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Yes, that's really Mickey Rooney under the buck teeth and Hirohito glasses.
Yellowface is the practice in cinema, theatre and television where East Asian characters are portrayed by actors of other races while wearing make-up to give them the appearance of an East Asian person, often including epicanthic folds (the skin fold in the inner corner of the eye, a common East Asian feature). In more racist applications, the make-up is stylized with various stereotypical traits.
Sometimes it is used simply out of a reluctance to cast genuine Asian actors. A prominent example was Anna May Wong being passed over for the lead female role of O-Lan in The Good Earth
in favour of white actress Luise Rainer. The excuse given was that The Hays Code
would have prohibited the film from showing Wong kissing her leading man as "miscegenation", because he was the white actor Paul Muni, despite their both playing Chinese characters.
Yellowface has often been used simply to facilitate comically insulting representations of East Asians, though, unlike blackface
, it has never been associated with a particular artistic tradition. It also never gained the same stigma associated with blackface, and still remains far more acceptable in Western media, as demonstrated, for example, by its use in the film adaption of Cloud Atlas
See also Brownface
. Interchangeable Asian Cultures
is a related trope in which works play fast and loose with Asian cultures and ethnicities.
Tropes associated with Yellowface:
- Ability over Appearance: A common justification used by filmmakers to cast famous non-Asian actors as Asian characters.
- But Not Too Foreign / Fake Mixed Race: Sometimes, the writers will make an Asian character half white so that a white actor can be cast.
- Fake Nationality: Yellowface is a subtrope of Fake Nationality in which the actor uses make-up to appear East Asian.
- Modern Minstrelsy: Particularly stereotypical uses of yellowface were almost always performed with the intention of mocking the character.
- Older Than They Think: The tradition of yellowface dates at least to the 18th century in theatre, and appeared in cinema from the earliest days of silent film.
- Race Lift: Changing an Asian character into a white one. This could be considered the modern-day alternative to yellowface as both practices come from a reluctance to cast Asian actors.
- Values Dissonance: Yellowface was once considered completely routine, but nowadays is somewhat less so.
Works in which yellowface appears:
- 55 Days at Peking: Every Chinese character with any lines in this 1963 film is played by a white actor. A large number of East Asian extras were hired of course, to provide the mooks for the white heroes to mow down.
- Reilly Ace Of Spies: The Chinese police inspector that Reilly matches wits with in Port Arthur is played by David Suchet. Suchet is of South African and Lithuanian-Jewish descent.
- Breakfast at Tiffany's: Mickey Rooney's role as the buck-toothed stereotype-Japanese Mr. Yunioshi is notorious.
- The Bruce Lee biopic Dragon: The Bruce Lee Story features Bruce and his girlfriend Linda going to see Breakfast at Tiffany's in a theater but leaving early when Linda realizes that Bruce is insulted by the Yunioshi character.
- Broken Blossoms: In D.W. Griffith's 1919 silent film, the depiction of Chen Huan the Chinese missionary was played by Richard Barthelmess, a white actor, though the portrayal is positive, especially for the time.
- Pretty much every version of Fu Manchu has been played by a white guy.
- Charlie Chan: In nearly all film adaptions of the novels, the Chinese-American detective is played by a white actor in yellowface.
- Murder by Death features Sidney Wang, a parody of Charlie Chan. Naturally, he's played in yellowface as well, this time by Peter Sellers.
- Dragon Seed: Katharine Hepburn and Agnes Moorehead portrayed Chinese characters in this 1944 film.
- The Good Earth: A 1937 film adaption of Pearl Buck's bestselling novel. A story set in China, with all the characters Chinese, but the leading roles were all given to white actors. The only role offered to an East Asian actress, Anna May Wong, was as the villain, but she turned it down, saying, "You're asking me — with Chinese blood — to do the only unsympathetic role in the picture featuring an all-American cast portraying Chinese characters."
- The Hatchet Man: A 1932 film about Wong Low Get, a "hatchet man" working for a tong. All the main characters are Asian but they are all played by white actors.
- The Teahouse of the August Moon: In the film adaptation, Marlon Brando plays Sakini, a native Okinawan working as an interpreter for the American occupiers. The Yellowface is at least lessened here by Brando's charismatic performance and the fact that Sakini is the smartest character in the story and not an embarrassing stereotype.
- Kung Fu: In this television series, David Carradine was Kwai Chang Caine and the character was made half-white. While the character of Caine was a sympathetic one, Carradine's casting gained notoriety because they passed over Bruce Lee, who had aided in creating the show with the sole purpose of starring in it.
