Always Someone Better: Maxwell deals with this twice. During the show, it's always coming in second place to Andrew Lloyd Webber. However, it was mentioned more than once that he felt like this toward Jeremy Irons back in school. He lost the part of Romeo in their school production to him (Max ended up as Friar Lawrence), and Niles mentioned that he spent his entire class reunion sulking in the corner "because everybody was kissing Jeremy Irons' as...pirin, Q-tips and Chapstick, I'm off to the drugstore."
Amazingly Embarrassing Parents: Sylvia has a bad habit of eating all the food in sight, constantly nagging Fran about not being married, and telling wildly inappropriate stories to anyone around to hear.
Anchored Ship: The reason Fran and Max don't become a couple is because of his dead wife. However, the end result is a Type 1 when he proposes to her.
Antagonist in Mourning: Happens twice to C.C.. Once when Fran leaves to become a soap opera star, C.C. is ecstatic until she finds out that Maxwell has hired Heather Biblow to take over as nanny. When Fran returns, C.C. hugs her, exclaiming "Don't you ever leave me again!" to a perplexed Fran. The second time was after Niles suffers a heart attack during a verbal spar with him.
A somewhat reversed situation happened when C.C. was sent away to the sanitarium. While she's gone, Fran is taking care of her dog Chester. Fran notices Chester is oddly happy, saying that usually when a dog loses their master, they get all sad and depressed. *Cue Niles walking in, all sad and mopey.*
As Long as It Sounds Foreign: In "The Kibbutz", Fran flashes back to when she lost her "hat" to an Israeli guy on a kibbutz. He asks what's going on in Hebrew and she says "Yeah, bagel, bagel, shalom, bagel".
Babies Ever After: Fran and Maxwell have twins, and C.C. and Niles are expecting a child of their own.
Back Door Pilot: The second season episode "The Chatterbox" introduces us to the employees of Fran's favorite hair salon, including Lauren Tom as an Asian nail-care artist.
Badly Battered Babysitter: Fran, but not with the children she's hired to actually take care of (most of the time). Instead, it's with the son of one of Maxwell's clients.
Bait and Switch: In the episode when Fran and C.C. are on jury duty, they're listening to Vincenzo's testimony. He talks about how she snuck into his room in the middle of the night and "chopped it all off" (remember this took place not too long after the John Wayne Bobbitt story.) Fran and C.C. are both horrified, but they get a little suspicious when he wonders if it'll ever grow back. At that point, he pulls off his wig and they realize he meant his hair.
Beta Couple: Niles and C.C. They get together in the end.
Betty and Veronica: Averted because C.C. only thinks Maxwell is Archie, she's Betty, and Fran is Veronica but...she's not even in the equation.
C.C. herself becomes the Archie in another bogus Betty and Veronica situation, where Maxwell is the Betty and Niles is the Veronica. It's still a false choice, but at least she's genuinely interested in the both of them.
Sylvia: Do I smell banana fritters with fresh fruit compote?
Sylvia: Could I?
And if Sylvia isn't around, Fran is the next biggest eater.
They kind of imply in-universe that this is a shared trait amongst all Jews, as seen when Niles tells Max that Sylvia invited them over for the Jewish holiday:
Max: Now, is this the holiday Miss Fine said you can't eat all day, then stuff yourself? Or the one where you light candles, then stuff yourself? Or the one where you build a straw hut, then stuff yourself?
Niles: I believe it's the one where you hide crackers from small children, then stuff yourself.
Christmas Cake: Fran has a complex about it; to the point that we never really get to know her real age even after the whole series ended.
Lampshaded when even the FBI was only able to get as close as thirty-one.
Basically just lampshaded throughout the whole series.
HILARIOUSLY lampshaded when on the night before her wedding, Fran is stranded on the outskirts of the city. When she calls the police for help, he dismisses her. . .until she tells him how old she is (which the audience never hears, but realizes that she must be pretty desperate if she's revealing such carefully guarded information to a complete stranger), and he then offers to send a helicopter to get her safely home.
