Genshin Impact: Arlecchino / Sandbox

Arlecchino, "The Knave"

https://static.tvtropes.org/pmwiki/pub/images/theknave.jpg

Voiced by: Huang Ying (Chinese), Nanako Mori (Japanese), Erin Yvette (English)

"Good actors hone their craft to mesmerize the whole crowd."

The 4th of the Eleven Harbingers, the owner of an orphanage that raises children to become Fatui agents.

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Adopting the Abused: Arlecchino has personally rescued children from Human Traffickers and exploitative foster parents, with at least two of them, Lyney and Lynette, going on to become part of the House of Hearth. While they did not become completely carefree as a result, Lynette's story confirms that their adoption has given them the safe environment that they wanted, and she is quite content where they currently are. However, it's worth noting that when considering what Scaramouche and Tartalgia have to say about her (one of the two calling her a Control Freak), this might suggest Arlecchino's motivations are much more on the sinister side.
(Arlecchino's) voice was cruel ice, and yet it had a spellbinding, comforting power also. Lynette lifted her eyes, and there she saw the person she would in later days call "Father."

"Father" kneaded Lynette's ears. That touch was not gentle. Indeed, they were as cold as the moon's light. And like that light, it illuminated a corner of the darkness.

"When a cat's ears are folded backward, that often indicates fear or vigilance, and if they stand up and point forward, that usually indicates a good mood..."

Whenever Lyney tells new members of Hotel Bouffes d'ete about the habits of ordinary cats, he will often steal a glance at his younger sister nearby. Lynette's ears are straight, they face the front, and they occasionally flutter outward.

