mentalist /'men-tə-list/ noun. Someone who uses mental acuity, hypnosis and/or suggestion. A master manipulator of thoughts and behavior.
Lisbon: I apologise for my colleague... Jane: No, she doesn’t! I retract that apology.
Patrick Jane (Simon Baker) is a consultant for the California Bureau of Investigation, but rather than using knowledge of applied sciences, he uses the knowledge of human behavior. Armed with only the Sherlock Scan, suggestions and hypnosis, Jane often reveals overlooked details to the amusement of his team, when he's not keeping them in the dark for kicks. He used to claim that he was psychic by using these abilities, until he "read" a serial killer named "Red John." Insulted, Red John killed his family and left a note calling him out for this.Leading the team is Agent Teresa Lisbon who, when not blasting him for breaking protocol (or flirting with him), accepts Jane as very useful for closing cases. Rounding out the team are Agents Kimball Cho, Wayne Rigsby and rookie Grace Van Pelt.That's the first five seasons, anyway. At the middle of season six, the show undergoes a massive retool following Jane finally hunting down and strangling Red John. The CBI is disbanded, Rigsby and van Pelt leave the series, and Jane, Lisbon, and Cho go to work for the FBI.Not to be confused with Psych; at first glance, they both appear to be the same show (which the producers of Psychlove to point out), but Psych is a "dramedy", whereas The Mentalist is a straight-up drama in the same vein as sister shows CSI: Crime Scene Investigation and NCIS, though it does still have some comic relief. Psych appears to be the inverse version of the Mentalist. Where Shaun often tells people he's a psychic and people are incredulous, Jane often gets asked if he's a psychic and has to tell them that he's not. While both have Sherlock Scans, Shaun also relies on his photographic memory, while Jane's main tool is actually his social engineering skills.
Always Save the Girl: Jane claims that he will always save Lisbon, which is one part incredibly sweet coming from wildly untruthful and dangerously unpredictable flirt-machine Jane and one part hilarious, because Lisbon could kick Jane's ass. She is always the one who shoots/catches/kicks the shit out of the bad guy, often saving Jane in the process.
Of course, in the season one finale, "Red John's Footsteps," Jane does save Lisbon at the cost of killing the one man who could have led him to Red John (even after declaring that he would rather die himself than let Red John continue to live free).
Artistic License - Law: About 80% of the cases Jane closes would be thrown out of court in real life, because he used some form of coercion or intimidation to get the suspect to confess and/or reveal the location of key evidence. (In particular, the episode "Blood in, Blood Out" would really have ended with the killer walking and Jane, Rigsby, and Cho being brought up on assault charges.)
Not to mention how many times they handle evidence without properly documenting it or handling it with gloves. A defense lawyer would've had a field day with how much they contaminated the crime scenes.
This is played with in one episode, where Jane's illegal entry into a culprit's home is discovered by the defense attorney and is brought up during the trial, forcing the team to find a way around it before the case gets thrown out of court because of it.
In Red Listed it is revealed that due to Jane's antics on cases, a few criminals ended up being acquitted or having their cases dismissed.
Artistic License - Medicine: In 'Blood for Blood' Jane successfully hypnotizes someone into quitting smoking...in less than thirty seconds. Whether or not it worked over the long term is unknown, but still.
Artistic License - Religion: The portrayal of Wicca on the episode 'Red Rum' was a source of much outrage to actual Wiccans and Neo-Pagans. In their eyes, the "Wiccanpriestess" on the show was pretentious, irresponsible, and utterly immoral. It goes without saying that while every religion abhors murder, using magic (considered a sacred gift from the God and Goddess) to murder someone is beyond blasphemy. The characters consider the religion of Wicca and the practice of witchcraft as interchangeable (though this mistake is made in real life too) and have very dismissive opinions on it. Rigsby even goes so far as calling it an "alternative lifestyle like Star Trek or yoga".
Asshole Victim: Tons, the worst being the victim of "Red Carpet Treatment," who had brutally raped and murdered a woman in the past and had every intention of doing the same to an ex-girlfriend of his.
Attention Whore: Jane should have known better than badmouthing a serial killer while live on a nation-wide TV show...
After the murder of his wife and daughter, he does know better. In fact, he berates Kristina Frye with uncharacteristic agitation when he sees her calling out to Red John on TV.
He even knows better than that. In "Blinking Red Light", knowing that the serial killer in the episode is an Attention Whore himself, Jane tricks him to do exactly what Jane had done in the past: badmouthing Red John in TV. In the next scene, that killer winds up gruesomely murdered, Red John-style.
The Atoner: Jane, whenever a case brings him into contact with someone that he scammed back in his fake psychic con artist days.
Batman Gambit: Jane is very good at pulling these off. In the episode "Red Sauce", he deliberately enraged a retired mafia boss and called him on the phone. Once the mafia boss started yelling and threatening Jane, he handed the phone to the murder suspect. The suspect, thinking these threats were aimed at her, and afraid of the approaching mafia hitman (actually Rigsby in disguise, told by Jane what clothes to wear), confessed to the murder.
Another example from the episode "Black Gold and Red Blood" : Jane, despite being imprisoned, would like to ask the victim's brother-in-law Ronny some questions regarding the case. After learning Agent Rigsby is on his way to question Ronny, Jane calls Rigsby and tells him of his strong feeling that Ronny will be hostile and aggressive towards him. Next, he calls Ronny, identifies himself as Agent Rigsby, and taunts him with his alleged homosexuality and him being an ex-marine. So, when real Agent Rigsby arrives, Ronny punches him in rage. He ends up in the same county jail as Jane, so Jane is now able to ask his questions.
Which grows even more complex and awesome when Jane reveals he wanted to talk to the guy visiting Ronny. Good may be an Understatement.
When Jane is forced to work with another team, he quickly notices that one agent is self-conscious about his height and the team lead is a strong believer in surveillance. He uses this knowledge to trick and sabotage them.
Season 4, "Blinking Red Light". Jane basically pits off Red John and the Monster of the Week against each other. How? By belittling the attention-hungry monster in comparison with Red John, he tricks the monster into badmouthing Red John on TV (like Jane had done in the past), which causes the pissed off Red John (who doesn't tolerate public slander) to kill that monster as retaliation. With this gambit, Jane manages to both kill the monster and force Red John to resurface.
Seems to be a case of Out-Gambitted. Red John never cared a whit that anyone thought he was dead and probably knew that Jane thought he was manipulating him; Red John has taken the opportunity to mess with Jane further by stalking the FBI agent investigating the murder and, later, killing the morgue assistant who let Jane bring Red John's blind ex-girlfriend in to confirm that the fake-Red John Jane killed was not Red John (confused yet?) and dumping the body in his blind ex's house for the police to find. He has taken to directly taunting Jane via webcam and other means too, and the FBI agent he is stalking rightly suspects Jane covered up the fact that Red John was still alive so Jane might go to jail for his convoluted scheming.
Bavarian Fire Drill: When trespassing, Jane easily convinced the police that he was the homeowner and that the true homeowner was the trespasser, or at least seriously confused them. This is by no means an isolated incident.
Becoming the Mask: The undercover Dirty Cop who kills a fellow undercover narc in "Pink Top". The cop is tired of shitty pay and thankless work, and therefore joins the drug dealers. In fact, Jane realizes that the police officer is truly dirty when he notices that the cop no longer bothers to change out of undercover clothes upon getting back to HQ.
Averted increasingly. His constant snacking during cases and stakeouts seems to fade almost entirely by season two. This is possibly due to actor Owain Yeoman becoming a vegetarian in Real Life.
Jane qualifies as well, he seems to take every opportunity to eat. Starting from the pilot where he casually goes to the kitchen and makes a sandwich before questioning the mother of the murder victim.
