Department of Child Disservices
Mrs. Stevens: I promise, it'll never happen again.
Child Services Clerk
: I hope not, Mrs. Stevens. Because next time we won't just take him away, we'll kill him!
We all know that in fiction, There Are No Therapists
and Social Services Does Not Exist
On the occasions when Child Services does
exist, they are almost inevitably shown to be one of two brands of stupid, if not both:
- Child Services is completely incompetent at actually keeping children out of neglectful or abusive homes. No matter how horrific the foster home or adoptive family, once children are placed there, they're on their own and can expect no intervention from social workers unless it's only to be moved from that situation to another abusive foster home. Even if anyone in Child Services is aware that the child is being abused, red tape will prevent them from being able to do anything about it. Alternatively, Child Services might spend so much time on scraped knees that they overlook a child trapped in a truly horrible situation. On the other hand...
- Genuinely caring parents and would-be parents will find it nearly impossible to adopt thanks to Child Services' strangling bureaucracy and ridiculously judgmental policies. Social workers will never care if something is Not What It Looks Like; anything that could possibly be construed as contributing to a less than perfectly ideal home life is grounds for rejection, regardless of context.
In the worst cases, both of the above apply, and children can expect to be summarily yanked away from genuinely capable and caring guardians only to be dumped into nightmares of abuse and neglect. Children may opt for Staying with Friends
rather than their new families to evade the social workers.
Frequently the Social Workers seem to have more power than the Repo guys, able to snatch the kids away from their parents without another word, when in truth this is only allowed in the most severe of cases and most countries require at least a warrant (although this is sought after privately to keep parents from making a break for it with the kids), which can take days and even weeks to procure - one bad day isn't enough to grab your kids.
Occasionally, there are the cases in which whatever department is handling Child Services turns out to be actively sinister rather than simply destructively incompetent and/or bureaucratic. Often this is formulated as a political cautionary tale. Depending on the outlet Child Services may be portrayed as heavily biased against devoutly religious, non-traditional families, single parents, or non-custodial parents. Sometimes a perfectly good parent has their children taken away for extremely stupid reasons and has a horrific time trying to get the kids back.
Similarly to the Law of Inverse Fertility
, the chances of a child getting adopted by a given family is inversely proportional to how good of a home it would be.
This is a common in-universe trope in many works of fiction as well. Characters may stay in abusive situations and even avoid or refuse to cooperate with Child Services because they have heard horror stories about the results of such intervention, regardless of how positively or negatively Child Services is actually portrayed in-universe (a good way to make use of the trope without passing judgment on the department itself).
Given the derogatory implications it foists upon social organizations, you could say that this trope is firmly on the cynical end of the Sliding Scale of Idealism Versus Cynicism
. On the other hand, the crusading parents or child advocates fighting the system might indeed be portrayed as idealistic.
See Don't Split Us Up
, Promotion to Parent
While the reality (and maybe idea
) of the system is far from perfect, please refrain
from listing Real Life
open/close all folders
Anime and Manga
- Higurashi no Naku Koro ni: Satoko, an example which becomes plot-critical in the penultimate arc. The reason they won't help her? Satoko once made a call to them that she unfortunately ended up unable to support at the time. In the author's afterward for the arc in the VN, he even apologizes about his portrayal of social services, possibly to avoid breaking the aesop stated in the previous afterward for Tsumihoroboshi arc that you always need to ask for help rather than resorting to drastic measures.
- Umineko no Naku Koro ni. Maria gets beaten IN FRONT OF welfare officer and she does nothing except occasionally mentioning that it's not the right way to treat your child. (NO SHIT SHERLOCK.) We don't know what happens immediately afterwards, but apparently after a few years Maria is still with Rosa, and still gets abused.
- The plot of Witchblade anime ultimately springs from meddling of aggressive 'Child Welfare Agency', which starts as a bunch of obnoxious bureaucrats and turns out to be corrupted and infiltrated by a squicky biotechnological Mega Corp..
- In Gunslinger Girl, the Social Welfare Agency is directly responsible for brainwashing little girls into cyborg assassins, a process which guarantees their early deaths. Then again, considering what most of the girls experienced before entering the program, it is arguably still an improvement.
