If our concept of ideology remains the classic one in which the illusion is located in knowledge, then today's society must appear post-ideological: the prevailing ideology is that of cynicism; people no longer believe in ideological truth; they do not take ideological propositions seriously. The fundamental level of ideology, however, is not of an illusion masking the real state of things but that of an (unconscious) fantasy structuring our social reality itself. And at this level, we are of course far from being a post-ideological society. Cynical distance is just one way [...] to blind ourselves to the structuring power of ideological fantasy: even if we do not take things seriously, even if we keep an ironical distance, we are still doing them.These are the basic political ideologies that are prevalent in contemporary times. Of course, these are largely simplified, and most people don’t adhere purely to one ideology, but adopt concepts from multiple ideologies. Still, most political works can be broadly defined as falling into one of the following categories. Please note, the following categories are ideological. Several groups running in Real Life elections often use these terms, but to refer to their political bloc rather than as an indicator of their actual ideological leanings. For instance, in the contemporary USA 'liberalism' is an umbrella which encompasses everything between Socialism and Third-Way Neoliberalism, whereas 'conservativism' is another umbrella covering everything from Neoconservative-Neoliberalism to Hardline-Conservatism. In other places "liberalism" has quasi-fused with "conservatism" and runs against an ideology named after some founding figure ("Guy X-ism") - this is particularly common in Latin America, which loves to name political styles and ideologies after people, both living and dead both connected and unrelated to said ideology.
— Slavoj Žižek, "The Sublime Object of Ideology" (1989) p.33
A Note on ContextA political ideology does not arise in a vacuum. A political ideology is usually the product of a series of beliefs about how human beings are, how they acquire knowledge, how they should interact with each other, and how they should be governed (if at all). For instance, one who believes Hobbes Was Right will come to very different political conclusions to one who believes Rousseau Was Right. While their theorists are almost exclusively European, the ideologies themselves are near-universally applicable and are known worldwide. None of these ideas is more than 300 years old, and their heyday seems to have been the 19th–20th centuries (when they began to displace religion as something people found meaning and worth in). With the Great Politics Mess Up in the late 20th century, some people have argued that "all big political narratives are over" and some parties have indeed tried to sell themselves as non-ideological, with neoliberalism marketing itself as being mere economic "expert opinion" and political parties of all colors running away from both "socialism" (e.g. "progressive") and "fascism" (e.g. "alt-right") as labels. However, given the even more recent trend to increasing political polarization, this may after all prove to have been a blip on the radar and not the "end of history" as some hoped/feared.
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Inevitability, and 'Why Is That Called An Ideology'?
“The mind is at the same time guided and constrained by schemas: prepackaged expectations and ways of interpreting that are already available to it. To some extent these schemas will have been created by each individual mind. To a large extent, however, they will have been supplied by the society of minds of which that individual mind is a member. [...] The mind does not record the world, but rather creates it according to its own mix of cultural and individual expectations.”Ideological thinking is inevitable because the human mind is structured to think in terms of Tropes. Memories of personal experiences, Real Life events, and fictional events are all processed and remembered in the same way (activating the same areas of the brain during MRI scans). This is why TV Tropes is so absorbing, and why we had to purge the Troper Tales and "This Troper" sections in the "Real Life" folders of every page — some already had more personal tales than all the fictional ones put together, and almost every article would eventually have ended up that way.
— Wallace Chafe note
“According to our common sense, we think that ideology is something blurring, confusing our straight view. Ideology should be glasses, which distort our view, and the critique of ideology should be the opposite, like you take off the glasses so that you can finally see the way things really are. [...] This precisely is the ultimate illusion: ideology is not simply imposed on ourselves. Ideology is our spontaneous relation to our social world, how we perceive each meaning and so on and so on.”When we browse this page, we inevitably come across at least one ideology that doesn't sound like an ideology at all. To us, it doesn't sound like a belief system: it sounds like common sense, like the way things 'should be', like the way that everyone should think about the world and act. This is because we are, all of us, ideologues. The ideologies that we accept are barely noticeable or totally invisible to us because their precepts and our personal beliefs are largely or wholly identical, so there are few or no noticeable differences. Moreover, few ideologies can be fully explained by their adherents: typically they are reflected in vague feelings and opinions of what 'human nature' or 'the natural order of things' is. Every ideology has (had) proponents who have proclaimed it as being non-ideological or post-ideological, and few have explicitly pushed their ideologies by calling them that: 'Ideology' itself is almost always used as a slur against one's ideological enemies, not one's own ideology.
— Slavoj Žižek, The Pervert’s Guide to Ideology: Transcript, Page 1/14
Nationalism, Liberalism, Socialism, and Conservatism arose from one long period in human history with three stages:
- The Enlightenment (16th-C18th centuries), when they were first conceived.
- The The American Revolution and The French Revolution (1770s-1810s), when the new anti-status-quo ideologies were implemented.
- The Counter-Enlightenment (1790s-), when Conservatism was re-articulated as a response to ideology (the trope Romanticism Versus Enlightenment is basically Counter-Enlightenment versus Enlightenment).
Nationalism — For the Nation!
No serious historian of nations and nationalism can be a committed political nationalist... Nationalism requires too much belief in what is patently not so.Nations and the nation-state are and should be the bedrock of the political order! But more importantly for you and me, doesn't it feel awesome to share in the greatness of such a uniquely exceptional and great nation as ours? Subtypes:
— Eric Hobsbawm, Nations and Nationalism since 1780: Programme, Myth, Reality
- Primordialism: nations have always existed as semi-mystical, semi-spiritual entities with eternal moral/mental essences.note
- Modernism: nations are modern constructions created to inspire pride in modern states. Nationality is not a meaningful form of identity.note
- Ethnosymbolism: nations have a long pedigree, but mass-belief in nations is a modern invention. Nationality is as meaningful to us we feel it is.note
- Democracy: Unimportant
- Meritocracy: Unimportant
- N/A (context-dependent)
Liberalism — For The Freedom Of The Individual!
- Classical: Government allows people to be free or unfree as their hereditary wealth makes them. Elites are freer than others and poverty means The People have little or no freedom.
- Social(-Democratic): Government sets people free by preventing poverty and ill-fortune from being barriers to acquiring wealth. Elites and The People are both relatively free.
- Classical Liberal - Capitalist/Classical
- Social Liberal - Keynesian, Behavioural
- Democracy: Unimportant for Classical Important-Yes for Social
- Meritocracy: Important-Yes for Social, Unimportant for Classical
- Upper: Pro- for Classical, Anti- for Social
- Middle: Anti- or Ambivalent for Classical, Ambivalent for Social
- Lower: Anti- for Classical, Pro- for Social
Conservatism — For Tradition, and Stability!
Let others have fanciful dreams of perfect political economies! We stand for a political order that works in practice, even if it isn't perfect! Subtypes:
- Reformist: Status Quo Is God, but if refusal to compromise means armed conflict then Know When to Fold 'Em.
- Hardline/Reactionary: Status Quo Ante, and if refusal to compromise means armed conflict then Violence Is the Only Option.
- Democracy: Unimportant
- Meritocracy: Unimportant
- N/A (context-dependent)
Christian Democracy — For God's people, and God!
- "The first of all the commandments is, Hear, O Israel; The Lord our God is one Lord: And thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind, and with all thy strength: this is the first commandment. And the second is like, namely this, Thou shalt love thy neighbour as thyself."Subtypes:
- Various, dependent upon region and country like Americans for majority Protestant with some Catholic or Non-denominational in recent years, Italians for Catholic or Russians for Eastern Orthodox
- Distributism: The (Catholic) Godly must subdue and harness the Ungodly greed promoted by Capitalism to better God's creation
- Keynesian, Behavioural
- Democracy: Important-Yes for Christians; Unimportant-No for Non-Christians
- Meritocracy: Important-Yes for Christians; Unimportant-No for Non-Christians
- Upper: Anti-
- Middle: Anti- or Ambivalent
- Lower: Pro-
Socialism — For The Equality Of The Rich And Poor!
(See also: Socialism) People are greedy, so elites don't feel that with their power Comes Great Responsibility. We must make them help the needy, but violence is not the answer! Subtypes:
- Democratic: The People can only check the power of Elites using the power of democratic institutions, because Dictatorship would only replace economic elites with political ones.
- Dictatorial: The People can only check the power of Elites using the power of the totalitarian state, because Democracy would be corrupted and subverted by the residual economic power of elites.
- Democratic: Keynesian, Behavioural
- Dictatorial: Keynesian, Behavioural, Marxism
- Democracy: Important-Yes for Democratic, Important-No for Dictatorial
- Meritocracy: Important-Yes for Democratic and Dictatorial
- Upper: Anti-
- Middle: Anti- or Ambivalent
- Lower: Pro-
Social Democracy — For Freedom and Equality!
Associated Economic Theories (if any)
- Keynesian, Behavioural
- Democracy: Important-Yes
- Meritocracy: Important-Yes
- Upper: Anti-
- Middle: Ambivalent
- Lower: Pro-
Marxism — For the International Working Class!
Elites have a culture of self-serving greed which keeps them from feeling that with their power Comes Great Responsibility. We must take their power to help the needy! Subtypes:
- Several, including, but not limited to: Marxism-Leninism, Structural Marxism, the Budapest School (Lukács), Luxemburgism, Frankfurt School and Praxis School.
- Democracy: Important-Depends (some subtypes agree with democracy, others see it as a bourgeoise tool; Marx himself did however express belief that the working class could achieve power through democratic elections, but that working people had the right to revolt if they were denied political expression)
- Meritocracy: Important-No
- Upper: Anti-
- Middle: Anti-
- Lower: Pro-
- Leninism: The key elements of Leninism are the Leninist view on the state, the theory of imperialism, and the vanguard party. Lenin believed that the bourgeois state could not be reformed from within by a socialist party winning elections; it had to be smashed by the proletariat, who had to create their own instruments of rule. These were workers' councils, or in the Russian, soviets. The workers would create their own armed groups to resist counterrevolution. Lenin saw imperialism as the monopoly stage of capitalism, that is, a very few companies and countries had most of the economic power. The Leninist theory of the vanguard party is very controversial. Most critics of Leninism (from liberals to anarchists and even some Marxists) see the vanguard party as primarily an instrument of tyranny and domination which rules over the working class in the name of socialism. Leninists would defend it as a democratic institution that ensures the victory of the revolution. The fundamental point to emphasize is that the vanguard party is explicitly a party of revolutionaries, and revolutionaries only. Unlike other parties of the time, such as the German Social Democratic Party, which contained both reformists and revolutionaries, the Bolshevik party contained only revolutionary socialists. It is run on the principles of "democratic centralism," which Lenin described as "freedom of discussion, unity in action."
