Raiders of the Lost Ark: Indiana Jones must endure not one, not two, but three of these from French archeologist Belloq.
Immediately after the opening sequence where Indy retrieves the idol, Belloq ambushes Indy with his Hovito warriors, and laughs at Indy for not being able to speak their language.
In the cafe, Belloq calls himself a "shadowy reflection" of Indy, willing to use the Nazis to satisfy passions that they both share.
Before the final ceremony on the island, Indy threatens to destroy the Ark with a bazooka. Belloq confidently asserts that Indy's threat is empty, since as an archeologist he will not destroy such an important artifact. He's right.
Wayne: I came here to show you that not everyone in Gotham's afraid of you. Falcone: Only those who know me, kid. Look around you: you'll see two councilmen, a union official, a couple off-duty cops, and a judge. (Pulls a gun at Bruce) Now, I wouldn't have a second's hesitation of blowing your head off right here and right now in front of 'em. Now, that's power you can't buy! That's the power of fear. Wayne: I'm not afraid of you... Falcone: ... because you think you got nothing to lose. But you haven't thought it through. You haven't thought about your lady-friend down at the D.A.'s office. You haven't thought about your old butler. Bang! (pulls the trigger but no shots comes out) People from your world have so much to lose. Now, you think because your mommy and your daddy got shot, you know about the ugly side of life, but you don't. You've never tasted desperate. You're Bruce Wayne, the Prince of Gotham - you'd have to go a thousand miles to meet someone who didn't know your name. So don't come down here with your anger trying to prove something to yourself. This is a world you'll never understand, and you always fear what you don't understand.
Ironically enough, this is the conversation that makes Bruce go out into the world, ultimately finding the League of Shadows and becoming Batman. When he returns, he makes sure to give Falcone a lesson on what it's like to be on the receiving end of the power of fear he gloats about.
Bane in The Dark Knight Rises rattles these off plenty during his first fight with Batman: "Peace has cost you your strength. Victory has defeated you." "You fight like a younger man, with nothing held back. Admirable but mistaken." "Oh, you think darkness is your ally. But you merely adopted the dark. I was born in it." "The shadows betray you because they belong to me!"
The otherwise execrable Batman & Robin has a zinger from Batgirl to Poison Ivy:
Batgirl: Using feminine wiles to get what you want? Trading on your looks? Read a book, sister — that passive-aggressive number went out long ago. Chicks like you give women a bad name.
Alec Trevalyan: I might as well ask you if all those vodka martinis ever silence the screams of all the men you've killed ... or if you find forgiveness in the arms of all those willing women for all the dead ones you've failed to protect.
Earlier than that, Bond gets one by M:
M: You don't like me, Bond. You don't like my methods. You think I'm an accountant, a bean counter more interested in my numbers than your instincts.
Bond: The thought had occurred to me.
M: Good, because I think you're a sexist, misogynist dinosaur. A relic of the Cold War, whose boyish charms, though wasted on me, obviously appealed to that young woman I sent out to evaluate you.
Bond: Point taken.
M: Not quite, 007. If you think I don't have the balls to send a man out to die, your instincts are dead wrong. I've no compunction about sending you to your death. But I won't do it on a whim. Even with your cavalier attitude towards life.
Greene: How much do you know about Bond, Camille? Because he's rather a tragic case. His MI6 file says he's "difficult to control" ... Nice way of saying everything he touches seems to wither and die. Bond: Shall we? [begins to move away with Camille] Greene: That doesn't bode well for you, I'm afraid. You two do make a charming couple, though. You're both ... what's the expression? "Damaged goods"?
In Transformers, Megatron does a short speech to Optimus Prime:
You still fight for the weak! That is why you lose!
Megatron finds himself on the receiving end of one (from a human, no less) in the third film:
Steve: Yeah, big man in a suit of armor. Take that off, what are you? Tony: Geniusbillionaireplayboyphilanthropist. Steve: I know guys with none of that worth ten of you. I've seen the footage. The only thing you really fight for is yourself. You're not the guy to make the sacrifice play, to lay down on a wire and let the other guy crawl over you. Tony: I think I would just cut the wire. Steve: Always a way out. You know, you may not be a threat, but you better stop pretending to be a hero.
Tony fires back with this:.
Tony: You're a laboratory experiment, Rogers. Everything special about you came from out of a bottle.
Tony, explaining game theory to Loki:
Tony: There's no throne, there is no version of this where you come out on top. Maybe your army comes, and maybe it's too much for us, but it's all on you. Because if we can't protect the Earth, you can be damn well sure we'll avenge it.
Natasha: It's really not that complicated. I've got red in my ledger, I'd like to wipe it out. Loki: Can you? Can you wipe out that much red? Drakov's daughter, Tugenov, the hospital fire? Yes, Barton told me everything. Your ledger is dripping, it's gushing red, and you think saving a man no more virtuous than yourself will change anything? This is the basest sentimentality. This is a child at prayer... pathetic! You lie and kill in the service of liars and killers. You pretend to be separate, to have your own code, something that makes up for the horrors. But they are a part of you, and they will never go away. I won't touch Barton, not until I make him kill you. Slowly, intimately, in every way he knows you fear. And when he wakes, he'll have just enough time to see his good work, and when he screams, I'll split his skull! This is my bargain, you mewling quim!
But then Romanov gives him a Shut Up, Hannibal! ending with "Thank you - for your co-operation" and reveals she's been in control of the conversation all along.
Not even a mortal wound can stop SHIELD Agent Phil Coulson from delivering one to Loki during the siege on the Helicarrier.
Coulson: "You lack...conviction."
Better than that, Coulson basically calls Loki a loser, explaining that he can't help it because it's simply in his nature.
Nascimento calls out a student for his drug-taking that puts money in the drug dealers' hands.
You're the one who killed him! You faggot! You're the one who finances this shit! You pothead piece of shit! We come here to fix what you fuck up!
He also rants at Fabio during the BOPE training course about the latter's corrupt ways.
02, know why you won't be able to do what I'm ordering you? It's not just because you're weak. It's because to wear this skull, 02, you have to have integrity. Something you don't. You belong with whores. You belong with pimps. You belong in abortion clinics. We don't like corrupt cops, 02. Corrupt cops don't make it in BOPE, 02.
Wolverine: That story you told me about the man who gets flowers for the moon. I had it backwards. I thought you were the Moon and I was your Wolverine, but you're the Trickster, aren't you? I'm just the fool who got played. Worst part of it is I should have known and I ignored my instincts. I ignored what I really am. That won't ever happen again...
Erik delivers one of the Type 1 or Type 4 variety in X-Men: Days of Future Past, depending on how one interprets the scene, basically calling Charles a mutant traitor for failing to protect the others.
Khalil: Would you look at yourself?!? You care more about that weed than about all the people in Nineveh!! Jonah: Well... I... Khalil: Why are you here now? Instead of back in the belly of that whale? Because God is compassionate! He wanted to help you! And because he is merciful! He gave you a second chance! Jonah: Oh, yes - and I'm very grateful- Khalil: Has it ever occurred to you that maybe God loves everybody, not just you?! That maybe he wants to give everyone a second chance! He saw that those people needed help - that they didn't know right from wrong - and he wanted to help them! And that is why he sent you! And when you told them what they were doing wrong they said they were sorry - they put down their mackerels and their halibuts - and they asked God for a second chance. And by golly, he gave them one! Don't you see? God wants to give everyone a second chance! And so should we! Jonah: Well, if they get a second chance - those fish-slappers - well, then... it would be better if I were dead! Oh, I wish I were back in that whale! Khalil:(stonily) You are pathetic.
