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"...it all sort of came together. Barry Letts became producer, I took over as script editor, Jon Pertwee became the Doctor, the show went into colour, and the whole thing clicked."
(Terrance Dicks, on how Doctor Who was turned around after he joined it)
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Terrance William Dicks (14 April 1935 – 29 August 2019) was, amid the myriad behind-the-scenes contributors to the Doctor Who franchise during its classic era, probably the closest thing the show had to a single public face. As script editor and writer on the original 1963-89 run of the television series, noveliser of many, many of the stories and author of further Spin-Off novels, and a latter-day all-round benign 'godfather' to and commentator upon the franchise, he contributed more to the series and was involved with it for a longer period of time than anyone, ever.

A hugely prolific writer, the vast number of popular and accessible novelisations that he produced of the TV adventures (especially during an era when these were often the only significant means of reliving the past stories) mean he could be plausibly claimed to have introduced more British children, especially boys, to a love of reading than just about any other author to have ever lived. He became beloved of generations of Whovians to the extent he acquired the Fan Nickname 'Uncle Terry'.

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Dicks was first hired as assistant script editor on Doctor Who in 1968 through the recommendation of his friend and fellow writer Malcolm Hulke. He became full script editor in 1969. He and Barry Letts, the producer, had creative control of the show for all five seasons in which Jon Pertwee played the Third Doctor. The equally legendary Robert Holmes (a very different kind of writer though equally notable in Who terms) took over from him.

Although he was not credited as a writer on any of these stories, Dicks made heavy contributions to the scripts during his era and presided over (or at the very least allowed to happen) the creation of the core mythology of the Whoniverse. He co-created the Time Lords and their non-intervention policy, and the Doctor's archnemesis the Master. Even though UNIT did not originate with him (but did first appear in a story he script edited), he nurtured the concept along and presided over the promotion of the Brigadier from guest star to series regular.

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Outside his period as script editor, Terrance Dicks co-wrote the Second Doctor's concluding story The War Games with Malcolm Hulke. By himself, he wrote the Fourth Doctor's debut Robot and further adventures Horror of Fang Rock and State of Decay — plus an early version of The Brain of Morbius, but asked for his name to be removed from the story because of the extent to which the scripts were rewritten for budgetary reasons by his friend (and then-current Script Editor) Robert Holmes. Come the Fifth Doctor's era, he was the obvious go-to man to pen the 20th anniversary multi-Doctor special The Five Doctors.

His most visible contribution to the franchise, however, was his involvement with the Doctor Who Novelisations for Target Books from 1973 to the end of the original TV show. He personally wrote over sixty of the novelisations and acted as an unofficial head writer and administrator for the series.

During the "Wilderness Years" following the television show's cancellation in 1989, Dicks wrote thirteen original novels across the various prose sections of the Doctor Who Expanded Universe. Among the most significant were the second Doctor Who New Adventures novel Timewyrm: Exodus, and the first Eighth Doctor Adventures novel The Eight Doctors.

Other oddments in the Who franchise include the stage plays Doctor Who and Daleks in the Seven Keys to Doomsday and The Ultimate Adventure, and their audio adaptations, the novelisation of Invasion of the Bane (the inaugural episode of The Sarah Jane Adventures), and, with Malcolm Hulke, the first-ever Doctor Who nonfiction book, The Making of Doctor Who, as well as a few other nonfiction Who works. He also recorded many, many DVD Commentaries and documentary appearances.

Old-school fans still often demanded that he be invited to write a TV story again for the revived 21st-century series. Dicks would eventually go on to contribute to the modern show with Revenge of the Judoon, a "quick read" novel aimed at a younger age range.

Outside his work for Doctor Who, he wrote well over a hundred original books for children, mainly in the crime, adventure, and Funny Animal genres.

After leaving Doctor Who, Dicks and Letts created an extremely grim hard science fiction BBC show, Moonbase 3. The series did not last long. He then worked on many adaptations of classic novels and other literature for the Beeb. His early pre-Who TV work included episodes of The Avengers and Crossroads.