Jane also makes tea whenever possible, usually when talking to a suspect and sometimes after illegally entering.
Blind Driving: Happens twice, both times by Jane. The first time he is temporarily blind and guided by Grace in the passenger seat, while the second time he is blindfolded and guided by the unconscious reactions of Walter Mashburn in the passenger seat. Surprisingly, he fares much better in the latter case. Considering in the latter case he totaled a half million dollar car, you can imagine how badly the first went.
Bluff The Eavesdropper: Used in the season 3 finale to give one of the CBI employees who might be Red John's spies the room number of a person they were hiding. The person is actually somewhere else, and the room number is a trick to reveal who is Red John's spy.
Bondage Is Bad: In "Red Rover, Red Rover", Jane calls out the victim's co-worker for being into "whips and latex". Well, he also handcuffed a coworker and BURIED HIM ALIVE, so...a subversion?
Boring Invincible Hero: Patrick Jane. Out of all the wild, insane statements and hunches he makes, he's almost never wrong.
Subverted in "Pink Chanel Suit" when Jane interrupts the funeral because he thinks Abby's body is in the grandmother's casket. It isn't, although Jane ends up partially vindicated because the killer is later caught trying to hide the body there.
Though the murderer may have hidden the body there because Jane had searched there already, and may not have thought of disposing of the body there initially.
Also Cho seems to always be right and know things he has no way of knowing. But compared to Patrick it doesn't seem so obvious.
Somewhat averted with literal invincibility. Jane does realize that his ability to talk himself out of anything does not protect him from being killed by people who shoot first and talk later. It shows, especially in the earlier episodes.
Van Pelt's fiance, FBI Special Agent O'Laughlin, turned out to be The Mole for Red John in the season 3 finale, and she was forced to shoot him dead. In season 4 Van Pelt has shown a definite personality change into a version of Knight in Sour Armor.
Break the Haughty: In "The Redshirt," an arrogant Jerk Jock ex-pro football player whom Jane asks to fake his own death to help catch his would-be killer thinks it will be fun to see what people say about him after his death. He soon discovers that all the people he thought were his friends actually hated his guts and only pretended to like him for the money. At the end of the episode, after he has been suitably humbled, Jane reunites him with his ex-wife, who still loved him despite his womanizing.
Briar Patching: In Season 3, when Jane is captured by Rachel and ends up tied to a pole in the same room with a dead man, he begs her to remove the corpse because he supposedly can't stand the stench. Her reaction was to move the corpse closer to him, which is exactly what he wanted (so he could search the dead man's pockets).
California Doubling: Although the show takes place (almost) entirely in California (occasionally having ventured into neighboring areas like Tijuana or Vegas), it is mostly filmed in Los Angeles (despite being based in Sacramento and most episodes taking place in Nor Cal as opposed to So Cal.)
Catch Phrase: She doesn't say it a hell of a lot, but Van Pelt developed a fondness for saying "eureka" once she learned what it means.
Calling Card: "Red John" leaves a smiley face painted in blood at every murder. In the first episode, the location where one was painted disproved that "Red John" was the murderer. Led to some slight Memetic Mutation online, particularly on Facebook.
Celibate Hero: Jane has been disinterested in relationships ever since the death of his wife. He is, however, a terrible flirt.
The Charmer: Jane. Jesus God. He is the absolute epitome of this trope. Also: Jane.
Check Please: After he kills an accomplice of Red John;s, Jane asks one for his tea.
The Chessmaster: Jane frequently gets murderers to incriminate themselves this way. Sometimes he even lets his coworkers in on the plan.
Red John too, who "has no allies, only pawns". At least two serial killers have a connection to him, and he had a mole in the CBI. He also spies on them via their own security cameras. He also has some kind of connection with the cult Visualize, which directed CBI to one of his abducted victims.
Chekhov's Boomerang: The corrupt doctor in "Pilot" gives vital information for the CBI to rescue Jane in season three's Ball of Fire.
Chekhov's Gun: An actual gun is used as one in 'Red Brick and Ivy'.
Literally. Bosco's secretary Rebecca turns out to be an operative for Red John.
There are two guards who are approaching Jane at the end of Strawberry and Cream. One of them has camera focused on him, for no more than two seconds. That guard takes away Red John's accomplice's gun and phone, effectively putting Jane on the murder of an unarmed man.
Chekhov's Skill: Rigsby background as an arson investigator is first mentioned in "Flame Red." It comes in handy investigating a firefighter's murder in "Fugue in Red".
Complexity Addiction: If the killer in "Jolly Red Elf" had just left the victim dead on his couch, the death would most likely have been passed off as accidental alcohol poisoning. Instead she forced him to put on his Santa costume and pushed him off the roof of the building, drawing a huge amount of attention to the death - which still might have been passed off as a drunken accident if she hadn't also planted a suicide note, which the police took all of five minutes to confirm wasn't in the victim's handwriting.
Con Men Hate Guns: Jane doesn't usually carry a weapon, and mostly avoids physical violence altogether, but he seems to have a particular dislike of firearms. Being held at gunpoint upsets him visibly more than it does the other characters (who in fairness, are cops, and thus have an excuse for being unusually composed,) and he handles guns very, very carefully when he handles them at all. This makes the few times he does use them in season one, saving Lisbon's life, and in season three, in an attempt to exact his vengeance on Red John a bit more shocking.
Continuity Nod: When trying to get the public's help in a case by using a popular radio station, Jane says that the Californian Bureau of Investigation, "really does exist," suggesting that listeners should look at their website and quickly checking with Lisbon that there is a website. In an earlier episode, he convinced a young girl to trust him by saying he was with the CBI, that the CBI is real and that they have, "a website and everything."
Cowboy Cop: The whole team at times, but special mention goes to Jane and Cho. Jane isn't even a cop and somehow manages to always get away with blatant disregard for any rules, and Cho, who's proven just as eager as Jane to step over boundaries is an extremely interesting variation of the trope...really, how often is the Cowboy Cop also The Stoic?
Cho in "Blood In, Blood Out": "Mr. Reed, I apologize for accusing you of several crimes which I knew you had not committed. And for assaulting you. Repeatedly."
Crazy-Prepared: In one episode, it is revealed that Jane routinely checks the shoe bottoms of people in wheelchairs for the off chance that they are faking it. He says that the events of the episode was the first time it payed off.
Crusading Widower: And how. Jane has been questing to get Red John back for 5 seasons now, at the risk of his job, his friends, and possibly his sanity (as his attempts get progressively more extreme).
Cryptic Background Reference: There was one in "Code Red" regarding Lisbon and Jane's relationship before the series started, that Lisbon knew Jane would never swear on his child's grave, "not for anything." And "Every Rose has its Thorn" had Jane comment that he and Lisbon have known each other for seven years (although not that they have been working together that long).
Cutting the Knot: Jane tries to prank Lisbon by hiding her keys in a puzzle box he had trouble solving. She breaks it open with a hammer she keeps in her desk.
Dark Action Girl: Lorelei in season 5 episode 16. An unusual brute force version.
Dark and Troubled Past: The only ones that don't have this (that we know of) are the ones who haven't had much of their past revealed.
Jane had a morally-ambiguous and insensitive father and his own showboating got his wife and daughter murdered. Big surprise, he's been having some issues ever since.
Lisbon had an alcoholic father who, after the death of her mother, committed suicide and left her to care for her siblings. Though not before spending years having blackouts where he beat the crap out of them. She notably has major trust issues.
Cho apparently grew up on the shady side of the law, exposed to a lot of gang violence. He's very secretive, so we're not sure on the specifics.
Van Pelt grew up in a small town and was judged and held back based on her appearance and gender as a kid. This did not combine well with her ambition, and for a while she had trouble taking her focus off her work. It is also strongly hinted someone close to her (i.e. sister) committed suicide.