We do find it out: She has her 30th birthday in season two. Maggie even references this. Though it's implied Fran was lying about her age even then.
Fran: I'm 25 years old.
Maggie: No, you're not. Your 30th birthday was three years ago. You're 33!
In one episode, she meets a good looking professor who's crazy about her. However, he's also into astrology, and his psychic tells him that he should be getting married and settling down with someone older than Fran claims to be in Great Neck (which amounts to Fran's entire dream life.) Fran does tell him her real age (34, lining up with the above reference), but he doesn't believe her.
It should be noted that Fran's hangups about her age began with her mother. In one episode during Sylvia's birthday, Fran mentions that the "Happy Fiftieth Birthday" banner they were using still had Vote Dukakis on the back (Dukakis ran for president in 1988, the episode first aired in '94.)
The closest the viewers ever get to a definitive statement on Fran's age was when Sylvia, only in the company of Fran herself of course, let slip that Fran was born when Kennedy was president.
Citizenship Marriage: Fran nearly enters into one when Brighton's french tutor (needing a green card) pops the question.
City Mouse: C.C., particularly in "Schlepped Away". Fran to a lesser degree in "Honeymoon's Overboard".
Depending on the Writer: Maxwell waffled between knowing Fran has feelings for him and being oblivious, Fran shifts back and forth between being aggressively protective about her age and joking about it, and knowing her voice is incredibly grating and being oblivious to it.
Many of Niles's insults to C.C. were contradictory to each other. Half the time, he implies that she has absolutely no sex life (When he makes a cake with her image on it, when he offers someone a slice he says, "as in life, no one's touched her.") The other half, he implies that she's a prostitute (any time she mentions selling tickets or raising money from investors, Niles would make remarks about "her usual corner" or "remembering her change belt."
Maxwell's intelligence tended to wander back and forth between Genre Savvy and a complete buffoon. On more than one occasion, he knew that Niles would frequently eavesdrop on conversations in his office, and would refer to him if he needed a witness. However, in one episode when Fran was pregnant and having a sonogram, he was bragging about how much the baby looked like him, only to be told that the machine wasn't on and he was seeing his reflection.
Did They or Didn't They?: Fran and Maxwell in "Strange Bedfellows", after a drunken Fran mistakenly got into Maxwell's bed with him already there. The show itself was very vague about this. The next morning, they were still in the exact same positions they were the night before, they were still dressed, and the bed was still very neat. However, they both mentioned having a tell (the day after, Fran's ears would itch and Maxwell could sing "Georgy Girl,") which both happened at the end of the episode.
It's heavily implied that CC and Niles may have had sex in "The Honeymoon's Overboard". However, since they were heavily drunk, they barely remember anything that happened.
Did You Just Have Sex?: After Niles and C.C. start to become romantically involved, the normally bitter and repressed C.C. comes into work the next day as cheerful as Snow White, including singing to a bird.
Brighton: Dad, she's been working here for three years! When are you gonna learn? Okay... (Imitates Fran's voice for the questions) "Does this make me look fat?" "No." "Do you like my hair this way?" "Yes." "Is my tush wider than usual?" There is no answer to that one.
Doppelganger Dating: In "Fran Lite", Maxwell goes out with a woman who's almost exactly like Fran.
Maxwell: Niles, how would you suggest I go about satisfying Miss Fine?
Niles: ... Well, sir, the second way...
Double Standard: Comes up in S1 Ep 14, "The Family Plumbing." Maxwell refuses to let Maggie go to a makeout party but is proud of Brighton when Fran catches him making out with her cousin's granddaughter.
Early-Installment Weirdness: In a first season episode Fran celebrates her 30th birthday. Shortly afterwards her refusal to admit to being older than 29 became one of the shows biggest running gags (Maxwell says at one point even the FBI couldn't figure out her real age).
In the pilot, Niles and Fran weren't quite so friendly towards each other as they were later on. He seemed to enjoy sitting back and watching Fran dig herself deeper.
