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What Do You Mean Its For Kids: Western Animation

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    Cartoon Network 
  • Adventure Time. Past the post-apocalyptic backstory and severe psychological issues of many of the cast, the show is full of sexual innuendo, thinly veiled references to rape, murder, abuse, suicide, and genocide, and some viciously brutal violence. There are episodes with everything from dealing with a mentally ill loved one to abusive relationships, all wrapped up in the silly adventures of a boy and his dog, with innumerable serious, mature, or just horrifying themes slipped in without technically moving past what is appropriate for children.
  • Unlike most of Cartoon Network's examples listed, The Amazing World of Gumball actually has a good balance of kids' show humor and adult humornote , though some will say that ever since season two, the show's Parental Bonus humor and Black Comedy has become slightly more prominentnote , such as the dead pizza baby scene in "The Job," the Running Gag of Miss Simian dating Principal Brownnote , and the ever-growing list of Shout-Outs to music, television shows, video games, films, and real-world situations that either wouldn't interest or be appropriate for the target audience. In the UK, the show has a PG certificate for the same reason it carries a TV-Y7 rating in America.
  • Code Lyoko: Tons of tentacle mind rape. Once case of actual tentacle rape from vines. All of the times Aelita died, nearly died, attempted suicide, or had a clone die. All the cursing in Evolution. All of the Fanservice. Aelita seeing her mother kidnapped and her father murdered, on screen. Aelita suffers from flashbacks and hallucinations. Then there was the time Jeremie started acting suicidal and reckless to further his work. X.A.N.A. made so many murder attempts on screen that it can be turned into a drinking game. Franz Hopper went completely insane, as shown through a video diary. And a ton of other horrors.
  • Courage the Cowardly Dog is packed to the gills with scary scenes, like the screamer girl from "Courage in the Big Stinkin' City", and the blue...something from "Perfect". It ran for four years and got canceled for being too scary, which isn't too surprising. Probably the most controversial episode was "The Mask", where the villain was clearly a pimp who cruelly beat his two charges, with scenes of lesbianism thrown in for good measure.
  • The Grim Adventures of Billy & Mandy: Not only because the main premise is about two kids that became friends with the Grim Reaper, but also because the show reveled in gross-out humor and the occasional risque joke.
  • Johnny Bravo is about an Elvis Presley-sounding Casanova Wannabe trying to score with women. Seth Mac Farlane (the crown prince of black, cringe comedy) worked on this show (as a writer, not a showrunner), so this should surprise no one.
  • MAD: Most of its parodies are of movies and TV shows that wouldn't be considered "children's entertainment" (i.e. CSI: Miami, The Social Network, House, Two and a Half Men, The Bourne Identity, Jersey Shore, ER, Cloverfield District 9, among others) often mashed up with movies and TV shows that would be considered "children's entertainment"note  (Sesame Street, I Carly, Bob the Builder, Kung Fu Panda, etc.). It's no wonder fans have compared this show to Robot Chicken (though it is said to be the Spiritual Successor to the FOX sketch show, MADtv, which wasn't a kids' show to begin with, but had plenty of Subverted Kids Shows during its 14-year run).
  • The Marvelous Misadventures of Flapjack: G Rated Drugs in the forms of candy and maple syrup, stories full of bizarre, dark events that would make A Series of Unfortunate Events look like a Bowdlerised Grimm's fairy tale, and animation that makes Ren and Stimpy's look sane, on-model, and beautifully animated (as in "Disney during the 1950s" or "Disney when it got good again in the late 1980s thanks to The Little Mermaid" beautifully animated).
  • The Powerpuff Girls. Word of God says it originally wasn't intended for kids (after all, its working title was The Whoop-Ass Girls), but the Animation Age Ghetto struck and he was forced to change it. The original intent becomes more and more obvious later in the series.
  • Regular Show. More sex jokes, frequent lethal use of weapons and mild profanities ("crap", "sucks", even "pissed") then you can shake a yardstick at. It's is based on two short films J.G. Quintel made in animation school called "2 in the AM-PM" and "The Naive Man from Lolliland", and while the latter is safe for family viewing (a single use of "hell" wouldn't faze most viewers), the former isn't — at least, by Cartoon Network's already selective standards.
  • Robotomy: Excessive violence, a lot of Comedic Sociopathy, some sexual innuendo, some mild swearing (mostly words like "crap," "sucks" or "screwed"). One of the show creators worked on Superjail and it has the look and feel of a Superjail spin-off or companion show.
  • Scooby-Doo! Mystery Incorporated, which is pretty much Scooby Doo if it wasn't so campy and 1960s. Despite being rated TV-Y7-FV, the show includes moments of death, extreme violence, Black Comedy and the season one Big Bad being revealed to have kidnapped Fred from his birth parents and threatening to harm him if they ever came back for him; to make things crazier, the Bigger Bad is an Eldritch Abomination that the gang had to kill in order to save the Universe. Not to mention an abnormally high amount of Stuff Blowing Up very realistically, up to the point where near the end of the series, roughly half of Crystal Cove is gone! Its Shout Outs skewed heavily toward the adult side of the audience as well, referencing everything from Twin Peaks to Hellraiser to Stanley Kubrick's The Shining.
  • Star Wars: The Clone Wars was originally criticized for being too childish and kid-friendly throughout most of its first season. It more than made up for it from the end of the first season and beyond. Brutal depictions of War Is Hell, Family Unfriendly Deaths abound, and a good amount of morally questionable moves by the traditional heroes turned it into one of the most fearless family-friendly animated programs in recent memory.
  • Time Squad: Here's an apt description of the show: on the outside, it was a funny, unassuming edutainment cartoon (that was more entertainment than education) about an orphaned history whiz taken in by a Time Cop and his Robot Buddy to the future where, each episode, they go back in time to fix history. On the inside, it had more Ho Yay than the original Star Trek, got away with more adult jokes than Rocko's Modern Life, played up the Hilariously Abusive Childhood trope for laughs more than The Simpsons and South Park combined, and seemed to indulge in more homoerotic subtext than anything Oscar Wilde has written. Is it any wonder that Cartoon Network aired it at five in the morning during its final years?
  • Young Justice is rife with Getting Crap Past the Radar, including implications of Twincest, many references to and depictions of murder, and doesn't shy away from the severe mental strain that is put on Child Soldiers.
    • The subplot in "Beneath" heavily implies that the mother of one of Jaime Reyes' friends is being physically abused by her boyfriend. The same episode also reveals that Queen Bee is essentially running a child-trafficking ring, where innocent teenagers are kidnapped and sold to aliens who use them for experimentation.
    • One of the protagonists' favorite tactic is Mind Rape. And it is played out for maximum shock value.