Lorelei Martins, who knows Red John, had a sister who was sold to another family and was later killed by Red John, though she doesn't (yet) believe that it was Red John who did it.
Darker and Edgier: If you compare this show to other police procedurals. His constant dickery aside, this show is about Jane's quest of vengeance. He was not actually interested about justice, truth, and law enforcement. All Patrick Jane wants is to murder the murderer of his family.
This has now happened in-show as well. Whereas previous seasons have been more of the "victim of the week" type with the Red John arc blended in, the end of season 5 and the beginning of season 6 have been almost exclusively about the hunt for Red John.
Dead Man's Chest: In "Redline", the killer stuffs the body into the trunk of a sports car when security shows up unexpectedly. The killer is unable to retrieve the body and the car ends up on the showroom floor.
Donut Mess with a Cop: Lisbon's team sometimes treats themselves to donuts (and pizza) as a reward for the successful closure of a case.
Jane tends to subtly mock other cops through donuts.
Hell, he once gives Bosco's unit a box full of donut as a symbol of truce, claiming that he quits pursuing Red John case. Once he is out of office, Bosco orders his men to throw the donut away. Unknown to the unit, Jane has secretly placed an eavesdropper at that time.
Dope Slap: Van Pelt gives one to Rigsby in "Red Bulls" for not wearing a bulletproof vest... while she's lying on a gurney after getting shot in her bulletproof vest.
Drowning My Sorrows: Jane gets hammered on Bloody Marys in "Red Rover, Red Rover." This was on the anniversary of his family's death. Since he had a "regular table" with two empty places, it is possible he does this on special dates (birthdays, happier anniversaries, etc)
Dying Clue: One of Red John's victims, Jared Renfrew, manages to write "He is man" or "He is mar" in his blood just before dying. Whether the message is complete or even if it was written by the victim or Red John himself are questions still open to speculations.
Electrified Bathtub: In "Scarlet Ribbons", a security guard is found dead in his bathtub with a hairdryer dropped into it.
Even Evil Has Standards: Red John does NOT tolerate "poor imitations" of his work, and is even kind enough to spare the life of the patsy the main perpetrators of the plot blackmailed into it (with his mother's life no less) with merely a shot to the leg.
In the Season 4 episode Pink Champagne on Ice a women who is planning to rob a casino kills her accomplice, finding him too evil as he laughs about killing the room-mate of the girl he kidnapped as a hostage. The women, Trish, is prepared to kill the hostage and two people who can recognise her despite them giving her the money. She says she would have felt terrible about it though.
Played straight in Season 5 episode 12, when Tommy Volker and a hired hitman drive up to an apartment building to murder a witness to a previous murder done under Tommy's orders. When the hitman discovers that said witness is a nine-year old boy, he immediately rejects the job, saying he's never killed a child before and he's certainly not going to start now.
Everyone can plainly see the sexual tension between Rigsby and Van Pelt as well (even the Attorney General of California, according to Lisbon). When they start secretly dating everyone catches on immediately... except for Lisbon.
Evil Plan: Red John's plans to thwart the CBI nearly always involve these.
The evilest one, in season 3 finale. by sending an accomplice who pretends to be him to meet Jane, Red John essentially gives Jane damned-if-you-do-damned-if-you-don't options. One, Jane kills the accomplice, but ends up in prison. Or, Jane doesn't kill the accomplice, but rots himself by the guilt of missing his best shot at (what he thought) Red John. Thankfully, Jane survives the battle, and the war goes on.
Everybody Lives: In "Ruby Slippers", the body in the burnt-up car was already dead to begin with and the supposed victim underwent a transformation.
The Faceless: Red John, naturally. First time, he is shown from behind. Second time, he is seen wearing a mask.
The producers have promised Red John will finally be seen in season 3 finale... but season four reveals it was only another accomplice.
Faked Kidnapping: "Red Sails in the Sunset": Jane tells Lisbon Lorelei kidnapped him to avoid getting in hot water for breaking Lorelei out of prison.
Financial Abuse: Jane's father, Alex. While traveling the carnival circuit, dear ol' dad took all of a $10,000 payday (that Patrick brought in by selling a con) and gave Patrick a mere pittance while he gambled the rest away with poker buddies.
Foregone Conclusion: Jane is brought to trial for murdering Red John in season 4 premiere. He is found not guilty. Surprise.
Friend to All Children: Jane loves children, possibly due to losing his daughter. Lisbon also seems to have a major soft spot.
Lisbon actively uses this against Jane in the premiere of the program's third season, bilking him into working on a case he didn't want to work by introducing him to the victim's daughter, who's about the same age Jane's daughter would have been were she alive. It works, and Jane's impressed, but he also tries to make her feel guilty about it for the rest of the episode and says that he's going to have his revenge.
Fun with Subtitles: In "Red Sauce" from the first season, the CBI has reason to suspect one Sonny Battaglia, a well-connected gangster type. Van Pelt mentions that he lives in Palm Desert and Jane, with notable interest, asks "Palm Desert, California?" Lisbon, realizing what he's thinking, immediately replies "No." "Palm Desert's not in California?" asks Jane. "No, you can't sneak off and try to talk to Sonny Battaglia!" replies Lisbon. Jane gives a giggle and says that he thought that she meant that Palm Desert wasn't in California. "It is in California, right?" The scene changes and a subtitle at the bottom of the screen reads "Palm Desert." There is a delay of about two to three seconds and then "California" appears underneath that.
Genre Savvy: In "Strawberries and Cream," Jane makes a presumptuous remark about how the situation will turn out. This is the norm for him throughout the entire series - Jane being extraordinarily Genre Savvy at any time of day - but since this is the third season finale, of course the con of the episode is being played with much higher stakes. Accordingly, the tension of the moment is high and instead of just rolling her eyes like usual, Lisbon points out how arrogant Jane is being. "Pleeeeease don't say that, nothing is foolproof. ...And stop being so confident! It makes me nervous." Those who have seen spoilers for season four know that Lisbon had the right idea. Within five minutes of the season four premiere, Jane will be in jail for homicide, and there will be no evidence of Red John's cellphone (with the call to O'Laughlin) or his gun. Acting extra confident in the season finale with the villain Red John who has proved time and again he's immensely more clever than Jane was not Jane's brightest move, but Lisbon got it.
Get Out: Patrick Jane says it to Lorelei Martins after she first reveals that she is working for Red John and offers the "hand of friendship."
Getting Crap Past the Radar: On Season 5, Episode 3, "Not One Red Cent", Jane tricked Van Pelt into a bet of who could get the name of a suspect first, and the loser had to buy lunch the rest of the week. He tricked her by watching how the pen moved when she wrote the name. When he told her, she said, "This is what I think of your trick," and then wrote something down on the pad of paper in front of her. Jane said, "The second word was 'you', but I didn't get that first word."
Good Cop/Bad Cop: In "Red Gold," Jane tells Hightower, who is out in the field instead of Lisbon, that she can be "Bad Cop."
Have You Told Anyone Else?: The killer in "Red Alert", when confessing the details of his second murder, which he committed because the victim had stumbled across evidence that had the potential to reveal his attempt to frame someone else for his first murder, notes that "she said that she hadn't told anyone else[about the evidence], so I met her at her home [and killed her]".
Hero Insurance: When Hightower rolls in, Jane gets explicit Hero Insurance. "You're golden for anything less than murder." Lisbon, however, does not get the same protection, and Jane is told very specifically that if he breaks the law, she's taking the fall for it.
Hero with an F in Good: Aside from performing good deeds, Jane fails to follow most of the typical practices of 'good' people.
Heroic BSOD: Jane, after coming home to discover the grisly scene of his family's murder. The episode "Red Brick and Ivy" reveals that the BSOD was what sent Jane off to a padded room for a while.
