For characters seen throughout the series, such as the Big Daddies, Little Sisters and Splicers, please see here.
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Voiced by: Adam Sietz
"They told me: Son, you're special, you were born to do great things. You know what? They were right."
The protagonist of the first game, an American of rural origin who ended up in a plane crash over the Atlantic ocean and landed right next to Rapture's entrance in early 1960 . He is later revealed to have been Andrew Ryan's bastard son by way of Jasmine Jolene, donated to Dr. Suchong, who engineered Jack to be a Laser Guided Tyke Bomb.
And Then John Was a Zombie: To pursue Fontaine and prevent him from leaving, Jack must voluntarily become a Big Daddy. Though the process is reversible (as he isn't surgically fused to the suit like the others), the damage to his vocal cords isn't.
The bad ending suggests Jack has succumbed to ADAM's pull, as the splicers are now loyal to him.
Badass: In Bioshock Infinite: Burial at Sea, Booker is ultimately unable to defeat a single Big Daddy. Elizabeth doesn't even try, she knows she won't even be able to scratch one. Jack kills well over a dozen of them over the course of the game.
The Big Guy: It's strongly hinted that Jack is one of these. From the few pictures we see of him in-game, he looks like he's built like Lou "The Hulk" Ferrigno. Suchong's log notes hint that part of his genetic engineering was being made significantly more muscular than normal, to help him in combat.
Brainwashed: Hypnotize Big Daddy, which helps turns them against Jack's enemies.
Distinguishing Mark: Jack has a noticeable tattoo on his wrist shaped like a chain. After discovering that Andrew Ryan's philosophy was the "Great Chain of Commerce", this provides a subtle clue to the audience that Jack's been in Rapture before.
it's also obviously a clue for him being genetically engineered to be a slave.
Heroic Bastard: It's revealed later that he was sold by his birth mother, a prostitute, to Fontaine so that he could be used to bypass Rapture's genetic scanners, which answer only to Ryan and members and his inner circle.
Heroic Mime: Downplayed. Aside from grunts of pain, he speaks a grand total of 19 words in the entire game, all of them in the opening cutscene. So, surgically altering himself to sound like a Big Daddy may not have been that bad for him after all. He is also heard as a child, in one of the audio diaries.
Luke, I Am Your Father: Jack is the illegitimate, growth-accelerated son of Andrew Ryan and his mistress, Jasmine Jolene. Furthermore, he was raised/conditioned by Fontane and Tenenbaum to be a slave, making them surrogate parents of sorts.
Manchurian Agent: For Fontaine/Atlas, though anyone with know-how can subvert your orders. Andrew Ryan smugly demonstrates this by saying the trigger phrase, then ordering you about his office like a toy poodle. Just as he's got you at his mercy, Ryan instead orders you to kill him.
Mind over Matter: Telekinesis. Just about anything can be picked up and thrown with his mind.
Only I Can Kill Him: Only a blood relative can bypass Ryan's high-tech defenses and penetrate his command room.
Opening Narration: Jack, the player character, looking at a picture of his parents. It's his only line in the game aside from an audio log near the end.
Pet the Dog: Every time he rescues a Little Sister right next to the defeated Big Daddy and behind his back leaves a long, bloody trail of dead Splicers.
Power Incontinence: Near the end of the game, your ability to use Plasmids is tampered with, and your selected Plasmid is randomized every so often. However, this randomization allows you to use Plasmids you don't currently have, and every time it gets swapped, your EVE bar is restored to full.
Spanner in the Works: The Burial at Sea DLC for Bioshock Infinite reveals that Elizabeth tricked Atlas into bringing him to Rapture because she knew that, despite Atlas intending to use Jack as a tool to take over the city, Jack would overthrow him in the end.
Tomato in the Mirror: Triple-whammy: not only are you a test-tube baby conditioned to be the perfect obedient assassin, but you're also Ryan's bastard child - and you've been under mind control for the entire game.
Trigger Phrase: "Would you kindly" (which makes him obey the speaker) and "Code Yellow" (which tells his brain to tell his heart to stop beating).
Unwitting Pawn: He was actually helping the bad guy seize control of Rapture, though he never actually had a choice in the matter.
The Burial At Sea DLC for Bioshock Infinite reveals that he was also this unknowingly for Elizabeth, who performed a Thanatos Gambit to trick Atlas into bringing Jack to Rapture, knowing that this would lead to Atlas' eventual downfall and that Jack would free the Little Sisters.
You Have Outlived Your Usefulness: Once Rapture's computer control has been passed to Fontaine, he drops the mask, locks the doors, and dispatches a squad of leadheads. Thankfully, a Little Sister arrives to herd you into an air duct, leading to Tenenbaum's office.
Younger than They Look: Despite supposedly being a young man, Jack was actually born circa 1956, making him only four years old at the time of the game. This was due to his embryo having been genetically altered, Rapid Aging him to around the age of nineteen within his first year of life. It's heavily implied that his aging slowed down to a normal rate sometime afterwards, since his fake passport lists his year of birth as 1936, suggesting that he physically appears to be 24 years old in 1960.
Voiced by: Armin Shimerman
"We've all placed our hand on the Great Chain of endeavor. My hand is on it... Fontaine's is on it. We all pull it and are pulled by it. Yes, these children are an abomination. But it is not my hand alone on the chain that created them. No! Their little fingers were right there, next to mine!"
The creator and ruler of Rapture. Born Andrei Ryanovski in Soviet Russia, he emigrated to America at a young age, eventually becoming one the country's richest and most powerful industrialists. However, he eventually became disillusioned with the U.S. after FDR's social policies which reminded him of the country he had fled. The dropping of the atomic bombs in Nagasaki and Hiroshima were the last straw since Ryan saw them as the corruption of science and industry into making a weapon that allowed "parasites" to destroy what they couldn't seize. Wishing to flee said "parasites" and fearing all out nuclear war, Ryan created Rapture so that he and what he saw as the best examples of mankind could live in peace.
0% Approval Rating: His disapproval rating only gets worse and worse with his hypocritical actions to remain in power, even to the point of half the entire city population rebelling against him. The few who were still loyal to him even after he crossed the line either stab him in the back eventually, or get stabbed by him.
Affably Evil: Even when talking to people for whom he has nothing but distaste for, he talks in a manner that is more akin to respectfully disagreeing with someone than one of pure contempt - at least when he isn't furious, anyway. Even when he tries to kill Jack when he gets into Rapture, he acts more surprised that someone found his city instead of calling him an intruder.
As the Good Book Says: Though Ryan is an outspoken atheist — even referring to the Bible as "the book of lies" - he considers Ecclesiastes 3 to be pretty apt for this situation.
Bad Boss: Julie Langford finally gets sacked (killed) by Ryan for violating a patent. Ryan cheerfully reads her the fine print as she chokes from poison gas.
"Julie! We made a business deal, you and I, did we not? Money changed hands. Let me read to you from the agreement, section 3, subsection 4…"
Badass Creed: He continually repeats it as you wail on him, each time struggling back to his feet. By the end, he's shouting "A man chooses!" through a mouthful of broken teeth.
Badass in a Nice Suit: When we meet Ryan in the flesh, he's impeccably-groomed, wearing a crisp double-breasted suit, and is the calmest he's ever been. It is likely that Ryan knew his number was up, and wanted to look his best.
Badass Normal: One of only three characters in the entire game that aren't spliced.
Bastard Boyfriend: Ryan grumbles in his diaries about having to endure Diana's "bleating" voice while on vacation, and wishes he were back at the office. However, when she began talking about marriage and starting a family, Ryan seemed to ponder over the idea. After Diane was injured in the New Year's Eve riots, he simply dropped her.
