Characters: Game Of Thrones House Stark

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House Stark

"Our way is the old way."

Jon Snow: You Starks are hard to kill.

The oldest of the Great Houses of Westeros, very big on honor and tradition. Once, the Starks were Kings in the North and the Kings of Winter, but after Aegon's conquest and the reformation of the seven kingdoms the Stark's rank was reduced to Wardens of the North. The old titles are revived following the execution of Ned Stark and his son's acclamation as King.

    In General 

  • 100% Adoration Rating: The Starks are unbelievably popular with their vassals and smallfolk, Boltons and Karstarks notwithstanding. Hell, even the Riverlords loved Robb Stark enough to rebel against the Iron Throne and accept him as King of the Trident. This is almost certainly why Stannis offers to Jon Snow that in return for leaving the Night's Watch and bending the knee, he'll legitimize Jon Snow as both a Stark and as Lord of Winterfell.
  • Accidental Misnaming: "Winterfell" is called several times "Winterhell" by some characters, seemingly by mistake, not out of gratuitous malice. But after everything that has happened it wouldn't be a mistake either.
  • Adult Fear: This is essentially House Adult Fear as the entire story is what happens to the Stark Family after the parents are separated from them, first by circumstances and then by death.
  • Aerith and Bob: Or Eddard and Robb if you will, but Stark men tend to have names that are less fantastic (Brandon, Robb, Ned, Jon, Ben) than the girls (Lyanna, Sansa, Arya).
  • Age Lift: Robb and Jon are 17-18 in the beginning of the series as opposed to 14 in the books, and their siblings are aged up accordingly. More time also passes within the show's timeframe than the books, so they age about twice as fast, too (then again, this applies to everyone in the narrative).
  • Animal Motifs: The sigil of House Stark is the direwolf, a wolf the size of a small horse.
  • Arch-Enemy:
    • To House Lannister. At the beginning of the series, the two houses can barely stand to be in the same room together without being drunk and Joffrey quickly manages to turn the Starks into mortal enemies of the Lannisters. Though, initially their differences were ideological rather than personal, and driven by Ned feeling bitter about the Lannisters souring Robert's Rebellion with their craven power-grab and his bias against Jaime Lannister's Bodyguard Betrayal of Aerys, it gets sour immediately and reaches a point of no return when Joffrey decides to execute Ned. An action which the Lannisters did not want to do, with even Cersei wanting Ned to be sent to the Night's Watch. After that, Tywin and Tyrion realize that It's Personal and the remaining Starks will hunt them down.
    • Historically, House Bolton were this to the Starks, rivals for hegemony over the North. They even rebelled against the North once(a la the "Reynes of Castamere") but the Starks pardoned them after they bent the knee. Since then, the Boltons have been forced into Teeth-Clenched Teamwork for the most part, with the Starks forcing them to outlaw their "traditions" of flaying people and Roose Bolton fighting for Ned Stark during Robert's Rebellion and supporting Robb during the War of the Five Kings. Until Roose found an opportunity, courtesy Tywin Lannister, to become The Starscream, and he along with the Freys betrayed the Starks during the Red Wedding with Roose personally killing his Liege Lord Robb Stark and becoming Warden of the North and claiming Winterfell as a reward.
  • Badass Family: This House is full of legendary heroes, warriors and wargs.
  • Badass Boast: Subverted. The Stark's moto is meant as a warning and also indicates a great concern for their subjects. However Robb still manages to find a way to use it as a boast.
  • Beauty Equals Goodness: Every member of the Stark family is quite attractive and unambiguously good (though none are without their flaws) in an extremely Crapsack World.
  • Being Good Sucks: In Westeros, the decent way rarely is the efficient or happy way. Doing the right thing has its tolls. Deconstructed in Season Four. Even after their downfall the Starks still command 100% Adoration Rating among many of their former vassals and allies, all of whom would not hesitate a second to help any of the surviving Stark children, and when Stannis demands the capitulation of the northern noble Houses early in Season Five, their answer is exemplified by a ten year old girl's answer: "Bear Island knows no king but the King in the North, whose name is Stark."
  • Big Screwed-Up Family: A notable aversion, as House Stark is one of the few great houses whose members unquestioningly love each other unconditionally.
  • Butt Monkey: Nothing ever goes well for the Starks at all (except during the times of Robert's Rebellion — and even then Ned and his younger brother Benjen were the only surviving Starks of their generation — and the early part of the War of the Five Kings, when the Starks and Tullys were militarily unstoppable). By Season Four, they've lost almost everything, both in human and social (i.e. titles) terms, including Winterfell, the Lordship Paramount of the North, and the Wardenship of the North, with the only remaining Starks in no position to reclaim their previous rank.
  • Everybody's Dead, Dave: The Starks are reduced down to a few children by the end of Season Three.
  • Fantasy Counterpart Culture: Of the House of York.
  • Fatal Flaw: The Starks' reoccurring flaw is that they often assume that others share their morals in principals. This naivety often leads to the Starks being manipulated and several of their deaths.
  • The Fettered: In contrast to the Lannisters.
  • Generation Xerox: All of Ned's children seem to embody one of his traits. Robb has his leadership skills (both in war and peace), Bran has his father's Nerves of Steel and his overriding concern for his subjects (literally begging for Ser Rodrik's life) as well as his friendship with the children of Howland Reed, Ned's best friend. Jon has Ned's solemn demeanor, his rigid sense of honor and strong leadership skills. Arya has Ned's fierce commitment to justice and love and empathy for the small-folk. Sansa, despite her earlier infatuation for Joffrey, has his idealism, love for family and her home, Winterfell.
  • Good Is Dumb: When it comes to playing the game of thrones. When it comes to winning battles and ruling the North, it's a different matter.
  • Good Old Ways: They still keep to the traditions of the First Men: honor, bravery, belief in the old gods, and "the man who passes the sentence should swing the sword". They are the last great house to do so.
  • Grim Up North: By reputation.
  • The Heroes: The Starks are the most classical in terms of heroes, honor-bound warriors devoted to each other.
  • Heroes Love Dogs: Direwolves are their House sigil and the recent generation has each received one as a pet.
  • Honor Before Reason: By tradition, specially under the rule of Ned Stark, who lives and breathes by this trope. To their detractors they frequently cross the line to being Lawful Stupid.
  • Horrible Judge of Character: It's almost a family trait for Starks to place their trust in people who REALLY should not be trusted.
  • Leitmotif: "Winterfell" is the most recurring Stark theme. A slow, somber and melancholic yet powerful piece that evokes past and better times when the family was together.
  • Meaningful Name: Stark has several meanings, including "rigidly conforming," "desolate" and "strong." All of these meanings can apply to the Stark family or the North.
  • Modest Royalty/Working-Class Hero: Compared to other great houses.
  • Monument of Humiliation and Defeat: King Joffrey installs a statue of himself wielding a crossbow with his foot standing on a direwolf.
  • Nice Guy: All of the Stark children share this as a common trait, along with Ned Stark himself.
  • Nice Job Breaking It, Hero: A trait common to all Starks is that many of their actions tend to backfire on them and aid their enemies. Namely, their dislike for Lannisters leads them to buy Littlefinger's lies about them killing Jon Arryn and later his phony accusation against Tyrion, actions which helped spark the War of the Five Kings.
  • Party Scattering: To a degree that almost none of the Starks are aware that the others are alive, leave alone how far they are from each other. At the end of Season Four, Bran is beyond the wall under the care of a Humanoid Abomination, Rickon and Osha were sent to the Umbers but Roose Bolton states that no Northern Lord has seen or heard of them, Jon Snow is at Castle Black, Sansa Stark has changed her identity and become a willing accomplice to the lecherous Chessmaster Petyr Baelish and Arya Stark has left Westeros all together for the Free City of Braavos. At the moment, only Jon and Sansa are believed by all their living siblings to still be alive.
  • Quality Over Quantity: House Stark and their Tully allies can muster only about 30,000 men (due to early Tully defeats and reversals, they are not able to muster the full strength of the densely populated and prosperous Riverlands), but face upwards of 60,000 Lannister forces (many, many more when the Tyrells join the Lannister side). And despite almost always being badly outnumbered in individual battles, they have never once been defeated (except for that 2,000-men decoy force sent to confront Tywin in Season One). Ultimately though, the strategic imbalance between Stark/Tully and Lannister/Tyrell means that the Starks can't win a protracted war outside of the North.
  • Unwitting Pawn: Their entire conflict with the Lannisters was instigated by Littlefinger, who used the values of both houses to move them against each other. The Starks' Honor Before Reason and the Lannister's Might Makes Right ethos.
  • Wrong Genre Savvy: They're essentially a family of classic fantasy heroes who haven't quite caught on that they're living in a Darker and Edgier fantasy world where their idealism counts for very little... though some of them get better about it.

    Lord Eddard "Ned" Stark 
Played By: Sean Bean

"I grew up with soldiers. I learned how to die a long time ago."