- Subverted in the Dragon Ball Z episode "Plight of the Children". While the social workers do get too heavy-handed in their attempts to bring in the orphans, at least some of them genuinely want to help them. The oldest orphan and leader of the group Pigero eventually realizes this and allows the younger orphans to be taken away.
- Batman: In at least one version of the story Dick Grayson wound up spending three weeks in juvie after his parent's death because of an incompetent Social Worker
- In another, a social worker tries to have a Robin (presumably Dick but possibly Jason Todd) taken away from Batman (not Bruce Wayne, Batman) for child endangerment and the fact that he couldn't prove he had custody of the kid (both having secret identities). Batman, being Batman, actually has papers that state "Robin" is emancipated, which he calmly produces and the woman leaves. Which brings up a whole other host of questions as to how he got those for a masked vigilante kid...
- Black Panther: The Man Without Fear has a CPS social worker who grows so disillusioned with her own department's apparent inability to protect young abuse victims that she takes to murdering abusive parents herself.
- In one Spider-Man story, social services are portrayed as utterly horrible for putting a young girl in "the system", rather than letting her stay with either the split-personality supervillain father who killed her mom, or the grandmother who allowed said supervillain father to kidnap her.
- In Runaways After everyone's parents die the kids are put in the system. Karolina's foster family was implied to be drug addicts and too out of it to notice her gone, Nico ended up a group home that as she put was for "unwanted goth children", Chase was able to claim he was living with a relative that didn't exist by using a PO box he had preciously set up to pick his Playboy subscription, and they took away Gert's dinosaur (although to be fair, from an outsider's perspective that one would have been a good call). The only one that ended up in a good place was Molly, who was with other mutants, but even then she was unhappy because they took her friends away that she considered to be like family. The group ends up running away again and child services never really catches back up with them despite the youngest of the group only being eleven.
- The Sonic the Hedgehog Alternate Universe Fic Prison Island Break plays this straight. Convict Shadow Robotnik was taken away from his eccentric father-creator Gerald, but Social Services itself accidentally knocked down his sister Maria while doing so, fuelling a life-long resentment towards The Man. He was then passed around a series of foster homes which had trouble coping with him due to his emotional trauma and the fact that he's the Ultimate Lifeform. He was finally passed into the care of foster parents who physically and sexually abused him, and who he eventually murdered. Different from many other abuse fanfics in that Shadow clearly avoids bringing it up and will try to change the subject if it does.
Silver: What... happened to you?
Shadow: Nobody ever came when I screamed. Nobody sympathised with me when I did what had to be done. Why should I help you, knowing there's nothing you can do for me?!
- The My Little Pony: Friendship is Magic "Today, Tomorrow, and Forever" is about loving mother Derpy Hooves having her daughter Dinky taken from her due to being a single mother with physical and mental handicaps and unable to do her job properly. It is as heartbreaking as you'd expect. In response, one fan wrote a continuation (which contradicted the original fic's epilogue) where somepony (implied to be Twilight Sparkle) investigated the case and found that it had been grossly mishandled and misinterpreted, and the story ended with mother and daughter happily reunited.
- There's also a DeadFic called "Derpy On Trial" that has Twilight Sparkle five seconds away from dismantling the Foal Protective Services and their pet crooked shrink.
- In the Tsubasa Reservoir Chronicle fanfic Freefall, Fin and Sebastian go through hell in the foster system, as a parallel for the Sinners' Valley in the original manga.
- Looked at objectively, it's arguably not the worst decision Child Services has ever made: in Raising Arizona, Hi and Ed are denied adoption because Hi is an ex-con.
- Lilo & Stitch: Inverted. Cobra Bubbles initially seems unreasonable and scary with his ultimatum that Nani get a new job within three days, but he makes it clear that he's been called in as a last resort effort to salvage Lilo's problematic case. While he acknowledges that Nani loves Lilo and is certainly trying, from his point of view it's clear that she has no control over her overactive little sister, and the danger their new "dog" represents to them and everyone else only makes matters worse. Overall, Mr. Bubbles is a good effort at portraying Social Services as an antagonist while still remaining sympathetic and understandable: as he points out to Nani, as much as she and Lilo love each other, Lilo needs a safer and more stable environment than Nani is able to provide (at least until the aliens get involved and help support the family).
