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Film / Revenge of the Pink Panther

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Clouseau's out to solve his most dangerous and most personal case yet; his very own murder!

Clouseau: These are not normal times, Cato. Someone has just tried to kill me.
Cato: That’s normal.
Clouseau: Ah! But this time, that someone thinks he has succeeded. Except for you and me, the whole world believes that I am dead! In this case, death has its advantages. No one will know it is me, as I glide through the underworld like a shadow...
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Revenge of the Pink Panther (1978) is the sixth film in The Pink Panther franchise, once again directed by Blake Edwards and, for what would be the final time, starring Peter Sellers as the great Inspector Clouseau.

Mafioso Philippe Douvier's business partners suspect him of weak leadership, and put "the Gannet transaction", a fifty-million franc sale involving a yacht and forty kilos of heroin, on hold. Determined to prove that he is still powerful, Douvier holds an emergency meeting with his group, "the French Connection", to decide on what to do to grab the world’s attention. One of his men, Guy Algo, comes up with the perfect eye-opening plot:

Kill France's greatest detective, Chief Inspector Jacques Clouseau.

After a few failed attempts, Douvier’s men finally end Clouseau after he crashes his car into a tree… or so they think…

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While all of France (minus Dreyfus, of course) mourns over the loss of their greatest crime-solver, Clouseau himself decides to use his death to his advantage, and now, using a plethora of creative disguises provided to him by the great Professor Balls, it's now up to Clouseau, his little yellow tagalong, Cato, and Douvier's ex-lover, Simone, to stop Douvier and the French Connection.


This film provides examples of:

  • Actor Allusion: When Clouseau first goes into Professor Auguste Balls' costume shop and tests out his new Toulouse Letrec disguise, he states, "I can walk".
  • And There Was Much Rejoicing: Dreyfus is unsurprisingly overjoyed to learn of Clouseau's "death", even laughing while reading his funeral speech.
  • Arc Words: Clouseau's repeated use of "the old...ploy."
  • Assassin Outclassin': Clouseau has survived sixteen assassination attempts by the start of the movie. That actually sounds like they're undercounting, as they only counted two assassination attempts by Dreyfus, who has tried to kill him more than once in each of three different movies.
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  • But for Me, It Was Tuesday: Invoked when Cato points out that it’s normal for someone to try and kill Clouseau, and later by Clouseau when he assures Simone, who is shaking after her recent encounter with Douvier’s hired killers, that death loses its sting when a person has faced as many killers as he has; the only thing that makes this particular attempt on Clouseau’s life stand out is that the attempted murderer thought they’d succeeded.
  • The Caper: Clouseau attempts one worthy (in the planning, though not the execution, which he bungles in his usual manner) of Mission: Impossible to unravel the "Gannet Transaction". He arranges for Douvier's agent to think that he's the buyer so that he will take him to the Gannet, while Simone pretends to be Douvier's agent to the real buyer to buy time.
  • Cool Car: Clouseau has "The Silver Hornet" that is intended as this, but it's "overdue for its service" and only falls apart on him. The paint job is also spectacularly tacky.
  • Corpsing: In-Universe: At Clouseau's funeral, Dreyfus is forced to give the tribute. He can barely get through as his joyous laughter interrupts him, to the point where he begins Cry Laughing to cover up his laughter. All part of The "Fun" in "Funeral".
  • Cry Laughing: In-Universe: Dreyfus at Clouseau's funeral, to cover up his in-universe Corpsing.
  • Fainting: Dreyfus after Clouseau reveals that he's alive after all, and several times afterwards
  • Faking the Dead: Clouseau is thought to have been finally murdered. He goes undercover to capture or destroy the French mob.
  • The "Fun" in "Funeral": Clouseau's apparent death leads to a long sequence involving this (see trope entry).
  • House Squatting: Inspector Clouseau is declared dead in an assassination attempt (which actually killed the hijacker who had just stolen his car). Upon returning home the next day, he finds that his manservant Cato has taken over his apartment and turned it into a brothel.
  • Large Ham: Clouseau, full-stop. One notable example is when Clouseau is disguised as a Swedish fisherman, complete with a peg leg and faulty inflatable parrot. His mangling of the sea shanty "Dead Man's Chest" climaxes in a really hammy manner deviating from the true lyrics even more than the first three lines:
    Sixteen chests on a dead man's rum
    Yo-ho-ho in the bottle of the chest
    Drink to the devils and done for the rums
    (falls off the pier) HOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!
  • Match in a Bomb Shack: Played for Laughs in the climax, a chaotic shootout in a dark fireworks warehouse. All the characters run past the warning signs without reading them; the one man who shouts a warning is ignored; and Dreyfus sets off a chain reaction of fireworks when he flicks his lighter to see better. The shootout continues amid the explosions.
  • Mistaken for an Imposter: Clouseau gets his clothing and borrowed car stolen by a transvestite armed robber who just got paroled from prison and promptly returned to his life of crime. After the French Connection destroys the car, Clouseau (now wearing the robber's dress) tries to identify himself to some men in a patrol car, and they assume that he is the robber in question pretending to be the deceased Chief Inspector and arrest him.
  • No Matter How Much I Beg: The film confirms that Cato follows Clouseau's instructions about surprise attacks to the letter, much to Clouseau's frustration.
  • Non-Fatal Explosions: They're not just for cartoons anymore! And Revenge takes the charred-and-smoking reveal to a new level when Clouseau's state is enough to set paper on fire, and his attempt to put it out sets a whole office aflame in a case of Disaster Dominoes.
  • Not Helping Your Case: Early in the film, during one of Clouseau and Cato's duels:
    Landlord: (to some prospective tenants) It's a very substantial building, but we're doing a great deal to it. I'm sure when it's finished, you'll find it peaceful and delightful.
    (he opens the apartment door and a screaming Clouseau and Cato run out)
  • Opaque Nerd Glasses: Cato's disguise in Hong Kong includes this. He can't see a thing in them, and as a result becomes even more clumsy than his employer.
  • Special Effects Evolution: Compare the car bomb from A Shot in the Dark — which was realized by just shaking the camera and having someone shine an orange spotlight at Peter Sellers and Herbert Lom — with the much more impressive explosion that destroys Professor Balls' shop in this film, and it's clear that the studio was pouring a lot more money into the series by this point.
  • Stuff Blowing Up: The climax is a shootout taking place in a warehouse full of fireworks, with predictable results.
  • Unexplained Recovery: Despite being disintegrated by the end of the last film, Dreyfus is still alive in this one.
  • What Happened to the Mouse?: No mention is made of what happened to Dreyfus after he snaps and tries to kill Clouseau yet again. Or what the department does with two Chief Inspectors if he wasn't punished.
  • Woman Scorned: Douvier's plot starts to unravel because his wife demands he leave his mistress, and when Simone doesn't take it well, he orders a hit on her so that she can't spill the beans to the cops in revenge. Then Clouseau interrupts the assassination attempt by sheer chance, so she tells him about Douvier's link to the French Connection.

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