It has been a long time since she last folded them back.
Affably Evil: Implied.
- She is a ranked member of the Fatui and oversees the House of Hearth, but many of the children she has taken care of (some of which are Fatui soldiers), though tending to describe her as dangerous, it's clear they have a lot of respect for her.
- When meeting and talking to the Traveler, she seems to be genuinely polite and amicable with them, and even proposed an opportunity for the two to work alongside each other in the foreseeable future. Though according to Childe, he would like to differ from that, so it's ambiguous as to whether this is genuine, or a facade that hides her Ax-Crazy-self.
Ambiguously Related: Arlecchino shares physical traits of blackened forearms as well as white hair and black eyes as the NPC Caterpillar who appears in the Unfinished Comedy world quest. Caterpillar is a hilichurl who was transformed and trained by the leader of the Narzissenkreuz Ordo to appear and behave more human, and is even described as a "wolf in sheep's clothing", a phrase that the Wanderer uses to describe Arlecchino. Whether they are connected in any way beyond that is unknown.
Anger Born of Worry: Lyney's story reveals Arlecchino became uncharacteristically furious when he requested a Delusion, reminding him what Lynette would think of him throwing his life away so recklessly. She denied his request and instead challenged him to overcome his weakness on his own.
Ax-Crazy: She's described as not having "a sane bone in her body" by Childe of all people, which doesn't bode well.
Badass Fingersnap: Arlecchino concludes her scene in Overture with one of these, smirking at the audience just before the screen goes black.
Berserk Button: Judging by what she said to Pantalone and Pulcinella, it's implied to be sheltered aristocrats or anyone who knows nothing about the hardships outside the safety of their homes or sit back and do nothing about said hardships. Her "The Reason You Suck" Speech to Furina regarding her seemingly doing nothing about the prophecy of Fontaine's destruction further supports this.
Bifauxnen: Arlecchino dresses in a very androgynous way, which ties into her work as an orphanage/spymaster and that Arlecchino is often played by a man. Instead of wearing a dress the way her colleagues Signora and Sandrone do, Arlecchino wears a pantsuit and her hairstyle appears to be a short pixie haircut in front, although her side view shows her with long hair tied back in a ponytail and she wears stilettos.
Bitch in Sheep's Clothing: The Wanderer explicitly describes her as a "wolf in sheep's clothing", warning that she conceals her true nature behind the mask of a cordial, graceful woman. In her appearance in Overture, she compares herself to an actor on the stage, captivating her audience.
Black Eyes of Crazy: Has black irises and is apparently Ax-Crazy enough that Childe is wary of her.
Boyish Short Hair: From the front, her hair appears to be chopped into a layered bob. It's only from the back, when she's not wearing a heavier coat, that a slim ponytail can be seen.
Breaking Old Trends: In contrast to her fellow Harbingers, Arlecchino's role in Chapter IV is quite different. Her actions throughout serve to help the nation of Fontaine instead of sowing chaos, making her an unexpected ally to the Traveler while their goals align. She readily offers bits of "gossip" and intelligence to the Traveler, and forges an alliance with Navia to provide humanitarian aid during the crisis. Her subordinates are important allies to the Traveler throughout the storyline, and her Fatui operatives are shown assisting in the rescue efforts at the conclusion of the story. Her methods are also less violent, and she obtains the Gnosis through diplomacy while never coming into conflict with anyone else. Whether she will remain an Enemy Mine or not has yet to be seen, but at the conclusion of Fontaine's story, she departs on good terms with the Traveler.
Company Cross References: Arlecchino has quite a bit in common with Raven from sister game Honkai Impact 3rd, with similar design elements, fire elemental abilities, and a role in running an orphanage while serving as a commanding officer of a criminal organization. Both also serve as the main antagonist for a chapter set in a high-tech city, Fontaine and Arc City, respectively. Whether she follows the trends of her counterpart or not, is still unknown. Her outfit when attacking Furina is also remarkedly similar to Raven's design, including dark clothes, a black hood, a mask and a red cape that resembles wings. The difference is that Arlecchino ends up not being the main antagonist of the Fontaine Archon Quest with the role instead going to the All-Devouring Narwhal.
Chronic Backstabbing Disorder: Childe describes her as a woman that cannot be trusted, likely to betray even the Tsaritsa if she could benefit from it.
Combat Stilettos: Her reveal in the Overture teaser focuses on her ornate, blade-like high heels. As a Harbinger, she is noted to be quite dangerous even by her peers.
Connected All Along: The Teyvat Chapter Storyline Preview: Travail characters for Fontaine, Lyney and Lynette, are in fact her subordinates from the House of the Hearth. In particular, Lyney shares a close relationship with the Knave, and is being prepared to eventually inherit her position as "Father" of the House of the Hearth.
Contralto of Strength: She speaks in a lower range than the other female Harbingers, and seems to have an extremely dangerous reputation among her peers. Tartaglia warns of her supreme self-interest, while the Wanderer outright claims that she is a madwoman with a history of killing those that witness her true nature. As such, she comes across as far more physically threatening than the Lady of Black Magic Signora, the Wrench Wench Sandrone, or Mysterious Waif Columbina. She's also the second-highest ranked female Harbinger, directly below Columbina who is said to have power equal to an Archon.
Control Freak: The Wanderer describes her as having a desire to control others, which goes hand-in-hand with her being the director of an orphanage.
Cowardice Callout:
- In her words to Pulcinella and Pantalone, she says that they could never understand what it was like for Signora to die in a foreign land since they always have excuses to remain in the safety of their homelands.
- She accuses Furina of living in luxury while doing nothing about Fontaine's prophecy and the Primordial Sea, while Fontaine's people work hard in order to solve that problem. Given that Arlecchino threatened Furina's life one night while in disguise, she's spot on about her being a coward.
Creepy Shadowed Undereyes: While not apparent in her depictions in 2D media, her character model shows she has bags under her eyes, further adding to her sinister demeanor.
The Dog Bites Back: According to Momoyo's intelligence, the current Knave is a former child of the House of the Hearth that seized the title from her predecessor. What little is known about the former Knave is that she was a cruel woman known for inflicting all manner of abuse on the children, teaching them to fear her and view themselves as meaningless tools for the Fatui.
Dramatic Irony:
- While it's ambiguous if Arlecchino was actually planning on using the Hydro Gnosis to Screw Destiny, it wouldn't have worked. Focalors' plan to do so was reliant on using a double as a scapegoat to offload the Archon's punishment onto someone else, and then giving the Hydro Gnosis to the reincarnated Hydro Dragon so he can use the full authority of one of the Seven Sovereigns to transform the people of Fontaine into "true" humans, purging them of the original sin. Defying fate with the power of the Hydro Gnosis alone is impossible. While it's unclear if Arlecchino herself was ignorant to this given the Fatui's wealth of forbidden knowledge, her subordinates were blissfully unaware of the fact that Arlecchino's goal was impossible to achieve.
- Arlecchino's attempt to take Furina's life because of her inaction towards stopping the prophecy could have ended up triggering it instead. Focalors' whole plan to prevent the destruction of Fontaine required Furina to fake being the Hydro Archon and Arlecchino suspecting Furina isn't the Hydro Archon could have possibly triggered the prophecy, ruining Focalors plan to save the nation and dooming every citizen of Fontaine.
Dull Eyes of Unhappiness: Her eyes are fully black without any shine to them, just like Caterpillar, save for a pair of red Xs that symbolise death. This could hint at her being some kind of undead Narzissenkreuz Ordo experiment.
Early-Bird Cameo: She is first mentioned in The Very Special Fortune Slip quest series, which was added in the version 2.4 update, long before she makes her first physical appearance in "A Winter Night's Lazzo".
Enemy Mine: She states that she's open to working with the Traveler to stop the Fontaine prophecy, seeing them as reliable and grateful that they helped her children in the past.
Even Evil Has Loved Ones: Though her fellow Harbingers speak of her as insane and dangerous, those under her care claim that she values loyalty and cares deeply for her wards and her homeland.
Even Evil Has Standards:
- For someone described as being Ax-Crazy with a Chronic Backstabbing Disorder, Arlecchino detests the work of people like Pulcinella and Pantalone, calling them heartless. While she's not much better, she's not wrong about them either.
- Furthermore, Act I of chapter IV features the revelation that she killed a Fontanian aristocrat who was either a pedophile or a human trafficker and rescued the girls he'd captured.
- When Arlecchino found out that the previous director lied to Freminet about his mother, claiming that she sold him off to pay her debts when she actually gave him away to protect him, she was outraged and immediately informed him of the truth.
- In Lyney's character story when he asked to obtain a delusion to overcome his weakness at the time, Arlecchino genuinely became angry at him for attempting to throw away his life force for more power while reminding him what Lynette would think of his actions and told him to find a way to overcome his weakness himself.
Exotic Eye Designs: Her eyes have black irises with red X shaped patterns in them rather than the standard iris and pupil designs of most other characters.