When Jonah protests Khalil's decision to leave, Khalil then retorts:
Khalil: I wanted to be big and important... just like you! But the world doesn't need more people who are "big and important," the world needs more people who are nice. And compassionate. And merciful. That's what I want to be. You can find yourself a new traveling buddy. Goodbye. Jonah: You can't just leave! Khalil: Can and am!
Syndrome, a.k.a. Buddy, delivered some pretty good ones to Mr. Incredible in The Incredibles. The movie directly referred to this trope as "monologuing" - Frozone describes a scenario where a villain once had him dead to rights, but still lost because instead of finishing the job, he stopped to deliver a speech.
Phlegmming: Son, do me a favor and read what it says on your arm. Drix:For the temporary relief of symptoms associated with— Phlegmming: Exactly! Temporary. You're nothing but a wannabe, a placebo, a generic brand. Marked-down, over-the-counter, useless Tic-Tac! Now get out of my body!
Frank's daughter Shane gives him a less vitriolic one regarding his health and selfish behavior:
Shane: This is so unfair! I'm tired of this! I go where you wanna go, I eat what you wanna eat. Don't you care about anyone other than yourself? Frank: ...I think about you all the time. Shane: Were you thinking of me when you packed me that fried Slim-Jim sandwich for lunch? Frank: Yeah, it was a Turkey Slim-Jim! Shane: You know dad... maybe if you and mom listened to me more often, and took better care of yourselves... maybe she'd still be here.
In Rango, the title character gets one from Rattlesnake Jake, who calls him out on his lies and tall tales.
You're wrong, Hopper. Ants are not meant to serve grasshoppers. I've seen these ants do great things, and year after year they somehow manage to pick food for themselves *and* you. So-so who is the weaker species? Ants don't serve grasshoppers! It's *you* who need *us*! We're a lot stronger than you say we are... And you know it, don't you?
Frollo: Now... now, now listen to me, Quasimodo... Quasimodo: No, you listen! All my life you have told me the world is a dark, cruel place, but now I see that the only thing dark and cruel about it is people like you!
Megamind manages to provide one to Titan with two sentences near the end of the movie.
Titan: This'll be the last time you make a fool out of me! Megamind: I made you a hero. You did the fool thing all by yourself!
Basil: Most assuredly... you insidious fiend. You're not my Royal Consort! You're a cheap fraud and impostor. A corrupt, vicious, demented, scoundrel. There's not evil scheme you wouldn't concoct. No depravity you wouldn't commit. You Professor are none other than a foul stenchus rodentus, commonly known as a...
In Frozen, Hans giving this one out to Anna when he reveals his Evil Plan tomarry her, kill Elsa, and rule Arendelle as king while at the same time, leaving the girl he married to die from the icy curse Elsa accidentally inflicted on her.
Anna gives a minor speech to Hans at the end of the movie.
Anna: The only frozen heart around here, is yours.
The cut song, Life's Too Short, which would have played when Anna found Elsa again, has Anna and Elsa each calling the other out for their being emotionally distant and being recklessly impulsive, respectively. It's indicated that this song was going to be put in when Elsa was portrayed as more of a villain; the song in the actual film has Anna pleading with Elsa to come back, while Elsa is pleading with Anna to leave before she comes to harm as she does when Anna pushes Elsa over the edge and makes her accidentally shoot her in the chest.
Milo: So, I guess this is how it ends, huh? Fine, you win. You're wiping out an entire civilization, but, hey, you'll be rich. Congratulations, Audrey. Guess you and your dad'll be able to open that second garage after all. And, Vinny, you-you can start a whole chain of flower shops. I'm sure your family's gonna be very proud. But that's what it's all about, right? Money.
Rabbit: Everything's ruined, and all you can think about is bouncing?!
Tigger: But that's what Tiggers do best.
Kanga: I'm afraid he's right, dear.
Piglet: Wh-What we're... trying to say is that, uh, we really can't bounce like Tiggers anyway because, uh-
Pooh: We're not Tiggers!
Rabbit, when he caught Pooh and gang dressing up as Tiggers...
Rabbit: What on earth are you doing? Stripes? Springs? Have you lost your minds? You should be covering the windows! Counting your supplies! Gathering firewood! Winter is here, and you aren't even ready. What are you doing wasting your time with... What am I doing wasting my time? I've got serious work to do! At least I haven't lost sight of what's really important.
Lord Business: Well, guess what? No one ever told me I was special. I never got a trophy just for showing up! I'm not some...special little snowflake, no! But as unspecial as I am, you are a thousand billion times more unspecial than me!
Lust In the Dust. Rosie Velez (Divine) lays one on Marguerita (Lanie Kazan).
Rosie:(sneering) Ever since I came here, you've done nothing but treat me like shit. Who the hell do you think you are? Yeah, I was a dance hall girl, but what makes you so high and mighty? You own a whorehouse! A whorehouse! ... and with only three whores in it. One of them is just a senile old cow. (aside to Big Ed) No offense, honey. (to Maguerita) And the other one's so new at it, she doesn't know which end to use. So what does that make you? The only whore in Chili Verde! Yeah, I came here for the gold, because I've been poor all my life.
Marguerita: You've got it all wrong, honey. You've been cheap all your life.
Rosie:Cheap?(picks up a chair, and breaks it over Maguerita) This furniture is cheap.
Kolenkhov: You're not a businessman, you're like a lion in the jungle!
Mr. Kirby: Yes, and I've got the longest and the sharpest claws, too! That's how I got where I am, on top, and scum like this is still in the gutter!
Vanderhoff: You're an idiot, Mr. Kirby! A stupid idiot!
Mr. Kirby: You can't talk to me like that!
Vanderhoff: Oh, yes I can! "Scum", are we? What makes you think you're such a superior human being? Your money? If you do you're a dull-witted fool, Mr. Kirby, and a poor one at that. You're poorer than any of these people you call "scum", because I'll guarantee at least they've got some friends. But you, with your jungle and your long claws, as you call them, you'll wind up your miserable existence without anything you can call a friend. You may be a high mogul to yourself, Mr. Kirby, but to me you're a failure. A failure as a man, a failure as a human being, even failure as a father. When your time comes, I doubt if a single tear will be shed over you. The world will probably cry "Good riddance!" That's a nice prospect, Mr. Kirby, I hope you'll enjoy it. I hope you'll get some comfort out of all this coin you've been sweating over then!
You may not have experienced the shit that I did. But you loved hearing about it, didn’t you? You are afraid to be alive, you are afraid to live. You’re a hypocrite. You’re a conformist. You’re a liar. I opened up to you and you judged me. You are an ASSHOLE. You are an ASSHOLE!
Mean Girls: Janis' speech to Cady at the latter's party.
Cady: You know I couldn't invite you. I had to pretend to be plastic. Janis: Hey, buddy, you're not pretending anymore. You're plastic. Cold, shiny, hard plastic. Damian: Curfew, 1:00 AM, it is now 1:10. Janis: Did you have an awesome time? Did you drink awesome shooters, listen to awesome music, and then just sit around and soak up each others awesomeness? Cady: You know what? You're the one who made me like this so you could use me for your 8th grade revenge! Janis: God! See, at least me and Regina George know we're mean! You try to act so innocent like, "Oh, I use to live in Africa with all the little birdies, and the little monkeys!" Cady: You know what! It's not my fault you're like, in love with me, or something! Janis: What? Damian: Oh, no, she did not! Janis: See? That's the thing with you plastics. You think everybody is in love with you when actually, everybody hates you! Like, Aaron Samuels, for example, he broke up with Regina and guess what? He still doesn't want you! So why are you still messing with Regina, Cady? I'll tell you why, because you are a mean girl! You're a bitch! Here. You can have this. It won a prize.