The first season was a standard sitcom, which fans now consider trite and dull. Fran and the producers decided that the show should be more like I Love Lucy. One of the rare cases where Flanderization of the characters helped a show more than harmed it.
Everybody Knew Already: In "Whine Cellar", C.C. "reveals" to Fran that she has a crush on Maxwell, adding "My therapist says I'm obsessed with him!", to which Fran responds "How much did you pay to figure that out?".
Evil Laugh: C.C. has one that's actually fairly impressive - usually happens when she's sneering over someone or during those brief moments where she gets one over on Niles.
Which they used all the way through the final season, when Fran had married her boss, adopted his children, and was pregnant with her own. Apparently, it never occurred to anyone that the song should either be updated, or an instrumental.
This was addressed more than a few times via Lampshades. In the first episode, when Max chastises Brighton's attitude toward Fran, she retorts "Yeah, I haven't even sang 'Climb Every Mountain' yet." Later, after developing a bout of amnesia, when the kids introduce themselves, Fran says, "You know, this seems familiar to me. Say, did I ever sing on some Austrian hillside with a really butch haircut?"
Fawlty Towers Plot: A number of times, like in "The Butler, The Husband, The Wife and Her Mother" and "Pishke Business".
First Girl Wins: Subverted, as C.C. is technically the first girl, but has no chance. Unless you count her inevitable hook-up with Niles.
Game Show Appearance: In "Franny and the Professor", Fran goes on Jeopardy! and, to everyone's surprise, wins a measly $200 when she's the only one who gets "Final Jeopardy!" correct.
Gender-Equal Ensemble: The Sheffield household has three males (Maxwell and Brighton Sheffield, Niles the butler) and three females (Fran Fine, Maggie and Gracie Sheffield,) although other main characters or just important ones (C.C., Sylvia, Yetta, Val) throw the dynamic off a little.
This disguise is actually meant to even fool the audience since we are lead to believe Fran is the cocktail waitress with the big hair.
Grade Skipper: When Niles learned Valerie's age, Fran tried to prevent him from using this to figure out hers by claiming she had skipped a few grades. When it didn't work, Fran said Valerie was Held Back In School. That Niles could believe.
Gratuitous French: "Green Card," where Brighton gets a French tutor Fran is attracted to. Unfortunately for him, she thinks "je t'adore" means "shut the door."
Funnily enough, the actor playing the French tutor was born and raised in Milan. This might be accidentally Lampshaded later, when Fran tells Maggie she should be failing Italian so she could get a tutor as well.
And in the French version, he's supposed to be an Italian tutor.
Gunman with Three Names: Fran thinks Niles is a serial killer when she misinterprets a list he had, and Val tries to convince her Niles can't be a serial killer using this.
Val: Let's see, most serial killers have three names: (Counts on her fingers each time) "John Wayne Gacy," "Richard Alan Speck," "Son of Sam"!
And Maxwell and Niles. Occasionally they have moments of being Vitriolic Best Buds, but they honestly can't imagine life without each other, and are definitely each others' confidants.
Hide Your Pregnancy: C.C., whose actor was pregnant at the time, lampshades this and provides the picture for the page. She enters Maxwell's office wearing all black and refers to Hide Your Pregnancy techniques used on Elaine from Seinfeld, including the holding massive objects. At the time, she is holding a huge purse, and after putting it down, picks up a potted plant she says needs to be watered before exiting the scene.
She later reenters the room holding a giant sign that says "BABY".
Informed Deformity: While Sylvia was a Big Eater and definitely a bigger woman, in show, they portrayed her as a whale. During one of her many elaborate freakouts, she threatened to throw herself in the Hudson River, to which Fran responded "Ma, flooding New Jersey is not gonna solve anything!"
A quite jarring case: throughout the series Niles insinuates that C.C. is unattractive, despite the fact that she actually looks quite beautiful (it was her personality that was unattractive!). Justified later on in the series when it turns out that Niles has just been saying this to cover up the fact that he's actually madly in love with C.C. (For the most part, in the early episodes, it would appear that Niles simply hates her so much he's coming up with every insult he can to throw at her. He also calls her a cow, a hooker, and a witch.)