- Trotskyism: A form of Leninism that accepts Lenin's rule of Russia and Lenin's ideas but rejects Stalin's. Other influential ideas of Trotsky are his theory of fascism and the idea of permanent revolution. Trotsky argued that fascism (see below) was the consciousness of the petty bourgeoisie, who in a time of capitalist crisis could be rallied to the far right. Trotskyists' depiction of Stalinism portrays it as the counterrevolution to the Bolshevik revolution, although there are many different Trotskyist views of the USSR from the view of it as a "degenerated workers' state" to the idea that it was "bureaucratic state capitalism."
- Orthodox Marxism: A collection of Marxist movements dating from the Second International (roughly the turn of the twentieth century) that opted for a strictly "by-the-book" approach to communism. Nowadays, it's mostly used in contrast with Leninism, which reinterpreted large swatches of Marxism to suit Russian economic conditions. Aside from rejecting vanguardist putschs in favor of "bottom-up" organization, as mentioned above, they criticized Lenin for attempting communism in an under-developed and largely rural nation, claiming it did not have the industrial foundation or ideological mindset among the masses required to sustain socialism, and thus went against the spirit of historical materialism. In turn, they were criticized by reformists for their refusal to democratically change capitalism from within the system, which even Marx advocated wherever possible. With the rise of fascist oppression and the consolidation of Russia as the center of communism, Marxist Orthodoxy faded away in favor of Muscovite Orthodoxy.
- Stalinism: The ideology promoted by Josef Stalin including the doctrine of "socialism in one country" rather than spreading the revolution. Generally it has four features: Institutional, Ideological, Political, and Economic. Institutionally it included a state bureaucracy with top-down instructions being given to lower levels of society (enterprises, trade unions, et cetera). Ideologically it promoted "socialism in one country," productivism, and the personality cult of the leadership. Politically, rule was carried out by the Party, although Stalin had the fundamental power, and used it to promote terror and purge his rivals from the party. Economically, it was focused around five-year plans, rapid industrialization, and the collectivization of agriculture.
- Revisionism: The criticism of Stalinism by later leaders who ruled the USSR, most notably Khrushchev. Most famously voiced in the so-called "Secret Speech" of 1956, in which the excesses of the Stalinist personality cult and the purges were critiqued.
- Titoism: Opposed to Stalinism. This version of socialism is more focused upon socialist self-management than Stalinism, and Tito formed state enterprises in Yugoslavia managed by their workers.
- Maoism: Upholds a rural peasantry, rather than an urban working class, as the force capable of transitioning from capitalism to socialism. Promotes decentralised control of the means of production so that it can be directly controlled by the mobilised masses, and the elimination of undesirable persons and culture through popular mobilisation.
- Frankfurt School: A trend within Marxism that is much more skeptical of the Enlightenment elements of Marxism than other forms. Whereas most other Marxist ideologies like to crank Enlightenment ideas to extremes, this view generally saw the rationalism and technocratic approach of the Enlightenment as a form of domination over man in itself, so that man's ideas become completely subordinated to the technocratic machine. They also criticized the culture industry as part of a system that helped create false consciousness within the masses and as a lowest-common-denominator kind of entertainment. They were critics of both the Soviet state and Western capitalism, and also often drew on the ideas of Sigmund Freud, with their pet project being to synthesize Marx and Freud's critique of bourgeois society. Important thinkers in this tradition are Theodor Adorno, Max Horkheimer, and Herbert Marcuse, and they also influenced the philosopher Jurgen Habermas. Their major influence was on The '60s New Left, although Adorno despised them for being Bourgeois Bohemian. Marcuse, always a little more chill than his pal, more or less became a godfather to the hippies, providing intellectual support to the sexual revolution and inspiring Angela Davies of the Black Panthers (she was one of his students).
- Marxist Humanism: Arose in the 1960s as a response to the Soviet bureaucracy. The main idea it took from Marxist theory was the idea of alienation. It's generally related to the Frankfurt School. Since Marxist humanism and the Frankfurt school largely rejected many aspects of Orthodox Marxist theory such as materialism and technological determinism while lacking a focus on economics, many Orthodox and pro-Soviet Marxists like to consider these variants as 'false' and 'not true' flavors of Marxism.
- Autonomism: An anti-Leninist Marxism that rejects the notion of the vanguard party. In many ways it overlaps with social anarchism (see below). This is distinguished from other forms of Marxism by its focus not on the economic laws of society, but on the crises and reformulation of capital being down to capital needing to respond to the creativity and activity of the working class. On this view, for example, the restructuring of production in the 1970s and 1980s by Margaret Thatcher and Ronald Reagan was a response to strikes and other forms of resistance from workers. This theory generally arose in Italy around the late 1960s and early 1970s. Thinkers in this tradition include Michael Hardt, Harry Cleaver, Antonio Negri, and Nick Dyer-Witheford.
Fascism — For Our Nation, Our Leader, and Victory!
The nation has not disappeared. We used to believe that the concept was totally without substance. Instead we see the nation arise as a palpitating reality before us! ... Class cannot destroy the nation. Class reveals itself as a collection of interests—but the nation is a history of sentiments, traditions, language, culture, and race. Class can become an integral part of the nation, but the one cannot eclipse the other.Enemies Equals Greatness, Misery Builds Character, War Is Glorious, and to the victor the spoils! Our people must be The Social Darwinist and Do Unto Others Before They Do Unto Us! Associated Economic Theories (if any)
- Keynesian, Neoclassical, Corporatism, Herrenvolk Democracy
- Democracy: Important-No
- Meritocracy: Important-Yes
- N/A (dependent upon context)
Anarchism — For Absolute Freedom!
(See also: Anarchism) No person or organisation can exercise power and not be corrupted by it. The only solution is to eliminate rulership itself! Subtypes:
- Anarcho-Capitalism: the wealth-concentration dynamic of Capitalism can be managed if political power is used to prevent the accumulation of economic power sufficient to create de facto rulership. Markets, private capital, and corporations can be instruments for good. Adherents consider this the logical conclusion of the idealistic and optimistic views of socioeconomic activity that they share with Neoliberals.
- Anarcho-Communism: The concentration of wealth is Inherent in the System of Capitalism, which will always generate de facto rulership. Capitalism is unusable by definition. The government, wage labor, and private capital (while still respecting private/'personal' property, which is different) are all abolished. A system of direct democracy is formed, and common ownership of the means of production is around.
- Anarcho-Syndicalism: distinct subset of Anarcho-Communism with a more specific policy program. Abolishing the wage system, which is wage slavery by definition, workers work under Direct action (action undertaken without the intervention of third parties such as politicians and corporations) and manage themselves.
- Eco-Anarchism/Veganarchism: Anarchism with more of a focus on Environmentalism, believing governments inherently damage the environment, doing too little to fix it. Veganarchism in particular believes government harms all animals, not just humans, and Humanity should know its place in nature.
- Anarcho-Capitalist - Austrian
- Anarcho-Communist- Marxism
- Eco-Anarchism - none
- Democracy: Important-Yes for Communist, Unimportant for Capitalist- and Eco-
- Meritocracy: Important-Yes for Capitalist and Communist, Unimportant for Eco-
- Upper: Anti-
- Middle: Ambivalent
- Lower: Pro-
Philosophical OriginsAnarchistic ideas and notions have arguably existed throughout most of human history, with traditions such as Taoism, Buddhism, and Ancient Greek Cynicism containing many notions with anarchist characteristics. Many tribal societies from pre-history to the present, such as the Nigerian Nuer or Iroquois Confederacy, also had or have methods of non-hierarchical organisation which mirror the anarchist ideal of a society without rulership or centralized political authority. However, while philosophical anarchism can be identified in many places and in almost every time period, political anarchism did not emerge as a self-aware school of thought until the 19th century in Europe. According to German anarchist Rudolf Rocker, anarchism could be seen as the confluence of two earlier social and political philosophies: liberalism and socialism, or more accurately, classical liberalism and democratic socialism. Thus, the alternative term for anarchism, libertarian socialism. The words 'anarchy' and 'anarchism' arose in the mid-1600s during the English Civil War as an insult hurled at fringe radical groups. While this epithet for the most part had no basis in fact, two groups which were active at the time — the Diggers and the Ranters — had ideas and practices which were quite close to anarchism. Some view the English radical William Godwin as the first modern philosophical anarchist, from his work Enquiry Concerning Political Justice and its Influence on Modern Morals and Manners (1793) in which he espoused proto-anarchist views about the state and the then-emerging economic system of capitalism in England. French writer and politician Pierre-Joseph Proudhon was the first thinker to call himself an anarchist however, with the 1840 book What Is Property? from which came the famous slogan: "property is theft." It's important to note that Proudhon did not mean all forms of what we could call "property" by it, only those not defined by personal possession. In other words, he supported personal property (defined by use and occupancy) but opposed "private" property (when defined by absentee ownership), which he felt was based on theft of others' personal property. While Proudhon and a few other thinkers called themselves anarchists in the 1840s and 1850s, anarchism didn't really get organised as a cohesive movement until the mid-1860s within the famous socialist group the IWMA (International Working Men's Association), also called the "First International," as it's had at least three successors. Although the First International is most well-known today because Karl Marx and Friedrich Engels were members, for a time it actually contained more anarchists than Marxists — that is, until they were expelled in the early 1870s by Marx himself. Having developed out of the same European socialist movement that spawned Karl Marx's writing, anarchism's relationship to Marxism has always been ambivalent. While many anarchists accepted Marx's critique of capitalism and (with nuance) the Marxian school of economics, they strenuously rejected Marx's politics, in particular the tactic of taking state power as a way to bring about socialism. For anarchists like Mikhail Bakunin (Marx's rival in the First International) the state was inherently an institution of class rule, and could never be used to bring about a classless society as it would just corrupt whatever group laid their hands on it. They also tended to reject the Marxist conception of history — historical materialism — which claims that economic and technological factors are the fundamental driving force of human development. Anarchists saw this perspective as reductionist and ignoring important social factors that weren't directly related to economics. Also, while Marxists see the proletariat (the urban industrial working class) as the fundamental agents of revolution, anarchists also saw revolutionary potential in the rural peasantry and social outcasts (the lumpen-proletariat) which Marxists tend to dismiss as 'backward.' In light of how Marxist played out during the 20th century, a majority feel this criticism has been vindicated by history (however, anarchists faced some of the same problems when putting their idea into practice, most notably during the Spanish Revolution). Views on economics among anarchists could be divided into four different but overlapping schools of thought, each of which developed at different times in response to different economic and social circumstances.
- Mutualism: Pierre-Joseph Proudhon, who started writing in 1840, argued that property, except when based in personal possession (i.e. occupancy and use) was theft. He espoused his rationale exhaustively in What Is Property?, with most if not all anarchists accepting it. Opposition to "private property" (anything besides actual possession) in addition to the state is near-universal to anarchism, though some have used the term in a positive way to support property that is the product of one's own labor. Along with this most opposed sexism, racism, homophobia, classism and social hierarchy generally. Proudhon did not in fact oppose the concept of a free market, supporting workers associations (cooperatives) and mutual banks (similar to modern credit unions) to compete away industrial capitalism. His school of thought is termed mutualism. While it fell out favour for a long time, it has recently been revived by the economic theorist Kevin Carson, who has integrated it with elements borrowed from the thought of other left-wing, pro-market writers.
