In "The Butter Shave", George has to walk with a cane due to the injuries he received in "The Summer of George". He goes to a job interview and the cane makes his new employer think he's disabled. George is about to clear things up when the guy mentions that George would be getting a private bathroom because of his disability. George then fakes being disabled to keep the bathroom as well as getting a number of other perks, like having a secretarycarry himto his office.
In "The Jimmy", Kramer does this by accident when he meets a man who is organizing a charity dinner for the mentally challenged. He ends up as a guest of honour because the Novocaine he was injected with at the dentist made him slur his speech, and he's wearing strangely shaped training shoes, so the man thinks he's a shining example of a mentally challenged person able to live on their own.
In "The Lip-Reader", Elaine fakes being deaf so that she doesn't have to make conversation with the driver of the car service. It doesn't work for very long. To quote Elaine, "he caught me hearing".
Off The Wagon: Elaine's latest boyfriend, Dick, is a recovering alcoholic in "The Red Dot", but falls off the wagon when Jerry accidentally lets his alcoholic drink be grabbed by Dick at a Christmas party.
In "The Apology", Puddy is a recovering "germaphobe" but falls off the wagon when he eats salad that Kramer reveals he prepared as he bathed. Elaine and Peggy also become germaphobes in the process.
Oh, the Humanity!: Newman shouts this as his mail truck catches on fire at the end of "The Pothole".
Once a Season: Many of the seasons engaged in season-long storylines and plots.
Season Four dealt with Jerry and George's in-universe sitcom for NBC, Jerry. During the course of the season, they pitch their idea to NBC, write the script for the pilot episode to be met with the president's approval, and the season ends with a two-parter of the taping and subsequent airing of their pilot, which ends up being passed for series option. The premiere episode of Season Five dealt with George in search of a new job, due to NBC passing on their series.
Season Seven's major plot point was George's engagement to Susan Ross. They get engaged in the season premiere, but when Jerry backs out on their pact to act more like grown men, George decides he hates Susan, and spends the rest of the season trying to weasel his way out of their impending wedding - including numerous postponements - till the season ends with Susan dying from a toxin in the adhesive on the envelopes of their wedding invitations.
Season Eight followed the previous season with Susan's parents starting up a foundation to preserve her memory, and appoint George to be on the board of directors, much to his chagrin.
One of the Kids: Jerry's love of cartoons, superheroes and cereal qualifies him, but ironically he's the most mature of all the cast (who fall more into Manchild territory).
One Scene, Two Monologues: Jerry often does this when one of the other three is ranting about something he doesn't care about.
One Steve Limit: George tries to get everyone at his office to nickname him "T-Bone", but fails when they bestow it to someone else who makes a single mention of enjoying steak. He finds himself in a difficult situation because he refuses to let go of the nickname but his boss is quite adamant that there can be only one person with that nickname in the whole office. It seems he runs a very tight ship.
George Costanza and George Steinbrenner
Susie, Jackie Chile's secretary, and Susie the invented individual at the J. Peterman Catalog.
Tony, Elaine's mimbo (and George's man-crush) in "The Stall" and Tony, the maniacal auto mechanic in the 2-parter "The Bottle Deposit" (played by Brad Garrett).
Bob Cobb prefers to be called "Maestro", to the point where George doesn't even know who Jerry is talking about when he says "Bob Cobb".
Jerry: Hey George, do you believe this guy?
Jerry: Bob Cobb.
George: "Bob Cobb"??
Jerry: You know, "Maestro".
George: Oh, I missed the Maestro?
Airplane passenger Vegetable Lasagna is referred to as this by Elaine and Puddy in "The Butter Shave".
"The Strike" has a character that is referred to as "Denim Vest" by Elaine.
Only the Worthy May Pass: In "The Sponge", Elaine's favorite contraceptive is taken off the market, but she manages to score a batch of sponges from a store still selling them. But she doesn't want to waste them, so she grills her latest boyfriend to prove that he's "sponge-worthy".
On Second Thought: In "The Finale Part 1", George rejects the new NBC president's suggestion that they incorporate more "relationship humor" into the show Jerry. The president then suggests they not do the show at all, to which George says, "...Or we could get them together!"
Ooh, Me Accent's Slipping: Cary Elwes makes a special guest appearance in "The Wait Out" where Jerry and Elaine wait out a marriage between David (Elwes) and Beth (Debra Messing); while David dines with Elaine and relates his and Beth's breakup with her, Elwes's natural British accent accidentally slips in at one point.
