What Do You Mean Its For Kids: Western Animation

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    Cartoon Network 
  • Adventure Time. Past the post-apocalyptic backstory and severe psychological issues of many of the cast, the show is full of sexual innuendo, thinly veiled references to rape, murder, abuse, suicide, and genocide, and some viciously brutal violence. There are episodes with everything from dealing with a mentally ill loved one to abusive relationships, all wrapped up in the silly adventures of a boy and his dog, with innumerable serious, mature, or just horrifying themes slipped in without technically moving past what is appropriate for children.
    • An-universe example in the episode "Jake The Dad", where Jake starts reading a Black Comedy picture book he loved as a child to his own kids, and is shocked at how violent it is.
  • Code Lyoko: Tons of tentacle mind rape. Once case of actual tentacle rape from vines. All of the times Aelita died, nearly died, attempted suicide, or had a clone die. All the cursing in Evolution. All of the Fanservice. Aelita seeing her mother kidnapped and her father murdered, on screen. Aelita suffers from flashbacks and hallucinations. Then there was the time Jeremie started acting suicidal and reckless to further his work. X.A.N.A. made so many murder attempts on screen that it can be turned into a drinking game. Franz Hopper went completely insane, as shown through a video diary. And a ton of other horrors.
  • Courage the Cowardly Dog is packed to the gills with scary scenes, like the screamer girl from "Courage in the Big Stinkin' City", and the blue...fetus thing from "Perfect". Probably the most controversial episode was "The Mask", where the villain was clearly a pimp who cruelly beat his two charges, with scenes of lesbianism thrown in for good measure.
  • Johnny Bravo is as goofy as most other Hannah Barbara cartoons, but it's about an Elvis Presley-sounding Casanova Wannabe trying to score with women. Seth MacFarlane (the crown prince of black, cringe comedy) worked on this show as a writer, so this should surprise no one.
  • MAD: Most of its parodies are of movies and TV shows that wouldn't be considered "children's entertainment" (i.e. CSI: Miami, The Social Network, House, Two and a Half Men, The Bourne Identity, Jersey Shore, ER, Cloverfield District 9, among others) often mashed up with movies and TV shows that would be considered "children's entertainment"note  (Sesame Street, iCarly, Bob the Builder, Kung Fu Panda, etc.). It's no wonder fans have compared this show to Robot Chicken (though it is said to be the Spiritual Successor to the FOX sketch show, MADtv, which wasn't a kids' show to begin with, but had plenty of Subverted Kids Shows during its 14-year run).
  • The Marvelous Misadventures of Flapjack: G Rated Drugs in the forms of candy and maple syrup, stories full of bizarre, dark events that would make A Series of Unfortunate Events look like a Bowdlerised Grimm's fairy tale, and animation that makes Ren and Stimpy's look sane, on-model, and beautifully animated (as in "Disney during the 1950s" or "Disney when it got good again in the late 1980s thanks to The Little Mermaid" beautifully animated).
  • The Powerpuff Girls. Word of God says it originally wasn't intended for kids (after all, its working title was The Whoop-Ass Girls), but the Animation Age Ghetto struck and he was forced to change it. The original intent becomes more and more obvious later in the series.
  • Regular Show. More sex jokes, frequent lethal use of weapons and mild profanities ("crap", "sucks", even "pissed") then you can shake a yardstick at. It's is based on two short films J.G. Quintel made in animation school called "2 in the AM-PM" and "The Naive Man from Lolliland", and while the latter is safe for family viewing (a single use of "hell" wouldn't faze most viewers), the former isn't — at least, by Cartoon Network's already selective standards.
  • Robotomy: Excessive violence, a lot of Comedic Sociopathy, some sexual innuendo, some mild swearing (mostly words like "crap," "sucks" or "screwed"). One of the show creators worked on Superjail and it has the look and feel of a Superjail spin-off or companion show.
  • Scooby-Doo! Mystery Incorporated, which is pretty much Scooby Doo if it wasn't so campy and 1960s. Despite being rated TV-Y7-FV, the show includes moments of death, extreme violence, Black Comedy and the season one Big Bad being revealed to have kidnapped Fred from his birth parents and threatening to harm him if they ever came back for him; to make things crazier, the Bigger Bad is an Eldritch Abomination that the gang had to kill in order to save the Universe. Not to mention an abnormally high amount of Stuff Blowing Up very realistically, up to the point where near the end of the series, roughly half of Crystal Cove is gone! Its Shout Outs skewed heavily toward the adult side of the audience as well, referencing everything from Twin Peaks to Hellraiser to Stanley Kubrick's The Shining.
  • Star Wars: The Clone Wars was originally criticized for being too childish and kid-friendly throughout most of its first season. It more than made up for it from the end of the first season and beyond. Brutal depictions of War Is Hell, Family Unfriendly Deaths abound, and a good amount of morally questionable moves by the traditional heroes turned it into one of the most fearless family-friendly animated programs in recent memory.
  • Time Squad: Here's an apt description of the show: on the outside, it was a funny, unassuming edutainment cartoon (that was more entertainment than education) about an orphaned history whiz taken in by a Timecop and his Robot Buddy to the future where, each episode, they go back in time to fix history. On the inside, it got away with more adult jokes than Rocko's Modern Life, played up the Hilariously Abusive Childhood trope for laughs more than The Simpsons and South Park combined, and seemed to indulge in more homoerotic subtext than anything Oscar Wilde has written. Is it any wonder that Cartoon Network aired it at five in the morning during its final years?
  • Young Justice is rife with Getting Crap Past the Radar, including implications of Twincest, many references to and depictions of murder, and doesn't shy away from the severe mental strain that is put on Child Soldiers. One of the protagonists' favorite tactic is Mind Rape, and it is played out for maximum shock value. The subplot in "Beneath" heavily implies that the mother of one of Jaime Reyes' friends is being physically abused by her boyfriend. The same episode also reveals that Queen Bee is essentially running a child-trafficking ring, where innocent teenagers are kidnapped and sold to aliens who use them for experimentation.
  • Steven Universe doesn't push the boundaries of the radar like Regular Show, although it definitely has its moments.note  No, what really gives this show a spot on this list is anything involving fusion. Two characters perform a literal Fusion Dance, and more often then not it's blatantly sexual. We've had metaphors for rape, abuse, abstinence, and consent.
  • Over the Garden Wall is very dark for this network, with a Big Bad that essentially embodies despair and possibly suicide, a shadowy being stalking two young children, hoping they'll give up so he can turn them into Edelwood trees and harvest their souls. It's stock full of Nightmare Fuel creatures that makes even most Cartoon Network shows look tame.