Randal delivers a great one at the end of Clerks, aimed straight at Dante, who's spent most of the day Wangsting, and puts in a little for himself as well.
Clerks II: When Dante blames Randal for always holding him back, Randal really lets him have it:
"So that's the why you see all this time we've spent together? That's weird, man. I though you were the only guy in the world who got me and had my back... the only person who'd take a bullet for me, 'cause I assumed you felt the same way I feel about you. Then, all of a sudden, one day, you're like, "I'm moving. Bye." Do you know what that's been like for me? I'm looking at a future that just sucks, because you're not gonna be in it anymore. And you're not even throwing me over for a life that means something to you. It's just a stupid, hollow existence you think you should embrace because you're getting old or something, because it's the kind of life everyone else goes after. You're a fucking drone, dude. ... But now what the fuck am I gonna do for the rest of my life? I mean, shit, really wish you would've told me this when I first met you, that one day you were gonna bail on our friendship, because if I had known you were just gonna flake on me a few decades later... I wouldn't have bothered with your ass in the first place. ... Oh, then, man, you must love this guy, 'cause he's the biggest pussy I ever met. The dude who lives his life according to everyone else's standards. "I got to go to Florida 'cause that's what's expected of me." And the fuckin' insane part is, he ain't even that crazy about the chick he's marrying in Florida, never mind the fact that he's got a perfectly good chick right here in Jersey who he's nuts about, and even Anne fuckin' Frank could see she's nuts about him. God knows why. And she likes you for who you are, man. She ain't trying to stuff you into a box you'll never fit into. Not to mention the fact that she's carrying your hideous fucking CHUD of a kid. Jesus, if you had any sense whatsoever, you'd fucking stop trying to bray it up with the rest of the sheep, and live life the way it makes sense for you, you fucking ass!"
Though it's only a few lines long, Dark Helmet delivers one of the most famous examples in Spaceballs after tricking the hero into losing his "schwartz ring" just by offering a handshake...
Dark Helmet: So, Lone Star, now you see that evil will always triumph... because Good Is Dumb!
Daphne: (to Clarissa) If you take your nose out of the air for one second you'll see you're designer, I'm vintage. You've got a mansion, I've got a five floor walk up. You're a snotty little miss cranky pants and I go with the flow, so why would you ever think for one second that I'd ever have the same taste in guys? So here's a little pointer for you. Get over yourself and stop trying to be my daddy's little girl because I'm not going anywhere.
In Waiting, Mitch, who had pretty much been The Voiceless for the whole of the movie, gives one to the whole of the Shenanigan's staff at Monty's party.
Mitch: "Would you turn down the fucking music for a minute! Jesus! This is bullshit! I've been here all goddamned day and you've never let me get a word in! None of you!
Monty: "Well damn Mitch, I..."
Mitch: "OH NO ASSHOLE! You shut the fuck up! It's my turn to talk! You're all fucked in the head! I mean you (Naomi) Change your tampon and get another drink you crazy bitch! And you (Dean) "I don't know what to be when I grow up". Join the fucking army! And you (Calvin), you know what you're too easy. And you! Fuck you Monty! We get it! You always have to be right with your little quips! You're fucking edgy and cool. Yeah! Your the coolest guy at Shenanigenz! That's like being the smartest kid with Downs Syndrome! What are you like 30? Isn't she like 14? Why haven't you been arrested? You know what, fuck it! I quit! Oh yeah! You! You are the biggest piece of shit in the whole restaurant. I hope you burn in hell!
Floyd: (as everyone turns to him) "Wha... What the fuck did I do to you man? Seriously?"
Mitch: (as they look back at him he performs "TheGoat")
Neal: You know, everything is not an anecdote. You have to discriminate. You choose things that are funny or mildly amusing or interesting. You're a miracle! Your stories have NONE of that. They're not even amusing ACCIDENTALLY! "Honey, I'd like you to meet Del Griffith, he's got some amusing anecdotes for you. Oh, and here's a gun so you can blow your brains out. You'll thank me for it." I could tolerate any insurance seminar. For days I could sit there and listen to them go on and on with a big smile on my face. They'd say, "How can you stand it?" I'd say, "'Cause I've been with Del Griffith. I can take ANYTHING." You know what they'd say? They'd say, "I know what you mean. The shower curtain ring guy. Woah." It's like going on a date with a Chatty Cathy doll. I expect you have a little string on your chest, you know, that I pull out and have to snap back. Except I wouldn't pull it out and snap it back — you would. Agh! Agh! Agh! Agh! And by the way, you know, when you're telling these little stories? Here's a good idea: have a point. It makes it SO much more interesting for the listener!
Perhaps Neal would have been a bit kinder to Del had he known all along what he finds out at the very end of the film: that he has missed reliable human companionship since his beloved Marie passed on eight years prior, at which point he took to living rough on the road.
Jenny:(breaking the kiss) What are you doing? Ricky: Kissing you. Jenny: But you didn't even ask. Ricky: Ask what? Jenny: Ask if I wanted to kiss you. Ricky: What do you mean? Jenny: You just assumed that I wanted you to kiss me. I mean, I don't even know you, and even if I did know you and we talked and you got to know me and you asked me if I wanted to kiss, I might have gotten into it, but the way you did it was just... wrong. Ricky: Well, lots of girls like that. Jenny: Well, I'm not one of them. I don't happen to think that way, and as far as you and I are concerned, the party's over. (exits the kitchen)
Grinch: That's what it's all about, isn't it? That's what it's always been about! Gifts, gifts, giftsgiftsgiftsgiftsgiftsgifts! You wanna know what happens to your gifts? They all come to me. In your garbage. You see what I'm saying? In your garbage! I could hang myself with all the bad Christmas neckties I've found in the dump! And the avarice. The avarice never ends! "I want golf clubs!" "I want diamonds!" "I want a pony so I can ride it twice, get bored with it, and sell it to make glue!" Look, I don't wanna make waves, but this whole Christmas season is stupid, stupid, stupid! There is, however, one teeny-tiny Christmas tradition I find quite... meaningful. Mistletoe. Now pucker up and kiss it, Whoville!
In the film adaption of The Princess Diaries Mia jabs Lana with an ice cream cone for being a jerk. The following conversation then happens:
Lana: Mia, you're such a freak! Mia: Yeah, yeah I am but some day I might just grow out of that but you... you will never stop being a jerk.
Angus: I'm still here, asshole! I'll always be here! You push me down and I'll get back up again, and again, and again!! I can beat you right now, but I don't wanna be better than you, Rick! I don't wanna be better than anybody! I wanna be who I am: a fat kid who's good at science, and fair at football; that's who I am! I can live with it, why can't you? Rick: Because it's not normal! You're not normal! Angus: And who is normal? You?! Rick: You bet your ass! Angus: So what, to be normal we all have to be like you? There are 400 people in this building that are nothing like you! Some of them are fat, some of them are skinny, some are tall, some are short. Some of them have braces or birthmarks, or scars or frizzy hair, or ears that stick out!(Angus' big-eared friend Troy stands up) and most of them walk through those halls every day, never telling anyone the truth about what they really want, or need, or believe, because people like you, "normal" people like you, have them terrified of being who they are. I mean, if you're normal, what does that make them? ...So which is it, Rick? Are you "normal," or are you just one of us? Rick: Whatever I am, it's something you're never gonna be. Angus:...Thank God.
"You know nothing of my work. You mean my whole fallacy is wrong? How you got to teach a course on anything is totally amazing"
Dean tells Joanna off in the beginning of Overboard.
You know what your problem is? Huh? You're so goddamn bored, you gotta invent things to bitch about. You haven't got a single thing to do except for your hair. Yeah! The closet was fine! You just needed somethin' to take up your useless, empty, nail-polishing, toe-polishing, rich-bitch, sun tanning days!
