock; even the band members were shocked to discover they had become rock superstars in only a few months.
The album opener, "Smells Like Teen Spirit", became an anthem for a new generation of disgruntled teens, and other classics like "In Bloom", "Come as You Are" and "Lithium" became hits as well. This album marks the debut of their latest drummer Dave Grohl, who replaced Chad Channing a year earlier. However, Channing did record for one song that made it onto this album before he left, playing cymbals on "Polly".
The album was recorded at Sound City Studios in Van Nuys, California, between 1990 and 1991, with Butch Vig serving as producer. It saw the development of the band's sound away from the monochromatic grunge of Bleach into more diverse styles such as the Hardcore Punk fury of "Territorial Pissings" and "Breed", and even taking a step into acoustic ballads with "Polly" and "Something in the Way". Vig had to trick Kurt Cobain on several occasions to accept studio embellishments he otherwise was averse to, such as persuading him to double-track his vocals on "In Bloom" by reminding him that John Lennon did so, and repeatedly claiming he needed new takes to achieve the multiple guitar overdubs of "On a Plain".
According to Grohl, Andy Wallace was chosen to mix the album because the band enjoyed the "heaviness" of his work with Slayer, and his contribution to the album's sound played a part in its success as he improved on the overly gritty, low-budget sound of their debut, though Cobain later expressed some Creator Backlash about the polish and commented that Wallace "made it sound like a Mötley Crüe record".
To music historians, Nevermind was a key album in rock history. Along with R.E.M.'s Out of Time, it shattered the hegemony of 1980's Synth-Pop and Hair Metal (and to a lesser extent, teen pop and dance music), transforming alternative rock from an underground movement that had a cult following at best into to a household phenomenon. Nevermind specifically has the additional distinction of popularizing grunge in much the same way. Many alternative rock groups of The '90s like Pearl Jam, Alice in Chains, Radiohead, The Smashing Pumpkins, and many others owe their mainstream success to Nirvana.
Sociologists also credit the release and smash success of Nevermind as a turning point in Western culture, being seen as the point where The '90s culturally began. Its direct middle finger to The '80s galvanized Generation X and spurned on a more abrasive, cynical, and sarcastic direction for popular social attitudes throughout the remainder of the 1990s. This was perhaps most prominently symbolized at the start of 1992, when Nevermind knocked Michael Jackson's highly-anticipated and heavily-hyped album Dangerous off the No. 1 slot on the Billboard 200.
The success became an albatross around Nirvana's neck, however, as their success happened way too suddenly and dramatically; the group's later output desperately tried to refrain from too-commercial sounds and subject matter, and Cobain's struggles with reconciling with his sudden popularity became a major contributor to his suicide just three years after this album's release.
A documentary about the creative process behind the making of this album can be seen in the Classic Albums TV documentary series. The album was also added to the National Recording Registry in 2004 for its cultural, historical and aesthetical value. In 2006, Time Magazine included the album in their list of 100 timeless and essential albums. It was listed at #17 in Rolling Stone's 500 Greatest Albums Of All Time, being elevated to #6 in the 2020 revision. It was also listed at #11 in NME's similar list, and is currently #2 on Acclaimed Music's compilation of various critics' lists.
A big-name fan was influential British radio DJ John Peel who, in 1997, placed it at #6 in a list of his 20 personal favourite albums note when asked by the newspaper The Guardian.
- "Smells Like Teen Spirit" (5:01)
- "In Bloom" (4:14)
- "Come as You Are" (3:39)
- "Breed" (3:03)
- "Lithium" (4:17)
- "Polly" (2:57)
- "Territorial Pissings" (2:22)
- "Drain You" (3:43)
- "Lounge Act" (2:36)
- "Stay Away" (3:32)
- "On a Plain" (3:16)
- "Something in the Way" (3:52)
- "Endless, Nameless" (6:44)note
- Chad Channing - cymbals on "Polly"
- Kurt Cobain - lead vocals, guitar
- Dave Grohl - drums, vocals
- Krist Novoselic - bass, vocals
I'm so happy, 'cause today I found my tropes: they're in this list:
- Absentee Actor: Previous drummer Chad Channing only appears on one track, "Polly," which was recorded before Dave Grohl joined the group.
- Accentuate the Negative: It's not a joyful album.
- Album Title Drop: From "Smells Like Teen Spirit":I find it hard, it's hard to find
Oh well, whatever, nevermind''
- Alternative Rock: A cornerstone of the genre.
- Animal Assassin/What Measure Is a Non-Human?: "Something in The Way":It's okay to eat fish 'cause it don't have any feelings
- Break-Up Song: "Lounge Act". In Kurt's diary, it's revealed he wrote for ex-girlfriend Tobi Vail, of Bikini Kill, and because of that he refused to play the song when Courtney was around.
- Bread, Eggs, Milk, Squick:
- The chorus for "In Bloom":He's the one
Who likes all the pretty songs
And he likes to sing along
And he likes to shoot his gun.
- "Lithium":I like it. I'm not gonna crack.
I miss you. I'm not gonna crack.
I love you. I'm not gonna crack.
I killed you. I'm not gonna crack.