Eddard "Ned" Stark, Lord of Winterfell and Warden of the North, becomes the Hand of the King after Lord Jon Arryn's death. He is known for his sense of honor and justice. He took part in Robert's Rebellion after his sister Lyanna was kidnapped by Crown Prince Rhaegar Targaryen. When Ned's father and brother went south to reclaim her, the "Mad King" Aerys Targaryen burned both of them alive. Ned and Robert Baratheon led the rebellion to unseat him from the throne. As the show opens, Ned has been content to remain in the north, but after the death of Lord Jon Arryn, he is convinced that it is his duty to accept the position of Hand of the King. Ned is not interested in politics, and prefers to rule with honor and follow the law.
  • Action Dad: Being the father of six children hasn't slowed his sword swing or dampened his willingness to use his sword when needed.
  • Adaptational Attractiveness: Eddard Stark is described in the books as being long-faced and plain, in contrast to his late brother Brandon, who was more dashing. On the show, he's played by Sean Bean, and described as "an even more impressive specimen" than his late brother.
  • Adaptational Badass: To an extent. In the books, he is a great general and capable warrior, but his skill with a sword is never mentioned as being exceptional. In the series, Barristan notes his fearsome reputation as a fighter. When Ned engages Memetic Badass Jaime Lannister, he gets the better of the exchange until a Lannister guard puts a spear through Ned's leg from behind. From the books... 
  • Authority Equals Asskicking: A Lord Paramount who evenly matches the much younger Jaime Lannister, a renowned master swordsman. Ser Barristan calls Lord Stark a fearsome fighter. Ned being the awesome guy he is, chooses to be modest about it.
  • Ancestral Weapon: Ice has been this, gifted to the Starks by Aegon the Conqueror after Torrhen, the last Stark King of Winter, bent his knee.
  • Anyone Can Die: If there is a character that can illustrate this trope, it's Ned.
  • BFS: Ice. So big that Tywin Lannister describes it as "absurdly large" and is able to reforge two normal Valyrian swords out of it.
  • Badass: Fights against Jaime Lannister and dozen of Lannister's men, and holds his own. Furthermore, between Jory and himself, they manage to kill 6 Lannister guards. No mean feat. A short Mythology Gag in the Kingsguard Book of Brothers confirms that like his Book Counterpart, he led a Badass Crew to face the likes of Gerold Hightower, Oswell Whent and Arthur Dayne and defeated three of the greatest knights of the age.
  • Badass Beard: He wears a full (although not too thick) beard and as mentioned above, is very much a badass.
  • Badass Bureaucrat: After becoming Hand.
  • Badass Family: Fathered one.
  • Bash Brothers: With Robert during the war against the Targaryens. And later the Greyjoy Rebellion, where he and Robert fought side by side when they laid siege on the castle of Pyke.
  • Big Good: To the North as a whole but also across Westeros as one of the three heroes who deposed the Mad King's regime. The Lords of the Vale, the Stormlands and even independent figures like Ser Barristan, Beric Dondarrion and Thoros of Myr (who were appointed by Ned to stop Tywin Lannister's terror campaign in the Riverlands) admire him.
  • Bookends/Death by Irony: His death mirrors the same way he decapitated a deserter from the Night's Watch; somewhat inverted in that he sticks to his own mantra of the one speaking justice doing the executing, while Joffrey uses the Royal Executioner. He's even killed with his own ancestral sword, Ice, the same one he used to kill the deserter.
  • British Accents: Sean Bean supplies his Sheffield accent to the character.
  • Cool Sword: Ice was made of Valyrian Steel, which made it impossibly sharp.
  • Deadpan Snarker: He has his moments.
    Ned: War is easier than daughters.
  • Death by Irony: Twice, he has a chance to come out on top of the Gambit Pileup but doesn't make the obvious move, because he doesn't want to see the history repeat itself — he hates the idea of killing children. In the end, he is killed by one of the very children he spared.
  • Deconstruction: Like several honorable classic heroes, he refuses to make moral compromises and tries to save everybody. This only ends up making things worse. One of the best examples is warning Cersei to save her children. Not only does this lead to his own death, but leads to the crowning of a deranged psychopath, the very child he refused to kill.
  • Decoy Protagonist: He's not only played by the biggest name in the cast, he's the character the audience spends the most time with and follows on his journey to discover the secrets hidden by the Lannisters.
  • The Everyman: He might be a Lord, but he's a hard-working man who is unfamilar with the twisted inner workings of King's Landing.
  • Expy: To Richard, 3rd Duke of York, who as regent to Plantagenet King Henry VI tried to seize the throne away from Margaret d'Anjou (for whom Cersei serves as Expy), only to fall in battle driving his sons to seek revenge. He's also one for Richard III, the son of the Duke of York, named Lord Protector by the dying King Edward IV (Robert Baratheon), and who in the early part of his reign was loved by the people of Northern England for his fair sense of justice and being a man of high honor.
  • Face Death with Dignity: Once he sees that Arya's out of sight, the look in his eyes shows him accepting his fate peacefully.
  • Famed In-Story: Lord Eddard Stark is renowned across Westeros as one of the leaders of Robert's Rebellion who deposed a psychotic King.
  • Fatal Flaw: His unbending pride and honour leads to all kinds of problems, and eventually his death. That said, he is aware of this. And refuses to change anyway.
  • A Father to His Men: Don't fuck with his bannermen; when confronted by Jaime at the end of "The Wolf and the Lion", Ned tries to talk his way out of the situation. It was only when his guards were killed did he bring out his sword.
    Robb: He once told me that being a lord is like being a father, except you have thousands of children and you worry about all of them. The farmers plowing the fields are yours to protect. The charwomen scrubbing the floors, yours to protect. The soldiers you order into battle.
  • Fish out of Water: He is out of his element in the cutthroat, dishonourable and slimy environment of King's Landing.
  • Four-Star Badass: He was a commander during Robert's Rebellion.
  • A Friend in Need: Despite the opposition of his wife, Ned accepts the petition of his old friend Robert to be Hand of the King and goes South, especially after reading a letter sent by Lysa Arryn that accuses the Lannisters of killing Jon Arryn and plotting to kill Robert Baratheon. This letter was sent to him by Lysa, on Littlefinger's behest, to specifically invoke this trope.
  • Genius Bruiser: Crosses over with him being an adaptational badass. Ned is not only a tactical genius, he's also skilled enough with a sword to go toe-to-toe with Jaime Lannister, the best swordsman in Westeros.
  • The Good Chancellor: We don't see many instances of him performing the duties of the Hand of the King, but when we do he's trying to reduce the kingdom's debt, dissuade Robert from putting himself in unnecessary danger, and actually attempt to give justice to the commoners, by taking down a band of psychotic marauding knights led by Ser Gregor Clegane who are in service to the richest, most powerful House in the kingdoms.
  • Good Is Not Dumb: Ned Stark's advice is often dismissed as just being Honor Before Reason, but there are often very good reasons for his choices.
    • He doesn't back Renly's bid for the throne, but Renly's a diplomat with no combat experience in a situation that WILL require winning a war. Sure enough, Renly does nothing but divide the forces against the Lannisters. He also does not have a right to be king at the time, and you can't kick Joffrey off the throne because he's not the rightful king and replace him with someone else who isn't the rightful king.
    • He tries to broker a compromise with Cersei Lannister: she needs to go into exile before he tells Robert that she's been cheating on him with her brother and none of the children are Robert's. But as the daughter of the richest, most powerful man in the realm and the sister/lover of an infamous warrior who already killed one king, letting Robert bludgeon her to death in a fit of rage really isn't a wise move either.
  • Good Is Not Soft: Ned's probably one of — if not — the most just and righteous characters in the entire world of Westeros, particularly amongst the nobility. He also happens to be hard, stoic and difficult to connect with for outsiders, who subsequently view him as cold and (at times) terrifying. However, he clearly does love his wife, children, and bannermen, and as noted above refuses to be involved in plots that would endanger the lives of children (up to and including Daenerys Targaryen, who's in her mid teens). While all the while being one of the fiercest warriors in Westeros.
  • The Good King: Ned excels at two things: battle and administration. He is so loved by his bannermen and the smallfolk that his death at the hands of Southern rulers motivates them to never again submit to the Iron Throne and wage a civil war to avenge him.
  • Good Parents: If there's anyone who can illustrate this trope, it's Ned. In fact, he's probably the only father in this setting along with Davos Seaworth, who is not an asshole.
  • Grim Up North: Despite being from there he's still the only unambiguously good guy in the setting. Played straight however in that he's still hard, cold and stoic.
  • Happily Married: To Catelyn, from a Perfectly Arranged Marriage, even.
  • The Hero: For Season One, indisputably. Even three Seasons after his death, he casts a long shadow with nary an episode gone by that his memory isn't invoked or referred to.
  • Hero with Bad Publicity: Due to the machinations of Littlefinger, he ended up as this to the people of King's Landing. He publicly had to 'confess' to being a traitor despite being nothing of the sort. Though this seems to fade and the people hated Cersei and Joffrey's guts and latched on to Tyrion as a scapegoat. However The North, and anyone who remotely knew him, see through this from the outset.
  • Heroes Prefer Swords: He sports Ice a lot in his promos.
  • Honest Advisor: To Robert. "You're too fat for your armour" isn't a comment the king would accept from many people and least of all laugh about. This is also the reason why Robert asks him to join up as Hand of the King.
  • Honor Before Reason:
    • There is his desire to ensure that Stannis becomes the King as Robert's rightful heir and at the same time ensure that Cersei and her children are spared which is incredibly naive to say the least. The dark side of this honor comes when Littlefinger advises him to Take a Third Option (blackmail Cersei and make Joffrey a Puppet King and rule as Regent) which Ned refuses to consider citing the Lannister's treatment of his children. Littlefinger points out that this would lead to open war between the Starks and the Lannisters and bring the Seven Kingdoms into war again which Ned fully accepts as a consequence of pursuing his current course.
    • Another point made by Jaime Lannister and Jorah Mormont is that he tends to be highly judgmental and self-righteous, condemning people who made dubious actions without listening to their side of the story. Jaime Lannister tells Brienne that when Ned Stark saw him standing over Aerys' body he didn't try to explain his side because he felt that Ned would never listen to him. Even when Jaime expresses genuine commiseration on the deaths of his father and brother, Ned refuses to accept it because to him Jaime is a selfish Lannister who stabbed his King and stood by while his father sacked the city and murdered the Princess and her children. Jorah Mormont also tells Daenerys when she gets her bout of self-righteousness that Ned Stark had the same attitude and if he had his way, he would be dead and denied his opportunity to redeem his honor in her service. What makes this tragic is that Ned admits to Cersei himself that he made mistakes in his past and is known across the realm to have fathered a bastard.
  • Horrible Judge of Character: "Of course I'll trust the man who hates me for marrying his childhood crush and has told me repeatedly that I shouldn't trust him. What Could Possibly Go Wrong?" Though, to be fair, he doesn't trust Littlefinger at first, but Catelyn tells him that he can trust Littlefinger so part of the blame also goes to his wife as well.
  • Inspirational Martyr: His life, example and the manner of his death, a good man undone by corrupt schemers simply because he sought justice, has made him this across Westeros for the likes of his family, but also for Stannis Baratheon (who despite his irritation with his son Robb for seceding from the Iron Throne) who wants to bring the Lannisters to justice, Varys, Thoros of Myr and Beric Dondarrion.
  • Judge, Jury, and Executioner: "The man who passes the sentence should swing the sword". A completely honourable version of the trope, it's meant as a safeguard against tyranny because a ruler who hides behind paid executioners soon forgets what death is. For Jorah Mormont, its more literal, since Ned Stark outright wanted to execute him for selling poachers into slavery forcing to him flee to Essos.
  • Killed Mid-Sentence: It's not an audible sentence, mind you, but he's clearly in the middle of the some sort of prayer when Ser Ilyn beheads him and is unable to finish it before the stroke falls.
  • Kingmaker Scenario: He's placed into one, but doesn't take advantage of it like he probably should have. This was also not the first time, since Cersei pointed out that he could have taken the throne for himself at the end of Robert's Rebellion, which she states is his "biggest" mistake. Ned disagrees:
  • Master Swordsman: He can match Jaime Lannister blow for blow. Also, Barristan is impressed by his skill.
  • Modest Royalty: Definitely one of the most humble noblemen in all of Westeros. Case in point: when the servant who receives Ned in King's Landing asks if he'd like to change into something more appropriate for the King's Council meeting, Ned just takes his riding gloves off and goes as he is.
  • My Master, Right or Wrong: Ned's sense of duty and honour means he will not refuse a direct order from his King. When Cersei demands the execution of Lady in lieu of the direwolf that bit Joffrey, Ned looks about ready to tell her where she and the other Lannisters can shove it. He only eventually acquiesces when Robert gives him a "get it done" look before storming out. However, as shown by his initial refusal to partake in the conspiracy to assassinate Daenerys Targaryen, his loyalty to Robert does have it's limits.
  • Nerves of Steel: Seems awfully calm when surrounded by Lannister soldiers, with Jaime Lannister in front of him.
  • Naïve Newcomer: To the Court. Poor Ned never gets where he is getting into.
  • Nice Job Breaking It, Hero: Warning Cersei? Really? Varys calls him out on this the following episode telling him that his mercy towards Cersei's illegitimate children led to Robert's death, the very reason he became Hand in the first place. This ends up having serious repercussions. Not only does it lead to his own death, but the death of several of his family members and the destruction of his entire House. To top it all off, this action leads to Joffrey being crowned king and we all know how that went.
  • No Good Deed Goes Unpunished: His warning of Cersei to save her children and his refusal to take Joffrey hostage get him arrested.
  • Not So Stoic: That said, when he's around friends and family, he's a lot more relaxed and cheerful.
  • Number Two: To King Robert as Hand of the King.
  • The Obi-Wan: His actual role. Played with by making him a Decoy Protagonist. But he serves as an inspiration and example to all his children, who one way or another try to follow his example, whether its Robb being A Father to His Men, Arya's compassion for smallfolk and her hunger for justice and Jon Snow's own stoic attempt to follow his duty in the Night's Watch.
  • Off with His Head!: Poor Ned's ultimate fate, when Joffrey instructs Ilyn Payne to 'bring me his head'.
  • Odd Friendship: The two are best friends, despite Ned being the exact opposite of Robert in nearly every way.
  • Old Friend: To King Robert, stemming from the two of them growing up as foster brothers.
  • Out-of-Character Alert: The generally accepted story at the beginning is that Jon Snow is the son of Ned and some tavern whore during Robert's Rebellion. However, as Stannis points out, the truly honorable Ned Stark was not the sort of man who would cheat on his wife and thus this seriously casts doubt as to what is Jon's true parentage.
  • Papa Wolf: Not only a pun.
    • A clear example is his anger when his daughter isn't brought before him first after Joffrey ends up mauled. It even makes him forget he's speaking to his King. Not that the King minds.
    • He's also willing to tarnish his honourable reputation by proclaiming Joffrey as the true heir and be banished to the Knight's Watch if it will save Sansa. Unfortunately, Joffrey had him killed anyway.
  • The Paragon: Ned Stark's memory serves as this to many characters even after his death, lasting well into Season Four. All his children in various ways try to live up to his teachings and example, while the North thoroughly adores him. Even the Lords of the Vale, who knew him as a young man when he fostered with Jon Arryn know him well. Even Jaime Lannister, who did not get along with him at all, resolves to try and redeem his honor by tasking Brienne with safeguarding Ned Stark's daughter Sansa with "Oathkeeper", a sword Tywin re-purposed from "Ice":
    "You'll be protecting Ned Stark's daughter with his own sword."
  • Perfectly Arranged Marriage: His marriage to Catelyn was political, but they're mostly very compatible.
  • Plot-Triggering Death: Jon Arryn's death may have set the process in motion, but it's Ned's execution that ultimately plunges Westeros into all-out, bloody war.
  • Proud Warrior Race Guy: If the observations of Jaime, Tywin and Varys are to be believed, the Northmen seem to have a shade of this. And Ned's one of them.
  • Real Men Love Jesus: Ned is a devout follower of the Gods of the First Men and Children of the Forest.
  • Reasonable Authority Figure: Robert's reason for wanting Ned as Hand of the King. In fact, if he had it his way, he'd let Ned rule the Seven Kingdoms with him.
  • "The Reason You Suck" Speech: Gives one to Robert.
    I followed you into war, twice. Without doubts, without second thoughts. But I will not follow you now. The Robert I grew up with didn't tremble at the shadow of an unborn child.
  • Red Oni, Blue Oni: The Blue to Robert's Red.
  • Replacement Goldfish: He himself is one. After his older brother, Brandon, was executed it fell to Ned to become Lord of Winterfell and marry Catelyn Tully.
  • Retired Badass: Ned's had enough of fighting in war and clearly intends to spend his remaining years governing the North with his family. That is, until Robert showed up out of the blue, hellbent on making him the next Hand of the King.
  • Sacrificial Lion: Conclusive proof that decency, honesty and Westeros don't mix very well.
  • Sadistic Choice: How he feels upon learning of the illegitimacy of the Royal Children. He can be loyal to his friend Robert tell him the truth and drive him into an insane fury that would most likely cause him to kill not only Cersei and Jaime, but also Joffrey, Tommen and Myrcella who upon being declared as abominations will be murdered as well, or he can listen to Cersei and ignore the issue altogether and allow the Lannisters to install their inbred corrupt dynasty. In the end he gets killed by the very boy-king, Joffrey, whose life he hoped to spare.
  • Shell-Shocked Veteran: In stark contrast to Robert, who misses war and his glory days. Best shown in Lord Snow, where Ned watches Arya practicing fencing with Syrio Forel, only to have his amused expression slowly turns grim as he's gradually reminded of the hell of war, apparently hearing the distant sound of swords clashing and men dying.
  • Shoot the Dog: His killing of Lady, Sansa's direwolf because, in his words: "The wolf is from the north." It's worth noting that Ned refuses to ask or even let someone else take responsibility for Shooting The Dog, as shown with both Will the deserter and Lady. He even looks them in the eyes (and hears out their last words, in Will's case).
  • Stay in the Kitchen: While he loves his daughter Arya, and even appoints a tutor to teach her basic swordsmanship, Ned never sees it as more than a hobby and doesn't quite understand why Arya takes it as seriously as she does. He still expects that when she grows up she would become a Proper Lady and have an Arranged Marriage. Arya bluntly tells him, "That's not me!" and it's the only point on which she disagrees with her father.
  • The Stoic: Grim, cold, and distant.
  • 10-Minute Retirement: As Hand of the King, due to a disagreement with Robert.
  • Token Good Teammate: To the Deadly Decadent Court of King's Landing.
  • Toxic Friend Influence: Robert, who Catelyn even lampshades in the first episode has a tendency to lead Ned into trouble. If only she knew.
  • Tragic Hero: Ned is a straight example in that his very values and character and identity leads him to his death, if he had done otherwise he would not be the same person. He absolutely will not commit or condone the heinous action of killing a child regardless of the political benefit. In the end, he gets killed by the cruel whims of the same child that he had intended to spare from Robert's wrath.
  • Tranquil Fury: Indulges in this when Jaime kills Jory. And it nearly carried him to victory.
  • Trauma Conga Line: Ned is arrested, stripped of his lands and titles, forced to falsely confess treason and conspiracy to take the Iron Throne for himself, sentenced to death after being promised he would be spared if he confessed and finally beheaded with his own sword — the same he used himself to kill criminals, no less — in front of the mob, with his head put and left to rot on a pike.
  • Turn in Your Badge: He turns in his badge as Hand of the King after a disagreement with Robert. Within hours he finds that this leaves him and his household unprotected against reprisals from the Lannisters.
  • Warrior Prince: Ned is one of the greatest fighters in Westeros, and also wields a great deal of authority. It's right there in his own creed: He who passes the sentence, should swing the sword.
  • Would Not Hurt A Child: After seeing what happened to the Targaryen children during Robert's Rebellion, Ned does not want to see history repeat itself. While warning Cersei to take the children and run might have been the noble thing to do, it wasn't the smartest thing to do. Ironically, this action alone did not result in his death. Cersei never intended to kill him, merely sent to the Night's Watch. He was finally killed on the whim of a boy-king, the very person he had intended to spare.
  • Wrong Genre Savvy:
    • Not in general, but this goes a long way toward explaining why he trusts Littlefinger. Ned seems to think that he's a Sarcastic Devotee, who despite his snarkiness, is a loyal ally. The reality is very different. He might also have been working under the assumption that since Littlefinger is hopelessly in love with Cat, he wouldn't betray him and risk hurting her. Unfortunately, there lies the main reason he does turn on him!
    • Also, Littlefinger probably would have stuck by Ned if Ned had gone along with Littlefinger's plans for the throne, which involved controlling Joffrey as a Puppet King after he received the throne through blackmail (in hindsight, Littlefinger was probably too confident himself about this scheme's success, since even he didn't know at that point just how insane Joffrey really was). Ned is Wrong Genre Savvy when he expects that Littlefinger will continue to help him after he turns down Littlefinger's bid to share power.
    • He told Cersei that he found out about her little incestuous secret in the hopes that it would drive her and her son away from the Iron Throne. It got him and his guards killed instead.

    Lady Catelyn "Cat" Stark, née Tully 
"...all this horror that's come to my family... it's all because I couldn't love a motherless child."
Played By: Michelle Fairley

"You have inherited your father's responsibilities. I am afraid they come at a cost."

Catelyn Stark, Lady of Winterfell, is the wife of Lord Eddard Stark. Born to the Lord and Lady of the Riverlands, she is the elder sister of Lysa Arryn, Lady of the Vale and Mistress of the Eyrie. Murdered at her brother Edmure's Red Wedding to Roslin Frey at the Twins by the Boltons and Freys.
  • Apron Matron: Not visually, but she's defined by her role in her family.
  • Cassandra Truth: At multiple points, everyone would have been better off if her children had just listened to her:
    [to Bran] "No more climbing!"
    [to Robb] "Never trust a Greyjoy."
    [to Robb again] "Walder Frey is a dangerous man to cross."
  • Crusading Widow: After Ned dies at the Lannisters' hands, she vows to get revenge on them: "We will kill them all."
  • Death Glare: While she is usually too Hot-Blooded to not simply explode in someone's face should they piss her off, the enraged glare she fixes on Jon Snow while he is saying goodbye to the comatose Bran rivals the worst of Tywin's patented glares, and at her father's funeral she is able to keep Robb from breaking down in laughter at Edmure's Epic Fail at lighting the raft by shooting him one of these.
  • Demoted to Extra: Robb becomes an Ascended Extra at the expense of Catelyn. She is a major POV character in the books (Robb's storyline is seen entirely from her point of view) but doesn't get as much screentime or lines as Robb himself. Continues post-Season Three: In the books, Catelyn is revived by Beric Dondarrion and becomes the leader of the Brotherhood without Banners as the vengeful Lady Stoneheart, but that entire subplot has been Adapted Out.
  • Despair Event Horizon: After Robb is killed she seems to lose the will to live, as she doesn't even try to resist when the Freys proceed to slit her throat.
  • Did Not Think This Through: While she doesn't trust anyone but Brienne to exchange Jaime for the girls, considering that prisoner exchanges usually have a lot of backup to secure against any possible betrayals, how did she expect Brienne to actually pull this off? Also, her arrest of Tyrion, believing that he tried to have her son murdered since she was told that the assassin was using his dagger. When Tyrion asks the obvious question of why someone would be dumb enough to arm an assassin with their own blade, she is unable to answer.
  • Didn't See That Coming: She knew fully well that Walder Frey was a "dangerous man to cross" but its quite clear that she never expected that Frey would stoop to the level of violating Sacred Hospitality, killing their guests after offering them bread and salt.
  • Expy: There are a lot of similarities between her and the mythological Hecuba, the wife of King Priam of Troy, who went mad with grief at the separation and deaths of her children, and death of her husband.
  • Fatal Flaw: Her love for her children drives her to do incredibly irrational things (such as kidnapping Tyrion and releasing Jaime). Her release of Jaime, in particular, is one of the major factors that leads to the death of her and Robb.
  • Genre Blind: Doesn't even consider that Tyrion was obviously being framed. As he himself noted, only an extreme imbecile would arm an assassin with their own weapon.
  • Going Native: She's become quite comfortable with her Northern home after being married off to Ned. Lysa Arryn later tells Sansa that her mother in her youth was quite a big eater and far less austere than when she was Lady of Winterfell, pointing out that she assimilated into Ned's world very easily.
    Catelyn Stark: Take him to the stockade and bind him with every chain you can find!
    Jaime Lannister: You've become a real she-wolf in your later years. (dragged off) There's not much fish left in you!
  • Happily Married: To Ned, with whom she has five children.
  • Heroes Want Redheads: Played straight with Ned. Inverted with the Faux Affably Evil Littlefinger.
  • Heroic BSOD: Has a pretty serious one after Robb reveals to her, at the same time, that her father has died, and that Winterfell was burned, the inhabitants slaughtered, and that Bran and Rickon are missing. And when Robb dies before her eyes she loses it completely.
  • Hidden Depths: Not that Catelyn was ever shallow in the slightest, but in the second episode of Season Three, she reveals whole new depths to her character to Talisa about her relationship with the baby Jon Snow: she initially wished him to die, and, when he did get seriously ill and she was riddled with guilt over wishing death on an innocent baby and apparently getting that wish, promised to love him as if he was her own child if the gods let him recover. She blames her failure to keep said promise for all the horror her family has endured.
  • Horrible Judge of Character: She's actually quite astute, warning Robb about crossing the Greyjoys and the Freys. But she makes several terrible errors of judgment with dangerous consequences.
    • Even though she doesn't fully trust Walder Frey, she has absolute faith that Walder Frey would never let any harm come to her. As stated above, however, breaking Sacred Hospitality is practically unheard of in Westeros.
    • She has absolute trust in Unlucky Childhood Friend Littlefinger, who is behind pretty much everything bad that happens in the series, vouching for him before her skeptical husband who would never have given him the time of day otherwise. Leading directly to Ned's capture and execution.
    • She also believes that Tyrion is just as bad or worse than the rest of the Lannisters.
    • Also of her sister. Seemed to trust in her absolutely when she blamed the Lannisters for Jon Arryn's death and believed that Tyrion would receive a fair trial if brought to her. In her defense, she hadn't seen her in quite some time. It's not until they meet again does she realize how crazy her sister has become.
  • Hot-Blooded: Some of her more questionable decisions have been the result of her following her Mama Bear instincts instead of her sense of reason, such as her impromptu capture of Tyrion and her later release of Jaime, against both the interests of Ned and Robb respectively.
  • Howl of Sorrow: After Robb dies in front of her.
  • It's All My Fault: Blames herself for the misfortunes of the family because she failed to keep her word in a Bargain with Heaven regarding the raising of Jon Snow as her own son.
  • Kick the Dog: Her not treating Jon Snow like a son despite his love of her could be seen as this, though she does feel very bad about it.
  • Laser-Guided Karma: Believes herself to be on the receiving end of this from the Gods, due to wishing Jon Snow dead in a moment of anger. Made even more poignant since she dies believing that Jon is the only son of Winterfell to survive.
  • Mama Bear: Try to murder her son in front of her! And the moment she tells Robb that after saving Arya and Sansa they will kill all their enemies. From the DVD commentary track discussing that moment:
    David: This is an interesting scene, because up until this point, Catelyn has really been the voice of reason.
    Dan: Eh. After everything her family has been through, 'kill them all' kind of IS the voice of reason.
  • My God, What Have I Done?: Catelyn admits that she regrets having refused to love Jon Snow and treat him like a son, and believes that the misfortunes of her family are the gods' way of punishing her.
  • Nice Job Breaking It, Hero:
    • Her capture of Tyrion really pisses off Tywin Lannister, and helps spark off a civil war between their families. Her only evidence was Littlefinger's testimony and even then, Ned insisted on a measured approach while she arrested Tyrion on the spur of the moment and then kidnapped him by taking him to the Eyrie.
    • Letting Jaime go is a huge mistake, considering that he is their only bargaining chip. Also, there was absolutely no guarantee that the Lannisters would agree to release Sansa and Arya even if they got Jaime back. On top of that, it also undermined Robb's position with his vassels, not to mention making him look weak and unable to control his own people.
  • Non-Action Guy: She's a typical noblewoman and thus mostly defenseless. But this doesn't stop her when Bran is in danger. Nor when Robb's in danger during the Red Wedding.
  • Obnoxious In-Laws: To Talisa, initially. In "The Rains of Castamere", she finally seems to warm up to her after overhearing Talisa say that she's going to name her and Robb's child, "Eddard", if it's a boy.
  • Oh Crap!: She obviously realizes something is up when "The Rains of Castamere" starts playing and they bolt the doors during the Red Wedding. And then she finds chain mail on Roose Bolton...
  • Only Sane Woman: Definitely the smartest and most down-to-earth of the Tully sublings.
    • After the Season Two finale, she might also count as the one sane person in Robb's camp, although this depends on how justified you think she is in releasing Jaime or whether it was a truly boneheaded decision. A point in her favour, at least, is that Robb's bannermen actively plot to murder Jaime, so she isn't wrong in thinking that they'd lost their only bargaining chip either way.
    • Once again in the middle of the conflict between Renly and Stannis.
    • And in "The Rains of Castamere", when Lothar Frey closes the doors and "The Rains" start playing, she is the only member of the Stark retinue that suspects something bad is coming. Well, her and Grey Wind.
  • Outliving One's Offspring: Dies after Robb and she also believes Bran and Rickon are dead.
  • Perfectly Arranged Marriage: According to the History and Lore videos, she believed she would have this with Brandon, who she was initially betrothed to. She ended up having this with his younger brother when Brandon was murdered. Despite the rough patch when Ned brought home another woman's child, their marriage has been pretty smooth sailing.
  • Prisoner Exchange: Tries to pull one off with the Lannisters — Jaime for her daughters — but it doesn't go over too well. Still, due to Brienne's absolute loyalty, she's still trying to retrieve Sansa and Arya.
  • Proper Lady: While she was a Tully, although she's gone native with the Starks. Still, she retains an air of refinement and mild strictness.
  • "The Reason You Suck" Speech:
    • Gives a very mild, but very pointed one to Renly in Season Two.
      Catelyn: (reviewing Renly's troops) I pity them.
      Renly: Why?
      Catelyn: Because it won't last. Because they are the knights of summer, and winter is coming.
    • She tries to give one to Jaime about being a Kingslayer, but he retorts with quite an effective Shut Up, Kirk!.
  • Red-Headed Heroine: A big point is made of her red hair.
  • Red Oni, Blue Oni: She's Red to her husband's blue and Blue to her son Robb's red.
  • Settle for Sibling: Enforced. After Brandon Stark's death, she married his younger brother Eddard.
  • Shipping Torpedo: Catelyn displays visible disapproval of her son Robb's starting relationship with field nurse Talisa Maegyr due to his existing betrothal. And hell, she's right...
  • Silk Hiding Steel: Don't let her Proper Lady demeanour fool you: she'll cut your damned throat if you think to touch her children with anything less than a hug.
  • Slashed Throat: At the hands of Black Walder Frey.
  • Sweet Tooth: As said by Lysa, "Cat always went for the sweetest thing." This may be where Sansa gets it from.
  • Team Mom: To the Starks, in addition to being their actual mother.
  • Tomboy and Girly Girl: Girly Girl to Brienne's Tomboy.
  • Tragic Hero: Despite her efforts to see her children safe, she spends her final days with Sansa a captive of the enemy, Arya missing, and Bran and Rickon apparently dead. When her firstborn son is killed right in front of her, she gives up all hope.
  • Tranquil Fury: In the first Season finale, Catelyn, mourning her husband, very nearly bashes in the Kingslayer's head with a convenient rock. Also apparent when she calmly but fiercely calls upon her father's bannermen to stage a citizen's arrest of Tyrion Lannister, who she blames for the attempt on Bran's life.
  • Unwitting Pawn: Baelish's manipulations hit her the hardest, as her impulsive reactions to an assassination attempt against Brann with a dagger that belonged to Tyrion and her credulity to an engineered letter sent by Lysa Arryn are two of the major reasons why her house sparks the war with the Lannisters.
  • What the Hell, Hero?:
    • Gets one from Robb and Lord Karstark when she goes behind their backs and releases Jaime Lannister in the hope of getting Sansa and Arya back.
    • She gets him right back by pointing out how monumentally stupid breaking his deal with House Frey, just to marry a field nurse, is.
  • Wicked Stepmother: While not abusive, she makes pretty clear to Jon Snow that in her eyes, he's not welcome. Different from the usual stepmother scenario in that he's the product of adultery, so she's got some reason to be unhappy about his presence.From the books...  She comes to regret her dislike of Jon after all the tragedy that befalls her, believing that it was karmic retribution for betraying the promise she made to love him.
  • Worthy Opponent: Despite suffering a Kangaroo Court because of her Mama Bear tendencies, Tyrion has great admiration for her:
    Tyrion: I admired her... she wanted to have me executed but I admired her. She was a strong woman and she was fierce when it came to protecting her children.