It Will Never Catch On: The flashback scenes in "The Kibbutz" show Fran and Val scoffing at the idea of "frozen yogurt" as they watch a young Maxwell mentioning in an interview how glad he was passing on a musical about singing cats at C.C.'s advice. Fran also thinks Mrs. Spielberg's son, Steven, is a dork. Sylvia then tells her that Mrs. Milken's son is very smart, but Fran's reluctant because he stole money out of her locker.
This is inverted in another episode, when Fran flashes back to when she got her tattoo. The tattoo artist has a tattoo of Princess Diana and Prince Charles together and she says that she hopes they last.
I Want Grandkids: Fran hears this constantly from her mother. Yetta, on the other hand, is senile and therefore thinks that Maggie, Brighton (or as she calls him, "Schmooey"), and Grace are all Fran's kids. By the end of the show, she marries Max, so they are.
I Was Quite a Looker: Sylvia Fine, by all accounts, was just as attractive as her daughter when she was younger. Overlaps with Strong Family Resemblance in the flashbacks to Fran's childhood, where she's played by Fran Drescher in a blonde wig.
Jewish Mother: Sylvia Fine to Fran. Yetta to Sylvia. Fran to Jonah and Eve, or Jewish stepmother to Maggie, Brighton, and Grace.
Lady in Red: The theme song describes Fran as being this "When everybody else is wearing tan." In the pilot episode, Fran really makes her mark on the Sheffield household by showing up at a backers' party in a sparkly red dress◊.
C.C.: What's that?!
Maxwell: That's... the nanny.
Fran: You like? I borrowed from my cousin, Miss Long Island 1986.
Last Name Basis: Fran calls Maxwell "Mr. Sheffield" and Maxwell calls her "Miss Fine" until the later seasons when they finally hook up.
Though at least once after they married, an aggravated Maxwell called Fran "Miss Fine". For instance, upon catching Maggie in bed with her boyfriend in Fran's old room, making Fran say to her "See what you did? Now I'm back to Ms. Fine."
In an earlier season (before they hooked up) a scene that involved the two of them completely alone in the house together had them taking perverse glee in addressing one another as "Maxwell" and "Fran."
Little Black Dress: Fran has an exceptionally fetching one in "An Offer She Can't Refuse." Maxwell is understandably flustered when she wears it on a date with another guy.
Miss Conception: S2 Ep19, "A Fine Friendship" has a Type 1 with Grace. She thinks she's pregnant when she hears Fran talking about a soap opera character who slept with a guy and is late which means she's pregnant. Grace "slept with" (took a nap) with her male friend, Willy, and was "late" (for a showing of The Lion King, because they fell asleep). Fran hears them talking about it.
Grace: Are we doing the right thing, bringing a child into this world?
Fran: Boy, can those kids play house or what?
Missing Mom: Sara Sheffield, how she died has never been revealed.
Mistaken for Gay: The focus of S2 Ep 19, "A Fine Friendship" with Fran and a male nanny named Kurt.
Happens more often to Maxwell and Niles. They are British, after all.
And also because of her virtually nonexistent romantic life, this has happened to C.C.
Fran too, for the same reason, by Maxwell's new publicist who C.C. and Fran thought was interested in Maxwell. Turns out she really had a thing for Fran.
Never Live It Down: An In-Universe running gag with Maxwell. Initially, nobody would ever let him live down how he took back saying "I love you" to Fran. Then, after they get married Fran never lets him live down how it took him five years to propose.
Nice to the Waiter: C.C. is in no way nice to Niles the butler, and Sweet Lord does she pay for it. Some of the things that are seen or mentioned during the show: swapping out her lip balm for glue stick, putting dishwater in her coffee, switching some labels on breath spray and pepper spray, leaving her trapped in a malfunctioning wheelchair spinning out of control, squirting lemon juice into her eye, handing her a scalding hot teapot, and in general Niles plays hacky-sack with her mental and physical health the entire series.
