"Remember that God created all men equal!"
— William Wilberforce, abolitionist, in the film Amazing Grace
"[The poor should know] that their more lowly path has been allotted to them by the hand of God; that it is their part ... contentedly to bear its inconveniences."OK, let's say you're still writing that movie, which is Very Loosely Based on a True Story. You've chosen a period of history that involves a lot of exciting fight scenes and explosions so your audience won't fall asleep and now you need some main characters. But there's a problem: most of the Real Life figures were morally grey and complex people. How are you going to make sure that your audience knows who the hero is? Well, all you have to do is to pick someone who was on your side. If you're American, all you have to do is choose a heroic American. Or failing that, an Irishman or a Scotsman (just as long as they fought those dastardly Englishmen/Germans/Commies/Arabs). And if you're English, you'll want to support that brave and heroic King William the Conqueror against those treacherous English bas... Hey—wait a second... But hang on. There's another problem. Your new hero doesn't quite fit our modern standards of goodness. Maybe he was a slave trader. Or a wife-beater. Or an openly admitted racial bigot. What are you going to do now? Well, all you have to do is give your newfound hero a few Pet-the-Dog moments, adjust his looks for modern tastes and cut out or ignore anything of his life that doesn't fit your artistic vision. Note that just because this trope happens to a person does NOT mean that he was evil in Real Life; he is simply being portrayed more positively in the work of fiction than he was in Real Life. Also note that this is not necessarily a bad thing, as it is often done to make for a better story. Note that this trope isn't always played seriously; sometimes, a character will be retroactively turned into something on par with a Memetic Badass purely due to Rule of Cool, upgraded in ways that are obviously intended to go far beyond any real-world heroism. The most extreme examples of this, of course, often overlap with Beethoven Was an Alien Spy. This trope is the opposite of a Historical Villain Upgrade, although many figures often get one of those as well in works with a different viewpoint. They may also appear alongside each other when applied to different people, to make the Black and White Morality contrast even more obvious. May overlap with Historical Beauty Update, Historical Badass Upgrade, Values Dissonance, Politically Correct History, Broken Pedestal and Flanderization. When Fan Fic writers do this to a canon character, it's Draco in Leather Pants. When it's done with original characters in an adaptation of the source work, it's Adaptational Heroism.
— William Wilberforce in Real Life
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Examples using real people
Media in General / Common Persons
- Countess Elizabeth Báthory was one of the worst serial killers in history. While she is often given a Historical Villain Upgrade into a supernatural sorceress or vampire, she is occasionally given a Hero Upgrade by works that suggest that her charges were trumped or outright false.
- Bathory took the position that she was completely innocent of any of the murders, and was really a kind and loving mother and ruler who was in the wrong place at the wrong time, and was the victim of the malicious slanders of greedy noblemen. That's not even getting into the ridiculousness of the monks spying on her.
- The Countess is similar, but with one main difference: Elizabeth Bathory is guilty of several murders. However, she is driven to it by circumstances, and an attempt to stay young and beautiful while she is in power. In this film, she is definitely a Woobie, Destroyer of Worlds. You still feel sorry for her and sympathize with what she is going through
- Wyatt Earp, in portrayals such as My Darling Clementine (1946) and The Life and Legend of Wyatt Earp (1955), is portrayed as the paragon of the Western lawman. Even more modern takes like Tombstone still can't uncouple themselves entirely from this image. Earp's legend likely in part derives from the fact that he acted as an "advisor" on a number of early Western movies - he was good at branding himself. The reality is somewhat more complicated. As a US Marshal, Earp had authority to deputize others and serve arrest warrants, but on the other hand, the Earp Vendetta Ride which took place after the attempted assassination and actual assassination of two of his brothers was a clear example of frontier justice, with Wyatt Earp, Doc Holliday, and their deputized companions hunting down several outlaw Cowboys who they believed were responsible for the assassination and attempted assassination of his family members - a very clear conflict of interest. In the end, the Earp party arrested no one, killed four men, and fled Arizona to escape murder charges. However, it was widely believed in Tombstone that the local authorities were corrupt and would never bring the outlaw Cowboys to justice, even if they committed murder. Many regarded the Earps as heroes who were standing up to cattle-rustling, murderous outlaws, and in the end authorities outside of Tombstone decided not to extradite the Earp party back there to face murder charges.
- King Richard I of England has entered mythology as Richard the Lionheart, paragon of knighthood, King Arthur come again. The real Richard was a deeply complex individual, warlike, greedy (according to one story, Richard claimed he would sell London to finance his wars if he could find a buyer), probably not actually an Anglophone, and not above stabbing someone in the back; this becomes a case of Values Dissonance. Terry Jones even claims that after he died records were calling him grasping and portraying him in a negative light, but John becoming the bad King means Richard changed back to being a good King. He did have a good sense of humor, being one of the few medieval kings of whom amusing quips are recorded. Not a cardboard villain, but not the cardboard angel of Ivanhoe and The Adventures of Robin Hood.
- Vlad the Impaler was a particularly ruthless warlord who usually gets a Historical Villain Upgrade due to his association with Bram Stoker's novel Dracula. However, he is also a celebrated national hero in Romania, since most of that ruthlessness was at the expense of their enemy, the Turks.
- Plutarch wrote in his book of historical biographies, Parallel Lives, that Brutus was the last great republican. In The Divine Comedy, Dante puts him as a great traitor in the deepest level of hell, William Shakespeare saw him as a man who died for the Republic's interests. For a long time the prevailing opinion among liberal-minded intellectuals that Brutus was a shining paragon of republicanism and Caesar a grasping tyrant. In the age of The Enlightenment, intellectuals across England, France and America claimed Brutus as a proto-revolutionary hero while Orson Welles' famous anti-fascist production of Shakespeare's play portrayed Brutus and the conspirators as proto-La Résistance.
- Much of this portrayal derives in large part from The Roman Republic getting a hero upgrade courtesy of the Good Republic, Evil Empire dichotomy that existed during the struggle of Europe to destroy the monarchy. This naturally led to some facts being elided. Namely that Brutus was in fact an optimate, a member and defender of the aristocratic senate. Cicero's letters note that Brutus was a vicious moneylender who charged poor supplicants exorbitant interest, far more than other optimates. The idea of Brutus as a defender of conservative order against a popular reformer (which was how Caesar started out) underpinned John Wilkes Booth's citation of Brutus as an inspiration for killing Lincoln but it rarely colours the discourse of most adaptations.
- Works about the French Revolution will often tend to cast Georges Danton as a moderate liberal revolutionary killed by the revolutionary excesses of the Reign of Terror. Danton was less enthusiastic about the Terror than many of the Jacobins, but unlike them he commanded huge respect and loyalty from the militant Parisian crowd, which was often even more extreme than the Jacobins. He was also quite corrupt, accepting bribes from foreign diplomats and lived a lavish lifestyle during a time of wartime deprivation and wide starvation, he was also quite willing to use violence to get what he wanted and it was him, not Robespierre, who built the instruments of the Terror : the Revolutionary tribunals, the Committee of Public Safety justifying it by saying that "let us be terrible so that people don't have to be."
- Jeanne d'Arc, of course, does this to Joan of Arc. Another, more peculiar example lies in Gilles de Rais, who was an infamous serial killer in real life, but here he is one of Joan's most steadfast allies. By all accounts he WAS a loyal French royalist AND a savage, possibly, Satanic murderer. The two aren't incompatible. That, and there is no small amount of dispute over WHEN his murders started.
- Mark Twain's Personal Recollections of Joan of Arc, by the Sieur Louis de Conte, which Twain called his favorite of all his books, is a rare example of near-total Sarcasm Failure on Twain's part, being a straight, starry-eyed depiction of a Lady of War and her noble death at the hands of evil. A lot of people called him out on this, including George Bernard Shaw, who kept Joan the traditional heroine in his play Saint Joan, but felt that her enemies had been the victims of a Historical Villain Upgrade and opted for White and Grey Morality in his version of events. Quite incorrectly, however, as regards Peter Cauchon, Bishop of Beauvais, who was a swine.
- It should be noted that it is possible (and in fact most likely) that Joan of Arc never knew that Gilles de Rais was a serial killer. In any case, the fact that he is often forgotten completely is evidence of historical hero upgrade.
- It is worth noting that it is a commonly held theory that Gilles de Rais was innocent. The Duke of Brittany, who was the person given the authority to prosecute the case, was also the one to receive all of Gilles de Rais' titles and lands after the conviction. In addition, none of the physical evidence brought forth was particularly tied specifically to Gilles de Rais, the confessions were forced under torture and threat of excommunication, the only accomplices that were punished were servants despite the claim that other nobles were involved, the confessions had very different methods cited, and there were a range of other charges added on top of the murders with little to no attempt to justify.
- Regardless of his guilt or innocence, he was known for his Blood Knight tendencies and his violent nature on the battlefield, both of which are generally entirely ignored.
- Empress/Queen Consort Elisabeth of Austria-Hungary aka Sisi/Sissi got many "biographical novels" describing her as a mix of a grown Manic Pixie Dream Girl and a full-blown Purity Sue who is utterly hated or bullied by her Evil Matriarch mother-in-law Sophie (who was more of an Ignored Expert) and pretty much brings sun and love to everyone else, solving their problems with much class and sweetness. This reaches egregious levels with the Sissi movie trilogy and the Princess Sissi animated TV series. The real Elisabeth, however, was much closer to a Broken Bird Rebellious Princess, unable to withstand the pressure coming from the Habsburg Court and plagued by disgraces and mental illnesses. (Arguably, the most down-to-Earth and realistic portrayal of Sissi in media would Brigitte Hamann's biography, The Reluctant Empress).
- Pretty much inverted by the musical Elisabeth, which presents her as so damaged and unstable that she spends her entire adult life hallucinating that Death (in the form of a beautiful young man) is trying to seduce her.
- Christopher Columbus:
- He didn't set out to prove the world was not flat—everyone who was educated at the time knew that the world was round—he set out to find an easy route to Asia by going West, to avoid having to go around Africa (which was controlled by Portugal at the time). What made his voyage so outrageously unacceptable was that he assumed the world was only six thousand miles in circumference, which was far below most estimations at the time and under a quarter of the actual figure. Had there not been a huge continent barring his way, he and his crew would have likely starved to death. Some versions have him suspecting that there's another continent there and for whatever reason not letting on.
- He even found someone to calculate the earth's circumference for him. And when that person told him, he got the unit of measure wrong...
- One of Columbus' problems is that he was relying on a map of the world by the Florentine polymath Paolo del Pozzo Toscanelli, who got the circumference of the Earth closer to right but who got the size of Asia wrong—by thousands of miles. This was in part because he was relying on the reports of the very few Europeans who had actually been east of the Levant; the map he made was remarkably accurate in Europe and North Africa, but eastward everything was stretched.
- The systematic enslavement of the Taino Indians under his leadership, plus the atrocities that were committed by him as governor (he would dismember and disfigure Natives to "set an example") are not commonly remembered, either.
- Much of Columbus' Historical Hero Upgrade can be attributed to the early United States in general and Washington Irving in particular, who sought to distance America from Great Britain by highlighting/exaggerating the accomplishments of a non-British explorer. And found John Cabot (who was the first non-Viking European to reach the North American mainland) unsuitable for that role despite him being just as Italian as Columbus (his real name was Giovanni Caboto), because he did so under a commission from King Henry VII of England.