    King Robb Stark 
"If we do it your way, Kingslayer, you'd win. We're not doing it your way."
Played By: Richard Madden

"One victory does not make us conquerers. Did we free my father? Did we free my sisters from the Queen? Did we free the North from those who'd have us on our knees? This war is far from over."

Eldest son of Eddard and Catelyn Stark. King in the North, King of Winter and King of the Trident. Murdered by his bannerman Roose Bolton and his host Walder Frey at his uncle Edmure Tully's wedding to Roslin Frey, known thereafter as the Red Wedding.
  • The Ace: According to Jon.
    Jon: I was jealous of Robb my whole life. The way my father looked at him? I wanted that. He was better than me at everything. Fighting, and hunting, and riding. And girls. Gods, the girls loved him. I wanted to hate him, but I never could.
  • Adaptation Dye-Job: His hair is brown instead of auburn like in the books.
  • Adaptational Badass: Of a sorts.
    • In the book, Robb is still badass and an excellent commander. However, he's also very young and makes several additional political blunders, whereas in the show he's more politically astute. At several instances, his mom calls him out on acting childish, and some of his bravado is seen as posturing to cover up insecurity.
    • He also botches up the Karstark execution in the books, where as in the show he gets it on the first go.
    • While Robb fights where the fighting is thickest in both the books and the show, in the books he needs a quasi-Kingsguard of 30 skilled warriors (mostly the sons and one daughter of his bannermen) and his direwolf to do it. In the show, his honor guard was left out.
    • Theon and Jon consider Show!Robb The Ace and he's shown to be clearly superior to them. In the books Jon is noted to have been a better swordsman than Robb. Theon is noted to have been at the front of Robb's honor guard with the Smalljon keeping him alive in the Vanguard.
  • Adaptation Expansion: In the books, Robb's campaign in the Westerlands is never actually seen, instead being referred by other characters. Parts of it are seen in the show, and a romance subplot has been added, as well. More importantly, the context around his marriage is changed as well.
  • Always Someone Better: Seen this way by Jon, whom reminisces that Robb was better at fighting, riding, hunting, and being a ladies man. He's this to Theon too, who always looked up to him and felt he stood in Robb's shadow.
  • And Then What?: Asked verbatim by Talisa, who then points out that Robb is in the middle of a clash of kings, fighting to overthrow and kill king Joffrey and yet he has no plan for what comes after.
  • Arranged Marriage: As part of the agreement with Lord Frey, Robb is bound to marry one of his daughters. He breaks the betrothal in "Valar Morghulis" by marrying Talisa Maegyr.
  • Ascended Extra: See Adaptation Expansion. In the books, most of his story was told from the point of view of his mother Catelyn. The show cuts down much of Catelyn's commentary and importance, instead delegating screentime and lines to Robb.
  • Authority Equals Asskicking: When other Northern Houses initially doubt him, his strength of character and skill (in addition to having a direwolf) quickly have them calling him the King in the North.
  • Awesome Moment of Crowning: Robb's is made all the more badass by not involving a crown at all. Instead, he's acclaimed as King in the North by his bannermen and certain Riverlords at Oldstones.
    Assembled Lords: *Drawing swords, kneeling* THE KING IN THE NORTH! THE KING IN THE NORTH! THE KING IN THE NORTH!
  • Badass: His fight with the Wildlings in "A Golden Crown" reveals that he certainly doesn't wear the sword for show. Even Tywin Lannister is impressed.
  • Badass Beard: He has one.
  • Badass Cape: He loves these. He wears one in almost all of his scenes after his crowning. It doesn't save him from death, however.
  • Badass Army: He leads one.
  • Badass Boast: Oh, many.
    • When sending away the spy with misinformation:
      Robb: Tell Lord Tywin, winter is coming for him. Twenty thousand northerners are marching south to find out if he really does shit gold."
    • When sending Alton Lannister to King's Landing:
      Robb: If she accepts these terms I will give her peace. If not I will litter the south with Lannister corpses."
    • He ups it in episode five of Season Two where he absolutely crushes a Lannister host at Oxcross, and the viewers are shown the aftermath of the battle. Indeed, the victory is so decisive that Lord Bolton turns a statement of fact into a Badass Boast (which is also a testament to Michael McElhatton's skill):
      Roose Bolton: Five Lannisters dead for every one of ours.
  • Batman Gambit: He pulls off one of these when he tells the Lannister scout that his army is 1) larger than it is and 2) is marching towards Lord Tywin instead of against Jaime Lannister. Even Tywin seems begrudgingly impressed.
  • Belligerent Sexual Tension: With Talisa, a surgeon he meets in the aftermath of Oxcross. They eventually marry.
  • Big Brother Instinct:
    • Subtly looks disapproving at Sansa's attraction towards Joffrey in "Winter is Coming" and protects Bran from Wildlings in "A Golden Crown".
    • He gets extremely pissed off when Lord Karstark kills the two young Lannister hostages, shouting, "THEY WERE BOYS!" when he tries to justify it and personally executes Lord Karstark shortly afterwards.
  • Blood Knight: Shows occasional signs of this.
    Robb: The Lannisters have been running from us since Oxcross. I'd love a fight. The men would love a fight. But I don't think we're going to get one.
  • Broken Pedestal: Robb breaking his marriage vows ended up causing him to become this to his men in the third Season.
  • The Chains of Commanding: Starts to feel them in "Baelor", when he has to send two thousand men to their deaths in a battle with Tywin in order to defeat and capture Jaime Lannister, and it only gets worse as the war rages on and his men begin to lose faith. In Season Three, his leadership decisions start to put him at odds with some of his more prominent men.
  • Cool Big Bro: As the eldest Stark sibling, he's this to pretty much everyone else.
  • Cool Pet: His direwolf, Grey Wind.
  • Curb-Stomp Battle: Every tangle with a Lannister army he has ends up with him doling this trope out. He keeps a 5:1 casualty ratio.
  • Deadpan Snarker: Not often, but he has his moments.
    • When threatening to litter the south with Lannister corpses:
      Alton Lannister: King Joffrey is a Baratheon, your grace.
      Robb: Oh, is he?
    • When meeting Talisa:
      Robb: You'd have us surrender, end all this bloodshed, I understand. And the country would be at peace, and life would be just under the righteous hand of "Good King" Joffrey.
    • When chewing out Edmure:
      Robb: Tywin Lannister has my sisters. Have I sued for peace?
      Edmure: No.
      Robb: Do you think he'll sue for peace because we have his, father's brother's great-grandsons?
    • At the Red Wedding:
      Talisa: But if she had her way I'd be back in Volantis playing my harp, and you'd be sitting over there eating blackberries out of Roslin Frey's hand.
      Robb: Perhaps I've made a terrible mistake.
  • Deconstruction: Of the classical fantasy hero. In a less cynical world, Robb would be an Ideal Hero, but here his nobility and honor doesn't translate to political maneuvering. As the war effort begins to fall apart around him, he himself becomes more cynical and embittered. Just when he starts to get back on the track towards victory, his mistakes catch up to him, costing him everything.
  • Defrosting Ice King: Very stoic initially; Talisa defrosts him.
  • Despair Event Horizon: When Talisa is killed, he just crawls to her corpse, makes an effort to stand up and lets Roose Bolton stab him in the heart.
  • Didn't Think This Through: Instead of marrying Roslin Frey to keep the Freys on his side for the war effort, he marries Talisa out of love. Instead of putting aside his honor and simply holding him hostage, he executes Rickard Karstark.
  • Doomed Moral Victor: Admits it's starting to look this way in "The Climb";
    Robb: I've won every battle, but I'm losing this war.
  • Due to the Dead/Dead Guy on Display: Defied by the Freys; as soon as he's killed by Roose Bolton, they savagely hack his head off and impale Grey Wind's head on top of his chest, so they can parade it in front of his dying men on the battlefield.
  • Dull Eyes of Unhappiness: Once Talisa is slaughtered in front of him, he just...stares.
  • Elective Monarchy: Elected King in the North by acclamation of his bannermen. As it turns out, what the bannermen give, the bannermen can take away just as easily.
  • Embarrassing Nickname: The King Who Lost the North.
  • Et Tu, Brute?:
    • His reaction upon learning that Theon had seized Winterfell in his command tent.
    • Feels deeply betrayed by his mother Catelyn when she releases the Kingslayer behind his back.
    • Betrayed and killed by his bannerman Lord Bolton in "The Rains of Castamere" although he's too numb to register it.
  • Expy: King Edward IV of the House of York, whose father was executed by his enemies, never lost a battle and ultimately damaged his effort when he made a secret marriage to Elizabeth Woodville, angering one of his supporters, Richard Neville, the Earl of Warwick. Unlike Robb, however, Edward IV got off lightly. He also has some similarities (Young Conqueror genius tactician from the Grim Up North who ends up betrayed) with Charles XII of Sweden. In fact, they march to war at the same age in the show continuity.
  • Face Death with Dignity: According to Richard Madden, Robb standing and calling out to Catelyn before his death is his way of letting her know he's accepted his inevitable death and that there's no point in fighting it.
  • Famous Last Words: "Mother..."
  • Fatal Flaw:
    • He's honorable and assumes honor in others. He assumes he can win back Walder Frey's loyalty by making amends. He assumes that Lord Walder will honor Guest Right. He assumes Roose Bolton's unwavering loyalty as his bannerman. All of this culminates in betrayal and murder.
    • Like his father he also suffers heavily from Honor Before Reason which causes him to execute Lord Karstark in retaliation for killing two Lannister boys when it would have been far wiser (if somewhat less noble) to simply hold him prisoner until the war was over. Because Karstarcks men leave him after their lords execution Rob is put in the position of needing Walder Frey's help in the first place.
  • A Father to His Men: His leadership style, as seen in "The Old Gods and the New", where he takes the time to mingle with the rank and file.
  • Four-Star Badass: Like father, like son.
  • Foil: It may not be obvious at first, but he is one for Tywin Lannister. Tywin is a grand strategist, though nothing is said of his tactical abilities, with decades of experience in war, an older man, basically treats his family like pawns instead of people and his bannermen like chesspieces and acts like arrogant royalty. Robb is a tactician, though less known for his strategy, with almost no war experience, a younger man, who treats his family and bannermen with love and respect and acts like Modest Royalty.
  • Generation Xerox: To his father. Richard Madden even mentions this in Robb's featurette. Though there is one crucial difference that separates them, as pointed out by Catelyn herself. Ned entered into a political marriage during the course of Robert's Rebellion and honored that vow, never considering to marry for love (even if there might have been another woman in his life).
  • Good Counterpart: Robb is this to Joffrey. They both rise to power around the same time frame of their fathers' deaths. Robb is characterized as being a beloved leader and tactician who doesn't shy away from combat while Joffrey is The Caligula and a Dirty Coward who would sooner let his guards do his dirty work for him. They both share the same flaws of making political enemies due to their rash behaviors (Robb's Honor and Joffrey's Greed). This ultimately causes them both their lives, dying in a similar manner at a wedding within weeks of the same time frame.
  • Good Is Dumb/Good Is Not Dumb: Zig Zagged Trope. Robb starts his campaign (and kingship) taking everyone by surprise tactically and showing that he can show reason as well as honour (refusing to fight Jaime 1v1 is a good example). Then he makes mistakes later on, which start adding up...
  • The Good King: He aspires to this, and embodies some aspects of the trope.
    Talisa: What kind of king do you want to be?
    Robb: I dunno (Beat) the good kind.
  • Guile Hero: As of "The North Remembers". He's pretty much required to be this, due to the fact that he is badly outnumbered by the Lannisters.
  • The Hero: The closest fitting character to the fantasy hero archetype.
  • The Hero Dies: In "The Rains of Castamere".
  • Heroic BSOD:
    • When Theon betrays him.
    • Another one when the Freys kill Talisa, which makes Robb refuse to flee or fight back before Roose Bolton puts him out of his misery.
  • Honor Before Reason: As with his father, he does the honorable thing even if it would be wiser to do elsewise. However, he finds ways to still twist this to his advantage, or to do the intelligent thing without compromising his honor.
    • When his men capture a Lannister scout that was spying on their army, he sets the boy free to return to Tywin with a warning that he's coming for him, when actually he sends a skeleton army against Tywin and marches the bulk of his forces against Jaime.
    • He tells Roose Bolton's son when he goes to retake Winterfell from Theon that any Ironborn that surrenders will be spared, since this is not only honorable, but it means they're more likely to hand over Theon to them without a fight.
    • When Jaime challenges him to single combat to settle the war personally, Robb is perfectly aware Jaime is a better warrior and pointedly tells him that they both know Jaime would win, so Robb refuses.
  • Icon of Rebellion: For the North.
  • Impaled with Extreme Prejudice: By Roose Bolton, just after several arrows pierced his body.
  • Insult Backfire: Jaime makes a point of referring to him as boy, Robb's response amounts to "The boy who kicked your ass, bitch."
  • It's Personal:
    • Robb takes Theon's betrayal very personally, and demands that Theon be brought to him so Robb can hill him himself.
    • Robb invokes this from his siblings after his death- both Sansa and Jon have a special hatred for the Boltons because Roose was the one who finished Robb off.
  • Kick the Dog: He's quick to remind Theon that he's not one of them. Still, though, he later admits he considered Theon his closest friend.
  • Knight in Sour Armor: Especially as the war goes on.
  • The Leader: Of the northern cause. Type I.
  • Love Makes You Dumb: In contrast to the books, where he marries Jeyne Westerling out of a sense of honor (and so believes the Freys will understand), here he marries Talisa because he's madly in love with her and completely ignores how terrible a decision, politically, it is. It gets worse in Season Three, as he doesn't even realize what a monumentally stupid idea it is to parade his new wife right in front of the Freys. From the books  The context makes Robb seem more brash and impulsive than his book counterpart.
  • Love Ruins the Realm: The newly re-established Kingdom in the North is as good as doomed the moment he doesn't honor his marriage pact with the Freys. It doesn't just cost Robb, his wife, and mother their lives but the lives of hundreds, if not thousands, of his men when they're massacred along with him.
  • Mangst: Upon hearing of his father's execution, he substitutes a nearby tree for one of the Lannisters.
    Catelyn: You've ruined your sword.
  • Marry for Love: Forgoes his betrothal to a Frey girl in order to marry Talisa. The Freys are understandably insulted. They even kill him over it.
  • Memetic Badass: In-universe. He's known as "The Young Wolf", and Northmen trade tales about how he rides into battle on the back of a giant direwolf, that he can turn into a wolf, and that he can't be killed. All sides of the war note that despite his youth, inexperience and inferior numbers, he wins every battle he fights.
  • Military Maverick: Initially a green commander in chief, he frequently ignores senior bannermen who try to rein him in. This is apparently the main reason he gives Tywin such hell on the battlefield; none of Tywin's commanders can predict his movements because between his inexperience, boldness and confidence at his success, he's willing to take risks none of them would dream of taking, and pull them off.
  • Modest Royalty: He doesn't wear a crown (though neither is Stannis or Balon Greyjoy, only Renly and Joffrey among the Five Kings wears one). Even his book counterpart wears a crown in the same style of those worn by the old Kings of Winter. Additionally, when the Stark troops cheer after their first victory against the Lannisters, the first thing he does is to somberly remind his men that the war has only begun, and that their final victory is far from assured.
  • Mr. Fanservice: Gets quite a few nude scenes.
  • Nice Guy: An overall warm, righteous and compassionate man, rare traits for the leaders of The War of the Five Kings.
  • Nice to the Waiter: He's even nice to enemy soldiers outside of combat. As far as Robb's concerned being King is no excuse for being a dick.
  • Not So Stoic: Once The Chains of Commanding start tying him down harder, his stoic demeanor begins to slip on occasion when his men harm the war effort or commit despicable acts. When he finds out Ned has been killed, he also ruins a sword by smashing a tree in pure rage.
  • The Oathbreaker: He breaks his oath to marry one of Lord Walder Frey's daughters by marrying Talisa. Walder perceives it as a major insult and slaughters him.
  • Offscreen Moment of Awesome: Leads the small party that captures the Kingslayer, not before the Lannister kills 10 men in the ambush. Only the return with the prize is shown.
  • Off with His Head!: Posthumous.
  • Papa Wolf: He states to Talisa he must be this for every man, woman, and child of the North, as their king.
  • Properly Paranoid: Unlike the book version.
  • Proud Warrior Race Guy: See Ned's entry. One of the reasons Robb is respected by his fellows is because he's almost always on the frontlines with them and has ample opportunity to show his skill as a fighter to them. In contrast to most other prospective kings in the war, who rarely fight on the front lines.
  • Rasputinian Death: Gets peppered with multiple crossbow bolts before being stabbed by Roose Bolton.
  • Reasonable Authority Figure: He will not be a dick to his subjects, is merciful to enemy combatants and will hear them out. He also follows Ned's example that the man who passes the sentence should swing the sword.
  • Rebel Leader: Tywin views him as a 'Rebellion in the North' as opposed to 'The King in the North'.
  • Red Baron: The Young Wolf.
  • Royals Who Actually Do Something: Once he's crowned King in the North.
  • Screw the Rules, I'm Doing What's Right: His opinion of marrying Talisa.
  • Sherlock Scan: He doesn't take long to realize Talisa is actually a noblewoman, and not a simple nurse.
  • Shut Up, Hannibal!: This exchange with Jaime:
    Jaime: Three victories don't make you a conqueror.
    Robb: It's better than three defeats.
  • Single Woman Seeks Good Man: His romance with Lady Talisa runs on this. He finally lets his feelings for her be known when she tells him a story of how a slave saving her brother's life compelled her to never live in a slaver city again. Talisa is attracted to Robb because he is a good-hearted, ethical man who treats both his allies and his enemies with respect.
  • So Happy Together: With Talisa during the wedding at House Frey.
  • Starcrossed Lovers: He's promised to a daughter of House Frey whom he has never met, but falls in love with and then marries idealist field medic Talisa instead.
  • The Stoic: Very rarely emotes.
  • The Strategist: He appears to be turning into this as within a day he manages to sneak up on Jaime Lannister, distract Tywin, defeat Jaime's army in the field, and capture Jaime, giving him an extremely valuable hostage. Subverted in that he is not only thinking up the plans, but is also leading his men and becoming very physically involved with the war.
  • Sugar and Ice Personality: It is implied that this is one of the main reasons Theon betrays him. Robb tells Theon that House Stark was not Theon's house, making him feel unwelcome.
  • Supporting Leader: Averted in the television series. While Robb fits this in the novels, he is upgraded to the status of the other leads in the onscreen adaptation where his status as leader of the Northern rebellion receives a significant amount of airtime.
  • Technician vs. Performer: His leadership of the rebel forces against Tywin Lannister, essentially. Lord Tywin is a good soldier and strategist due to hard and careful work, while Robb is a born conqueror. Ultimately, Tywin's exploitation of the strategic imbalance between the Iron Throne and the Stark kingdom, plus Robb's personal missteps, proves decisive in the Riverlands theater. Robb, on the other hand, bet the whole war on winning enough battles.
  • Tragic Hero: Robb's initial success at rallying the forces of the North is cut short because, like his father, he's unable to follow through on the political compromises needed to strengthen his victory. This results in a series of errors that makes him vulnerable to betrayal, culminating in breaking his marriage pact to the Freys and marrying for love.
  • Tranquil Fury: He does this a lot, but it really kicks in when he (correctly) accuses Jaime of injuring Bran. You can hear the sheer fury in every word, but his voice is still calm. It's clear that the only thing keeping Robb from beating him to death with his own hands is Jaime's worth as a prisoner.
  • Warrior Prince: He's nobility rather than royalty, but definitely becomes one once he leads the Stark bannermen into war against the Lannisters. He becomes King in the North by acclamation of his bannermen.
  • What the Hell, Hero?:
    • Gives a minor one to his mother after she spends a month at Bran's bedside, neglecting the castle and her younger son Rickon, who's six and disoriented by all the changes at Winterfell.
    • He's on the receiving end of one in "Garden of Bones", after a battle leaves thousands dead or injured. A healer lets him have it:
      Robb: The boy was lucky you were here.
      Talisa: He was unlucky you were.
    • He joins most of his men in giving one to Catelyn when she releases Jaime.
    • Gets one from his mother when she learns he's considering breaking his marriage alliance with the Freys for Talisa, pointing out how completely idiotic this is.
  • Worthy Opponent: To Tywin Lannister, enough that he acknowledges how badly he underestimated Robb and how talented the Young Wolf is at war. Not bad for a boy of eighteen.
  • Wrong Genre Savvy:
    • The extras from the Season Two box set show that he is inspired by unlikely friendship/Blood Brothers relationship his father and Robert Baratheon had, and believes that it will be the same for him and Theon, fighting together against a new Caligula. Oh Robb... It wasn't entirely one-sided, however: Theon was exactly the same and wanted for them to be True Companions fighting against the Lannisters as well, but neither of them had counted for Balon's suicidal revenge fantasies.
    • He also seems to think of himself as the protagonist of a classic love story where love prevails over all and marrying the one you love is more important than the arranged marriage you were in. This backfires on him terribly as it gets him, his wife, and his unborn child killed.
  • You Are in Command Now: With his father in King's Landing and his mother busy kidnapping Tyrion, he has to take charge of Winterfell. With the death of his father, he becomes Lord of Winterfell and, not long after, the King in the North.
  • Young and in Charge: Due to being the highest-ranking person in Winterfell, he has authority over a whole mess of experienced knights and retainers. Despite this, others underestimate him due to his youth. This dynamic is brought to the fore in "The Pointy End" when he calls his bannermen and begins to march south. In particular, it causes some tensions with Greatjon Umber, but the Greatjon changes his mind when Grey Wind bites some of his fingers off. Later, the Greatjon is the first in the Northern/Riverlands army to declare Robb as King in the North.
  • Young Conqueror: Neither Tywin nor even his father think he is up to the task, but Varys points out to Ned that Robb would hardly be the first. He quickly proves himself one of the most skilled battle commanders in the series.