Somehow broadcast all over the ship on a live mike, and the whole crew cheers Dean on.
Toward the end of the tragicomedy Crush (the 2001 film starring Andie MacDowell), Janine gets a short but effective one:
Wrong! You were completely wrong! Not right in any way, shape, or form! Just Queen Wrong of the Bastard Fucking Wrong People! That's my opinion, Molly, and if there is another side, I can't bloody see it!
Of course, Molly's rejoinder may be the single greatest reply in the history of dialogue:
Okay. As you say. But now I am right, and we've got to do something about it.
In Billy Madison, Billy is on the receiving end of a legendary one after giving an extremely stupid answer during the academic decathalon at the end.
Principal: Mr. Madison, what you've just said is one of the most insanely idiotic things I have ever heard. At no point in your rambling, incoherent response were you even close to anything that could be considered a rational thought. Everyone in this room is now dumber for having listened to it. I award you no points, and may God have mercy on your soul.
Billy: Okay, a simple "wrong" would have been fine.
Joe: You look terrible, Mr. Waturi. You look like a bag of shit stuffed in a cheap suit. Not that anyone could look good under these zombie lights. I, I, I, I can feel them sucking the juice out of my eyeball. Suck, suck, suck, SUCK... (makes a sucking noise) For 300 bucks a week, that's the news. For 300 bucks a week, I've lived in this sink, this used rubber. Mr. Waturi: You watch it, mister! There's a woman here! Joe: Don't you think I know that, Frank? Don't you think I am aware there is a woman here? I can smell her, like, like a flower. I can taste her, like sugar on my tongue. When I'm 20 feet away I can hear the fabric of her dress when she moves in her chair. Not that I've done anything about it. I've gone all day, every day, not doing, not saying, not taking the chance for 300 bucks a week, and Frank, the coffee stinks, it's like arsenic. The lights give me a headache. If the lights don't give you a headache, you must be dead; let's arrange the funeral. Mr. Waturi: You better get outta here right now! I'm telling you! Joe: You're telling me nothing. And why, I ask myself, why have I put up with you? I can't imagine, but now I know. Fear. Yellow freakin' fear. I've been too chicken shit afraid to live my life so I sold it to you for 300 freakin' dollars a week! You're lucky I don't kill you! You're lucky I don't rip your freakin' throat out! But I'm not going to! And maybe you're not so lucky at that. 'Cause I'm gonna leave you here, Mr. Wahoo Waturi, and what could be worse than that?
Towards the beginning of Ghostbusters, Dr. Peter Venkman receives one by Dean Yeager as he, Drs. Ray Stanz and Egon Spengler get fired from their university.
Ray: Hey, Dean Yeager! Are you moving us to a better office on campus?
Yeager: No, you're being moved off campus. The Board of Regents has decided to terminate your grant. You are to vacate these premises immediately.
Peter: (deadpan) This is preposterous. I demand an explanation.
Yeager: This university will no longer continue any funding for any of your group's activities.
Peter: But the kids love us!
Yeager: Doctor... Venkman. The purpose of science is to serve mankind. You seem to regard science as some kind of dodge... or hustle. Your theories are the worst kind of popular tripe, your methods are sloppy, and your conclusions are highly questionable! You are a poor scientist, Dr. Venkman!
Venkman: I see.
Yeager: And you have no place in this department, or this university.
Tommy Boy: Tommy gets more than his share of these speeches from Richard throughout the movie, but Richard gets a very well-deserved one from a prospective client, who calls him out on being a smug, condescending Jerkass to everyone he meets.
Mr. Brady: I'm going to be honest with you. I don't like you, probably never will. You're a smug, unhappy little man, and you treat people like they were idiots.
Hangin With The Homeboys: The long night is over. As daylight approaches, Tom and Willie go to a corner story. Tom buys himself an egg-salad sandwich. Willie wants Tom to buy him a sandwich too, and that's how it starts.
Willie: Tom, uh... you know?
Tom: No I don't know man, what?
Willie: You ain't going to put me down man?
Tom: Didn't you see me give the Rastaman ten dollars? You didn't put nothing in that. I've been paying for shit for you all night!
Willie: If you got it, you got it
Tom: How do you think I get it, man?! I work for it!
Tom: You think the white man is the only man hiring?! You give me no consideration, man. I mean, I got to pay rent! I got to get my damn car fixed! I'm an actor I got to get my headshots (profile photos), man! I can be... I can't afford to be pay for shit for you every week!
Willie: Yo man, I suggest you forget that acting shit, because you got no REAL talent anyway. And with that money, you can buy me an egg sandwich!
Tom: (Surprised) What kind of shit is that to say, man?! What kind of friend are you?! You hang out with me just to bum money, then you tell me I can't act?! You and Vinny, man! Y'all ain't nothing but a bunch of losers! Who needs this shit?! Fuck all of y'all! Who needs a friend like you?!
Willie: You need a friend like me, so I can teach you how to be a Real black man. Because I knew your name was Tom for a REASON.
Tom: Yo, Willie, you're just a bum, alright, a fucking bum?! And I'm sick and tried of your fake militant ass, and I sick of Vinny's fucking put downs! And if Johnny wants to be my friend that's fine. But if he doesn't, then fuck him too. Because I'm my own man and I can stand on my own two feet. Which is more than I can say for you, you fucking bum!
Willie: Yo, I'm a bum?! Fuck you! Fuck you! Fuck you and your fake acting bullshit!
Tom: (Confident) Let me tell you something man, I'm going fucking to make it! You hear me?! I'm going to make it! And if by some small chance I don't make it? Them I'm going to die trying, which is more than I can say for anything you've ever done in your life motherfucker. (Tom leaves the store.)
Willie (voice cracking) Fuck you! You ain't going to make shit! You're just a piece of shit like the rest of us! Fuck You! (Tom goes back into the store, and notices a poor and depressed old man drinking coffee.)
In Sharpays Fabulous Adventure, Sharpay gives Amber Lee Adams one after exposing her for the bitch she truly is in front of her own fan club.
Amber Lee: You did this to me. You ruined me!
Sharpay: News flash! You ruined you!
Amber Lee: Oh, what do you know? You're a nobody! The only reason you even wanted to be my friend is so I'd choose your dog!
Sharpay: No, no. At first, I idolized you! Even more than myself, which isn't easy. But you're not at all what I thought you were.
Amber Lee: You and I are exactly alike.
Sharpay: Except I don't enjoy letting people down. I don't use people to feel better about myself. And I definitely don't wear yellow and orange in the same week, let alone the same outfit, okay? Maybe I did think you and I were alike, but not anymore.
Wanda:I was dealing with something delicate, Otto. I'm setting up a guy who's incredibly important to us, who's going to tell me where the loot is and if they're going to come and arrest you. And you come loping in like Rambo without a jockstrap and you dangle him out a fifth-floor window. Now, was that smart? Was it shrewd? Was it good tactics? Or was it stupid? Otto: Don't call me stupid. Wanda: Oh, right! To call you stupid would be an insult to stupid people! I've known sheep that could outwit you. I've worn dresses with higher IQs. But you think you're an intellectual, don't you, ape? Otto: Apes don't read philosophy. Wanda: Yes they do, Otto. They just don't understand it. Now let me correct you on a couple of things, OK? Aristotle was not Belgian. The central message of Buddhism is not "Every man for himself." And the London Underground is not a political movement. Those are all mistakes, Otto. I looked them up.
