Creature From the Black Lagoon is a Universal Horror film from 1954. In the heart of the Brazilian Jungle, a scientist named Carl Maia finds a unique fossil which suggests an amphibious, transitional creature. After showing it to his colleagues at the Brazilian Marine Institute, an expedition is organized to go find the rest of the fossil. Little do they know that a live specimen of the creature, the Gill Man (or "Devonian Man") lives in the waters, who's highly territorial, lonely and intelligent, and has no intention of letting any of them leave alive.
Notable for its beautiful underwater shots (the 3-D version of the movie is breathtaking), artful full-body submersible costuming for Gill Man, location filming (in Wakulla Springs, Florida rather than Brazil, but still good) and the quick, graceful swimming of Gill Man—Ricou Browning, who played him underwater, was an Olympic Swimmer. Of course, above water he's a slow, waddling horror, but has titanic strength and jaguar-sharp claws to make up for it. Also notable for being very suspenseful and restrained compared to other B Movies, only showing Gill Man's hand and silhouette at first, and teasing the audience with having him stalk the female lead underwater almost shyly.
Had two lackluster sequels, Revenge of the Creature (1955), which was featured on an episode of Mystery Science Theater 3000, and The Creature Walks Among Us (1956). Guillermo del Toro wanted to do a remake but Universal refused, and most of his ideas went into the Oscar-winning The Shape of Water (2017).
Not to be confused with the manga and anime Black Lagoon.
It is one of many films included in the "Universal Horror" canon (Incidentally, Ricou Browning is probably the only person to play one of the Universal monsters who's still alive).
- The Amazon
- And Another Thing...: During his conversation with Kay before the Gill Man escapes, Thompson says this very line but gets interrupted when the creature busts free. In the Novelization, he gets to say the full line and reveal exactly what that "other thing" was (specifically he voices his concern that Mark is taking advantage of Kay).
- Artistic Licence Biology: The Gill Man himself, obviously. There's also a line suggesting that there were giant rats in the Devonian period...two hundred million years before mammals, give-or-take.
- Beware the Nice Ones: Captain Lucas is a perfectly friendly man, but if you try to overrule his authority as captain he will not hesitate to pull a knife on you.
- Big "NO!": Kay lets out one when Gill Man tries to capture her.
- Boisterous Bruiser: Captain Lucas.
- Cigar Chomper: Captain Lucas.
- Distinguished Gentleman's Pipe: Dr. Thompson prefers to smoke from a pipe.
- Doomed Hurt Guy: Averted with Thompson, who manages to make it to the end of the movie.
- Egomaniac Hunter: Mark.
- Evolutionary Levels: The titular creature as "the missing link" between man and fish, being a clawed, super strong, bipedal amphibious creature from the Paleozoic.
- Fanservice: Well, surely the one gorgeous female member of the scientific expedition would make sure to pack a skintight swimsuit, so that she can go swimming in a South American jungle swamp that could not possibly have any weird bugs or parasites (or gill men, for that matter).
- Fish People: The Creature may be the most famous example.
- Get a Hold of Yourself, Man!: Lucas gives a slap to the sobbing Zee after Gill Man drags his brother Chico underwater.
- Green Aesop: A rather more subtle one that you wouldn't expect from a 50s monster movie. The first film's message appears to be about conserving by not interfering with it, exemplified by the conflict between the two male leads. One insists on killing the Creature and bringing its body back to America, while the lead scientist wants to let the Creature live in peace and study it. There's a scene where the heroine casually throws a cigarette in the water, and the creature looking up at it floating on the surface. The Creature only attacks because it feels provoked by these strangers messing with him and his territory, and the man trying to kill him only makes things worse, so there's the added aesop of "violence begets violence." This was an intentionally done by one of the scriptwriters as a not so clear way teaching the audience to not be cruel to those who are different.
- Harpoon Gun: Mark brought one with him.
- Informed Attribute: Kay is allegedly a scientist, but doesn't do a single solitary scientific thing for the entire movie. She's purely a damsel in distress who seems to be treating the expedition like a pleasure cruise.
- It comes and goes. For a few moments she'll talk about scientific theory as well as the men do—but when they're managing the boat or their findings she's usually standing on the side looking pretty.
- It Can Think: Gill Man shows off his intelligence when it blocks the path out of the lagoon and sinks one of the boats.
- Jungles Sound Like Kookaburras: The distinctive cry can be heard throughout the film which is set in the heart of the Brazilian Jungle.
- Leitmotif: Gill Man's theme tune is a three-note key "Dun-dun-DAAA!"
- Licensed Pinball Table: Partially based on the movie, and partially based on attending a drive-in to see the movie. More information here.
- Male Gaze: At one point when Kay dives underwater her ass fills the entire screen for several seconds.
- Man on Fire: Dr. Thompson sets Gill Man on fire with a well placed lantern strike when it attacks him.
- Mars Needs Women: Gill Man, being the last of his kind, must have wanted a mate.
- Mauve Shirt: Dr. Thompson.
- Monster Misogyny: Subverted; Gill Man mostly slaughters and kills men, albeit he kidnaps two women and befriends another throughout his three movies.
- This is discussed in the Vargo Statten Novelization where they basically conclude he's gentle with Kay because she's female and he considers all human males a threat to his possession of her.
- Novelization: Two:
- The first was by J.R. Fearn under the pseudonym Vargo Statten. It was published in the 50's and is faithful to the film except for a scene wherein David and Mark get attacked by a giant man-eating underwater tree.
- The second is by Walter Harris writing under under the pseudonym "Carl Dreadstone," which barely resembles the film. Not only are several characters renamed (some slightly, others very drastically), but everyone besides David and Kay who survived the movie dies, and the titular monster as a Godzilla-sized aquatic hermaphroditic pig-lizard referred to as AA for "Advanced Amphibian." In addition to numerous King Kong metaphors, Harris adds a subplot involving the expedition getting captured by a hostile Indian tribe, a scene where "AA" battles a helicopter, and a changed ending wherein the monster needs to be killed with a Polaris missile from a Brazilian Navy torpedo boat (!).
- People in Rubber Suits: Almost the archetype
- Red Shirt:
- Luís and Tomás, slashed to horrified death.
- Also Zee and Chico.
- Scenery Porn: The underwater shots.
- Screaming Woman: Kay, multiple times.
- The Smurfette Principle: Kay.
- Spiritual Successor: To "The Shadow Over Innsmouth." Some subsequent Cthulhu Mythos writers have written Innsmouth stories inspired by or that make reference to Creature from the Black Lagoon.
- Also, a spiritual predecessor to The Shape of Water.
- Stuff Blowing Up: The opening narration plays while explosions simulating Earth's creation happen.
- Touch of the Monster: An alternative poster shows Gill Man holding the beauty this way
- The Watson: Captain Lucas needs the basic concept of geology/paleontology explained to him. The screenwriter must not have thought the audience would understand why, in the simplest terms, there's any reason to dredge up old rocks.