    Queen Talisa Stark, née Maegyr 
Played By: Oona Chaplin

Rickard Karstark: I think you lost this war the day you married her.

A noblewoman from the Free City of Volantis in Essos. Fed up with slave culture and pointless upper-class ritual, she came to Westeros and found herself working as a medic in the Westerlands, treating Stark, Tully, and Lannister wounded. In the aftermath of the Starks' greatest victory at Oxcross, she met Robb Stark, and they eventually fell in love and married, breaking Robb's vow to marry one of Walder Frey's granddaughters. She replaced the original character Jeyne Westerling from the books.
  • Adaptation Expansion:
    • Jeyne Westerling doesn't get much characterization in the books — indeed, Robb barely appears in the second book and all of the above happens off-page! Replacing it called for a character who could legitimately be around Robb for the entire season, so the showrunners abandoned the more realistic prospect of a lesser lord's daughter in favour of a more active field nurse. In the books, Robb marries Jeyne out of sheer duty to protect her from being Defiled Forever following a one-night stand resulting from Jeyne consoling him on the "deaths" of Bran and Rickon.
    • An inversion on the books, which is in turn an expansion compared to the show: unlike Talisa, Jeyne survives Robb because she is left at Riverrun for her own safety (and to lessen tensions with Walder Frey) while Robb embarks on his new campaign.
  • Aloof Dark-Haired Girl: When she and Robb first meet, she's not impressed by him.
  • Belligerent Sexual Tension: With Robb when they first met.
  • Blue Blood: Despite initially appearing as a commoner, she's actually of noble birth from Volantis.
  • Brainy Brunette: Beneath that brunette hair pulses the brain of a highly competent nurse.
  • Canon Foreigner: She replaces the character of Jeyne Westerling from the novels. From the books... 
  • Deadpan Snarker: Upon first meeting Robb, she is quite blunt and sassy with him.
  • Death by Adaptation: Jeyne Westerling of the books misses the Red Wedding, and is still alive. This change has actually gotten some fans wondering if it's a spoiler that Jeyne won't have any more importance.
  • Defrosting Ice Queen: She defrosts Robb, and he defrosts her. It's a mutual defrosting.
  • Died in Your Arms Tonight: Subverted — she's already dead by the time Robb cradles her.
  • Dies Wide Open: Her eyes remain wide open and staring as she lies lifeless on the Frey's floor.
  • Everyone Is Related: She is a Volantene noblewoman whose last name is Maegyr; as she was created exclusively for the show and not given a background, she might be related to the nobleman Malaquo Maegyr, the Tiger Triarch and one of the current governors of Volantis from the books.
  • Foreign Fan Service: She's from Volantis, one of the Free Cities.
  • Good Is Not Dumb: She, along with Catelyn and Edmure, insist that Lord Karstark should be imprisoned for the duration of the war as insurance against the Karstarks' loyalty. This despite having just seen the recently murdered corpses of the Lannister boys she tended to.
  • Hello, Nurse!: Both in the attractiveness and being literally a nurse. When presented to Walder Frey, he understands why Robb romped with her. That didn't make him any less angry, however.
  • The High Queen: After marrying Robb, she becomes The High Queen in the North.
  • Hospital Hottie: A medieval version (she uses a rusty saw onscreen, and mentions turpentine, fennel root and willow bark). Robb is clearly impressed by her and seems instantly attracted.
  • Impaled with Extreme Prejudice: Multiple times. The Freys really wanted to make sure Robb and Talisa's baby was dead.
  • Innocent Bigot: In her back story. She never questioned living as a member of the nobility in a slave culture until a slave committed a hanging offence in order to save her brother.
  • Irony: Despite being the Queen in the North, she points out to Robb that she doesn't know where Winterfell is.
  • Love Interest: Robb's.
  • The Medic: She's a nurse who tends to wounded Stark men during the war.
  • Modest Royalty: Compare her manner of dressing to that of Margaery.
  • Nice Girl: An all-around pleasant, if snarky, person who has a very low opinion of warfare, because of how it causes nothing but misery as she points out to Robb during their first meeting. Her altruistic need to help others is one of the reasons why Robb falls for her.
  • She Cleans Up Nicely: Without all the blood and gore that is.
  • The Smart Girl: She is an adept healer.
  • So Happy Together: With Robb during the wedding at House Frey.
  • What the Hell, Hero?: Not particularly vicious or biting, but she makes it clear to Robb Stark as to exactly what the costs will be to him pushing on with his war with the Lannisters, exemplified in the Lannister soldier that he witnesses her amputate.

    Lady Sansa Stark 
"The truth is always either terrible or boring."
Played By: Sophie Turner

Tyrion Lannister: A great beauty with a very old name.