Ryan knew he could not compete with Fontaine's business empire, so he used state power to absorb it instead, thus becoming the "Big Government" he founded Rapture to get away from.
Despite having built a city "where the artist would not fear the censor," Ryan eventually ordered the death of Anna Culpepper, a composer who wrote songs critical of Ryan's regime. Ryan Amusements also wasn't originally a shrine to his ego, but he insisted that it serve a purpose, a fact which is hypocritically highlighted in the tour itself
He didn't give a toss about the Cold War, and wanted to safeguard the world's finest minds from the threat of the atomic bomb. In his zeal to defeat Atlas, he pitted his citizenry against the rebels over and over and over again until there was hardly anyone left alive.
McDonagh: There's an arms race on here in Rapture. But it's not about who can build the best guns and biggest bombs, it's about who can become less of a man and more of a monster!
At long last, Ryan began filtering pheromones into Rapture's air supply, giving him control over his loyalists' minds, therefore eliminating their self determination, which Ryan considers sacred. His rationale was that, if he does nothing, the people of Rapture lose their freedom in either case.
He believed that the scientist should not be constrained by petty morality, but he himself was revolted by all the mad science in Rapture, though for very superficial reasons (because the little sisters, big daddies, and splicers were ugly and smelled bad, not because the experiments were cruel and dangerous).
Big Bad: As the leader of Rapture's Splicers. This is ultimately subverted, however - while he's certainly a villain, it turns out that Fontaine is the true Big Bad in the game.
Black and White Insanity: Ryan's strident belief in "the chain" backfired on him in the end. Someone else put him out of business.
The Caligula: Ryan winds up governing an insane asylum, pumping a Hate Plague through the air supply system while he plays miniature golf in his office.
Casting Couch: The only sure way to get ahead in Fort Frolic is to woo Ryan or his lickspittle, Sander Cohen (good luck with that one).
Control Freak: It's no exaggeration to say Ryan built Rapture because he felt that only he could manage, train, and safeguard the greatest minds of his generation. In the end, though, it turned out he liked to be in control so much that he'd kill anyone who crossed him.
Corrupt Corporate Executive: Ryan did not curb his competitive streak once Rapture was established. Until Fontaine Futuristics came along, Ryan Industries remained the sole economic powerhouse, making life difficult for other business owners. Even as he praised Fontaine's guile, Ryan secretly plotted to run Fontaine's business into the ground and seize his assets illegally.
It says a lot about Ryan that he adopts Fontaine's corrupt business practices once Fontaine Futuristics goes belly-up. In one diary, he gushes over the "marketing" possibilities of the Little Sisters. Later, he grumbles that the ghoulish children and the "palooka" accompanying them are having the opposite effect on consumer confidence...
"I understand the need for such creatures. I just wish they could make them more presentable."
Dead Guy on Display: His office wall in Hephaestus is decorated with the moldy corpses of would-be assassins, some of whom were once loyal servants. He plans to mount Jack on the wall next, once he gets ahold of him.
"I haven't chosen a spot for you on the wall yet... Let me know if you have a preference."
Disappointed In You: He lets Jack know how disappointed he is upon entering Rapture's Central Control room. Made more ironic given that Jack didn't exactly know what he was doing at the time, or where he even came from.
Even Evil Has Standards: He's personally disgusted by the Little Sisters, and Minerva's Den revealed he attempted to have robotic Little Sisters built, but the Big Daddies would not imprint onto them. In the sequel, he's shown as disturbed by Ryan Amusements, but accepts the fact that it puts fear of the surface world into children.
He also says he could never raise his hand against Jack, after realizing Jack is his son.
Expy/No Celebrities Were Harmed: Ryan is essentially an amalgamation of the real life Ayn Rand and the fictional John Galt from Rand's Atlas Shrugged. Like Rand, Ryan is a former Soviet citizen who escaped to America and developed a fiercely individualistic philosophy promoting self-interest. Like Galt, Ryan is a scientific genius who creates the hiddden Galt's Gulch where the world's best and brightest can live free of "parasites" (akin to Galt's "looters"). The only difference is, in Bioshock, Ryan's own Galt's Gulch does not succeed, and the world's "best and brightest" — now devoid of enemies — turn on one another, instead.
Ryan's vision of what the atomic bomb represents is also similar to Atlas Shrugged's "Project X".
Evil Cannot Comprehend Good: As far as he knows (at least at first...), Atlas' movement has legitimate grievances, and Atlas himself is a blue-collar family man who wants Fontaine Futuristics to be divvied up amongst the people. He still refuses to give an inch, believing that everyone is trying wrestle Rapture away from him.
Fiction 500: The in-universe equivalent of Howard Hughes, and was partly based on him.
Foil: Received an excellent one in the form of Sofia Lamb.
Probably even moreso in the case of Fontaine. Fontaine builds up a company from simple foodstuffs to high technology, catching Ryan off-guard when Fontaine Futuristics surpasses Ryan Industries. This he admired. What caused Ryan to have a panic attack was discovering that Fontaine was smuggling surface-produced goods into Rapture, setting off his paranoia that the "parasites" would come nationalize his Hidden Elf Village. Fontaine was also the only man to ever challenge him and win; had a thirst for power that was equally great; wanted no trouble or competition from the likes of Ryan. They were bound to be enemies.
He Who Fights Monsters: By the time Jack crash-lands in Rapture, there is virtually no difference between Ryan and the drug kingpin he fought to destroy. He's also become more violent, beating his mistress to death with a pipe (much like Atlas did to Diane, Ryan's other moll.)
Hoist by His Own Petard: Twice over. His ideals and determination built a business empire unheard of in reality, and Rapture itself was a true Objectivist Utopia... for a time. Isolating Rapture from the surface created Fontaine - his own personal Al Capone to run the resulting smuggling black market; worse still, after Fontaine was killed, Ryan nationalized Fontaine's business in an outright betrayal of Rapture's guiding philosophy, and rushed ADAM onto the market without bothering to regulate its sale or use- thus leaving the blame for the many thousands of addictions and the civil war squarely on his head. All downhill from there, but he might have been able to salvage things if he hadn't taken Sofia Lamb's bait and thrown her in prison with all his other enemies - giving them a leader, his own personal Bolshevik.
Hollywood Atheist: His entire personal code hinges on the idea of free will; that we are all the sum of our own decisions and actions.
Hypocrite: As the civil war gets worse and worse, he starts betraying his stances, citing it was for the good of city. But pretty much everyone who knew him could tell he was becoming no worse (and in some ways, no different) than the people he was fighting against.
If I Can't Have You: Did this to a forest that he owned, burning it to the ground when the government tried to nationalize the land and turn it into a public park.
Ignored Epiphany: The only time Ryan shows any kind of self-doubt is in the final diary. Even then, his vendetta with Atlas won't allow him to capitulate. He'll destroy Rapture rather than let his enemy have it.
"Could I have made mistakes? One does not build cities if one is guided by doubt. But can one govern in absolute certainty? I know that my beliefs have elevated me, just as I know that the things I have rejected would have destroyed me. But the city... it is collapsing before my..."
"In the end, all that matters to me... is me. And all that matters to you... is you. It is the nature of things."
It Will Never Catch On: Ryan confessed he wasn't paying attention to the plasmid craze or the warnings of his council. "I'll spend an hour pretending to listen..." He later kicks himself for allowing Fontaine to beat him at his own game.