- The chorus for "In Bloom":
- Broken Record
- From "Breed", the screamed chorus of She said!
- From "Smells Like Teen Spirit", there's the concluding A denial and the transitional Hello, hello, hello, how low?
- Concept Album: It was meant to be one. All the songs on Nevermind tend to follow the general themes of teenage sexuality, loneliness, the madness that results from rejection, or an obsession over a girl (usually assumed to be Cobain's ex-girlfriend Tobi Vail); the album was even intended to have been split into a "Boy" side and a "Girl" side (for the curious, songs like "Polly" would have been on the boy side, and songs like "In Bloom" would have been on the girl side).
- Contemptible Cover: The image is iconic, but the baby's visible penis might make things awkward (even the now-grown kid stated he feels like "the world's biggest porn star").
- Nirvana's record company wanted an alternative cover to be used in stores that wouldn't stock the CD, but the only censorship Cobain would agree to was a sticker covering the baby's penis that read "If you're offended by this, you must be a closet pedophile".
- Corrupt the Cutie: One baby drains another baby in "Drain You", because he feels "it's his duty".
- Crapsack World: Another theme of the album.
- Creepy Monotone: Kurt sings the verses of "Something in the Way" in this fashion.
- Cuddle Bug: "Drain You": In an example that if it wasn't love could be Cradling Your Kill, "It's my now my duty to completely drain you!"
- Downer Ending: Not that the album is upbeat in the first place, but "Something in the Way" is a particularly sombre ending.
- Duct Tape for Everything: This album's version of "Polly" was recorded on a cheap thrift store guitar; Cobain had to use duct tape to keep the tuning keys in place.
- Epic Rocking: "Endless, Nameless" is 6 minutes, 43 seconds long.
- Everything Is an Instrument: A rubber duck toy was mixed in the background of "Drain You"'s breakdown.
- Foil: Nevermind came out shortly after Guns N' Roses' Use Your Illusion albums, directly posing Nirvana's Three Chords and the Truth style against Axl Rose's mega-budgeted artistic pretensions. Many rock fans bought all three, leaving Nirvana to grapple with a Periphery Demographic for which it had never aimed.
- Flipping the Bird: Kurt Cobain does this on the back cover photo.
- Freudian Threat: In an act of Bowdlerisation some advertisements of the album cover airbrushed the baby's penis away for prudish reasons. DGC Records also considered censoring the cover, but only relented when Kurt threatened that the only concession he'd make is placing a sticker over the penis reading "If you are offended by this, you must be a closet paedophile."
- Grunge: The album (and especially the opening track) popularized the movement.
- Hearing Voices: "Lithium"I'm so happy, 'cause today I found my friends/they're in my head
- "Stay Away" also comes across as this, with various phrases being spout of after each other and Cobain shouting "stay away!"
- Hidden Track: "Endless, Nameless". Due to a mistake, the first pressings of the album lacked it, a situation that was rectified after Cobain angrily complained to the record company. "Endless, Nameless" has been on every copy of Nevermind since, and it remains unlisted on the back cover.
- The cover of "Nevermind" was parodied by "Weird Al" Yankovic on his album Off The Deep End, while "Smells Like Teen Spirit" was satirized as "Smells Like Nirvana".
- Humans Are Bastards: Most people described on this album are not exactly the greatest examples of our species.
- Immediate Self-Contradiction: The lyrics in "Come as You Are".Take your timeHurry upThe choice is yoursDon't be late
- In the Style of...: "Smells Like Teen Spirit" was Cobain's deliberate attempt to write a Pixies song.
- Last Note Nightmare: "Endless, Nameless", full stop.
- Loudness War: The 2011 "20th Anniversary" edition of this album has been cited as one of the worst masterings of the past 20 years. If it says "Remaster", "20th Anniversary", or "2011" anywhere on it, stay away.
- Lyrical Cold Open: "Drain You", "Territorial Pissings".
- Lyrical Dissonance:
- "In Bloom", a sing-a-long song about ignorant people who sing along with songs without understanding the lyrics.
- "Polly", an acoustic track about a man who kidnapped a teenage girl and raped her.
- "Drain You", a hard rock with lyrics that are either about Puppy Love or a parasitic relationship.
- Metal Scream: Each song contains at least one, except for "Something in the Way" and "Polly".
- Mirror-Cracking Ugly: Referenced in the first verse of "Lithium."
- Mondegreen: Although Nirvana has never been very good about printing their lyrics, this album still suffers from Everyone Is Jesus in Purgatory because the album sleeve only prints snippets of lyrics from different songs in one block of text, therefore making many people mishear lines or misinterpret the songs' meanings. Lampshaded by Kurt:"Why in the hell do journalists insist on coming up with a second rate Freudian evaluation on my lyrics when 90% of the time they've transcribed the lyrics incorrectly?"
- "Smells Like Teen Spirit", in particular, became famous for its mumbling verses and barely-decipherable chorus. Though of the more understandable lines, a common misinterpretation is hearing "I feel stupid, and contagious" as "Acting stupid is contagious". Lampshaded in "Weird Al" Yankovic's "Smells Like Nirvana":What is this song all about?