Elder daughter of Eddard and Catelyn Stark and their second child. She is a sheltered girl who fits easily into the feminine mold that Westerosi nobility demands of their daughters, unlike her sister Arya, with whom she frequently squabbles. Sansa, at the series' start, loves stories and courtly glamour, and loves the idea of marrying Joffrey, uniting the houses of Stark and Baratheon as their fathers wish. But the world does not align with what the songs say. Sansa never forgets her training, however: "a lady's armor is her courtesy," and she yet remains a daughter of the North. Wife of Ramsay Bolton.
  • Adaptational Angst Upgrade: Not that she doesn't undergo Trauma Conga Line in the books but her wedding night rape with Ramsay is entirely native and exclusive to the show, as a result of her character becoming a composite with Jeyne Poole.
  • Adaptational Heroism:
    • While still annoying in Season 1, she's a lot softer than the book counterpart who was a bit of an Alpha Bitch and a bit of a bully to Arya. Her sibling rivalry with Arya is toned down to normal levels of bickering whereas in the book Sansa was much more mean-spirited. As written below, she played an unwitting role in Eddard's capture which the show Adapted Out for reasons of Age Lift and which Word of God himself felt was not as essential in light of her later Character Development. Sansa was likewise quite cold to Tyrion after their wedding, for understandable reasons, but in the show she puts in some effort to make the marriage work.
    • In the books, Sansa likewise heard Lysa Arryn specifically shouting out that she killed Jon Arryn for him (which Sansa doesn't allow herself to believe) and was an accomplice in Littlefinger framing a Fall Guy.
  • Adaptational Wimp: In the books, she armed herself with a knife and journeyed through the Red Keep at night to investigate a message left by Ser Dontos, and actively conspired with him to escape King's Landing over the course of several months. In the show, she has no involvement at all, and is simply dragged out of King's Landing unawares. This becomes even more pronounced after she becomes a composite of Jeyne Poole in Season 5.
  • Adaptation Dye-Job: Her hair is a brighter red in the show, but more auburn (red-brown) in the books.
  • Adapted Out:
    • Some of Sansa's more naive actions in the book, especially in Season One, are removed partly because showrunners felt that her Age Lift made it less believable. The most notable instance was her informing Cersei about her father's plans to move his household back to Winterfell by ship, an action which played a small role in Ned Stark's arrest.
    • As a result of her Book 4 plot being entirely removed and changed to that of Jeyne Poole, Sansa's Character Development in that section, her friendship with smallfolk and outsiders like Mya Stone and blossoming into the role of hostess and Number Two to Littlefinger is removed.
  • All Girls Want Bad Boys: Averted. Sansa wanted the psychotic Joffrey, but only when she thought he was the stereotypical heroic prince from her stories. Sansa wants a hero, not a villain.
  • Alliterative Name: Sansa Stark.
  • Arranged Marriage: Happens so often that she's basically pimped out to unconsummated marriages.
    • To Joffrey, which she views as a Perfectly Arranged Marriage until he shows his true colors.
    • After Joffrey repudiates her, the Tyrells plan to marry Sansa to Loras for her claim to Winterfell. When Tywin finds out, he declares that she shall marry Tyrion instead, which she does.
    • When Tyrion is in serious danger of being executed, her Aunt Lysa begins to plan a marriage with Robin Arryn.
    • Lord Baelish and Lord Bolton plan to marry her to Ramsay after the bastard is made heir to Winterfell.
  • Attempted Rape: A repeated scare for her:
    • Attempted gang rape by a group of commoners in "The Old Gods and the New". She is rescued in the nick of time by Sandor Clegane.
    • Joffrey openly covets this during her wedding with Tyrion, but his threats are eventually defused.
    • The Hound tells Arya while he is possibly dying that he should have raped Sansa while he had the chance.
    • On her wedding night she undergoes marital rape.
  • Awful Wedded Life:
    • Tyrion and Sansa don't have any love for each other, being ordered to marry by Tywin and the latter being forced into it. They form a quasi-friendship almost as Sansa realizes that Tyrion is a decent man even if he's a member of the Lannister family. This goes From Bad to Worse after the Red Wedding as Sansa realizes that she's married into the family that murdered her father, her mother, her brothers and most of her family.
    • Her marriage to Ramsay Bolton is a very straightforward example, as he invokes his "right" of Marital Rape License nightly, beating her and leaving her crying in her bed. She even mentions that Tyrion chose not to consummate the marriage until she gave consent.
  • Aww, Look! They Really Do Love Each Other:
    • Remembers Arya with fondness past Season One and makes it clear that she misses her.
    • Her eyes light up when Ramsay mentions her half-brother, Jon Snow, in season 5, whom she had never previously shown any affection towards.
  • Bastard Understudy: By the end of Season Four, she has become this to Littlefinger, willingly protecting him from the nobles of the Vale using manipulation techniques she's learned from his various monologues. She has also thrown in with his plans, though she has some leverage against him to prevent unwanted advances. Needless to say, Petyr is impressed by this.
  • Be Careful What You Wish For: She is deliriously happy to be engaged to the heir to the kingdoms... until he has her father beheaded right in front of her, and she becomes a hostage to his family in the ensuing civil war. Happens again at the end of Season Two, when she finally gets out of her engagement to Joffrey. Unfortunately, as Petyr Baelish points out, she's actually worse off, since she's not allowed to return home, Joffrey is still free to beat and rape her without reprisal, and she doesn't have the minor consolation of being queen when it happens. In Season Four, she's finally free of the Lannisters, Joffrey and King's Landing by being forced to go on the lam after the King's assassination, being a prime suspect with a large bounty on her head. The only persons keeping her safe is the real culprit, Petyr Littlefinger Baelish, and her place of refuge is the attic of the Madwoman in the Attic, her aunt Lysa Arryn.
  • Beware the Quiet Ones: In an unexpected moment of boldness, Sansa attempts to push Joffrey off a bridge. She's stopped by the Hound.
  • Bratty Teenage Daughter: Once. She's since grown up much too fast. (And to be fair, the Septa kind of started it.)
    Sansa: Where are you from, anyway? The north or the south?
    Septa Mordane: I come from a very small village in a—
    Sansa: —Oh, wait. I just realized... I don't care.
  • Break the Haughty/Break the Cutie: Played with in that she's uppity and callous at the beginning of the story, but her misfortunes are so harsh that she becomes a sympathetic Broken Bird instead.
    • When Lady is killed and later when her father is deemed a traitor and is beheaded. And then Joffrey shows her the heads of her father and his retainers. After stating that he will rape her when she can bear children. And then he has one of his bodyguards hit her. Repeatedly.
    • She is then forcibly married to the unattractive Tyrion instead of the dreamy Loras, but her new husband is completely respectful and kind to her, and he disobeys his father's orders to rape and impregnate her. They even start to get along rather well...and then she learns of the Lannister-planned Red Wedding, which resulted in the horrific murders of her brother, mother, and the Northern army. She has thus lost her last sliver of hope of rescue from King's Landing. It gets worse when she returns to Winterfell, where she is married to Ramsay Bolton, who is even fouler than Joffrey.
  • Broken Bird: Has reached this point after everything mentioned above, and she is force to adapt and play Littlefinger's game to survive.
  • Broken Tears: After she hears about The Red Wedding.
  • Butt Monkey: Her life in King's Landing is truly dramatic and horrible. Just when it seems her luck may be changing thanks to an Arranged Marriage to Loras, the political machine conspires against her. After returning to Winterfell, she reaches a point where she believes that things can't possibly be any worse. Theon rightly points out that with Ramsay around, things can always get worse.
  • Character Development: Sansa stars out wanting to visit the Capital and be less like her family. Joffrey and Cersei's true nature and the death and separation from the Starks makes her long for nothing more than Winterfell and her home, she takes to building a miniature version of her home castle in the Vale.
  • Chekhov's Gun:
    • The necklace Ser Dontos gives her, which he claims is an heirloom of House Hollard but was in fact a cheap imitation made by Littlefinger. When Sansa arrives aboard Littlefinger's ship after being secreted out of King's Landing by Ser Dontos, he takes off the necklace. One of the fake gems is missing. In the next episode, he confirms to Sansa that he hid the poison that Olenna Tyrell used to kill Joffrey in the missing stone.
    • The corkscrew she grabbed in "The Gift" comes into play in the finale when she uses it to pick the lock of her room in Winterfell, ultimately managing to escape with Theon.
  • Commonality Connection:
    • Starts to form this with Loras in "The Climb", as they are both extremely depressed after losing a loved one (Ned for Sansa and Renly for Loras), plus they find life in King's Landing intolerable.
    • She begins to bond with Tyrion over their outcast status. Then she learns of the Red Wedding.
  • Composite Character: She takes over the role of Jeyne Poole (who was Adapted Out other than a brief unnamed cameo in the first episode) as Ramsay's betrothed in Season 5.
  • Corrupt the Cutie: Courtesy of Littlefinger's influence.
  • Daddy's Girl: Less obvious than Arya, but the scenes with the doll her father gives her heavily imply she is one, though she's clearly closer to Cat than Arya was.
  • Deadpan Snarker: Has to measure her words given the hostile environment she's in, but the tendency is there.
  • Death Glare: A master of this.
  • Despair Event Horizon: Is in this at the start of Season Four, refusing to talk to people, eat for days, even admitting to Tyrion that she goes to godswood because she'll be left alone there and not because she prays or believes anymore.
  • Did You Actually Believe?: Mocks Myranda for believing that Ramsay actually intended on marrying her.
  • Did You Just Flip Off Cthulhu?: Calls Ramsay Snow a bastard, to his face! The last person who did that was shot at point-blank range with an arrow.
  • Distracted by the Sexy/Eating the Eye Candy: She stares longingly at Loras' backside as he walks away in "Dark Wings, Dark Words", and Margaery even has to gently snap Sansa out of her reverie.
  • Domestic Abuse: When Joffrey is pissed off, he has his knights beat her.
  • Doom Magnet: Somehow she attracts a nightmare's gallery of suitors. First Joffrey, then Robyn and just when you think it couldn't get worse, Littlefinger engaged her to Ramsay Bolton, to say nothing of Littlefinger's own "interest" in her. About the only people who are nice to her are the scarred and ugly Sandor Clegane and the dwarf Tyrion Lannister, and even that situation is complicated with the latter two essentially serving the family that killed hers.
  • Draco in Leather Pants: Invoked with Joffrey. She's entirely willing to overlook Joffrey's many, many flaws even when she sees them firsthand, all in the name of her fairy-tale romance. She finally snaps out of it at the end of "Baelor". Ned also points out to Arya that because she's going to be Joffrey's wife, she needs to show at least the pretense of Undying Loyalty to him, regardless of whether he deserves it. And, well, Ned was right about this.
  • Face Death with Dignity: She doesn't even flinch when Myranda is pointing an arrow at her face. Luckily, Theon gives Myranda a Disney Villain Death before the latter has chance to hurt her.
  • Failed a Spot Check: Most people seem to realise Joffrey is a sadist and Loras is obviously gay, seconds after first meeting them. Sansa, on the other hand, is immediately smitten.
  • Fainting: Collapses after Ned is executed.
  • Flowers of Romance: She believes the red rose Loras offers to her at the Tourney of the Hand is a token of his affection. If only she had noticed that the Knight of Flowers was in fact googly-eyed over the Lord of Storm's End sitting behind her...
  • Foil: In the novels, George R. R. Martin designed Sansa to be Arya's foil. This is present in the adaptation as well. They are both Starks of Winterfell who spend a great deal of time with Sandor "The Hound" Clegane who takes them both captive at one time or another and ends up showing them his softer side. But it's also part of their development and their very different Break the Cutie arc. Sansa becomes ensnared in the politics of King's Landing and sees, first hand, the ruthlessness and backstabbing of a Deadly Decadent Court while Arya travels across Westeros and falls under the view and guidance of characters of varying moral fibre. Arya slowly becomes a methodical Child Soldier who falls in with an amoral killing cult that believes in death for everyone while Sansa has become Number Two to Petyr "Littlefinger" Baelish, using her father's honorable reputation to defend a murderer from facing the consequences of his actions and becoming a willing accomplice. In both cases, the sisters are forced to discard their whole identities in order to pursue vengeance and survival.
  • Forceful Kiss: Is on the receiving one from Littlefinger in "Mockingbird." She didn't really resist; just stood there kind of stunned.
  • Freeze-Frame Bonus: The necklace Ser Dontos gives her is missing one of its fake gems when Littlefinger takes it off Sansa aboard his boat, and which Littlefinger confirms contained the poison used to kill Joffrey. Even better: the gem is already missing during the Purple Wedding. Freeze frame right after Olenna touches the necklace.
  • Generation Xerox: Looks-wise, a few characters remark she looks very much like Catelyn did when she was young. Littlefinger even says she's more beautiful than her mother was at that age.
  • Girl in the Tower: Becomes one of these after her wedding, kept locked in a bedroom and visited only by Ramsay, who rapes her nightly, and Theon.
  • The Glorious War of Sisterly Rivalry: While far from unintelligent, particularly in recent episodes, she fills the role of "the pretty one."
  • Guile Hero: Although she started out as rather naive and foolish, she's had to rely on her wits to survive the Deadly Decadent Court of King's Landing, and is becoming rather good at it. She starts matching Littlefinger when she is in the Eyrie.
  • Heroes Want Redheads:
    • Inverted twice. In Season One, this redhead is very much smitten with blond-haired Joffrey while Faux Affably Evil Littlefinger appears to be interested in her out of her resemblance to her mother Catelyn.
    • Another (sort of) reversed example in Sandor Clegane, a cynical Anti-Villain.
  • Heroic BSOD:
    • Collapses in shock when Ilyn Payne swings her father's sword.
    • When she starts menstruating, as this means that she's now able to have Joffrey's children.
    • She gets another one when she finds out that she is being married to Tyrion, not Loras as intended, and that her other chance to leave King's Landing sails away.
    • In Season Four, she's lost any will to eat, and spends hours in the Godswood just to get away from people trying to comfort her about the deaths of Catelyn and Robb.
  • The High Queen: Starts to show signs of this trope in "Blackwater", shortly after Cersei mentions how much she disdains it.
  • Honey Trap: A non-sexual version, as she's offered as a wife to Ramsay Bolton to help solidify the Boltons' rule of the North by including the Starks again. The real purpose is to get her close enough to take revenge.
  • Horrible Judge of Character: May be a family trait; "I trust her, even though she tells me not to" could almost be the words of House Stark. She completely fails to see the parts of people she doesn't want to see, especially with regard to Joffrey. While the life in the court makes her a bit more wary, it remains to be seen if her trust in Shae, and Tyrion by extension, is a good call. This trait has pretty much vanished by Season 5 - such as the way she interacts with Myranda, not fooled for a second by the latter's Bitch in Sheep's Clothing act. Although she, and Littlefinger apparently, seriously misjudge how crazy Ramsay is and Sansa only sees his Mask of Sanity crack just before the wedding.
  • Hostage Situation: She is the most important political token of the Lannisters during the War of the Five Kings after the death of Ned and the disappearance of Arya. Even if she wasn't Robb's heir as King in the North, Sansa is the heir to Winterfell after Theon "kills" Bran and Rickon. The Red Wedding caused the Lannisters to lose interest in her, as she wasn't as valuable a hostage anymore. The Tyrells try to bring her into the fold, to which the Lannisters married her to Tyrion. The cementing of the Tyrell-Lannister alliance and the chaos caused by the assassination of Joffrey allowed Littlefinger to take Sansa with him to the Vale of Arryn, disguising her as his bastard.
  • I Have Your Wife: After Ned's execution and Arya's escape, she's essentially being used as leverage by the Lannisters against Robb, and is physically and emotionally abused by Joffrey for her brother's victories.
  • Incompatible Orientation: She's a bit infatuated with Loras Tyrell.
  • I Need a Freaking Drink:
    • Pours herself some wine when she's alone with Tyrion during their wedding night in "The Second Sons", which is especially notable as Sansa had always been reluctant to drink in previous episodes. (Possibly because she associates it with Cersei.)
    • She tries out same ale in "The House of Black and White", but declares she doesn't see what the fuss is about.
  • Informed Attractiveness: Quite a few characters remark on Sansa's apparently legendary beauty, most notably Tyrion, who calls her "A great beauty with a very old name".
  • The Ingenue: While not stupid by any means, Sansa is woefully naive, to the point where "Mhysa" reveals her belief that the vulgar way of saying dung is "shift". One suspects this is part of the reason so many characters in King's Landing seem to take it on themselves to try and protect her (though, unfortunately, just as many as seek to exploit her).
  • Innocent Blue Eyes/Icy Blue Eyes: Her abrupt shift from a naive teenager to the Number Two of one of the villains can be read in her eyes over the course of the fourth Season. Her expressions go from innocent and unassuming while being tricked by Dontos and the Queen of Thorns in the first few episodes to becoming harder and more precise when she suddenly becomes a manipulator.
  • I Reject Your Reality: Sansa hates the world she lives in. In the real world, the truth is either boring or horrible, so she makes up stories in her mind to survive. This is taking a toll on her sanity.
  • Ironic Hell: More mundane version. She refuses to support Arya's or Joffrey's side in a quarrel, so she could stay with her beloved prince. She's going to enjoy his company for a long time.
  • Kick the Son of a Bitch: When Robin Arryn throws a fit and destroys her snow replica of Winterfell, she slaps him so hard she knocks him to the ground. Although Sansa might have been the one who escalated the altercation to begin with, Littlefinger blithely remarks afterward that Robin had it coming his entire life.
  • The Lady's Favour: It initially appears to be a gender inversion of this trope when Ser Loras gives Sansa a rose before his joust, but it's quickly subverted when it turns out to be an empty gesture. Lord Renly is his true sweetheart, but Loras obviously cannot offer his favour to another man in a homophobic society, so he simply hands the rose to the young lady who happens to be seated the closest to Renly in the stands. Sansa doesn't pick up on the clues, and believes from that point onwards that the Knight of Flowers is interested in her romantically.
  • Looking for Love in All the Wrong Places: In Season One, she's besotted with a Prince Charmless of teenage royalty and takes a shine to the aformentioned Ser Loras Tyrell.
  • Morality Pet: She's this for the Hound.
  • Naïve Everygirl: To the point of thinking the naughty word for dung is "shift."
  • Number Two: She becomes this to Littlefinger in Season Four when she begins actively helping him with his schemes.
  • Paint It Black: Sansa abruptly dyes her hair black and slips into a new black dress to match her new attempt to play the game of thrones at the end of Season Four.
  • Perfectly Arranged Marriage: How she initially views her engagement to Joffrey. In Season Three, Sansa thinks that Loras would be an ideal husband for her when they're betrothed.
  • Pimped-Out Dress: After years of being an Unwitting Pawn in the games of others, Sansa signifies her switch to taking charge of her life by sewing a black dress adorned with feathers. The effect is quite striking.
  • Please Spare Him, My Liege!:
  • Plucky Girl: After getting broken first, she seems to be gradually growing into one.
  • The President's Daughter: In Season Three, as Bran and Rickon are presumed dead and there's a high chance of Robb contracting a fatal case of sword-through-chest on the battlefield, and her lack of uncles outside of the Night's Watch, a few factions recognize her claim to Winterfell and try to use her to get their hands on it. See Unwitting Pawn below.
  • Pretty in Mink: During her wedding to Ramsay.
  • Princess Classic: Zigzagged. Though not initially a princess in her own right, she is betrothed to a prince and fills the trope in every other respect. And then Robb declares himself King in the North, which does make her a princess in her own right. Too bad her hosts don't recognize Stark claims of sovereignty...
  • Proper Lady: She acts like one, and aspires to be one (at first). She's polite, easily frightened or upset, wears beautiful dresses, is good at sewing and longs to live out a fairytale life.
  • Puppet King: With her brother Robb's death, and her other brothers presumed dead, the Lannisters planned to rule the North in her name.
  • Rape as Drama: In Season 5, after taking over Jeyne Poole's story, via Ramsay Bolton.
  • Red-Headed Heroine: Much like Catelyn.
  • Refuge in Audacity: Seems to be taking it more and more as she spends time in King's Landing, such as when she pointedly reminds Joffrey of the time he had his ass handed to him by Arya and cried like the Dirty Coward he is afterwards.
  • Shut Up, Hannibal!:
    • By the time she finally escapes King's Landing, she's gotten such an education in the ways of the world that she's even able to talk to Littlefinger on his own level, and calls him on every time he tries his usual doubletalk.
    • Gives a nice one to Myranda when the latter starts recounting all the women Sansa's husband-to-be has "gotten bored of".
  • Silk Hiding Steel: Developing into this, most notably in "Blackwater", where she manages to sass Joffrey, make clear to Tyrion how much she hates the Lannisters, weather a drunken Cersei, calm down a room full of anxious noble ladies, and stand up to the Hound without once losing her resolve.
  • Smitten Teenage Girl: Zigzagged. She's infatuated with Joffrey for most of Season One, but completely loses interest by the time he chops her father's head off. In Season Three, her crush on Loras (which is first seen in "The Wolf and the Lion") grows.
  • So Beautiful, It's a Curse: Sansa is frequently praised as being very beautiful and she tends to get into trouble because of it - Joffrey expresses a desire to rape her when she's being wedded to Tyrion, she very nearly gets gang-raped in the King's Landing riots, Littlefinger has a creepy obsession with her and even Ramsay admits he finds her attractive. Even Tyrion had a desire to sleep with her, but he couldn't bring himself to go through with it. Sandor admits to Arya that he should have "fucked her bloody" when he had the chance during The Battle of Blackwater, but it's unclear how much he meant it (considering his obvious soft spot for Sansa) and how much he was merely saying it to goad Arya into killing him.
  • Statuesque Stunner: Like in the novels, Sansa is exceptionally tall and statuesque. Lampshaded by Cersei in their first meeting.
  • Stepford Smiler: She is forced to become one to survive in the royal court.
  • Strong Family Resemblance: Looks increasingly like Catelyn as she gets older, even after she dyes her hair black.
  • Tomboy and Girly Girl/Sibling Yin-Yang: Girly Girl to her sister Arya's Tomboy.
  • Took a Level in Badass: All the turmoil she goes through in Season Two and Three definitely hardens her and toughens her up, but it doesn't really start to show until Season Four. By late Season Four, she's become far more adept at navigating the field. Though she has long ways to go, she definitely has the most political intrigue out of any of the Starks and is able to use deception and manipulation to her advantage. This leveling up is largely forgotten between Season Four and Season Five, sadly, as she spends pretty much all of Season Five being victimized worse than ever, her supposed desire for revenge never goes anywhere, and she ends up being rescued after her own attempt at calling for rescue fails completely.
  • Trademark Favorite Food: Sansa loves lemon cake. Everyone seeking to manipulate her seems to know this.
  • Tragic Keepsake: In Season One, Ned gives her a doll in an effort to make amends with her after the death of her wolf. She is understandably dismissive, both given the situation and the fact that the doll was totally age-inappropriate ("I haven't played with dolls since I was eight."). The doll has since reappeared in both "Blackwater" and "Second Sons", displayed openly and clearly valued as what was probably her father's last gift.
  • Tranquil Fury: When Joffrey threatens to bring Robb's head to her, Sansa's response that maybe her brother will bring her his head instead shows that the girl has more iron in her than many people thought.
  • Troll:
  • Unwitting Pawn: At various points, Sansa is this to the Lannisters, the Tyrells and Littlefinger across Season Three, where without her knowledge, leave alone consent, she is traded as a match, ultimately becoming Tyrion's wife. This is merely the pretext, in turns out that Littlefinger allied himself to the Tyrells and arranged for Joffrey's assassination. Sansa, through a Littlefinger stooge, Ser Dontos, carries a necklace which contains poison and as Tyrion's wife is close enough to be seated on the wedding dais that Olenna could reach her, collect the poison and pass it to Joffrey's cup at the opportune moment. She is "rescued" by Ser Dontos and Littlefinger from Cersei's wrath who has put a large bounty on her head.
  • Wide-Eyed Idealist: At the beginning of the series, she thinks she is going to be a fairy tale princess and that Joffrey is her Prince Charming. She loses more and more of her illusions after her father is executed and she's kept as a hostage in King's Landing.
  • Wrong Genre Savvy: In most of the first Season. She thinks she is in a fairy tale with herself as the Princess Classic and Joffrey as the Prince Charming. Until Joffrey executes her father and she gets the message loud and clear. In Season Three she begins to slip back into this a little as a defense mechanism. However, this is shattered when she learns of the Red Wedding.
  • Yank the Dog's Chain:
    • In Season Three, the Tyrells betroth her to Loras, who despite Incompatible Orientation, would definitely be much kinder to her than the Lannisters. She'd eventually become the Lady of Highgarden (noted as one of the nicest places in Westeros) as well, which is a pretty sweet deal — until Tywin finds out and squashes her hopes and dreams flat by marrying her to Tyrion. When she shows signs of finally opening up to her husband, Robb and Catelyn are slaughtered at the Red Wedding along with her hopes of eventually being rescued from King's Landing by her family. She, not unreasonably, assumes Tyrion was in on it.
    • In Season Four, she's finally free from King's Landing but because she's wrongfully accused for killing Joffrey, she carries a large bounty on her head. Then she finds out that she's essentially under the thumb of Littlefinger and Lysa Arryn. The former is a Manipulative Bastard who caused Joffrey's assassination and her aunt Lysa is a willing dupe and insane to boot.
    • And again in Season Five. Despite all of the misfortune and psychological abuse she suffered, the one thing Sansa had managed to avoid (despite encountering a string of wannabe perpetrators) up to that point was getting raped. She runs out of her luck during her wedding night with Ramsay.
  • You Killed My Father: Sansa gives a very poignant calling-out to Theon about betraying Robb and butchering Bran and Rickon, only to discover that her little brothers may be still alive.
  • Your Princess Is in Another Castle: As Littlefinger tells her in "Valar Morghulis", Joffrey's new compromise with Margaery does not mean she's to be set free nor does make her safe from Joffrey if he still wants to take her while married to another woman.

    Princess Arya Stark 
"Anyone can be killed."
Played By: Maisie Williams

"Stick 'im with the pointy end."

Melisandre: I see a darkness in you. And in that darkness, eyes staring back at me. Brown eyes, blue eyes, green eyes. Eyes you'll shut forever.