Join or Die: In Burial at Sea, he gives this exact option to Elizabeth, who refuses his offer. He calls her a "rube" and writes her off as another parasite. The newly-unemployed Suchong was a bit more accommodating; when he shot back, 'How much?', Ryan laughed his head off.
Lack of Empathy: Displayed in Bioshock Rapture, the only thing he cares about is his city. Any complaints given to him he just brushes aside as "whining".
Mayor of a Ghost Town: He still clings to the idea that Rapture is in recovery, though this is largely due to his perception that his opponents will win if he were to say otherwise. It's almost akin to a Villainous Breakdown.
Mayor Pain: The guy rubbed out most of his own City Council!
Megacorp: Ryan Industries was formed during the construction of Rapture. It was to be the Standard Oil of its time, rolling all of his smaller businesses into one. The result was that Ryan owned most of the city's infrastructure and raked in all the utility costs, including the parks (citizens had to pay to get in), the oxygen produced by the trees, Rapture Radio, the law enforcement and security apparatuses, the Vita-Chamber, and the The Gatherer's Garden vending machines.
Moral Myopia: Ryan only shows flexibility when his own interests are at stake.
"In the end, all that matters to me ... is me. And all that matters to you ... is you. It is the nature of things."
Never My Fault: After building up his own mob of splicers, he blames them for their own deformities, citing their "carelessness" in overusing his plasmids. Same goes for the Little Sisters. Ryan has become completely boxed in by the tenets of his philosophy, is unable to admit that his costly experiment has failed, and finally embracing delusion rather than confront what he's become.
Bioshock Rapture delved into this even more as he views any (very serious and economical) complaints to him as people "refusing to be self sufficient" when it's his own rules that are keeping many of the less fortunate people from getting ahead in Rapture and his refusal to make concessions to help them.
Offing the Offspring: However, when it finally comes time to kill his illegitimate son, he can't do it.
Older than They Look: According to the Bioshock wiki, Ryan was born in 1892, which would make him 67 or 68 at the time of the first game. From his pictures on the audio diaries he looks like a healthy man in his mid-forties, and while he seems older when you meet him at the end, he certainly doesn't look nearly 70. It's justified. In Rapture, you'll often see ads for a gene tonic that makes you look 'twenty years younger!' Apparently, they actually work.
Our Founder: A bust of Ryan greets newcomers to the city.
The Pornomancer: Has a taste for fashion models and exotic dancers, which doesn't do his public image any favors. Women, however, can't get enough of him. (Diane McClintock was an admirer.)
In Burial at Sea, in addition to admiring her intellect and coveting her strange abilities, there's the subtle implication that this might be part of the reason for his interest in wanting Elizabeth to join his side. Yeesh.
Principles Zealot: Had a very rigid belief system that took him far, but started to break down when he applied it to governance. Public welfare is not Ryan's strong suit.
Rasputinian Death: The first golf swing bloodies his face; the second shatters his jaw. It takes the club literally protruding from his cracked skull to finally drop him.
Salt the Earth: When the Federal Government threatened to lease a fragment of Ryan's vast estate as a national park, he torched the entire forest as a form of protest. Years later, this becomes his solution once Atlas is on the cusp of seizing Rapture.
Screw the Rules, I Have Money!: That, plus power and influence, seems to do more of the talking in his life even after he set up the egalitarian rules of Rapture.
Self-Made Man: After leaving the USSR, where he was a wealthy landowner, he came to America and managed to become even richer.
Shoddy Knockoff Product: Once Fontaine got a foothold in the plasmid market, Ryan realized his mistake and began plotting ways to absorb Fontaine Futuristics into Ryan Industries. However, with Fontaine dead, Ryan lacked understanding of how to properly manufacture them, and rushed a line of faulty plasmids onto the market.
The Social Darwinist: Anyone who complains about city conditions is deemed a "weak link" in his chain. As much as Ryan loves humanity, he doesn't seem to like people very much.
Start My Own: He was born Andrei Rianofski in the USSR; Belarus, to be exact. Though the free market of the United States allowed him to make his fortune, Ryan grew disillusioned with Roosevelt's New Deal and decided to uproot himself again. Rapture was carefully (indeed, pointedly) constructed off the coast of Greenland, giving it equal distance from both the U.S. and the Soviet Union.
Start X to Stop X: Betrays the cornerstones of Rapture to 'protect' it, seizing Fontaine Futuristics in the bargain. Against the warnings of McDonagh, Ryan starts building his own army of splicers to combat Atlas'. Meanwhile, everyone and his mother is splicing like crazy, desperate not to get caught in the crossfire.
Straight Edge Evil: In spite of all the dangers in Rapture, he doesn't appear to have made use of any Gene Tonics or Plasmids to defend himself. In fact, it's very likely that he's only used one gene tonic (anti-aging) in all his years spent in Rapture.
Stubborn Mule: His overconfidence and a string of bad decisions led to the uprising. Ryan believed that he could deal with any contingency.
Taking You with Me: Before dying, he set up Rapture up to self-destruct, though you quickly remedy that.
"The Reason You Suck" Speech: Gives Jack one when they meet in person, deriding him as nothing more than a pawn of Fontaine, while also making it clear that while he's choosing to die at this moment, he could have used the Trigger Phrase to kill Jack if he wished.
His lecture on the difference between parasites and true men, like himself.
It gets worse:
Diane McClintock: I asked Ryan how can he do such things to innocents! He said, "Innocents? If they haven't chosen to defend Rapture, they've chosen to side with Atlas and his bandits. No, there are no innocents. There are heroes, and there are criminals."
Übermensch: A now-famous example of this trope: he rejected what the world and its moralities entirely, and built the outrageous city of Rapture to have his way.
Villain Has a Point: His last words to Jack are meant to be this, showing that he was a pawn of Fontaine. He's right about this, but Jack couldn't have helped it.
We Have Reserves: Preserving 'his' city is all that matters; the citizenry are a secondary concern. He greatly expanded Fontaine's harvester policies, even leaving dead splicers lying in the streets for Little Sisters to easily find, and prevented anyone else from leaving. He seems to have given no thought to the distress this was causing his citizens. This further fed into the general panic.
Well-Intentioned Extremist: In his own mind, he probably had the best of intentions, perceiving the outside world as morally bankrupt and parasite-infested.
You Have Failed Me: He sees nothing wrong with murdering a woman in cold blood for selling his unborn child, or gassing a scientist who was trying to save Arcadia from his poisons, or with decorating the entrance hall to his office with the grimly mutilated corpses of his enemies.
Voiced by: Karl Hanover
"I'm Atlas, and I aim to keep you alive."
An Irish fisherman who guides Jack over his shortwave radio. He brought his wife and son to Rapture in search of a better life, but is now desperately trying to get them out. He is gradually revealed to be the leader of the Anti-Ryan rebellion. 'Atlas' is later revealed to be a persona adopted by Frank Fontaine, who has been manipulating Jack even before the game begins.He serves as a major player in the second half of Bioshock Infinite: Burial At Sea, demanding for Elizabeth's assistance in escaping from Fontaine's Department Store.
Accent Relapse: Fontaine goes from an Irish accent to a Bronx one when he reveals himself.
Amusingly, the guy who voiced Atlas is actually Irish, doing an exaggerated version of an Irish accent. So, you end up with an Irish guy voicing a wiseguy pretending to be an Irish guy.
Action Survivor: He's one of the few remaining citizens who isn't spliced, though that changes once Jack recovers and begins hunting him. In a panic, Atlas/Fontaine douses himself with massive quantities of ADAM until he becomes unrecognizable.