- He didn't set out to prove the world was not flat—everyone who was educated at the time knew that the world was round—he set out to find an easy route to Asia by going West, to avoid having to go around Africa (which was controlled by Portugal at the time). What made his voyage so outrageously unacceptable was that he assumed the world was only six thousand miles in circumference, which was far below most estimations at the time and under a quarter of the actual figure. Had there not been a huge continent barring his way, he and his crew would have likely starved to death. Some versions have him suspecting that there's another continent there and for whatever reason not letting on.
- Matthias Corvinus ruled Hungary with an iron fist. He was known for imprisoning the nobles who crowned him king, and instituting high taxes to maintain his army of Elite Mooks. Despite this, he is known as Hungary's greatest and most iconic folk hero, for his sense of justice and his rumoured habit of mingling with the common folk. The fact that the kingdom of Hungary was living its golden age during his rule, and practically died with him, also helps his case.
- Jesse James. American film and media portray him as a Robin Hood figure of the Wild West thanks to the popularity of the Dime Novels in the late 19th century. In reality, there were never any evidence of him giving his loot from bank robberies or trains to the poor. In fact, he only shared the stolen money with himself and the gang. He does, however, have a Freudian Excuse; as many historians would agree that his rise to banditry is often related to the fact that many ex-Confederates like him were never accepted back into the American society and often were seen as criminals or traitors. While regular Confederate soldiers generally were (eventually) accepted back into American society, guerrilla "Bushwhackers" like the James brothers were not. The Assassination of Jesse James by the Coward Robert Ford is specifically about this trope being applied to James during and after his life.
- Clyde Barrow and Bonnie Parker have been romanticized as dashing outlaw lovebirds to the point that it's easy to forget that their "flaunting of society's rules" left a lot of dead bodies in its wake, both police and civilian. As a rule, criminals generally don't get four machine guns emptied into their bodies for being Loveable Rogues who just rob banks for fun.
- The reason for such massive firepower used against them is because police considered them more dangerous to confront than any other outlaws of the time, as they had stolen several military grade weapons from National Guard armories that left officers outgunned in straight fights and did not hesitate to shoot police on-sight. They were willing to gun down civilians at the first hint of resistance and often robbed innocent people instead of banks, with one instance leading to Clyde beating and shooting an unarmed shopkeeper dead for $60.
- Aside from being the highest selling T-shirt image, Che Guevara is given this treatment in pop culture, at least via the massive merchandise and logos. He is often seen as a hero figure who represents civil disobedience, rebellion, and freedom. Less known is the fact that Che oversaw the Revolutionary Tribunals in La Cabana that killed hundreds of people, a fact which he admitted several times, without any shame or remorse whatsoever. Scholarly assessments of Guevara's virtues and flaws is more mixed than the pop culture version with the exception of works like Spain Rodriquez' graphic biography (which is pro-Che) and Steven Soderbergh's biopic (which is detached but not entirely critical). In most cases, Che is invoked as a holdover of counterculture iconography without any of the context.
- The Knights Templar in general and Jacques de Molay, their last Grand Master, in particular. Thanks to The Accursed Kings of Maurice Druon for adding to this. While executing every member of the order is horrific, this does not mean that the Knights Templar were saints. It was a case of Black and Gray Morality, which some treat like Black and White Morality.
- Russian bard "Chancellor Gi" wrote a mocking song The plea of Jacques de Molay about said dead Templar worrying how he's going to be canonized, and remembering details such as his bastards and shifty way of his ascension to the chair.
- While 19th Century Abolitionists were not racist for their time, many modern audiences assume that they held 21st Century conventional views on race. In fact, most of them believed blacks to be inferior to whites, but also thought it wrong to enslave them anyway. The vast majority of them would be considered very very racist in this day and age, and indeed Frederick Douglass considered them racist in their day and age as well.
- Due to many biographies written about American presidents, along with multiple varying portrayals in the media and the concept of American exceptionalism, this trope is pretty much inevitable and very common with many of the more well-liked presidents in American history; some examples include:
- George Washington is usually portrayed as a freedom fighter and a pillar of moral character who established that the president will step down in a peaceful transition of power after a brief rule. This view glosses over his ownership of slavesFor example , his controversial tactical decisions during the Revolutionary WarFor example , his brutal and highly successful campaigns against the Native Americans while leading a portion of the Virginia Regiment, an embarrassing friendly fire incident during the Forbes Expedition to take Fort Duquesne, and the little fact that he kinda sorta ignited the French and Indian War (the American theater of the Seven Years' War) by ambushing a French patrol, leading to the Battle of Jumoville Glen. Whoops. Is it any wonder John Adams referred to him as "Old Muttonhead"?
- Many biographies of Thomas Jefferson will gloss over or outright omit his affair with his slave Sally Hemings, the consensuality of which is a subject of considerable debate amongst historians.
- Andrew Jackson is seen in portrayals as a war hero and a populist Bad Ass who loved his wife dearly and stood up for the people against the wealthy elite. However this overlooks his responsibility for the Trail of Tears and Indian Removal that forced many Native Americans from their lands and caused many to die in the process. (Through to be fair, he did it because he believed it would prevent war with the tribes and, possibly, a civil war.).
- Done quite deliberately in Abraham Lincoln: Vampire Hunter, which turns a historical figure already considered a hero by some into Blade. Lincoln himself, though progressive for his day, would be seen as quite racist today; most infamously, while he opposed slavery he believed that black and white people could never properly integrate with each other, and felt it would be better if all ex-slaves moved to Liberia after the war.
- Theodore Roosevelt is often seen as a model of badassery and the founder of modern progressivism. While this may be true, it overlooks his imperialistic tendencies in Cuba and the Philippines during the US wars there from the 1890s to the 1900s and his often boorish personal behavior. Like many people of his day, Roosevelt believed imperialism was good for "less civilized" nations, as being conquered would allow them to learn how to be "more civilized." He was also an enthusiastic supporter of eugenics, again like many people of his time.
- Woodrow Wilson is often seen as a model of Progressivism and idealism, when in fact he appointed the heads of large corporations to agencies supposedly regulating business, instated the policy of mandatory segregation (while it was a widespread custom, federal agencies weren't formally segregated until he made it so), was one of the first of the Red Scare anti-communist and anti-socialist presidents, and did little for labor, women, and other groups in need of assistance. This seems to have shifted in recent years, where he is looked on much more critically nowadays for exactly these reasons. With many actually calling him one of the worst presidents in the US in the early 20th century, especially on AlternateHistory.com.
- Henry A. Wallace, Franklin D. Roosevelt's second vice president is often seen as an idealist who would have not nuked Japan and could have brought everlasting peace between the US and the Soviet Union following the end of the World War II had he became president instead of Harry Truman. Through whether he would be a good president or not is up for debate, and he might have not dropped the bomb on Japan, this viewpoint tends to overlook responsibilities on both sides that started the Cold War by solely focusing on the US responsibility in starting the Cold War. Furthermore, they tend to overlook the fact that he knew nothing about Stalin's crimes, and quickly became anticommunist after he received knowledge about them, supporting Eisenhower and Nixon in the 1952 and 1960 elections respectively. An example where this is seen is the Untold History of the United States by Oliver Stone, which gives both Franklin D. Roosevelt and Henry Wallace, along with John F. Kennedy Historical Hero Upgrades (through it calls out FDR's possible complicity in the appeasement process), while giving Harry Truman a Historical Villain Upgrade, placing the blame for the cold war solely on him and anti-Communist circles in the US. To what extent this was justified is a very controversial topic, and still a major topic of debate in the present day. At the same time, there are those who think he was a Communist sell-out trying to betray America to the Soviets due to the Communists supporting his 1948 third party run, so it goes both ways.
- Franklin D. Roosevelt is an example himself. He is remembered fondly for guiding the United States through both the great Depression and WWII, however most people overlook his dark side. He made multiple attempts to seize greater power for the presidency and often worked behind the backs of the other branches of government to achieve his ends. In the court packing scheme for example, he drafted an executive order that would allow him to appoint additional Supreme Court judges to "assist" the many elderly judges on the court, which would essentially grant him control of the supreme court. Congress threatened to impeach him if he went through with it, as it violated the separation of powers between the executive and the judiciary. The decision most people are appalled at is the internment of Japanese-Americans on suspicion of espionage, which even appalled J. Edgar Hoover. Many people today also overlook his role in developing the Atomic Bomb, which is to say it might have taken decades to create one had the Manhattan Project not been created and generously funded by him. However the last one is partially Values Dissonance; after the bomb was dropped most of America viewed it as the final achievement of the Roosevelt Presidency. Although it must be stressed that the decision and strategy to bomb Japan was undertaken by Harry Truman alone, and supporters often wonder if Roosevelt would have ordered the dropping of the Bomb had he not died.
- Dwight D. Eisenhower is often portrayed as an admirable and badass general in WWII and a great president who maintained stability in the early years of the cold war, and warned of the Military-Industrial complex. While he could be seen as admirable and these portrayals deserve credit, they tend to overlook some of his shady foreign policy actions as president. The problem is that which actions you regard as shady depends on your own point of view. On one side Eisenhower is criticized for supporting various dictatorships like Batista's regime in Cuba and Ngo Dinh Diem's in South Vietnam as long as they remained his dictatorships, and for joining with the British in instigating a coup in Iran to remove the democratically elected government in favor of the absolute monarchy of the Shah (which in in the long run paved the way to the Islamic Revolution). On the other they accuse him of "backstabbing" American allies like Britain, France, the Netherlands, and Israel, in other words e. g. for refusing to do with Egypt what he did do with Iran and to unconditionally supporting the imperialism of his allies who in the case of the Suez crisis had tried to deceive him. Some also think that he should have come to the aid of the Hungarian and Polish rebels/strikers of 1956, thereby risking starting World War III, but such a view is perhaps more popular among hawkish American cold warriors than elsewhere (in 1956 a nuclear war would primarily have affected Europe as the Soviet Unions would only show they could build intercontinental missiles the following year).
- John F. Kennedy is often seen as the "last true president" of the United States and is seen in many circles as a president who saved the world from Armageddon and would have avoided Vietnam and saved America from <insert Villainous secret society here that killed him in Conspiracy Theories> had he lived. He is almost canonized (along with Andrew Jackson sometimes) in Conspiracy Theorist circles as a pillar of moral character that stood against the "system". The fact that the "monolithic conspiracy" speech was probably a reference to Communism and the Soviet Union gets ignored, along with his professional and personal failings. A lot of his forays into international affairs were incompetent and dangerous brinkmanship at best and disastrous at worst (e.g., the Vietnam War, the Bay of Pigs invasion, the Cuban Missile Crisis), the middle of which featuring an ineffective and pointless Cavalry Refusal and the latter of which likely owed as much even the Soviets were worried about the Axe Crazy claims of Castro and Che regarding the nukes as it did to JFK's success. In his personal life, he was charismatic and charming but was also dishonest, cheating on his wife so frequently he and his staff had to devise an alarm system to warn when their spouses were nearby.