The second daughter of Eddard and Catelyn Stark and the third child. When Ned is executed by Joffrey, Arya is found by a member's of the Night's Watch and smuggled out of the capital. Most of the country never sees her afterwards and presumes she's dead in a ditch somewhere, but she becomes an Action Survivor, evading detection and death as she travels the countryside trying to find a way home. After repeated unsuccessful attempts to rejoin what little of her family is left, she leaves Westeros and sails to Braavos, where she intends to join the Faceless Men. She has a list of names of people she's resolved to kill for wronging her, and her experiences harden her into a young but determined killer that slowly begins to cross names off the list.
  • Action Girl: She's growing into one and her kill count grows higher and higher every Season.
  • Action Survivor:
    • Though she received a few months of sword training and is good with a bow, Arya is still a child who is petite and not particularly strong. She becomes more of an Action Girl in Season Three and Season Four.
    • She's also notable one of the only non-Lannister people to get away with defying Joffrey without getting herself killed or seriously injured for it. (Unfortunately, Mycah takes Arya's place). Even Tyrion suffers for slapping Joffrey around in the long run.
  • Adaptational Attractiveness: She is described in the books as "horse-faced" by Sansa and Jeyne Poole and is mistaken for a boy before she starts posing as one. In the series, she is round-faced and cute. Though even in the books, several characters note that she is getting prettier as she grows up and compare her favorably to her Aunt Lyanna, a famous beauty herself.
  • Adaptational Badass: In the original book series, Arya's killing of Polliver was done in the heat of the moment. In "Two Swords", however, Arya kills one mook, and later has Polliver at the pointy end of her sword Needle which he stole from her, bonus points for reenacting the way Polliver killed Lommy by quoting him word for word before killing Polliver the exact same way.
  • Adaptational Heroism: A minor case, but her traumatic experiences left Arya somewhat colder and more ruthless in the books, and she even had something of a cruel streak at times. Her relationship with Gendry and Hot Pie (and, in its own way, with Sandor Clegane) is also warmer and more sentimental than in the novels.
  • Adaptational Wimp: She was a somewhat better fighter in general in the books. When Yoren and his recruits are attacked by Lannisters in Clash of Kings, she actually fights and kills some of their (admittedly rather unskilled) soldiers. The only people she's killed have been either helpless (Polliver) or completely unprepared (the Frey soldier, Rorge, Meryn Trant). She also plans and executes the escape from Harrenhal by herself in the books, without any aid from Jaqen H'ghar.
  • Adaptation Name Change: Her alias as a Braavosi shellfish vendor is renamed Lanna—in the books it was Cat of the Canals, after her mother. The show hangs a lampshade on the original name by having a cat cross her path in Lanna's first scene.
  • All Girls Like Ponies: Invoked in the Season Four premiere when she demands her own horse and the Hound responds by taunting her with, "Little lady wants a pony." At the end of the episode she gets a White Stallion.
  • Annoying Younger Sibling:
    • Seen in the first episode mischievously throwing food at Sansa. Arya used to stuff sheep dung inside her sister's mattress when she was angry with Sansa, which happened to be all the time.
    • Played with Gendry, who becomes something of a substitute brother and he looks out for her, and she obliges by constantly exasperating him.
      Gendry: How can someone so small be such a huge pain in my arse?
  • Anti-Hero: After all of her losses and traumatizing experiences, Arya is learning to become more ruthless when dolling out justice to murderers and other criminals.
  • Arranged Marriage: Unbeknownst to her, Robb's agreement with Lord Frey obligates Arya to marry one of his sons. Arya is never told and the deal is bloodily nullified and made void.
  • Aww, Look! They Really Do Love Each Other:
    • In the Season Two finale, she overcomes her grudge against Sansa and accepts that she's her sister and she must find her, too.
    • Also telling is in the Season Four finale, she refuses to put the Hound out of his misery even when he begs her to...but when he brings up Sansa and how he should have raped her when he had the chance, that is when Arya is visibly the most tempted to kill the bastard there and then, though she manages to resist.
  • Badass: Much of her story arc is how incredibly badass she becomes with every passing second. She stoods up to bigger bullies, traveled with the Night's Watch recruits, survived encounters with the Mountain, ordered around a super-assassin, stared down Tywin Lannister without flinching, attacks the Hound with a knife and has to be restrained, frequently stands up to the Hound, kills the Frey soldier who defiled her brother's corpse and murdered the shit out of Lannister toadie Polliver, psychotic rapist Rorge, and Kingsguard Meryn Trant.
  • Badass Adorable: Badass Arya is played by adorable Maisie Williams. Although after some time the character only looks adorable.
  • Best Served Cold: After Yoren shares how in bed he would say the name of the man he planned to kill as "a prayer almost," Arya starts doing the same, with the list growing longer by the day.
  • Beware the Nice Ones: She's nice and sweet at the beginning of the story, but she can also be quite deadly at the same time. Jaqen offers to assassinate three people she deems worthy of death. Arya takes him up on his offer.
  • Bifauxnen: She is often mistaken for a boy when dressed for her "dancing lessons". Even more so after Yoren cuts off her hair so that she can pass for a boy.
  • Big Brother Worship: Seems to be closest to Jon Snow out of all her siblings. The big hug she gives him when he gives Needle to her is absolutely adorable.
  • Big Ol' Eyebrows: Like her brother Bran, she seems to be growing into these.
  • Break the Cutie: Arya's Plucky Girl nature tends to obscure the fact that, like Sansa, she is living with a massive amount of grief, trauma, and anger, but has to take it all in stride to survive.
  • Broken Bird: Arya's experiences change her from the Plucky Girl and Tomboy Princess that she was in the first Season into slowly becoming a cold killer desiring revenge on everyone that she feels as wronged her family and friends.
  • Children Forced To Kill: Starting in "The Pointy End" once she flees the castle and takes to the streets of King's Landing.
  • Child Soldiers: Arya was created in part to represent the trauma and struggle of child soldiers.
  • Consummate Liar: Skilled enough to fool Tywin, up to a point. He figures out she's a highborn northern girl, but almost certainly doesn't realize she's actually Arya Stark (he would hardly scruple to take a child hostage. And just about the one thing that everyone agrees upon, Stark and Lannister alike, is that Robb and Tyrion should try trading Sansa & Arya for Jaime).
  • Cool Pet: Nymeria, who attacks Evil Prince Joffrey to defend her.
  • Country Matters: Arya's opinion on the waif girl who attacks her in "High Sparrow".
  • Creepy Child: Rapidly approaches this, though not nearly as quickly as in the books. She's reached this completely by Season Four; Melisandre of all people is creeped out by her. To recap some instances of her coldness:
    • She calmly informs Sandor Clegane that she will put a sword through his eye and out the back of his skull someday. Later on she turns out to actually have a knife she got from him without him noticing. His reaction is priceless.
    • In "Mhysa", Arya walks up to a group of Frey men around a campfire who are mocking Robb and Cat's demises. Arya acts like an innocent child, asking if she can warm herself by the fire, even offering to pay. She casually drops the coin, and when the man leans to pick it up, she stabs him repeatedly in the neck with a dagger. When she's done she doesn't seem at all disturbed by what she just did.
    • In "Two Swords", she calmly and methodically taunts Polliver before sticking Needle through his neck, clearly enjoying the deed.
    • In "Mockingbird", she notes Rorge was never on her list of people to kill because she didn't know his name. When he gives it to her, she thanks him with a little smile, then stabs him through the heart.
    • In the Season Four finale, the Hound begs her to give him a Mercy Kill after being badly wounded, trying to provoke her into anger — but she just crouches and stares at him icily for a very long time... before robbing him and leaving him to die.
    • The show seems to have ultimately subverted this, however, thanks to the timing differences. Show!Arya has reached her mid-teens before she could slip fully into the Creepy Child territory.
  • Cruel Mercy: Inflicts this on the Hound; by leaving him to die agonisingly and alone after his brutal bout with Brienne, despite his attempts to goad her into killing him quickly and desperately begging her to end him there and then.
  • Daddy's Girl: She has a close relationship with her father. Realizing that his daughter is a tomboy who doesn't like the fact that she's being brought up to become a "proper" courtly lady, Eddard eventually allows her to be instructed by a fencing teacher. By contrast, Arya doesn't seem to take after Catelyn at all in looks or personality and is never seen interacting with her directly.
  • Dance Battler: Thanks to learning the "water dance" style from a Braavosi.
  • Deadpan Snarker: Seemingly the only trait she shares with Sansa, as evidenced by the exchange with her listed below, as well as the following from "A Man Without Honor":
    Tywin: Aren't most girls more interested in the pretty maidens of song with flowers in their hair?
    Arya: Most girls are idiots.
    • The above snark actually makes Tywin Lannister bark out a laugh.
    • And from 'The Night Lands':
      Gendry: You know, you shouldn't insult people who are bigger than you.
      Arya: Then I wouldn't get to insult anyone.
  • Don't Call Me Sir: Doesn't want Gendry calling her "milady" while she is disguised as a boy for safety. She even shoves Gendry to the ground when he continues to tease her.
  • The Dreaded: When she confronts Melisandre, the red priestess seems to think so of Arya, being somewhat terrified of the sight of her. This is because she sees and knows what Arya will become.
  • Eerie Pale-Skinned Brunette: Arya has the Stark-look, including fair skin, brown hair, and grey eyes.
  • Establishing Character Moment: Sneaking away from doing needlework to score a perfect bullseye with an arrow that her brother repeatedly failed to hit. From further away.
  • Expository Hairstyle Change: Twice - first at the end of Season One where Yoren cuts her hair short to help her pose as a boy, then in Season Five, when she joins the Faceless Men she starts wearing her hair pulled back from her face in braids.
  • Foil: In the novels, George R. R. Martin designed Sansa to be Arya's foil. This is present in the adaptation as well. They are both Starks of Winterfell who spend a great deal of time with Sandor "The Hound" Clegane who takes them both captive at one time or another and ends up showing them his softer side. But it's also part of their development and their very different Break the Cutie arc. Sansa becomes ensnared in the politics of King's Landing and sees, first hand, the ruthlessness and backstabbing of a Deadly Decadent Court while Arya travels across Westeros and falls under the view and guidance of characters of varying moral fibre. Arya slowly becomes a methodical Child Soldier who falls in with an amoral killing cult that believes in death for everyone while Sansa has become Number Two to Petyr "Littlefinger" Baelish, using her father's honorable reputation to defend a murderer from facing the consequences of his actions and becoming a willing accomplice. In both cases, the sisters are forced to discard their whole identities in order to pursue vengeance and survival.
  • Fragile Speedster: Justified, as she's a young girl. Arya's very light on her feet and quick with her sword, but a blow from someone bigger will often leave her incapacitated. The Hound has stunned her with one punch more than once, and this was how Polliver managed to get Needle off her.
  • Girliness Upgrade: Only mildly and not of her own volition, but during Season Five she's given a bath and a new set of clothes, which is perhaps the first time we've seen Arya in a dress since Season One.
  • The Glorious War of Sisterly Rivalry: She fills the role of "the smart one."
  • Guile Hero: Being a child surrounded by heavily-armed and potentially-hostile adults has fostered quick thinking on her part just to stay alive and avoid being captured by the Lannisters. Arya's been forced to use her wits to manipulate people around her, often to an impressive degree.
  • Handicapped Badass: She is now that she's blind.
  • Heroic Breakdown: Borders on one when Joffrey orders Ned killed. Luckily for her, Yoren is there to keep her from watching her father's death. She's not so lucky in Robb's case, as she has to watch his desecrated corpse paraded around by the Freys.
  • Horrifying the Horror: Melisandre, a woman who regularly has people burned alive, communes with a fire god, helps prepare for an apocalyptic war with the White Walkers, and has given birth to shadow demons; is visibly freaked out upon seeing "the darkness" inside her, as well as all the eyes of those that Arya will kill.
  • Hot-Blooded: Arya gets very annoyed at first. As she gets older and endures more traumatic experiences, she slowly starts slipping into Tranquil Fury.
  • I Call It "Vera": Her castle-forged Cool Sword Needle, a gift from her brother Jon Snow, and she gets very pissed off when it gets confiscated by Lannister men. She retrieves it later in the story.
  • Ironic Echo: To Polliver. "Something wrong with your leg, boy? Can you walk? Need me to carry you? Fine little blade, maybe I'll pick my teeth with it."
  • Karma Houdini: Double Subverted: After returning the Face she stole to assassinate Meryn Trant it seems like Jaqen and The Waif are going to kill her with poison for her transgressions, only for Jaqen to turn the vial on himself. Then The Waif takes Jaqen's Face as Arya starts to hallucinate that the body has many Faces, ending in her own, before she goes blind.
  • The Kid with the Leash: To Jaqen, and later, The Hound.
  • Laughing Mad: Zig-Zagged. After Arya and the Hound are told that Lysa Arryn - Arya's last confirmed living relative and her only hope of being reunited with family - died just a few days before their arrival in the Vale, Arya's reaction (after a few seconds of stunned silence) is to laugh at the Hound for not getting his reward. Thus, she does break down in a huge laugh but not out of Sanity Slippage.
  • Little Miss Badass: "I'm good at killing fat boys. I like killing fat boys." And others.
  • Little Miss Snarker: She often has witty and snarky one-liners.
  • Lonely Together: She proposes Gendry the offer of becoming his family; ironically, he responds saying that he is too lowborn for her.
    Gendry: These men are brothers note , a family; I never had a family
    Arya: I can be your family!
    Gendry: You wouldn't be my family; you'd be my Lady.
  • The Mentor: Has a range of them from the good(her father, Syrio Forel), to the morally ambiguous (Jaqen H'ghar). Her moral compass notably alters under their tutelage, young and still pure hearted under her father and Syrio but smarter and more sneaky when she interacts with Jaqen. When she becomes The Hound's hostage and they form a quasi-friendship, she gets progressively darker and more violent, verging on Straw Nihilist by the mid-point of Season Four, her body-count noticeably increases as well.
  • Mentor Occupational Hazard: She suffers this greatly since her mentors tend to die or abandon her: Ned Stark, Syrio Forel, Yoren, Jaqen H'ghar, Thoros of Myr and Beric Dondarrion and finally, Sandor Clegane. Indeed her decision, to refuse to go with Brienne is a result of her constant frustration at being left without a parental figure she can rely or depend on, to which she decides to sail to Braavos on her own and disappear entirely from Westeros.
  • Morality Pet:
    • Subverted with Tywin. He does seem genuinely fond of her but it doesn't stop him from leaving her to Gregor Clegane, and probable death, once he leaves town.
    • Played straighter with Sandor Clegane, who spares a farmer after she pleads for him to do so and gradually treats her with increasing respect. Noticeably, the point where Sandor clearly gets on board with killing Polliver, is when he suggests trading Sandor a chicken in exchange for being able to rape Arya.
  • My God, What Have I Done?: Although she blames Joffrey and Cersei for it later, she's horrified when Cersei demands Sansa's direwolf Lady is killed in Nymeria's place.
  • Nerves of Steel: She's developing these as she goes from horrifying experience to horrifying experience. She is absolutely unafraid of characters such as Tywin, Melisandre and the Hound who terrify everyone else in the series.
  • Nice Job Breaking It, Hero:
    • Hitting Joffrey and running away with Nymeria, leading directly to Mycah and Lady's death.
    • Her attempt to steal a letter from Tywin is discovered by Amory Lorch, who is in turn killed by Jaqen right in front of Tywin's eyes. Tywin believes then that the assassination was meant for him, and he responds by ordering all the farms and villages around Harrenhal to be ravaged and his own men to be decimated as punishment. Later Arya realises she should have gotten Jaqen to kill Tywin, the Dragon-in-Chief of House Lannister, right from the start. And why not Joffrey and Cersei while she was at it, as Gendry later points out.
    • Arya's Hot-Blooded personality finally takes a direct toll on her in "The Bear and the Maiden Fair", when she irrationally runs away from the Brotherhood, in a war zone, with no supplies and in the middle of the night, only to find herself made a prisoner by The Hound immediately.
  • Nice to the Waiter: What separates Arya from Sansa is her visible lack of snobbery and kindness to everyone regardless of their class. She remembers the violence committed on the poor like Mycah and Lommy Greenhands long after most people have forgotten them. It also hurts her when Gendry gives her a reality check that if they were to return to safety, Arya would go back to being a highborn daughter while Gendry will be a mere commoner again and they would not enjoy the close friendship they had known until then.
  • Noble Fugitive: A highranking member and a child of House Stark forced to be on the run after her family starts being purged.
  • No Good Deed Goes Unpunished: Yes, Meryn Trant was an absolute scumbag of a person who completely deserved to die, but Arya has to find out the hard way that no one steals a Face from the Faceless Men and gets off scott-free, even if it is for a noble cause.
  • Not So Different:
    • Tywin compares her to Cersei because both are driven, intelligent and clearly underestimated, though he means that as a compliment and refers to the young Cersei.
    • She and Brienne as they both notice to their initial delight.
  • Oh Crap!:
    • A big one when Littlefinger arrives at Harrenhal, as he is one of the few people who could expose her. He does recognize her but being who he is he doesn't expose her and later informs Sansa that her sister is alive.
    • And an even bigger one when the Hound recognizes her in the company of Thoros and the Brotherhood Without Banners.
  • Only Sane Woman: Seems to be the only one who thinks that the Hound murdering Mycah the butcher's boy is something that actually deserves action, and, unlike Sansa, managed to avoid inheriting the Horrible Judge of Character gene; she sees both Joffrey and Cersei for the monsters they are.
  • Pay Evil unto Evil: After witnessing evil men getting away with committing some of the worst atrocities in the series, Arya starts taking justice into her own hands.
    • Makes a start on avenging Robb's murder in "Mhysa" by flat-out wrecking a Frey camp with Sandor and personally stabbing to death the Frey soldier responsible for desecrating her brother's corpse. This marks the first time she kills a person since the first Season, and her first adult kill.
    • Later, she earns two more adult kills in "Two Swords": Polliver, the Clegane footman who killed Lommy and stole her sword, and one of his men. She kills the former in the exact same way as his most prominent victim, down to repeating his words during the deed. Later, in "Mockingbird", she murders Rorge, the prisoner who'd threatened to "fuck her bloody", without a second's hesitation, once he adds himself to her list.
    • As of the Season 5 finale, she finally avenges Syrio (and Sansa, unknowingly) by brutally murdering Meryn Trant, who is revealed to be a paedophile who gets off on beating little girls.
  • Plucky Girl: Despite all the loss and suffering she goes through, Arya just keeps on going.
  • Power Trio: She is The Hero to Gendry's lancer and Hot Pie's The Chick.
  • Pragmatic Hero: While Arya's intentions are good (she wants to doll out justice to most cruel people in Westeros), she is learning to fight evil with less than savoury methods.
  • Precision F-Strike:
    • In "Breaker of Chains", following in Robb's example.
      Arya: (To the Hound) You are the worst shit in the Seven Kingdoms!
    • The precision then proceeds to fade away, as Arya fairly quickly becomes the foulest-mouthed Stark on the show. A season after his apparent death, Sandor's influence is still evident.
  • Psychotic Smirk: Almost gives one when she sees the body of The Tickler. She definitely gives one after killing Polliver.
  • Puppy-Dog Eyes: Just look how moe she can get...right before she bloodily stabs a man to death. It has officially reached memetic levels.
  • Rebellious Princess: To a degree, she listens to her father but she abhors and dodges the traditional roles meant for noblewomen. Ned is cool enough with that and puts her under the tutelage of a "dancing" master.
  • Refuge in Audacity: When Tywin expresses his doubts about Arya's tale that she was taught to read by her lowborn stonemason father, Arya's response is: "Do you know many stone masons?"
  • Roaring Rampage of Revenge: Has an ever-expanding kill list of people who have wronged her, her family or her friends, and of those who she sees as particularly evil.
  • The Runaway: She escapes King's Landing with the Night's Watch conscripts.
  • Screw This, I'm Outta Here!: After the Red Wedding and the news that her aunt is dead, with the Hound beaten and battered in a fight with Brienne, ostensibly her mother's sworn sword but also a friend of Jaime Lannister's, Arya clearly has no trust or hope in anyone in Westeros, so she decides to cash in her Plot Coupon from Jaqen H'ghar and sail for Braavos.
  • Shoo the Dog: To Nymeria.
  • Shorttank: Arya is tomboyish and doesn't do well in many activities that have been assigned to her gender.
  • The Southpaw: As in the books, Arya is a left-handed swordsman. For the record, Maisie Williams is right-handed.
  • Staring Down Cthulhu: Seems to be becoming a recurring theme for her to lock eyes with the most dangerous characters in the land without backing down. The list includes Melisandre (who is actually disturbed by what she sees in Arya's eyes), The Hound, and Tywin Lannister. And pretty much no one stares down Tywin Lannister. Though averted with the Mountain; the one person who tries this trope gets tortured to death in front of her.
  • Stockholm Syndrome: She refuses to admit it (even to herself) but Jaqen can tell that she didn't completely hate Sandor, even though she left him alone to die a slow and painful death.
  • Survival Mantra:
    • In Season One, she picked up one from Syrio Forel. "What do we say to the God of Death?" "Not today. Not today."
    • In Season Two, she gains a new survival mantra in the form of listing off the names of the people who have harmed her and those she cares about and who she will bring to justice. The list is a coping mechanism that gives her the illusion of control while horrific things happen around her.
  • Sweet Polly Oliver: She is disguised as a boy by Yoren so she can be taken north to safety. After a while, Reality Ensues and it becomes a Subverted Trope: Arya is only able to conceal her gender from truly stupid people, while anyone with a working brain (Gendry, Tywin, Jaqen, The Hound) sees past the disguise at first glance. By the third Season, she's more grown up and it's pretty obvious to people that she's a girl.
  • Tomboy and Girly Girl/Sibling Yin-Yang: Tomboy to her sister Sansa's girlishness.
    Arya: Can we bring Syrio?
    Sansa: Who cares about your stupid dancing master? Father, I can't go! I'm supposed to marry Prince Joffrey, I love him, and I'm meant to be his Queen, and have his babies—
    Arya: —Seven hells.
  • Tragic Keepsake: Her Cool Sword Needle is also this. It's the one thing from her old life that she refuses to cast off when she starts anew in Braavos, because Needle is Winterfell, Needle is her family.
  • Trauma Conga Line: Over the course of three Seasons, her best friend is murdered for a crime he didn't commit, her father is unjustly executed, her rescuer is murdered right before she is taken captive, she witnesses murder and torture on a daily basis while living in filth at Harrenhal, her other best friend is sold out to a witch by people she thought she could trust, she learns firsthand that the "Lord of Light" doesn't give a shit about her murdered friend, and when she's finally about to be reunited with her brother and mother they're murdered horrifically and she witnesses the profaning of her brother's corpse. To top it all off, the only ally (or the closest thing to an ally) she has left is the man who murdered her aforementioned best friend.
  • Troubling Unchildlike Behavior: Oh Gods yes (see Creepy Child).
  • Unkempt Beauty: Though she spent the last few Seasons dressed in filthy clothes and messy hair, she is quite cute.
  • Waif-Fu: Has demonstrated an ability to kick serious ass with a sword and a bow. And she's twelve.
  • What Happened to the Mouse?: An in-universe example. While the audience knows where she is, aside from Tyrion's brief mention that they need to keep the Stark's thinking she's in their custody, but how the Lannister's managed to cover up her escape isn't particularly elaborated on. However they did it, it seems to be working, since despite the overactive rumour mill present in King's Landing, no-one seems to have noticed that Arya has not been seen for about a year and a half now! By Season Four, the secret seems to be formally "out" (there's no way they could keep it from the Tyrells), but nobody cares anymore since the world at large assumes that the Starks have been completely annihilated. Even Arya is said to be "presumed dead".
  • What the Hell, Hero?: Has a bit of one in Lord Snow when she asks Ned why he would allow Sansa to marry Joffrey when the King and Queen put Sansa in the position where she would have to lie out of duty towards Joffrey or call the Prince a liar in front of them. Ned doesn't have an answer to this question and it seems to have had a factor in his later decision to call off the wedding and go back to Winterfell so that Sansa would later have a match with someone worthy of her.
  • White Stallion: Arya gets one after executing her friend's murderer. On her new horse, she creates a stark contrast with the Hound on his black courser, Stranger.
  • Yank the Dog's Chain: She's right outside the building where Robb and Catelyn are, but she's actually arrived just in time to see the entire Northern army massacred, her mother and brother among them.
  • You Killed My Father: Upon meeting the soldier who boasted that he beheaded Robb's corpse and attached Grey Wind's head to it, Arya stabbed the guy in the face numerous times to death.