Bad Samaritan: He arranged for Jack to return to Rapture in the first place. Under the guise of a rebel who is fighting Ryan's regime, he coldly manipulates Jack into killing Ryan and handing the keys of the city over to Atlas.
Big "NO!": Lets one out when the sub containing his family is destroyed.
Cast as a Mask: Despite being a pseudonym that Frank Fontaine uses, he has a different voice actor. This is Lampshaded in Bioshock 2, where he comments that he has to work at making his accent sound convincingly like another person's.
Fauxreigner: Since Rapture is full of people of multiple nationalities with various accents, it's easy to get fooled into thinking that Atlas was raised in Ireland. You get little hints every now and then when the Irish accent slips on certain words (in particular, the description of the research camera), or when he uses distinctly American phrases like how Nitro Splicers are "sounding off like it's the fourth of July," Cohen being a "Section 8" (U.S. Army terminology for being judged mentally unfit for service), and an American football allusion. After the reveal, Fontaine himself even taunts Jack's gullibility by putting on the voice again with even more exaggeration than before.
Hero Killer: Beats Elizabeth to death with a monkey wrench at the end of Burial at Sea: Part 2
Lantern Jaw of Justice: The result of plastic surgery, to disguise Fontaine's features. This was purposely done since Fontaine, a notorious gangster, could only climb so high up the social ladder; as "Atlas", he sought to convince the city that he was the working-class hero it needed.
Line-of-Sight Name: He names his fake son and his fake wife "Patrick and Moira". It is the title of a musical by Sander Cohen, for which the player finds some posters in two places: Fort Frolic and the Atlas Headquarters.
Mission Control Is Off Its Meds: Type I, after Atlas reveals he is actually Fontaine. Gets to be Type 2 by the time you reach the final level, by which time he's spliced out of his goddamn mind.
Murder Is the Best Solution: Numerous examples, the foremost being his cold-blooded, needless killings of Diana McLintock (he butchers her on top of a desk, causing it to cave in on itself) and Elizabeth in Burial at Sea (killed with a wrench). Atlas is not particularly fussy when it comes to dishing out death, clobbering Elizabeth before he's even checked to see if the letter she handed him is legible or not.
"What makes something like me? I look at genes all day long, and never do I see the blueprint of sin. I could blame the Germans, but in truth, I did not find tormentors in the Prison Camp, but kindred spirits. These children I brutalized have awoken something inside that for most is beautiful and natural, but in me, is an abomination... my maternal instinct."
A high ranking scientist of German-Jewish origin within Rapture, who mothered the Little Sister project and later came to view them as her surrogate children, in atonement for removing them from their parents and experimenting on them.
Alter Kocker: She's not that old and senile, but occasionally, bits and pieces of her Yiddish upbringing slip in her use of English.
''"One of the children came and sat in my lap. I push her off, I shout, 'Get away from me!' I can see the ADAM oozing out of the corner of her mouth, thick and green. Her filthy hair hanging in her face, dirty clothes, and that dead glow in her eye... I feel... hatred, like I never felt before, in my chest. Bitter, burning, fury. I can barely breathe. And suddenly, I know: it is not this child I hate."
Redemption Earns Life: The only one of Rapture's leadership who tried to save those who were experimented on for the sake of the ADAM trade (the Little Sisters, Jack and -to a certain extent—Subject Delta), she's also the only one of the leadership who survives the game.
Teen Genius: She was consulting trained scientists when she was only sixteen.
What Happened to the Mouse?: The first two chapters of BioShock 2 imply she'll have as large a role as she did in the first game, then after meeting up with her, she flees from Lamb, sending Delta off to Sinclair. She came back in the Minerva's Den DLC.
Despite it practically revolving around the Little Sister plot, in Burial at Sea, she is only passingly mentioned and not by name.
Voiced by: Greg Baldwin and Karl Hanover (in BioShock 2)
"Spent the morning jawing with that Kraut scientist. She's damaged goods, all right. Just like all those chumps they scraped out of them prison camps. But she's no crackpot... she's gonna make me the kinda scratch that'll have Ryan look like he's runnin' a paper route. She just needs some supplies to get the ball rolling... and a friend to watch her back."
An infamous New York con man and former business rival of Andrew Ryan's who rose to prominence and power through the sale of prohibited goods. His later discovery and marketing of plasmid technology was instrumental in bringing about Rapture's civil war and downfall.
The Barnum: Frank expresses amusement in his diary that no one in Rapture gave thought to who would scrub the toilets. They can't all be captains of industry. This led him to believe that Rapture's citizenry was really gullible; experience bears out this belief.
"Rapture: The confidence man's playground."
Bigger Bad: Much of what caused Rapture to go into decline was due to his influence, since he helped create the demand for ADAM that caused the development of the Little Sisters and Big Daddies, and subsequently created Splicers. And, as luck would have it, he's also the true antagonist of the original game, as well as Burial At Sea.
Brooklyn Rage: It even slips through his Atlas disguise when he gets angry enough in Burial At Sea!
Card-Carrying Villain: He's a blood-soaked gangster who kicks the dog as a matter of routine. The problem is, so does Suchong, Ryan, Cohen, et al. His enterprise and ruthless drive blend right in with hyper-competitive nature of Rapture.
Carrying the Antidote: Lot 192, an antidote to the Mind Control Plasmid. Fontaine ordered its creation as an insurance policy, fearing the plasmid might be used against him. Jack gulps the serum in order to rid himself of Fontaine's remaining Trigger Phrases, which Tenenbaum couldn't dismantle on her own.
Cement Shoes: The freezer in Fontaine's Fisheries doubles as a dumping ground for mooks who decided to cross him.
"Frank Fontaine" is the name of a fishing mogul who was unceremoniously dumped off the side of his own boat, courtesy of Frank Gorland.
Character Name Alias: While his real name is Frank, his real last name is unknown (and it's stated that only a handful of people in the world know it).
Chronic Backstabbing Disorder: Fontaine has a rather eerie habit of betraying everyone who works for him, sometimes in a fit of pique. One minute, he's recruiting lower-class workers with the promise of making some real money. The next, he's pocketing their smuggling profits and threatening to turn them in to the cops if they complain. His most ardent fan, Diane McLintock, was murdered on the tiny suspicion that she might connect Atlas with his old identity.
Create Your Own Villain: Ryan was moved by Fontaine's flattering letters to invite him to Rapture. Ryan at first observed Fontaine's rise to power with pride, pointing to him as example of what Rapture was built to foster. Even when Fontaine's empire began to compete with his own, he merely admonished Fontaine's opponents to "offer a better product." And the cancer spread from there.
Fontaine may be a smuggler and a brute, but his attempts at legitimate businesses were big successes. What pushed Fontaine into overt criminality was being hounded by Ryan's private police, who employed violent measures to crack down on the smuggling ring. Fontaine Futuristics did one better, giving Frank enough clout to challenge Andrew Ryan directly. Again Ryan responded with extra-legal measures to smother his business, and again Fontaine dug in and turned to crime — this time building up a splicer army. Even if Fontaine were as innocent as Gandhi, it's unlikely that Ryan would have tolerated any competitors on his turf for long.
Diabolical Mastermind: He eventually gains a lot of power within Rapture, even rivaling Andrew Ryan's, because "he's got the ADAM, and that makes him the guv'nor". His smuggling operations continue, but with Fontaine tucked safety away in his office across town. He can even throw some of his own men to the wolves if he has to, knowing the evidence will never point to him.