- Carradine plays a comically yellowfaced Poon Dong in Crank High Voltage. The character seems to be intentionally offensive.
- The Year Of Living Dangerously: Linda Hunt portrayed male Chinese-Australian photographer Billy Kwan. Hunt earned quite a lot of praise for her fine performance and was awarded an Academy Award for Best Supporting Actress in 1984. She is the only person ever to have gained an Oscar for playing someone of the opposite gender.
- 7 Faces of Dr. Lao: Lao is played by Tony Randall. Of course, as hinted by the title, Lao is a 7,000 year old wizard who can appear in whatever form he wants.
- The Adventures Of Marco Polo starring Gary Cooper as the title character who travels to China had no actual Asian actors in the cast.
- Miss Saigon: In the original West End (London) run of this musical, The Engineer was played by white actor Jonathan Pryce. The casting garnered controversy, but it didn't stop Pryce from winning a Tony Award for his performance. As pointed out by Pryce's defenders, the character is half European. Thuy was also played by a Caucasian performer in yellowface and in ways this is worse given that Thuy is the designated villain and in the original production with its original lyrics was considerably less sympathetic. Both of these roles are now generally played by Asian performers in English-speaking professional productions.
- The Golden Child features Charlotte Lewis as an East Asian character, though her character is heroic. Other Asian characters are played by Victor Wong, Shakti Chen, etc.
- In The King of Fighters live-action movie the Japanese protagonist Kyo Kusanagi is played by the Caucasian Sean Faris, despite the character having an Asian father, and being shown as an Asian child in a flashback scene.
- I Now Pronounce You Chuck and Larry has Rob Schneider playing an Asian minister. Schneider is partially of Asian descent already, being one quarter Filipino, but for his performance, Schneider donned makeup to make himself look distinctly Asian, complete with a bigger, wider nose, slanted eyelids, and a darker skin color.
- The film Anna and the King of Siam features white actor Rex Harrison as Siamese (Thai) King Mongkut.
- The Doctor Who serial The Talons of Weng Chiang has a white man in yellowface playing a Chinese magician in a Yellow Peril plot. Though the yellowface has made networks reluctant to rerun the serial, especially in America, its story is still highly regarded amongst fans - it possesses some anti-racist content as well. The same can be said about other early Doctor Who serials in Asian settings, such as Marco Polo.
- Silent film Tell It To the Marines, starring Lon Chaney, Sr., has a white woman playing the local Asian hottie/source of trouble. It's really obvious in a scene with several extras playing the locals: the camera pans from ethnic guy to ethnic guy to ethnic guy...to this woman who stands out as obviously a Caucasian in makeup.
- Get Smart had the villain "The Craw", played by Leonard Strong, and Harry Hoo (Joey Forman), a Charlie Chan expy.
- In the biopic Genghis Khan, the Chinese characters are played by white actors in yellowface, including a painfully bad performance from James Mason as a Chinese court minister. The actors playing Mongols, however, are white actors with their appearance unaltered.
- The titular character of Dr. No is half-German and half-Chinese. He is played by a white Jewish actor. In fact, in this movie, every Asian character with a substantial role is played by a white actor in yellowface. Unfortunately, this makes it blatantly obvious from the moment we see her that Miss Taro is The Mole.
- Gilbert and Sullivan's The Mikado is theoretically set in Japan and preformed by British actors in make-up, but the purpose is actually to lampoon Britain. There were fears that visiting Japanese officials would be offended by the musical, but they enjoyed the performance and wryly commented on being "pleasingly disappointed" to find nothing offensive. Productions of the musical toured Japan with integrated casts and there was even a recent production that translated the lyrics into Japanese.
- Love Is a Many-Splendored Thing Made in 1955 with William Holden as the leading man, and Jennifer Jones in yellowface as Dr. Han Suyin. Nowadays the film is a case-study in the difficulty Hays Code Hollywood had in depicting interracial relationships.
- In the Short Circuit films, white actor Fisher Stevens has his face darkened to play stereotypical Indian Ben Jabituya.
- The music video for Princess of China, a single by Rihanna and Coldplay, has them in a Far East setting inspired by Chinese wuxia films, yet has Chris Martin (white) and Rihanna (Afro-Caribbean) playing the (East Asian) main characters in this "film". Rihanna wore a long black wig and makeup to make her eyes more almond shaped, but Chris Martin did not.
