Music / Rina Sawayama

Influences:

• Justin Timberlake, Destiny's Child, Kylie Minogue, Girls Aloud, Sugababes, Atomic Kitten, Limp Bizkit, Madonna, Christina Aguilera, Lady Gaga, Katy Perry, Avril Lavigne, Hikaru Utada, Beyoncé, Britney Spears, Evanescence, *NSYNC, P!nk, Taylor Swift, Janelle Monáe...

"Have you ever thought about taping your big mouth shut? 'Cause I have, many times."

— "STFU!"

Rina Sawayama (Japanese: リナ サワヤマ; born 16 August 1990) is a Japanese-British singer-songwriter, actress and model. Born in Niigata, Japan, she was raised from a young age in London, where she currently resides.

Sawayama's music, usually categorized as pop but known for its versatility (often delving into pop variants like art pop and electropop) and variety of influences (mainly rock and R&B), is widely influenced by 1990s and 2000s music and often features production from Clarence Clarity. This lends itself to a sound that is simultaneously modern in presentation and centered around nostalgic pop conventions.

In addition to her music career, Sawayama has modeled in several fashion campaigns and will make her film acting debut in John Wick: Chapter 4.

Sawayama came out in 2018, identifying as both bisexual and pansexual before stating in 2020 that she's more comfortable with the label of "pansexual".

Discography

Albums/extended plays

• RINA (2017)
• SAWAYAMA (2020)
• Hold the Girl (2022)

Singles

• "Sleeping in Waking" (2013)
• "Where U Are" (2016)
• "This Time Last Year" (2016)
• "Cyber Stockholm Syndrome" (2017)
• "Alterlife" (2017)
• "Tunnel Vision" ft. Shamir (2017)
• "Valentine (What's It Gonna Be)" (2018)
• "Cherry" (2018)
• "Flicker" (2018)
• "STFU!" (2019)
• "Comme des Garçons (Like the Boys)" (2020)
• "XS" (2020)
• "Chosen Family" (2020)
• "Bad Friend" (2020)
• "Lucid" (2020)
• "This Hell" (2022)
• "Catch Me in the Air" (2022)
• "Hold the Girl" (2022)
• "Phantom" (2022)
• "Hurricanes" (2022)

Tropes:

General tropes

• Camp: Much of her music/aesthetic is drenched in camp. Justified by the fact that she's heavily inspired by early 2000s music, an era characterized by gaudiness.
• Fashion Model: Has been signed to multiple modelling agencies.
• Genre Throwback: She's heavily inspired by 2000s music, which is prominent across both her songs and the music videos.
• Improbable Hairstyle: Her hair on the cover of SAWAYAMA. Lampshaded by a YouTube video where she couldn't even recreate it.
• Ms. Fanservice: Well, she is a model after all, but the trope is played with.
• Smarter Than You Look: How many pop stars graduated from Cambridge?