The Dreaded/Shrouded in Myth: It's often mentioned how the inhabitants of Rapture are terrified of Fontaine, even years after his apparent death. Dr. Suchong, one of the few people in Rapture not to be impressed by him, points out that it's all an image Fontaine himself took great measures to cultivate, and that beneath it all he's just a very skilled flim-flam man.
Evil Gloating: It's practically endemic to the man. After The Reveal he divides his time between stopping your heart with code phrases and pontificating about how awesome his (admittedly, rather impressive) accomplishments are. He even brags to himself in his audio diaries, which at one point almost gets his cover as Atlas blown.
Evil Laugh: After Jack beats in Ryan's skull with a golf club, Atlas begins to drop the Irish brogue while laughing maniacally.
Eviler than Thou: Fontaine might not be "the greatest electrical engineer of our time", but when it comes to cutthroat business practices, he's Ryan's equal.
Faking the Dead: The more Ryan fought to suppress him, the stronger Fontaine got. Finally, he decided the best course of action was to become a martyr, thus completely discrediting Ryan.
"As if this was the first time I had to dodge a bullet! They're comin' to my house expecting a show, but they're gonna get a disappearing act. Say goodbye to Fontaine... *cocks shotgun*And hello to Atlas!"
Final Boss: A very spliced up Fontaine is fought at the end of the game.
From Nobody to Nightmare: He was just a lowly bookie in the old days. Though a twist of fate, one of Ryan's shell companies did business near a dockide bar owned by Frank (seized from one of his debtors). Fontaine did some sniffing around, eventually determining that Ryan was building something big at the bottom of the Atlantic. Adopting the reputable identity of Frank Fontaine, he took over a fishery and offered his services to Ryan. Of course, Fontaine brought a few 'associates' with him...
Functional Addict: Prior to the boss battle, Fontaine has clearly been using ADAM, but only enough of it to survive the dangers of Rapture. Unfortunately, when Jack corners him, Fontaine splices up with all the ADAM he's been able to gather, driving himself mad in the process.
He also mentions having tried Nose Candy and Floor Polish, ho ho. note (Cocaine and Heroin, respectively.)
Gambit Roulette: Though Fontaine's plan was ultimately successful (at least up to the point his creations teamed up and killed him), it does seem a bit needlessly complicated and dangerously susceptible to bad luck.
He Knows Too Much: Diane walking in on "Atlas" at an inopportune moment. Taking a powder, perhaps?
A tabloid reporter met his untimely end while snapping photos outside of Fontaine's penthouse. His corpse is found rotting next to the tripod camera.
Hoist by His Own Petard: He had Jack created to kill Andrew Ryan... only for Jack to turn on him when Fontaine showed his hand and tried to kill him. He was also partly responsible for creating the Little Sisters, a group of whom swarm him to deliver the killing blows.
Just You and Me and My GUARDS: "You think I'm alone in this world?" Fontaine's final boss form summons various splicers and drones to distract you while he refuels.
Karmic Death: He is done in by a group of Little Sisters, like those he victimized in his "orphanage" and encourages Jack to harvest throughout the game.
Kill and Replace: BioShock: Rapture reveals that he murdered and stole the identity of the real Frank Fontaine in order to take over Fontaine Fisheries and gain access to Rapture.
Legitimate Businessmen's Social Club: Inheriting control of a fish-packing company, he established himself as a rugged entrepreneur in Rapture, setting up a front to disguise his smuggling activities. The same goes for "Little Sister's Orphanage" and "Fontaine's Home For the Poor", which use the poor as grist for his splicer mill.
Let's You and Him Fight: Fontaine couldn't take Ryan on directly - even as the mogul's power base was rapidly eroding - and needed to assemble a mob to do the heavy lifting: first as a crime boss, then as a leader of the downtrodden, and now as Jack's hypnotic controller.
Jimmy: Whatever Ryan thinks he can do to me, FONTAINE CAN DO DOUBLE!
Not So Different: It seems Ryan finally met a remorselessness and ego to match his own. At the outset, they're polar opposites, but Fontaine is a logical extension of Ryan's business philosophy. Where Fontaine recklessly stoked fear in the populace to sell them guns, Ryan did the same to sell plasmids (which were much more unstable than Fontaine's products).
Not So Harmless: McDonagh discovered this when he led a raid on the smuggler's hideout. Somebody tipped Fontaine off.
(bewildered) Them Splicers come screaming out the woodwork, burping fire, spitting ice... Like demons out of the Bible they were! Never seen nothing like it. It wasn't a business he was building, it was an army!
One-Winged Angel: He confronts you after splicing himself into a hulkish superman with multiple plasmids and more than a passing resemblance to the mythical Atlas. It's twice as ironic when you realize that in the end he's defeated by a bunch of little girls.
Posthumous Character: As one of the main instigators of the uprisings against Ryan, Fontaine was gunned down by Ryan's men prior to the game. Except not. He used that opportunity to fake his death and return as the Rebel Leader Atlas.
The Sociopath: Fontaiane was a vicious animal to begin with, and even moreso once Ryan had him on the run.
Super Strength: One of the few gene-tonics he's been willing to use before the final boss battle; during the climax, he uses it to create obstacles that can slow Jack's pursuit.
Take Over the City: This was his original goal. Now that Rapture stands in ruins, Fontaine's new dream is to unleash ADAM on the surface world.
They Look Just Like Everyone Else: Fontaine is an interesting case: He's the ultimate "parasite", according to Ryan's belief system. But without ample help from Ryan, Suchong, and Tenenbaum — all pursuing their own "enlightened self-interest" — he could never have risen as far as he did.
Unholy Matrimony: With Tenenbaum. Though there was no romance, a paparazzo posted outside Fontaine's home reported he and "that spooky Kraut" were seeing each other, much to his puzzlement. In the symbolic sense, Fontaine considers he and Tenenbaum to be Jack's actual parents.
Villain with Good Publicity: Both as Atlas and as the benefactor of "Fontaine's Home for the Poor". This is reflective of real-life gangsters, who are often venerated as neighborhood protectors.
Peach Wilkins: Fontaine's promising something better. He's like one of us, y'know? Like he's worked a day in his life.
Visionary Villain: Ryan slowly began to realize this about him. No matter how many rackets are bust or smugglers they hang, Fontaine is simply too devious and smart to be caught red-handed. Fontaine wasn't interested in just making money; he was challenging Andrew Ryan for control of Rapture.
" This Fontaine fellow is somebody to watch. Once, he was just a menace, to be convicted and hung. But he always manages to be where the evidence isn't. He's the most dangerous type of hoodlum... the kind with vision."
War for Fun and Profit: The gun-dispensing "Power to the People" vending machines were built by Fontaine. They were a cynical ploy to spur paranoia and armed conflict between the citizens of Rapture, who were growing fearful of the splicers as well as their own government. Needless to say, this was a successful side venture for Fontaine Futuristics.
A gun in every home, peace on every street
Xanatos Speed Chess: Fontaine plays a mean game of Speed Chess. When his initial plan — get the entire city hooked on ADAM to the point where he is effectively in charge — breaks down with Ryan seizing his legitimate assets, he fakes his death, reinvents himself as "Atlas", and triggers a citywide civil war by exposing Ryan as everything he (and by extension, the hardcore Objectivists who followed him into the ocean) hated. During the fighting, everyone got spliced to the gills, resulting in crippling ADAM addiction, and the conditions for peace included handing Fontaine's seized assets over to Atlas.
McDonagh: Strikes me that Fontaine wasn't overly inconvenienced by his own demise.
