"The kids in the audience were stunned. There was almost complete silence. The movie had stopped being delightfully scary about halfway through, and had become unexpectedly terrifying."
Say you're watching that new thriller that everyone's been talking about. You've heard nothing but praise for its uncompromising brutality, Emotional Torque
, and ability to mess with the audience, but so far nothing you've seen gives even a remote indication of why...
You've just been hit with the Gut Punch: the single moment when a work makes it abundantly clear that the gloves are off. This is where you figure out that playtime is over: Plot Armor
has been switched off, the hero won't be getting up from that No-Holds-Barred Beatdown
anytime soon, Anyone Can Die
, and the bad guy winning
has become a very real possibility. Maybe things go From Bad to Worse
, maybe the story was always that dark and just forgot to tell the audience
. Either way, this is a clear indication that the creator has decided to get dangerous.
This is not
simply about shocking events, though a Gut Punch is a good way to lead up to
a Wham Episode
. This is about a single moment that instantly and clearly establishes that the tone of the work as a whole is fundamentally darker than what the audience has been led to expect. If there's a particularly dark moment in a show that then reverts to being somewhat lighter, it's not this. This also isn't a subjective trope. This is about the one moment where the entire tone of the story shifts Darker and Edgier
Sub Trope of From Bad to Worse
, Cerebus Syndrome
, Darker and Edgier
, and Mood Whiplash
. Super Trope to Sacrificial Lion
, Surprise Creepy
, Kill the Cutie
, Decoy Protagonist
, and especially Wake-Up Call Boss
. The Knight of Cerebus
, Tragic Monster
, and the Hero Killer
are three characters extremely likely to cause one of these. Sometimes related to Player Punch
This trope may contain unmarked spoilers. You have been warned.
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Anime & Manga
- Legato's introduction in Trigun pulls this off in a single frame. It's a bright and sunny day, the kids are playing with Vash. Then out of nowhere, Legato. He killed and ate the friendly shopkeeper Vash was just speaking to, and feels it would be a downright shame if the little girl Vash just bought an ice cream for would have to be next. The entire scene is completely horrific, but what cements it as this is the opening shot of the usually lighthearted and goofy Vash looking legitimately terrified for the first time in the series that clearly indicates exactly how bad things are about to get.
Legato: ''If I'd felt like it, all the people within a 50 meter range, in 0.2 seconds, would all be dead... In the next ten minutes, you'll learn the true meaning of hell."
- It's also implied (and stated in the manga) that the hot dog he gave the little girl was made from the remains of the aforementioned shopkeeper. Yikes.
- Gantz was already a pretty dark series, but it still manages to give us this somewhere around the end of volume 9 with the death of the entire team except for Kurono. The fact that Kurono takes a level in badass afterwards does nothing to mitigate the new knowledge that Plot Armor has ceased to exist.
- Kamina's brutal death in Tengen Toppa Gurren Lagann was not only a legendary Tear Jerker, but the event that changed the series from a fun, colorful, lighthearted adventure romp to an epic war story on a massive scale. The fan reaction to this event is polarizing to this day, and the show aired more than half a decade ago.
- The Mazinger series:
- Mazinger Z: The last third of the anime series was getting increasingly darker due to the new enemies: Professor Morimori was murdered, Aphrodite A was definitely destroyed -which, believe it or not, was a great deal and Sayaka got an Heroic BSOD cause it-, Kouji and Shiro's mother returned only to be revealed she was an imposter -poor Shiro was forced to shoot her in spite of he was not sure of she was not his real mother-... and then you have the final episode: the heroes have triumphed over Dr. Hell and return to his Home Base... only to find out one of the Co-Dragons was secretely working for a Bigger Bad. Two unknown Robeasts appear, easily destroy the Institute, Diana-A and Boss Borot, and when Kouji goes to fight them, they easily and mercilessly trash the erstwhile apparently invincible Mazinger-Z.
- This episode was better developed in theMazinger-Z vs Great General of Darkness feature. Several Mykene War Beasts laid waste to New York, Moscow, London and Paris in one single day before heading towards Tokyo. Kouji sortied to fight them and was completely trounced as they burnt Tokyo to ashes. Meanwhile back in the Institute another War Beast strikes, bringing down the place. Shiro gets badly wounded when a ceiling crumbles down on him, and falls into a coma. At the next morning, another squad of War Beasts attacks, and Kouji deploys Mazinger-Z in spite of he is badly injured and weakened and his robot is unrepaired and power-depleted. He gets outnumbered and is being easily defeated. However, Boss manages to destroy one of the Beasts out of sheer luck, and the cast breathes relieved for a second... before the Beasts easily get rid of Boss and return to trash around a helpless, powerless Kouji.
