"You goddamn chauvinist pig ape!"The phenomenon in B Movies from the 1950s to early 1960s in which rampaging monsters/serial killers seem to focus their "random" attacks mostly on women. Usually young, innocent, vulnerable women. Although such films may show a man or two as victims, the real focus is on the ladies. For instance, if the movie includes a montage of attacks, expect every victim shown to be female. This seems to be a wide-scale application of the Disposable Woman concept, sans any significant connection to The Hero; further, the deaths carry no more than the normal dramatic weight, and do not motivate the Hero to action any more than would male deaths. All other things being more or less equal, the director will simply choose to populate his movie with female victims. And then, of course, there are plots in which the killer will specifically target females. One would assume, in this age of equal rights and feminism and all, that this would be a Discredited Trope or even a Dead Horse Trope. But no, the trope is alive and well. Apparently, the sight of women being terrorized on screen is just more... um... titillating. Or a good way to show just how evil your monster is by attacking poor defenseless girls. Also don't forget that Girls Are Really Scared of Horror Movies. Either that, or it's because this trope is based on reality — real-life Serial Killers target women much more often than men. Ted Bundy, Ed Kemper, Gary Ridgway, and even Jack the Ripper killed women exclusively, or nearly so. As a direct result of this trope, many slasher movies have a Final Girl (and one with no form of self-defense training at that), since audiences are somehow more likely to root for a young, nubile, defenseless (and most often white) woman on the run from a psychopath who gutted her friends like fish, as opposed to a man in a similar position. If the women are abducted rather than killed, it's probably because Mars Needs Women. See also Distressed Damsel, Monogender Monsters, Naughty Tentacles, Touch of the Monster. Men Are the Expendable Gender can either avert or invert this, depending on the hostility towards the gender.
— Dwan, King Kong (1976)
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Anime and Manga
- In Fullmetal Alchemist, Barry the Chopper attacked people regardless of gender. In the 2003 anime version, however, he is mentioned as killing only young women.
- In Ranma ½, the monstrous eight-headed Yamata-no-Orochi is an enormous pervert who likes to see women's underwear, naked women, and women in general. It also loves eating them. It even has taste buds for it. Men? They just taste bitter, they piss it off, and it kills them on sight. This is roughly based on the myth of the Yamata-no-Orochi, which demanded maiden sacrifices.
- A Justified Trope in Witchblade. The I-Weapons usually go after women; women who just happen to have the Cloneblades of the Witchblade they are attracted to.
- In Bleach, Ichigo is confronted by a Hollow named Grand Fisher, named for the hook on his head which he can give the appearance of a small child to lure his victims, with Rukia explaining that his favourite prey are women. He is also the hollow that killed Ichigo's mother
- In the first OAV of Vampire Princess Miyu, all of the Shinma of the week's victims were female: two schoolgirls, a college student, an Office Lady and a House Wife. (And we actually witness the poor House Wife's death; she's picking some silks in a store, the glass of the window suddenly cracks a little, and all of a sudden we see her dead on the floor.) Somewhat justified in that Aiko, the girl "commanding" the Shinma, had her life "ended", therefore the Shinma believed it had to finish other female's lives as well since they had the lives that poor Aiko couldn't aspire to anymore.
- Played straight and inverted, in Tokyo Ghoul:Re. The Ghoul Serial Killer Torso preys exclusively on women with scars, while Nutcracker is a Femme Fatale that enjoys preying on men. Both are considerable sources of Fan Disservice, as a result of the horrifying violence they visit on their preferred victims.
- All of Furuta's named victims in the series have been women, and it doesn't seem to be entirely coincidence. He dropped the steel beams on Rize, even though they knew each other as children. He seduced and brought Ami to the Ghoul Restaurant in order to see her murdered for his amusement. He belittled Matsumae's sense of honor, and blinded her before finishing her off. And he states that Eto is just the kind of woman he likes, while posing suggestively and commenting on her looks....and swears that he'll personally punish her for taunting him.