- The film version of Cloud Atlas both plays the trope straight and inverts it: the story consists of six segments in different time periods, with actors playing multiple roles implied to be reincarnations of each other. One of the segments takes place in 22nd-century "Neo-Seoul", in which various non-Asian actors play Koreans (most prominently Jim Sturgess, James D'Arcy and Hugo Weaving, who are white). Inverted by Doona Bae (who is Korean) and Xun Zhou (who is Chinese) appearing as different nationalities in other segments.
- The shockfest Hanger had a Asian character with Down Syndrome portrayed by a Caucasian man in yellowface.
- Most of the Chinese villains (especially the prominent ones) in Battle Beneath the Earth are played by Caucasian actors◊.
- Ted Raimi plays a Chinese spirit (Complete with Asian Speekee Engrish) in My Name is Bruce.
- In a Saturday Night Live sketch, three technology gurus complain about the iPhone 5, before being confronted by three Chinese workers (all played by white actors, though without any noticeable visual distinction) who make the phones.
- Glenn in The Walking Dead: A Hardcore Parody. There were complaints, which only got louder when the creators and their supporters gave pretty weak excuses for why it wasn't so bad.
- The How I Met Your Mother episode "Slapsgiving 3: Slappointment in Slapmarra" featured Neil Patrick Harris, Josh Randor, Cobie Smulders, and Alyson Hannigan dressed up in Yellowface as an attempt at creating an Affectionate Parody of 70's kung-fu movies. The episode received massive backlash from the Asian-American community, leading to apologies from the show's creators. The fact that the show is a frequent target of allegations of Monochrome Casting probably didn't help matters.
- The film Remo Williams The Adventure Begins has the old Korean master Chiun played by Joel Grey in yellowface. Notably, the sheer amount of effort put into this earned the film an Academy Award nomination for Best Makeup, although it lost the award to Mask.
In-universe examples (The character is white but pretends to be Asian)
- In Robert A. Heinlein's novel Sixth Column, a white man gets plastic surgery to infiltrate the "PanAsian" occupiers. The novel is actually a version of John W. Campbell's All with the racism toned down. Heinlein considered Sixth Column an Old Shame that he wrote to garner the favor of the racist but influential Campbell.
- In Barry Eisler's John Rain series, the title character is a half-white, half-Japanese American who uses plastic surgery and hair dye to look fully Asian.
- In the Romance Novel Desire's Blossom, redheaded Caucasian heroine Letitia is captured by the Chinese as a little girl and made up to look Chinese by them. In the snarky words of reviewer Candy (who herself is Chinese):
Chinese Big-Wig Dude, instead of turning her over to the authorities, is all "Hey! I have a GREAT idea! Let's totally adopt [Letitia], only not really, and not only that, let's totally treat her like shit AND make her appear Chinese." Which involves renaming her to Lee-Lee, dyeing her hair black, powdering her face (because Chinese people are PALER than you round-eyed types, yeah?) and - I shit you not - binding her breasts once she hits puberty so she looks more flat-chested. Because her bodacious bazooms are not nearly Chinese enough.
- You Only Live Twice has an in-universe example, with James Bond under cover disguised as a Japanese man, accomplished by dyeing his skin and hair and altering his body language.
- Sherlock Holmes: A Game of Shadows has Robert Downey Jr. as Sherlock Holmes disguising himself as a 19th century Chinese man complete with queue and giant opium pipe.
- In one episode of Scooby-Doo, Where Are You!, Shaggy pretends to be Chinese, complete with queue, squinty eyes, and buck teeth.
- In The Three Stooges short "No Dough Boys", a wartime short, the stooges are dressed as Japanese soldiers for a photo shoot, and later stumble upon a hideout with Nazi spies and have to take on the identity of the Japanese spies they were expecting to meet with. Hilarity Ensues.
- In one MADtv sketch, an Asian guy takes his white girlfriend home to meet his parents. His parents are white (he's adopted) but pretend to be Asian to help him fit in with the family. They then get angry at him for dating a white girl.
- In BioShock, gangster Frank Fontaine claims he spent some time disguised as a Chinese man. However, this doesn't appear onscreen.
- One episode of The Lucy Show had Lucy in a black wig and "slant eye" glasses, babbling in mock Japanese as she creates her usual mayhem trying to distract her boss Mr. Mooney from something. Only Lucille Ball could get away with such a hopelessly racist if over the top performance.
- In It's Always Sunny in Philadelphia, Dee performs a comedy character who is an Asian woman while wearing eye makeup, a black wig and cartoonish buck teeth. The performance involves heavy use of Asian Speekee Engrish. Charlie calls it "incredibly racist."
- In The Simpsons Krusty does a stand up act in "The Last Temptation of Krust" that involves him wearing large fake buckteeth, squinting his eyes, and talking like a stereotypical Chinese person. The audience did not react well to it.