- Great Mazinger: In the Gosaku Ota manga the punches started when the Mykene blew up a coast city after Great Marshall of Darkness replaced the former deceased Dragon-in-Chief. In a few episodes the Japanese army threw an attack against the heroes and their Home Base, Prof. Kabuto went through a Despair Event Horizon, the Fortress of the Science got destroyed, forcing the heroes to run away and lie low, the Mykene burnt Tokyo to ashes, conquered Japan and crafted a Kill Sat, obliterating whole cities. Then you have the Final Battle. The heroes were busy building a new Home Base when the Mykene army launch an attack. Misato gets sliced in half in front of Tetsuya as he is unable to do anything, Mazinger-Z and Great Mazinger are trashed, Prof. Kabuto dies to save Tetsuya, and in reaction Tetsuya, realizing it was his blame commits a Taking You with Me Heroic Sacrifice. The Final Battle in the anime version was not quite so brutal, but in exchange you had a scene where Prof. Kabuto dies in arms of his son Kouji.
- UFO Robo Grendizer: In the Ota chapters both sides loses the war. The Vegan invaders are destroyed, but Duke, Maria and Sayaka die and The End of the World as We Know It happens. Only Kouji and Hikaru are left alive. It was lucky Grendizer was the last series in the original saga, because you get to wonder how the creators could have gone one.
- Shin Mazinger Zero: This series is Mazinger Z orginal manga -that was pretty darker than the series and posterior Super Robot shows- Meets Neon Genesis Evangelion. So, what you have when you blend an Unbuilt Trope with a Deconstruction? In the first arc, Kouji and Sayaka go to meet Kouji's grandfather. Hey, that is Kouji's father! Scratch that, it is Kouji's father head! Dr. Kabuto has turned mad(der) and has beheaded his own son? And now he is trying to offing his grandson? He has just raped and murdered Sayaka impaling her with a dozen of metal rods? And Kouji has killed him in turn, losing one arm? And now Mazinger has absorbed Kouji? Wait, that is not a "normal" Humongous Mecha, that is a Eldritch Abomination... that has just destroyed the world. Then again, it had been completely overrun by Dr. Hell's armies, so there were little left to save. Let's reiterate this is the first arc.
- Neon Genesis Evangelion:
- Fullmetal Alchemist:
- The Fate Worse Than Death of Nina Tucker followed some relatively lighthearted introductory chapters and served as a wake-up-call for both the audience and the main characters.
- The death of Maes Hughes kicked off the main plot in earnest, killed off one of the series's most beloved comic relief characters, and served as the Establishing Character Moment for its most sadistic villain.
- The (first) Wham Episode of Puella Magi Madoka Magica where Mami, the Cool Big Sis of the crew, gets killed by a witch. This is shocking to the audience not just because it happens so early in the series, or because it completely subverts our expectations about Plot Armor in the Magical Girl genre, or because her appearance in the opening suggests she'll live at least long enough for Madoka to fight alongside her, but because for the first 80 seconds of the battle, Mami seemed to be doing really well, and then, within the space of 10 seconds, the witch revealed its true form and bit her head off.
- Death Note: The death of Raye Pember cements the story as a Protagonist Journey to Villain, as it's the moment when Light's mindset begins to visibly shift from "I will become the god of this new world" to "I will become the god of this new world."
- Chirinno Suzu has the scene where a wolf kills a lamb's mother, establishing that this is not just a cutesy little cartoon about sheep.
- The original Dragon Ball started out as a light-hearted, comedy series about Goku and his misadventures with his friends. Then Krillin was murdered at the end of the 22nd World Martial Arts Tournament, changing the tone of the series forever. And at the start of Dragon Ball Z, Goku is killed making a heroic sacrifice to stop his brother from killing his son. Then, most of the original cast is killed in the battle against the Saiyans. The Dragon Balls are also lost because Kami died, meaning no one can be revived until much later when another set of Dragon Balls is found elsewhere in the galaxy.