Open-Minded Parent: Surprisingly, Jerry reveals he would be one if he ever had kids, most likely due to his complete indifference towards pretty much everything and everyone. George gives him one of his ideas for a TV show to pitch to NBC and we get this conversation:
George: You want an idea? Here's an idea. You coach a gymnastics team in a high school, and you're married, and your son isn't interested in gymnastics, and you're pushing him into gymnastics. Jerry: Why should I care if my son is into gymnastics? George: Because you're a gymnastics teacher, it's only natural. Jerry: But gymnastics is not for everybody! George: I know, but he's your son! Jerry: So what?
Out-of-Character Moment: In "The Secret Code", George is strangely unable to come up with a lie to get out of having dinner with J. Peterman. This was addressed later:
George: Well why couldn't you include me in your excuse? Jerry: Why didn't you come up with your own? George: I froze. I think I'm losing it. Jerry: Ah, c'mon. Maybe you're just in a slump? George: No, no. I reached down and there was nothing there.
With the exception of the final season, each season had a few episodes that were aired out of chronological order (for instance, "Male Unbonding" is the second episode of the series, but the fourth to originally air).
In Reruns, no channel seems to have any particular order in which they air episodes... one common practice is that whenever a channel airs the show back-to-back as part of their regular schedule, one will be an episode from an earlier season, and the other from a later season, and vice-versa (in the case of TBS, whenever reaching a two-parter, both airings would be reserved for both parts). TBS, however, recently began airing three episodes a night, and now play three episodes in chronological order up till certain points when they will bounce ahead or behind a few seasons (for example, Season Four will air for a week or so, then they will bounce to Season Nine).
Peterman: All right, brace yourself, Lubeck. You are about to be launched via pastry back to the wedding of one of the most dashing and romantic Nazi sympathizers of the entire British royal family.
Parallel Parking: The conflict in "The Parking Space": George and Mike get into a fight on who should get a spot: George, who was parallel parking, or Mike, who just decided to pull in front first. It's never solved by episode's end, because both think they're right.
In "The Postponement", Kramer does a poor job of parallel parking, bumping both the front and rear cars while parking. Though in Kramer's defense, the spot was incredibly tight, and he drives a behemoth 1973 Chevrolet Impala.
In another episode, the gang is headed for a party and Kramer and George stop at a liquor store. They are blocked by a parallel parker who has a noted resemblance to Saddam Hussein.
Parking Payback: George nearly gets lynched for parking in a disable parking space.
Paying in Coins: An episode had Kramer collecting change to use the apartment's dryer so his clothes would be warm when he got dressed. Then, after deciding to use Jerry's oven instead, tries to pay for Goerge's kalzones with loose change, pissing off the store owner. The episode's stinger has him paying a debt by tossing a pillowcase of coins at someone, knocking them over.
Percussive Maintenance: Done by Kramer with a Xerox machine at a financial company in "The Bizarro Jerry". This, Kramer's attitude and his clothes convinced people that he was employed there.
Perfectly Cromulent Word: The New Yorker's response to Elaine asking why a particular cartoon in their magazine was supposed to be funny: "Vorshtein?"
Perp Sweating: Parodied. In "The Package", Newman attempts to do this to Jerry, when he suspects him of committing mail fraud. It backfires since the lamp is positioned over his chair, rather than Jerry's.
Personal Arcade: A variation occurs in "The Frogger", where George tries to get the Frogger cabinet from Mario's Pizza Parlor and preserve his high score.
Persona Non Grata: In "The Mango", Kramer (and later Jerry) is banned from Joe's fruit shop for complaining about the quality of his fruit.
Police Lineup: "The Beard", where Kramer volunteers to be in a police line-up to make $50.
Politicians Kiss Babies: Kramer runs for president of a retirement home's condo board; this involves treating some of the senior citizens there like the babies in this trope.
Poor Man's Porn: George Costanza was caught with a copy of Glamour, which led to the infamous "contest".
Pose of Silence: parodied with George and Jerry hiding their mouths from a deaf lip-reader in order to talk about her while she is sitting at the same table. As it turned out, she knew exactly what they were saying anyway.
George: Well, after dinner last week, she invites me back to her apartment. (...) Well, it's this little place with this little bathroom. It's like right there, you know, it's not even down a little hall or off in an alcove. You understand? There's no... buffer zone. So, we start to fool around, and it's the first time, and it's early in the going. And I begin to perceive this impending... intestinal requirement, whose needs are going to surpass by great lengths anything in the sexual realm. So I know I'm gonna have to stop. And as this is happening I'm thinking, even if I can somehow manage to momentarily... extricate myself from the proceedings and relieve this unstoppable force, I know that that bathroom is not gonna provide me with the privacy that I know I'm going to need... Jerry: This could ONLY happen to you.
