Lodger is the thirteenth studio album by David Bowie, released in 1979. The third and final album of what critics and fans call the "Berlin Trilogy" of his Krautrock/post-punk albums (though most of the album was recorded in Switzerland or New York City). It also marks the end of his working relationship with Brian Eno. The two reunited later in his 1995 album Outside.
Despite the association with Low and "Heroes", there are no instrumentals on Side Two and the songs are lighter and more pop-oriented. Critical reviews were indifferent to negative upon release. However, like the rest of the trilogy, Lodger has since undergone a case of Vindicated by History and is now considered one of his most underrated albums.
- "Fantastic Voyage" (2:55)
- "African Night Flight" (2:54)
- "Move On" (3:16)
- "Yassassin" (4:10)
- "Red Sails" (3:43)
- "DJ" (3:59)
- "Look Back in Anger" (3:08)
- "Boys Keep Swinging" (3:17)
- "Repetition" (2:59)
- "Red Money" (4:17)
Bonus Tracks (1991 Reissue):
- "I Pray, Olé" (3:59)
- "Look Back in Anger" (1988 version) (6:59)
Life is a pop of the cherry, when you're a trope:
- Book Ends: Bowie's "Berlin Trilogy" sometimes unofficially includes Iggy Pop's The Idiot due to Bowie's involvement and its sound. The first song on The Idiot is "Sister Midnight", and the final song of Lodger is "Red Money", a rewrite of "Sister Midnight".
- Bowdlerise: The Saturday Night Live performance of "Boys Keep Swinging" muted the second line of the couplet "When you're a boy/Other boys check you out". Subverted at the very end of the performance when the costume Bowie was wearing suddenly reveals a fake penis and waves it around the place.
- Call-Back: The rhythm of "Move On" is the chord sequence for "All the Young Dudes" played backwards.
- Camp: "Boys Keep Swinging".
- Domestic Abuse: The subject of "Repetition".
- Double-Meaning Title: "DJ". Yes, the song is about a disk jockey, but when you remember that Bowie's real name was David Jones...
- Even the Guys Want Him: Invoked in the video for "DJ".
- Large Ham: Most of the songs on the album thrive on this, as do the music videos:
- DJ: Bowie in a pink suit, breaking down in a D.J. studio.
- Boys Keep Swinging: Two minutes of Bowie gyrating his hips, one minute of his backup singers showing off on the catwalk and revealing themselves to be Bowie in drag.
- Look Back in Anger: Bowie paints a self-portrait, which becomes progressively more and more detailed while his face decays.
- Lighter and Softer: By far the most accessible and pop-oriented of the trilogy.
- Motor Mouth: "African Night Flight" features Bowie delivering lyrics at serious speed.
- My Nayme Is: Subverted with "Yassassin" - it is not another way of spelling "assassin". Some versions of the album remedy this by adding the subtitle "(Turkish for: Long Live)".
- One-Word Title: The album itself, plus the songs "Yassassin", "DJ" and "Repetition".
- Rearrange the Song: "Red Money" is a rewrite of "Sister Midnight", from the Bowie-produced Iggy Pop album The Idiot.
- Refuge in Audacity: "Boys Keep Swinging", both the song and the video, continue Bowie's tradition of playing with gender and sexuality. "D.J." isn't too far behind.
- Reggae: "Yassassin" uses a Reggae riddim as its base.
- Revealing Injury: The full image◊ for the album cover has Bowie as an accident victim, heavily made up with an apparently broken nose.
- Shout-Out: "Red Sails" uses a motorik rhythm lifted from Neu!.
- Stylistic Suck: "Boys Keep Swinging"'s rough sound, the result of Bowie having the members of his backing band switch instruments to perform it.
- Wham Line: "Repetition""I guess the bruises won't show/If she wears long sleeves"
- World Music: The album is seen as an Ur-Example of the worldbeat boom of The '80s which came to popularity with artists such as Talking Heads and Peter Gabriel.