- Given that Berserk starts In Medias Res and a big chunk of the story, a twelve volume long prologue, shows us how everything came to be in first arc, which showed Guts as a dark, brooding and ruthless warrior on the brink of madness due to his obsessive revenge against Griffith, we thought that the flashback would be self-explanatory once we got to that point... Until we found out just how much everything went horribly wrong once the Eclipse went down, which involved a former good guy making an epic Face-Heel Turn and becoming a godlike demon lord, damn near the entire cast of likable characters dying horrific deaths, the sole female protagonist being brutally raped to insanity by said former good guy, and the main man who tried so desperately to save his friends and lover failing to do so, losing an eye and an arm in the process. Wow.
- Bleach: The Thousand-Year Blood-War Arc emphatically changes the darkness and tone of the story when the Vandenreich invades Soul Society. The initial salvo destroys half the 200-strong First Division, including the Lieutenant, in 3 minutes, leading into an invasion that ignores many of the shounen battle rituals: Captain-class quincies mow down the Red Shirts instead of confronting the captains, ambush captains and lieutenants instead of following introduction rituals, and instantly steal the Bankai of four captains. In just over 7 minutes, the 6,000 strong Gotei 13 suffers just under 2,500 casualties, including some of the story's major players: Kira, Byakuya, Renji, Rukia and Kenpachi are utterly trashed, Kyouraku is maimed for life, and Yamamoto is completely obliterated. From there, the story becomes darker, more sadistic and more traumatic for characters. This mood also sets up the arc's mini flashback storyline which is not the fandom-expected funny, ditzy Meet Cute tale of Isshin and Masaki's first meeting, instead being a tragic tale of how Aizen's hollowfication experiments accidentally ruin Ryuuken Ishida's life.
- Blood+ has Diva's rape and murder of Riku in an episode benignly titled "Boy Meets Girl". The rape/murder of a child is bad enough, but most works that include such a thing will have it happen to a random Victim of the Week, not a member of the main cast whom viewers have come to know and care about from the very beginning. Made even worse by the fact that Riku had been saved from the brink of death only a few episodes earlier. This event traumatized both the audience and the heroes, causing Saya and David to each have a Heroic BSOD, and forcing Kai to grow up. The show was by no means fluffy, light-hearted fare beforehand, but it took a distinctly darker tone from this point onward.
- One Piece had the deaths of Portgas D. "Fire Fist" Ace and Edward "Whitebeard" Newgate in the climax of the Paramount War. Up until then, One Piece got saddled with the term "Nobody dies in One Piece".note It has the added bonus of a literal gut punch, in the case of the former.
- Mai-HiME has the loss of Akane's child, and the resulting death of her boyfriend Kazuya, showcasing what is at stake for the Himes.
- In the Wham Episode of Mai-Otome, the turning point in Arika and Nina's characterization is the death of their mutual friend Erstin at Nina's hands, not long after she had been revealed as The Mole.
- City Hunter features them periodically to remember the reader that it may be a comedic series but the protagonist is still a wanted criminal that the police leaves alone only because he always goes after much worse criminals and tries to limit the body count.
- Psycho-Pass was dark from the start, being a show about a Dystopia controlled by The Sibyl System, which has made feeling any extreme emotion, mental illness or thinking differently from the masses illegal. The antagonists that the Ministry of Welfare and Public Safety Bureau took down already included all kinds of criminals from a suicidal rapist to a Mad Artist who likes turning her victims' corpses into art. The show doesn't seem like it could get any darker, and then after Shinya defeats Senguji Toyohisa and saves Yuki, one of Akane's best friends, Shinya falls unconscious due to being shot. Sadly, Makishima appears at that moment and kidnaps Yuki and lures Akane with her. Makishima gives Akane the chance to save Yuki, if Akane can shoot him with a shotgun. Akane tries to use the Dominator on him, a weapon which can only kill someone if the Sibyl System judges them as as mentally unstable or not pure of intention. It doesn't fire, as Makishima genuinely believes in his actions being normal and justified. Makishima gives Akane one more chance to shoot him, and Akane can't do it. Makishima then slits Yuki's throat, and after the next episode being a prequel episode, Makishima then proves to be more dangerous than all the other antagonists who only hurt or ended a few lives...Makishima aims to break down all society, and actually succeeds for at least a few weeks. Even after being caught, he escapes and continues upping the ante.