In "The Pilot", Kramer is constipated but suddenly gets the urge to go during his audition to play himself. He exits the meeting and runs all over looking for a free toilet, to no avail. Later on:
Kramer: Well, I waited so long I— I missed my chance. Jerry: You didn't go? Kramer: No, and now I can't get it back! Jerry: The best thing to do is just not think about it. Kramer: (worriedly) How could you not think about it?
P.O.V. Cam: We're treated to this on some occasions, mostly whenever one of the characters is actually having trouble seeing. For example:
In one episode, George's Girl of the Week kicks him out of the bedroom after he accuses her of faking her orgasm and he can't find his glasses. Cut to an out-of-focus shot from George's perspective, as he looks across the bed for his glasses, as his girl continually yells at him to get out.
In another episode, Elaine has a crick in her neck, making it difficult for her to turn her head; Jerry's Girl of the Week (who wears the same dress all the time) encounters Elaine on the street, but cut to Elaine's P.O.V., where we see she is barely able to look down below her chin, which irks Jerry when he later asks her if she caught a glimpse of what she was wearing.
In "The Dog", the action is shot through Kramer's girlfriend's eyes as he breaks up with her.
Man: A muffin top store just opened up down the street. Elaine: A muffin top store? Man: What'd I just say? Elaine: ....What the (fuck) is your problem?! (both crack up)
In an outtake from season 3's "The Subway":
Jerry: So you missed the wedding. You'll catch the bris! Elaine: FUCK YOU.
Jerry: You'll catch the bris! Elaine: Why don't you just shut the fuck up for a change? (Julia laughs)
In "The Non-Fat Yogurt":
Matthew: (to Jerry) Thanks for ruining my dad's business, you fat (fuck).
In "The Cartoon", during Sally's stand-up act:
Sally: To cease and desist on behalf of my client, Jerry Seinfeld. Signed, Crybaby Jerry Seinfeld's Lawyer. Okay, but I got two words for you Jerry Seinfeld... (bleep) YOU. Jerry: How could she say that on TV?!
Prenup Blowup: George tries to invoke this with Susan. It doesn't work.
Prima Donna Director: In "The Little Kicks" after one of Kramer's associates threatened him into bootlegging a movie, Jerry discovers a hidden talent for cinmeatography. When he's "hired" to bootleg another film, he first sees the new film to know what to expect, and won't work unless he was additional camera operators throughout the theatre and walkie-talkies to keep in contact with them.
Product Placement: Despite the widespread belief that the show had intentional plugs for Snapple and other products, it was not sponsored by them in any way.
Elaine: No, I can't do this anymore, I can't. It's TOO LONG. Quit telling your stupid story about the stupid desert and just DIE already! DIE!!!! Peterman: ...Elaine, you don't like the movie? Elaine: I HATE IT!!! (audience shushes her) Oh GO TO HELL!!!
Rare Vehicles: Kramer's 1973 Chevy Impala, one of only 1000 experimental models built with airbags (usingOldsmobile dashboards) and George's 1984 Chrysler Lebaron Town and Country convertible, one of only 500 made that year.
Real Life Writes the Plot: Two endings were shot for "The Non-Fat Yogurt" depending on the outcome of the NYC Mayoral election. They used the ending that reflected Rudy Giuliani being elected.note His high cholesterol, which was actually a lab error accidentally caused by Kramer, apparently made him appeal more to average New Yorkers.. Had David Dinkins been re-elected, Jackie Chiles would've debuted as a spokesman for the Dinkins campaign, apologizing for the "Name-Tag" fiasco thought up by Elaine, and executed by her then-boyfriend (and Dinkins aide) Lloyd Braun.
The episode in which George quits his real estate job, regrets it afterward, and decides to go back the next day pretending it never happenend was based on a time when Larry David did the same thing while writing for Saturday Night Live. Unlike George, Larry was able to retain his job.
Reality Has No Subtitles: Several one-shot and minor foreign characters spoke fluent, uninterrupted languages of their respective nationalities, occasionally without the aid of subtitles, such as The Soup Nazi, and Kramer's Hispanic friend that showed up for one episode and was never spoken of again, relying on the Rule of Funny and Rule of Drama, as they can fluently speak English if need be.
Rearrange the Song: The "Seinfeld" theme is remixed for the two clip show episodes, season 6's "Highlights of a Hundred", and season 9's "The Clip Show". The latter remix was particularly distinct, adding in new instruments not usually used.