- While men and women both die plentifully in works by Frank Miller, the fetishistic way that women are killed, often while they're partially or completely naked, has led to accusations of Author Appeal. As an example, Sin City's male villains in particular are nearly always some form of misogynistic scum bastard who murders and/or does truly awful things to women and girls, to the point where in A Dame to Kill For, the second major Sin City story, Ava, the titular Femme Fatale, plays on Dwight's violent protectiveness toward women by casting her perfectly innocent husband, Damien Lord, as one of these in her Wounded Gazelle Gambit.
- The story goes that the memorable attack on the "Hitchcock woman" in The Birds was a result of Alfred Hitchcock's issues with that specific woman.
- Creature from the Black Lagoon: the eponymous creature focuses its attention on the female protagonist apparently with sexual undertones.
- Chucky of the Child's Play series is the Stephen King take on this trope: a seemingly inhuman monster (in this case, a Serial Killer doll) that turns out to be very human in its attitude and appetites. His very first onscreen victim in the first film is a woman he kills for being a "bitch" and he has a very violent (and memorable) misogynistic tirade in response to being threatened by the film's protagonist. Later movies would only escalate on this misogyny, from casually disparaging women drivers in the second film to getting a Joker and Harley Quinn-themed relationship in the post-trilogy films. The most recent (as of 2017) film, Curse of Chucky, is definitely the worst, as it shows he developed an obsessive "love" with one particular woman, kidnapped her and held her tied up for days, and then viciously stabbed her when she called the police, rendering the daughter she was pregnant with a paraplegic from birth.
- Death Car On The Freeway: a Made-for-TV Movie from the 1970s, in which a serial killer runs lone female motorists off the road and kills them.
- Dragonslayer, being a troperiffic dragony story, naturally has the whole Virgin Sacrifice thing. Particularly clear when the princess is torn apart and eaten by baby dragons. Though note that the dragon is unintelligent and the lottery which leads to these sacrifices has been set up by the king; it's very possible the dragon couldn't care less who it was eating, and virginal young women were just considered the most expendable people in that medieval society.
- Inverted in the spoof Monster in the Closet, in which the eponymous beast is smitten by and kidnaps the film's hero. (The monster's sex, if any, is never revealed...)
- Inverted in Dude Bro Party Massacre 3. The slasher is a female and her victims, with rare exception, are a bunch of fratboys.
- In The Evil Dead (1981), the first to be taken by the monsters are the women in the group. And the scene with the tree. The Final Girl is a man to intentionally invert that trope.
- Humanoids From The Deep takes everything the 1950s horror movie monsters hinted at when monsters kidnapped young women, and updated it for 1980s exploitation sensibilities by showing monster-on-girl rape scenes. Quite infamous for its misogyny, despite being directed by a woman (though she claims producer Roger Corman added more explicit rape footage later — which, knowing Corman, is probably true)
- Galaxy of Terror. The maggot scene. We shall speak no more of it.
- Scream (1996): Ghostface primarily targets and murders women with tons of rape imagery attached.
- This Island Earth. It's right on the poster.◊
- In the Dean Koontz novel, Shadowfires, a Mad Scientist-turned-monster stalks his ex-wife out of (at first) murderous intentions. But after slowly becoming more animalistic, and raping and killing and eating an innocent bystander, his desires towards his ex-wife turn more amorous and cannibalistic.
- Koontz does this a lot. Dark Rivers of the Heart was a particularly graphic example.
- In the Hannibal Lecter series, all non-Lecter killers (Jacob Garrett Hobbes, Frances Dolarhyde, and Jame Gumb) specifically targeted women - Dolarhyde killed whole families, but it was the mothers that interested him. Lecter himself was far too much of a Magnificent Bastard to particularly care whom he killed, and it's implied that he had a fairly even split in terms of victims.
- Dracula: the title monster feeds on men to survive, but the only new vampires he creates are women. Many critics note the sexualized nature of the violence between men and women throughout the story, with blood-sucking and stalking being seen as metaphors for sex.
- Played straight with the Hunter in the Coldfire Trilogy, but justified—he's made a study of human behavior and decided that targeting women is the most effective way to terrorize a society, and since he feeds on fear...
Live Action TV
- Several monster/murder films seen on Mystery Science Theater 3000, to the point where the guys would often wonder if the directors might have had "issues with women":
Mike: Do you think most guys who make movies have issues with women?
- The Crawling Hand features attacks on men as well as women, but the only such victim to actually die is a pill-popping, gun-happy, boozehound woman.