Jane undergoes brief BSO Ds when he unexpectedly sees the dead bodies in "His Red Right Hand" and "Aingavite Baa." It is possible Jane needs to mentally prepare himself before seeing a dead body, or seeing multiple dead bodies triggers flashbacks of finding his family.
Hide Your Pregnancy: Amanda Righetti gave birth in January 2013. During much of season five, her character Grace Van Pelt was limited to desk jobs and chest-up shots.
Hollywood Atheist: Patrick Jane. His wife and daughter were in fact murdered and he will mock religious beliefs or any belief in the supernatural. Although he may have been an atheist before since he was a secretly fake psychic before the murders. In fact, this is what got his family killed, so it explains his hostility to such beliefs. And when another psychic "successfully" guesses a few things and tells him about the murders, he breaks down defeated and crying. Then there was the one time he softened his position on this was when he visited his wife's grave with his estranged brother-in-law. The brother-in-law asks if he thinks she can see them. Barely audible, he mutters, "Maybe."
His own mind calls him out on this in Devil's Cherry, in the shape of his daughter, Charlotte Anne Jane.
Jane: "I'm doing this for you."
Charlotte: "We're dead. We don't care."
Hollywood California: Averted. The crime-solving team is part of the California Bureau of Investigation, and so its cases tend to focus on smaller cities in California where the local law enforcement are less prepared to deal with exceptional crimes.
However, one of those smaller cities, Citrus Heights, was shown as a rural mountain town. Citrus Heights is a flat, overdeveloped suburb in the middle of the Sacramento Valley.
In one episode a hitman- a psychopathic, sadistic hitman who had been killing for years, no less- is released on the technicality that Jane uncovered the evidence leading to his arrest by illegaly breaking into his apartment, thus forcing the judge to declare all susequent evidence Fruit of the Poisonous Tree. This would never work in Real Life and would at worse have led to a new trial, if that; the evidence itself included video tape of the murder, a confession, and entrapment of him being hired by Van Pelt to kill somebody. Such a sociopath would never be released so easily.
Justified in a sense. At that point, still halfway of the episode, the judge remains one of the possible hitman contractors, so the writers don't want to clinch the real culprit right away.
In another, Noah Bennet is arrested for killing his wife's murderer, but so is another man- the latter had beat him with blunt object after trying to warn the guy to stay away from his girlfriend, unsuccesfully; Noah, having pulled strings to arrange this guys release on fake new DNA evidence just so he could kill him himself, discovered the body and shot it repeatedly in a rage, as he arrived there to commit the murder. Both were let off because it was unclear who actually killed him, if the other guy had or had merely knocked him out before Bennet arrived and shot the body. The fact that Bennet could have been busted for Conspiracy Murder, and Attempted Murder (which might have got the other guy too) slips the mind of the prosecuting attorney.
The season 4 premiere takes the cake though; Jane has murdered a man he believed to be Red John, and he is let off because he convinces everyone that the man was Red John. In fact, this and later episodes frequently say that if the guy wasn't Red John Jane is going to prison for the murder. In Real Life whether or not the man was Red John should be irrelevant- Jane commited murder, and admits to it, with numerous witnesses to the crime. He should go to jail regardless.
The only possible way out is if he was found temporarily insane thanks to confronting the man he believed to be his wife and daughter's killer, but that is unlikely since he was illegally carrying an unlicensed gun (specifically to kill Red John), and had announced repeatedly to collegues and others that he was hunting Red John not to arrest but to kill him. On the flip-side, the question of whether or not the man was Red John should have been irrelevant- the issue would be whether Jane thought he was with fair reason, and he can reasonably (and truthfully) claim that the man he killed both pretended to be Red John and knew things only Red John would have, and was an accomplice posing as him, which means there was fair reason.
Actually, that one sort of works more as the context of the show, less as being Hollywood Law. Effectively, the jury was manipulated to the point that they knew he was guilty, but pitied him enough to do a not guilty. That's why they pretty much had their verdict almost instantly. Even Jane acknowledged that he felt guilty and probably should have gone to prison. So it isn't so much "We say that the law works this way" as "Wow, this is a HUGE miscarriage of justice". The only Hollywood Law was the prosecutor not objecting to just about everything Jane said.
Hope Spot: Lorelei Martins has discovered who killed her sister. She tells Patrick that she might tell him Red John's true identity if he lets her go. She then tied and threatened to kill the killer, to then tell Patrick Jane that he can ask the killer about Red John. She then shoots the killer and goes after Red John without telling Patrick the truth. The last moment she is seen, she has been killed by Red John.
How Many Fingers?: Used by Lisbon on a female suspect in "Red Herring." The suspect had been poisoned and was definitely in no condition to to tell Lisbon how many fingers she was holding up. She perished shortly afterward.
Jane was knocked out by a baseball in Throwing Fire. when he woke up, Cho held up three fingers and asked him how many. He answered six.
Wainwright: They promised us jetpacks and they give us compromised investigations.
Idiosyncratic Episode Naming: The title of every episode includes the word "red", a synonym for red (crimson, scarlet, etc), or objects that are themselves red in color ("A Price Above Rubies"). One episode name is a string of three numbers, 18-5-4, which at first seems to be breaking this, until you realize that 18, 5 and 4, when replaced by the letter at that point in the alphabet, spells Red.
After the Season 6 episode "Red John" (in which the titular villain is to be unmasked at last), episode titles will start using colors other than red ("Green Thumb," "White Lines," etc.)
Idiot Ball: Van Pelt grabbed it firmly at the end of season 3, when she hangs up on Rigsby. While she and O'Loughlin are at the place where a protectee is being kept. Did it not occur to her that he may have something important to say? O'Loughlin's Red John's accomplice.
Lisbon also grabs this since she didn't keep her phone on her while protecting Hightower from an extremely dangerous serial killer, and therefore didn't get Jane's warning until the assassin walked right into the cabin.
I Just Want to Be Normal: Jane has a lot of fun with his abilities while catching criminals, but when he talks to Lisbon about Rigsby and Van Pelt's relationship...
Lisbon: Okay, I am not jealous and resentful. That is nonsense.
Jane: Yet you recall my exact words. There's no shame in it. I feel that way too sometimes. Why does everyone else get to have a normal life?
I Never Said It Was Poison: Happens in "Red Badge", though they already knew who the killer was and it took an elaborate setup just to make him slip. A minor case showed up in "Seeing Red", but the killer already confessed anyway.
Important Haircut: Inverted. Flashbacks to Jane's days as a Phony Psychic, such as the episode 'Pretty Red Balloon,' has his hair straighter and shorter.
Also-also, do not try to frame Lisbon for murder. That'll get your ass thrown into jail, and Patrick Jane will snark at you.
It Has Been an Honor: Lisbon says this to Cho and Rigsby, when she thinks she is exposed to deadly virus strain in "Code Red". Jane fools the entire facility and has alerted Cho and Rigsby to catch the bad guy beforehand.
Jurisdiction Friction: The C.B.I. sometimes clashes with local law enforcement officials who don't like the fact that the C.B.I. gets the right to take over the case. They have also clashed with the F.B.I., perhaps most notably in the fifth season premiere "The Crimson Ticket" when their agents and F.B.I. agents have a throwdown at a crime scene regarding the events that happened in the fourth season finale. Preview material indicates that the C.B.I./F.B.I. rivalry will continue, with Lisbon getting drawn deeper and deeper in.
Kangaroo Court: In "Bloodstream," Jane drops in on a hospital meeting involving organ donations and starts talking about kangaroo courts, being careful not to actually refer to the meeting as one. But when the head honcho tries to imply that he's suggesting that their meeting is kangaroo court, he pounces on it.