- Collectivism: Mikhail Bakunin, a Russian noble-turned-radical writer who was imprisoned for his politics, escaping into exile, followed Proudhon and broke with him on many issues, supporting collective work without markets and workers' self-management. Bakunin also linked opposition to religion, especially organized, hierarchical forms, to his view of anarchism, seeing God as the ultimate authority. He turned a saying of Voltaire's on its head: "If God really existed, it would be necessary to abolish him." He was a strong rival of Marx in the First International, and the two fought a long war of words over control of the organization until Marx's followers expelled Bakunin's. Bakunin's school of thought is called anarcho-collectivism, and could be considered a sort of middle way between mutualism (markets but with cooperatives instead of corporations) and communism (in which markets and even money would be abolished). It's important to note that the term collectivism here is purely an economic term, not a social one. It refers only to the collectivisation of industry, not giving priority to the collective interest over that of the individual. Participatory Economics (Parecon) and Inclusive Democracy (ID) could be considered contemporary forms of collectivist anarchism.
- Communism: Peter Kropotkin, a Russian prince who, like Bakunin, gave it all up for radicalism, advocated full libertarian communism on the principle "from each according to his ability, to each according to his needs," favoring abolition of money in favor of free access to communally-owned goods although with voluntary, direct democratic participation: anarcho-communism. Many on first impression may find the idea of communist anarchism odd given the modern day associations of the word 'Communism' with the statist, centrally planned economies of the former Soviet Union. In the 19th century, though, the word 'communist' simply referred to any economic system that lacked both a state and money, where goods were distributed according to need. It is this original sense of the word that anarchists refer to when talking about communism.
- Individualism: Meanwhile, in the United States, a very different brand of anarchism emerged. American writers such as Benjamin Tucker, Lysander Spooner, William Green and others set out an ideal very close to Proudhon's, with even more emphasis upon an 'anti-capitalist free market' in which self-employed craftsmen, artisans or farmers were paid their 'full wage' and land title was possession-based only. In short, individualist anarchism argued for a society where every individual was a 'capitalist' (in the Marxist sense, i.e. an owner of capital). Essentially, they held to the Labor Theory of Value along with support of free markets — "cost is the limit of price" was among their key slogans. Their ideal was a stateless economy comprising mostly self-employed artisans and shopkeepers. This school of thought began slowly dying out in the late 19th century as social anarchism (collectivist or communist) took over, with immigrants from Europe such as Emma Goldman bringing it to the forefront of U.S. anarchism.
- Social and Market Anarchism: As they stand today, the four main economic schools mentioned above could be grouped into two categories:
- Market anarchism (containing mutualist anarchism and individualist anarchism) which seeks a non-capitalist free market made up of self-employed professionals and worker-run cooperatives, and …
- Social anarchism (collectivist anarchism and communist anarchism) which seeks to replace the market with decentralised, directly-democratic planning of the economy, either by community assemblies or worker councils, or some combination of the two.
Other TendenciesEgoism At around the same time Proudhon was penning his socialist attacks on property and the state, another writer, Max Stirner, wrote a similar attack on these and other authoritarian institutions from a more individualist perspective in The Ego and Its Own (1845). Stirner did not label himself an anarchist, but his rejection of the state, capitalism, and, well, all institutions basically, means he has been counted with them. He believed that rights, property, the state, conventional morality and God were all 'spooks' holding back the individual from themselves, since all these are placed above them. It's worth noting Stirner, while believing the individual's right to act was unlimited, advised that it would be best if they respected each other as individuals, to let each flourish, even saying people could not have their full self-expression absent communion with others, so they could join together voluntarily in a way he called the "Union of Egoists." Here is a classic text by the Situationist International, advancing a collectivist form of egoism. Stirner denounced authoritarian communism of his time, but a kind that respected individuals and lent them full expression of themselves is viewed to be compatible with his ideas. Pacifism In the late 19th century Russian novelist Leo Tolstoy (who, like Bakunin and Kropotkin, was a Russian noble who renounced his title) embraced a form of Christian, pacifist anarchism — though like Stirner and Godwin before him, he didn't use the label anarchist himself. Unique among anarchist trends for its total rejection of violence, even in defence of oneself or others, Tolstoy advocated essentially the same ideas as Bakunin or Kropotkin, his countrymen and more famous anarchists, but with complete pacifism. His work deeply influenced Mohandas K. "Mahatma" Gandhi (who knew Indian anarchists in London early in his activism, while disagreeing with them over the issue of using violence) in addition to Civil Disobedience, by Henry David Thoreau. Critics argued his ideas were fit only for saints (though many think Gandhi was such). Syndicalism The turn of the 20th century saw another trend, which advocated for revolutionary unions to overthrow capitalism and the state using militant industrial organizing, sabotage, general strikes and overall working-class solidarity. This is called anarcho-syndicalism from the French for labor union — "chambre syndical." It was less a separate school of thought than tactical view, since followers were invariable social anarchists in the collectivist or communist mold. The Spanish Revolution, often pointed to as their greatest (albeit doomed) triumph by social anarchists, utilized this in the CNT (Confederación Nacional Del Trabajo — National Confederation of Labor), which organized a workers' revolt in 1936 following the military coup led by Francisco Franco against the elected Spanish Popular Front government. The CNT and FAI (Federación Anarquisto Ibérica — Iberian Anarchist Federation) ran much of northeast Spain, centered in Catalonia, along anarchist lines with no small success for the next three years until a combination of Stalinists and Francoist forces crushed the revolution. It is important to note, however, that while syndicalism is typically associated with anarchism, this does not mean that all syndicalists are anarchists; some of them are actually very authoritarian. Mussolini in fact called his economic model National Syndicalism, as did Franco, though this meant something completely different, as fascist 'syndicates' were government-created trade associations which ran industry. It’s like a Venn diagram, in that there are non-anarchist syndicalists and non-syndicalist anarchists who favor other tactics for achieving libertarian socialism. Capitalism The school of "anarcho-capitalism emerged in 1950s–'60s America with the writer, economics professor and Libertarian Party activist Murray Rothbard, expanded upon by later thinkers like David D. Friedman (son of Milton, although going much further in his advocacy of free-market economics) and Rothbard's student Walter Block. Rothbard agreed with the classical anarchists that government is oppressive and illegitimate, but disagreed with them by concluding that private property and free markets were always good. Though admiring the individualist anarchists, he followed the Austrian School of Economics, which rejects the Labor Theory of Economic Value (in favor of the Subjective Theory of Economic Value) most strenuously and, as a consequence, rejects the view that wage-labour is exploitative (which the mutualist and individualist anarchists accepted). Along with this, Rothbard was far more devoted to classical liberalism and natural-rights theory than the individualist anarchists, who followed aspects of it (while Benjamin Tucker eventually gave it up for Egoism as well). This view on ethics differed even more from the social anarchists, who tended towards consequentialist and virtue ethics rather than Rothbard's particular form of deontology. Rothbard accepted voluntary collectivism and communism, even advocating that businesses funded by the state be expropriated or 'homesteaded' as they used stolen capital, i.e. taxed income. However, he certainly accepted property more than for 'occupancy and use' provided this had been homesteaded or received peacefully. He felt that provision of government services, such as police, militaries, courts, roads, et cetera, could be far better under the auspices of common law by private institutions.note Agorism Agorism is to anarcho-capitalism essentially what anarcho-syndicalism is to social anarchism, namely a tactic advocating using the black and grey markets to live 'off the grid' and bring down the system from within through 'counter-economics' in competition with the system. Mutualism called for similar methods, and is now being somewhat revived by Kevin A. Carson, who attempts a fusion of the Subjective and Labor Theory of Economic Value in his work, Studies in Mutualist Political Economy, available free here. Ecology Since the late 1960s new trends in anarchism emerged which added an environmental focus to its antiauthoritarian ideas, eventually leading to a new tendency called eco-anarchism or green anarchism. These started partly with the philosophy of Social Ecology coined by Murray Bookchin, whose book Our Synthetic Environment was released six months before the better known Silent Spring by Rachel Carson, the book widely credited with kickstarting the modern environmentalist movement. Social Ecology takes the anarchist perspective of seeing social problems as stemming from hierarchy and domination and applies it to humanity's relation to nature: seeing the negative way humans treat the environment — such as pollution, landscape spoiling, and animal cruelty — as being rooted in the negative ways humans treat each other. As a solution, Social Ecologists seek to utilize technology for ecological rather than profit-driven ends and to decentralize institutions into small-scale eco-communities operating through direct-democracy. Other green anarchist movements such as Deep Ecology and anarcho-primitivism came later and see ecological problems lying not in the authoritarian ways humans treat each other, but in humanity itself as a species. Deep Ecologists believe that all life forms have a right to existence apart from or even in opposition to human needs, and society must be radically reformed to accommodate this. Primitivists move even further, believing the human population must be significantly reduced, with the few humans that remain going back to a hunter-gatherer way of life, leaving behind all technology more sophisticated than those found in the Neolithic era. As you might expect, these groups do not like each other. Lifestylism "Post-left" and "lifestyle" anarchism has become widespread in modern times, something Bookchin disapproved of. These are marked by a tendency to reject classical social anarchism's left-wing, working-class organizing and goals or at least complement them with ecological or animal rights issues. Veganism and Dumpster diving (combined as "freeganism" — eating only food that is reclaimed after being discarded) have become common for such lifestyle anarchism, in addition to using the system (especially where it has an ecological impact) to the lowest degree possible. The group Crimethinc are the most prominent exponents of this brand of post-left/lifestyle anarchism. In addition to this, there are other different anarchist movements that don't focus on the organization of an actual anarchist society, but rather on the means to bring it.
- Propaganda of the deed: Not a school of thought, rather the tactic prominent in the last decades of the 19th century of killing powerful figures in society, both to avenge their perceived abuses but also to inspire revolt through such "attentats" (acts that would draw attention). Needless to say, this backfired spectacularly, allowing the anarchist movement to be painted as mindless terrorists (from which we get the cliche of the Bomb Throwing Anarchist). A few made this even worse by targeting random people. Heads of state assassinated included the President of France, the Empress of Austria, the King of Italy, and the President of the United States in 1901, around the time propaganda of the deed ended. Few anarchists today actually advocate this, so it could be considered something of a Discredited Trope in philosophy.
- Illegalism: Similar to the above, it advocated illegal acts for their own sakes, to bring down legal authority. Illegalist targets were usually things such as banks they could justify stealing from since they were a part of the capitalist order. Most other anarchists denounced this as giving them a bad name, or simply being an excuse for illegalists to gain money, which they pointed out also came from working people, not just capitalists, in places like banks.