- Ronald Reagan is another US President who has been raised to heroic status for allegedly "ending the Cold War without a shot", as Margaret Thatcher put it. He is fondly remembered by many people for giving the USA back its self-confidence after the embarrassment of Watergate and being forced to pull back from the Vietnam War. The Reagan administration oversaw an economic policy that gave business people more freedom without government interference, which was a good thing for the rich. It has gotten to the point that Reagan is basically seen as some kind of loveable and morally incorruptible grandpa figure, which is a very romanticized image. For starters, Reagan was very tough on Communism during the first years of his administration, actively wanting to put more nuclear missiles in Europe and even in space, the "Star Wars" project, just to be safe from possible USSR attacks. This alarmed many people during the early 1980s, causing the biggest anti-nuclear demonstrations of all time. Only when Mikhail Gorbachev came into power and started taking impressive measures to change the Soviet Union more in the direction of a democratic nation Reagan started to change his stance against a country he once referred to as an "evil empire". And even then ending the Cold War should be attributed more to Gorbachev for taking the measures that made such a development possible, not to mention that by the 1980s the Soviet Union would have collapsed anyway. Best example is that the fall of the Berlin Wall, Iron Curtain, dissolution of the USSR all took place under George Bush Sr.'s administration. While Reagan's jokes made him likeable and solidified his "loveable grandpa image" it was often besides the issue that was being discussed and distracted people from asking more serious questions about it. Reagan's economic policies were indeed great for rich people, but budget deficits rose, the gap between poorer people and rich ones grew and homelessness increased. Reagan did only allow one military invasion during his administration, in Grenada in 1983, but at the same time he secretly backed up Nicaraguan rebels in their attempts to overthrow a left wing government there by selling arms to Iran, resulting in the Irangate affair. Some people have tried to defend Reagan by claiming that his old age made him unaware of most of the dynamics of his government, but even then as a US President he is still responsible for these actions, as even his son Ron Reagan admitted. Another case in point is that the Reagan administration was very late to realize the seriousness of the AIDS epidemic, resulting in many deaths that could have been avoided if the government had issued a public statement informing its citizens about the disease. Even his Hollywood career has been glamorized. He only appeared in B-movies, most of which would probably been forgotten nowadays because they aren't exactly good films.
- This is very common in works featuring Nikola Tesla. He is often portrayed as a super-geek fighting/being betrayed by Thomas Edison, who gets some Historical Villain Upgrades in the process. They often say that he was the sole creator of his inventions, even when he was just improving on something that came before (alternating current, for instance) or gloss over his ideas that failed simply because they were completely unworkable.
- Guy Fawkes gets this nowadays, along with Historical Badass Upgrade. Gunpowder Plot Day/Guy Fawkes Day isn't meant to celebrate him, it's meant to celebrate the narrow prevention of a terrorist attack on the capital by the conspiracy he was a part of. A conspiracy whose plan was to blow up most of Britain's government from the King on down by blowing up Parliament and everybody in the general vicinity in order to replace a bigoted Protestant constitutional monarchy with an Absolutist Catholic one, which horrified most Catholics. The fact that he was The Brute of the plot rather than the Evil Genius is just the icing on the cake, leave alone that his incompetence compromised the plot and he ratted everyone out under torture (which is not very Catholic what with the whole martyrdom thing). Alan Moore when discussing his use of Guy Fawkes in his comic, noted that its a tradition among English people, especially the lower classes to root for the bad guys, and likewise Guy Fawkes Day ought to be celebrated ironically. For a long time, it was a common joke that Fawkes was the last man "to walk into Parliament with honest intentions".
- Charles Ogier de Batz de Castelmore, Comte d'Artagnan actually led a fairly accomplished life as a soldier and secret agent for France. This inspired memoir-novelist Gatien de Courtilz de Sandras to write a very flattering and almost completely fictionalized biography about him, Les mémoires de M. d'Artagnan. Alexandre Dumas, in turn, pretended that this memoir was real and used it as a base for his even more flattering d'Artagnan Romances. In them, d'Artagnan is portrayed as a romantic hero and adventurer of limitless courage, resourcefulness and loyalty. The series and its countless adaptations have caused d'Artagnan to become an iconic figure for the fictionalized version of his life rather than his actual deeds.
- H.P. Lovecraft, in biographies and fan tributes, will often have his racism omitted, and he was a racist even by the standards of his time; he believed that the different human races constituted different species, an idea laughably out of date even by the 1930s. Some commentators even believe that his famous Eldritch Abomination characters were intended as metaphors for immigrants and people of color, as he believed them to be alien and abhorrent to that degree.
- His short story "the Street" is the most explicit example of this went the monstrous aliens destroying quaint New England are the filthy immigrants from Ruritania without metaphor.
- Many World War II films have shades of this for both sides of the conflict, with the Red Army and its commanders, such as Georgy Zhukov, being the most commonly upgraded side in World War II fiction. Though it is true that the Red Army had the most to do with militarily defeating Germany, many works of fiction centered around them deem them the "Heroes" of World War II who assisted in defeating the cruelest regime in history, while conveniently ignoring the long list of the Red Army's own shocking crimes before, during, and after the War. Zhukov, whom the Allied generals called "the finest leader of their time", was notorious for his lack of concern for his men, and while undoubtedly a skilled leader, his penchant for acceptable casualties didn't make him an idol of many Soviet soldiers.
- Stalin too is often given this treatment at least in Russian media and propaganda. He's shown as a staunch rival of Hitler and one who despised what Nazi Germany did while neglecting the Molotov-Ribbentrop Pact and that at the start of the war, Soviet Union and Nazi Germany invaded Poland as part of that agreement. He's also given credit for pulling the Soviet Union out of its agrarian economy and into the role of a superpower but this forced modernization program and incompetence led to a huge famine crisis that led to the deaths of 5 million people. His repressive administration led to mass persecution of political dissidents who were either executed after torture or sent to The Gulag and it's estimated that more than a million lives were lost as a result of his direct policies with an additional deaths caused by the gross incompetence of his administration. While Stalin's programs did have a lot to do with the Soviet Union's industrialization and eventual superpowerdom it came at a huge cost and thanks to the repressive nature of his polices, it left a mess of poor institutions and planning that created additional problems for the Soviet Union.
- Malcolm X is frequently seen as a civil rights hero and courageous political leader of the 1960s, who wanted a more rapid end to racial segregation and general societal racism than his counterparts; despite this, he advocated heavily for violence and racism against whites as a means to overturn society, going as far to try to form an equivalent to "Black Nazism" in his early years after he formed a friendship with George Rockwell, leader of the American Nazi Party.
- The North Vietnamese during The Vietnam War. Both during and after the conflict, they have been portrayed as largely-innocent victims of American and French colonial interests lashing out at their oppressors, conveniently glossing over the fact that they committed a good deal of war crimes themselves and that their government was a fairly typical hardline Communist one with most of the usual trappings thereof such as mass executions and nationalization of business by force.
- The IRA gets this treatment, mostly because American writers have a natural sympathy with pro-independence rebels against British rule. It is true that the Irish and Catholics were disenfranchised in the UK at the time, and the British Army and the RIC were unquestionably brutal during the Irish War of Independence. However, the IRA (or at least elements within it) were and still are notorious for attacking civilians, anti-Protestant violence, extortion and what we recognise today as classic terrorist tactics like street bombings and letter bombs. During The Troubles IRA splinter groups were notorious for gangland-style "punishment shootings", where they would kneecap people who they felt had crossed them.
- Sergeant Alvin C. York of the U.S. Army got this treatment, which he openly lampshaded, once he returned from World War I. Famed for leading a small contingent of soldiers to victory with a huge number of enemy prisoners after the rest had been slaughtered by enemy fire, York immediately got a huge hero's treatment Stateside, which he complained against and tried to deny. Books were written making his exploits completely fantastic, and movies did the same, such as one of the earliest showing him charge an enemy position with a pistol single-handedly and killing a few dozen German soldiers, which he himself said never happened note It should also be noted that York was a pacifist who openly felt remorse for German soldiers he had killed and prayed for the dead Germans when he returned to the site of his feat.
- Vladimir I of Kiev, a Russian ruler credited with bringing Christianity to the country, is venerated as a saint in the Russian Orthodox Church and as one of Russia's best early leaders in general. He was also an extremely abusive husband even for his time, was involved in the murder of one of his brothers, and became Christian more because it was the most politically and militarily convenient thing to do at the time than genuine faith.
- Richard I of England, also known as "The Lionheart," is often held up as an ideal British monarch, second only to King Arthur himself; he is perhaps best known in modern popular culture as the Big Good of the Robin Hood legend. The real Richard actually hated the English, as he was of French descent and believed his heritage to be superior to that of the commoners he ruled. He spoke very little English and liked it that way. In addition, he despised Jews and Muslims and was an enthusiastic participant in the bloody campaigns against them in the Middle East. Many historians believe he was a rapist as well. In fact, it is now commonly speculated that he was an unpopular ruler during his lifetime (his warmongering was really bad for the economy) but received a quick Historical Hero Upgrade after his death once his brother and successor John turned out to be even worse.
Anime & Manga
- Date Masamune is played like this in many works. In real life, he may as well be categorized with Oda Nobunaga; he killed his brother to rise to power (his nagging mother constantly opposed him and promoted his brother for clan leader) and betrayed the alliance with the other clans without much discussion (and conquering them). He also showed little respect to Hideyoshi when he was called to join the attack on Odawara (and late to come to boot!). But in Samurai Deeper Kyo, he ends up becoming Kyo's ally, though he may be rude and brash (aka Bontenmaru). And in Sengoku Basara, he becomes the Badass Jerk with a Heart of Gold hero with a somewhat charming personality and several Pet the Dog moments (seen with Kojuurou and Itsuki, or in the Drama CD, Oichi) And in The Ambition of Oda Nobuna, she is a Boisterous  and Large Ham who's an ally of the heroes. This one is averted in Koei's Warriors series. In Samurai Warriors, he comes off as a jerk, but hides a lot of ambitions that are beneficial for Japan. But in Warriors Orochi, he becomes Orochi's henchman and is pretty much loyal to him and has no qualms on bringing chaos into the world.
- In Fullmetal Alchemist: The Conqueror of Shamballa, Fritz Lang becomes one of Ed's allies in Weimar Berlin, and is depicted as an anti-fascist Badass who opposes Nazism as early as 1923. His real-life political leanings are less well known and Lang actively obscured them with his creative retellings of his life in Germany. However, he was thrown out of at least a couple German exile parties in Hollywood for making anti-Semitic comments, and was known to be abusive to his cast and crew on set. (Granted, it's hard to expect historical accuracy from a film that depicts the Beer Hall Putsch as part of a coordinated effort to take over Germany with the help of a group attempting to open a portal into Ed's alchemical universe.) Lang putting an entire film crew into mortal danger just to get a shot of a dragon for Die Nibelungen seems fairly like him, though.
- Rurouni Kenshin turns Saitou Hajime into a Badass Anti-Hero. In actual history, he did manage to survive the mess that was the Meiji revolution and became a member of Japan's secret police (pretty much their equivalent of the FBI), but Watsuki freely admits that he pretty much made up all of the other details about Saitou's personality (as a minor note, RuroKen Saitou claims to have given up drinking, while in real life he died of a stomach ulcer as a result of it).
- Saito is sort of an odd example as he's initially introduced as a vicious Blood Knight and Watsuki comments on getting angry letters for giving him a Historical Villain Upgrade, which might explain why soon after his introduction, Kenshin describes him as a morally pure Worthy Opponent, and he becomes an Anti-Hero from that point onward.
- The manga's treatment of Okubo is closer to this trope. He's historically seen as a Sleazy Politician, and that aspect is certainly part of his character, although he's presented as working for the best for his country and deserving of the respect he gets from Kenshin and Saito. Word of God comments on wanting to rehabilitate his image, noting that in terms of corruption, he wasn't much different than Japan's current politicians.
- Then, there's also the fact of how Watsuki portrayed the infamous Hitokiri Kenshin Himura. Truth in Television, Kenshin is actually based from a real life assassin Kawakami Gensai. Like Kenshin, Gensai was also noted for his slim and feminine built, ties with the Ishin Shishi, and ruthless pursuit of moral agendas. Unlike the red head however, Gensai did not say "oro" as a mannerism, he did not like Western "barbarians" entering his homeland, and he killed scholars who studied Western ideologies. He was also far from the pacifist that Kenshin was after the war, instead, he continued the fight for his rights as a samurai and was executed by the same government he dedicated his life to create and defend.