- In It Takes Two, Kirstie Alley's character Diane seems to be the only competent Child Service worker in the movie: her superiors won't let her adopt Amanda despite both their wishes because the former doesn't make enough money yet foist Amanda (who unbeknown to them, was switched with her doppleganger Alyssa) on a couple of yokels who have already adopted about half a dozen other kids with the purpose of forcing them to work in their junkyard. And Diane manages to figure this out simply by talking to one of their neighbors.
- Occurs in Lackawanna Blues, when the (white) social services agent comes to question the living conditions of the (black) main character. The social services agent is portrayed entirely unsympathetically.
- In Charlie Chaplin's The Kid the Social Service workers are again portrayed as villains, who want to take Chaplin's adoptive son away because of the poverty they live in.
- In Martian Child, Social Services seriously considers taking Dennis away from what is probably the first supportive adult influence he's had in his entire life. Their reasoning? He's taking more than a month or two to just get over his social awkwardness and the extraordinary coping methods he developed to deal with severe abuse and neglect— obviously this means his foster dad failed at "fixing" him and was unfit to be a parent.
- The Adam Sandler movie Big Daddy follows the Rule of Funny for 80% of the story and then tries to construct a meaningful ending out of nonsense, leading to a situation where even though we're supposed to want the main character to get the better of Child Services and keep the kid, all we've been shown about his qualifications is that he's a neglectful Man Child who can barely take care of himself, let alone a five-year-old, and has absolutely no legal ground to stand on.
- Wikus invokes this trope in District 9 to deal with an unusually clever prawn to get him to sign an eviction notice; that a slum isn't a suitable growing environment for his young, who will get shipped off and put in a little box for the rest of his life if he doesn't sign and agree to leave.
- Played with in Life as we know it. Their social worker turns out to be quite competent, but Messer thinks it was way too easy for him and Holly to get custody over Sophie in the first place.
Judge Gorling: I hereby grant joint legal and physical custody of Sophie Christina Novak to Holly Berenson and Eric Messer.
Messer: That's it? You're not gonna ask us anything? How do you know we're not drug dealers or pimps?
Judge Gorling: Are you drug dealers or pimps?
Holly: No, ma'am! No.
Later, at home:
- Parodied in Moonrise Kingdom with Tilda Swinton's character, who is only ever referred to as "Social Services". She is a temperamental control freak who wants to put Sam in a "juvenile refuge", and give him electroshock therapy to correct his mischievous behavior.
- The basic plot of Sesame Street Presents Follow That Bird: the "Bird Board" believes that Big Bird should be with an avian family, rather than being loved and cared for by humans and monsters. They eventually realise they're wrong.
- In the Mongolian melodrama My Beautiful Jinjiimaa, the local Communist party boss tries to have Jinjiimaa's daughter sent to an orphanage after Jinjiimaa is absent for an extended period for medical treatment. In this case there's a specific motive: the local party boss raped Jinjiimaa six years ago, and is the child's father.
- The Sisters Grimm is the epitome of this trope. Sabrina and Daphne have been stuck with crazy man who is obsessed with his ferrets, people who locked the girls in bathrooms, and ex-convicts. That's just naming a few of the places they had to run away from.
- White Oleander is built around this trope.
- Harry Potter lives in a broom cupboard until he's eleven, owns none of his own clothes, and is clearly overworked. He lives in an affluent enough neighborhood and his cousin is treated well enough so no one could find a justification like poverty. And yet, no one ever notices.
- Possibly justified as Dumbledore wanted to keep Harry behind the blood wards and could take steps to make sure no one notices or ends up forgetting. On the other hand, would it really have been too difficult to him to make some threats to the Dursleys to keep them in line? This is one thing that gives rise to the Evil Dumbledore that seems to have invaded Fan Fiction.
- Unfortunately, there's also a depressing justification; in Real Life it's popularly believed in many circles that child abuse can only happen to the children of Lower Class Louts, whereas respectable middle-class people like the Dursleys would be considered above suspicion.
- Granted he did ask them to take care of Harry as if he were their own flesh and blood, and acknowledges that they didn't do as he asked in Half-Blood Prince.