Tropes that apply to her music

• Broken Record: The Cluster F-Bomb hook of "STFU!", which goes as follows:
  Shut the fuck up, shut the fuck up, shut the fuck up, shut the fuck up...
• Capitalism Is Bad: The theme of "XS." Specifically, it mocks Conspicuous Consumption, though the video puts a genuine invokedNightmare Fuel spin.
• Closet Key: "Cherry" is about meeting a girl that made her realize she's pansexual.
• Dancing Royalty: The final third of the music video of "This Hell" has Rina and her wife and husband put the dance floor on fire by dancing a combination of Country Music, Pop, and Rock. Hell, they even make their guests act as their backstage dancers and cause a couple of their detractors to change their minds and join the party.
• Double-Meaning Title: SAWAYAMA is a subtle one: on the surface it's a Self-Titled Album, but since it features a recurring theme of family and identity it could also be interpreted as being about her parentage — the Sawayama family.
• Genre Roulette: Her songs can switch from smooth, honey-voiced pop to messy, angry metal.
• Genre Throwback: Mostly plucks inspiration from "diverse" 2000s music.
• Heel Realization: Realizing that she was the bad friend in a friendship that fell apart inspired "Bad Friend"
• Japanese Politeness: "Tokyo Love Hotel" is about how she sees western tourists to Japan as being inconsiderate to the incredibly polite locals, treating them like one-night stands that happen at the titular hotels without ever getting to appreciate them for their kindness.
• Metal Scream: One features in her Nu-Metal song "STFU!"
• Multilingual Song: "Akasaka Sad" includes a verse in Japanese.
• New Sound Album: Hold the Girl showcases Rina extinguishing the metallic influences off her last album in favor of much stronger pop rock, dance and adult contemporary styles. Downplayed, though, because the aesthetic remains a love letter to the noughties.
• Screw This, I'm Outta Here: "Fuck this world" which expresses her frustration about environmental devastation.
• Self-Titled Album: Two. Her first EP RINA, followed by her first album SAWAYAMA.
• Shout-Out:
  • From "Bad Friend":
    Singing our hearts out to Carly
• Take That!:
  • Parts of "XS" reference Calabasas, famous residence of the Kardashians. Clearer in the Genius notes to the song.
    "Given that we all know global climate change is accelerating and [we might go extinct,] it seemed hilarious to me that [...] public figures were doing a gigantic house tour of their gated property in Calabasas in the same week as doing a ‘sad about Australian wildfires’ Instagram post."
  • "Tokyo Love Hotel" to Occidental Otakus and to her frustration of feeling like Japanese culture had been done to death by artists like Ariana Grande and Shawn Mendes.
    I guess this is just another song 'bout Tokyo
• Telephone Song: Heavily subverted with "Cyber Stockholm Syndrome", where the protagonist is addicted to her phone rather than real life.
  And she said "I'm not here for love tonight
  The way you touch just don't feel right
  Used to feeling things so cold
  Minimizing windows"
• Testosterone Poisoning: "Commes des Garçons" lampoons toxic masculine confidence. The music video reflects the theme.
• Xtreme Kool Letterz: "XS" ^note Excess

Tropes that apply to her music videos

• Call-Back: The opening of "XS" plays bits of the "STFU!" chorus.
• Cross-Cast Role: She plays a businessman in "Bad Friend."
• Fan Disservice: Played with in "STFU!" She has scenes in an attractive, revealing black outfit, but the date is absent for those. Instead, he's present for scenes in which Sawayama plays a The Ring-inspired Stringy-Haired Ghost Girl crawling towards him. Fitting for a song about how racist white men should shut the fuck up.
• Homage: The moody, black-and-white music video for "Bad Friend" is a clear homage to the works of Akira Kurosawa.
• People Farms: The wonder drink from "XS" is revealed to be forcibly milked from captive women.
• Phenotype Stereotype: The white guy in "STFU!" asks her if she's mixed, because her eyes don't look so... (and then he proceeds to mock "stereotypical Asian eyes").
• Racial Face Blindness: The white date in "STFU" says she looks like "literally, either" Lucy Liu or Sandra Oh.
• Race Fetish: The white guy in "STFU!" evidently has one for Asian women. This leads to a disastrous date with Sawayama, who seethes at his piling microaggressions — e.g. thinking that all (East) Asians are the same.
• Robotic Reveal: After the back-up dancers from "XS" pour the drink on her, Rina starts to spark and malfunction until she's dumped in the trash at the end.
• Salaryman: Portrays an alcoholic variant in the music video for "Bad Friend"
• Sci-Fi Horror: Of the Capitalism Is Bad variety. Nearly three minutes into "XS," the viewers are treated to horrific scenes of Sawayama being experimented upon by scientists. We also have her TV presenter character, a malfunctioning robot addicted to Conspicuous Consumption.
• Shout-Out:
  • "STFU!" features the Kill Bill siren and scenes where Sawayama acts and is styled like Sadako from Ringu, among other references.
  • In a case of Freeze-Frame Bonus, the subtitles in "XS" include the memetic "talented, brilliant, incredible" speech by Lady Gaga.

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