This also applies to C.C. where Fran is concerned. C.C. is very condescending to Fran, undermines her and tries to manipulate her in one way or another, but Fran usually has the last laugh.
There was also an episode that dealt with this directly. After a show opening, they go to the after-party where the busboys were on strike. Fran absolutely refuses to cross the picket line, Maxwell ends up trying to forcibly drag her across, and the ensuing scene got them an appearance on Sally Jesse Raphael. Ironically, the musical that just opened was a musical adaptation of Norma Rae.
Noodle Incident: Maxwell taking back that he loves Fran becomes this for Niles.
In one episode he figures it out (cue epic Oh Crap from Maxwell), but then decides that can't be it, because no one could be stupid enough to do something like that.
No Indoor Voice: Fran and Sylvia trade off on this quality, and then sometimes use it simultaneously.
Sylvia: (to Yetta, who is senile) Fran is not married, SHE'S ALL ALONE!
Fran: Louder, Ma. I don't think they heard you IN URUGUAY!
Also Lampshaded from time to time:
Fran: (creeps down the stairs, whispering) Who's ringing the doorbell at this hour? They're gonna wake everybody up. (bellows)NILES!
(Niles appears beside her)
Fran: Oh, you heard me?
Niles: Van Gogh heard you. He's dead AND missing an ear.
No Celebrities Were Harmed: In "Samson, He Denied Her" we meet Vincenzo, a Latin Lover model known for his lush, long hair and his appearances in romantic novel illustrations, who's rather obviously based on Fabio. This gets subverted later in the episode, though, as we find out the supposedly Italian "Vincenzo" is actually Bernie Schwartzberg, a New York Jew.
No Periods, Period: Actually had quite a few with Fran and other female character mentioning periods drive the men from the room, intentional or not.
S2 Ep5, "Curse of the Grandmas". Maxwell is trying to figure out why Fran is angry with him and says he counted backwards from 28 days from the last time she was mad at him for no reason, saying she still has another week.
S2 Ep13, "The Strike". Maxwell gave Brighton permission to go shopping in Jersey after Fran had already said no.
Fran: Well, the Good News is, I'm usually a very fair nanny. The Bad News: It's the 28th day of the month.
S6 Ep3, "Once a Secretary, Always a Secretary". Gracie tells Maxwell that all of her friends are on their "cycles" yet. Of course, he misunderstands.
Maxwell: You see? We didn't have to bother Fran with that. I'll buy you a bicycle.
Grace: Dad, I'm talking about my period.
At the end of the episode, Fran tells Maxwell he'll tell her "the longer her 'friend' takes to visit the happier we'll all be", just as Grace walks by yelling about being out of Nutter Butters, and Fran says "Well, welcome to hell, honey."
In season one's "The Gym Teacher", Maggie tries to get out of gym class by saying it's because of her period, but Fran doesn't buy it.
Fran: (to Maggie) You may have guessed Val is not short for valedictorian. Now what's going on? You've had your period 4 times this month.
Fran: SO, women don't get their periods 4 times a month, otherwise all the men would be institutionalized.
Not in Front of the Parrot: While Cher is recovering from plastic surgery in the Sheffield home, it somehow slips out, and Maxwell suspects Fran. She denies it, but the parrot gives her away with, "*Squawk!* Val! It's Cher! Could ya plotz?" Although, it's revealed that it was Maxwell's fault.
S2 Ep 19, "A Fine Friendship" has Max fighting to help Fran get her shirt on after she gets it stuck putting it on. They're struggling trying to get it on, yelling about how they'll get it on, how he can't do it standing up, and how hot she is, right as Niles walks by. The look on his face is priceless.
Niles: If you let me tell Miss Babcock about this, I'll work free for a year.
Oblivious to Love: Played for laughs, though it's more like Oblivious To Lust, as Maxwell constantly misinterprets or overlooks C.C.'s attempts at winning his heart.
Odd Friendship Fran and Niles friendship is a departure from most sitcoms where their characters would normally be enemies. In fact, Niles ends up joining Val as Fran's best friend.