- While this trope applies primarily to human beings and not machines, the eponymous Cool Starship of Space Battleship Yamato counts. The real life warship may have been a Cool Boat, but battleships were being eclipsed by aircraft carriers in the Second World War and the Yamato was no exception, with no kills during the war except possibly one small escort carrier, and being ignominiously sunk by aircraft while on a one-way suicide mission. Not the most appropriate ship to undertake a voyage to save the earth.
- Fate/Zero takes Alexander the Great, certainly an inspiring figure in his own right, but hardly a morally superior one, and turns him into what may be one of the most inspiring characters in anime and manga history; by giving him a complex philosophy that guides him while staying relatively true to the original Alexander's historical actions and fiery, straightforward personality, occasionally even calling him out on some of the less heroic actions of his historical counterpart.
- Kingdom paints the young Qin Shi Huangdi in a far more positive light than his reputation within contemporary Chinese sources and history. Set prior to his descent into tyranny (such as burning books and burying scholars alive) as The Emperor of a united China; it has him portrayed here as both The Good King and a Well-Intentioned Extremist. This is, however, a case of Tropes Are Not Bad - Readers are unlikely to root for Qin Shi Huang if he were portrayed historically.
- Magi – Labyrinth of Magic takes the usually Historical villain upgraded Characters from Arabian Nights and give them their original proper roles (Ja'far to name a few...).
- 300 conveniently leaves out any mention of Spartan pederasty and slaveholding (of fellow Hellenes no less), which were major parts of their culture at the time, to keep them sympathetic to modern audiences. The film also leaves out their extreme devotion to religion in an attempt to appeal to gung-ho masculine audiences, going as far as having the hero criticize the Athenians as "boy lovers" and call out their own clergy as "corrupt."
- Charles Fort may be one of the most important figures in paranormal science, but he wasn't much of a hands-on investigator. The only weird event he claimed to be present for was a painting falling off a wall for no apparent reason. In a one-shot comic from Dark Horse Comics, he's not only depicted as being directly involved in the things he investigates, but is upgraded to a badass action hero who saves the world from aliens. A preteen H.P. Lovecraft gets to be his sidekick. At the end of the comic, Theodore Roosevelt puts him in charge of a secret UNIT-like organization, putting us firmly into Beethoven Was an Alien Spy territory.
- The first season of Children of Time, in the spirit of Doctor Who (see the Live-Action TV folder below), contains more real-life people than it does characters original to the series, and nearly all in heroic or at least protagonist-supporting roles: William Shakespeare, Nikola Tesla and George Westinghouse, Bram Stoker, and even Jeremy Brett. (The only real-life figure not to take on a positive light is General Groves in "The Manhattan Conspiracy", the actual C.O. at Los Alamos during the development of the atomic bomb.
- In Worldwar: War of Equals, some of the more... antagonistic world leaders such as Kim Jong-un, Hosni Mubarak, and Muammar Gaddafi are shown in a somewhat more positive light (let's just leave it at that.) Of course, anyone is better than alien conquerors.
- In Kingdom Hearts New Epic The First, being that its a Next Gen Fic set in Lord Cavendish's verse, the new President of the Alliance has given himself a massive Historical Hero Upgrade, presenting himself as a victorious war hero. The actual history shows he only got involved when it looked like things were going the Alliance's way, and only even then got involved in "easy" campaigns.
Films — Animated
- The imperial Romanov family in Anastasia. Don Bluth really just grabbed the opportunity to portray another idyllic Disney-like princess, while neglecting to mention all the reasons the revolutionists thought themselves justified in their actions. On the other hand, Grigori Rasputin gets quite the Historical Villain Upgrade, and indeed it's implied that the only reason the Revolution happened at all is that Rasputin had cursed the family.
- John Smith in Disney's Pocahontas movie, to the point where critics agree this is the version of John Smith the actual Smith would have wanted history to see him as. The real Smith wrote boastful accounts of his adventures, in which he spun fact into legend and portrayed himself as a James Bond-like figure. One of the reasons historians doubt the story about Pocahontas saving his life is that that's one of three times he claimed to have been rescued by a native woman. Either native women really had a thing for him or he was a rather uncreative writer. Also, John Smith was much more of a Jerkass, with one of his well-documented actions being taking a Native leader captive so that the leader's tribe would provide him with plentiful resources.
Films — Live-Action
- Braveheart upgraded William Wallace into the architect of Scottish Independence and downgraded Robert Bruce to little more than a background character. William Wallace raped women and burnt down schools with children and monks still inside. Robert Bruce is one of the great heroes of Scottish history and his guerrilla campaign against the forces of Kings Edward I and II was much larger, went on for much longer and was far more successful than Wallace's. Plus, it shows Bruce betraying Wallace. He never once betrayed Wallace (everyone else, sure - but never Wallace). Wallace also never met Princess Isabella, and certainly wasn't the father of Kind Edward III-for one, the Real Life Isabella was only a little girl at the time.
- Kingdom of Heaven:
- Balian in the movie is elevated from a knight who made a courageous, humanitarian decision to negotiate with Saladin into an archetypal heroic Everyman knight embodying the best of the chivalric ethos. Balian wasn't as nice as the film made him out to be. Not only was he raised a noble, not a blacksmith as he is in the film, but he betrayed his oath not to fight Saladin on more than one occasion, sold many of the peasants in the siege into slavery and threatened to massacre his Muslim prisoners if Saladin wouldn't accept a surrender.
- Saladin gets a bit of a Heroic Upgrade too in the film. He's been receiving Historical Hero Upgrades from both Muslims and Christian Europeans (to whom he was a Worthy Opponent) for so long that it's probably harder to represent him badly. Ironically, the modern lionisation of Saladin flows from the European depiction of him - until the late 19th century he was mostly forgotten in the Muslim world, in large part because the empire he created barely outlived him.
- ''Kundun by Martin Scorsese is one for the 14th Dalai Lama. From the view of the PRC (who are not shown as entirely without sympathy) in the film, this was essentially hagiographic. The film portrays the Dalai Lama as an Internal Reformist who hopes to transform Tibet.
- The real Rob Roy was both a murderer and a cattle thief. The movie Rob Roy turns him into a heroic man of impeccable honor, though strangely it still does make passing mention to cattle-thieving, which was a common practice in those days.
- In Valkyrie, the German officer corps is implied to be exclusively against Hitler for moral reasons. The fact that many of them harbored racist, anti-Semitic and classist views is glossed over. Their objections against Hitler ranged from him being far too murderous towards the "gutter races", to empowering the lower and middle classes, to simply losing the war.
- Lord Guilford Dudley in Lady Jane. In the film, despite his bad boy persona, he's actually a virgin with a passion for social justice. In reality, Guilford had a well-established reputation for being a Jerk Ass (including a widely-reported temper tantrum when, after her coronation, Jane refused to make him king). The film has him falling in love with Jane (and she with him) despite the fact that the Real Life Jane actually refused to see him on the night before his execution.
- The Untouchables portrays Elliot Ness and his Untouchables skillfully combat Al Capone and ultimately bring him down on tax evasion charges. In reality, while the Untouchables put pressure on Capone's organization, and Ness weeded out the corruption in Chicago's law enforcement, it was an unrelated IRS operation that ultimately brought down Capone. Ness's self-promotion at the time helped popularize the impression that Ness was responsible. The film also portrays Ness as an Action Dad who gains resolve when Capone targets his family, but Ness had no children when taking on Capone. His later life was marked with business failures and alcoholism.
- Lucilla, sister of the Roman Emperor Commodus has been given a Historical Hero Upgrade in both Gladiator and the 1964 epic The Fall of the Roman Empire (where she was played by Sophia Loren). The real life Lucilla was indeed involved in a plot to assassinate her brother... but according to contemporary historian Herodian it was because of her own jealousy and desire for power (in fact he even blames her attempt to have Commodus killed as what made him so paranoid in the first place).
- Earlier in the USA's history, General Custer was often depicted as a Messianic Archetype, a brave hero who fought against the Indians and died alongside his men. This myth extended to both literature and eventually, film. This is most notable in 1941's They Died with Their Boots On. More modern sympathies with the Indians have caused him to no longer be portrayed this way, however (though eventually this second view would soften, so that Custer now comes off as more a Punch Clock Villain than an Indian-hating sadist). Custer's heroic myths are due to his wife, who outlived him (she died in 1933, a little under 60 years after him). She wrote three books depicting her late husband as a folk hero. She was afraid he would be blamed for the humiliating defeat and slaughter his troop suffered, and thus spent the rest of her life lobbying extensively to make her husband look a hero.
- Princess of Thieves upgrades Richard the Lionheart's illegitimate son Philip of Cognac, a historic figure about whom almost nothing is known, into a full-blown Action Hero who prevents his Evil Uncle Prince John from claiming the throne and wins the girl, who happens to be Robin Hood's daughter.
- Chris Gardner in The Pursuit of Happyness. Although somewhat true, he was somewhat more of a Jerk Ass than he was in the film, as Cracked notes here  (quote: "he actually didn't even know where the hell his son was for the first four months of the program."
- Cecil B De Mille's Samson & Delilah does this to the latter, whether she existed or not. Delilah never felt remorse for chopping off Samson's hair and removing his strength and her part in the story ends after that. His version has her truly fall in love with Samson and feel bad when he goes blind.
- Nicholas Garrigan in The Last King of Scotland is based on Bob Astles (he wasn't Scottish), who was imprisoned twice for his association to Ugandan presidents, Milton Obote and Idi Amin. Astles in real life was a Minion with an F in Evil; Garrigan on the other hand is a Loveable Rogue/Jerkass Woobie who, it is implied, helps bring down the Amin regime.
- While not much is known about the actual personalities of any of the well-known military leaders in the Three Kingdoms period of Chinese history, they are depicted in Red Cliff as having considerably modern views on things despite living in third century CE China.
- The film version of V for Vendetta paints Guy Fawkes as a Doomed Moral Victor and Tragic Hero who died to strike a blow for freedom. It fails to mention that he and the other members of the Gunpowder Plot were essentially Western Terrorists mainly interested in replacing the Protestant monarchy with a Catholic one by murdering the whole government. This is more true in the film than in the original graphic novel, as the adaptation removes the moral ambiguity of V, the self-styled modern-day Guy Fawkes.
- Thirteen Days was criticized by historians and then still-living members of Kennedy's administration because the movie intensely exaggerates the role that Kenny O'Donnell (the main point of view character played by Kevin Costner) played in preventing the Cuban Missile Crisis from escalating. The chief agent in the American government who pulled the administration together during the crisis was in fact Ted Sorensen, who's instead relegated to such a minor role that he's barely noticeable.
- No less a luminary than Joe Montana has criticized Rudy for far overstating Rudy's role on the team and understating how much work everyone else was putting in too.
- More a mythological/literary example than a historical one, but Sun Wukong, the Monkey King in The Forbidden Kingdom. As an example, in the movie, the Jade Emperor suggests that the Monkey King could be given a bit more refinement if given an office in the Celestial Bureaucracy, which he doesn't get because of the villainous Jade Warlord. In the original story, he is given a position (albeit as Cleaner of the Heavenly Stables), and becomes even more unruly because he's pissed at it not being grand enough (namely, not being the grandest position imaginable). Tricking him into thinking it was a high-standing position probably didn't help matters.