  • Gravity Falls really stretches its TV-Y7 rating. The show is positively rife with Nightmare Fuel, bizarre imagery, and touches subject matter that is normally taboo in children's programming, whether it be for the sake of drama or for a joke. Adult jokes are prevalent and the show can get quite violent, compounded by the fact characters visibly shed blood in multiple episodes (though in the case of non-humans, it's not necessarily red). The show's characters are shown to be quite flawed for Disney protagonists as well; Stan and his brother are far from ideal role models and even Dipper and Mabel have engaged in unsavory behavior (although they usually learn from it). The show's a lot more mature than one would expect from it.
    • Some specific scenes fall into this trope so thoroughly that they've been removed from some re-airings: the scene in Northwest Mansion Mystery where the animal heads on the walls start bleeding from their mouths and chanting "ANCIENT SINS", for instance.
    • Notably in regards to Nightmare Fuel, as of Dipper and Mabel vs the Future, the world has ended, an extra-dimensional demon-God has taken physical form, and the last thing we saw in the episode was the hysterical screams of the presumably dying townsfolk as a dimensional rift to what is essentially Hell opened above them. In the next episode (Weirdmageddon Part 1), we find out that Dipper apparently went around during the apocalypse for three days without knowing if anyone he knew was still alive, a character gets the functions of all the orifices in his face rearranged (causing him to fall to the ground gurgling/screaming, and presumably die), and group of demons play a variation of Spin the Bottle called Spin the Person where they spin a dead body and the spinner has to eat whoever it lands on.
  • Star Wars Rebels, in the same vain of Star Wars: The Clone Wars. Some fans thought, based upon the early trailers and especially the character shorts released on YouTube and partially just because the show was produced by Disney, that it was going for a Lighter and Softer direction to the point to the point it might become Denser and Wackier. Instead it got Darker and Edgier as the season progressed and when Tarkin showed up it got really dark, to the point of the trope question being sometimes asked without irony and a few complaints that some of the content really does exceed the show's TV-Y7 rating.
  • Gargoyles is a good example, with surprisingly mature themes such as gun violence.
  • Judging by the Pilot Movie and the preview shown after the movie, one might think The Lion Guard is slightly not suitable for Disney Junior. The movie alone contains a few scary moments, trippy imagery during the Villain Song, fart jokes, and some harsh language, including the word "stupid". The trailer shown after the movie for the series shows a snake eating another animal (but the snake spits the animal out anyway).

    First-Run Syndication 

    The Hub 
  • Dan Vs. is a Black Comedy that would likely feel more at home on Adult Swim with the occasional themes of martial problems and murder (even rape once!) and a Heroic Comedic Sociopath as the protagonist. Yet swearing and blood are non-existent in the show. That being said, Dan Vs. originated as a live-action adult sitcom, and was actually pitched to Adult Swim at first.