    Disney 
  • Gravity Falls wouldn't be too out of place in modern day Cartoon Network, what with the scary imagery and blatant adult jokes that would pass over a kid's heads.

    Nickelodeon 
  • Avatar The Last Airbender is a show about a war that has lasted for a hundred years, tearing apart families and nations and was begun with the genocide of an entire people. The protagonist, the 12-year-old last survivor of said people, assembles a team of Child Soldiers and trains to overthrow the Evil Overlord (who happens to be a shockingly abusive parent) that seeks to subjugate or kill anyone who isn't Fire Nation.
    • The "Southern Raiders" episode in general, for its portrayal of murder, revenge and forgiveness. It doesn't go the way one might expect.
  • The Legend of Korra is a weird example because its content limitations are its biggest concession to its kid audience... and that's not saying much, given how disturbing its violence can get. Its characters have, at various points, committed Murder-Suicide, had a spirit ripped out of their eyes and throat, been graphically suffocated on-screen, accidentally blown off their own head, suffered mercury poisoning, and been electrocuted to death, but that's not what makes it seem like the kid audience was an afterthought. Instead, the themes are what really makes it feel like adults and teenagers were the real target — not only does it tackle such controversial topics as child abuse, social inequality, terrorism and the less-than-helpful totalitarian governmental responses it can spark, anarchy and the dangers of revolution, and depression, it also gives a ton of focus to the fifty-year-olds in its cast and their mid-life family issues. There isn't even a real kid perspective, because Korra's much more young adult than teenager (even if she's only seventeen).
  • Hey Arnold!. The show features adult themes like an overkill (by Nickelodeon standards) of cursing and the darkest backstory of any Nickelodeon character (Helga, who is considered the unfavorite in her family in favor of her Stepford Smiler sister, has a verbally abusive father, and a mother who is clearly a depressed alcoholic).
  • Invader Zim was more grotesque than most of Nick's other works, featured things like children summoning demons and a disturbing amount of body horror (including one kid getting his eyes plucked out), and was created by a man who wrote a comic series about a homicidal maniac. It's kind of in between this and its sister trope, very clearly meant for a young teen audience, but for whatever reason Nick shoehorned it in a block that was otherwise targeted at a different demographic that the show was completely inappropriate for. That said, it's still questionable for even the intended demographic - while it's toned down from JCV's comics, it's basically a hair away from Squee in terms of content, which is very solidly meant for adults.
  • The Ren & Stimpy Show was the Trope Codifier for Grossout Show and was filled to the brim with horrifying Gross Up Close Ups, yet was one Nickelodeon's flagship series.
  • Rocko's Modern Life, while tame compared to Ren & Stimpy, still has its moments. Social satire runs rampant throughout the series, some of the adult humor is flat out extreme and ridiculous, a few of its worst innuendos got banned from even the DVDs, one of the episodes was banned for being too sexually sleazy, a lot of crazy and disturbing stuff happens in general, there is often serious abuse going on between characters, and the theme song shows what a sick mockery Rocko's childhood was.
  • Teenage Mutant Ninja Turtles (2012) had driven towards a darker territory in season 2 with frequent disturbing mutations, sexual jokes, some drug references, and in the season 2 finale, the turtles and friends being forced to flee their doomed city homes.
  • Sponge Bob Square Pants, Nickelodeon's most popular show, is prone to this trope quite often.

    Teletoon 

    First-Run Syndication 

Video GamesWhat Do You Mean, It's for Kids?    

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