- John Nash and his (first) wife in A Beautiful Mind. In the film, she is still with him in the 1990s when he got his Nobel prize, making it a heterosexual triumph-of-love story. In real life, she divorced him in the 60s when he got caught hanging around in public toilets picking up young men, and he wasn't allowed to accept his Nobel onstage due to being off his meds. He did, however, reconcile with and remarry her.
- The Spartans in 300. In the movie, Sparta is portrayed as a secular utopia of egalitarianism and freedom. In reality:
- Sparta was almost entirely supported by their slave helots, which allowed Spartan men to spend all their time fighting. On the other hand, Spartan women were given more rights than other Greek women.
- The state was the ultimate owner of everything, with citizens being granted assets as deemed appropriate.
- While the film portrays Spartan citizens as secularists who are disgusted by their corrupt clergy, real Spartans were very devout.
- Leonidas scorns Athenians as "boy-lovers," but pederasty was also practiced in Sparta.
- The portrayal of the 300 Spartans as fighting and holding the Persians alone, with a small amount of help from a few Acadians, who are portrayed as being made up of amateur, poor soldiers. In reality the 300 Spartans formed only part (albeit a crucial part) of a coalition of forces from several Greek cities probably numbering 5-7,000 (this still left them outnumbered maybe as much as 100 to 1 though), the bulk of whom would have by this point been professional, well-trained (though perhaps not quite as well as the Spartans) soldiers.
- The 1940 German film Das Herz der Königin ("The Heart of the Queen"), viewed by many critics as an anti-British propaganda movie, portrays the troubled Mary, Queen of the Scots (Zarah Leander) as a beautiful saintly martyr whose heart is full of love for her people and who wishes above all to give them freedom and happiness. She spends the majority of the film frolicking around Scottish castles in glamourous anachronistic gowns while singing pretty songs about her tragic life.
- Dangerous Beauty gives this to both Veronica Franco and Marco Venier. The film portrays Franco as bravely standing up to the Inquisition (which receives a major Historical Villain Upgrade) at her trial for witchcraft, and portrays Venier as being desperately in love with her, and defending her from the Inquisition, and persuading the rest of the Venetian Senate to do so as well. In reality, Veronica Franco was never in any real danger from the Inquisition. They tried her twice for witchcraft and let her go without punishment after she testified to performing rituals solely as entertainment. In fact, the Inquisition regarded accusations of witchcraft as silly superstition, and acquitted accused witches as a matter of course. The film also, in an earlier scene, depicts Franco as a hero of the Venetian republic for persuading the king of France, by being just that good in bed, to ally with Venice against the Turks. In real life, King Henry III of France did sleep with Franco when he visited Venice to negotiate the alliance, but that had nothing to do with why he allied with Venice.
- Seven Years in Tibet downplays Heinrich Harrer's involvement in the Nazi Party. To be fair, he later described it as a youthful mistake and he never actually fought for the Nazis, having left Europe before the start of the war. Still, the image of him insisting that he's Austrian and only reluctantly taking the Nazi flag is a false one.
- Imperium: Augustus did this heavily with the eponymous Emperor Augustus and his rise to power. The movie presented him as an idealist whose goal was for the good of Rome. He also never wanted to do all the ugly things he did but was forced to because of the actions of his enemies. This was also done to a lesser extent with Julius Caesar who was presented as a Wide-Eyed Idealist.
- Istvan Szabo's Colonel Redl (1985) does this for Alfred Redl, infamous Austrian spymaster-turned-traitor. Most historical accounts claim that Redl betrayed military secrets to Russia after being blackmailed for homosexuality, though a few accounts suggest he merely did it for the money. By contrast, Szabo's Redl is essentially scapegoated by officials in the Austro-Hungarian government to distract from a coup d'état plotted by Archduke Franz Ferdinand - who conversely gets a major Historical Villain Upgrade as a bloodthirsty warmonger.
- Subverted with Richard Nixon in X-Men: Days of Future Past, perhaps the most vilified president of the twentieth century, who gets a big, heroic Take Me Instead moment during a hostage situation only for it to turn out that it's a disguised Mystique getting the drop on Magneto. To be perfectly fair, though, Nixon does get one mild Pet the Dog when he calls off the mutant genocide when one of them saves his life.
- Jim Garrison is depicted in Oliver Stone's JFK as a fearless crusader for the truth, driven by a deep sense of devotion to the slain president and a desire to bring justice to his assassins. The real life Garrison is considered by just about every objective historian to have been either a completely delusional paranoid or a shallow opportunist. He intimidated witnesses, suborned perjury and based his case against Clay Shaw on homophobia.
- Christopher Columbus in Ridley Scott's 1492: Conquest of Paradise is depicted as a calm, kindly explorer who is fascinated by the Native peoples he encounters when he reaches San Salvador. In reality, as deduced from Columbus' own writings, the man was deeply religiously to the point of fanaticism (which is never shown in the film) and considered the Native people he met to be an "intrusion of nature"-he had absolutely no respect for them, and as a governor of San Salvador would commit various atrocities against these people later, including massacring and enslaving them.
- Vlad the Impaler gets this in Dracula Untold, his vampirism being a quasi-superhero origin tale. The fact the movie is closer to actual history regarding Dracula than most (not that this is saying much) also helps this trope. Namely, Vlad doesn't make a habit of impaling his own people, and he's known as the Impaler because of his deeds in the past, not his needs as ruler.
- Cleopatra does this with both the title character and Mark Antony, with a corresponding Historical Villain Upgrade for Octavian. Antony is portrayed as a dashing romantic hero and an able leader, and it's fully implied that Rome would've been far better off under him than Octavian, who is depicted as a Psychopathic Manchild. In real life, Antony was the more violent of the two. The historical Cleopatra was well-known for backstabbing and murder-for-hire, as well.
- Death Hunt: Albert Johnson was a real person who was the subject of a months-long manhunt in the Yukon Territory in 1931-1932. While he kept to himself in a cabin in the wilderness, reportedly he kept messing with the locals' hunting traps. The mounties tried to question him two separate times, bringing a search warrant the second time around, but he ignored them. This eventually resulted in a shoot-out between Johnson and the mounties after they forced his door, wounding several lawmen. The film makes him a lot more sympathetic by turning him into a Great War veteran who is really just a kind-hearted hermit, having him nurse a maltreated dog back to health, and only becoming a fugitive after a group of vengeful locals force him into a shoot-out by attacking him.
- Maria Von Trapp appears in The Sound of Music to fulfil a Manic Pixie Dream Girl role. In reality, she was the stricter parent. The real Von Trapp children were disturbed by how their father was portrayed and asked producers to soften him a bit.
- Older Than Print: The Arabian Nights gave Harun al-Rashid a Historical Hero Upgrade. The most memorable event in his real reign was his execution of a powerful aristocratic family, therefore making his empire weaker. Is it ever mentioned in the stories? Sometimes, but they don't go too far in the opposite direction to Harun himself. In most stories, he's a lovable eccentric going on fantastic adventures-except in stories featuring Ja'far ("The Three Apples" especially), in which he comes off as a bit unstable.
- Romance of the Three Kingdoms has a few. Namely with the Shu Han kingdom. Portrayed as what would be the best path for China to being a Doomed Moral Victor.
- This is especially the case regarding on Liu Bei. True enough, he had noble goals. However, his traits have often been exaggerated to make him seem as if he was an extremely honorable man; never mind that he made lots and lots of mistakes that make him pale in comparison to Cao Cao's war abilities (such as irrationally leading the disastrous attack on Yiling, or slamming his infant son to the ground, effectively dooming his future empire). Yeah, author favoritism is also at fault here.
- His blood brothers also are as flawed as he was. For example, Zhang Fei, often depicted as a headstrong warrior, was a ruthless bandit that kidnapped Xiahou Yuan's niece in Real Life. And Guan Yu being betrayed at Fan Castle wasn't because of treachery but due to his arrogance as well as refusing to allow one of his children to marry into the Sun family for political reasons.
- Zhuge Liang may embodies this trope even more than Liu Bei. The author portrays him as completely godlike in every way, except for the minor detail where he has to succumb to overwork in the end because history said so. In real life his greatest weakness was his cronyism and sweeping Wei Yan aside despite his accomplishments.
- Zhao Yun gets special treatment as Liu Bei's most badass Bishounen spear-wielding hero apparently and treated like Yukimura as one of the best warriors in China. In reality he was an insignificant officer in Shu's ranks until Chengdu and only became well known after Zhuge Liang's commendations.
- Special mention goes to Ma Chao, whose father Ma Teng was a willing Han rebel who even served Dong Zhuo, and what does Ma Chao do? He's abandoned his members of his family all too many times, and tried to always rebel against Cao Cao to no avail before his service in Shu.
- Gore Vidal's historical books often give us alternative perspectives on despised and misunderstood figures. His Burr provides a more complex portrayal of the winner of the Burr-Hamilton duel. His Creation likewise shows the Ancient World from the perspective of the Persian hegemony, an abolitionist, multicultural empire as opposed to the slave-owning back-stabbing Greek city-states.
- A good deal of children's fiction about the English Civil War depicts the Royalists as being noble, flawless heroes and the Roundheads as being sly, unscrupulous villains. Adult fiction, on the other hand, often depicts the Royalists as deceitful, Frenchified, crypto-Catholic cads and the Roundheads as solid, honest, decent, beef-hearted true Englishmen. In reality, of course, both sides had legitimate points and obvious wrongs.
- Mary Boleyn was characterized by in The Other Boleyn Girl as a blushing virgin who loved Henry VIII and only wanted a quiet life in the country (as opposed to her sister, who was evil by virtue of being ambitious). The real Mary was known as "The Great Prostitute" because of her promiscuity. Her family went so far as to recall her from the French court because her behavior there was scandalizing them. Anne, on the other hand, only ever slept with one guy, and look how she's remembered.
- In Harry Turtledove's The Guns of the South, Nathan Bedford Forrest is portrayed as being fiery, devoted, and honorable, though his racist ideals aren't shied away from. In the first and third Acts, he is shown to be a hero for the South, and he is a Graceful Loser at the end of the Second, ultimately agreeing to serve an abolitionist who beat him in a fair election. The real Nathan Bedford Forrest is perhaps best known for being the first Grand Wizard of the Ku Klux Klan (which notably doesn't even exist in the book's altered timeline, because the CSA wins the war).
- In The Hooded Riders, author J.T. Edson portrays the outlaw and gunfighter John Wesley Hardin as a wrongly accused hero, and his killing of a black man is presented as self-defense.
- The Pyrates reinvents Captain Henry Avery/Long Ben Bridgeman, mutineer and pirate, as Royal Navy hero Captain Benjamin Avery. But it's not claiming to be remotely historically accurate.
- The Epic of Gilgamesh may have originally been propaganda for the real King Gilgamesh of Uruk, although it likely mutated over hundreds of years, as the story as we know it paints him as very flawed (but still incredibly badass.)
- There is a bit of this in the Belisarius Series. While even heroic medieval warlords behave on occasion like, well, medieval warlords, there is more religious tolerance than is credible and Antonina's loyalty to Belisarius is raised above what some sources would indicate. Although the explanation is used by the book that much of that is malicious court gossip, and that explanation is not totally rejected by real historians.
- Subverted in the fictional story "Operation Chickenhawk" in Al Franken's Rush Limbaugh Is a Big Fat Idiot, where Newt Gingrich, Dan Quayle, Rush Limbaugh, Pat Buchanan, Phil Gramm, Clarence Thomas and George Will serve in the Vietnam War (which they all avoided in Real Life), but prove to be either Dirty Cowards or dead meat.