Voiced by: T. Ryder Smith
"I know why you've come, little moth. You've your own canvas. One you'll paint with the blood of a man I once loved. Yes. I'll send you to Ryan, but first, you must be part of my masterpiece. Go to the Atrium. Hurry now! My muse is a fickle bitch, with a very short attention span!"
Artist, writer, actor, director and composer, famous for writing Rapture's national anthem, "Rise, Rapture, Rise", as well as many other strange and eccentric works. Notably hostile towards those who question his art and/or closeness to Andrew Ryan. Jack first encounters him in Fort Frolic, after Cohen jams Atlas' radio transmission and blocks the exists; welcoming Jack as a fellow artist, he gives him the task of killing his former disciples and photographing their corpses.Cohen makes an appearance in Burial At Sea, hosting a private party at his personal club before the New Year's Eve Riots.
Affably Evil: Weirdly friendly towards Jack throughout their time together, often complimenting him on his fighting style or his talents as a photographer. Also, he apologises profusely after launching a horde of splicers at him.
Can't Take Criticism: In the middle of the Fort Frolic mission he decides that you are a doubter, keep in mind you literally said nothing to him, and launches a four wave splicer assault on you set to a Waltz of the Flowers by Tchaikovsky.
Celebrity Survivor: One of the most active media personalities in Rapture prior to the civil war, now thriving in the anarchy of the city's collapse.
Condemned Contestant: Making Kyle Fitzpatrick perform the same 'piano lesson' over and over. On a piano covered with dynamite. True to form, Cohen is displeased with his rendition of Cohen's Scherzo #7 no matter how hard he tries.
In Burial at Sea, the pair of dancers who fail to "open themselves to the music", as Cohen puts it, are electrocuted into unconsciousness and dragged up to the ceiling via harnesses.
Depraved Homosexual: If the audio diaries and the novel are to be believed; rumors about young men 'never returning from his dressing-room' circulate pre-Rapture, not to mention his 'living sculptures' of scantily-clad proteges portraying Caligula. Splicing and post-Rapture drugs don't help.
Evil Is Petty: According to audio logs, a rival artist spoke out against Cohen's nationalistic support of Ryan. He responded by first calling her a "musical gremlin" and then smearing her as a Bolshevik. The possibility of commies in their midst was enough to alarm Ryan, who put the word out to "make sure the little red bird stops singing."
Cohen's more recently acquired distaste for Ryan wasn't even provoked out of the latter becoming a despot; rather, he just began to perceive him as boring.
Karma Houdini: Surprisingly, he can come out on top of the game, to be seen as the true winner, and the Fort Frolic part eventually ends as this. If the player chooses not to kill him, and not disturb him in his apartment, he accomplishes his goals, completely as planned, gets exactly what he wants, and walks away scot-free in the end. Him of all people.
King Mook: Cohen is the only Splicer to sport a gold/bronze rabbit mask rather than the common white/gray ones. As a Houdini Splicer, Cohen performs a lot of paranoia-inducing teleports.
Mad Artist: Even before he jacked up on ADAM, he was pretty out there. And violent.
Cohen's Scherzo #7 was analyzed and then played by a semi-professional pianist on YouTube. According to him, it's nearly impossible to play (the central section has no repetition and goes all over the keyboard); small wonder it was used to torture a guy.
His appearance in Burial At Sea is still out there: his drawn-on eyebrows, eyeliner, glittery eye shadow, and lipstick.
Murder the Hypotenuse: Cohen eventually pulled some strings with the Council — and particularly Ryan — to "Put the bump" on Anna Culpepper, as stated by Security Chief Sullivan (who had to do the dirty work). With this competition gone, Cohen experienced a rare era of extravagance before the Rapture Civil War forced him to shutter Fort Frolic.
No Celebrities Were Harmed: His concept art and waxed mustache are based on the painter Salvador Dali. Dali was also as eccentric about his own work, and very opinionated about his critics and other popular artists.
Cohen's personalty was also inspired by "the man who owned Broadway" George M. Cohan, a multi-talented American entertainer who is best known for his ultra-patriotic works.
Not Quite Dead: It's possible for you to not kill him and that he could come back from the dead; don't be surprised if you hear him laughing maniacally in Cohen's Collection in the sequel.
The Starscream: The last surviving member of Andrew Ryan's council (and his biggest fan) has been left to rot in Fort Frolic. He spares your life in hopes that Jack will kill Ryan for him. Ryan is unaware of Sander's anathema for him, and expresses disappointment that Jack strolled out of Fort Frolic unmolested.
Stylistic Suck: A quick glance at the lyrics to "Rise, Rapture, Rise," Cohen's paean to Ryan, shows that the song is absolutely execrable.
Taken for Granite: Mad Artist Sander Cohen doesn't actually petrify people, but he does the next best thing by covering their bodies in plaster and posing them. Almost everyone in his domain is either a dead statue, or a person pretending to be a statue. One of his "students" took to using his ice powers, rather than plaster, to freeze people in poses.
White Dwarf Star: His reputation has already waned by the time Ryan recruits him for Rapture, with his comeback production receiving less-than-stellar reviews; Cohen, talks of nothing but his "projects" and his admirers. Being the only headliner in Rapture helps get him to prominence again.
Wicked Cultured: Yes, it's true that most of his sculptures and poems range from crap to utterly mad, but there's no denying that he's also a very talented composer.
Dr. J.S. Steinman
Dr. J.S. Steinman
Voiced by: Peter Francis James
"With genetic modifications, beauty is no longer a goal or even a virtue, it is a moral obligation. Do we force the healthy to live with the contagious? Do we mix the criminal with the law abiding? Then why are the plain allowed to mingle with the fair?!"
Before Rapture's societal collapse, J.S. Steinman was one of the city's most famous medical professionals; already a highly innovative plastic surgeon, he used ADAM to sculpt his patients to the highest possible standard of beauty. Unfortunately, he also tried a few of these new techniques himself. As such, by the time Jack meets him, Steinman has degenerated into a splicer, and now sees his patients as little more than human-shaped canvases on which to practice his skills as an artist-specifically, cubism.
Asshole Victim: A smug creature with a low regard for his patients, or should we say test subjects. He rationalizes using up and discarding the Little Sisters for ADAM, likening it to euthanasia.
Berserk Button: By the time Jack meets him, Steinman is a very strong believer in Beauty Equals Goodness, and considers anything ugly to be offensive to the point that he's willing to kill and/or mutilate it on sight.
The Beautiful People: Fancies himself one, and considers the non-handsome of Rapture to be one step above germs.
Blue and Orange Morality: Good luck trying to determine his standards of beauty. One of his victims was even considered "too symmetrical."
Dissonant Serenity: His audio diaries, especially "Not What She Wanted," which records the moment in which Steinman finally loses his mind and begins performing a facelift on a patient — who'd only been scheduled for a nosejob. He whistles to himself while a nurse screams for help in the background.
Dressed To Heal/King Mook: Steinman uses the generic Dr. Grossman model, the only differences being that he wears an orange smock and takes much more punishment.
Functional Addict: BioShock: Rapture revealed that Steinman had a drug habit on the surface which caused his first hallucinations of "the Goddess". Yup, definitely the guy you want running your medical ward.
Mad Artist/Mad Doctor: Even before he went bananas, Steinman had a feeble grasp on the Hippocratic Oath. Inevitably, he started seeing imperfection everywhere and dubbed himself "the Picasso of surgery".