- Christian anarchism: Related to philosophical anarchism, this is the view that the teachings of Christ are compatible with, or even require, a non-hierarchical stateless society. They also argue that early Christian communes were anarcho-communist in nature (Acts 2:44-45). Often connected with anarcho-pacifism, as in the work of Leo Tolstoy.
- Anarcha-feminism: Movement for women (especially led by anarcho-communist Emma Goldman) popular in the early twentieth century, which claims that society is inherently male-dominated and that anarchist societies should be egalitarian in nature. The individualist anarchist Voltairine de Cleyre was also a significant voice in this tendency. Usually a subset of anarcho-collectivism/communism.
- Queer anarchism: Same as above, but replace 'women' with 'sexual minorities' and 'male' with 'heterosexuals'.
- Post-left anarchism: A movement within anarchism that rejects left-right political distinctions. Often associated with ecological and 'lifestyle' trends.
- Agorism, as mentioned above, is more of a tactic of revolution than an ideological system.
- Anarchism without Adjectives, which is Exactly What It Says on the Tin.
Feminism — For Sexual and Gender Freedom!
(See also: Feminism) Associated Economic Theories (if any)
- Democracy: Unimportant
- Meritocracy: Unimportant
- Radical feminism: Probably the most militant form of feminism and the source of many of the negative stereotypes — mostly from conflating it with feminism as a whole. It sees all of society's ills the result of favoring men over women and desire to wishes to radically alter society in any way to stop this. Most radical feminists oppose pornography, which they see as inherently oppressive towards women, and other forms of sex work such as prostitution, with most radical feminists today supporting the 'Scandinavian model' of criminalizing the buyer of sex but not the seller. While once very popular, it has suffered a growing backlash, mostly for being 'anti-sex', ignoring issues of racial and class discrimination, and promoting the idea of 'gender essentialism', with some radical feminists having expressed opinions regarded as transphobic (anti-Transgender), even misandric (anti-male).
- Marxist feminism: Sees the source of women’s oppression not being due to the concept of patriarchy as such, but due to the unequal structure of a capitalist economy. For this reason it sees struggles for gender justice and economic justice as inseparable. They hold that only by getting rid of capitalism can gender equality be achieved.
- Socialist feminism: A fusion of radical feminism with Marxist feminism. It sees capitalism and patriarchy as mutually reinforcing systems with one making possible the other.
- Liberal feminism: Agrees with Marxist feminism that the source of women's oppression is economic, but isn't anti-capitalist. Instead it focuses on breaking through what they call the 'glass ceiling' in economic institutions that concentrates men at the top of corporate and political professions while keeping women in subordinate positions in companies. This is probably the most popular and mainstream form of feminism in the present day, though radical feminism still tends to dominate in academic and activist contexts.
- Black feminism: Shifts attention towards the experiences of women and girls of African descent. Argues that feminists need to take account of racial problems in addition to gender problems. The writer bell hooks is a prominent voice in this tendency.
- Lesbian feminism: Shifts attention towards LGBT women and incorporates elements of queer theory into feminist discourse. It's also tends to be heavily inspired by postmodernist philosophy and tries to deconstruct ideas of what it means to be a woman. Judith Butler's 1990 book Gender Trouble is a pretty good summation of lesbian feminist ideas and queer theory as a whole, although the high levels of academic jargon have made it notoriously difficult to read. There's also a minority of lesbian feminists who despise queer theory and focus on "political lesbianism"; that is, separating themselves from males for political reasons. This section has more overlap with radical feminism than queer politics.
- Ecofeminism: Emphasizes the woman's relationship to nature and champions the supposedly feminine values of ecology while attacking the androcentric worldview that allegedly treats the earth as something to be used and dominated in the same way patriarchal men treat women. Other environmental philosophies — especially Social Ecology — have criticized ecofeminism for claiming that women have an essentially deeper connection to nature than men, given that many of the 'feminine' traits of nature are merely coded as such rather than innately gendered. Plus the fact that many ecofeminists are close to New Age thinking, with many even worshiping a Mother Earth Goddess.
- Anarcha-feminism: Sees the domination of women as one form of power-based social hierarchy among many along with racism, homophobia, transphobia, capitalism, and statism. It opposes all of the above and argues that a fight against any one of them is incomplete without seeing them as part of a mutually reinforcing network of different oppressions. This idea is called intersectionality and also has applications outside of gender issues. The Russian-American writer Emma Goldman is considered the grandmother of this school of thought.
Environmentalism — For the Environment!
Associated Economic Theories (if any)
- Democracy: Unimportant
- Meritocracy: Unimportant
Neoliberalism — For The Free Market!
- Neoliberal(/"Libertarian"): a ('guided'/'managed') democracy with an unregulated 'free market' is "the end of history", the only good and practical form of society. The Invisible Hand ensures that the Objectively worthy become Elites with freedom, and the less/un-worthy don't. The government's job is to promote individualism and competition, and eliminate collectivistism and altruism.
- Neoconservative: Liberal democracy is "the end of history" and must be enforced through global capitalist democratic hegemony backed up by military force. The term, "Pax Americana" refers to neoconservatism as a means of protecting the global order through U.S. interventionism by toppling unstable dictators and forcing isolationist states to embrace global trade through gunboat diplomacy. This backed up by traditional religious values, adoration of police, military and intelligence services, skepticism towards government intervention in the economy and an unwavering view of the value of liberal democracy.
- Third-Way: a democracy with an unregulated 'free market' is "the end of history". However, Government is best able to protect elites' power form the majority by making some temporary concessions to existing colllectivist and altruistic sentiments, while ultimately trying to eliminate them in favour of individualism and competition.
- Neoliberal - Neoclassical
- Neoconservative - Neoclassical, Austrian
- Third Way - Neoclassical (Keynesian)
Populism — For the People!
- Guided/Demagogic: 'Foreign' elites are oppressing us, but we can trust 'our' elites to defend us from the foreigners and rule in our best interests!
- Genuine/Democratic: Elites are oppressing us, and replacing them with different elites can't change anything. We need more democracy!
- Democratic: Keynesian, Behavioural
- Demagogic: Neoclassical, Austrian
- Democracy: Important-Yes for Democratic, Unimportant for Demagogic
- Meritocracy: Important-Yes for Democratic and Demagogic
- Upper: Anti- for Democratic, Pro- for Demagogic
- Middle: Anti- or Ambivalent for Democratic and Demagogic
- Lower: Pro- for Democratic, Anti- for Demagogic
Works that promote or are heavily influenced by a particular ideology:
Note that most of these authors are generally considered Classical Liberals and Neoliberals rather than Social Liberals. Despite superficial similarities there is a great deal of difference between the classical liberalism of Adam Smith (who reserved rather strong barbs for the upper class and, as mentioned above, supported government policies which favoured the lower classes) versus the Neoliberalism of Ayn Rand, who virtually worshipped the supposed perfection of the 'Invisible Hand of the Free Market' and its perfect ability to ensure that the upper and lower classes were solely composed of people who deserved to be within their ranks (and was much more controversial in her proposal of a moral system based upon materialistic selfishness). Among the writers of nonfiction on this list, Isaiah Berlin, (sometimes) John Stuart Mill, Thomas Paine, Jean-Jacques Rousseau, John Maynard Keynes, Karl Popper, Paul Krugman, John Rawls, Joseph Stiglitz (probably the only person on this list who could be considered a social democrat, although Rousseau is arguable), and to a lesser extent Benjamin Constant are generally the exceptions; they are usually considered social liberals. Amongst the fiction authors, Heinlein is an interesting case because he actually drifted from social liberalism (For Us, the Living: A Comedy of Customs and Beyond This Horizon, for example, although these actually border on socialism, advocating an economy called Social Credit which is effectively a mixture of socialism and capitalism) to classical liberalism (much of his later writing with the arguable exception of Stranger in a Strange Land, which generally doesn’t discuss economics) throughout his writing career; The Moon Is a Harsh Mistress could actually be considered to advocate a form of individualist anarchism. Nonfiction:
- The Law and Economic Sophisms, by Frédéric Bastiat (Classical/Economic/Austrian School)
- Two Concepts of Liberty, by Isaiah Berlin (Social)
- Political Writings, by Benjamin Constant (Tienio)
- Rights From Wrongs: A Secular Theory of the Origins of Rights, by Alan Dershowitz (social)
- Morals by Agreement, by David Gauthier (Classical)
- The Use of Knowledge in Society, The Road to Serfdom and The Constitution of Liberty, by Frederich von Hayek (Austrian School/Classical/economic/Neoliberalism/arguably conservative) note
- Economics in One Lesson, by Henry Hazlitt (Austrian School/Utilitarian/libertarian)
- The Declaration of Independence, by Thomas Jefferson (Classical)
- The General Theory of Money, Interest, and Employment, by John Maynard Keynes (Keynesian/Macroeconomics/economic)
- The Conscience of a Liberal, by Paul Krugman (Social/Keynesian/New Keynesian)
- Second Treatise on Civil Government, by John Locke (Classical)
- On Liberty, by John Stuart Mill (Classical/Utilitarian/Libertarian)
- The Libertarian Idea, by Jan Narveson (Libertarian/economic, overlaps with anarcho-capitalism)
- Eat the Rich, by P.J. O'Rourke (Libertarian/economic)
- The Globalization Paradox, by Dani Rodrik
- The Social Contract, Discourse on Inequality, and Émile, by Jean-Jacques Rousseau (Classical)
- Capitalism, Socialism, and Democracy, by Joseph Schumpeter (Macroeconomics/economic)
- The Wealth of Nations, by Adam Smith (Classical/Economic)
- Globalization and Its Discontents, by Joseph Stiglitz (New Keynesian)
- Charles Dickens was regarded by Orwell as a liberal, albeit one who favored social reform and intervention especially with regards to child welfare. His novels generally feature characters who devote considerable personal and social importance to the acquisition of property and financial independence. Politically Dickens was an Empire loyalist and until late in his life, considerably racist to outsiders and Jews.
- His satire of the Micawber family in David Copperfield has generally lent itself to Applicability in his own time and afterwards, with some seeing the Micawbers as a hapless "welfare queen" tormenting his friends for handouts until finally finding success and happiness after being deported to Australia (essentially the butt of Victorian jokes for debt-dodgers). Others however, see Micawber as a highly sympathetic family man who tries to provide for his family in a system that offers no support.
- Dickens frequently depicted the worst of Victorian society and was highly critical of snobbery, including his own in Great Expectations. As such his fiction was routinely popular across political divisions in different parts of the world.
- The Great Idea, or, as it was originally titled, Time Will Run Back, by Henry Hazlitt
- The Moon Is a Harsh Mistress by Robert A. Heinlein (classical)
- The Probability Broach by L. Neil Smith
- In Russian Fiction, Ivan Turgenev, inspired by Alexander Herzen, was politically liberal. He advocated reform and modernization in Russia along Western European lines and was criticized by both Slavophiles (Dostoevsky) and extreme leftists (Tolstoy and others) who felt Russia needed even more radical change rather than the too-little-too-late approach Turgenev was advocating or the Europeanized elite that Turgenev wanted to install in Russia.