- The season 1 finale of Sailor Moon. When Sailor Jupiter is killed, it's the start of the punch. Then when Sailor Mercury follows her, you just know the rest of the characters aren't safe.
- Two in Attack on Titan. The revelation that Annie was the female Titan who brutally killed all those members of the Survey Corps and Levi's own personal squad right after Eren started to trust them; and if this wasn't enough, right after that Reiner and Bertolt are revealed to be the Armored Titan and the Colossal Titan respectively. While the series was incredibly bleak to begin with, these moments introduced the paranoia and Ancient Conspiracy elements that would ultimately come to separate the second half of the series from the first.
Films — Animated
- For the first 40-50 minutes of The Iron Giant, the story is about a boy and his giant robot friend and they mostly goof around while trying to evade an incompetent G-man. Then the boy and the giant stumble upon a deer recently shot by a gun lying on the ground. This triggers a momentary glimpse at the giant's dormant but aggressive programming, and things only get worse from there once the G-man starts becoming a real threat. Then nuclear weapons and Cold War paranoia get involved.
- The Lion King starts off as a fairly lighthearted Disney film about a young African lion cub and his life in the serengeti. All that changes with Mufasa's death.
Films — Live-Action
- The first 45 minutes of Audition could easily be mistaken for a romantic drama in which everything is slightly... off. Then we get Asami's Establishing Character Moment, which is so scary that it turns the next half hour of violence-free romance into pure terror.
- The original Night of the Living Dead gets two back to back in the same sequence. First we get something that looks like this, specifically the deaths of Tom and Judy. In any other horror movie made at the time, that sequence alone would have been enough to qualify as this trope. It doesn't, but only because the real punch comes immediately afterward when we see an extremely graphic (for its day) image of the zombies chowing down on the recently charred corpses that changed the film from "goofy b-movie" to "terror incarnate." Roger Ebert's reaction provides the page quote. It's worth emphasizing the "Darker than the audience has been led to expect" bit:
: This was in a typical neighborhood theater, and the kids started filing in 15 minutes early to get good seats up front.
- This is a major part of the reason for the fame of Psycho's iconic Shower Scene: not only did it immediately shift the film from a thriller about a couple on the run from the law into a prototype for the Slasher Movie, but it also communicated that no one was safe by killing off the biggest name star in the film less than a third of the way through. This trick would later be repeated in the introduction of Scream (1996).
- Sympathy for Mr. Vengeance has Yu-sun, the little girl, drowning in the river, setting off the cycle of brutal revenge on both sides.
- Clint Eastwood seems to really like this trope:
- Gran Torino gives you one when Sue returns from the Hmong gangs brutally raped and beaten, which reveals the depravity of the gangs that had previously limited themselves to standing around looking menacing.
- Million Dollar Baby is a story of a waitress who wants to improve her life: she learns how to box and manages to achieve international fame up to fighting for world title which leaves her a quadriplegic for the last third of the movie.
- Unforgiven has Ned's death and Munny's return to his hard-drinking, murderous ways.
- Drive shifts fairly abruptly from being a low key character study to being a Bloodier and Gorier Roaring Rampage of Revenge crime story when Standard is killed. To clearly state the shift for anybody who wasn't clued in by that, the villains then proceed to splatter Blanche's brains all over the wall a few minutes later.
- Julian's death in Children of Men kicks off the main plot while establishing the film's Anyone Can Die nature.
- Serenity manages a Gut Punch twice: once when the Implacable Man pursuing the heroes starts butchering anybody they might conceivably run to for help, and again when Reavers kick off the grand finale by firing a harpoon right through one of the heroes.
- Battle Royale has this by way of Shinji Mimura, who gets killed off halfway into the book to establish that, yes, Anyone Can Die.
- Harry Potter: Cedric's death at the end of book 4 the first shown murder in the entire series, and started it rocketing towards Darker and Edgier territory.
- A Song of Ice and Fire: From the start the series is clearly darker and more cynical than the usual fantasy novel. But Ned's execution takes it to a whole new level. You do NOT expect a main character to die like this. And again when the Starks are betrayed by the Freys (the television version of this quickly became infamous as one of the biggest Gut Punches in the history of television).
- For The Lord of the Rings the Gut Punch is provided by the arrival of a Black Rider. It was when the Black Rider suddenly appeared in his third draft that Tolkien realized he was not just writing 'The Hobbit II'. Well-portrayed in the film adaptation as well - the hobbits (and the audience) suddenly realize the sort of nightmare they're up against.