- The G. K. Chesterton poem "Lepanto" pumps up Don Juan of Austria ("The Last Knight of Europe") from Christian military hero to saviour of the western world from the hordes of darkness and its own political corruption... until the last verses where Chesterton talks about the other famous guy who was at the battle and the kind of book he wrote seem to subvert the trope. You can also visit Battle of Lepanto and see the entry under Dude, Where's My Reward?:
Cervantes on his galley sets the sword back in the sheath(Don John of Austria rides homeward with a wreath.)And he sees across a weary land a straggling road in Spain,And he smiles, but not as Sultans smile, and settles back the blade....(But Don John of Austria rides home from the Crusade.)
- Thomas Cromwell is portrayed as a slightly better man in Wolf Hall than he would have been in real life, although not nearly as much as it might seem - most other depictions of him fall into the Historical Villain Upgrade variety.
- Doctor Who regularly gives Big Damn Hero moments to admirable historical figures met by the Doctor during his various trips through time, particularly if the writers like the figure. Examples include Vincent van Gogh, William Shakespeare, Queen Elizabeth, Agatha Christie, Winston Churchill, and Charles Dickens.
- Al Swearengen of Deadwood. Both the real and fictional Al Swearengen did terrible things. In the show, Al is a frontier mob boss who regularly orders murders, while in reality he was a sex slaver who forced unwitting women into prostitution. However, in later seasons of the show, Al becomes a force for good in the camp as he helps the locals defy the evil George Hearst. The show also gives him some Pet the Dog moments, showing that he cares for cripples and outcasts in his own twisted way.
- In Ravna Gora, a Serbian series about the World War II Chetnik movement made by Radoš Bajić, Chetnik leader Draža Mihajlović is shown to be rather humble and nice, unlike the true historian picture of him and his movement, which says that they were murderous and chauvinist... The author explained how he wanted to show the truth, but he also made the movie as artistic expression (even if artistic expression and true history don't go together)... This can be explained due to growing Serbian nationalism after the breakup of Yugoslavia. That said, while they weren't saints the Chetniks probably get more sympathy nowadays due to being opposed to the communist Yugoslav Partisans led by Tito, who visited horrible fates on them after taking control of the country.
- I, Claudius single-handedly rehabilitated the reputation of the Emperor Claudius, who-long thought of as just another cruel despot among the Roman Emperors-is now rather positively viewed in the popular imagination, although the idea that he along with several other characters in the series wished to restore the Republic is pure fabrication. In their eyes, the Republic never collapsed, with Augustus and his successors simply being princeps, or "first among equals". It wouldn't be until Commodus' reign that the senate began its true slide into irrelevance, more than a century later.
- Cosmos: A Spacetime Odyssey:
- In general, the show takes scientists who have been largely forgotten or overshadowed (such as Cecilia Payne or Ibn Al-Haytham) and showcases their achievements and discoveries. By necessity these tend to be simplified, covering decades in the animated segments of a 43-minute show.
- One example that attracted particular criticism was Giordano Bruno from the first episode. He was burned at the stake in part for his belief in a plurality of worlds, but his views on other doctrinal beliefs are only mentioned briefly in the reading of the charges. He's also portrayed as being pelted with fruit by the monks of Oxford, who in reality simply listened to and rejected his ideas, and being a homeless beggar for most of his life even though he was sponsored by kings for his memory techniques. The writer of that episode had his own response to the critics.
- Hitler: The Rise of Evil: Ernst Hanfstaengl is portrayed as having fled Germany in 1934 for moral reasons because he realized where Hitler's leadership was taking Germany. He actually continued to clamor for Hitler's approval for several more years and defected to the United States only after falling out of favor with the Nazis.
- One Hundred Greatest Britons: Several of the candidates who ended up in the list were not free of controversy:
- Oliver Cromwell: Ended at #10, which was controversial because Cromwell was widely disliked by his own people at the time, not just Royalists but also Republicans who considered him a traitor to their cause, and loathed in Ireland to this day, for his war crimes. Clarendon, a prominent Royalist who regarded Cromwell as the most wicked of all men neatly summed up the contradictory nature of Cromwell, noting that 'as he had all the wickedness against which damnation is denounced and for which hell fire is prepared, so he had virtues which have caused men in all ages to be celebrated' even praising his industriousness and wisdom even if they were put to what he saw as evil use.
- Nr. 16, Margaret Thatcher was also considered to be a polarizing choice. Her politics and economics weren't exactly considered beneficial to the working class population.
- Nr. 30, Guy Fawkes, tried blowing up the English Parliament.
- Nr. 55, Enoch Powell, a British politician, most infamous for his "Rivers of Blood" speech, which was considered to be racist and xenophobic by many.
- Nr. 64, James Connolly, an Irish nationalist and socialist, executed by the British Crown in 1916.
- Nr. 73, Aleister Crowley was a controversial choice for being an occultist, nicknamed "The Wickedest Man Of All Time".
- Nr. 82, Richard III, a king suspected of murdering his nephews.
- In Band of Brothers and the book it was based on, Pfc. David Kenyon Webster gets a pretty sympathetic portrayal, largely because author Steven Ambrose thought of him as a Warrior Poet. According to other Easy veterans, Webster was a lazy and ineffective soldier who only ever did the bare minimum, as well as a Jerkass who thought his Harvard education made him better than everyone else and wasn't shy about it either. He had few, if any, friends. Webster's own war memoir doesn't help his case, as it's mostly filled with his complaints about the army and just about every officer in the company (generally that he's smarter than they are, according to him at least) except Major Dick Winters, who gets only a single brief mention. Bill Guarnere, Babe Heffron, and Don Malarkey, who all wrote their own memoirs, disliked him and felt that the book and miniseries gave him far too much credit.
- Subverted in Highlander. Duncan and another immortal Scots friend of his fought in the Jacobite Rebellion of 1745. His friend idolised Bonnie Prince Charlie and resented Duncan forcing him to stay out of the final battle to keep up The Masquerade. Many years later he tried to start another rebellion and took Duncan to meet Charlie in Italy. We initially see the meeting from the friend's perspective, showing Charlie in his pop culture persona as charismatic and noble. Then we see the true events from Duncan's viewpoint, showing Charlie as the broken alcoholic he really was at that point in his life.
- Henry V ignores several inconvenient aspects of the historical king, probably because he was a badass warrior King of England at a time when English nationalism was on the rise after hundreds of years of domination by French overlords. Still, he could easily have been seen as a villain, even by the Elizabethans. He executed captured enemy knights, presided over some horrible bloodbaths, doomed both sides to keep fighting a pointless war, burned "Protestant" heretics* alive—including Sir John Oldcastle, the original of Shakespeare's Falstaff—and had a nasty scar across his face.
- Henry VIII ends with Henry and Anne eagerly expecting his heir, the future Queen Elizabeth—ignoring the fact that the entire point of the exercise had been for Henry to get a male heir, and indeed that Catherine had already borne a female heir (who would grow up to be Bloody Mary)... not to mention the infamous mess that would come a few years later, with Catherine dead and Anne convicted of capital crimes, both under very suspicious circumstances.
- Thomas More's portrayal in A Man for All Seasons tends to focus on his bravery in maintaining his principles even when he knew this would result in his gruesome death, presenting him as a champion of the freedom of the individual conscience. Even apart, however, from the Values Dissonance that led him (like nearly everyone in his own time) to approve the burning of heretics, More was fully convinced that the state had a perfect right to suppress any open dissent; his entire defense was based upon the plea that he had not made his personal opinions known. He was definitely no advocate of free speech, as the play seems to suggest he was.
- The Cirque du Soleil shows based on Michael Jackson's work, Michael Jackson THEIMMORTAL World Tour and Michael Jackson ONE portray him as a transcendentally gifted performer and humanitarian. In the latter show, his iconic costume items magically grant people his core attributes — playfulness, agility, courage, and love — and the primary antagonists represent a Strawman News Media out to tear him down. As one might imagine, his myriad personal failings — egotism, drug abuse, plastic surgery to the point of Body Horror, the lingering question of whether he was a pedophile or not, etc. — are swept under the rug; even before ONE opened, Steve Bornfeld questioned this portrayal (which is the standard one amongst the more rabid Jackson fans, keep in mind): "[Cirque's] predecessor shows honored the brilliant music of The Beatles and Presley without suggesting that its subjects wrapped their arms around the globe and cradled it in its loving embrace." He also points out that the image of Michael as a champion of goodness and the world's greatest entertainer was one he cultivated to begin with (as in the Forced Meme "The King of Pop").
- Not a person, but a country. The Sound of Music creates the impression of Austria being a free country trampled by Nazi jackboots. In fact, Austria became a fascist state in 1934, four years before the Anschluss. Also, most Austrians saw themselves as Germans at the time and welcomed the Anschluss. While the musical does include some Austrian characters who support the Anschluss, it portrays them as Les Collaborateurs. It is true that some Austrians opposed the Anschluss, including the real Captain von Trapp, but they were in the minority and most were monarchists hoping for a Habsburg restoration.
- Evita, much like The Sound of Music, implies that Argentina was a democracy before the 1943 military coup that ultimately brought Juan Peron to power two years later. The country had actually been a dictatorship for over a decade, and in fact many Argentines supported the coup.
- Oda Nobunaga is typically portrayed as villainous in most Japanese Historical Fiction, but from Samurai Warriors 2 onwards he gets treated as a pragmatic Anti-Hero. Historically, he was much closer to the game's portrayal of Hashiba Hideyoshi as an eccentric yet highly general and administrator. He was not only a ruthless commander, but embraced Western culture and technology before most other Daimyos and implemented several important policies that are still used or directly influence current policy today. Embracing the use of guns allowed him to rout his opponents in battle.
- Toyotomi Hideyoshi. His character in Samurai Warriors depict him as, while prone to silly antics at times, is an ultimately good guy who wishes for everyone to be happy and inspired loyalty from great warriors like Yukimura Sanada. The game failed to mention his brutal persecution of Christianity, crucifixion of the 26 missionaries sent to Japan, invasion of Korea (and his attempt to do the same to China), and the imposition of rigid social classes that halted the social mobility from which he himself had benefitted. The Korean invasion being omitted may be because KOEI wouldn't dare piss on the Korean due to the bad blood between them and Japanese (which was Hideyoshi's fault, and even Capcom makes no mention of that despite giving Hideyoshi a Historical Villain Upgrade.) Hideyoshi even has some bonds with some Chinese warriors in Warriors Orochi (although these Chinese people were in a time before Hideyoshi was born or could even invade.)
- In the 2nd 3DS game, they introduced Yagyu Munenori, badass swordsman of the Yagyu clan who usually is portrayed as villainous or an utter bastard. In this game, he's said to be possessing none of those overexaggerated bastardizations and is an all around just and honorable swordsman.
- Nobunaga is also pretty badass in Pokémon Conquest (A Pokemon-Nobunaga's Ambition crossover) as in this continuity he not only a Master Pokemon trainer, but is the trainer of a shiny Rayquaza. For those not known in Pokemon lore, Rayquaza is a massive dragon Pokemon, practically a god among Pokemon, and "shiny" is when a Pokemon gets a rare note alternate colour scheme. The only legit way to get one in the main series games, is to Save Scum about 8000 times.