- Gore Vidal is ideologically quite porous and is known to compile aspects from various political ideologies (Liberal, Conservative, Social, Anarchist, Socialist). His Historical Fiction (Burr, Lincoln) usually takes the perspective of somewhat enlightened outsiders who are skeptical of central governments, large militaries and populist demagogues. Vidal generally advocates education of history and the world, is critical of American Exceptionalism, promotes knowledge of America's traditions. He wants to maintain institutions but accepts the need of radical reform. He generally feels that American Society Is to Blame (Chiefly its religious and sexual mores) rather than the system for the corruption of its institutions.
- Superman (although it is worth pointing out that the creators were socialists and intended the character to symbolise their political philosophy, modern interpretations of the character have tended to veer closer to social liberalism, while Zack Snyder's interpretation is outright Objectivist)
- Demolition Man
- Django Unchained
- Invasion of the Body Snatchers
- The Lives of Others
- The People vs. Larry Flynt
- Red Dawn (1984)
- Star Wars
- We the Living
- Firefly carries a strong anti-authoritarian message. Naturally, the same can be said about The Movie that concluded its storyline, Serenity. That said, the politics of both the show and the film are heavily debated, with both major sides of the American political spectrum declaring that the Alliance is intended to represent their political opponents (and libertarian capitalists claiming the show is intended to support their viewpoint as well). Generally the only thing everyone can agree on about the show's political message is that it is anti-authoritarian, but whether it trends more towards the capitalist or socialist side of libertarianism is heavily debated. For what it's worth, the show's creator Joss Whedon has been known to support the American Democratic Party (as in this humorous video) and has identified as a liberal (which, in American parlance, means social liberal). However, he is also known to be a supporter of Death of the Author (and in fact is quoted on the quotes page for that trope), which means that he would likely be amenable to other interpretations of his work.
- Red Eye with Greg Gutfeld on Fox News Channel—unlike the socially conservative fare that composes the rest of Fox's lineup—is pretty libertarian. Greg, the host, once noted "Hanging out with leftists made me become conservative. Hanging out with conservatives made me become libertarian."
- Parks and Recreation gets to have it both ways about being a 'liberal' show: Leslie Knope is the main social liberal character, Ron Swanson the principal classical liberal. Though Ron is the more popular character, Leslie is shown clearly to be The Hero.
- John Stossel's news/talk shows generally examine current issues from a libertarian perspective.
- Loudness (classical liberalism, especially during the Masaki Yamada era, though social liberalism seems to be the hat of Minoru Niihara)
- Nine Inch Nails could be filed under social liberalism, socialism, or perhaps anarchism with the anti-capitalist and anti-authoritarian themes of works like "Head Like a Hole" and, later on, pretty much the entire Year Zero album.
- Rush (classical early on, somewhere in between classical and social liberalism now)
- Frank Zappa (somewhere in between classical and social liberalism, but leaning more towards classical)
- Assassin's Creed on the whole can be considered Liberal-Anarchist. Its heroes fight against extremists, are generally small-a anarchists rather than the bomb throwing kind, and the Assassins ally with benevolent reformists like Lorenzo de'Medici, Prince Suleiman, George Washington, Napoleon Bonaparte, and Benjamin Disraeli over more radical alternatives.
- Final Fantasy VI
- Pokémon Black and White. Yes, you read that right. The core message of the game is to accept different ideas, which is a cornerstone of political liberalism.
- The UN Peacekeeping Forces of Sid Meier’s Alpha Centauri, naturally. Strongly committed to peace, tolerance, democracy and humanitarian ideals. Opposed to police states and fundamentalist governments.
- South Park is the best known example, as Trey Parker and Matt Stone are libertarians, and the show often carries an antiauthoritarian message, and often makes Take Thats against both social conservatives and fiscal left-wingers.
- Reflections on the Revolution in France, by Edmund Burke
- The writings of William F. Buckley, Jr., founder of National Review magazine
- The Conscience of a Conservative, by Barry Goldwaternote
- Leviathan, by Thomas Hobbes
- The Conservative Mind, by Russell Kirk
- Right Nation: Conservative Power in America, by John Micklethwait and Adrian Wooldridge
- Rationalism in Politics and Other Essays, by Michael Oakeshott
- The Gulag Archipelago, by Aleksandr Solzhenitsyn
- Intellectuals and Society, by Thomas Sowell
- The Decline of the West, by Oswald Spengler
- Attack on Titan involves a monarchist society and shows some of its flaws.
- The Clouds, by Aristophanes
- Honoré de Balzac saw himself as a royalist in the Restoration and the July Monarchy. His novels were highly critical of the rise of the middle class and the beginning of capitalism in France, and generally critical of the aristocracy for not setting an example and engaging with reforms so as to maintain their hegemony in post-Revolutionary France. He was critical of the Revolution, which he felt didn't bring Liberty, Equality, Fraternity so much as declare open season for all kinds of Social Climber who have to be corrupt and cold-hearted merely to make a comfortable living. His novel Le Pčre Goriot touches on the basic system of French society.
- 1985 by Anthony Burgess
- The Man Who Was Thursday: G.K. Chesterton was an outspoken conservative (to a certain extent, though many modern conservatives would find little common ground with him) and Christian apologist. Widely considered the first work in the genre of modern conspiracy thrillers.
- Code Geass also has an authoritarian aristocratic monarchy. It shows many of the flaws of conservative societies.
- Joseph Conrad was a Polish exile in England who adopted English as his language despite it being his third language. As such his novels advocate a classical liberal position and was skeptical of revolutionaries and was basically pessimistic about society, human endeavour and life. His novel Nostromo offers a highly sympathetic portrayal of a Working-Class Hero exploited by both the system and budding revolutionaries, his fiction about The British Empire, Lord Jim and Heart of Darkness generally sees imperialism and spreading Western Ideas to the Natives as a Mighty Whitey fantasy doomed to disappoint both the natives and the adventurers.
- A Tale of Two Cities. Most of Dickens' novels fall within liberal (or even socialist) sentiments, but this book about the Revolution largely draws from the English counter-revolutionary historiography of Thomas Carlyle and Edmund Burke.
- Fyodor Dostoevsky began his life as a liberal but gradually became a Slavophile conservative who advocated reforms while calling for the preservation of the Tsar and the Orthodox Church. He was hostile to Western ideas in general and was a professed antisemite. His fiction Crime and Punishment, The Brothers Karamazov and many others portrayed young men tempted and succumbing by radical ideologies and revolutionary leaders, who eventually turn out to be corrupt, violent and self-destructive. Dostoevsky is considered to be complex and his books have a lot of Applicability which meant that ironically, his fiction (rather than his non-fiction for which he was more widely known in Russia) has had a greater influence in influencing Western left-wing and radical thinkers in the West than more liberal Russian writers.
- Arguably Brave New World, by Aldous Huxley, though like BioShock below, it's mainly by default. The novel can be seen as highly critical of many concepts, including socialistic utopianism, social liberal/individualist hedonism, hierarchical eugenicism, Fordian productivism, psychological conditioning and authoritarianism. The focus on sexuality means the book may be seen as Christian Democratic, though it was written before the emergence of modern Christian Democracy (and the author himself definitely wasn't a Christian Democrat nor a conservative).
- Judge Dredd: Not always sympathetically. Overlaps with Fascism and to a certain extent Socialism.
- The Dark Knight Returns, by Frank Miller, although it does veer into anti conservative territory at times despite the creator's views as the President representing Ronald Reagan is an antagonist while Green Arrow is still a far leftist and an ally of Batman. Miller also expresses anti-corporate views in this work. His later work would veer further away from these heterodoxies and adhere further to modern conservatism.
- Holy Terror, also by Frank Miller.
- Logan's Run by William F. Nolan and George Clayton Johnson
- Lone Wolf and Cub: The hero is portrayed as being more of a "true" Samurai than the real deal, even though he's an outlaw on the run. He is also steadfastly refusing to compromise his beliefs. However, the manga also makes it clear that many of the practices of feudal Japan were horrific, and highlights the contradiction of Itto reinforcing the values of a society that only pays lip service to them.
- Prince of Sparta and pretty much the whole CoDominium/Empire of Man/Warworld śuvre of Jerry Pournelle (and, sometimes, Larry Niven)
- The Diamond Age by Neal Stephenson depicts a clash of Western neo-Victorianism and Chinese neo-Confucianism, both being a society’s re-embrace of highly conservative culture of old.
- The Dark Knight and The Dark Knight Rises, although The Dark Knight subverts it and Rises plays it straight.
- Dirty Harry
- High Noon
- Firing Line, hosted by William F. Buckley and broadcast on PBS, was many modern conservatives' first exposure to conservative philosophy. They generally involved Buckley interviewing a guest, sometimes agreeing, sometimes disagreeing with them.
- JAG (spinoff NCIS is a bit more towards the middle)
- Lastman Standing
- Modern Country Music tends to skew towards conservative themes.
- The Hardline offshoot of the Straight Edge movement
- "Land of Hope and Glory", the official anthem of the British Conservative Party
- Ted Nugent
- Assassin's Creed: Unity paints a very right-wing and one-dimensional interpretation of the French Revolution, drawing greatly from Edmund Burke's critique, as well as counter-revolutionary narratives like The Scarlet Pimpernel and A Tale of Two Cities.
Socialism & Communism
- Spectres of Marx, by Jacques Derrida (Democratic Socialism)
- Nickel and Dimed and Bait and Switch by Barbara Ehrenreich (Democratic/Feminist Socialism — very pro-Union)
- The History of Madness and Discipline and Punish, by Michel Foucault (Marxism/Queer Socialism)
- The works of Stephen Jay Gould
- The Prison Notebooks, by Antonio Gramsci (Marxism/Communism)
- The writings and speeches of Martin Luther King Jr. (Christian/Democratic Socialism)
- No Logo and The Shock Doctrine, by Naomi Klein (Democratic/Green/Feminist Socialism)
- On the Economic Theory of Socialism, by Oskar Lange (Market Socialism)
- State and Revolution, by Vladimir Lenin (Leninism)
- The Accumulation of Capital, by Rosa Luxemburg (Luxemburgism)
- From Class Society to Communism: An Introduction to Marxism, by Ernest Mandel (Marxism/Trotskyism)
- The Communist Manifesto, by Karl Marx and Friedrich Engels (Marxism/Communism)
- The German Ideology and Capital, by Karl Marx (Marxism/Communism though Capital leans more towards Democratic Socialism)
- Homage to Catalonia and many other works by George Orwellnote (Democratic Socialism/Anarchist Socialism)
- The various works of Jean-Paul Sartre and Simone de Beauvoir (Existentialist Socialism/Marxism/Marxist Feminism)
- Christianity and the Social Order, by William Temple (Democratic/Christian Socialism)
- Anything by Leon Trotsky (Trotskyism)
- And the Weak Suffer What They Must?: Europe's Crisis and America's Economic Future (Marxism with elements of classical liberalism)
- After Liberalism and various other works by Immanuel Wallerstein (Socialism)
- The Supreme Object of Ideology and Welcome to the Desert of the Real, by Slavoj Žižek (Marxism)
- AKIRA. Anti corporatist and anti human engineering.