- And that book also pointed out that, at least in Dumbledore's opinion, the way the Dursleys shamelessly spoiled and indulged their own son Dudley was arguably even more damaging than the way they neglected Harry. Given how Harry and Dudley turned out, he may have had a point.
- Dumbledore sent Mrs. Figg to spy on the Dursleys and she apparently reported that they were abusing Harry.
- Most of the plot of Circle of Flight is Ellie fighting to regain custody of Gavin after he is removed because there is dog faeces on their lawn, his bedroom is untidy and their dog is sleeping in there, and there is too much soft drink and too little milk in their refrigerator.
- A Series of Unfortunate Events uses this trope quite frequently with Mr. Poe, who places the Baudelaire orphans in one abusive home after another for the first seven books (with the exception being book 2).
- Especially notable is the first book, in which the sole criteria he uses to choose the children's guardian-to-be is how far out of his way he has to go to drop them off.
- Dante from A Rush Of Wings was deliberately put through this by the shadowy government conspiracy of mad science for the express purpose of turning him psychopathic. Ironically, he's the Messiah. Seems the government really can't do anything right...
- Elena's backstory in Bitten. Elena was horribly orphaned at five years old, and her mother's best friend volunteered to adopt her. She was rejected because she was single, and Child Services made sure Elena never saw her again, believing in "clean breaks". Instead, Elena spends the rest of her childhood being shuttled from foster home to foster home, in many of which she is sexually abused by her foster fathers and/or brothers.
- In The City Who Fought by Anne McCaffrey and S. M. Stirling, the space station's brain wants to adopt a daughter who managed to stow away. Unfortunately, the social services worker assigned to the girl's case proves to be an outright bigot, and denies the application on the grounds that "a shellperson can't possibly raise a child," apparently in complete ignorance of the Federation's anti-discrimination laws.
- In Men Who Hate Women, note the incompetent Social Services assigns the female protagonist Lisbeth Salander under the care of a rapist. Her first legal guardian was/is a Reasonable Authority Figure, though, and it's implied that after he had a stroke they were scrambling to find someone who could take her on very short notice—something that Bjurman took advantage of.
- One of the Baby Sitters Club Mystery Specials was about the girls investigating mysterious events while on a work experience trial at a shopping mall. They eventually discover that three young children are living in the mall because social services had threatened to separate them after their mother had to go into hospital.
- In Andrew Vachss's Burke books, the protagonist, after being left to the State when his (apparently?) prostitute mother abandoned him, experienced the horrors of an at best ineffectual, at worst actively malicious system firsthand.
- Jada of Young Wives is a perfectly good mom with a layabout husband. The husband manages to get the entire court system on his side in a spectacular manner, to the point where Jada is barely allowed to see her children and has to have a social worker on hand whenever she does.
- The social services worker assigned to Alcatraz Smedry never directly places him in an abusive environment, but she is part of a cult of evil librarians hoping to steal his inheritance. She's also his mother.
- The social services workers in Acorna aren't so much evil as they are incredibly stupid. They declare that the miners who have been acting as Acorna's guardians for well over a year without incident cannot possibly be proper guardians to the girl because if they were parent material, they'd be office workers like them instead of miners. They also cannot tell the difference between 'absurdly large number of harmless birth defects'' (Such as two-jointed fingers, hooves, no incisors or canines, horn on head...) and 'member of unknown species', and try to have the girl undergo large amounts of unnecessary cosmetic surgery to correct the 'defects'.
- Discussed in The Dresden Files, where Harry talks about his history as an orphan and getting bounced from one foster home to another. He notes that while there is a system in place to support children without families or suffering from abuse, it isn't perfect, and children can end up in poor homes as often as they end up in loving and caring homes. Unlike most portrayals, Harry doesn't seem to hate or disparage the child services system, but notes that it has it's flaws.
- The In Death series: Child Services in this series is so Type 1, as Memory in Death demonstrated. Eve Dallas and at least 10 other girls have been placed in the home of an abusive foster mother named Trudy Lombard over a number of years. Every single one of them ended up running away or being placed somewhere else. The story tries to explain that Lombard knew how to play the system and make it so that no one would believe the girls if they said that she was mistreating them. Unfortunately, that begs the question on how Child Services failed to notice the pattern that every child they put in that Manipulative Bitch's house resulted in them being worse off than they were before.