- The Sinister Urge, which is about a killer who purposely targets young female porn-star wannabes.
- The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (whew!). The killer murders two couples during the course of the movie. However, in each case, his target was specifically the woman; the men were just in the wrong place at the wrong time.
- The Horror of Party Beach includes two male victims alongside its twenty-four girl deaths. And that figure doesn't take into account the film's Female Victim Montage. Adding to the misogyny count, many of those victims were holding a slumber party at the time. Cue "panty raid" jokes.
- Horrors of Spider Island, in which the entire victim pool is female. Except for one lecherous guy near the end. As the commentary said: "I wonder how this movie really feels about women."
- On the one hand, this is somewhat justified as the plot is a Closed Circle (a troupe of dancers survived a plane crash and ended up on a desert island; their manager, the only man around, got turned into the monster). On the other, it also spends a lot of time focusing on scantily-clad and/or (supposedly) naked women doing things like swimming, dancing, and fighting one another. And supposedly the original German version was more explicit.
- The Creeping Terror, in which the monster swallows women whole on-screen, head first to allow the camera to focus on their legs. Mike & the bots even quip "you know, I think this is a weird little turn-on for the director."
- It Lives by Night, in which only one of John's victims wasn't a young, attractive woman. Sgt. Ward doesn't quite count: he was killed by a swarm of bats.
- While they did attack all kinds of people, the monsters and other things in Kolchak: The Night Stalker seemed to have a predilection for attractive young women who walk the streets alone at night.
- The Land Shark, a recurring sketch on Saturday Night Live, described by the narrator as "the cleverest of all sharks. Unlike the Great White shark, which tends to inhabit the waters and harbors of recreational beach areas, the Land Shark may strike at any place, any time. It is capable of disguising its voice, and generally preys on young, single women." Usually, the skit would involve him fooling the female victim into opening the door to her apartment by claiming to be a plumber, salesman, or claiming to deliver a candygram or flowers. (In one case where the victim was onto him, he claimed to be a dolphin, or in one case, outright admitted he was a Land Shark; clearly he only preys on stupid victims.)
- Buffy the Vampire Slayer:
- In the Star Trek episode in which Jack the Ripper turns out to be an evil alien entity, Spock says it focuses its attacks on women because "women are more easily and more deeply terrified, generating more sheer horror than the male of the species." Though the dialogue doesn't have this caveat (and hence lacks this implication), that actually makes sense in the context of Victorian England, where women were supposed to be delicate and helpless and this attitude was encouraged in them.
- On The League of Gentlemen, the demonic blackface minstrel Papa Lazarou goes after women to make into his "wives". In a bit of a twist, though, all of the women are over 50, and he's just as dangerous towards men if they come across his path. Also, due to the format of the show, almost all the women are played by men in drag.
- The titular serial killer in Dexter is not an example, but many of his victims are. The Ice Truck Killer targets only women, and in particular prostitutes. This is similar to real serial killers, who (being primarily men) will target prostitutes under either some misguided "morals" that they have, or simply because they feel they won't really be missed.
- Criminal Minds, being based on real life serial killers, plays it straight in many episodes. It's Justified in that 70% of victims of serial killers are women, and the show does try to balance out this trope by having cases with omnivores, with—usually—final victim that is rescued before any harm can be done to her being a woman.
- One Monster of the Week in Power Rangers Lost Galaxy was a guy named Crumummy who only attacked the female members of Terra Venture, although in his defense, that's what Trakeena ordered him to do, so he could steal their beauty and transfer it to her. In fact, that's part of why the plan was thwarted. Trakeena decided to come down to the colony in disguise to check on him, and when she was the only woman he didn't attack, Mike quickly got suspicious of her.
- Foster The People song Best Friend featured a woman who could swallow people alive. However, rather than eating men like one would expect from such a premise, she instead only eats other women. This is justified because she is a supermodel and when she eats a woman she absorbs some of her beauty so it makes sense that only women get eaten.
- Dragons. Many stories are told of dragons kidnapping maidens (usually virgins) and holding them captive before a knight comes in to rescue said maidens. With how much time tends to pass between the dragon kidnapping the maiden and the usual heroic quest, as well as the implied intentions of the dragon, one wonders why the dragons didn't just eat the maidens when they had the chance.