- Attack on Titan seems to have some socialist overtones, though they aren't always obvious. The best example is its portrayal of the aristocratic monarchy and human disunity.
- Max Barry's Jennifer Government, a biting deconstruction of libertarian capitalism, which points out that devolving power from the government to corporations would result in a different, but still extremely dystopian, kind of tyranny. A central theme of the novel is that abuse of power by government and abuse of power by corporations are Not So Different.
- Warren Beatty's Reds is, of course, all about communism. The movie more-or-less supports communist ideology, but it's also rather critical of how said ideology was pursued by the Bolsheviks. It's exact position on the Bolsheviks is a bit hard to divine, actually. At times, it hints at the Bolshevik Revolution being a Full-Circle Revolution which betrayed the communist dream. At best, it sees the Bolsheviks as Unscrupulous Heroes who, for all their ruthlessness and brutality, were still better than the monarchists and capitalists they were fighting against.
- Looking Backward and Equality by Edward Bellamy (written in the 1880s and '90s, depicting a socialist utopia a century in the year 2000)
- Burning Valley by Phillip Bonosky
- The Threepenny Opera and other works by Bertolt Brecht
- The films of Luis Buńuel
- The films of Charlie Chaplin usually fit here, with their strong sympathy for the impoverished. (They also have some sympathy with anarchism, see below.)
- Deadman Wonderland
- A lot of Philip K. Dick's work fits here. It also comes close to qualifying as anarchist, though Dick wasn't quite an anarchist in real life (almost certainly a libertarian socialist, though).
- Sister Carrie by Theodore Dreiser (again, most of his work qualifies)
- The Battleship Potemkin and the other works of Sergei Eisenstein will qualify.
- American Psycho by Brett Easton Ellis is a deconstruction of Reagan-era capitalist values, explicitly comparing corporate mergers to murder. It is also a deconstruction of the misogyny of the time period.
- 1632, while in no ways openly Marxist, shows a lot of the political biases of principal author Eric Flint, who was a union organizer and is a Marxist. If you know about Marxist political theory, you can't help but find a lot of Marx's predictions coming true in the context of the story.
- Anything by William Gibson
- Ernest Hemingway's For Whom the Bell Tolls is set during the Spanish Civil War and extremely sympathetic to the Republican (i.e., socialist/anarchist) side.
- Kill la Kill. "Fascism is bad" is a central premise.
- The Millennium Trilogy by Stieg Larsson (which also has strong feminist themes)
- The Iron Heel, White Fang and The Sea Wolf by Jack London
- The works of H.P. Lovecraft, but note that Lovecraft himself was pretty racist and reactionary for even his time, creating a mass disconnect between himself and his works. Some of his works can nonetheless be read as socialist allegories, however. At the Mountains of Madness, for example; the Shoggoths' revolt against the Elder Things can be regarded as an allegory against capitalism, and while both the Elder Things and the Shoggoths are extraordinarily dangerous to humanity, the Shoggoths generally come across more sympathetically to modern audiences. On the other hand, some critics have speculated that Lovecraft may have intended for the Elder Things to be more sympathetic. Death of the Author no doubt applies.
- The Kurt Wallander novels by Henning Mankell
- The Bas-Lag Cycle by China Miéville along with much of his other work (though a lot of his work has its political themes as background issues rather than the central focus of the work; Iron Council is the main exception here)
- Most of Michael Moore's films fit in here, though his most commercially successful endeavor, Fahrenheit 9/11, treads more into being modern liberal, as does Bowling for Columbine with its advocating gun control, a position more common among (American) liberals than socialists. Outside the US the opinion on gun control does not really correlate with any political ideology, though some hunters and shooting club members tend conservative in e.g. Germany.
- Again, anything by George Orwell is an endorsement of socialism. But Nineteen Eighty-Four and Animal Farm are the best known examples
- Our Daily Bread, a 1934 film in which desperate, hungry Americans in the middle of The Great Depression wind up founding a Soviet-style collective farm.
- Red Faction
- Red Mars Trilogy by Kim Stanley Robinson (there is some overlap with Green Anarchism here as well; Robinson is not explicitly anarchist but definitely a libertarian socialist. Many of his other works qualify as well)
- Robocop. Anti corporation.
- The Satanic Verses and various other works by Salman Rushdie
- The Jungle by Upton Sinclair (pretty much all of his other work qualifies as well)
- The Story of Crime (a.k.a. the Martin Beck novels) by Mäj Sjöwall and Per Wahlöö
- Star Trek: The Next Generation and probably most of the other Star Trek series
- The Grapes of Wrath by John Steinbeck note
- Daemon by Daniel Suareznote
- They Live. The capitalist class in this work are all aliens that try to control us.
- Johnny Got His Gun by Dalton Trumbo. Many of his films, such as Spartacus, also qualify
- Jailbird, Breakfast of Champions, and to a lesser extent many other works by Kurt Vonnegut (again, there is overlap with anarchism here)
- The Time Machine and other works by H. G. Wells
- Lily Allen given that she supports the UK Labour Party which is democratic socialist. She also has several songs that tend toward this direction like "LDN" and "Fuck You".
- Anti-Flag and Justin Sane's solo work probably counts too.
- Jello Biafra. In his earlier career (with Dead Kennedys and in his earlier collaborations with other bands) he overlaps with anarchism, but isn't an anarchist these days; however, he still falls under libertarian socialism.
- The Clash. Again, there is overlap with anarchism.
- The Coup
- dead prez
- Die Krupps
- Dropkick Murphys: Started out singing the joys of being drunk/from Boston/Irish or any combination of the three, but have recently moved towards a strongly pro-union/anti-corporatist direction.
- Many folk singers, especially Woody Guthrie, Phil Ochs, Billy Bragg, Pete Seeger, Ralph Mctell and The Nightwatchman.
- The Grateful Dead, while not usually an overtly political group, have a strong pro-working class tilt to their lyrics, to the extent that one of their albums is actually entitled Workingman's Dead. Many of their songs, particularly from this period, address the problems faced by the working class from a worker's perspective.
- Henry Cow
- Immortal Technique, given that he's a Marxist.
- KMFDM - Overlaps with Anarchism
- Arguably Loudness here too, especially in the Minoru Niihara eras.
- Manic Street Preachers
- Marilyn Manson
- MC5 who identify as Marxists and have the the songs and activism to match.
- Tim Minchin
- The default political opinion of Oi bands. Particularly the Anti-Fascist Skinheads. Some might overlap with Anarchism.
- Pink Floyd in the Roger Waters era, especially Animals, The Final Cut, and The Wallnote
- Most of the original Post-Punk groups (particularly Gang of Four, The Pop Group and This Heat)
- Rage Against the Machine and their side projects The Nightwatchman, Street Sweeper Social Club, and One Day As A Lion. There is an overlap with anarchism.
- Rammstein despite playing with a fascist-like aesthetic, they are very outspokenly left wing and have said so in several of their songs, most notably "Links 2 3 4"; "links" being the German word for "left". "Amerika" is also seen as a critique of American consumerism and the spread of its culture. The members of Rammstein are also all from Communist East Germany, and despite some of them having had clashes with the former far left regime, many of them allegedly have nostalgic and sympathetic views of their Communist past, a phenomena called "Ostalgie" in Germany.
- Run The Jewels
- Todd Rundgren probably fits either here, under social liberalism, or under anarchism. His work, especially since The '90s, has been extremely critical of established social institutions and especially of economic power. It also has strong feminist themes in many cases; he is a strong critic of traditional gender roles.
- Skinny Puppy
- Sun Rise Above
- Eddie Vedder as well as Pearl Jam and Temple Of The Dog
- Lewis Black
- George Carlin (could also be placed under anarchism; he has elements of both)
- Bill Hicks (as with Carlin, he also has elements of anarchism)
- Eddie Izzard
- Any video game with the Soviet Union as a playable faction like in Hearts of Iron, Red Alert or World in Conflict will likely count as the player advances the interests of the USSR, even if it may be a non canon campaign.
- Final Fantasy VII can be read as having socialist or anti-capitalist themes, although it kind of loses focus on them as the plot progresses.
- Metal Gear Solid: Peace Walker has you ally with the Sandinistas in Nicaragua and Big Boss is constantly compared to Che Guevara.
- The Red Line from Metro 2033 count, fighting against the Rangers and the Reich (yes, a Nazi faction made up of the race it wanted to destroy and got destroyed by). They are villains more often than not, but tend to be shown in a sympathetic light at times.
- In Sid Meier’s Alpha Centauri:
- The Free Drones, a socialist nation without class segregation and where every citizen voluntarily contributes their work for the greater good, although this comes with a penalty to scientific research as the Drones are reluctant to "waste" money on "blue sky" research when it could be going to improving the lot of the people.
- The Human Hive are a far more sinister interpretation, as a society taking influences from Maoism, communism, Buddhism and Confucianism, and the philosophies of Friedrich Nietzsche. The Human Hive is a society where individualism is outlawed and every individual is expected to subsume themselves into the greater whole. They embrace this to such an extreme degree that their citizens are recycled on death.
- The Tau from Warhammer 40k come close with a collectivist greater good mentality, but are still divided into a strict caste system. The Imperium on the other hand, when they're not being A Nazi by Any Other Name or Church Militant, are influenced by Soviet bureaucracy.
- The Death of the West and Churchill, Hitler and the Unnecessary War by Pat Buchanan
- To My Legionaries, by Corneliu Zelea "Kapitanul" Codreanu, the leader of Romanian clerical Fascist organisation, the Legion of Archangel Michael aka Iron Guard.
- ¡Adios, America! by Ann Coulter
- Manifesto of the Fasci of Combat, by Alceste De Ambris and Filippo Tommaso Marinetti
- Revolt Against the Modern World and Men Among the Ruins by Julius Evola
- Mein Kampf, by Adolf Hitler
- The Doctrine of Fascism, by Benito Mussolini and Giovanni Gentile
- White Identity by Jared Taylor
- Das Dritte Reich by Arthur Moeller van den Bruck
- Angel Cop
- The Birth of a Nation
- Code Geass: Britannia seems to be a monarchist version of Fascism. Not a very flattering portrayal.
- The Hunger Games (both the books and the film series of it) are another not-really-flattering depiction of fascism, combined with Social Darwinism. As with Firefly above, the work's intended political sympathies are hotly debated, as both American conservatives and American liberals have claimed that the work is intended to support their stances. Unlike Whedon, Collins hasn't made many public statements about her political sympathies.