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The Fagin: She oversees the House of the Hearth, an orphanage that takes in orphans from all over Teyvat and, after they become adults, they are trained to become Fatui soldiers and sleeper agents in other nations. However, it's said that those "with potential" are the ones who are trained to become Fatui agents. Her wards are encouraged to form strong emotional bonds, viewing each other as siblings and her as a figure of both love and fear. The teachings of the House encourage them to enjoy their brief innocence as children, before embracing their duty to become the worst of the worst in the service of their "family" and motherland.
Femme Fatalons: Focus is given to the detail of her hands, with nails that are manicured to almost resemble claws. It adds to her menacing presence.
Foil: Furina and Arlecchino are both white-haired Bifauxnen women spymasters with Exotic Eye Designs from Fontaine who are known to put on acts to maintain control over others, which makes their differences all the most prominent:
- In appearance, Furina's largely blue color palette contrasts with the minor red details in Arlecchino's design. Additionally, Furina uses the Medium Female character model, while Arlecchino uses the Tall Female one.
- In terms of elemental abilities, they have a Fire/Water Juxtaposition.
- In personality, Arlecchino maintains a calm and eerily intimidating demeanour while Furina is dramatic but much more sociable (as long as one acknowledges her position).
- Arlecchino is undoubtedly capable as the Fourth Harbinger, with her numerical rank backing up her combat experience, and has numerous subordinates who are unwavering loyal to her (with at least three of them having their lives vastly improved under her care), while Furina has frequent trouble maintaining the impression of competence that she ought to have, causing her people to treat her and protect her as a mascot rather than an authoritative figure of reverence, and is powerless and combat inept until she gets a Vision of her own.
Gender Flip: While the Arlecchino character was male in the Commedia dell'Arte (as he is Columbina's lover in most of his appearances), this trope is partially justified by the fact that the role of the Arlecchino could also be played by actresses.
Heinousness Retcon: Played with, creating considerable ambiguity around her character. The first mentions of the Knave involve mention of a power-struggle within the House, which resulted in one of the children overthrowing their superior. This vague timeline leaves it ambiguous which operatives work for her, as opposed to those (like the ones in Inazuma) continuing to carry out missions assigned by the previous Knave. Tartalia warns that she's insane and loyal only to her own goals, while the highly-cynical Wanderer describes her as a "wolf in sheep's clothing" that gets rid of anyone that sees past her cordial mask. This contrasts with the experiences and opinions of her direct subordinates in Fontaine, as well as her interactions with the Traveler. Whether this means something changed over the course of development or merely lays the stage for further developments is unclear.
He Knows Too Much: According to the Wanderer, most of those who have seen her real, manic personality underneath her cordial facade haven't lived to tell the tale.