Yogi Bear: After Yogi's stunt goes disastrously wrong and nearly destroys the park (coming dangerously close to injuring people, as well), Ranger Smith has an especially pointed one of these for Yogi, in full Tranquil Fury mode:
Yogi, that's the problem, all the thinking. Hey, you know what would be great? If you didn't think. If you could just be a regular bear. You know— sit in the woods minding his own business. But nope, you're different, you're smart, and you have to spend your days being selfish and destructive while everyone else pays the price. I'm sure it's been enough screwing up my life. This time, you had to go down and destroy this whole park. So tell me, Yogi. How smart are you now?
Dylan Morgan in Cas And Dylan is an aspiring writer, who is overjoyed when a high-powered editor appears to have accepted her first manuscript. Unfortunately, when she arrived at the publishing house, she finds out the editor had momentarily confused her with another writer whose surname was "Dylan" and rejected her submission. With the help of her travelling companion Cas, Dylan finally gets an audience with the editor - who then verbally curb-stomps the manuscript and Dylan's writing abilities.
You stupid fucking cunt. You, Williamson, I'm talking to you, shithead. You just cost me $6,000. Six thousand dollars, and one Cadillac. That's right. What are you going to do about it? What are you going to do about it, asshole? You're fucking shit. Where did you learn your trade, you stupid fucking cunt, you idiot? Who ever told you that you could work with men? Oh, I'm gonna have your job, shithead.
Jinnah, the Biopic of the founder of Pakistan, had a scene where Jinnah was confronted with a group of Muslim fundamentalists upst that he let his sister walk around without a veil. Jinnah promptly gave them the smack-down that 99% of the Muslim world covets to give the madmen running around the Afghani mountains:
Islam doesn't need fanatics like you! Islam needs men of vision that will help build the country! NOW GROW UP!!!'
In Fight Club, Tyler Durden not only savagely beat down the narrator, he proceeded to call him, basically, a shallow, spineless, consumer-driven drone.
Though they greet each other nicely enough, the meeting between queens Mary and Elizabeth in Mary, Queen of Scots soon turns so nasty that they both give each other one.
There Will Be Blood: Daniel Plainview pulls a disproportionately savage one on Eli Sunday how he is a total failure compared to his brother, because he acted pious and self-righteous while demanding things, while his brother merely sold Daniel the land he needed to start drilling for oil. And because he had that land he was able to drill the oil out of the land Eli is now desperately trying to sell to him, making it totally worthless. He then goes on to demonstrate how he made that land useless by using a metaphor involving milkshakes and really long straws.
There are quite a few of these in Good Will Hunting, but the one that deserves special mention is when Chuckie tells Will that in twenty years, if he's still living in their neighborhood and working construction, he'll kill him.
Will: Oh, come on! Why is it always this, I mean, I fucking "owe it to myself" to do this or that? What if I don't want to? Chuckie: No, no, no, no, fuck you. You don't owe it to yourself. You owe it to me. 'Cause tomorrow I'm gonna wake up and I'll be fifty. And I'll still be doing this shit. And that's all right, that's fine. I mean, you're sitting on a winning lottery ticket. And you're too much of a pussy to cash it in, and that's bullshit. 'Cause I'd do anything to fucking have what you got. And so would any of these fucking guys. It'd be an insult to us if you're still here in twenty years. Hanging around here is a fucking waste of your time. Will: You don't know that. Chuckie: Oh, I don't know that. Let me tell you what I do know. Every day I come by to pick you up. And we go out and we have a few drinks and a few laughs, and it's great. But you know what the best part of my day is? It's for about ten seconds from when I pull up to the curb to when I get to your door. Because I think maybe I'll get up there and I'll knock on the door and you won't be there. No goodbye, no see you later, no nothing — just left. I don't know much, but I know that.
In It's a Wonderful Life, Potter gives George Bailey one of these when George begs him to help him out with the "missing" bank-deposit money and by giving it establishes himself firmly as one of the most despicable villains in the history of cinema.
Potter: Look at you. You used to be so cocky. You were going to go out and conquer the world. You once called me "a warped, frustrated, old man". What are you but a warped, frustrated young man? A miserable little clerk crawling in here on your hands and knees and begging for help. No securities, no stocks, no bonds. Nothin' but a miserable little $500 equity in a life insurance policy. (chuckling) You're worth more dead than alive!
This is a rejoinder to a "Reason You Suck" Speech that George himself had given Potter earlier in the film, after George's father died and Potter tried to talk the directors of the Bailey Building and Loan into folding that institution.
George: Just a minute, just a minute! Now, hold on, Mr. Potter. You're right when you say my father was no business man. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anybody else can say anything against his character, because his whole life was...Why, in the twenty-five years since he and Uncle Billy started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry to school, let alone me. But he did help a few people get out of your slums, Mr. Potter. And what's wrong with that? Why...here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You, you said, what'd you say just a minute ago? They had to wait and save their money before they even ought to think of a decent home. Wait! Wait for what? Until their children grow up and leave them? Until they're so old and broken-down that they....do you know how long it takes a working man to save five thousand dollars? Just remember this, Mr. Potter, that this rabble you're talking about...they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him, but to you, a warped, frustrated old man, they're cattle. Well, in my book he died a much richer man than you'll ever be.
Then there's the scene where Potter tries to charm George into working for him, and George (after nearly getting sucked in) lays into him:
George: You sit around here, and you spin your little webs, and you think the whole world revolves around you and your money. Well, it doesn't, Mr. Potter. In the whole vast configuration of things, I'd say you were nothing but a scurvy little spider.
"They didn't release you because you're better, Daisy. They just gave up. You call this a life, hmm? Taking Daddy's money, buying your dollies and your knick-knacks... and eatin' his fuckin' chicken, fattening up like a prize fuckin' heifer? You changed the scenery, but not the fucking situation - and the warden makes house calls. And everybody knows. Everybody knows that he fucks you. What they don't know is that you like it. Hmm? You like it."
To twist the knife,after Susanna discovers Daisy's act the following morning, Lisa casually robs her corpse.
Of course, Lisa gets a taste of her own medicine at the end when Susannah turns her own routine against her and informs her that no, it's Lisa who's the broken and pathetic one:
"No one cares if you die, Lisa, because you're dead already. Your heart is cold. That's why you keep coming back here. You're not free. You need this place. You need it to feel alive. It's pathetic. I've wasted a year of my life. Maybe everyone out there's a liar, and maybe the whole world is stupid and ignorant, but I'd rather be in it. I'd rather be fucking in it than down here with you."
Every single guard working on The Green Mile gives one to Percy after he sadistically 'forgets' to wet the sponge for Del's execution in the electric chair. The two most notable are Paul's (for its awesome) and the Warden's (for its hilarity):
During the climax of The Devil's Advocate, Kevin Lomax accuses Milton of engineering Mary-Anne's Sanity Slippage and his own corruption; Milton replies with a gleefully billious rant that shoots down every single one of Kevin's pretensions to morality:
Milton: You're blaming me for Mary-Anne? Ooh, I hope you're kidding. Mary-Anne, you could have saved her anytime you liked; all she wanted was love, but hey, you were too busy. Kevin: That's a lie! Milton: Mary-Anne and New York? Face it, you started looking to better-deal her the minute you got here. Kevin: That's not true. You don't know what we had, you don't know anything about it! Milton: Hey, I'm on your side. Kevin: YOU'RE A LIAR! (He turns to leave) Milton: Kevin! There's nothing out there for you! Don't be such a fuckin' chump! Stop deluding yourself! (Kevin stops at the doors) I told you to take care of your wife! What did I say? "The world would understand." Didn't I say that? What did you do? (In Kevin's voice) "You know what scares me, John? I leave the case, she gets better and then I hate her for it." (In own voice) Remember? Kevin: I know what you did, you set me up! Milton: Who told you to pull out all the stops on Mr Gettys? Who made that choice? Kevin: It's entrapment, you set me up! Milton: And Moyez! The direction you took! Popes, swamis, snake handlers, all feeding at the same trough. Whose ideas were those? Kevin: You PLAYED ME! It was a test! Your test! Milton: And Cullen- knowing he was guilty, seeing those pictures- what did you do? (laughing) You put that lying bitch on the stand! Kevin: You brought me in. You put me there! You made her lie! Milton:I don't do that, Kevin! That day on the subway, what did I say to you? What were my words to you? Maybe it was your time to lose. You didn't think so. Kevin: LOSE? I DON'T LOSE! I WIN! I WIN! I'M A LAWYER! THAT'S MY JOB! THAT'S WHAT I DO! (Beat) Milton:I rest my case.