- Conan the Barbarian
- Death Wish
- Dirty Harry
- Elfen Lied is a very disturbing deconstruction of the racism inherent in Fascism. The eugenics program that the Diclonius are enrolled in, is even called "Lebensborn", exactly as the Nazi dito was called in real life.
- Equilibrium with, again, its less than flattering portrayal of Fascism
- Gears of War
- Gabriel Over the White House
- The Leap, by Bill Hopkins
- Kill la Kill, yet another unflattering portrayal
- Northwest Front
- Nineteen Eighty-Four tends to be either here or under Socialism, given that Orwell based the book's dystopia on Nazi Germany and Stalin's Soviet Union. Orwell himself was a lifelong democratic socialist, but detested Soviet-style communism, and 1984 is an explicit condemnation of all forms of totalitarianism, be they fascist or communist.
- The Protocols of the Elders of Zion
- The Saga of White Will
- Starship Troopers: It's controversial to say the least, but the consensus seems to be that Starship Troopers is not a fascist work but more like militarist propaganda, as it goes against what most fascists advocated in accepting racial minorities and women as equal citizens, although it's close in other ways. (Note that the film, very intentionally, has a completely different message than the book; indeed, it could be considered a Take That! to its source material.)
- Triumph of the Will
- The Turner Diaries, a most sympathetic portrayal.
- Warhammer 40,000. As discussed in the Analysis page, the Imperium of Man which rules over the vast majority of humanity fits the 14 characteristics of fascism perfectly. However, in a rare example of fiction, not only is the application of such oppressive and brutal policies justified, it is in fact absolutely required for the mere continued survival of humanity. Although the Imperium of Man also draws from other brutal human regimes like Stalin's Russia and Cyberpunk fiction.
- David Bowie's Station to Station, which is his only album that qualifies as such and later became an Old Shame for him on these grounds, though he still liked the music later on (on the rare other occasions he expressed a political outlook in his music, it tended to be anti-authoritarian and/or anti-racist, and thus closer to anarchism, socialism, or liberalism). note
- Martial Industrial Bands often use fascist imagery in subversive ways. Most of them are anti-nazi and do it for satire.
- National Socialist Black Metal, obviously
- Nazi Punk also kinda speaks for itself
- Prussian Blue, though they eventually renounced their views in favor of more liberal ones.
- Many Rock Against Communism bands tend towards this direction
- Von Thronstahl
- Anything labeled "White Power music" tends to be this
- Parecon: Participatory Economics, by Michael Albert (Collectivist)
- God and the State and Statism and Anarchy by Mikhail Bakunin (Collectivist)
- Post-Scarcity Anarchism and The Ecology of Freedom, by Murray Bookchin (Social ecologist)
- Studies in Mutualist Political Economy, by Kevin A. Carson (Mutualist)
- Chomsky on Anarchism and literally dozens of other works by Noam Chomsky (Syndicalist)
- The Anarchist Collectives, by Sam Dolgoff (Syndicalist)
- Towards an Inclusive Democracy, by Takis Fotopoulos (Collectivist)
- The Machinery of Freedom, by David Friedman (Capitalist)
- The Democracy Project and Debt by David Graeber (Communist)
- Political Justice, by William Godwin (Philosophicalnote )
- Red Emma Speaks, My Disillusionment in Russia, My Further Disillusionment in Russia, and Living My Life, by Emma Goldman (Communist/Feminist)
- Economic Justice and Democracy and "Of the People, By the People'', by Robin Hahnel (Collectivist)
- The Problem of Political Authority, by Michael Huemer (Capitalist/Philosophical)
- The Conquest of Bread and Mutual Aid, by Pyotr Kropotkin (Communist)
- Tao Te Ching by Laozi (Philosophical; another possible Ur-Example)
- Collectives in the Spanish Revolution, by Gaston Leval (Syndicalist)
- The works of Errico Malatesta (Socialist/Communist)
- The Production of Security by Gustave de Molinari (Individualist/Capitalist)
- Homage to Catalonia and Down And Out In Paris And London by George Orwell (the former describes the Spanish Civil War and the latter describes his experiences with poverty; like Tolstoy and Godwin, Orwell didn't consider himself an anarchist, preferring the term "democratic socialist", but tends to be accepted by anarchists as at least a kindred spirit, and Homage to Catalonia is considered one of the definitive accounts of a functional example of anarchy)
- What Is Property? and The General Idea of the Revolution, by Pierre Joseph Proudhon (Mutualist)
- Anarcho-Syndicalism and The Great French Revolution, by Rudolf Rocker (Syndicalist)
- Man, Economy and State, For a New Liberty and The Ethics of Liberty, by Murray N. Rothbard (Capitalist)
- No Treason: The Constitution of No Authority by Lysander Spooner (Individualist)
- The Ego and Its Own by Max Stirner (Egoist)
- Walden and Civil Disobedience, by Henry David Thoreau (Green and Philosophical, respectively)
- The Kingdom of God Is Within You, by Leo Tolstoy (Christian/Philosophical) note
- Instead of a Book by a Man Too Busy to Write One, by Benjamin Tucker (Individualist)
- The Soul of Man under Socialism, by Oscar Wilde (Communist; interesting in that Wilde gives an Individualist argument for it)
- A People’s History of the United States, by Howard Zinn (Social Anarchist/Without Adjectives — Zinn wasn’t particularly committed to a specific brand of leftist anarchism)
- The Culture series by Iain M. Banks
- The Marriage of Heaven and Hell by William Blake (like many of the other authors listed in the fiction section, a lot of his other work probably qualifies as well)
- Ragtime by E. L. Doctorow
- The Dispossessed by Ursula K. Le Guin describes a working anarchist society along with its problems. Other works by Le Guin, such as The Left Hand of Darkness, also bear influence from anarchism; Le Guin herself is an anarchist, so this may not be surprising.
- Amerika, The Trial, The Castle and "The Judgement" by Franz Kafka. Crosses over with socialism.
- Tropic of Cancer by Henry Miller
- The Elric Saga by Michael Moorcock (as well as a lot of his other work)
- V for Vendetta and From Hell by Alan Moore (a lot of his other work qualifies too)
- The Invisibles by Grant Morrison
- Against The Day by Thomas Pynchon
- The Illuminatus! Trilogy by Robert Shea and Robert Anton Wilson
- The Iron Dream by Norman Spinradnote
- Alongside Night by J. Neil Schulman, in which a totalitarian U.S. Government is toppled by heroes using agorist insurrection
- Snow Crash by Neal Stephenson, a humorous take on anarcho-capitalism
- War and Peace by Leo Tolstoy, as well as probably a good chunk of Tolstoy's other work (the lesser-known Resurrection is actually his fiction work which addresses anarchist themes most explicitly; it also advocates Georgism)
- Germinal by Émile Zola
- The Great Dictator by Charlie Chaplin closes with a Character Filibuster that could be considered an appeal for anarchism, or at least libertarian socialism, in addition to the film's obvious anti-fascist and -Nazi themes
- The films of Alejandro Jodorowsky
- Pan's Labyrinth
- V for Vendetta isn’t as explicitly anarchist as the comic, but still has aspects of the original’s anarchism
- Dirk Gently's Holistic Detective Agency has elements of this. The characters known as the Rowdy Three are implied to be anarchists and are fairly sympathetic antiheroes (or antivillains at worst). They are responsible for plenty of vandalism but tend to stop at causing serious harm to people unless they are seriously threatening others. They also protect people who are debilitated by illness or other problems. By contrast, while there are sympathetic figures of authority in the show (particularly Zimmerfield and Estevez), the government as a whole tends to be portrayed as incredibly corrupt, willing to stoop as low as murder to cover up its activities.
- It's debatable how sympathetic the show is to anarchism, but the creators of Lost have cited two works by anarchist writers as the primary influences on the show, namely Watchmen and The Illuminatus! Trilogy. The show overall can be read as having an anti-authoritarian message; however, revolutionaries don't necessarily come off as much better, given the slaughter of the Dharma Initiative and the presence of a character named after anarchist theorist Mikhail Bakunin who is not presented particularly sympathetically. On the other hand, the show also encourages viewers to question their own perception of reality, as every single presentation of reality until the last few episodes is eventually revealed to be an oversimplification that omits crucial details; this is a theme central to many interpretations of anarchism. The creators' influence by Discordianism, a sort of parody religion heavily associated with anarchism, is certainly difficult to deny; the series is structured similarly to Illuminatus! (one of the seminal works associated with Discordianism) and employs the common Discordian technique of "Operation Mindfuck". Overall, a mixed bag, but anarchism's influence on it is difficult to dispute.
- Against Me!
- The genre of anarcho-punk (Crass being probably the most famous example besides the Dead Kennedys) and the related genre of D-beat (Discharge, Varukers, Crucifix...)
- Ash Borer (presumably, considering they used the tagline "Godless, Masterless, Hopeless" on several of their websites, but they haven't actually released any lyrics and have given few interviews)
- Blut aus Nord (while they haven't explicitly identified as anarchist, band leader Vindsval has expressed explicit opposition to nationalism and named Wolves in the Throne Room as an example of a band with a similar ideology)
- John Cage
- Can (they frequently explained their name as a backronym for "Communism, Anarchism, Nihilism", implicitly identifying as anarcho-communists)
- Crass, as mentioned above
- Cult of Luna (they haven't explicitly stated a political stance, but the "No gods, no masters" in "Vicarious Redemption" and samples of Noam Chomsky on The Beyond are a pretty solid indication that if they're not actually anarchists, they're at least close)
- Dead Kennedys (before the resurrected group [minus Jello Biafra]'s Face–Heel Turn into the living embodiment of Money, Dear Boy)
- Death Grips
- Dir en grey
- Dynamite Tommy (again, before Money, Dear Boy, but he still does seem to show some anarcho-socialist leanings … but not to the point of actually putting them into practice, unfortunately for anyone signed to his labels)
- Emceee Lynx
- Godspeed You! Black Emperor and A Silver Mt. Zion
- The KLF
- John Lennon could arguably be placed either here or under socialism, considering that he himself admitted that "Imagine" is "basically The Communist Manifesto" set to music, though he also specified that he didn't particularly consider himself a Communist or a member of any movement. The lyrics arguably track closer with anarcho-communism than with Marxism. Several of his other songs have clear libertarian leftist sentiments as well, although some of his earlier works also contain misogynistic sentiments for which he later expressed regret (or outright loathing, in the case of "Run for Your Life").
- Misery Index
- Motörhead. It doesn't pop into their music that often, but "Orgasmatron" and 1916 are some examples where it does.
- Muse since Matthew Bellamy is a left-wing libertarian and they have quite a few protest songs.