The Pirates Who Don't Do Anything: In later seasons Fran is rarely ever shown doing any work, not that she has much to do with two of the kids nearly adults, and keeps her job due to the UST between her and Maxwell. Frequently lampshaded, such as in final season where Fran, now Maxwell's wife, hires a new nanny who quickly realizes she isn't needed. Max directly said he kept her on as his nanny even though his kids were nearly old enough to vote specifically because she had no other skills and is generally kind of hopeless.
Playing Gertrude: Ann Morgan Guilbert, who plays Grandma Yetta, is only 5 years older than Renee Taylor, who plays Sylvia Fine. C.C. Babcock is meant to be several years older than Fran, but Lauren Lane is actually 4 years younger than Fran Drescher.
The reason that Chester became an Evil-Detecting Dog around C.C. was that Chester was, in reality, Fran Drescher's dog, and was so fiercely loyal to his owner, that any time C.C. picked him up or took him away from Fran, he would just naturally snap and snarl. Since C.C. was a textbook Rich Bitch, it just turned Chester into, as Niles put it, "Fluffy, and a good judge of character."
Max's sister Jocelyn didn't start out this way when she appeared in an early episode, but when she reappeared in the last couple seasons, she seemed to have become this.
Max's mother was also definitely this trope.
Fran's Aunt Frieda showed shades of this after becoming rich, though she redeemed herself.
Rich in Dollars, Poor in Sense: The Sheffields, or any of the Blue Bloods for that matter, often lack common sense and need to be schooled by Fran. The kids have an excuse, they are growing up and need parental guidance, the adults . . . not so much.
C.C. never remembering the names of the Sheffield children (or even the number)
Sylvia's voracious appetite.
Maxwell's obliviousness about how much C.C. lusts after him (up until he and Fran get married).
Fran and Sylvia's obsessive undying love for Barbra Streisand.
C.C.'s poor romantic life.
Gracie's paranoia (she got better in the later seasons though).
Maxwell being mistaken for Pierce Brosnan.
Saw a Woman in Half: This was going to be Fran and Gracie's talent for the mother/daughter pageant. Their practice run didn't go very well... Fran was nearly cut while Gracie read Easy-Bake instructions.
Slapstick Knows no Gender: C.C. is by far the most abused character on the show (the show is also unique in the sense that the female slapstick violence is mostly the fault of a male character, namely Niles.)
Fran has her share of slapstick, too. Understandable, since Fran Drescher has cited Lucille Ball as a major influence upon her.
Slobs Versus Snobs: Although Fran wasn't exactly a slob and always looked fabulous, she's not above picking her teeth in polite company and offering an off-hand remark about food she doesn't remember eating being stuck in there.
In this way, The Nanny itself could be considered a Spiritual Successor to Charles In Charge, another show O'Connell had previously wrote episodes for as a freelance writer.
Stalker with a Crush: C.C. shows shades of this towards Maxwell (as early as Season One, her therapist has diagnosed C.C. with being clinically obsessed with him). It gets much more severe after Fran and Maxwell announce their engagement. Upon hearing the news, C.C. immediately starts twitching, attacks the messengers who brought her the news (she's holding one of their hats, torn to shreds, in the next scene), and actually ends up spending a few episodes in a mental asylum (in Real Life actress Lauren Lane was taking time off because she was about to give birth). She gets better by the end of the series though.
Fran gets her own stalker in the form of Jeffrey Needleman, an old classmate from middle and high school. He threatens to fling himself out a window if Fran doesn't start a relationship with him. At one point before this, he gives her an old makeup kit, explaining that it's the same one their fifth grade teacher confiscated from Fran. Cue Fran's response: "And you saved it...all these years. How sweet...and yet disturbing!"
Sweet and Sour Grapes: S2 Ep2, "The Playwright" had this happen to Brighton. He asks his geeky study partner, Brooke, to the school dance, only to deny it and turn her down when she talks to him about it in front of his friends and gets lectured by Fran for it. Later on, after agreeing again to take her to the dance, she shows up and has cleaned up nicely. Fran lampshades it;
Fran: See? You did the right thing, and God smiled on you. God, Maybelline, and half a box of Kleenex.