- Also, while not that glaring, there's the portrayal of Katou Kiyomasa in Samurai Warriors. In real life, while he's a model general, he's also a brutal pro-Buddhist man, extremely ruthless against Christianity and willingly ordered his men to butcher Christians, cutting the bellies of Christian women then have their infant babies killed. Koei decided to not even touch the Christianity issues for their game, and so Kiyomasa becomes a merely snarky, loyal general to the Toyotomi army with no comments about religion. Funnily enough, in the spin-off Hyakuman-Nin Sengoku Musou, this ends up giving a Jerkass upgrade to one of Kiyomasa's historical Christian opposition, Konishi Yukinaga, who's instead portrayed as a money-grubbing jerk.
- Pretty much everyone in the Sengoku Basara series that wasn't instead made into an outright villain gets some degree or another of this, but Tokugawa Ieyasu is the biggest — by Sengoku Basara 3 he's basically a Messianic Archetype, compassionate and honest, and his Power Fist combat style is symbolic of his desire to keep war from ever again severing the Bonds between people, rather than power-hungry and manipulative. Not to mention, he's a young Bishōnen rather his usual portrayal of being a fat old man.
- Taking a leaf from Romance of the Three Kingdoms, Dynasty Warriors promotes Liu Bei to a man concerned primarily with virtue and honourable behaviour, and one more thing: He's much more of a caring father and is capable of being proud of his son. It helps that the infamous scene where he threw his son to the ground was omitted for the game.
- To a lesser degree, his son Liu Shan is also portrayed as, while far from the warrior his father was, a man of virtue. As stated above, it helps that he's not thrown to the ground as a baby...
- Sima Zhao also gets this, as he was much worse in real life. Zhuge Dan's bio in the game even suggests that Zhao's rule was Tyrannical.
- A prime example of this is during Zhuge Dan's rebellion after Dan killed Wen Qin. Zhao states that any soldiers who willing surrenders would be unharmed while Zhong Hui suggests that they should just kill them, when historically it was the other way around.
- Ma Chao is generally portrayed as a man who upholds justice above all else and is loyal to Shu, even in death. While the loyalty part is true...well, let's just say Wang Yi isn't the only person pissed at him for killing a family. He was rather brutal in real life, and certainly didn't care about whether he was doing the right thing or not.
- Lu Bu in the games has increasingly been portrayed as being a sort of Noble Demon, going from being obsessed with strength for its own sake in earlier games to wanting strength to protect those he cares for. Historically, Lu Bu allowed his soldiers to pillage, rape and plunder which contributed greatly to his ultimate failure and death.
- Gan Ning is shown as being a pretty cool dude, and his initial bad blood with Ling Tong eventually gives way to a friendly rivalry. The real Gan Ning was a murderous bastard that most of his fellow generals would've happily killed if not for Sun Quan's protection. He even murdered a young serving boy who'd fled to Lu Meng for protection, despite promising to spare him if Lu returned the boy. Ling Tong hated him till the day he died, and Lu Meng very nearly killed him for the murder of the serving boy.
- Assassin's Creed I has this and its counterpart as its entire plot. The series's main draw is how the developers use the Rule of Cool to combine exquisite research with Historical Upgrades. Everybody of note in the past belonged to one of two Ancient Conspiracies; the Templars and the Assassins. The Templars work to eradicate free will in the name of peace. The Assassins hunt and kill Evil Aristocrats wherever and whenever possible "to safeguard Mankind's evolution"(and peace). If somebody in the past was awesome, he's in the series somewhere with his life examined in detail - with Hidden Depths because history was Written By The Templars.
- For starters, the Hashshashin themselves. In real life they were Hassan-I-Sabah's private army not unlike modern terrorists. They built a reputation at the time as his enemies were Asshole Victims who they eliminated with a minimum of collateral damage.
- King Richard I of England, however, got a fairly realistic representation: he went by the title "Lionhearted" even in his own day, and it did not refer to heroism but a love of combat. So, though he's driven to conquer Jerusalem, he keeps his promise to listen to Altaïr finally after he beats Robert De Sable in single combat, and lets Altair go free afterwards. He's undeniably a jerkass, but he's still portrayed in a relatively positive manner - basically a Noble Demon.
- Lorenzo de'Medici is portrayed as being a devout republican and a benevolent ruler. In reality, like all the noble families in the Italian city-states, the Medicis were Machiavellian schemers who committed all sorts of immoral acts to maintain their power. At least it's shown in the Lineage short how Lorenzo brutally tortures an agent of his enemies for information, and in Brotherhood Lucrezia Borgia claims, probably truthfully that he quashes the families of his rivals utterly, even those who had nothing to do with the plots against him.
- And who can forget how Leonardo da Vinci got an upgrade in heroism, despite only being the sort-of deuteragonist? Notable changes include that his inventions work, are completely functional and can be used at nearly any time. Plus he's the main character's BFF.
- According to some fan-theories, the events of the games are filtered through Altair and Ezio's impressions of them. Such as the way beggars in the first game would bother Altair and only Altair.
- Not to mention that with their advantage in information control, the Templars would obviously try to slander any historical figure who allied themselves with the Assassins.
- Call of Duty: Black Ops 2 gives one to Angolan rebel leader Jonas Savimbi. In the game, he's a gregarious and enthusiastic player ally who rides into battle at the head of his army and even pulls off a spectacular Gunship Rescue at the end of the mission he's featured in. In real life, while he was known for his charisma and his courage (having a reputation for leading from the front lines as he does in the game), he was also a war criminal who massacred civilians, funded his army by selling conflict diamonds, accepted military aid from apartheid South Africa, ran the territories he controlled like his own personal kingdom, ordered the torture and execution of his own men if he had even the slightest suspicion of betrayal, and re-started the civil war twice after previously agreeing to ceasefires because he didn't win the post-war elections - it took his death in battle with government troops in February 2002, a full sixteen years after the in-game level he's featured in, to finally bring the war to an end.
- Discussed and ultimately discouraged in Where In Time Is Carmen Sandiego? When you meet William the Conqueror, who casually mentions one time that he razed a Saxon village to the ground, your Good Guide will chime in to remind you that just because you're meeting and working with figures from history doesn't mean that they're all necessarily nice people. Your job as a time traveller isn't to pick sides, but to get history as we know it back on track.
- The Great War discusses how Paul von Lettow-Vorbeck was idolised until relatively recently for his role in defending German East Africa against a much larger Entente force. It acknowledges his skill as a commander, stating that he was a major pioneer of guerrilla warfare in the 20th century. However, the show also mentions von Lettow-Vorbeck's role in the Herero genocide, his participation in the 1920 Kapp-Putsch (a far-right coup attempt, intending to depose the Weimar Republic), along with his racist imperialist views.
- Played with hilariously in Time Squad. When the team is given a mission, Otto always would get really excited and start rattling off the wonderful achievements of whoever it was they were going to meet, pretty much ignoring any of the flaws (arguably justified through childish idealism). When they actually meet the historic figures however, they are all stupid, insane, stubborn, cruel, or plain incompetent.
- One example that stands out, though, is Josef Stalin. In Real Life a mass-murdering megalomaniac who became the Token Evil Teammate for the Allies only after his Villain Team-Up with Adolf Hitler ended in a German invasion of Russia, his appearance in the show is limited to a small role and passing mention as one of the leaders of World War II, and painting him, Winston Churchill and Franklin D. Roosevelt as Best Friends Forever rather than reluctant allies - in Real Life, roughly speaking, Churchill was annoyed with Roosevelt and increasingly worried about Stalin; Roosevelt was annoyed with Churchill and rather naively trusted Stalin; and Stalin liked both of them and enjoyed manipulating them even more. In the show, Stalin and Roosevelt decide to forgo clothes and become nudists upon prompting from Churchill. Of course, this is Time Squad - the show where Mahatma Gandhi is tap-dancing in a far-future space station's prison cell because he refuses to stop doing that and start with the whole Indian independence movement - so historical accuracy is not a priority.
- Christopher Columbus' heroic reputation is actually Averted in, of all places, an episode of The Flintstones dealing with Time Travel. While the mythical story of him trying to prove the world is round is kept, here he's portrayed as a Jerkass and a Mean Boss towards his crew (and the four members of the cast) who has to fend off an attempt at a mutiny while threatening the four cast members to help him. The mutiny is stopped when Wilma sees land... And he quickly takes credit for it. (Fortunately for the four protagonists, the Time Machine starts working again and whisks them to a new time period, but they only find more trouble there.)
- Nero is never regarded as a hero, but when he appeared on Peabody and Sherman's segment of Rocky and Bullwinkle, there was a twist, as he was portrayed as Not Evil, Just Misunderstood. In this reality, it was actually Nero's music teacher who started the fire.
- Lei Feng was an ordinary but not particularly notable soldier in the People's Liberation Army. Then he died, and, amazingly, it turned out he just happened to have written a big diary in which he had recorded his dutiful life devoted to Chairman Mao. Most historians are pretty sure that the entire thing was a result of the Communist Party's Propaganda Machine.
- Similar upgrades were done for the USSR's Pavlik Morozov and Nazi Germany's Horst Wessel.
- Similarly, Nicolas Chauvin, if he really existed, got this treatment from French Bonapartists. Ironically, today he would generally get a Historical Villain Upgrade due to being the origin of the word "chauvinism" in spite of its later associations not being intended.
- Many of the Saints in the Catholic Church were often unsaintly even after renouncing their formerly wicked ways. To a large degree that is because the colloquial idea of a saint is different from the official idea of a saint; it is after all official doctrine that sinning is part of being human even if you are a saint. Thus they often got upgraded mostly by popular tradition rather then official tradition.
Anime & Manga
- Sayonara, Zetsubou-Sensei has an instance wherein during a lecture on the importance of holding one's tongue, Nozomu speaks positively about Kira, the man traditionally viewed as the villain in The 47 Ronin incident. Nozomu refers to him as a cultured man taken advantage of by a bunch of bumpkins.
- At the end of Fullmetal Alchemist, the heroes have to whitewash Führer Bradley's life and not tell anyone that he was a Homunculus and willing to sacrifice his people to give Father godhood.
- The second prequel series of Legend of Galactic Heroes has a younger Yang Wenli trying to research the life of one Bruce Ashbey, a famous Alliance war-hero. The arc itself is a discussion of this trope, with Yang lampshading the fact that while Ashbey, admirable as he was, may not have been the great badass people remember him to be, it would be foolish to automatically assume the opposite just to say that his interpretation is "unique."
- Naruto: The Uchiha Clan. The village at large sees them as a great and noble clan that were victims of their traitorous prodigy, Itachi. The truth of the matter is that the Uchiha Clan was extremely bitter about their lack of power in the politics of the village despite being politically the most powerful clan due to their Military Police position, and about the perceived discrimination they suffered during the Second Hokage's reign and after the Kyuubi attack. It eventually led them to plan a coup against the village, which forced Itachi to kill them all. It should be noted that Itachi WANTED the massacre if it meant that Sasuke wouldn't live with his clan's crimes on his shoulders, and would rebuild the Uchiha to be truly noble after "avenging" their deaths. When Sasuke found all of this out, his reaction was a bit... extreme.
- In One Piece's Skypiea Arc, the tale of Noland The Liar paints the king of Noland's country as a brave warrior who overcame many dangers but got suckered by Norland's lies. The flashback shows that the king was actually a greedy opportunist who relied on Noland the entire journey. When the island where the City of Gold supposed to be wasn't there, the king had Noland put in a Kangaroo Court and basically destroyed his good name out of spite.