- As befits the title, the ending of Changes is one for The Dresden Files. Prior to Changes, the series was relatively light - while the good guys have never had it easy, they still usually came out without too many severe casualties. Then, at the end of Changes, Harry has to murder Susan to both save his daughter and completely wipe out the Red Court. He is fatally shot shortly afterwards. The subsequent books have picked up the tone shift and run with it - Ghost Story shows in painful detail exactly how much of a toll Harry's death has taken on both his friends and the world, while Cold Days involves Harry having to deal with his seemingly inevitable transformation into a sociopathic monster due to the Winter Knight mantle, is filled with reveal after reveal, and ends on an even more depressing note than Changes.
- The death of Cloud, the protagonist's Half-Identical Twin brother tells us that Peace: Cats of the Valley is every bit as hardcore as the series it plagiarises.
- Code Name Verity We get to know Julie and Maddie very well, as Julie narrates the first half of the book, and much of it is about her friendship with Maddie. Then we learn that Maddie is still alive. In the climatic scene, Maddie saves Julie from torture by shooting her. It's absolutely heart-wrenching.
- Mr. Mercedes: In the opening chapter, unemployed people are lined up for a job fair. We get to know Augie Odenkirk, who befriends a woman named Janice, a woman with so little support that she has to bring her baby with her. Augie decides that he's going to take Janice to breakfast, then a serial killer plows into the crowd in a stolen Mercedes, killing several people, including the three about whom Stephen King has made us care.
- The Zones of Thought series as a whole is too dark and violent to get much darker, but taking the third book as a single work, most of the "evil" going on is either safely offscreen or nonviolent. Nevil Storherte, the most prominent of the Big Bad trio, spends most of the story coming across as a seditious and weaselly but charismatic manipulator. He never quite seems like the type to condone violence except in necessary situations, and since he's the Big Bad, it seems likely that the story's conflict will remain mostly political... until, near the end of the book, he fires an explosive Wave Motion Gun into a crowd of civilians in an attempt to kill a target who might be there. Shortly thereafter, he privately laments the deaths... and blames them on his intended target for maybe being there.
Live Action TV
- Blake's 7 has a notorious one at the end of the very first episode. The hero has been framed for child abuse by the evil government and is about to be sent to a penal colony, but his heroic Crusading Lawyer and the lawyer's girlfriend have discovered proof of the government's corruption and are about to blow everything sky-high. Then in the last-but-one scene of the episode the lawyer and his girlfriend are casually blown away by government agents. The prison ship takes off. The end.
- Buffy the Vampire Slayer has at least three escalating ones over its lifetime. Season One: Flutie's death. Season Two: Angel loses his soul. Season Five: Joyce dies. If anything, season two has two moments of these back to back: the aforementioned moment where Angel's soul is lost and the moment not long after where the soulless Angel proceeds to kill Jenny Calender.
- Angel, Being Buffy's spin-off, one can only expect, and there's just as much gut-punching, Season 1 Doyle sacrifices himself., Season 4 Cordelia never woke up from her coma., and finally, but most prominently Fred's slow and painful death, being hollowed by having her internal organs liquified in order for an Eldritch Abomination to take over her body.
- 24 mixes in two during its first season: the first is early on when Janet York is murdered by the man posing as her father and again at the finale where the season ends with Jack in tears cradling his dead wife's body.
- In Downton Abbey, there's Lady Sybil's death. Series 3 is just as melodramatic as the previous two, but the graphic, gasping death scene of one of main family members, who had just become a mother and is arguably the nicest person on the show was unprecedented and shocking. William's death was noble, drawn out and sweet; Lavinia was perhaps destined to die — but Sybil's death was frantic, quick and horrifying. Never before had the show been so shocking to watch.
- While The Walking Dead has always been bleak, the gut punch moments have not stopped since mid season 2 when 11 year old Sophia, who was lost in the woods, was revealed to be both dead and now a zombie. Rick is forced to gun her down while her mother screams nearby. Season 3 continues the trend with Rick's pregnant wife Lori dying from a medieval c-section birth while her 12 year old son screams and cries, he then has to shoot her dead body in the head so she won't turn into a zombie. Rick has a full blown mental break upon finding out, goes to find her body and discovers a zombie has eaten it. Rick mercilessly kills a hotheaded prison inmate in a "three strikes and you're out" situation and The Governor deliberately shoots Merle in the gut so he will turn into a zombie, shortly before his younger brother Daryl catches up to them and is forced to put down his only surviving family member.