Xenos: I, who for 1,000 years have manipulated their ancestors like puppets. I killed their dragons and they blamed each other. I know how they think. I know how they feel. They are but weak humans. And they can do nothing!
Boss Jim Gettys: You're makin' a bigger fool of yourself I thought you would, Mr Kane... If it was anybody else, I'd say what's going to happen to you would be a lesson to you. Only you're going to need more than one lesson. And you're going to get more than one lesson.
Leland: You talk about the people as if you own them, as though they belong to you. As long as I can remember, you've talked about "giving the people their rights," as if you could make them a present of liberty as a reward for services rendered! Remember the Working Man? Kane: I'll get drunk, too, Jebediah... if it'll do any good. Leland: Ah, it won't do any good. Besides, you never get drunk. You used to write an awful lot about the Working Man, and he's turning into something called "Organized Labour." You're not going to like that one little bit when you find out that it means your Working Man expects something as his right, not as your gift! Charley, when your precious underprivileged really get together... oh boy, that's going to add up to something bigger than your privileges. I don't know what you'll do- sail away to a desert island probably and lord it over the monkeys. Kane: I wouldn't worry about it too much, Jeb. They'll probably be a few of them there to let me know when I do something wrong. Leland: You may not always be so lucky. Kane: You're not very drunk. Leland: What do you care? You don't care about anything except you. You just want to persuade people that you love 'em so much that they ought to love you back; only you want love on your own terms. Something to be played your way, according to your rules.
Susan: Oh sure, you give me things, but that don't mean anything to you. Kane: You're in a tent, darling, you aren't at home. I can hear you very well if you speak in a normal tone of voice. Susan: What's the difference between giving me a bracelet or giving somebody else a hundred thousand dollars for a statue you're gonna keep crated up and never even look at? It's just money, it doesn't mean anything! You never really give me anything that belongs to you, that you care about! Kane: Susan, I want you to stop this. Susan:I'm not gonna stop it! Kane: Right now! Susan:You never gave me anything in your whole life! You just tried to bribe me into giving you something! Kane: (getting to his feet) Susan! ...Whatever I do, I do because I love you. Susan: Love! You don't love anybody! Me or anybody else! You want to be loved - that's all you want! "I'm Charles Foster Kane. Whatever you want - just name it and it's yours! Only love me! Don't expect me to love you."
Alexandra Medford gets to deliver a real zinger to Daryl Van Horne in The Witches of Eastwick. It's in no way diminished by the fact that she does have sex with him afterwards..."I think... no, I am positive... that you are THE most unattractive man I have ever met in my entire life. You know, in the short time we've been together, you have demonstrated EVERY loathsome characteristic of the male personality, and even discovered a few new ones. You are physically repulsive, intellectually retarded, you're morally reprehensible, vulgar, insensitive, selfish, stupid, you have no taste, a lousy sense of humour - and you smell. You're not even interesting enough to make me sick!"
Gerald Tetley: I saw your face. It was the face of a depraved, murderous beast. Only two things ever meant anything to you: power and cruelty. You can't feel pity. You can't even feel guilt. You knew they were innocent, but you were crazy to see them hanged. And to make me watch it. I could've stopped you with a gun, just as any other animal can be stopped. But I couldn't do it because I'm a coward. Aren't you glad you made me go? Weren't you proud of me? How does it feel to have begot a weakling, Major? Does it make you afraid there may be some weakness in you, too? That other men might discover and whisper about? Open the door! I want to see your face. I want to know how you feel now!
In The Crossing, General Gates calls George Washington an incompetent and possibly insane leader of a ragtag army of barely-trained farmers and boys who shouldn't even be called soldiers, saying that they've been thoroughly trounced out of New York and it's delusional to think that such a force could beat the Hessians at Trenton. Washington responds by ordering him out at gunpoint and keeping Gates' troops for the attack. (The Americans win, by the way.)
In Natural Born Killers, Mickey and Mallory have confronted Wayne Gale, who spent all movie propagating the team's evil doings, and has begun murdering people himself.
Wayne Gale: I thought a bond developed between us! Mickey: No. Not really. You're scum, Wayne; you did it for RATINGS. You don't give a shit about us or anybody else except yourself; that's why nobody gives a shit about YOU. That's why "helicopters" were not "deployed."
In Lincoln, when Thaddeus Stevens denies his belief that blacks are fully equal to whites lest this radical notion scare away support for the Thirteenth Amendment, he takes out his frustration on political opponent George Pendleton:
Stevens: How can I hold that all men are created equal when here before me stands stinking the moral carcass of the gentleman from Ohio? Proof that some men are inferior. Endowed by their maker with dim wits, impermeable to reason, with cold pallid slime in their veins instead of hot red blood. You are more reptile than man George, so low and flat that the foot of man is incapable of crushing you.
Gone with the Wind produced one of the most famous ones when Rhett Butler leaves Scarlett at the end of the film.
In Seven Samurai, Kikuchiyo delivers this blistering speech when it's revealed that the villagers the samurai are protecting have killed other samurai in the past and took their armor.
Kikuchiyo: What do you think of farmers? You think they're saints? Hah! They're foxy beasts! They say, "We've got no rice, we've no wheat. We've got nothing!" But they have! They have everything! Dig under the floors! Or search the barns! You'll find plenty! Beans, salt, rice, sake! Look in the valleys, they've got hidden warehouses! They pose as saints but are full of lies! If they smell a battle, they hunt the defeated! They're nothing but stingy, greedy, blubbering, foxy, and mean! God damn it all! But then who made them such beasts? You did! You samurai did it! You burn their villages! Destroy their farms! Steal their food! Force them to labor! Take their women! And kill them if they resist! So what should farmers do?
Broulard: It would be a pity to lose your promotion before you get it. A promotion you have so very carefully planned for.
Dax: Sir, would you like me to suggest what you can do with that promotion?
Broulard: Colonel Dax! You will apologize at once or I shall have you placed under arrest!
Dax: I apologize... for not being entirely honest with you. I apologize for not revealing my true feelings. I apologize, sir, for not telling you sooner that you're a degenerate, sadistic old man. AND YOU CAN GO TO HELL BEFORE I APOLOGIZE TO YOU NOW OR EVER AGAIN!
So that was Mrs. Lundegaard on the floor in there, and I guess that was your accomplice in the woodchipper. And those three people in Brainerd. And for what? For a little bit of money. There's more to life than a little money, y'know. Don'tcha know that? And here you are, and it's a beautiful day. Well, I just don't understand it.
Downplayed towards the end of the historical dramaBurke and Wills. John King was the only survivor of the expedition, having been taken in by an Aboriginal tribe. After being rescued, King is given a gold watch for his service to the country. He abandons the acceptance speech written for him halfway through and recounts the time when only he, Burke and Wills were left, saying that they're the ones who deserve the credit. He invokes the trope briefly but effectively at the end of the speech when he says "they did their job - if some of you had done your job, they might be here" and drops the watch. Despite this turn, he receives a round of applause.