Manufacturing Victims: By using ADAM in his treatments, Steinman unwittingly ensured that any of his patients that weren't already addicted had a pretty good chance of becoming addicted after leaving the surgery. And given that excessive use of ADAM tends to result in disfiguration, quite a few of his patients would have returned for further treatments.
Professor Guinea Pig: His audio diaries reveal that he was more than willing to use his experimental techniques on himself. You know what they say, the plastic surgeon who lifts his own face has a fool for a patient.
Room Full of Crazy: Most of the Medical Pavilion has been turned into this under Steinman's watch, with numerous messages from the man himself smeared on the walls in blood.
Sanity Slippage: Unlike many of the splicers, Steinman's audio diaries clearly show his descent into lunacy, beginning with his feelings of dissatisfaction with the banality of his work, then his thoughts on cubist art as applied to surgery, and finally his hallucinations of the goddess Aphrodite... though she apparently encouraged him to go to Rapture in the first place.
"We all come down here, figured we'd all be part of Ryan's Great Chain. Turns out Ryan's chain is made of gold, and ours are the sort with the big iron ball around your ankle."
Initially just a worker in Neptune's Bounty fisheries, Peach was drawn into becoming the leader of Fontaine's smuggling ring. As Fontaine started to take advantage of his employees and the Rapture Death Penalty was introduced, he found himself trapped between a rock and a hard place. He became paranoid and reclusive, refusing to believe Fontaine was really dead.
Conspiracy Theorist: He thinks, among other things, that Frank Fontaine is still alive, and that you might be working for him. Never mind that, as Atlas informs you soon after, Fontaine's been dead for a while. Of course, refer to Properly Paranoid...
Flunky Boss: He doesn't fight you alone when the time comes to throw down.
Funetik Aksent: His is pretty thick, and extends to some of the subtitles if you have them on.
King Mook: His character model is that of a Nitro Splicer, only with a welding mask.
"War. A terrible thing. Japanese kill every man in my city. Except for Suchong. Suchong have opium. Very good opium. This war, terrible thing too. But not for Suchong."
Dr. Yi Suchong was one of the leading scientists in Rapture, who worked for Fontaine on plasmid tests, as well as designing Little Sisters and the first of the Big Daddies. He and Dr. Tenenbaum were also responsible for creating Jack and the mental conditioning that would be used to control him.
Child Hater: Suchong hated children, and scarcely bothered to conceal it in any way. One of his big dreams was to find a way to make children age quickly to make them more efficient and "domesticatable."
Eventually, he succeeded in this by creating Jack.
Children Are a Waste: In one loading screen, a scientist, Dr. Suchong, is quoted saying that children are a waste, because they mature slowly, and consume resources while contributing nothing. He then remarks that "There must be something to be done to speed the process..."
Death by Irony/Gone Horribly Right: Minutes before his death, he complained that the Big Daddies didn't seem to be especially protective of the Little Sisters; after he made the mistake of slapping one of said Little Sisters in the face, he ended up getting drilled to a desk by one of the supposedly neglectful Big Daddies. Eureka!
Evil Cannot Comprehend Good: In BioShock: Rapture, to the point he utterly fails to recognize Tenenbaum's Heel-Face Turn. Even Ryan and Fontaine are able to understand Tenenbaum's change of conscience, while Suchong literally doesn't even know the word "conscience" (it being a word he didn't consider important to learn when learning English).
Evil Counterpart: To Tenenbaum. They have similar backstories, as both were victims of the Axis Powers during World War II who became brilliant scientists, came to Rapture, and researched plasmids. However, unlike Tenenbaum, who had a change of heart and worked to reverse what she had done, Suchong maintained his cold For Science! attitude until it got the better of him (see Karmic Death).
For Science!: Although his principal concern was always how he himself could benefit financially from his research, his secondary motive seems to have been scientific advancement, regardless of collateral damage. Even the deaths of his patients provided valuable insight: after the clinical trials for Telekinesis showed it was possible to stop a bullet in mid-air if not for slow human reaction times, Suchong was inspired to create the Sports Boost plasmid.
Freudian Excuse: His childhood was spent as a servant to Japanese nobles, whose children bullied him.
Hypocritical Humor: In Burial at Sea, audio logs show that, just like how Jeremiah Fink stole his plasmid ideas, he's perfectly willing to steal Fink's ideas of drinkable genetic powers. He lampshades this too.
I Fight for the Strongest Side: As the quote illustrates, Suchong has a habit of making himself valuable to the enemy. In fact, after Fontaine was killed and his company seized by Ryan Industries, Suchong's only major complaint was that Ryan didn't pay as much as Fontaine.
Karmic Death: After going into so much detail as to how much he despised children and how responsible he was for the creation of the Little Sisters and the Big Daddies, Suchong finally dies as a direct result of slapping a Little Sister in the face and angering her Big Daddy.
Kick the Dog: Suchong has a very literal example in one of his audio diaries. While Jack was still being prepared, Suchong gave him a puppy to play with; after seeing that the boy had gotten quite attached to it, he activated Jack's mind control and ordered him to break the dog's neck.
Lack of Empathy: He might not be an obsessive control freak like Andrew Ryan or an exploitative megalomaniac like Fontaine, but Suchong manages to make himself just as bad as them via his most obvious character trait: he couldn't care less about anyone but himself.
This is why it took so long for the imprinting of the Big Daddies and Little Sisters to form - he couldn't recognise that, while trying to replicate the Songbird's imprinting onto Elizabeth, it wasn't due to pheromones or hypnotherapy, but it was genuine love and loyalty... something so completely foreign to him. 'Mistaking An Ounce of Emotion for a Pound of Science' as Elizabeth herself puts it.
Mad Scientist: Back when Rapture was at its zenith, he was tied with Tenebaum in this regard. Moreso after she went and pulled a Heel-Face Turn.
Morally Ambiguous Doctorate: Dr. Yi Suchong's "Free" Clinic. Fittingly for Rapture, the clinic was created more as a business venture than as a genuine act of charity.
The Stoic: Again, in BioShock: Rapture, he seems to be the least perturbed character in the book, managing to maintain an attitude of amused indifference to the insanity around him.
In Burial at Sea, he manages to lie to Booker, despite being interrogated for 15 hours.
Tested On Humans: Many of the working-class citizens of Apollo Square who could not afford Steinman's astronomical bills came to the clinic seeking aid. Suchong used the Free Clinic as a place to further his experiments by using his patients as test subjects. The Doctor is in...
War for Fun and Profit: He welcomes the civil war as an opportunity to advance his Plasmid research. This is why he aids both Fontaine and Ryan, and criticizes both in his audio logs.
Although he drops it sometimes in his more personal audio diaries (such as "Plasmids are the Paint"), so this may be a case of Obfuscating Stupidity.
Professor Julie Langford
Professor Julie Langford
Voiced by: Susanne Blakeslee
A renowned botanist who was recruited by Andrew Ryan to build an undersea forest that would provide oxygen to Rapture. She eagerly accepted, and built the massive garden called Arcadia. She was angered by Ryan's increasing control over the garden as he began charging people to see and for the oxygen it provided, but continued working for him in order to continue her experiments with ADAM and plant life.
The Atoner: Her reason for working on the Lazarus Vector in the first place—she feels bad about all the ecological destruction she unleashed during WWII to flush out Japanese camps in the jungles.
Badass Bookworm: While we never see her in action, she's one of the few non-spliced denizens of Rapture that you encounter. Either she doesn't venture far from the safety of her well-fortified home, or she knows her way around some firearms. Either way, she gets a few points.
Berserk Button: Those trees are the last thing in Rapture she cares about. Ryan killing them makes her turn against him.