- Babylon 5 has quite a few:
- This is the entire A-plot of The Coming Of Shadows from the Emperor's heart attack onwards is a series of escalating gut punches.
- The deaths of every single GROPO we just spent an episode meeting in GROPOS.
- The revelation of the sleeper agent in Divided Loyalties.
- The slow revelation of the truth in Passing Through Gethsemane, with one more in the tag.
- Two words from The Day of the Dead: Zoe's dead.
- But probably the single greatest one in the entire series: Lennier's betrayal of Sheridan in Objects at Rest.
- Charmed - the episode "Charmed and Dangerous". You know things are going south when Leo is shot by a darklighter's arrow and Paige has her powers stolen too, effectively leaving Phoebe as the only sister with her powers (and she is the weakest active power-wise) with the Source of All Evil out for the kill.
- The Reveal of who exactly killed Laura Palmer on Twin Peaks is one of the most infamous of these in TV history, to the point where AMC ran no commercials whatever for the final twenty minutes of the original broadcast. What makes it even worse is that the reveal is followed by what was, back then, probably the most brutal depiction of murder seen in an American mainstream TV show.
- The Israeli skit show The Chamber Quintet started discussing politics a lot more openly after the assassination of Prime Minister Yitzkhak Rabin in 1995; given that the writers and actors were staunch leftists and the public sphere had just taken a sharp turn to the right, making Benjamin Netanyahu prime minister for the first time, they obviously featured much darker skits much more often, the darkest of which was probably this one, from 1997, after Netanyahu’s election (the second half of the Gut Punch), in which Rami Heuberger gave a chilling performance as the assassin, Yig'al ‘Amir, with a Slasher Smile and a monologue about how the viewers know deep down that ultimately he’ll be pardoned in twenty years in exchange for expunging the charges against a staunchly leftist party (implying they’ll be persecuted politically), and that he’ll be hailed as a hero in Jerusalem, which will become far more nationalistic and right-winged. To make matters worse, as of 2014, the (attempted) political persecution of the left and the change in political climate in Jerusalem have already come true.
- In Kamen Rider Gaim, a human is turned into a monster and, unlike other men-turned-monsters in the franchise, is not returned to normal but instead written off as a lost cause by the antagonists and killed. Worse, he's revealed to not be the first such victim; as at the same time the audience is shown that the first monster that Gaim killed was in fact a close friend of his that had gone missing. Usually in Kamen Rider, defeating the Monster of the Week sets everything right; and Gaim had been presented as a shonen Serious Business show not unlike Yu-Gi-Oh! This episode shows that nothing will ever be "right" again and that the competition that the main characters were taking seriously is nothing compared to the real conflict.
- Guild Wars:
- The game opens in the fairly idyllic area of Ascalon - grass and flowers are everywhere, and enemies are easy and will generally not attack you unless provoked. Then the Searing happens, and you get out of the prologue.
- Nightfall opens with the Sunspears rooting out a conspiracy and launching a massive invasion of Kourna to counter it. Everything goes well until Varesh unleashes a horde of demons, devastating the Sunspear army while one of them eats their leader's eyes. After that mission the players are fugitives trying to avoid capture by a hostile army.
- Guild Wars 2 has dozens of paths the Personal Stories can follow, but all share the same Gut Punch: Claw Island. A massive undead attack completely overwhelms the island and the player's mentor stays behind to give the few survivors time to flee.
- Final Fantasy VI has one of the most famous video game examples, which occurs halfway through when Kefka destroys the world.
- Final Fantasy VII features the reveal of the Big Bad's plan to end all life, his successful acquisition of the MacGuffin he needs to do it, and the death of the only character with a means to stop him, all in short sequence at the end of Disc 1 of 3 (which had been largely light and partly humorous up this point except for some angst in the backstories of party members).
- Tales of the Abyss starts out as a typical cliche packed Shōnen adventure. Then, about a third of the way through the game, The Reveal occurs (The main character is a replica, having been created for the express purpose of playing his original's role in fulfilling a prophecy in which he's manipulated into destroying an entire city) and we are subject to one of the most vicious examples of Break the Haughty ever seen in a game.