Al Pacino again as Tony Montana in Scarface1983, gives one to the rich people in the restaurant, after the embarrassing scene between him and Elvira.
Drunk Tony Montana: "What are you looking at? You're all are a bunch of fucking assholes. You know why? Because you don't have the guts to be what you want to be. You need people like me. You need people like me, so you can point your fucking fingers and say: That's the bad guy. So, what does that make you, good? No, you're not good. You just know how to hide, how to lie. Me? I don't had that problem. Me, I always tell the truth, even when I lie. So say goodnight to the bad guy. Come on. Last time you'll see a bad guy like me again." (As he leaves the restaurant) Go on, make way for the bad guy. There's a bad guy coming through, better get out of his way.
The Caine Mutiny: Military defense attorney Lt. Barney Greenwald (Jose Ferrer) gives one to the mutineers he successfully defended at the court martial but at the cost of Captain Queeg's reputation, saying that if they had supported Queeg from the beginning as they were obligated to do so, the mutiny never would have been necessary. At the end of it he saves most of his derision for the Lt. Keefer(Fred McMurray):
Lt. Barney Greenwald: And now we come to the man who *should've* stood trial. The Caine's favorite author. The Shakespeare whose testimony nearly sunk us all. Tell 'em, Keefer! Lieutenant Tom Keefer: [stiff and overcome with guilt] No, you go ahead. You're telling it better. Lt. Barney Greenwald: You ought to read his testimony. He never even heard of Captain Queeg! Lt. Steve Maryk: Let's forget it, Barney! Lt. Barney Greenwald: Queeg was sick, he couldn't help himself. But you, you're *real* healthy. Only you didn't have one tenth the guts that he had. Lieutenant Tom Keefer: Except I never fooled myself, Mr. Greenwald. Lt. Barney Greenwald: I'm gonna drink a toast to you, Mr. Keefer. [pours wine in a glass] Lt. Barney Greenwald: From the beginning you hated the Navy. And then you thought up this whole idea. And you managed to keep your skirts nice, and starched, and clean, even in the court martial. Steve Maryk will always be remembered as a mutineer. But you, you'll publish your novel, you'll make a million bucks, you'll marry a big movie star, and for the rest of your life you'll live with your conscience, if you have any. Now here's to the *real* author of "The Caine Mutiny." Here's to you, Mr. Keefer. [splashes wine in Keefer's face] Lt. Barney Greenwald: If you wanna do anything about it, I'll be outside. I'm a lot drunker than you are, so it'll be a fair fight.
Jigsaw in Saw II had a twisted logic that kind of made sense as to why he was carrying out those sadistic games.
Many of Jigsaw's victims listen to a tape or video that explains why they're horrible people and thus being subjected to one of his Games before their timer starts.
Ironically, Jigsaw himself gets one in Saw III on his death bed. He asks his kidnapped doctor, Lynn, how people will remember his horrific story. Her response is short, but effective:
"A monster. A murderer."
In Hellraiser: Inferno, Pinhead appears as a neutral arbiter who condemns Joseph to Hell, informing Joseph how he destroyed his own innocence and abused everyone around him, which has now become reality through Joseph's dark side killing his younger self.
"I'd like to share a revelation that I've had during my time here. It came to me when I tried to classify your species. I realized that you're not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment, but you humans do not. You move to an area, and you multiply and multiply until every natural resource is consumed. The only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Human beings are a disease, a cancer of this planet. You are a plague, and we...are the cure."
One level on which he is wrong is that no animal reaches an equilibrium. There's something called the Logistic Equation, and it basically describes the cycle of animals over-reproducing, overeating, starving, dying, and then seeing their population go back up when the food source or other resource returns. Nature doesn't do equilibrium. It does chaotic tugs of war between over-consumption and starvation. It's not merely in our nature to over-consume, when given the chance, it's in nearly every creature's nature. our intelligence just means we can screw up things in a way other creatures are too dumb to.
It's also ironic since by the second movie he's become a virus himself
There's also Smith's angry "Why, Mr. Anderson?" speech to Neo in the final showdown which fully cements him as a Nietzsche Wannabe.
Inverted in Serenity; whenever the Operative is on the verge of killing someone, he tells them why he's doing it, and then instead of taunting them while doing the deed, he actually praises them for the good work they've done, how well they've fought, and so on. The closest he gets to ever insulting someone is to explain to them what he feels is their "sin" that leads to their downfall.
And of course, Mal tells the Operative how wrong he is by simply saying "I'm a fan of all seven", and eventually showing him what a world without sin really is.
So be it... Jedi. If you will not be turned, you will be destroyed. (as he fries Luke with Force lightning) Young fool...only now, at the end, do you understand! Your feeble skills are no match for the powahhhh of the Daaaarrk Siiide! You have paid the price for your lack of vision! Now, young Skywalker, you will die.
Of course this in response to Luke's own from the Emperor's attempt to turn him to the dark side not working.
You failed, your highness. I am a Jedi like my father before me.
Columbia: My God! I can't stand any more of this! First you spurn me for Eddie, and then you throw him off like an old overcoat for Rocky! You chew people up and then you spit them out again... I loved you... do you hear me? I loved you! And what did it get me? Yeah, I'll tell you: a big nothing. You're like a sponge. You take, take, take, and drain others of their love and emotion. Yeah, well, I've had enough You're gonna choose between me and Rocky, so named after the rocks in his head!
In Star Trek Into Darkness, Admiral Pike immediately chews out Kirk over his actions in the beginning of the movie.
Pike: Do you know what a pain you are? You think the rules don't apply to you. There's greatness in you, but there's not an ounce of humility. You think that you can't make mistakes, but there's going to come a moment when you realize you're wrong about that, and you're going to get yourself and everyone under your command killed.
The aliens (or possibly indigenous creatures of the deep) from the movie The Abyss give this to the protagonist in a sort of slide show format, depicting all the famous atrocities of human history. Although if memory serves, they might have done this to demonstrate why they were afraid of humanity and choosing to stay in the deep ocean, rather than illustrating why humans deserved to die. Either way, they weren't actively trying to wipe out humanity or even the protagonist, but it was made painfully clear that and why they think Humans Are the Real Monsters.
That's in the theatrical cut. The director's cut puts back the giant tidal waves sequence and shows that yes, the aliens were willing and able to wipe out humanity if we didn't straighten up and fly right.
Able to, sure, but willing is left unknown. The director's cut doesn't specify if the protagonist's effort made the aliens suddenly change their minds, the tidal waves are just as likely a simple demonstration of what they could do if they so wished. It's even possible they are not threatened by current human technology at all adding to The Reason You Suck.
Major Dundee - the title character, Major Charles Amos Dundee (Charlton Heston) and his former friend turned enemy Captain Benjamin Tyreen (Richard Harris) take turns throwing these back and forth at each other, pointing out the shortcomings that resulted in their unhappy lives and careers.
Winslow, what a foolish thing to do. Didn't you read your contract closely? See where it says Terms of Agreement, can you read what it says? "This contact terminates with Swan". No more suicides, Winslow; you gave up your right to rest in peace when you signed this contract.
Dr. Herbert Bock (George C. Scott) gets a great one in The Hospital:
"Eight days ago you showed up half-stoned for a simple nephrectomy, botched it, put the patient in failure, and damn near killed him. Then, pausing only to send in your bill, you flew off on the wings of Man to an island of sun in Montego Bay. This is the third time in two years we've had to patch up your patients. The other two died. You're greedy, unfeeling, inept, indifferent, self-inflating, and unconscionably profitable. Besides that, I have nothing against you. I'm sure you play a hell of a game of golf."