    Prince Brandon "Bran" Stark 
"Every night it's the same: I'm walking, running, but I'm not me."
Played By: Isaac Hempstead-Wright

"If we can't protect our own bannermen, why should they protect us?"

The second son of Eddard and Catelyn Stark, their fourth child. Due to Robb's death, Bran is now the rightful King in the North, King of Winter, Lord of Winterfell, and/or Lord Paramount of the North, and Warden of the North.
  • Accidental Pervert: It did not end well.
  • Adaptation Dye-Job: Bran is Tully-colored in the books with auburn hair and blue eyes.
  • Addictive Magic: Being a young boy who was very physically active before being paralyzed, he naturally gets very excited at his ability to Warg into Summer until he's spending hours doing it. Jojen warns him that doing this too much will cause him to forget he's actually human.
  • Amnesia Danger: Lot of things would be easier if he remembered how and why he fell.
  • Be Careful What You Wish For: In the History and Lore videos, Bran notes that he always loved the scary stories told by Old Nan:
    "I don't like scary stories anymore. I'm in one."
  • Beyond the Impossible: While wargs are common beyond the Wall, and there are even some further south, Bran is apparently the first person in history to be able to warg into another human.
  • Big Ol' Eyebrows: Isaac Hempstead-Wright is developing these.
  • Children Forced To Kill: Like his older sister he's racked up a body count during his travel, including a couple of wildlings and Locke.
  • Composite Character: His green dreams about the sea flooding Winterfell are experienced by Jojen Reed in the books.
  • Cool Pet: His direwolf, Summer, who dispatches an assassin sent to kill him.
  • Dead Guy Junior: His name is Brandon, the same as his father's older brother.
  • Despair Event Horizon: He wishes that he had died rather than being crippled for life. He eventually snaps out of this.
  • Dream-Crushing Handicap: At first. After Tyrion designs a saddle that will allow him to ride, based on Tyrion's own, it gets a little better.
  • Dreaming of Things to Come: When he finally follows the crow into the family crypt, he sees his father. That same episode, Winterfell receives word that Ned has been executed by Joffrey. Happens again with Theons's betrayal and Rodrik's death.
  • Handicapped Badass: Although he can't walk he's become quite a powerful warg.
  • He Knows Too Much: The reason for his accident.
  • I Coulda Been a Contender: He wanted to be a knight, which becomes something of an impossibility after Jaime pushes him out of a window. He is very angsty about it at first.
  • Ironic Name: Unfortunately, what he discovers whilst climbing aforementioned castle walls, gets him thrown out of a window by Jaime Lannister and permanently crippled for his trouble.
  • The Kid with the Remote Control: To Summer and to Hodor too. Later taken to its logical extreme when Robb leaves for war and Bran becomes the resident authority at Winterfell.
  • Meaningful Name: He's mentioned as having a love of climbing the castle walls. His legendary ancestor and namesake, Bran the Builder, was the one who first orchestrated the building of the Wall. In Season Three, Jojen Reed tells him that the three-eyed raven he keeps seeing in his dreams is really Bran himself. "Bran" is Welsh for "raven."
  • The Men First: Essentially why he surrenders Winderfell to Theon and his Ironborn. Bran is hoping a peaceful resolution where no one got hurt. Unfortunately that is not what happens.
  • Nerves of Steel: Just see the kid in his conversation with Theon after the older boy has taken Winterfell. It completely shatters when Theon is about to kill Ser Rodrik.
  • Nice Guy: Is following the footsteps of Robb and his father in terms of how nice he is.
  • Noble Fugitive: Bran has been on the run since he and Rickon escaped from Theon and the Ironmen.
  • Out of Focus: He doesn't appear at all in Season 5, freeing the writers up to focus more on the ever-more spread out other storylines while avoiding doing repetitive scenes of him being instructed by the Three-Eyed Raven.
  • Parental Abandonment: Clearly feels this way about Catelyn's journey to the capital.
  • Psychic Children: It comes with being a Warg.
  • Psychic Link: While sleeping, Bran can feel what Summer feels. He also once had the same dream as his brother Rickon.
  • Put on a Bus: Word of God has confirmed that he will not be in Season Five.
  • Reasonable Authority Figure: Since he's Lord of Winterfell while Robb fights the Lannisters in the Riverlands and Westerlands.
  • Recurring Dreams: Keeps dreaming about a crow with three eyes. From the books 
  • Snooping Little Kid: Gets pushed out a window for it.
  • Took a Level in Badass: In "The Rains of Castamere", he learns how to warg at will, allowing him to use Summer to attack some wildlings. And as of "The First of His Name", he uses Hodor to brutally kill Locke. That's right — Arya is no longer the only Stark child with major confirmed kills.
  • Wise Beyond Their Years: For a child he shows himself far more competent at leading Winterfell than you may expect, and shows that many of the lessons Ned preached have taken root in him. For instance, his justification for leaving Winterfell undefended to send their men to take back Torrhen's Square:
    "If we can't protect our own bannermen, why should they protect us?"
  • What the Hell, Hero?: Hodor does this to him, in a Hodor-y sense, after Bran wargs into him in order to kill Locke. After getting himself back, Hodor looks at his own bloodstained hands, clearly shocked, and then to Bran, seeming to realize what happened and obviously not being entirely okay with what Bran just did, or made him do. Hodor isn't really capable of the same level of call-out most characters are, though.
  • You Are in Command Now: In "The Pointy End", Robb heads south for war, making Bran Lord of Winterfell. With Robb's death at the hand of the traitorous Lord Bolton, legally Bran should be the Lord of Winterfell, though he is unaware of this, and the world believes that he is dead and that his sister Sansa is Lady of Winterfell.
  • Young and in Charge/A Child Shall Lead Them: Commands the respect of virtually everyone under his rule, despite being a crippled ten year old. After Robb died, he could be considered the true King in the North.

    Prince Rickon Stark 
"I'm your brother. I have to protect you."
Played By: Art Parkinson

"We are not southerners."

Youngest child of Eddard and Catelyn Stark.
  • Adaptation Dye-Job: Like his Tully mother, Rickon had auburn hair and blue eyes in the books.
  • Big Brother Instinct: Despite being significantly younger than Bran, he reveals in "The Rains of Castermere" that he sees it as his job to protect him, and is thus distraught when Bran sends him, Shaggy, and Osha to the Umbers for their protection while Bran himself goes north of the wall. The main reason is that Bran is the only Stark who has remained with Rickon through all their struggles, with his father, elder brothers and sisters all leaving Winterfell, being parted from Bran clearly hurts him.
  • Break the Cutie: The baby of the family who smiles along with his elder brothers when Bran fails at hitting his target, becomes a depressed, sullen and bored child who wanders the crypts of Winterfell with his enormous direwolf.
  • Children Are Innocent: In one of the creepiest ways possible. He seems completely oblivious to what's happening at first. A fact which Robb painfully informs Catelyn about. He also parrots some of the more offensive Wildling stories that Old Nan told him, to Osha. She takes it in her stride as Rickon clearly likes her.
  • Cool Pet: His direwolf, Shaggydog.
  • Creepy Child: After disappearing for several episodes, he suddenly appears in Bran's room talking about how everyone is doomed. He also spends the time he is forced to hold court with Bran in Winterfell cracking nuts in the most aggressive way possible. He also wanders on his own several times with Shaggydog.
  • Demoted to Extra: Shows up so little, viewers keep forgetting he exists. Gets better in Season Two, in which he constantly appears with Bran. Justified due to the Ironborn seizing Winterfell. In Season Three, he gets one of the biggest TearJerkers in the series.
  • Dreaming of Things to Come: He and Bran share a prophetic dream in "Fire and Blood".
  • The Eeyore: Is quite cynical and depressed for a boy of six. Probably less surprising when considering that most of his family went away in very short succession, leaving him frightened and confused.
  • Expy: He and his brother Bran are one to the famous Princes in the Tower in the War Of The Roses.
  • Noble Fugitive: Like the rest of the Starks, he's on the run from the Lannisters but not because he's a criminal.
  • Parental Abandonment: Make that Family Abandonment: the only one of his relatives still left in Winterfell is barely older brother Bran. And he finally has to part with him too.
  • Psychic Children: Not to the same degree as Bran, but he does have a prophetic dream.
  • Put on a Bus: He, Shaggydog, and Osha do not appear in S4 as their incognito while Bran goes through the wall.
  • The Remnant: As Bran tells Rickon, if anything were to happen to him and Robb, he is the heir to Winterfell. With Bran going beyond the wall and Sansa and Arya trapped in the South, Rickon is the only Stark left in the North, one who Bran expects will be fostered with the Umbers, loyal bannermen.
  • What Happened to the Mouse?: In-universe. after Bran sends Rickon and Osha to the Umbers. Roose on learning of the survival of the youngest Stark children assumes that they must have died since none of the other Northern lords has seen or heard of them.
  • Wild Child: Seems to be as of "The Ghost of Harrenhal".

    Lyanna Stark 
Played By: N/A

Robert Baratheon: You want to know the horrible truth? I can't even remember what she (Lyanna) looked like. I only know she was the one thing I ever wanted. Someone took her away from me, and seven kingdoms couldn't fill the hole she left behind.

Eddard Stark's sister and Robert's betrothed. She was kidnapped by Rhaegar Targaryen, which ignited Robert's Rebellion. She died seventeen years prior to the start of the series. (See the character sheets on the original books for more details.)

    Brandon Stark 
Played By: N/A

Petyr Baelish: I was her (Catelyn's) little confidante. Her plaything. She could tell me anything, anything at all. She told me about all the horses that she liked, the castle that she wanted to live in, the man she wanted to marry. A Northerner, with a jaw like an anvil. So I challenged him to a duel. I mean, why not? I'd read all the stories. The little hero always beats the big villain in all the stories. In the end, she wouldn't even let him kill me. "He's just a boy," she said, "please don't hurt him." So, he gave me a nice little scar to remember him by and off they went.

Ned, Benjen, and Lyanna's eldest brother and former heir to Winterfell. Killed himself trying to save his father from roasting in a ludicrous mockery of a trial by combat.
  • Badass: In the little we learn of him, he sounds remarkably like a Stark version of Jaime Lannister. His charge to King's Landing with his small crew and calling for Rhaegar to "come out and die" is remarkably similar to the moment in Season One, when Jaime attacks Ned on the streets of King's Landing when his wife kidnaps Tyrion on false charges.
  • Big Brother Instinct: When he learned of Lyanna's abduction by Rhaegar Targaryen, he immediately rode to King's Landing to try to recover her from Rhaegar.
  • Cruel and Unusual Death: When Lord Rickard demanded a trial by combat on the charges against him and his son, naming himself as champion, the Mad King chose fire as the Targaryen champion, Brandon was put in a noose with a sword just out of reach. Brandon strangled himself trying to reach the sword to free his father.
  • Curb-Stomp Battle: On the giving end, when he fought Littlefinger for Catelyn's hand. According to Lysa, he nearly killed him and left him with a lifelong scar across his chest.
  • Foolish Sibling, Responsible Sibling: Much more reckless than Ned or Benjen, despite having been groomed to succeed his father, Lord Rickard. Indeed Baelish states that in the end, Ned was the more impressive specimen of the two.
  • Hot-Blooded: To the point where he was known, in the books, as the Wild Wolf.
  • Lantern Jaw of Justice: An heroic character with a jaw like an anvil.
  • Too Dumb to Live: Charging to King's Landing and insulting the Prince in earshot of the Pyromaniac Mad King after Rhaegar kidnapped Lyanna Stark was probably not a good idea. The highly biased opinion of Petyr Baelish in the History and Lore videos of his unfortunate rival:
    "Who's the greater fool? The Mad King or the man who reasons with him?"

    Other Family Members 

Benjen Stark

Eddard Stark's younger brother. See Game Of Thrones Nights Watch

Jon Snow

Eddard Stark's bastard son. See Game Of Thrones Nights Watch

Stark Household and Retainers

Played By: Kristian Nairn


A large, mentally challenged servant at Winterfell. He used to be a stable boy. Now he is Bran's "horse".
  • Age Lift: In the books, it's implied not to be much older than a teenager. In the series, he's depicted as middle-aged, played by the 38-year-old Kristian Nairn.
  • Badass: Despite his utterly gentle and nigh pacifistic nature, he is monstrously strong and durable and capable of snapping a man's neck like a twig, as Locke found out.
  • Beware the Nice Ones: Subverted. He's extremely strong, but Hodor himself is far too gentle to use his strength to hurt anybody. Whenever Hodor does use violence, it's because Bran warged into him and forced him to do it against his own will.
  • Biggus Dickus: Noted with approval by Osha and shown to the audience.
  • Dumb Is Good: Despite his lack of intelligence, he is one of the kindest characters in the show.
  • Dumb Muscle: He isn't very intelligent, but he can rip chains off the wall and pulverize the throat of a strong and skilled man.
  • Fear of Thunder: Gets a massive panic attack during a storm.
  • Gentle Giant: Despite being extremely strong and powerfully built, he never so much as hurts a fly, which was probably the reason he was chosen to carry Bran around. Also, despite finding himself increasingly dangerous circumstances, he continually refuses to hurt anyone, and was extremely reluctant to take one of Sam's dragonglass knives and only did so on Bran's insistence.
    • In "Oathkeeper", he can't bring himself to fight back against the Night's Watch mutineers.
    • In "The First of his Name", he is utterly horrified after being forced via warging to kill Locke.
    • In "The Children", he can't bring himself to fight back against wights.
  • Man Child: Owing to his limited intelligence, Hodor doesn't really act his age. In the Season Three finale, he delightedly shouts his name into a well just to hear the echo.
  • Mind Rape: Bran warging into him is essentially this.
  • My God, What Have I Done?: His reaction upon realizing that Bran used him to kill somebody.
  • Pokémon Speak: "Hodor" is the only word he says.From the books... 
  • Put on a Bus: Word of God has confirmed that he will not be in Season Five.
  • Super Wheelchair: His main task is to carry Bran around, making this trope his job description.Averted in the Season Two, finale, in which he pulls a cart to transport Bran.
  • These Hands Have Killed: Hodor looks at his hands in horror after Bran wargs into him to kill Locke.
  • Undying Loyalty: To Bran.
  • Verbal Tic Name: His true name hasn't been mentioned, and he only goes by 'Hodor' due to his Pokémon Speak.