Karma Houdini: The dating service woman head (who's also played by Morena Baccarin) hints at the possibility of the Jury letting her off scot-free in regards to her husband's murder because her accomplace who was going to testify against her was unstable. Subverted in a later episode when we discover that they didn't and she's in jail, then Double Subverted when she escapes and flees to a tropical paradise.
Kick the Dog: Jane, we know you don't get along with Bosco, but unplugging his morphine so he'll wake up and talk? Geez Louise.
In fact, this pushes Lisbon to finally give Jane a proper, and very much deserved, What the Hell, Hero?.
He does it again when, in trying to catch a killer who used a bioweapon to murder someone, he tricked an entire complex full of people into believing that they've been exposed to it. Again, Lisbon is furious.
In one episode at a high-school reunion a "popular girl" had manipulated her boyfriend into tieing up an autistic boy naked in the girls locker room and publishing the video on line and then murders the boyfriend when she is grown to keep her part in it from getting out. Jane obviously enjoys breaking her possibly because he was once a father.
Averted increasingly often as the team gets closer. Of course, Van Pelt was called 'Grace' from the start and Bosco and Lisbon were already familiar. It's just bizarre that Jane refuses to call Minelli anything but 'Virgil', though.
Lisbon even used this to try to trick a killer once when he was alone with him. Talking on the phone, she asked Jane to tell Rigsby that 'Teresa needs his help.' She added, 'Oh, me?' to further drive the point. It didn't work.
Leitmotif: You can tell when Rigsby and Van Pelt are going to have a romantic and/or sexually tense scene, because they have a special theme that always plays. To a lesser degree, there's a small variety of playful music accompanying Jane's mind screwing.
Let's You and Him Fight: Unable to prove the identity of a serial killer and knowing more will die if he fails to act, Jane goes on a talk show with the killer and goads him into mocking the "deceased" Red John. The episode ended with the serial killer dead at the hands of the mocked.
One of Season 5's plots is about Lisbon realizing that she might have romantic feelings for Jane.
Limited Wardrobe: Jane only seems to own three-piece suits. He does, however, get the occasional temporary change.
Same for Van Pelt, who always seems to dress a la Myka from Warehouse 13 - but not quite the same.
Living Lie Detector: Among Jane's list of powers. Lisbon still had to take a polygraph, though, presumably due to Jane's bias.
The Long Game: Jane played this for six months. He let himself be fired from the CBI, got along with Vegas underworld, assaulted police and gangster alike. He plunged himself to rock-bottom... so Red John would come out and reach him.
Meaningful Name: Scott Saynay, the name of the man who was convicted of raping LaRoche's mother. It's chillingly appropriate, because after LaRoche, apparently, cut out his tongue, that's exactly what he can say: nay.
Merciful Minion: After Volker ordered one of his hitmen to kill a kid, said hitman instead had a relative take the kid in, where he lived a relatively happy life.
Mind Rape: When Red John is done with Christina Frye, she only responds when Jane calls upon her 'departed spirit' as though performing a seance.
Mind Screw: Patrick Jane's favored method of catching the killers... as well as pranking his colleagues.
The Mob Boss Is Scarier: One Victim of the Week is the son of a mob boss who is dying of cancer. The boss is on record as planning to kill the person responsible. Cho goes to investigate a possible suspect, who got beaten by the son's goons over a bar dispute. The suspect loudly says that the victim was a great man and he had no problems with him. Then he tells Cho quietly to come back after the old man dies & he might have a different story to tell.
He has all-around awful timing, occasionally cheerfully breaking into a very dramatic moment.
Van Pelt has a remarkable tendency to interrupt tense moments as well, but she doesn't contrast the mood as starkly and seems to understand that she's done this.
Monster Clown: In "18-5-4" (R-E-D) the victim's fear of clowns was used to give him a particularly traumatic death. By his own wife, no less.
Mugging the Monster: Jane and the boys attempt to steal a painting off a psychotic Russian Mafia lord. Of course it works, it's Patrick Jane natch!
Mushroom Samba: Deconstructed in "Devil's Cherry." Patrick accidentally poisons himself with tea infused with belladonna, causing him to have hallucinations - including one of an aged-up version of his dead daughter. While it's actually useful in solving the case, the episode does not fail to make it clear that intentionally indulging in hallucinogens (especially toxic ones like belladonna) is hazardous to your physical and mental health.
My God, What Have I Done?: The killer in "His Thoughts Were Red Thoughts" clearly does this while confessing to Cho, even while claiming not to feel guilt for the murder.
Myopic Architecture: In one episode the Victim of the Week was killed via exposure to a deadly virus kept in a high security vault accessed by retina scan - which didn't work right and would let in anybody who presented their eye for scanning.
Myth Arc: Jane's manhunt toward Red John. The titles of all episodes always include the word of "red", red objects, red shades, or anything anyhow related to "red" to represent the fact that Red John is still the main villain of the series.
No Badge? No Problem!: Jane will usually inform people that he is merely a consultant and not an actual police officer. However, when he deems it necessary he has no qualms about letting people think that he is a full CBI agent.
Jane: The message the aide brought in made [the Mayor] nervous. So I took it.
Lisbon: You're stealing now?
Jane: Well, let's just call it purloining.
No Sell: It doesn't happen often, but every once in a while Jane will take a stab at hypnotizing someone to absolutely no effect. The prison guard in "Redacted," apparently, just isn't easily distracted by shiny objects and soothing voices.
Non-Idle Rich: It can be assumed Patrick Jane made a lot of money during his years as a psychic. At the end of "Blood Money," he only looks slightly put out at having to pay $16,000 in court fines. He still wants to go to the range with Lisbon and shoot something.
This is certainly not the first time it's been hinted that Jane has some serious riches. In an episode in the first season, he won $250,000 at blackjack by memorizing cards and blew a large amount (if not all) of it on expensive gifts for the team. Later, he won $300,000 in poker and donated that to pay for the operation of the mother of one people who had been investigated in the case.
Not to mention that when the team rejected his expensive gifts of jewellery, instead of taking them back and getting a refund or selling them on, he put them into a donations bin for a charity store.
In season three, Jane doesn't blink at dropping a total of $15,000 on horse racing. The first bet of $5k netted him only a few hundred dollars in return, but he got the satisfaction of besting a man who'd been rude to him. The payoff was worth it.
The season 4 premiere hints at his financial limits; Jane needs to get his hands on a million dollars, and while he does, he has to play high-stakes poker to get it, so presumably he's either not a millionaire or is, but not so much of one that he can just casually throw that kind of money around.
Non Sequitur Thud: Jane, after getting whacked in the head with a baseball. Played for Drama in that his comment just before losing consciousness references a flashback to his own troubled childhood.
On the flip side, just after gaining it, he insists he's fine, brushing off the How Many Fingers? question with 'six'.
Jane: (after getting slapped by an old friend he hasn't seen in years) AHH. What was that for?
Jane: Oh, yeah. Fair enough.
Also, pretty much the main focus of the episode Redemption (Season 2, episode 1). The cause of why the woman was accused of stealing a million dollars from her employer was both a Noodle Incident and a Riddle for the Ages within the episode. The actual Noodle Incident was integral to the plot.
Noodle Implements: Red John manages to Mind Rape Kristina Frye into believing she's a ghost by only using a paintbrush, really bright lights and empty rooms.
Not Me This Time: In one episode, a serial abductor/killer known as the balloon killer was suspected of kidnapping a child. However, after shooting him, he implies (and Jane confirms via phone and a note) that he's innocent.
Also Tommy Olds, the retarded handyman in "Flame Red".
Obfuscating Stupidity: the killer in the episode "Flame Red" uses this trope to exact revenge on the murderers of his friend and fool everybody, until Jane exposes him.
Jane uses this when it suits him, as well; it helps him get away with more.