'I wasn't staying up to see how late you'd come back after your night out
Talking to the Dead: Maxwell in "The Wedding" finds himself speaking to his deceased wife Sara, who gives her blessing for marrying Fran, and even indicates that she was the one sending her to him in the first place.
That Didn't Happen: During a turbulent flight, Maxwell confesses he loves Fran but took it back when they landed safely.
Theme Tune Cameo: In the first season finale, when Fran is on a plane, she basically recites the lyrics to the show's theme. She also mentions the "She's got style/ she's got flair" part a couple of times throughout the show. It's even Lampshaded in the episode "Where's the Pearls?":
Fran: But...I've got style, I've got flair! How could I become the nanny?!
Many moons later, Fran tries to reassure herself she won't be an impoverished spinster in 20 years like her nanny friend:
Fran: We're not alike because I have a skill I can fall back on.
Mona: That's what I thought. See, I was working in a bridal shop in Flushing, Queens, 'till my boyfriend kicked me out in one of those crushing scenes—"
Fran: Stop it, Mona!
In the episode "Fashion Show", Maxwell expresses his surprise at Fran's costumes for a production of Our Town stealing the show.
Fran: Well, I had style, I had flair, I was there, that's how I became... (suddenly dissatisfied) the nanny.
Maggie: Fran, you can't control what your mother eats. She doesn't live here.
Gracie: When did she move out?
Third-Option Love Interest: Happens a couple of times during the series, most prominently (and Lampshaded) with Bobbie Flekman (played by Fran Drescher) who the delusional C.C. describes as an amalgamation between herself and Fran. C.C. is the only one who thinks that she and Fran are Betty and Veronica, though, so it's pretty much a subversion. Sufficed to say, Bobbie is only there to cause tension and never reappears in the series.
A subversion occurs when Niles offers C.C. a frozen popsicle and it sticks to her tongue... so he tells her to go outside and stick it out in the sun to melt instead of just running warm water over it. Alas, C.C. didn't know any better.
Played straight with the Secret Service agent on the ski lift.
Unintentional Period Piece: Aside from the fashion sense (Maggie's babydoll dresses, especially), the earlier seasons made quite a few pop culture references and current events references to things like the O.J. Simpson trial and the Menendez Brothers that date the show to the Nineties.
Unlimited Wardrobe: How Fran manages to have so many clothes is ascribed to her having a fashion designer cousin. Apart from that, she's shown to frequent outlet malls and discount stores such as "Labels for Less" and other "designer duds on the cheap" places. She also frequently mentions her credit card bills were absolutely astronomical and went through a case of compulsive shopping so it isn't just having Todd Oldham as a cousin.
The Unseen: Fran's father. Up until he appears twice during the final season, played by Steve from "Steve and Edie", creating a Celebrity Paradox.
What Happened to the Mouse?: Fran's ex-fiance Danny and his girlfriend Heather have a baby in the third season. But one year later, Danny dies and Heather first goes to Hollywood and later on takes over Fran's nanny job briefly while the kid is never mentioned again.
What The Hell, Casting Agency?: In-universe. One way to show Max's... abilities as a producer was to mention that he would make some bizarre casting choices. Some of which were Debbie Boone as Yentl and putting Lyle Waggoner in Fiddler On The Roof.
Wannabe Line: Fran and Valerie usually spend their nights off at one of those lines to see celebrities entering. One day, feeling Maxwell needed to get out more, Fran invited him along. Because Fran and Valerie didn't want to drive away potential boyfriends, they asked him to pretend he didn't know them. It backfired on them when he was let in.
Why Waste a Wedding?: Jocelyn is set to marry Nigel...but is really in love with Lester, her chauffeur. The two of them figure this out on time- and get married on the day that was supposed to be her wedding to Nigel!
Yiddish as a Second Language: This was actually one of the show's signature elements. It really wouldn't have felt the same without this trope.