Films — Live-Action
- Star Trek: First Contact explores this trope with the fictional historical figure of Zefram Cochrane. Federation history paints Cochrane as a shining paragon of idealism while he was really a selfish, cynical drunk (but still kind of a Loveable Rogue). Much of his widely known idealism only came long after he'd made First Contact, while the time-traveling crew only met the earlier, broken man who'd barely lived through World War 3. The Cochrane they meet even sneers at the very same aphorisms he'll later famously deliver. The novelization hints that he may have had untreated bipolar disorder, alternating between manic creative highs that led to his inventing the warp drive and crushing lows.
- And Starring Pancho Villa As Himself (2003) is all about this trope, with Villa's image being changed by the filmmakers for Rule of Drama and to make him more acceptable to American audiences.
- In Dragon Bones, the hero, Ward, is told to his horror that Seleg, the man he hero-worshipped and admired as role-model, had been No Hero to His Valet, and in fact, been the one who horribly punished the defenseless slave Oreg, when Oreg complained about his killing the dragons he (Seleg) was duty-bound to protect. Naturally, no report of those deeds made it to any ballad or other account of history.
- CIAPHAS CAIN, HERO OF THE IMPERIUM! Pretty much the poster boy for this trope: a cowardly, manipulative political officer who gets thrown into death and destruction at every turn, and comes out as a hero for the Imperium, even revered as an aspect of the god-emperor of mankind in some circles. He doesn't believe all the hype, though.
- A recurring theme in the books is Cain using his memoirs (compiled into the books we read) to give himself a Historical Villain Upgrade instead. By his actions, Cain is a hero. By his own claims he's a self-serving coward. Those tropes get played with a lot, and Sandy Mitchell says he's not sure if Cain is a hero or a coward.
- Within the Dragaera series, the Dumas-recycling novels Brust attributes to Paarfi are an example of this (and probably Historical Villain Upgrade as well) in universe. Paarfi presents a rose-colored, Good Old Ways view of Dragaeran history and tends to present historical figures in a flattering light, although in some cases, you can read between the lines and sense the real person was much less pleasant.
- In the Belisarius Series, there are a couple of comments lampshading this, in which it is said that a character who died in battle would become an epic hero. In one of those cases King Eon of Ethiopia says that about himself as he is dying (ironically Eon's case is a subversion; his behavior clearly was heroic enough to win him such an honor, it simply lacked military professionalism as might be expected for so young a Warrior Prince).
- An episode of The Brady Bunch showed Bobby idolizing Old West gunman Jesse James. His worried parents take him to meet one of James's victims, after which he has a nightmare in which James murders his entire family. That cures him.
- Earlier in the same episode, they watch a movie based on Jessie James, but it had been Bowdlerized due to TV censorship, leading Bobby to believe that James was not violent.
- Jayne Cobb in Firefly. On a backwater planet of mud-cultivating peasants, Jayne apparently stole a fortune from the local tyrant, but was forced to jettison the cargo from his damaged ship. It landed near the homes of the 'Mudders', who assumed he had done it on purpose. Stories were told and songs were sung about the legendary Jayne Cobb, folk hero. Even when the Mudders are told the truth, some of them are so loyal to the idea of their hero that they prefer to stick to the old story.
- The original Star Trek invokes this trope by establishing that some people in the 23rd century consider Khan Noonien Singh to be one of history's heroes.
- In the Star Trek: Voyager episode "Living Witness", the ancestors of an alien civilization are treated this way after they tried to raid Voyager and took hostages while doing so. Voyager was trading with one of their enemies while not knowing there was even a conflict between the two sides, and both are given a corresponding Historical Villain Upgrade to the point that they launched a horrific war against their "peace-loving" culture and staged full-on genocide against them. They themselves, on the other hand, are depicted as martyrs and freedom-fighters.
- On the series True Blood, 3000 year old vampire Russell Edgington claims that he once met Jesus, who was just a "boring hippie who stank of patchouli."
- In the Supernatural episode "About a Boy", the Winchesters meet Hansel. He's in league with the child-eating witch and has willingly eaten his own sister.
- Discussed in a Star Trek: Enterprise episode in regards to Zephram Cochrane. Captain Archer wants to take an obscure speech by Cochrane in which he claimed cyborgs tried to sabotage first contact as the complete truth (which, of course, it is). T'Pol points out that Cochrane was "frequently intoxicated" (which is also true, and probably the only reason Cochrane ever revealed that information).
- Pelineal Whitestrake in The Elder Scrolls series is known as the Divine Crusader, and held in high regard by Imperials for freeing Tamriel from the Ayleids. Nevermind he was a racist berserker who would often go into psychopathic episodes, which were said to have damaged the lands themself. He nearly single-handedly wiped an entire race from the face of the planet, and even attacked another race called the Khajiit, simply because they didn't look human.
- The Dragonborn is revered in Skyrim for being a great hero, the ultimate warrior and the pinnacle of what a Nord should aspire to be. Despite it being revealed that the First Dragonborn was actually a Dragon-Priest who Turned Against Their Masters and ruled over Solstheim as a tyrant. However, this is somewhat of an subversion, since the Ancient Nord legends didn't refer to them at all, but actually the Last Dragonborn, prophecied to appear when Alduin returned. This bizarrely makes it a case of Future Historical Hero Upgrade!
- Tiber Septim, first Emperor of the current Empire and the man who united the entire continent, is seen as one of the greatest men to ever live and is so beloved by the humans of Tamriel that he has become revered as the god Talos, even usurping the position of head of the Nordic pantheon. In reality though, many of his most well-known exploits can be attributed to someone else, he may have been responsible for murdering his king in order to become emperor, and he almost certainly betrayed and killed one of his closest advisors in order to power the Numidium and conquer the rest of Tamriel. Of course, the worship of him isn't entirely unfounded, as there is evidence that he really did ascend to godhood... and may be one of the last things holding the universe together.
- In Final Fantasy Tactics, the official history records Delita as a hero, even though he left quite a body count on the way to the throne.
- The protagonist of MediEvil, Sir Daniel Fortesque, became a friend of the king through various exaggerated tales of his exploits. When an actual battle occurred, Daniel ended up getting killed by arrows minutes into it. However, due to being the King's friend, he went down in history as a hero. When the evil sorceror he fought against tries to take over the world again, Sir Dan gets a chance to finally prove himself as the hero history remembers him as.
- Raven King Naesala gets this in Fire Emblem Awakening. Specifically, in Olivia's supports with Donnel she sings a song about his romance with the heron princess Leanne. While this is true, the song reduces the story to a fairy-tale style romance (and "downgrades" Naesala to a prince), conveniently leaving out some of his more...questionable deeds, such as his Chronic Backstabbing Disorder, selling his best friend into slavery and piratical raids on any human ships entering his territory.
- Also in Fire Emblem Awakening, this trope is inverted when Sumia talks with her daughter from the future, Cynthia. Instead of making a morally questionable person out to be a hero, a heroic person is made out to be less ethical:
Cynthia: Well, in my time, you're a true legend. The most famed pegasus knight of all! There are so many stories of your heroic and terrible deeds. Like when you smashed through the enemy lines to rescue a stricken Chrom? noteSumia: Er...did I do that?Cynthia: Or the time you argued with Chrom and slapped him in the face!noteSumia: Gods above, I sound like a madwoman...Cynthia: Or the time you went into a blood frenzy and downed friend and foe alike!Sumia: I downed FRIENDS?! That's not heroic at all!
- Speaking of Tellius, Ashnard, Big Bad of the first game, gets Hero Upgraded by his countrymen after Lekain, Big Bad of the second game, turns out to be even worse.
- Also in Fire Emblem Awakening, this trope is inverted when Sumia talks with her daughter from the future, Cynthia. Instead of making a morally questionable person out to be a hero, a heroic person is made out to be less ethical:
- In the backstory of the Metal Gear series, Big Boss' exploits from before Outer Heaven were declassified at some point after the Big Shell Incident (a bit of Leaning on the Fourth Wall in that the game that came after that was a prequel focusing on Big Boss before he was Big Boss). As such, by the time of Metal Gear Solid 4, Big Boss is a legendary hero in the eyes of the current war economy - a far cry from the battle-obsessed soldier who tried to lead his own organization to their deaths that Solid Snake knew him as.
- Many fade spirits from the Dragon Age series view Loghain as a coolheaded and savvy general who refused to let his soldiers get killed for King Cailan's vanity. The reality is that while this is how Loghain saw himself, he was delusional and paranoid when he made the call to retreat and leave Cailan to die. Other spirits take the opposite approach.
- In World of Warcraft Kargath Bladefist is regarded as a hero for freeing himself and his fellow slaves from their ogre masters and building a new clan, as well as his service during the first two wars. As a result many places are named after him and when he is corrupted by fel blood the Horde players are told to mourn him. This glosses over his sadism and own proclivity for slavery as well as the many war crimes he committed.
- In general this is a problem for the Orcs who treat most of their leaders during the first two wars as great heroes despite their genocidal and underhanded tactics. Given that many of them were born a generation after, they grew up on stories of the leaders and think of them as legends.
- While telling the history of the Nedians to the heroes in Star Ocean: The Second Story, Mayor Nall describes Dr. Lantis as the one who discovered the means of defeating the seemingly-invincible Ten Wise Men. One of the heroes (an Intrepid Reporter) suspects that there might actually a little inaccuracy on Nall's account. An optional quest allows the heroes to unearth the true historical records, where it is revealed that Dr. Lantis is in fact the Ten Wise Men's creator.
- In Guild Wars 2 the Charr consider Bonfazz Burntfur to have been a hero for leading the invasion of Ascalon and occupying Rin. They neatly excised the fact that he was a member of the now-despised Shaman caste and his victories were only possible due to the Searing.
- Parodied on a Robot Chicken sketch that shows Benjamin Franklin practicing with a bo staff and declares "For America!" at the very end.
- Jebediah Springfield on The Simpsons. Touted as an archetypal pioneer who killed bears with his bare hands, he was in fact a German pirate who once tried to off George Washington but got his ass kicked.
- And even before that was revealed, the narrator of the TV recreation showing a man dressed as a pioneer fighting a man in a bear suit says: " but modern historians think that was the bear who killed him
- One episode of the Fairly OddParents has Timmy wanting to make a parade float based on legendary Dimmsdale founder Dale Dimm; AJ scoffs at him, declaring Dale Dimm to be just a legend and wanting to base their float on Alden Bitterroot, who is given actual historical credit for founding Dimmsdale. It turns out they both sucked. When Timmy travels back in time, it turns out Dale IS real, but a moron who is an accidental Idiot Hero AT BEST, and Alden Bitterroot is an obsessive and delusional witch hunter, identical ancestor of Crocker (who is actually a real witch himself and even more of an evil pain than his Identical Grandson!).
- Gravity Falls: Initially, in "Irrational Treasure", presumed founder of Gravity Falls Nathaniel Northwest was, in reality, a waste-shoveling village idiot that the government used to hide the real founder of Gravity Falls, America's 8th and 1/2 President Quentin Trembley. As it turns out, that was merely the tip of the iceberg — Northwest and his wife gain untold amounts of wealth with the cover-up, along with a mayoral position, and then used the townspeople to build Northwest Manor with the promise of a party every year celebrating their hard work. The people built the manor, only to be betrayed and denied entrance to the party for the next 150 years. This was the first of the many lies and deceit the Northwests, Gravity Falls' supposed "first family", has been involved in since then — a fact that Pacifica Northwest is very much horrified to find out.
- In Star vs. the Forces of Evil, the original Mewman colonists like to describe themselves as having bravely fought a war to purge the land of evil monsters so they could live in peace. The obvious subtext is that the monsters were the natives being driven from their lands by a superior force, and that history was Written by the Winners.