Dicks was still appearing at Doctor Who conventions and on DVD Commentary into his 80s. He passed away on the 29th of August 2019 at the age of 84, to the sorrow of his many fans and work colleagues from throughout his long and storied career, receiving a cavalcade of tributes from writers and producers who had been associated with and inspired by Who of all eras.

Known For:

  • Alan Smithee: He took his name off "The Brain of Morbius" because the final script bore very little comparison to his original version. When Bob Holmes asked him what pen name he wanted he suggested, "some bland pseudonym". The story was credited to Robin Bland, which Terry found hilarious.
  • Author Appeal: In his Expanded Universe work — continuity, vampires, World War 2 (and especially Winston Churchill), continuity, Prohibition-era Chicago gangsters and continuity..
  • Author Catchphrase: He has many, commonly subject to Affectionate Parody:
    • "The mysterious traveller in time and space known only as the Doctor...", "A wheezing, groaning sound" (as a descriptor of the TARDIS sound effect), as well as stock descriptions of individual Doctors. (He did not, however, come up with the equally famous and much-referenced chapter title "Escape To Danger", which first appears as Part 3 of "The Web Planet" by Bill Strutton.)
    • Perhaps the most notorious of his stock Doctor descriptions is Peter Davison's Fifth Doctor's "pleasant open face" — which The Complete(ly Useless) Doctor Who Encyclopedia considers a disturbing disfigurement that thankfully wasn't present on screen.
    • He also had stock descriptions for each recurring alien menace. The Ice Warriors, for instance, were "a once proud race".
    • One novelization had "hum of power" appear three times in two pages. That phrase, and "bench packed with complex electronic equipment" appeared so often that he must have been taking them off the scripts.
  • Beige Prose: In the Target novelisations.
  • Creator Thumbprint: "A wheezing and groaning sound..." "The mysterious traveller in time and space known only as the Doctor..." "Capacious pockets..." ""A pleasant, open face" to describe the Fifth Doctor. Etc., etc. So ubiquitous that SFX magazine sponsored a "Write Like Terrance Dicks" competition in order to come up with a comparable description for the Matt Smith version — with Dicks as judge.
    • See also this page, which lets you write like Dicks with just a few die rolls.
  • Darker and Edgier: With the arrival of the Doctor Who New Adventures, series, he adjusted his style accordingly.
  • Elmuh Fudd Syndwome: He had a faint speech impediment, hence his fan nickname of "Cuddly Uncle Tewwy"
  • Fleeting Demographic Rule: Known for his rule that, in an age before home video or frequent multi-channel repeats, no story should expect the audience to remember another story that happened more than three years previously.
  • I Have You Now, My Pretty: His works in the Doctor Who Expanded Universe (the later ones particularly) began to see a lot of scenes wherein the main female characters would be threatened with rape by the bad guys.
  • Kid Detective: The Baker Street Irregulars series, about a teenage Sherlock Holmes fan who with the aid of his friends solve crimes.
  • Lighter and Softer: His Doctor Who novelizations (arguably intended for a younger audience than the show) tended to downplay the darker and more adult moments. He also made a few "junior" novelisations which took this further.
  • Mis-blamed: After he had Gatherer Hade's murderers regret their actions in the novelisation of The Sun Makers (which they most certainly did not on TV), some fans assumed that a similar scene in the non-Dicks novelisation of Castrovalva, where the evil Time Lord, the Master, only stuns rather than kills some innocent humans, was also written by Dicks as it seemed like something he would do.
  • Money, Dear Boy: One of the world's most shamelessly charming public practitioners.
  • Self-Plagiarism: When writing for the novel ranges, he tended to recycle stories he wrote for the TV series. In one case (the novel World Game) he literally cuts and pastes large sections from a previous novel.
  • Stay in the Kitchen: On record as saying that feminism in the 70s was something the show had to deal with "much to [his] disgust" and that he believed the woman's job on the show was to look pretty and get rescued by The Doctor.
  • Those Two Guys: Fans tend to see him and Barry Letts as this. He himself considered Letts to have been his best friend.
  • Verbal Tic: In interviews, he often ends a sentence with "you see".
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