Another Paddy Chayefsky-scripted film, Network, has Max Schumacher (William Holden) giving one of these to Diana Christensen (Faye Dunaway) when he breaks up with her:
"You need me! You need me badly. Because I'm your last contact with human reality! I love you! And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day. [...] It's too late, Diana. There's nothing left in you that I can live with. You're one of Howard's humanoids. If I stay with you, I'll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You're television incarnate, Diana: Indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You're madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure, and pain, and love. And it's a happy ending. Wayward husband, comes to his senses, returns to his wife, with whom he's established a long, sustaining love. Heartless young woman, left alone in her arctic desolation. Music up with a swell, final commercial. And here are a few scenes from next week's show."
Taylor: Let's get some things straight. You're twenty-something years old, you've got no money, no job, very few prospects; you haven't been seen in the vicinity of anything that faintly resembles the opposite sex in over six months, and yet you sit here and tell us that you have something that makes the other side go 'gaga'. Well, if it makes them go so fucking gaga, then what the fuck are you doing here with us losers?
Then later on we get this gem:
Sam: One day, Danny, you're going to wake up old and gray, in a house full of dumb kids, living off of fish fingers, bucket bongs and social security, and it's going to hit you, like a fist, right in the middle of your stupid looking face, and you're going to wonder what happened to your life.
Danny gets his own one, when Dirk, looking for a fight, takes everyone's casual acceptance of his homosexuality as a sign that Danny's actually a homophobe:
Danny: Dirk, this newly-installed, sophisticated gay radar of yours is picking up shit from the cosmos that just ain't fucking there. I've got my own problems to worry about! I've lived in 49 shared households in what seems as many years. My beds are foam slabs on the floor; my cupboards are stolen milk crates. I've lived with tent-dwelling bank clerks, albino moon tanners, nitrous suckers, psycho fucking drama queens, ACID EATERS, MUSHROOM FARMERS, FUCKING BROTHEL CRAWLERS, FRIDGE-PISSERS, HARDCORE SEPARATIST LESBIANS, AND OBSCURELY TIGER-SUITED JAPANESE GIRLS! AND NOW THE BEST FRIEND I'VE EVER HAD IN THE FUCKING WORLD WON'T EVEN FUCKING TALK TO ME! I'M IN A PSYCHO FUCKING NIGHTMARE FROM HELL, AND I'M FUCKING FED UP WITH IT! So I suggest, pal, that you tune in, and chill fucking out.
Burn After Reading has them in spades ("If you ever carried out your proposed threat, you would experience such a shitstorm of consequences, my friend, your empty little head would be spinning faster than the wheels of your Schwinn bicycle back there") but the crowning moment is a beautiful speech at the height of the final act from the delightful Osbourne Cox:
Osbourne: Oh yes, I know very well what you represent. You represent the idiocy of today. Yeah, you're the guy at the gym when I asked about that moronic woman. Oh yes, you see, you're one of the morons I've been fighting my whole life. My whole fucking life. But guess what... Today, I win.
At one point in Hud the title character demands to know why his father, Homer, dislikes him so much:
Hud: All right, I'll bite, what turned you sour on me? Not that I give a damn. Homer: Just that, Hud. You don't give a damn. That's all, that's the whole of it. You still don't get it, do you? You don't care about people, Hud. You don't give a damn about 'em. Oh, you got all that charm goin' for you. And it makes the youngsters want to be like you. That's the shame of it, 'cause you don't value nothin'. You don't respect nothin'. You keep no check on your appetites at all. You live just for yourself. And that makes you not fit to live with.
The recurring line from A Knight's Tale, "You have been weighed. You have been measured. And you have been found....wanting."
In Falling Down, Det. Prendergast has the perfect statement to tell D-Fense that he had no right to commit all the violent crimes he did against his petty frustrations.
Sergeant Prendergast: Is that what this is about? Is that why my chicken dinner is drying out in the oven? You're mad because they lied to you? Listen, pal, they lie to everyone. They lie to the fish. But that doesn't give you any special right to do what you did today.
In Bruges provides a great example of this when Ralph Fiennes' Harry meets Eirik, the character that attempted to mug Colin Farrell earlier in the film:
Eirik: I was trying to rob him. And he took my gun from me. And the gun was full of blanks. And he shot a blank into my eye. And now I cannot see from this eye ever again, the doctors say. Harry: Well to be honest it sounds like it's all your fault. Eirik: What? Harry: I mean basically if you're robbing a man and you're only carrying blanks and you allow your gun to be taken off you and you allow yourself to be shot in the eye with a blank which I assume that the person has to get quite close to you then, yeah really it's all your fault for being such a poof, so why don't you stop wingeing and cheer the fuck up. Yuri: Eirek - I really wouldn't respond. Eirik: I thought you wanted the guy dead? Harry: I do want the guy dead, I want him fucking crucified but it don't change the fact that he stitched you up like a blind little gay boy, does it?
In the horror film RSVP, Professor Hal Evans (played by the late lamented Glenn Quinn) delivers one of these to Ax-Crazy Nick Collier:
Hal: You know, for a big brain, Nick, you're awfully fucking stupid. Nick: Smart enough to beat you. Hal:Beat? Hah! Shit, boy! Did you ever stop for fucking one goddamn minute and take a good arm's length look at the fucking situation, eh? You're nothin' but a shill, my friend — a little experiment that I've privately undertaken, that I readily admits gone a wee bit wrong. Right, question: how much bullshit do I have to fill an overly intelligent but fucking emotionally retarded kid's head with before he steps, or in Nick's case leaps, with both feet and a kitchen sink, over the edge? Jordan: Evidently not fucking much! Hal: Just whispered fucking sweet nothings about murder and mayhem into his ear, and three semesters later, he's got his best friend stuffed into a box, man. Jesus, kid, wake the fuck up! You're not in control here. I am, always have been!
Rufus Shinra: So bring your Jenovas and your Sephiroths. We'll just stop you every time.
Both used and subverted in Layer Cake: after XXXX and his crew finally deliver the ecstasy pills to Eddie Temple, all of them are rather surprised when the payment of three million pounds is replaced with membership to a very exclusive gentleman's club and enforced at gunpoint. Eddie explains himself very frankly to XXXX in his office, before turning the Reason You Suck Speech into a very memorable "Welcome To The Business" lecture:
Eddie: You and Jimmy have caused my little angel Charlotte considerable anxiety: she's off to Arizona for a course of intense treatment. I'm keeping those pills for myself, by way of compensation. I think I'm entitled. Simple. End of. The amount of trouble you've caused the last few days.... Jimmy. Poor little Jimmy. It would be in your interests if this thing finishes here, now, today. Understand? XXXX: It doesn't matter what I do; this lot are going to come after you. (Eddie turns on the intercom so the rest of the crew can hear what he says next) Eddie: They're too long in the tooth to rampage round the country looking for revenge. Look at them. Bunch of underendowed, aging fuck-pigs. XXXX: You're enjoying this, aren't you? Eddie: No. On the contrary; take it as a compliment...
Smith: May a dead man say a few words to you for your enlightenment? You will never rule the world, because you are doomed. All of you who have demoralized and corrupted a nation are doomed. Tonight you will take the first step along a dark road from which there is no turning back. You will have to go on and on, from one madness to another, leaving behind you a wilderness of misery and hatred. And still you will have to go on, because you will find no horizon, and see no dawn, until at last you are lost and destroyed. You are doomed, captain of murderers. And one day, sooner or later, you will remember my words...
In Rashomon, the wife has a speech like this in the fourth and final version of the story. The thief and her husband are each about to abandon her, but she assails their sense of masculine honor and taunts them into fighting over her.