  • Avatar: The Last Airbender is a show about a war that has lasted for a hundred years, tearing apart families and nations and was begun with the genocide of an entire people. The protagonist, the 12-year-old last survivor of said people, assembles a team of Child Soldiers and trains to overthrow the Evil Overlord (who happens to be a shockingly abusive parent) that seeks to subjugate or kill anyone who isn't Fire Nation. And the "Southern Raiders" episode in general, for its portrayal of murder, revenge and forgiveness, which doesn't go the way one might expect.
    • The Legend of Korra is a weird example because its content limitations are its biggest concession to its kid audience... and that's not saying much, given how disturbing its violence can get. Its characters have, at various points, committed Murder-Suicide, had a spirit ripped out of their eyes and throat, been graphically suffocated on-screen, accidentally blown off their own head, suffered mercury poisoning, and been electrocuted to death, but that's not what makes it seem like the kid audience was an afterthought. Instead, the themes are what really makes it feel like adults and teenagers were the real target — not only does it tackle such controversial topics as child abuse, social inequality, terrorism and the less-than-helpful totalitarian governmental responses it can spark, anarchy and the dangers of revolution, and depression, it also gives a ton of focus to the fifty-year-olds in its cast and their mid-life family issues. There isn't even a real kid perspective, because Korra's much more young adult than teenager (even if she's only seventeen).
  • The Penguins of Madagascar. The show's primary cast consists of a paranoid leader who hopes that the future is a post-apocalyptic wasteland. A munitions expert who is literally classified as a living weapon and a trigger happy psychopath. A science officer who is dangerously deep into mad scientist territory. "Kowalski, do you ever in vent anything that doesn't eventually threaten to destroy us all?" The only level-headed character is often treated as naieve. Thye show is full of references to torture, death, cold war hysteria, horrifying noodle incidents involving Manfreidi and Johnson, and false aesops like:
    Doesn't violence just beget more violence?
    Yes it does Private, and that's great.
  • Hey Arnold!. The show features adult themes like an overkill (by Nickelodeon standards) of cursing and the darkest backstory of any Nickelodeon character (Helga, who is considered the unfavorite in her family in favor of her Stepford Smiler sister, has a verbally abusive father, and a mother who is clearly a depressed alcoholic).
  • Invader Zim was more grotesque than most of Nick's other works, featured things like children summoning demons and a disturbing amount of body horror (including one kid getting his eyes plucked out), and was created by a man who wrote a comic series about a homicidal maniac. It's kind of in between this and its sister trope, very clearly meant for a young teen audience, but for whatever reason Nick shoehorned it in a block that was otherwise targeted at a different demographic that the show was completely inappropriate for. That said, it's still questionable for even the intended demographic - while it's toned down from JCV's comics, it's basically a hair away from Squee in terms of content, which is very solidly meant for adults.
  • The Ren & Stimpy Show was the Trope Codifier for Grossout Show and was filled to the brim with horrifying Gross Up Close Ups, Family-Unfriendly Violence, and sexual references, yet was one Nickelodeon's flagship series.
  • Rocko's Modern Life, while tame compared to Ren & Stimpy, still has its moments. Social satire runs rampant throughout the series, some of the adult humor is flat out extreme and ridiculous, a few of its worst innuendos got banned from even the DVDs, one of the episodes was banned for being too sexually sleazy, a lot of crazy and disturbing stuff happens in general, there is often serious abuse going on between characters, and the theme song shows what a sick mockery Rocko's childhood was.
  • SpongeBob SquarePants: Where do we start? Not only is there a huge amount of gross violence and Nightmare Fuel, especially in the post-movie seasons, but there are all kinds of dirty references ("Patrick, your genius is showing!" "Where?") and Ho Yay, including Spongebob and Patrick raising a child like a married couple in one episode! (It Makes Sense in Context.) Furthermore, the show has come to the point of treating suicide as funny.

Canadian animation targeted toward kids tends to fall in this category from time to time, usually due to Values Dissonance between the nation and her southern neighbour.

  • Freds Head goes one step further than the above shows with things like swearing, handling of mature situations outright, and other non-kid friendly material. Unsurprisingly, the show wasn't renewed for a second season.
  • Jimmy Two-Shoes is a Black Comedy cartoon with the implication that its setting (Miseryville) is Hell. Surprisingly, the hellish themes are played down in the show but still seen through the setting's monster populace, excessive amounts of heat and lava everywhere, and misery as the stand-in for torment.The setting being Hell would have been out right stated too had the creator have his way, but you still have to wonder what sort of twisted mind would try to make a kid's show about Hell.
  • It's almost unbelievable that Total Drama is for kids, with all of its swearing, sexual references and nudity (both male and female) and the fact that all the campers are underage and yet act and sometimes even look just like adults.

     Treehouse TV 
  • Toopy And Binoo crossdress and frequently use the word "fabulous", causing a lot of parents to complain.

     Warner Bros.