In the Hood: When ambushing Furina at night in order to extract the Gnosis from her, Arlecchino wears a hooded cloak and mask.
Irony: Arlecchino is described as being willing to betray anyone if it benefits her, and is implied to have killed her predecessor to claim control over the House of the Hearth. But she preaches absolute loyalty to "family", and her subordinates are a close-knit group that value each other above all else.
Internal Reformist: Arlecchino's wards describe her as someone that radically changed the House of the Hearth once she took over, abandoning the ideology of self-sacrifice and teaching her wards to value their own lives. Freminet describes the House changing from an abusive Orphanage of Fear under the previous "Father" into something closer to an Orphanage of Love under Arlecchino's watch.
Karma Houdini: During Fontaine's Archon Quest, while it was all done in the name of saving Fontaine, her House of the Hearth breaks into a number of Fontaine's secure facilities in search of the Hydro Gnosis, and she herself attempts assault on Furina before realizing she doesn't have it either. None of this is punished, and Neuvillette even hands the Gnosis to her, if only because he's now seen the lengths she'll go to in order to get it and wants no more trouble. Though, considering the implied nature of the Gnosis, this could very well be a case of Karma Houdini Warranty, though if so has yet to be seen
Klingon Promotion: Implied. While it's not explicitly stated she killed her predecessor, it's known that there was a "conflict" that resulted in the previous Knave being replaced. The current Arlecchino was a "child" from the House, and seized power from the "Director", resulting in significant changes to the House of the Hearth.
Lady in a Power Suit: In comparison to the other female Harbingers, Arlecchino dresses in a sleek suit that gives her a more masculine appearance. Among the revealed Harbingers, she oversees the running of a major business for the organization but criticizes Pulcinella and Pantalone as cowards that remain safe in their administrative work.
Mask of Sanity: Her cordial behavior is apparently a mask she uses to control others more effectively, with her true self being completely insane.
Master-Apprentice Chain: She is (at least) the second person to hold the Knave's title, having "inherited" it from the predecessor that oversaw her upbringing. And she has already chosen Lyney as her potential successor, with the intention of him taking over the House of the Hearth one day.
Mirror Character:
- Wriothesley and Arlecchino are both Fontainians with a red and black color scheme who murdered their abusive and exploitative foster parents and took over leadership of their respective organizations, and are spearheading their own initiative to save Fontaine from The Prophecy (Wriothesley is overseeing the construction of an ark while Arlecchino attempted to steal Focalors' Gnosis). However, Arlecchino has a Pyro vision while Wriothesley is a Cryo vision holder, and while Wriothesley seems suspicious but is ultimately a morally upright character, Arlecchino has been implied by both Childe and Scaramouche to be completely insane behind her affable exterior. They also have subordinates (Lyney and Sigewinne) whose visions create a Fire/Water Juxtaposition.
- Ningguang and Arlecchino are both crafty and scheming women of high authority who deal with espionage and illegal activity (Ningguang through having Beidou perform them for her) for the sake of their goals. Both have used certain happenings as a front to carry out an ulterior motive; Ningguang used the contest and celebration for a new Jade Chamber to lure out Beisht, while Arlecchino used Childe's disappearance to send her agents to investigate the Fortress of Meropide. Ningguang has spies all over Liyue with agents hidden everywhere and in her hangout quest, it's revealed that she even has children as her informants. She is openly deemed by the Traveler as untrustworthy, but by the end of the Liyue Archon Quest, she proves that she genuinely cares about the future of Liyue. In her hangout quest, she was furious when she learned that someone had lied to one of her child informants, specifically saying that one cannot deceive children. Arlecchino specializes in intelligence gathering and has her wards perform missions involving gathering intel. Arlecchino is regarded as a suspicious individual who the Traveler notes is not one for someone to let their guard down around, but she demonstrates that she genuinely cares about averting the prophecy of Fontaine to save the nation of her birth. Freminet's character story states that she was angry that the "Director" had lied to him about his mother as a child. However, Ningguang is the leader of her nation while Arlecchino is the servant of the Tsaritsa. Ningguang's spies are solely in Liyue, while Arlecchino can have sleeper agents placed all over Teyvat to await further orders.
- Ayato and Arlecchino are both polite, crafty, and scheming individuals who are the heads of organizations that raise orphans and have them perform missions related to espionage, intelligence gathering, and assassinations for the sake of their respective nations, and both inherited their positions from a predecessor. Ayato became the head of the Shuumatsuban from his father after his death, while Arlecchino became the head of the House of the Heath implicitly after killing the previous Knave. According to Ayato, the Shuumatsuban is a secret unit, while the House of the Hearth is more well known. Both of them have agents that are playable characters (Sayu for Ayato; Lyney, Lynette, and Freminet for Arlecchino), but while Ayato's agent played a minor role in the Inazuma Archon Quest, Arlecchino's agents are prominent characters in the Fontaine Archon Quest.
My Beloved Minions: Arlecchino's subordinates are mostly children that raised in the House of the Hearth, that all view her as their beloved "Father". This affection seems to be mutual, at least based on the actions she's taken over the years to protect and nurture her charges. Lynette recalls "Father" allowing vital intel to be damaged, instead focusing her attention on tending to the siblings' injuries. Likewise, Lyney was reprimanded for requesting a Delusion and encouraged to value his own life instead of throwing it away for the mission.