Annabelle Draber in "Blood Money" (2x19), the wheelchair-bound elderly mother and the real brains behind the operation of drug smuggler Hank Draber, uses obfuscating senility and Obfuscating Disability
Oddly Small Organization: The CBI is really small for a state police agency, specially in a state as large as California. Look for Minelli's "The Reason You Suck" Speech below for in-universe explanation. He later tells Lisbon that the only agents he'd ever lost were the ones killed by Rebecca...in eight years.
Ooh, Me Accent's Slipping: Occasionally, Rigsby will sound a little more Brit than American. It rarely goes so far as to be identifiably Welsh, but Yeoman is noticeably "off" here and there.
For Patrick Jane, Simon Baker's native accent peeks through on certain words with long vowels, e.g. talk, walk, awkward and do. As above, it's not enough to be identified as an Australian accent, but it's enough to throw you for a sec. "Fugue In Red" and "Every Rose Has Its Thorns" has some particularly good examples.
One Steve Limit: Averted; there are two Red John suspects named Brett...at least until Brett Partridge is killed in the first episode of season six.
Jane: Doctors always want to believe they're the smartest person in the room - while of course that's me.
The Password Is Always Swordfish: In the episode "Ladies in Red" (1x4) Patrick is certain a missing businessman is still in his house. He picks up a number pad and runs through the "Top Ten" passwords to open a panic room/vault. After noticing a picture of a sailboat, he uses the number on the boat's sail. The vault opens, revealing the businessman's dead body.
Later, in Red Moon, Van Pelt asks the Wi-Fi code for the sheriff's office. It's 1234.
Phone-Trace Race: In "Redacted," the team acquired a dead man's cell phone, which one of their suspects was calling. They said it would take two minutes to triangulate the call. Patrick Jane took the phone, named a location and issued an ultimatum, then hung up. When everyone looked at him askance, he said that it would just be easier to bring the suspect to them. He was right.
Phony Psychic: Played with. Jane used to be one, until "Red John" paid a visit to his family. Now he decries all "psychics" as phonies. That doesn't stop people from asking if he has Psychic Powers. Especially Van Pelt.
Photographic Memory: Jane shows this skill while pointing out clues. In "Red Handed" he explains to Van Pelt that information can be placed in different location in his "memory palace," which he sees as the carnival where he grew up. Jane attempts to teach Rigsby the "memory palace" trick in "Rose Colored Glasses." "Red All Over" has Jane remembering a room well enough to tell Lisbon where to look for a hidden bomb... over the phone.
One of Red John's accomplices lets slip that Jane has shaken hands with Red John. A couple of episodes later, Jane has made a list of all the people he has shaken hands with. Ever. His list is 2,164 names long. He's narrowed the list of possible suspects down to seven by the end of season five, though.
The Profiler: Jane's core tactics involve getting into the criminal's heads and using it to solve the crimes. One notable example is "The Red Barn", where he deduced the killer by noting which of the suspects had the most familiarity with the Red John logo, which appeared in the barn in the episode.
Luther Wainwright, who came from a criminal psychology background and deduced Jane to be a psychopath in "Ring Around The Rosie", also qualifies.
Psycho Lesbian: In "Rhapsody With Red," subverted with one of the suspects who had a one-sided crush with the victim and even had the murder weapon in her trunk. But Patrick quickly deduced that she was innocent and was genuinely sad over her death. Turns out it was the male Stalker with a Crush who killed her so his female love interest would get a higher seat in the orchestra.
Also, Summer. Though press releases confirm she will be returning not too far into the upcoming season.
In "Panama Red," she returns, noticeably pregnant and engaged to be married. She also shows that she hasn't got any brighter, needing Cho to get her out of legal trouble when she is caught among members of a counterfeiting syndicate during a raid. In the end, she gets married and moves with her new husband and moves to Seattle.
Real-Life Relative: Simon Baker's, Tim Kang's and Owain Yeoman's wives have appeared on the show.
Reset Button: The Season 4 premiere essentially undid the actions in the Season 3, by revealing that Red John is still at large (and thus wasn't killed by Jane) and by having Jane acquitted by the end of the episode (allowing him to pursue other cases like he usually does)
Minelli: You know, for 8 years, I've put up with the idiotic questions of the media, and I've never said squat. But today, I must tell you Meredith, you've really set a new standard in horse's-assery. You people have no...concept...of what we do. We go into dark, horrible places, alone and afraid. And we do it with no money, broken down vehicles, with computers that have more viruses than a $10 whore. How? Good people. And I lost 3 good people today, and a fourth is in critical condition. And you ask me how I'm feeling? I'm feeling sad, you moron. Any other questions? (silence) Okay then, good day to you. Lisbon, carry on.
Red Herring: In the episode "Bleeding Heart," Lisbon told her team to look into someone, but Jane said not to bother because it was a red herring. Van Pelt asked what this meant, to which Lisbon responded "A red herring is what you look into regardless of what Jane tells you." There was also a second season episode titled "Red Herring."
About midway through the third season, in the episode where Hightower is framed and Jane helps her escape, Director Bertram quotes a William Blake poem. Savvy viewers will recognize this as a hallmark of Red John and his followers. Fast-forward to the season finale, and it turns out that Bertram isn't Red John's inside man after all.
Refuge in Audacity: Pretty much Jane's MO. He does things the cops couldn't possibly get away with, and he avoids punishment (other than the tongue-lashings) simply by being too unpredictable to catch ahead of time.
On occasion, he does face minor consequences, like getting punched. Most of the time though, when he does something wrong, Lisbon takes the heat; it's been acknowledged that Lisbon will lose her job, not Jane.
Re Tool A major one seems to be occurring now that the Red John arc has come to an end and there's been a two-year Time Skip, with Rigsby and Van Pelt departing for their new cybersecurity business, Dennis Abbot and Kim Fischer being upgraded to series regulars, Cho joining the Austin, Texas branch of the FBI, and Jane returning to the United States in exchange for dropping the charges against him to work with the FBI, and insisting that Lisbon join him. It may or may not work out, or it may turn into a Poorly Disguised Pilot.
Jane's whole purpose for working with the CBI. Sam Bosco asks Jane to avenge him before dying:
Sam Bosco: Do me a favor. When you catch him, don't arrest him. Kill the son of a bitch.
Jane: That's the plan.
Revenge has been a recurring theme in the series. Besides Jane's hunt for Red John, there have been several vengeance killings investigated by the CBI. How the person feels about it afterwards varies - at least one person says it was worth it; another says it doesn't help because her daughter is still dead - but Jane always asks.
"Red and Itchy" strongly implies that a vengeful La Roche cut out the tongue of his mother's rapist.
Running Gag: Jane loves to point out that he's not actually a cop, just a consultant.
One of Jane's stock tactics is to draw the attention of a large group of people and ask the perp to please raise his or her hand. The point is to tell the perp that the CBI is after him, and so he is more likely to get spooked out and make mistakes.
Mythology Gag: In an episode showing Jane's very first case, before he was formally hired by the CBI, Lisbon introduced him to a group of suspects as a "consultant."
One particularly notable example was "Red John's Friends." Jane is told that he's not allowed to pursue a particular lead regarding Red John because it would piss off some important people, so he chooses to quit. Lisbon and her team are advised it's hands-off, but decide to help him anyway. Minelli threatens to suspend them all, but then decides to look the other way by saying that he's leaving on a personal matter and that they'd better have things wrapped up before he gets back.
It's also deconstructed when a competent defense attorney uses Jane's usual behavior to get an ironclad case against a serial killer thrown out in court since due process had been violated.