    Maester Luwin 
"Maybe magic once was a mighty force in the world, but not anymore. The dragons are gone. The giants are dead. And the Children of the Forest, forgotten."
Played By: Donald Sumpter

"When you were born I was the one who pulled you from your mother. I pulled you into the world, both of you."

A Maester in the employ of the Starks. Advisor and confidant to Ned and Catelyn and teacher to Bran.
  • Agent Scully: He dismisses Bran's wolf dreams and Osha's accounts that magic is returning to the world (which the audience knows to be true). Luwin actually studied magic when younger and attempted to practice it unsuccessfully, and his attitude now is that either it was made up or at best, the world is one where magic once existed but went away (true until recently).
  • Bald of Awesome: Very bald, and very awesome.
  • Big "NO!": In "A Man without Honor", upon seeing the bodies of (fake) Rickon and Bran.
  • Character Death: Dagmer Cleftjaw impales him with a spear for basically no reason.
  • The Conscience: To Theon. Theon wants to listen to Maester Luwin, but believes he's gone too far to turn back.
  • The Consigliere: One of his job descriptions, he's sworn to serve the Lord of Winterfell even if it is a usurper.
  • Cool Old Guy: Luwin is a mildly snarky Papa Wolf with a vast knowledge of the world around him.
  • Deadpan Snarker: Especially where Theon Greyjoy is concerned.
    Bran: The Iron Islands. Lords... the Greyjoys.
    Theon: Known for their skills in archery, navigation and lovemaking.
    Maester Luwin: And failed rebellions.
  • Fire-Forged Friends: Bonds with Osha - who was introduced threatening the life of Bran Stark - during the Sack of Winterfell while both are trying to keep Bran and Rickon alive.
  • I Cannot Self-Terminate: Asks Osha for a Mercy Kill and she obliges.
  • Impaled with Extreme Prejudice: Dagmer jabs him in the side with a spear out of pure malice.
  • The Mentor: To the sons of Lord Stark in general and especially to Bran.
  • Mentor Occupational Hazard: Mortally speared by Cleftjaw.
  • Obi-Wan Moment: In his final moments, he calmly instructs the Stark boys to head for the Wall.
  • Omnidisciplinary Scientist: The hat of the Maesters' order.
  • Papa Wolf: For Bran and Rickon.
  • Parental Substitute: For Bran and Rickon.
  • So Proud of You: He's filled with pride when Robb gives him the order to call the banners to rescue Ned Stark. Later, he demonstrates pride in Bran's administrative instincts as well as his and Rickon's composure during Theon's sack of Winterfell.
  • Undying Loyalty: Even though Maester's are supposed to serve the realm and to a particular family, its clear Luwin is more loyal to the Starks. Even when advising Theon he's attempting to protect Bran and Rickon.

"The cold winds are rising."
Played By: Natalia Tena

"The little lads have suffered enough."

A wildling woman taken prisoner by Robb Stark and permitted to serve in Winterfell.
  • Action Girl: She goes up against Robb Stark and says she's used to taking care of herself around rougher men than Theon and anyone living north of the Wall has to be tough as nails to survive.
  • Adaptational Attractiveness: As well as youthfulness.
  • Aloof Dark-Haired Girl: She's generally pretty sarcastic and doesn't care much for formalities.
  • Badass: By virtue of being a Wildling, but even among the Wildlings she stands out. She's escaped Ironborn and tangled with Wights.
  • Cassandra Truth: She keeps saying that the White Walkers are coming, and that Winterfell's army should go North, not South. She also correctly interprets the comet in the skies over Westeros as heralding the return of the Dragons.
  • Characterization Marches On: In the first Season, she recommends returning North to give Bran, a relative of Night's Watch First Ranger Benjen, to Mance Rayder. By Season Three, she's dead set against ever going back beyond the Wall. Similarly, by the third Season she's become such a Parental Substitute towards Bran and Rickon, she'd probably brutally murder her past self for even suggesting such a thing!
  • Closer to Earth: Resulting from the trope below this one.
  • Composite Character: She takes over aspects of Old Nan, and also from the Reed siblings until they show up in Season Three. Part of this was Real Life Writes the Plot since Nan's actress, Margaret John, died after the completion of the first Season. She also takes on the role of Theon's bedwarmer, which in the books is played out by Kyra, a girl from the adjacent Wintertown.
  • Dark and Troubled Past: She reveals that when she lived north of the Wall, her lover disappeared one night. He came back as a wight and tried to strangle her, forcing her to burn their tent down with him inside.
  • Deadpan Snarker: Her response to Theon hitting on her his to sarcastically mock him.
  • Defeat Means Friendship: After Robb bests her in combat and makes her prisoner, she goes from trying to abduct Bran at knife point and ransom him to being his most protective caretaker.
  • Fake Defector: After Winterfell is taken by the ironborn, she pledges allegiance to Theon supposedly to save her own ass. She's actually doing it to gain Theon's trust and help Bran, Rickon, Hodor, and the direwolves escape Winterfell.
  • Fire-Forged Friends: With Maester Luwin in particular during the Sack of Winterfell as both try to keep the Stark boys alive. Before granting him a [1] she promises him that she will keep the boys safe.
  • Honey Trap: Uses this to distract Theon via hanky-panky long enough for her and the boys to slip out, and uses the same trick to distract a guard so she can slit his throat.
  • I Gave My Word: To a dying Luwin, that she'd take Bran and Rickon to Castle Black. And no further, as she is quick to remind Bran.
  • Kubrick Stare: Aided by actress Natalia Tena's huge eyes.
  • Mama Bear: A foe comes to Winterfell, and is a potential menace to Bran and Rickon? Sleep with him to be sure to have a diversion, kill the guard and then take the children away. Likewise, if it weren't from Bran accepting the Reeds as travelling companions, it seems that Osha wouldn't hesitate to kill them in an instant, particularly Meera.
  • Men Are the Expendable Gender: She's the only survivor of the group of Wildling refugees who attacked Robb. In the books... 
  • Mercy Kill: Gives poor Maester Luwin a clean exit at his request.
  • Noble Savage: While initially a wildling, she later tidies up a bit and settles down, though she's just as badass as ever.
  • Not So Different: To Meera Reed, as Bran reminds her — Meera pulled a knife on Osha the first time they met, Osha did the same to Bran.
  • Nubile Savage: She might be a wildling, but she's also very attractive. She uses this to seduce Theon and an ironborn with 'wild things'.
  • Parental Substitute: She eventually becomes one for Bran and Rickon, growing extremely protective of them.
  • Show Some Leg: It saves the day twice in "The Old Gods and the New".
  • Sitcom Archnemesis: Meera Reed.
  • Snark-to-Snark Combat: What this leads to. She also has Snark-to-Snark Combat with Meera Reed.
  • Took a Level in Kindness: Compare the Osha that tried kidnapping Bran to the Osha that would willingly give her life for him and Rickon. That's one hell of a difference.
  • Undying Loyalty: To the Stark boys in particular, but she reveals in "The Rains of Castermere" that she has this loyalty to the entire house due to their taking her in despite having no reason to do so.
  • Wild Hair: While far from subverting the trope, she's getting better.

    Ser Rodrik Cassel 
"Law is law, milady."
Played By: Ron Donachie

"He who passes the sentence should swing the sword, coward."

An elderly knight and Master-of-Arms at Winterfell. Uncle to Jory Cassel.
  • Badass Grandpa: Clearly, his age cannot hold him back. In the fight to the Eyrie, he keeps up with Bronn despite being much older than him, and is one of the few survivors.
  • Character Death: He's clumsily beheaded by the inept Theon after he takes Winterfell.
  • Composite Character: His death is a combination of the execution of both Benfred Tallhart — spitting at Theon and Theon being told to kill him for his disrespect — and Farlen, the kennelmaster of Winterfell — he also demands to be executed by Theon himself; Theon also fails to behead him with one stroke.
  • Cool Old Guy: He's grumpy much of the time, but he's also an extremely loyal Badass Grandpa who doesn't fear death.
  • Cruel and Unusual Death: Decapitation usually is a clean death, but not when Theon swings the sword. Even a slasher like Cleftjaw is disturbed by the poor execution, which needs several hacks and a kick.
  • Death by Adaptation: Dies much earlier than he does in the book, at the hands of Theon Greyjoy instead of those of Ramsay Snow.
  • Death by Irony: Botchedly killed by Theon, a pupil turned to evil, in a clumsy way that demonstrates how he hadn't assimilated many of his lessons.
  • Defiant to the End: Including a Spiteful Spit. And considering what Theon goes through later, a Dying Curse.
    Rodrik: Gods help you, Theon Greyjoy, now you are truly lost.
  • Face Death with Dignity: He shows absolutely no fear of death, calmly reassuring Bran and giving Theon one last insult before his beheading.
  • "Facing the Bullets" One-Liner
    Rodrik: He who passes the sentence should swing the sword. Coward.
  • Knight in Shining Armor: Though he lacks in actual shining armor.
  • The Lancer: To Catelyn.
  • Made of Iron: A mountain clansman hits him with a weapon. He shrugs off the wound and kills his attacker, telling Catelyn he'll be okay.
  • The Mentor: To Robb, Jon and Theon.
  • Obi-Wan Moment: Towards Bran. While Bran, Rickon and the rest of Winterfell are all begging Theon not to kill him, Rodrick just calmly smiles at Bran and says that he'll be seeing Ned soon.
  • Offscreen Moment of Awesome: Killing two Ironborn before getting captured by Lorren and his men.
  • Off with His Head!: And it takes several swings and a kick for Theon to accomplish, contrasting with Ned's clean single stroke and Ned's own execution.
  • Old Master: The man of arms for Winterfell.
  • Old Retainer: One of many for the Starks.
  • Old Soldier: Clearly rather old.
  • Parental Substitute: To Bran and Rickon, though far less so than Maester Luwin.
  • "The Reason You Suck" Speech: Confronts Theon for his shameful backstabbing and gets killed for it.
    "It grieves me that you have less honor than a back-alley whore. You were raised here, under this roof! These people are your people! King Robb thought of you as his brother!. (Your brothers) died fighting a war your father started! Lord Stark raised you among his own sons! If he were alive to see this... I should have put a sword in your belly instead of in your hand!"
  • Sacrificial Lion: His death shows that Theon is really starting to lose his shit.
  • The Stoic: Rodrick remains a very stoical man who exhibits, at best, grumpiness and anger.
  • Undying Loyalty: To the Starks. This results in his death, and he seems to literally fall under this trope since he tells Bran that he'll be seeing Ned soon, implying that he intends to serve Lord Stark even in the afterlife.

    Septa Mordane 
Played By: Susan Brown

"No one could ever hate you."

A Septa in service of House Stark as a governess and tutor for Sansa and Arya.
  • Character Death: Lannister troops kill her, and Joffrey has her head placed on a spike.
  • Cool Old Lady: Portrayed as stern and stodgy in the books, whereas in the TV show she's a more warmhearted and pleasant person, and more-or-less saved Sansa's life with her little Face Death with Dignity distraction act in "Baelor".
  • Deadpan Snarker: Mildly, but still.
  • Face Death with Dignity: Implied in "Baelor", confirmed in "Fire and Blood".
  • Heroic Sacrifice: She allows herself to be killed to allow Sansa to escape. Her sacrifice ultimately fails, but she would've been killed either way.
  • Maid and Maiden: More so to the traditionally more maidenlike Sansa than to Arya; she acts as Sansa's governess and tutor and is so loyal she gives up her life for her.
  • The Mentor: To Sansa.
  • Off with His Head!: Though not necessarily killed this way, her head is later displayed along Ned's and those of the rest of the Stark household.
  • Stern Teacher: To Arya.
  • Undying Loyalty: To the Starks and Sansa, hence her Heroic Sacrifice.

    Jory Cassel 
"If you threaten my lord again..."
Played By: Jamie Sives

Arya: How many guards does my father have?
Jory: Here in King's Landing? Fifty.
Arya: You wouldn't let anyone kill him, would you?
Jory: No fear of that, little lady.

The Captain of the Stark household guard and a loyal servant of Ned Stark. Rodrik Cassel's nephew.
  • Badass: He's no slouch when it comes to combat, and is easily the equal of any two Lannister mooks, despite their better equipment. Unfortunately, he makes the mistake of then attacking Jaime.
  • The Captain: Of Eddard's guard.
  • Character Death: Jaime Lannister puts a dagger through his eye during a confrontation outside a brothel.
  • Distracted by the Sexy: In a brothel, where Ned has to wearily call out, "Jory!"
  • Eye Scream: His death. Adding insult to the injury, this happens an episode after he tells Jaime about that one battle where he almost got stabbed in an eye, to the point where you think that Jaime does this deliberately.
  • The Lancer: To Ned Stark's Hero.
  • Mauve Shirt: Jory has quite a few appearances, boasts a relation to another character and has a few scenes that give him character.
  • Sacrificial Lamb: While significantly more badass than most examples, he still counts. His death is just a way of showing things are getting serious, without a major character being killed off.
  • The Stoic: Tries to be and largely succeeds, remaining placid and loyal.

    Syrio Forel 
"The First Sword of Braavos does not run."
Played By: Miltos Yerolemou

"There is only one god, and His name is Death. And there is only one thing we say to Death: 'Not today.'"

A master swordsman hired by Ned to instruct Arya in water dancing, the Braavosi way of the sword.
  • Accent Adaptation: In the original version, Syrio has a heavy Spaniard accent. In the Spanish dub, it is Arabic.
  • Adaptational Attractiveness: In the books, Syrio Forel is described as bald and leathery, with wooden teeth, in contrast to his charming appearance in the series.
  • Afro Asskicker: Syrio has an afro, and kicks copious amounts of ass.
  • Badass: The man takes on 5 fully armored guards and a Knight of the Kingsguard with a wooden practice sword and wins. The last time we see him, he's about to take on the Knight with the handle of that sword and is still confident.
  • Badass Beard: A goatee.
  • Badass Boast: When confronted by several armed guards and holding only a wooden sword.
    Syrio: I am Syrio Forel, and you will be speaking to me with more respect.
  • Call Back: "What do we say to the God of Death?"
  • Catch Phrase: "Just so."
  • Character Death: Syrio is seemingly killed by Lannister soldiers, but as this happens off-screen, it's up for much debate. On one hand, Meryn Trant, his apparent killer, does turn up again alive and well, and Arya refers to Syrio as dead multiple times. On the other hand, she's in no position to actually know Syrio's fate, as she had been on the run from that moment onward.
  • Cool Teacher: To Arya, teaching her how to use a sword.
  • Dashing Hispanic: Westerosi variation as he's from Braavos, though many of the traits still remain.
  • Deadly Euphemism: To both himself and Arya, he is always a 'dance instructor'.
  • Face Death with Dignity: If, of course, he actually died. He faces off against five Goldcloaks and Ser Meryn Trant with no fear and only a broken sword handle. Said sword is made of wood.
  • Large Ham: He tends to be very dramatic and prone to great proclamations of his skill. Of course, these proclamations are very correct.
  • Master Swordsman: Only by reputation, at first. Eventually showcased in "The Pointy End" when he takes out five fully armed and armored Lannister guardsmen and takes on a knight of the Kingsguard with a wooden practice sword.
  • The Mentor: To Arya in Season One.
  • Never Found the Body: We don't see him losing the fight, and there's no mention of his head being with the others on the spears. In "The First of His Name", The Hound inadvertently throws gas on this particular fire by pointing out how crappy a fighter Meryn Trant, the man who supposedly killed Syrio off-screen, really is. If Syrio was able to beat five Lannister soldiers with a wooden sword, he should have been able to beat Trant without breaking a sweat. From the books... 
  • Pre-Asskicking One-Liner: "The First Sword of Braavos does not run."
  • Underestimating Badassery: Most of King's Landing seems to be under the impression that water dancing is a literal kind of dancing and that Syrio is actually just a dancing instructor rather than the First Sword of Braavos, which is why it is so surprising for Ser Meryn and the Lannister guards when Syrio hands the redcloaks their asses on a silver platter. With a training sword.
  • You Shall Not Pass: In the most awesome way possible.

    Old Nan 
"I know a story about a boy who hated stories."
Played By: Margaret John

"So is this the sort of story that you like?"

A retired servant living in Winterfell who is known for her tale-telling abilities.

The Direwolves

Robb Stark: There are no direwolves south of the Wall.
Jon Snow: Now there are five.

Jon Snow: Lord Stark, there are five pups, one for each of the Stark children. The direwolf is the sigil of your house. They were meant to have them.

Robert Baratheon: A direwolf's no pet. Get her a dog. she'll (Sansa will) be happier for it.

A litter of six direwolf pups found south of the Wall by Eddard Stark and his sons, the first ones to be seen so far south in a long time. Taking it as an omen, one is given to each of the Stark children and the bastard Jon Snow, becoming their companions.

During Season One, the show used adult Northern Inuit dogs to stand in for the young direwolves. From Season Two, all the direwolves are recreated with CGI, though using actual wolves.

    In General 
From left to right: Grey Wind, Ghost, Lady, Nymeria, Summer, Shaggydog.

    Grey Wind 

Robb's direwolf, who accompanies him in battle.
  • Badass: Has a fearsome reputation on the battlefield, alongside King Robb.
  • Big Sleep: Slowly closes his eyes after being shot by arrows.
  • Character Death: While he's locked up, Frey soldiers shoot him point-blank with arrows, killing him.
  • Dead Guy on Display: Along with Robb. An especially nasty example, his head is chopped off and impaled on his master's headless body.
  • The Dreaded: Just his growls are enough to put Jaime Lannister on edge and Lannister troops tell chilling stories about him.
  • Fingore: Grey Wind bites off two of the Greatjon's fingers. Best behave yourself in front of Lord of Winterfell.
  • Impaled with Extreme Prejudice:The Freys and Boltons shoot him with arrows until he dies.
  • Noble Wolf: He mirrors his master's personality; courageous and pack-oriented and firece.
  • Off with His Head!: Postmortem, his head is sewn and impaled on Robb's beheaded corpse.
  • Right-Hand Attack Dog: Grey Wind is a rare heroic example. He only attacks people Robb tells him to and Robb is a good king.
  • Undying Loyalty: To Robb.


Sansa's direwolf, the gentlest of the litter.


Arya's direwolf.


Bran's direwolf.


Rickon's direwolf, all black in color.
  • Demoted to Extra: In Season Two.
  • Fluffy the Terrible: You wouldn't expect Shaggydog to be the name for a terrifying direwolf, would you?
  • Pet Monstrosity: Lord Eddard warns against this happening. Shaggydog really doesn't like being chained in a kennel and has moments of this, justified in that his owner and trainer is a six-year-old boy who has been rendered slightly unstable due to his entire life collapsing around him.
  • Put on a Bus: Alongside Rickon and Osha.
  • Undying Loyalty: To Rickon.