- Vindictus starts out in a moderately Dark Fantasy world, but doesn't initially explain how it turns into the Low Fantasy Crapsack World that it's advertised as. Then less than halfway through the third major zone, Ainle, Ellis, the kid cadet who's always looked up to you, gets viciously beaten to death by a sadistic goblin warlord in the pre-bossfight cutscene. And the name of the mission in which this happens? "Wake Up Call." Things don't really improve from there.
- Yggdra Union waits until the player has been lulled into a suitable sense of security before it shows its true colors — it seems upbeat enough for a medieval war game for two thirds of the plot. Then there's Battlefield 40, where you begin your invasion of The Empire for the sake of protecting The Kingdom, and have to slaughter an entire town of civilians determined to defend their homes. And it gets worse very quickly from here.
- Digital: A Love Story starts off as a simple 1980's email simulator, then the players 'go to' website crashes, and they lose all contact with Emilia. They then receive an email from the websites administrator that reveals Emilia was sending them an email desperately begging for their help before the crash and things get very dark very quickly.
- World of Warcraft gives you the events of the Wrathgate. The Forsaken unleash the New Plague. You now see it cause the senseless and meaningless deaths of some of the Horde's and Alliance's greatest heroes and shatter any chance of peace between the two factions. And if you're playing as Horde, you helped create the New Plague, in one of the more light-hearted questlines that go all the way back to the first levels.
- In Mists of Pandaria, at the end of the Jade Forest questline, the battle between the Alliance and Horde, with their respective Jinyu and Hozen allies, results in the Sha being empowered, devastating the landscape and both sets of combatants.
- Mass Effect
- In the first game, you have a few missions trying to find out what Saren is up to, and a ton of sidequests mowing down violent criminals and terrorist cells with impunity. Then you have Virmire. No matter what you do, no matter how well you play, either Ashley or Kaidan will die. It's up to you to decide who performs the Heroic Sacrifice. You may have to put down Wrex as well, depending on your influence with him.
- The Gut Punch for the series as a whole is the ending of Arrival, the last DLC mission for Mass Effect 2, which requires Shepard to destroy a Batarian system killing countless innocents in order to stop the Reapers. It's essentially saying that from this point on, no matter what you do, you'll still be sacrificing someone.
- The third game starts with a Gut Punch. A front-row seat for the Reaper invasion of Earth. There's also the fall of Thessia, which is a complete and utter defeat for the good guys, which, in an earlier version, would have included a Virmire-like dilemma.
- Live A Live appears to be a collection of fairly cheerful Cliché Storm tales of heroism. Then you finish all seven and unlock an additional chapter, which seems to be a standard Sword and Sorcery tale... until Oersted is tricked into murdering the king. Everything in his life falls apart from there. Ladies and gentlemen, the origin of Odio.
- Baten Kaitos: The Mole is unmasked. It's Kalas. The main character. He's led you - not just you the player, you the player stand-in Guardian Spirit along the entire time. And then he cuts off your viewpoint and the screen fades to black. Oh, by the way? The really nice leader everyone loves? She's pure evil, and the one he's working for. And that's when you realize you've judged the entire plot the wrong way from the minute you hit Start.
- The gut punch in Metal Gear Solid 2: Sons of Liberty is the point where the President of the United States confesses that he's just a figurehead for an Ancient Conspiracy, that the entire facility the game is taking place on is a cover for a massive new battleship with vast nuclear strength and weapons to control information, that you're just a pawn of said ancient conspiracy, and that he wants you to kill him (which someone else beats you to). The whole scene sets the tone for the rest of the game, and to an extent the series.
- Spec Ops: The Line initially comes across as a shooter with a somewhat darker-than-usual undertone, when it becomes apparent the situation is not one suited for your tiny rescue and reconnaissance squad. About halfway into the game, Capt. Martin Walker uses white-phosphorus mortar rounds to pass an enemy camp, only for the game to reveal the resulting gruesome murders included forty-seven of the civilians he's there to rescue. The game and Walker's mental stability only go downhill from there.
- BioShock 1 has the infamous scene in Andrew Ryan's office, in which the true nature of the game finally rears its ugly head. It is revealed in short order that not only has Atlas had you on puppet strings for the full duration of the game, but he's really Frank Fontaine, the one responsible for much of what's happened to turn Rapture into the Crapsack World that it is. And by the way? You Have Outlived Your Usefulness.