- In The Godmother by Elizabeth Anne Scarborough, Rose Samson, an idealistic social worker, is frustrated by the increasingly illogical regulations she has to deal with in Social Services, until she is aided by a professional Godmother. It's worse than she thinks; the policies are put in place by a board of evil city councilmen to insure that more children either run away from home or are lost in the system, so they can become easy prey for the pedo-ring they set up!
Live Action TV
- In one episode that deals with this - they must depend on abused foster children to help solve a crime, and the good doctor complains about this to a CPS Agent.
- And of course, Bones herself had a rather nasty time in foster care as part of her backstory.
- This is also averted with Sweets, who at some point was taken away from his abusive parents and adopted by a family he was still close with until their deaths.
- In Buffy the Vampire Slayer, Buffy's custody of Dawn was threatened in season six when a social worker visits their house. Buffy made it look like she was crazy to get her off their backs, which was Played for Laughs, but fell a bit flat because the social worker was actually being fairly reasonable. Buffy hadn't shown herself to be a capable guardian, carrying what she called "magic grass" around the house and lying about how many roommates she had, and Dawn had been struggling in school and had started stealing things.
- A go-to trope when the Law & Order franchise (especially Law & Order: Special Victims Unit) needs a non-criminal / non-FBI whipping boy.
- Justified in the early Law & Order episode "Indifference," when the detectives berate Child Services for not helping a young abused girl. The bureaucrat, annoyed, turns on a computer which displays a list of children in need in New York City alone which seems literally a mile long and notes that the state registry is ''even longer'', punctuated with "We have our hands full." The embarrassed detectives leave, having gotten the point.
- Law & Order: Special Victims Unit
- An episode has a Child Services worker who, after a distinguished career helping children reach good homes, is hounded to suicide after mistakenly trusting a child to a poor home, resulting in the child's death.
- But subverted in the episode with a mentally-abusive mother who pushed this trope so hard, her older son killed the younger to "save" him from Child Services when they started to investigate. It turned out there was an even older son who had been taken away, hadn't been beaten or raped in his foster homes at all, and was reasonably well-adjusted.
- Punky Brewster has more than one multi-episode story arc on the subject of government social workers wanting Punky to be taken away from Henry and put in an orphanage instead. In one arc, when Henry is in hospital, Betty Johnson is denied custody of Punky because Punky would have to share a room with her best friend Cherry. Betty complains that instead Punky will have to share a room with several strangers.
- The L Word (season 3) features a hellish social worker dead set against allowing Bette to adopt Tina's baby so they can be co-parents. Unfortunately, GLBT couples not being allowed to adopt is Truth in Television, although in this case it was somewhat justified.
- Subverted in Six Feet Under where Keith and David expect that the social workers will be examples of Type 2 of the trope and prevent them from having foster kids on account of their being gay, so they methodically hide all of their gay art and literature before the first home interview. In fact, the first social worker who comes to interview them turns out to be gay himself. Later on, Keith and David are having so much trouble managing their sons that they want to ask the social worker during a home visit about placing the kids with a different family. Instead, the social worker is so harried and overworked that she spends about five seconds determining that the kids aren't obviously covered with bruises, tells David and Keith they're doing a fantastic job, and then runs off to her next case.
- The Child Services of Judging Amy seemed to be an Obstructive Bureaucracy with a very low percentage of competent agents, forcing Maxine Grey to swoop in and save the day nearly every episode. Clearly someone in the chain of command think's she's the best; despite her age and un-retirted status she's offered the head of the department again once it's realized that in addition to incompetence, her current boss is likely an embezzler. (Special points to the higher-ups actually threatening to put the incompetent crook back in charge unless Maxine took the job.) Sometimes it seemed like she was the only one who actually cared about the kids; subverted with her mostly okay new boss.
- Subverted in Dexter. Rita panics about the visit of a social worker, so she asks Dexter to wait at the house while she isn't there. When the social worker arrives and Dexter tries to make excuses, she cuts him off by saying that Rita is a great parent, and that it's a pleasure to go by a house where someone cares. She mentions the only reason she comes over is that its a routine follow up to domestic violence cases, to make sure there's a stable home environment. Continued in that scene where Dexter talks about how great child services was to him, even though at that moment he doesn't know that child services had nothing to do with him, and that they did screw up with his brother. Or he was unfixable.