- Napalm Death
- Joanna Newsom, believe it or not, can be read as having anarchist themes underneath the Fractured Fairy Tales she tells in her music, even though she's usually considered an apolitical artist. Her lyrics often use the ocean as a metaphor for the anarchic, pre-civilised state of humanity (it's also used as a metaphor for women's sexuality), and when the narrator of "Colleen" returns to the ocean, we're clearly intended to consider this a good thing, not least because she's clearly a selkie and was, almost literally, a Fish out of Water in human civilisation. Her page here goes into further details about other political themes in her work.
- Utah Phillips
- Red and Anarchist BlackMetal
- System of a Down (again, while they haven't explicitly identified as anarchists, their politics certainly trend that way, and their music has multiple Shout Outs to anarchist writers)
- Taiji Sawada. Most noticeable in his autobiography, his D.T.R. solo works, and his work with The Killing Red Addiction.
- Throbbing Gristle
- Wolves in the Throne Room
- X Japan (1987–92) due to the presence of hide and Taiji Sawada, both of whom had strong punk sensibilities. None of their songs had outright anarchist themes, but the general thrust of the band’s ideals seemed to be very much toward the ‘break stuff and create chaos for its own sake’ variant of anarchism. They would lose this over time.
- Eclipse Phase. All forms of anarchism are present in the game, and the game literature tends to paint a rather favorable picture of anarchism and an extremely unfavorable view of the hypercorps and the conservative/fascist Jovian Republic.
- Assassin's Creed IV: Black Flag is highly sympathetic and admiring of the Pirate Republic's proto-egalitarian defiance of the slaveowning colonialist empires.
- Fallout: New Vegas. While the developers haven't stated they’re anarchists, this is possibly the first computer game that allows the player to be an anarchist without being necessarily evil.
- Though never explicitly pointed out, the Data Angels of Sid Meier’s Alpha Centauri have some distinct anarchist trappings in their philosophy. They value independence and free thought and oppose anyone who holds a position of authority over others.
- The Freedom faction of S.T.A.L.K.E.R. is a brilliant depiction of an anarchist organisation. There's no real designated leader or hierarchy within Freedom, and members casually refer to each other as "bro" and generally just operate however they want. They are united by a wish to preserve the Zone as a scientific marvel which can be freely accessed by the public, which puts them at odds with Duty and the Ukrainian government. Freedom may be partially inspired by the "Free Territory", an attempt by anarchist militias to form a free stateless society during the Ukrainian Revolution of the early 20th century.
- One of The Legend of Korra's antangonistic groups are the Red Lotus and their important ideology are is taken down all Human governments and killing Avatar to achive peace and harmony in post-Harmonic Convergence world.
Today Nationalism and Neoliberalism are the dominant ideologies of the Anglosphere. In synch with the nature of its ideology, Neoliberalism is often made invisible or at least rarely identified openly. Culturally, Neoliberalism is present more in fragments and by implication than it is in large or direct doses à la Atlas Shrugged. Even that work's author, Ayn Rand, proclaimed her views as being "classical liberal". In general, culture in The '80s, The '90s until The Oughties can be seen as a time of turning inwards, analogous to Germany in the Post-Napoleonic Biedermeier era where the doxa encouraged a turn away from politics to private life, so even works without a political theme can be subject to being read as neoliberal. Neoliberal views are often represented in works that assert that Fascism and Communism are identical or near-identical in aims or outcomes, admire the fellow-traveler movement of Anarcho-Capitalism for what it 'gets right' economically while pointing out its flaws, indulges in Postmodernism and its sentiments while omitting its critique of bourgeois society, and general sense of uncertainty and disorder associated with those viewpoints. The usual attitude and defensive posture is Heroic Self-Deprecation, a blurring or obscuring of class issues (except when it's Played for Laughs) and indulging in Both Sides Have a Point that claims to be advocating a morally gray view but depending on the nature of depiction and portrayal can come across as Clueless Aesop or Broken Aesop by some of the audience. Common tropes and concerns in Neoliberal works are — Bourgeois Bohemian, The Horseshoe Effect, Soapbox Sadie, Political Correctness Gone Mad, and others, which generally represents politics and social movements in caricatures, or paints events in terms of extremes regardless of context. Works presented here include films which present views associated with neoliberalism as well as works which criticize neoliberal values and neoliberal civic society. Of particular note is that this is an era where movies representing businessmen, corporate workers, stock market brokers and others came into prominence. Nonfiction:
- Capitalism and Freedom, by Milton Friedman (Neo-liberalism/economic)note
- Free to Choose, by Milton Friedman and Rose Friedman (Neo-liberalism/economic)
- The Use of Knowledge in Society, The Road to Serfdom and The Constitution of Liberty, by Frederich von Hayek (Austrian School/Classical/economic/Neoliberalism/arguably conservative) note
- Anarchy, State and Utopia by Robert Nozick (Libertarian/Classical) note
- The End of History and the Last Man by Francis Fukuyama.
- Penn & Teller (Libertarian / Objectivist)
- Bill Maher (Libertarian / Neoliberal - often veering into socialist in his economic stances in the 2010s)
- Alan Moore's The League of Extraordinary Gentlemen: Century 2009 is a Deconstructive Parody of 21st Century England which has characters from an earlier era noting that it's Victorian, filled with malaise and thinly contained despair, and the fact that characters from this era's fictions tend to have youth who are spoiled narcissists without any sense of political and social awareness.
- Bulworth by Warren Beatty was an angry satire of the American Democratic Party's 90's neoliberalism, where they more or less left little room for agency in the new political spectrum to the poor and marginalized, with politicians courting minority votes despite not doing anything to ameliorate their problems, by blackmailing them by noting they have no other real alternatives:
Angry black woman: Are you sayin' the Democratic Party don't care about the African-American community?
Bulworth: Isn't that obvious? You got half your kids are out of work and the other half are in jail. Do you see any Democrat doing anything about it? Certainly not me! So what're you gonna do, vote Republican? Come on! Come on, you're not gonna vote Republican! Let's call a spade a spade!
- Forrest Gump by Robert Zemeckis can be seen as having a neoliberal historical view, depoliticizing the characters, caricaturing the civil-rights era and the protest movement (with Jenny, the embodiment of that era presented as a "cautionary tale") while associating The '80s with prosperity and stability (since that's where the main character becomes rich after investing in Apple).
- They Live by John Carpenter uses the mode of a B-Movie science-fiction genre to tell a complex satire of how the American class system is utterly polarized and fragmented by Reaganomics and its deregulatory policies. Aliens from a far away land see Earth the same way First World nations see third world markets, with the middle and upper classes becoming a willing Sell-Out to the alien force since in their opinion and view, there's no other alternative. Just to drive it home, the rebels are labeled communists for opposing this.
- Wall Street by Oliver Stone is considered a representative portrayal of Reagan-era neoliberalism, famous for the character Gordon Gekko stating, "Greed, for lack of a better word, is good". Fittingly, the film is about the son of a union worker becoming a stock broker, which reflects a shift in America's class society. While Stone is a man of the left, albeit someone with views that are heterodox (for lack of a better word) and is critical of neoliberalism, his film became popular among businessmen.
- The Wolf of Wall Street by Martin Scorsese made in 2015 is a scathing satire of the real-life Jordan Belfort who became the head of a corrupt firm in The '90s. The character gives a speech that enunciates how individuals of the middle-class felt in the Nineties, and Belfort periodically reminds his critics that he is a job creator:
Jordan Belfort: Let me tell you something. There is no nobility in poverty. I have been a rich man and I have been a poor man. And I choose rich every fucking time. Because at least as a rich man, when I have to face my problems, I show up in the back of a limo, wearing a $2,000 suit and a $40,000 gold fucking watch!
- American Psycho by Bret Easton Ellis and many of his other novels are all satires and scathing criticisms of the general shallowness and self-absorption nurtured by neo-liberalism.
- Harry Potter has been noted by some as reflecting neoliberal views. The main character possesses inherited wealth and does not need money. The poverty of his friend Ron Weasley is largely treated as comedy relief, the Fantastic Caste System is criticized but dealt with cursorily at the end of the series and Hufflepuff House is largely seen as second place for not being ruthless or charismatic enough for success. Likewise, the books spoof social justice movements with its House-Elves creature class having Happiness in Slavery, and Hermione Granger being presented as a Soapbox Sadie whose Character Development consists of her abandoning her radical abolitionism in favor of making House-Elves being treated better by their slave masters.
- The Hunt for Red October is an incredibly neoconservative work.
- My Work Is Not Yet Done by Thomas Ligotti is a "tale of corporate horror" that elevates the financial sector's mentality to the level of Lovecraftian horror:
"This market strategy would then go on until one day, among the world-wide ruins of derelict factories and warehouses and office buildings, there stood only a single, shining, windowless structure with no entrance and no exit. Inside would be — will be — only a dense network of computers calculating profits. Outside will be tribes of savage vagrants with no comprehension of the nature or purpose of the shining, windowless structure. Perhaps they will worship it as a god. Perhaps they will try to destroy it...the smooth and impervious walls of the structure, upon which not even a scratch can be inflicted."
- Friends was a popular TV sitcom in The '90s but came under renewed focus in many Web Video in The New '10s (especially on Cracked) for its internalization of the casual homophobia typical among liberal yuppies of the era, for its denial of issues of gentrification, its Monochrome Casting in a very diverse, multicultural city, as well for the way the characters seem to reside in a bubble unconnected with changes in the decades.
- Mad Men is noted, as in the case of Forrest Gump for depicting The '60s in a manner that acknowledges the political tumult of that era but at the same depoliticizing the characters and their relation to society.
- Aaron Sorkin is a forthrightly liberal viewer often writing shows and characters that reflect his views and politics.
- The West Wing is noted for its support of bipartisanship, albeit through its very sanitized view of actual Washington politics and generally having a critical and dismissive view of those on the margins of its own party.
- The Newsroom got into a controversy for its attempts to take a middle view on the issue of rape, favoring constitutional and liberal defense of laws and rights over social and cultural sentiments.
- Robert Altman's famous mockumentary Tanner '88 and the 2004 sequel Tanner on Tanner was a critical view of the rise of mass media image politics, and like Bulworth is critical of the narrowing of the political spectrum, and the way liberal parties are forced to tilt to the center or otherwise support center candidates just to survive.
- The BioShock games at various times ventriloquize a series of political views and ideas, in general advocating moderation and castigating extremes or taking things too far. Curious is that unlike other critiques of Ayn Rand, the first game argues that it's main flaw is that it's utopian and that human error will betray it (which can be seen to imply that Rand has a serious ideology to begin with, which most critics do not believe she does). The second game shows an equally flawed collectivist society, featuring a state-run cult. The third game BioShock Infinite then skewered both fascism (filtered through American Neoconservatism) and left-wing anti-racist agitation, having its protagonist arguing against revolutions, and having characters say that a violent slave owner and a violent abolitionist revolutionary are equivalent, which was so highly criticized that a Retcon appeared in the game's DLC.