In "Blood for Blood," a child confesses to Lisbon and Jane that she killed her father, partly in self-defense (after he turned a gun on her) and partly because he killed her mother. Lisbon wants to take her to Juvenile, but Jane says that if they do that, she'll just get lost in the system, likely spending months if not years in foster care and getting punished. Lisbon points out that they are part of that system, which is good people that are doing the best they can. Jane, naturally, is not persuaded. Lisbon takes the girl to Juvenile anyway, Jane in tow, but when she gets there, she simply stands for several seconds before the guy at the desk tells her to hurry it up because they're very busy. She dithers a bit longer and then tells him to keep up the good work before leaving with the girl. Jane tells the guy at the desk that he's just witnessed a beautiful thing.
Serial Escalation: Just how many disciples Red John will have? Just what sort of morally ambiguous gambit Jane will play? Just how far Lisbon has to go to bail Jane out?
Serial Killer: "Red John". Unusually, he is able to find, and manipulate, other serial killers. He's technically retired in that most of his last victims are to cover his tracks, or to avenge an insult, whereas he began as someone who targeted women seemingly for kicks; a dramatic change of M.O.
However, Jane is only ever seen in his hallmark three-piece suit, his curls can get unruly, the suit itself is somewhat rumpled, and his shoes are very worn. There is only one episode where he is seen not wearing a vest and that is when he is undercover.
She Cleans Up Nicely: Lisbon, who is often overshadowed by the gorgeous Van Pelt, has one of these moments at a society fundraiser that she's been ordered to go to because the CBI is broke. Jane, UST-ee/unrequited love/co-worker seems not to notice, but then he isPatrick Jane, and probably thought he could screw with her in some way by not mentioning it. Made awesomer by the fact that when she gets called away to a crime scene, she just sticks her regular leather jacket over the top and looks eccentric and beautiful.
Then there's "The Crimson Hat", which just plain oozes Jisbon shipage. In addition to the little scene at the church where Lisbon pointedly exclaims how much she hates Jane (with her usual amount of "Can't Live with Them, Can't Live without Them" affection), there's Jane's "Good luck, Teresa. I love you" right before he fakes shooting her multiple times. Of course, when Lisbon asks him what he meant by that, Patrick feigns forgetfulness and asks what he said, because he was a little hyped up at the time and can't remember. Then after she saves him from Red John's girl and goon, they're holding hands. Really, writers? Really? You just love to yank the shippers' chains, don't you?
According to Bruno Heller, one of the subplots in season 5 will be Lisbon dealing with Jane's "I love you" before he faked her death in the season 4 finale, which leads her to realise she's in love with Jane. Their relationship will probably be upgraded to either Unrequited Love or Complicated Possibly Requited Love. Doesn't help that Jane will be dealing with Red John's girl in order to get to him.
In season 5's premiere, Jane's hallucination of his daughter makes constant remarks about liking Lisbon and asking why Jane and Lisbon are not together. When your own subconscious tells him to be with someone, there is something big there.
And now, perhaps the crowing tease, are Jane's rather blatantly romantic letters to Lisbon from his undisclosed location following Red John's death, and the little box she keeps them all in. There's even a scene of her reading them with a glass of wine in front the fire. For shame.
Shout-Out: Rigsby snatches a girl's microphone out of her hand and takes over, at one point stating 'I'mma let you finish'. Now, where have we seen that before?
In "Cheap Burgundy", there is a justified case: the suspect in the second case claims not to know anything about Shakespeare, but in the end Jane tricks him into correcting a sentence from a Shakespeare work.
Rio Bravo is playing on a TV st the start of "Red John." As Sheriff Chance thinks Joe Burdette is not worth other people getting killed, Patrick Jane wants everyone out of the way when he confronts Red John.
Dr. Daniel: You're ambitious, more than you let anyone see. A girl from nowheresville, desperate to make it big, but you're worried that you'll always be smalltown, smalltime, you haven't got what it takes, and that's why you're so shut down to everything but this job.
Van Pelt: Dr. Daniel, no offense, but I've been working with Patrick Jane for nine months now. You wanna get under my skin, you're gonna have to up your game.
Silent Conversation: The last words Bosco has to Jane are seen but not heard by Lisbon and the audience.
To show off Patrick's amazing memory skills, they play without a board, instead just telling each other what moves they make.
Snowball Lie: During season four, after "Always Bet on Red", as Jane goes to great lengths to forge evidence to hide the fact that he lied to the jury and really didn't kill Red John.
The Sociopath: It's a crime show, so this is to be expected, but of particular interest is one episode in which they have friendly chat about the titular character meeting the criteria for antisocial personality disorder.
That said, only about 3 of the 7 or 20-odd points (depending on which checklist they used) of the criteria are mentioned, and he is incorrectly scored on the "Glibness / Superficial Charm" bit- he might fit that, but its the "superficial" part thats important, not the "charm" part, and the fact that Jane is willing to use his charm to manipulate others is mitigated by the fact that he is also simply charming by nature.
The fact that he was clearly in love with is wife and feels guilty about her death also makes it impossible for him to be a sociopath.
He very clearly empathizes, especially with the grieving, goes out of his way to comfort those he feels are in real pain and is extremely...annoyed with those who fake it.
The Sponsor: In the episode "Jolly Red Elf", the bizarre death of a Santa-suit clad alcoholic lead Jane to seek out his AA sponsor, who was later revealed to have been in love with the victim.
Standard Cop Backstory: Lisbon was abused by her alcoholic father after her mother's death and practically raised her three younger brothers.
The Stoic: Cho. We're not sure if he's actually capable of facial expressions.
To be fair to Cho, in the first seven episodes or so he actually smiled. For some reason his ability to emote has been severely reduced over the seasons.
He's finally called out for that in "Pink Tops". A witness isn't intimidated by Cho's attitude and demands some courtesy if she is to talk with him. At the end of the episode, when Cho finally defrosts on her, she is willing to become an informant.
Stress Vomit: In a Flashback episode showing Jane's first case with the CBI, before he even becomes an official "consultant," he vomits after seeing his first dead body.
Stylistic Suck: In "Red Sky in the Morning", Patrick points out that apart from the real-life murders, the killers' film was just a corny slasher. Red John shared the same opinion.
Superstition Episode: An episode in season one had a witch who had cast a death spell on the Body of the Week. After Patrick meets her, he prompts her to cast a death spell on Cho. During the rest of the episode, Cho had more than one close call...
Surprise Party: In the opening of "The Red Barn," there is a surprise party for Teresa Lisbon having ten years with the CBI, disguised as a crime scene with a dead body that suddenly comes to life with Lisbon examines it, scaring the pants off her.
Swiper, No Swiping!: One of Patrick Jane's stock-in-trade tools. It doesn't really work on its own, but is useful when applied properly in combination with some of his other tactics.
Take That: In "Green Thumb", Jane's first case with the FBI, when he finds out the FBI team is flying to New York via regular airline services, Jane remarks that he was "expecting a jet". This references Criminal Minds, whose team of FBI agents fly around in their own jet, and may be Heller's way of taking a jab at how unrealistic CM is for having a private jet.
The Butler Did It: In season 3's "The Red Mile," Jane gleefully exclaims this, while running around nearly beside himself with excitement. Though the butler was driving the car to Jane's pre-arranged trap, it was actually the rich mother-in-law that did it.
How about the victim of "Red Carpet Treatment"? Bludgeoned with a sharp rock idol and then shot nine times in the face, POST-MORTEM.
There Should Be a Law: Lisbon and Van Pelt take certain not-quite-crimes - like being creepy - very seriously.
There Are No Therapists: Averted, just barely. Patrick Jane did need to be institutionalized after his wife and daughter were murdered, and it took him months to become functional again, but it seems to be largely without followup, even when his methods go to the illegal. After Jane shoots Tanner, who had a gun, to save Lisbon, they both have to go therapy. Lisbon goes to about six sessions with Dr. Carmen, but Jane only has one.
Lisbon: You signed off on him after one session.