- House has a scene where a social worker comes to inspect Cuddy's house to determine whether she is fit to adopt a child. Cuddy panics since she did not have the time to fully tidy up the house. The social worker tells her not to worry since she obviously cares a lot about the child and with her job as a doctor and the administrator of a hospital she is more than able to provide for the child.
- He specifically says that feeling guilty about a little mess was a good sign, and she was
- The Cold Case episode "Fly Away" had a social worker who was actually a pedophile. "The Woods" had one who was a burglar. "Ghost of My Child" had one who stole her client's baby.
- In early episodes of The O.C., going into foster care is depicted as the worst thing that could possibly happen to Ryan, so that running away is preferable.
- The boys on Sons Of Tucson have a presumably correct belief that if Child Services knew that they were living without any parental guardian, they would be forced into some undesirable living arrangement. Because of this, they resort to hiring a rather immature man to pretend to be their father; not because they think he can take care of them better than they can take care of themselves, but primarily just so that they can keep on living in their current home rather than whatever Child Services would decide for them.
- A large part of Buz's backstory on Route 66.
- Criminal Minds
- The first victim of a Professional Killer hired to act as a Vigilante Man in the episode "Reckoner" was a child services worker whose extreme apathy in regards to her job resulted in the death of at least one child (a seven year-old who was starved to death).
- In the episode "Children of the Dark" where two foster brothers who were abused in their foster home are now serial killers, the team goes to investigate the family only to find that not only do they still have foster kids, but they still abuse them. This is incredibly obvious the first time they arrive, and one of the killers recalls his foster mother holding him underwater until he passed out, but Social Services says they'll have to run a full investigation first and the kids are returned home one of them with a gun. This is especially jarring because forensic psychologists (i.e. most of the main cast) often check homes for abuse. So Morgan having shown up and looked around was pretty much what their investigation would be.
- In many Lifetime Movie of the Week plots, social services will inevitably be portrayed like they are incompetent. Both types 1 and 2. Alternatively, it will be portrayed as way too easy to adopt children if it moves the plot along.
- Averted in the fourth season of Queer as Folk. When Ben and Michael are granted custody over teenage former prostitute Hunter, they are told that a social worker may show up unannounced at any time, and they spend quite some time worrying about not making a good impression. When she finally shows up, Hunter opens the door dressed only in his underwear (which is something they have told him to stop doing because of that very reason) and Michael and his mom are having the screaming match of the century. They are horrified, convinced that she's going to take Hunter away from them, but she comes back later and tells them they have nothing to worry about, since she realizes that a family that love each other enough to feel comfortable yelling like that is not necessarily an unhealthy environment for a child, and she compares them to her relationship with her own mother.
- Touch: Martin has to help a black kid from a corrupt social service worker, who forces the kid to commit petty crimes, or else he would separate him and his disabled brother.
- An EastEnders storyline has drawn criticism from the social workers' union for using this trope.
- One episode of Person of Interest involved a social worker framing ex-cons with children for various crimes so that he could take the children away as part of an embezzlement scheme.
- Eric Bogle's "Daniel Smiling" is about this.
- Black Metal band Panopticon wrote an entire album about this called Social Disservices.
- In Dept Heaven Apocrypha, what serves for Social Services in Asgard proved so ineffectual that Nessiah, a victim of severe sexual abuse, was basically ignored until it was almost too late. It didn't help that the perpetrator happened to be a Villain with Good Publicity and considerable political power, who was pressuring them to keep out of his way.
- Even now, it's hinted that they might give in to that pressure; they've been investigating for a few months but can't seem to decide what to do with the evidence they have that Hector is a rapist.
- The Simpsons: Though you could make the case that it was the right decision, Homer and Marge lose custody of their children for poor, circumstantial reasons. Homer and Marge take the day to go to a spa, leaving Grampa to take care of the kids. While at school, Bart gets lice, Lisa has her her shoes stolen by bullies and loses a tooth when a dodgeball hits her in the head, and social services comes to the house to find stacks of old newspapers (gathered for a school project), Grampa asleep and Maggie drinking out of the dog bowl. So they snatch the kids away without asking another question when in real life they only have authority to do this in the most severe of cases, and need at the least a warrant to take the children.