Can't figure any lyrics out
How do the words to it go?
I wish you'd tell me, I don't know
- All There in the Manual: Reading Kurt's journals will show you the lyrics to some of his songs, along with their rough drafts, which should aid in the interpretations.
- "Smells Like Teen Spirit", in particular, became famous for its mumbling verses and barely-decipherable chorus. Though of the more understandable lines, a common misinterpretation is hearing "I feel stupid, and contagious" as "Acting stupid is contagious". Lampshaded in "Weird Al" Yankovic's "Smells Like Nirvana":
- Mohs Scale of Rock and Metal Hardness:
- 1: "Polly", "Something in the Way"
- 4: "Come as You Are", "Lithium", "Drain You"
- 5: "In Bloom", "On a Plain"
- 6: "Smells Like Teen Spirit", "Lounge Act"
- 7: "Breed", "Territorial Pissings", "Stay Away"
- 8: "Endless, Nameless"
- Money Fetish: The album cover is an allegorical representation of how everyone from birth has to get money to survive.
- Non-Appearing Title: "Smells Like Teen Spirit", "Lithium", "Lounge Act" and "Territorial Pissings".
- Obsessive Love Letter: "Drain You", in a way.I don't care what you think unless it is about me!
- One-Word Title: Nevermind. In contrast to Never Mind the Bollocks, Here's the Sex Pistols, which spaced the expression.
- Perishing Alt-Rock Voice: Many songs rely on this mumbling instead of singing or screaming, such as in the chorus of "Polly" and the verses of "Something In the Way".
- Precision F-Strike: There are quick ones in "Lounge Act" and "Stay Away."
- Properly Paranoid: "Territorial Pissings":Just because you're paranoid, don't mean they're not after you.
- Rape Is a Special Kind of Evil: "Polly". The band always kept this song on their playlist, destined to make everyone remind the tragic event that inspired it.
- Record Producer: Butch Vig, in the album that made him famous.
- Refuge in Audacity: Cobain screams "God is gay!" at the end of "Stay Away". They probably avoided controversy because nobody could understand what Cobain was screamingnote , or just assumed it was more Word Salad Lyrics.
- Refrain from Assuming: "Come As You Are" is not called "Don't Have a Gun" or "Memoria". Likewise, "Smells Like Teen Sprit" is not called "Entertain Us", "Hello", or "How Low", and "Lithium" is not called "I'm So Happy" or "Yeah!"
- Ripped from the Headlines: "Polly" was based on an article Kurt Cobain had read about a young woman who was kidnapped and raped, but was clever enough to play to her captor's sympathies well enough to be able to let go. Cobain claimed to have written it as a sign of admiration.
- Rockers Smash Guitars: In the music videos of "In Bloom" and "Lithium" such scenes take place.
- Self-Backing Vocalist: While Dave Grohl sings some backup, most are Kurt double tracking (which Butch only convinced him to do saying The Beatles had done it before).
- The title is an homage to the Sex Pistols' album Never Mind the Bollocks, Here's the Sex Pistols.
- The music video of "In Bloom" has the band imitate The Beatles as they appeared in the Ed Sullivan Show, complete with archive footage from American Band Stand intercutting their performance and a TV presenter announcing them as "fine young men and decent folks from Seattle."
- Spoonerism: "Breed" features the line "We can plant a house, we can build a tree".
- Step Up to the Microphone: At the start of "Territorial Pissings" the refrain of The Youngbloods' hippie anthem "Get Together" is sung by Krist Novoselic.
- Straight Gay: In "Stay Away" Cobain screams that "God is gay", but that's all we ever hear about this. One could interpret it more innocently, as if God is just happy in an old-fashioned way. On the other hand, Kurt wouldn't have intended this to be insulting in any case, given his thoughts on homosexuality.
- Surprisingly Gentle Song: "Polly" (aside from the Lyrical Dissonance) and "Something in the Way", which are both played acoustically.
- Suspiciously Specific Denial: "Come as You Are":When I swear that I don't have a gun
No, I don't have a gun
- Take That, Audience!: "In Bloom":He's the one
Who likes all our pretty songs
And he likes to sing along
And he likes to shoot his gun
But he knows not what it means.
- Tempting Apple: Mentioned in "Drain You":With eyes so dilated,
I've become your pupil
You've taught me everything
Without a poison apple.
- Title-Only Chorus: Both "Stay Away" (aside from the last chorus adding a "GOD IS GAY!") and "Something in the Way".
- True Companions: The line "our little group has always been and always will until the end." in "Smells Like Teen Spirit".
- The Unintelligible: Kurt's Indecipherable Lyrics.
- Wham Episode: Rock music would never be the same after this album came out. Within a few months, Hair Metal was out, and grunge was in.
- Wham Line:
Polly wants a cracker
- Kurt Cobain shows off his talents as a lyricist with the first two lines of "Polly".
Think I should get off her first
- Women Are Wiser: "Territorial Pissings"Never met a wise man/ if so it's a woman.
- Word Salad Lyrics: Kurt himself lampshaded this in "On a Plain", with the line: "What the hell am I trying to say?" Then again, it's a song about Writer's Block...