- In The Office (US) one of Michael Scott's characters is him in yellow face acting like a stereotypical Asian. He calls him "Ping" and most of his employees are offended by the character.
- Community had an episode where Pierce managed to simultaneously do this AND Black Face AND Brown Face with handpuppets, one being apparently a black Mexican and the other his Asian wife. The Dean referred to it as "harmless racial humor" as he pushed Pierce quickly offstage.
- Danger 5, an Affectionate Parody of secret agent TV shows. In "Kill-Men of the Rising Sun", all the Asian roles speaking roles are played by Australian actors in yellowface and speaking dubbed Japanese. This then becomes Leaning on the Fourth Wall as the Evil Plan involves Allied soldiers being brainwashed into becoming Japanese Super Soldiers, complete with yellowface and similarly dubbed voices.
- Master of the Flying Guillotine includes a cast of Hong Kong actors using makeup to portray a variety of martial artists from other nationalities, including Turkish and Indian fighters.
- The pilot episode of The Wild Wild West uses this along with a couple of other permutations of Fake Nationality. A Chinese character named Wing Fat (played by European-American actor Victor Buono in heavy makeup) works for the Mexican villain, Juan Manolo. Later, it is revealed that Wing Fat is Juan Manolo (or Wan Man Lo) and has been using a Mexican Decoy Leader. But as Manolo lies dying, it is revealed that he was wearing makeup in-universe and really was Mexican all along.
- In The Shadow Hero, a "Chinese" gangster taken prisoner and dragged off to the cops by the hero turns out to be a white man in Yellowface. Complicated by the fact that the gangster who the impersonator was acting as a public front man for genuinely was Chinese.
- There's a play by David Henry Hwang actually called Yellowface which deals with this trope: Hwang (a fictional character based on the author) accidentally casts a white actor in an Asian role in a play he's producing. Since Hwang himself is Chinese-American, this is particularly embarrassing, and he has the actor pretend to be Chinese to keep up appearances.
- The first novel in the The Shadow pulps, The Living Shadow, has the main bad guy, a white racketeer, dress in yellowface to fence stolen diamonds.
Real life examples
- Robert Fortune was a white Scottish man who disguised himself as a Chinese man to learn the secrets of Chinese tea. He explained his Scottish accent by claiming to be from a faraway province. As different regions of China have different accents and even different languages, this worked.
- In 1703, a white Frenchman named George Psalmanazar pretended to be from Formosa (Taiwan) and wrote a book about his "homeland." He spoke gibberish, ate strange foods, and followed several made-up customs. But the craziest part is that he didn't even change his appearance, claiming that upper-class Formosans sleep underground.
- An English servant named Mary Baker spent some time under the name Princess Caraboo and used her identity to be wined and dined by various dignitaries.
- Inverted by Fred Korematsu, a Japanese-American who got plastic surgery on his eyelids in the hope that he could pass for white and avoid anti-Japanese sentiment in World War II America.
- WWE superstar Lord Tensai is a weird half-and-half example. Most older fans recognize him at Matthew Bloom, who wrestled for a while as Albert/A-Train, but after leaving, he became very popular in Japanese promotions. They continually bring this up, and his gimmick involves wearing Japanese garb, with Japanese (fake) kanji tattoos on his face and a few real ones on the back of his head, and even having a manager dressed all in black almost like a kuroko. He also speaks Japanese (although his pronunciation is with an American accent.) It's still a little hazy whether or not they're trying to pretend he's actually Japanese. Considering they have an actual Japanese wrestler in Yoshi Tatsu who's nowhere near as stereotypical, it's just strange.
- They have since abandoned the gimmick, at least partially, due to it not getting over. He no longer has his manager/follower, no longer speaks Japanese. He now goes by just Tensai, he still have the face tattoos though, and they have paired him with Brodus Clay, and essentially making him a comedy character.
- William Ellsworth Robinson aka Chung Ling Soo, a white American stage magician who pretended to be Chinese. He dressed in Chinese clothing and never spoke English in public. He was ripping off an authentically Chinese magician who was popular at the time. He wouldn't drop the facade until he was accidentally shot on stage during a magic trick.
- Inverted, sort of, in Indiana in 1986. A high school student who was half Japanese, and spoke the language fluently, having gone to school there for three years, spoke Japanese dialogue as part of a skit in an Academic Bowl. The judges initially disqualified the team for what they assumed was a racial impersonation, with the student speaking gibberish.
- Small-time performer Alexis Fishman got into hot water for her alternate Facebook page Arexis Fongman.