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Painted-On Pants: Her attire includes skintight black leggings accentuating her legs, being one of the few female characters who wear pants instead of a skirt or shorts.
Pay Evil unto Evil: Lyney recounts their first meeting with the Knave, when she rescued several young girls from a powerful nobleman that had trafficked them. They describe a gruesome scene of Arlecchino covered in blood, having just killed the nobleman for his crimes.
Pet the Dog:
- For someone described as not having a sane bone in her body and being quick to betray anyone, she does show sympathy for Signora's death.
- Agents raised in her orphanage claim that she teaches them to cherish their brief time as children and to likewise view it as their duty in adulthood to protect their younger siblings' happiness.
- The character story of her subordinate, Lyney, reveals a complex relationship between Arlecchino and the children under her authority. Several children came into her care when she rescued them from Human Traffickers, killing the nobleman that had been "collecting" young girls in his manor. While strict to the children, Lyney and Lynette's character stories reveal that she changed many of the old teachings of the House of the Hearth, encouraging her charges to value their own lives and think twice before recklessly throwing their lives away for the Fatui. One story recounts a celebration at the House, where Arlecchino participated in a magic trick to surprise the children and praised them for their cleverness, sharing cake with them. Lyney's story also reveals that she reprimanded him when he requested a Delusion, encouraging him to consider his own strengths and find a better way to help his "family".
- When the Traveler meets her in the story, she sounds genuinely grateful and appreciative of them for helping out her children, and welcomes the notion of working together with them in the future.
- She and the Fatui under her command helped provide aid for the surviving residents of Poisson after they suffered casualties at the hands of the Primordial Seawater, and personally gave her condolences to Navia after the deaths of Melus and Silver.
The Pirates Who Don't Do Anything: Averted. Out of the Harbingers that have appeared on screen as of Chapter IV, Arlecchino is the only one that makes the title of "protected diplomat" utilized by the Harbingers before her seemingly used like more than an excuse to commit crimes and not answer to them. She's Affably Evil and relies more on appearing threatening than violence. That doesn't mean she has clean hands, but when you compare her tactics to characters like Scaramouche and Il Dottore, it's clear she's one of the few who's doing her job correctly. She actually ends up obtaining the Hydro Gnosis through negotiation alone, without any sort of Evil Plan in action.
Playing with Fire: She wears a Pyro vision on her back, indicating that she possesses abilities related to fire.
"The Reason You Suck" Speech: Arlecchino doesn't mince words with calling out Furina for seemingly not doing anything to prevent the prophecy of Fontaine's destruction despite the latter claiming otherwise.
Arlecchino: It beggars belief just how nonchalant and carefree you have been. For the very beginning, you, the god Focalors... You have utterly failed to take action.
Red Right Hand: At first glance, Arlecchino seems to be wearing black gloves. But taking a closer look at her hands and noting how she has human fingernails on them strongly implies that her "gloves" are actually blackened skin, which is confirmed when she wore a sleeveless hooded outfit revealing discolored forearms, further adding to her strange and menacing appearance.
Refuge in Audacity: When it comes to achieving her aims, there is little that Arlecchino won't at least consider trying, no matter how crazy it might sound on paper.
- Her idea for overcoming Fontaine's prophecy is to steal the Hydro Gnosis and use it against the Primordial Sea. The Fatui are already after the Gnoses anyway, and so she promised the Tsaritsa she would hand it over once the crisis is taken care of. All that's left is finding it, and she's leaving no stone unturned in her search, not even ones as well-guarded as the Opera Epiclese or the Fortress of Meropide.
- What does she do when she catches Furina alone without an escort? She attacks her on the spot to see if can make off with her Gnosis. When she realizes Furina doesn't have it, she just leaves her there... and has the audacity to ask for face-to-face meetings later. After all, Slave to PR as Furina is, she would never admit to the attack. Arlecchino is so confident of this that she even mentions the incident to the Traveler to convince them of her theory that Furina isn't an Archon which ends up confirmed by the next Act.
Screw Destiny: Allegedly, her goal in Fontaine is to stop the prophecy of Fontaine's destruction. Lyney states that Arlecchino is originally from Fontaine, and intends to use the Gnosis to stop the coming disaster. In the end, the prophecy is averted due to the execution of the real Focalors giving Neuvillette his full powers back to stop it while Arlecchino gets possession of the Gnosis and Childe through negotiations with him.
She Is the King: The orphans of the House of the Hearth all address her as "Father".
The Spymaster: Arlecchino runs the House of the Hearth, which raises orphans to become assassins and spies for the Fatui.
Sweet Tooth: She claims to have one, comparing herself to Paimon and Furina in their shared love of an exclusive and highly-sought after cake. This is proven to be true since she is later shown with slices of cake to go with tea she is having by herself.
Tea Is Classy: She conducts her meetings with the Hydro Archon over tea, conducting these meetings like a friendly tea party rather than the more threatening meetings one would expect from the Fatui. She's also seen enjoying tea by herself.
Then Let Me Be Evil: It's implied that Arlecchino is invoking this, judging from a note that summarized the ideals she teaches which include encouraging those to "be the evil amidst good, the poison amidst the herbs, the wolf in sheep's clothing, the mercury in a golden chalice" for the sake of their home and goals.
Tough Love: Arlecchino is seen by members of the House of the Hearth as a cold and stern caretaker and taskmaster who nonetheless provides security and purpose to orphans and other exploited children. While she does train them to be Fatui, she's always made her intentions plain and has never been sadistic or manipulative about it. For people like Lyney, Lynette, and Freminet, she's infinitely superior to their prior so-called guardians.