Dr. Carmen: He has good mental health.
Lisbon: Now I want to see your license to practice.
Dr. Carmen: Ha ha.
This is possibly because Dr. Carmen needed to focus on Lisbon because he planned to frame her for murder. This, understandably, does not make Lisbon any warmer toward therapy.
Van Pelt is is seen in therapy after she kills her fiance.
The Tape Knew You Would Say That: In a most disturbing variant at the end of "Red John's Rules", Red John reveals through a recording of the late Lorelei Martins that he not only knows what vital clue Jane has received during the season, but also which seven suspect names he has wittled it down to. Doubles as a twisted Video Will.
Title Drop: The hallucination of Charlotte to Patrick Jane in "Devil's Cherry." "You tell me, you're the mentalist."
To Absent Friends: The team gathers at CBI for rounds of tequila after Sam Bosco's death.
To the Pain: Jane - "When I find Red John, I will cut him open and watch him die slowly."
That episode included an Aesop about revenge. Jane, after saying that, tells not one, but two people how revenge doesn't lead anywhere after things turn out badly due to it. Then he admits that he thinks what he said is a load of bull and hasn't changed his mind at all.
Trash the Set: The CBI officers are dismantled by the FBI in Season 6's "The Great Red Dragon." They are completely bare, with all the desks and Jane's couch gone at the start of "Red John."
Turn In Your Badge: Rigsby was forced to do this, but it was taken back once they realized he was hypnotized. So did Lisbon when she failed her polygraph test.
The whole team went unregulated for an episode for breaking protocol. Minelli looked the other way because it was a Red John case.
Two Shots From Behind The Bar: In one episode, Rigsby's father (an ex-con) is "helping" on a case, and goes into a Bad Guy Bar. Moments later several people run out. Rigsby enters and finds his father with a shiv pointed at some guy's throat and the bartender with a shotgun pointed at Rigsby Sr.
Übermensch: Jane. He recognizes no restrictions in his quest for Red John. He considers this more important than (common) morality. The following lays his philosophy out (Jane has been arrested by Bosco, and Lisbon has come to see him):
Lisbon: Look, I hope we can get you out of this mess. But it's also true that I do hope that you learn a lesson from this. There are real boundaries in life. These are real prison walls.
Jane: Only in your mind, Lisbon. Only in your mind.
Ultimate Job Security: Jane has this. In fact, he's so valuable to the CBI that if his antics ever go too far, it's Lisbon whose job will be in trouble.
Lisbon might have this too. Jane has made it clear to several superiors that he will act out even more or quit if assigned to any team other than Lisbon's.
Undercover as Lovers: Jane and both the women on the team. In season one, it was Van Pelt (he was the professor who seduced her and made her his fiancee), and in season two, it was Lisbon (which had the Jisbon shippers practically exploding when he said "I love you"). This is Patrick Jane, however - a certain baseline of dickery needs to be respected. Also in season two, Jane coaxes Lisbon into posing as his lover so they can get a hooker to join them upstairs, all as part of a plan to question the pimp, of course.
Unreliable Voiceover: Used to chilling effect in "Red Alert". The murderer confesses, but says that the victim drove him to it: she led him on, lured him to her house, rejected him, and then threatened to expose him. The flashback we see while he's talking, however, tells a different story. Lisbon is not fooled.
They do eventually get together, but thanks to the work restrictions break up again. And after some time apart (and a few Romantic False Leads), they get back together again.
It's present between Jane and Lisbon too, albeit subtle and overshadowed by the whole Rigsby/Van Pelt thing. He's not above teasing her about it. And although the actors have both said it won't happen, we still get scenes like the one in "Rose-Coloured Glasses", where they slow-dance. Sheesh.
Unusual Euphemism: In the season 3 premiere "Red Sky At Night," Lisbon, irritated with Jane's refusal to elaborate on his latest wacky scheme, grumbles "Oh, sheepdip!" to him.
Unwitting Pawn: Most of the CBI, but particularly Jane himself, ironically. Lampshaded in Red John's Friends by Lisbon. "You think you're playing him and he thinks he's playing you. One of you is wrong."
Villainous Rescue: Red John saves Jane from his copycat killer in the second season finale.
We Can Rule Together: More or less what Red John offers Patrick Jane through Lorelei Martins in the fourth season finale.
We'll See About That: This is the response of an F.B.I. agent in the fifth season premiere "The Crimson Ticket" when Patrick Jane insists that Lorelei Martins is the C.B.I.'s suspect.
Season 3's "Strawberries and Cream". Jane meets and kills Red John. Or so it seems, until Season Four reveals it was only an accomplice.
Season 4's "Blinking Red Light". Red John's BACK!
Season 6's premiere. Jane and Lisbon have an argument, Lisbon gets called to an abandoned house by herself and is captured by Red John. The episode ends as he taunts Jane over her phone and paints his bloody smiley face on her face.
Season 6 episode 4. There's an organisation of corrupt cops and officials (that may or may not have Red John as a member). They identify with each other using the phrase "tiger tiger". Kirkland is killed by Smith (one of the red john suspects) who is a member of this organisation.
Season 6, episode 6, "Fire and Brimstone". Jane leaves Lisbon stranded as he rounds up every remaining suspect to check for a tattoo that is allegedly supposed to identify Red John. Three of them have it. A shot is fired and then the house they've gathered in blows up.
Season 6, episode 7, "The Great Red Dragon". The Red John suspect list is narrowed down to Gale Bertram, who is part of the corrupt lawmen organization, and after this is announced and a manhunt starts, the FBI shut down the CBI.
Season 6, episode 8, "Red John". The eponymous serial killer is revealed, then strangled to death by Jane.
—Lorelei:"I only wonder why the two of you didn't become lifelong friends the moment you shook hands."
What Could Possibly Go Wrong?: When Jane suggests using Erica Flint as support to find a killer, Lisbon objects, knowing she could run away. Jane asks this. Of course, things go wrong and Erica runs away.
What Happened to the Mouse?: After the season 3 finale, what happens to Special Agent Hightower? Is her name ever cleared? And although Jane states that O'Laughlin is "a known accomplice of Red John," how can he prove that when the only ones who know are Hightower (who is a murder suspect) and Lisbon's team (who found out while conducting an off-the-record investigation)?
The team just explain the trail of thought that led Jane to believe they were looking for a Red John accomplice; combined with the fact that he was La Roche's short list of suspects, that they can link the assassin at the hotel to the info they gave him (with video evidence), and the fact that he killed two cops, makes the case pretty tight. They don't even have to prove he was an ally of Red John, really; the fact that he was a ruthless murderer and was a viable suspect should be enough, especially since fleeing from justice was just faked by Jane.
The psychic Christina Fry. Red John captures her and apparently Mind Rapes her to the point that she's convinced she's a ghost (Jane has to "hold a seance" to get her to talk to him). We're never explicitly told if she ever recovered or if she's sitting in a padded room somewhere going "BOO!" every time a worker brings her meds, or if she just gave up and died for real.
At the end of "Red Rover, Red Rover", CBI Director Wainright suspends Jane for psychologically torturing a confession out of the Killer of the Week. When Jane mouths off, Wainright fires him.
Which naturally turns out to be the setup for another Batman Gambit to catch Red John. And RJ sees it coming.
Wicked Cultured: Red John listens to Bach and quotes William Blake's poetry.
Will They or Won't They?: Jane and Lisbon, arguably. They dance around it (and, on one occasion, with each other), and certainly Lisbon has straight-up admitted that she cares about him, but Jane is still hugely damaged and mourning his wife. Doesn't stop the shippers...
Would You Like to Hear How They Died?: In "Strawberries and Cream", Red John sadistically describes to Jane how the latter's wife and daughter smelled as they were murdered. Season Four reveals this was only an accomplice, though.