- To Bart and Lisa's utter horror, their foster parents end up being Ned and Maude Flanders. The Flanders are naturally very loving, caring and competent if rather repressing parents so that choice at least makes good sense.
- South Park: The kids manage to get all their parents arrested by claiming they were molested by them. The Department of Child Disservices never shows up, even as all the adults in South Park are taken away when the kids make further accusations, and apparently the state of Colorado never bothers to care even as the town dissolves into chaos (since the kids aren't capable of taking care of themselves).
- Of course, this is South Park, where the adults are often worse than useless...
- Family Guy: There was an episode devoted almost entirely to this where Meg took a part time job and milked her customers' sympathy to get bigger tips by claiming to be the unwed mother of a crack baby (with Stewie playing the part of her "son"). One of said customers was a Social Services agent, and interestingly enough, said social worker actually conducted an investigation (interviewing neighbors, which gave horrible testimony because of an unrelated feud), though she removed Stewie and had Peter and Lois' parental rights terminated without any actual evidence, or for that matter knowing who his actual mother was. Additionally, they take only Stewie away, while if they believed Lois was abusive they should have taken all three children.
- Worth pointing out, though, the foster family Stewie is put with isn't bad per se, just annoying as all get-out by virtue of being such Strawman Liberals that they've adopted one child of each major ethnicity.
- This episode is also the source of the page quote, as seen when Peter and Lois go to the Child Services office to try and get Stewie back. In said scene, the worker then proceeds to ruffle through a filing cabinet and produces the kid, who is then returned to the woman.
- An inverted case is when Lois was hospitalized by Peter who was abusing his mentally retarded status, then a child service guy comes in to take Meg, Chris, and Stewie away from Peter because he was deemed mentally retarded and unfit to father them.
- Subverted in the pilot of King of the Hill, when a social worker suspects Hank of abusing Bobby under ridiculously circumstantial evidence, but when his supervisor looks over his report he rather quickly dismisses it and ends the investigation.
- Drawn Together bounces around with this, because while they do take children out of the neglectful and incompetent care of Toot and Foxxy Love, they refuse to put Toot's adopted baby with the same people Foxxy's children are with currently because they're horrible people.
- In one episode of Jem, after three of the orphaned girls run away from Starlight House, Pizzazz calls in a tip to Child Services claiming that Jerrica is mistreating the children there. The social worker who shows up in response does nothing to investigate the actual conditions at Starlight House or the details of why the girls ran away (one, Dierdre, ran away in a fit of adolescent pique after both Jerrica and Jem were too busy to talk to her; younger, more impressionable Ba Nee decided to tag along, and the more sensible Chrissie went with them to try to keep them out of trouble) he merely confirms that the girls are missing and declares that if they're not back by the end of the week, he'll recommend that all the Starlight girls be placed in new foster care and Starlight House be shut down.
- Usually Goof Troop is a straight example of Social Services Does Not Exist, with the character PJ often being mistreated by his father Pete (sometimes subtly, sometimes not) and nobody noticing or caring. However, in the episode "Date with Destiny", Max, whose father Goofy is both affectionate and nurturing, is removed from his home because his life is too unstable, which means that he had two bad nights. The first led into him going to school exhausted because he spent all night writing a report, and in the second, his house was in disarray, though this was not Goofy's fault: it was Pete's, for playing a cruel prank on Goofy and a contractor. The house Max is placed in is... Pete's house. Pete didn't actively parent much at all in this episode, but the department seems to have Skewed Priorities considering that Pete and Goofy are next-door neighbors and that PJ seems to treat his time at home like a prison sentence (in other episodes) while Max defends Goofy as "the best" dad (in this one).
- Dan Vs. Zig zags this trope in one episode. The foster home Dan visits do a thorough background check on him, and seem to actually put some effort into placing children. But when Dan complains about the wait, the social worker takes him to a backroom where all the "problem cases" are in cage-like cribs. And they actually let him consider adopting one of them even though his background check hadn't finished yet. There's also the obligatory Straw Hippies for Dan to compete against.