Well-Intentioned Extremist: While her fellow Harbingers suggest that Arlecchino is quite the opposite, according to Lyney, who is her subordinate, she fits this trope better than the others. At least in said subordinate's case, Arlecchino rescued him and his sister from fosters that were even worse. She also plans to use the Hydro Gnosis to prevent the incoming apocalypse in Fontaine, which (if true) is the most beneficial motive of the Harbingers thus far. Turns out that yes, she does genuinely want to help save Fontaine (even going out of her way to help the residents of Poisson after they got ravaged by Primordial Seawater) and aids the Traveler in finding a way towards averting the prophecy. While she ultimately doesn't get to avert the prophecy her way via using the Gnosis, she is nevertheless satisfied after Fontaine is saved, and she is able to obtain the Gnosis for the Tsarisa without resistance through negotiations with Neuvillette.
White Hair, Black Heart: Save for some strands of black, her hair is white, and she has a reputation as one of the more deranged Harbingers.
White and Red and Eerie All Over: Combined with Red and Black and Evil All Over, Arlecchino's motif heavily borrows from the traditional colors of a harlequin, using them to give her a sinister air about her. Her white hair and light-colored jacket are accented with red and black decoration, while her lower half flips to black with red accents for a stark contrast.

Sandbox / Genshin Impact: Arlecchino

Arlecchino, "The Knave"

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