- Eversion is an almost unbearably cutesy and saccharine platformer up until the beginning of level 4, which begins the parade Scenery Gorn, regular Gorn, jump scares and more general-purpose terror that makes up the meat of the game.
- Homeworld pulls this off very effectively in Mission 3, where you return to Kharak after a short test jump to discover that the planet's surface and orbital installations have been destroyed, effectively rendering the Kushan species near-extinct. The narrators in particular help the scene by just barely maintaining a calm and collected tone.
- Dark Souls sets itself up with an especially bleak Dark Fantasy setting from the get go, which makes the subdued, sudden and un-dramatic NPC deaths (typically at your hands following their turning Hollow) gradually easier to deal with, except for Solaire's descent into madness and despair. The fact that the majority of players would not know that it was avoidable until later adds to it.
- Homestuck seems at first to be just more of the kind of surreal goofiness that had defined previous MS Paint Adventures comics...until we find a meteor on a collision course for the main character's house.
- Even after the meteor business solidified the fact that the story was taking itself more seriously than it's predecessors, it's still fairly light material. Then Jack Noir flips the fuck out and goes on a homicidal rampage, instantly promoting himself to Big Bad.
- This also very suddenly demonstrates the darker turn the comic takes in Act 5 Act 2. (Spoilers in link) Despite the fact that he gets better, the main character dies onscreen with basically no warning right after a particularly lighthearted and charming sequence, and the girl who led him there responds with a smiling emoticon.
- The Order of the Stick:
- Due to Xykon's Laughably Evil tendencies, it's very easy to assume that he's not that much of a threat. However, during the invasion of Azure City, he swiftly reminds the audience exactly how dangerous he is by killing Roy.
- Much later in the comic, Tarquin is firmly established as a villain, but doesn't show quite how ruthless he is until he kills his own son, Nale.
- In Our Little Adventure, the adventuring group has had a fairly easy time questing and defeating monsters...and then a special Monster of the Week appears and ends up killing Pauline...
- Goblins has Kin, who has been slowly recovering from the abuse she received from Dellyn. And then there's Minmax, who has slowly been falling for her despite her monster status and seems to have reached the point of "seeing" her like her people do. And then an alternate-universe version of Kin deliberately obliterates the physical touchstone of their relationship, leaving them still in love, but Kin no longer understands why. When she abruptly attempts to send Minmax and Forgath on their way—probably never to see them again—Minmax panics and grabs her leash in an attempt to slow things down and talk it out. The faces on both of them speak volumes.
- Avatar: The Last Airbender:
- Avatar: The Last Airbender has an unusually late example at the end of season 2. Up until that point, the show had proven its willingness to tackle difficult subjects, but always ultimately ended in a relatively lighthearted way. In the season two finale, despite a great deal of foreshadowing Zuko refuses to take a Heel-Face Turn and instead sides with Azula, the Fire Nation succeeds in taking over Ba Sing Se, held up as the Earth Kingdom's last defence, and just when a Hope Spot arrives in the form of Aang reaching the Avatar State, Azula attacks him mid-transformation, outright killing him, his life only spared by the magical water Katara had received from the northern water tribe. Where Season 1 ends with the heroes victorious, season 2 ends with them battered and broken and having lost much that they had gained.
- The Legend of Korra supplies one as well, halfway through the first season. Immediately after the conclusion of the Pro-Bending tournament, the soundtrack fades out as members of the audiences slowly pull masks up over their faces. Then one of them reaches into their popcorn, slowly pulls out a weapon... and we see the beginning of an honest-to-god terrorist attack. This set the Darker and Edgier tone of the show quite nicely, which culminated in a completely unambiguous murder-suicide during the season finale.
- ReBoot: When Megabyte rockets Bob into the Web during their Enemy Mine situation, stranding him there before starting his conquest of Mainframe. We're led to believe that Guardian Enzo can protect the city, but then he loses a Game, his eye, and gets Time Skipped into a Nineties Anti-Hero.
- A Very Special Episode of Family Guy begins like any other, with Peter and Joe going fishing and wondering where Quagmire is. When they go to his house to see Quagmire hanging from a noose and nearly dead from asphyxiation while watching clown porn. Then his sister and her abusive boyfriend show up and everything goes to Hell from there.