Deadpan Snarker: In her Audio Diaries, she has this attitude toward the Saturnine cult.
Dying Clue: 9457You get it after Ryan gasses her lab, and she writes it out on the fogged-up glass of the observation window.
For Science!: She doesn't really care what happens to the rest of Rapture so long as she can continue her experiments. Her zeal is so strong, she became trapped in Arcadia during the lockdown, refusing to leave her office when she was close to a breakthrough.
Only in It for the Money: She balked at Ryan privatizing the Arcadia gardens, and was in the middle of a tirade when she remembered who signs her checks.
"The only thing worse than a hypocrite is an unemployed one."
Parental Abandonment: According to her second-to-last audio diary, she has a daughter. One whom, given what else we know about her, she probably hasn't seen in years.
You Have Outlived Your Usefulness: Ryan gasses her office after she decides to help Jack restore Arcadia with the Lazarus Vector. The specific reason is that her contract made all her intellectual discoveries Ryan's property, and by trying to give it to Jack she was betraying him.
"I thought Andrew Ryan was a great man. I was a fool."
Andrew Ryan's mistress, she was fanatically loyal to him and his views, and was kept secluded from the plight of many of Rapture's citizens. After she was injured in the New Years Eve Riots and maimed by Dr. Steinman, Ryan replaced her as his mistress. She grew disillusioned with him and joined Atlas' rebels.
Break the Cutie: Things went badly for her during that fateful New Years party, and it only got worse from there...
I Was Quite a Looker: Before her injuries and Dr. Steinman's "treatment". ("He's taken a personal interest in my case!") She went from Ryan's girl to being unable to get a date.
No Celebrities Were Harmed: Diane's Audio Diary portrait is based on the mugshot of Tanya Williams, a woman working at the Melody Lane club in San Francisco, arrested in 1942 for "indecent entertainment."
Non-Idle Rich: Like many in Ryan's camp, Diane was radicalized when she explored outside the bubble of Olympus Heights and saw what was happening to the lower classes.
Shoot the Shaggy Dog After personally participating in a few raids, she was eventually introduced to Atlas himself. Her corpse can be found atop a desk in Atlas' hideout Fontaine suspected she might have overheard him speaking in his real voice.
The novel confirms she did overhear him, after which Fontaine guts her like a fish.
Took a Level in Badass: After joining Atlas' rebels. She even managed to take out a few Big Daddies on her own, something she gushes about in her last diary.
"I told Mr. Ryan when we were building this place; either you build her like a bathtub, or she's gonna turn into a sewer. "No, McDonagh," he said, "we're not gonna build no bathtub... we're gonna build Eden."
A general contractor who was friends with Andrew Ryan and was recruited to help maintain Rapture, he was also a member of the Rapture City Council. He attempted to moderate Ryan's polices, but as Ryan lost control of the city due to Fontaine's actions and Atlas' rebellion, McDonagh resigned his position and attempted to kill Ryan. He failed and tried to flee the city with his wife and daughter. They escaped, but McDonagh was captured and executed by Ryan.
Almighty Janitor: Quite possibly the most sensible person on Rapture's council. Too bad Ryan ignored virtually all of his advice, even on the bleedin' plumbing.
Ignored Expert: His first Audio Diary is a message explaining to Steinman that if pipes in Rapture aren't heated, the cold ocean water will make them freeze and burst. The diary is found near an area that's frozen.
Nice Guy: Especially noticeable in BioShock: Rapture, where he's one of the most genuinely moral of Rapture's citizens and the closest the book has to a main hero.
Only Sane Man: Among Ryan's advisers, although he eventually stopped listening to McDonagh.
Posthumous Character: The player can find his body displayed alongside several others in the entrance hall to Ryan's building.
Slobs Versus Snobs: Considering the hacks and morons he had to work with on the Council, it's amazing McDonagh tolerated it for as long as he did.
Take This Job And Shove It: After Fontaine was killed in a shootout with Ryan's men, McDonagh implored Ryan to leave Fontaine's assets alone, and not "put it in the pockets of us, who put him into the ground." However, Ryan got greedy and nationalized Fontaine Futuristics, contradicting all of his big talk about "free enterprise." McDonagh resigned his position on the city council in protest, knowing Ryan had just doomed Rapture.
True Craftsman: He first met Ryan while he was installing the bathroom plumbing in Ryan's posh Manhattan suite. Ryan balked at McDonagh using brass fixtures instead of the cheaper tin ones that were ordered, and McDonagh replied that he would pick up the extra cost of the fixtures, as a point of personal pride that none of his work had ever leaked. This impressed Ryan, and is what caused them to become friends in the first place.
"The next day I finds out... I'm Ryan's new general contractor!"
Unfazed Everyman: For all the crap that happens in Rapture, McDonagh does a damn fine job of hanging onto his sanity; even as everyone around him loses theirs.
We Used to Be Friends: As the situation in Rapture worsened, McDonagh realized the only way to save his beloved city was to kill his benefactor, Andrew Ryan. Ultimately, he was unsuccessful; his body was impaled on a pillar outside of Ryan's office.
"Hanging now, is it? That's what we've come to? Now look, I don't make the laws here, I just enforce them. But I didn't come to Rapture to string men up for running contraband. If Ryan and his crew have their law, then they can have my badge!"
Rapture's head of security, he quickly became disgusted by Andrew Ryan's policies as he cracked down on dissenters. He resigned after murdering Anna Culpepper on Ryan's orders after she offended him and Sander Cohen, and eventually committed suicide.
Ate His Gun: He is probably the corpse in the Upper Wharf of Neptune's Bounty, since the corpse is wearing a full police uniform and is holding one of his diaries.
Badass Mustache: If the mug-shot on his Audio Diaries is anything to go by.
Brooklyn Rage: Sullivan is a New York native who worked "the meatball beat" in Little Italy. Hilariously, none of his RICO experience prepared him for the likes of Sander Cohen.
Dead Man Writing: In his suicide note, Sullivan left behind an incriminating security tape of Ryan's lover. This put Ryan on the trail of his illegitimate son, making Sullivan inadvertently responsible for Jasmine Jolene's murder.
Dirty Business: In addition to his usual duties, he also took care of Ryan's dirty laundry, though he sometimes questioned his employer's ethics.
The Ghost: He's never explicitly located in Bioshock in the flesh. Some say his corpse is the one containing one of his diaries in Neptune's Bounty, but it's still a bit inconclusive.
Just Following Orders: After eliminating Fontaine in a fiery shootout, Sullivan was assigned another case: Anna Culpepper, a composer who earned Sander Cohen's ire for dubbing him "Ryan's Songbird." Cohen exploited his connections to have Culpepper named Public Enemy No. 1, which Sullivan deeply resented.
My Greatest Failure: He killed Anna Culpepper in her apartment at Olympus Heights while she was preparing a bath. Disgusted with what he did, he took a half-finished knitted blanket from Culpepper's flat to remind himself of the deed.
Punch Clock Villain: In the beginning, Sullivan was put in charge of stopping Fontaine's racket. It came as a rude surprise when he found himself acting as Ryan's goon squad.
"Cohen's not a musician. He's Ryan's stable boy. Ryan's corrupt policies crap all over the place, and Cohen flutters around clearing it up. But instead of using a shovel, like you would with a proper mule, Cohen tidies with a catchy melody and a clever turn of phrase. But no matter how nicely it sounds, he can't really do anything about the smell..."
A popular musician in Rapture, who got on the bad side of Sander Cohen, and by extension Andrew Ryan, who has her murdered.