- On a somewhat darker level, some villagers were said to invoke this trope by sacrificing virgin maidens to dragons to appease said monster's appetites.
- A certain branch of vore focuses exclusively on women as the prey. Artwork, stories, and videos focus on women getting Swallowed Whole by other women, snakes, monsters, and Giant Women.
- Despite the monicker, animals that get labeled "maneaters" are actually more likely to attack and eat women as they often make easier prey. They're also considered more palatable than men, as they have softer meat.
- Prominently featured on the backglass art for Attack from Mars. In-game, all of the sound clips of Martian attacks on humans feature female victims.
- In the Ravenloft campaign, the vampire Strahd von Zarovich, Darklord of Barovia, feeds on victims of both genders, but rarely ever creates male vampires. This has a lot to do with his eternal pining for Tatyana, his brother's betrothed who he desired, and made a pact with some dark entity in order to possess, only to be cursed with vampirism forever, with Tatyana forever out of his reach.
- Universal's Horror Make-Up Show alludes to this, as the "volunteer" that one of the hosts will pick out from the audience is always a woman.
- The Ogres in Dragon's Dogma tend to target female pawns at top priority, and inverted by the Elder Ogre, which targets men first.
- The monsters in the Torna Canal section of Final Fantasy V only target females. If you pay attention, their attacks hint at The Reveal of Faris' gender in the next chapter.
- The Orthros in Final Fantasy XII will only appear if your party consists of Fran, Ashe, and Penelo - all of whom are female. Granted, it will still attack male characters if they are switched out, but the monster seems to prefer attacking females.
- Pyramid Head from Silent Hill 2. He is, among other things, a representation of the main character's masculinity issues, and is only seen to harm a single creature (excluding the protagonist) that isn't obviously female.
- Amped to 11 thousand in The Suffering. The Creeper in the second game is the incarnation of a pimp who abused, murdered, raped, and did all sorts of unspeakable things to his hos. One line cut from the game was his: "Blood makes the best lubricant."
- Justified in Dragon Age; the darkspawn reproduce by abducting humanoid women, gang-raping them and force-feeding them darkspawn flesh and their own relatives, and gradually transforming them into Broodmothers - towering, multi-breasted, betentacled horrors with nightmare faces who give birth to thousands more darkspawn.
- In some Might and Magic games, there are monsters that attack the female members of your party in preference to others. (And a few that attack males in preference to others, a few that prefer to attack certain races or classes; the point is to encourage players to use a variety of characters.)
- There's a perhaps uniintentional example in Koudelka and the Shadow Hearts games. A semi common monster in Koudelka was called Inverse and resembled a revolver-totting upside down man with 3 heads growing from the right side of his face. This creature always seemed to attack Koudelka while ignoring James and Edward. It reappears in the first Shadow Hearts game and again it will exclusively aim for the females present in battle most of the time, only attacking the guys if there no women in the battle team. Oddly enough, there isn't an in-game explanation from this quirk, Kouldelka's manual described the monster as a "shade of a former thief who sought to pillage from the Monastery. Poisoned and then shot, he stalks the grounds trapped in his own purgatory." and in Shadows Hearts it is a "ghost that has resided in Nemeton Monastery for a long time. It roams among the ruins now, a soul that will never be saved." leaving its misogynistic tendencies a mystery.
- Neopets once had something called the "Terror Mountain Ski Lodge", where members of the staff were picked off by the Ski Lodge Killer. The first victim was a male, but then the killer killed 8 female staff members in a row. Eventually the killer went back to male victims (as there were only two women left).
- The SCP Foundation has SCP-847. Usually a normal seeming (if damaged) female mannequin, it comes to life sporadically. If a man approach it, it will try to entice him with moanings, and afterwards it will destruct parts of itself according to whatever comment it hears about "her" lacking something. If a woman approaches within 100 meters of it, it immediately attacks with a single minded determination to murder the woman, after which it will use body parts from her victim to repair itself. Its only known weakness is electricity, which will temporarily render it dormant.
- Gender Flipped in the Monster Girl Encyclopedia- As all of the monsters are women, their primary target is human males when they need to kill (or rape) something.