"The Reason You Suck" Speech: George plans to give one of these to a woman he had a bad date with years ago (she was a performance artist who got chocolate all over his shirt) but is upstaged by a woman who sees Jerry and gives one to him instead.
Kramer more or less gives one to George in "The Keys" when he asks him a series of questions designed to prove that George is wasting his life.
George: What you call wasting, I call living.
Kramer: Okay, like what? Tell me. Do you have a job?
Kramer: You got money?
Kramer: You got a woman?
Kramer: Do you have any prospects?
George: (growing more and more depressed) Uh... no.
Kramer: Do you have any action at all?
Kramer: Do you have any conceivable reason for even getting up in the morning?
George: ...I like to get The Daily News...
Kramer: George, it's time for us to grow up... (beats chest) and be men.
In "The Dog", Kramer (briefly) breaks up with his girlfriend by doing this:
Kramer: I must have been out of my mind. Look at you. Why don't you do something with your life?! Sit around here all day, you contribute nothing to society. You're just taking up space. I mean, how could I be with someone like you? Wouldn't respect myself.
Kramer gave one to the aspiring Broadway actress Genice in "The Undestudy":
Kramer: So my dear, you think you can get to Broadway. Well, let me tell you something. Broadway has no room for people like you. Not the Broadway I know! My Broadway takes people like you and eats them up and spits them out! My Broadway is the Broadway of Merman, and Martin, and Fontaine, and if you think you can build yourself up by knocking other people down... ...GOOD LUCK!!!
In "The Nose Job", Kramer delivers one to Jerry after he begs Kramer for the number of a woman he originally didn't want to see ever again:
Kramer: Look at you! Look at what you've sunk to! Look at what you've become! Look in the mirror, 'cause you need help, Jerry. You need help, because I can't stand by and do it anymore. It's turning my stomach! I can't stand around here watching you destroy yourself! It's eating me up inside!!!
The roadside diner Jerry and Elaine visit in "The Bubble Boy" later serves as Reggie's, otherwise known as "The Bizarro Coffee Shop".
Anytime any character ends up in the hospital, they recuperate in the exact same two or three rooms.
The restaurant where Gail Cunningham cooks was later recycled as Poppie's restaurant.
Rabbi Kirschbaum, Susan's pregnant cousin, Jerry's girls of the week from "The Switch" and "The Sponge," and others all live in the same apartment.
Jerry's girls from "The Seven" and "The Summer of George" live in George's apartment.
Relationship Revolving Door: Whether or not Elaine was dating Puddy or not would depend entirely on what works for the episode. Their unstable relationship was lampshaded often.
Reset Button In the finale of Season 2, Jerry and Elaine decide to start having casual sex with each other. However, as dictated by the rule of Sex Equals Love, this causes their feelings for each other to resurface, and the final scene implies that they have rekindled their relationship. The writers later agreed they didn't want to take this any further and the solution was to completely forget about it from the start of Season 3.
In the two-part "Pilot" episode the end of Season Four, George doesn't believe in God... unless something bad happens to him, then it is God's fault (in this case, the discoloration on his upper lip is God giving him cancer). However, in, "The Burning," from Season Nine, Puddy's religion is a subplot, and George not only expresses an interest in Christian Rock, but he also finds it disappointing that people don't talk about God much anymore.
In, "The Diplomats' Club" from Season Six, George's co-worker, Mr. Morgan, doesn't like him, and the fact that George's comments that he looks like Sugar Ray Leonard didn't help matters either. Later in, "The Wink" from Season Seven, Mr. Morgan is on good terms with George, and even considers him the only friend he has in the Yankee organization, with no evidence of any friction between the two of them.
In "The Outing," George tells the reporter interviewing him and Jerry that they met in high school gym class (specifically, Jerry was spotting George while he was climbing the rope, accidentally lost his grip, and fell on his head), though in many other episodes, it's implied that Jerry and George have known each other since they were little kids.
The Reveal: Kramer's first name (Cosmo) was a mystery for the show's first six years. When we finally found out what it was, they managed to write the entire episode around the revelation, and NBC advertised it as a major television event.
Reveal Shot: Peterman in a phone booth that turns out to be in Burma in "The Foundation".
Reunion Show: It didn't have a real reunion show; however, in the series Curb Your Enthusiasm, where co-creator Larry David plays a fictionalized version of himself, there was a storyline in which he reunited the cast (who played themselves, and themselves playing the Seinfeld characters) for a reunion show.
We never see the whole thing, but we do get a good idea of the reunion show's plot and a few scenes from it.
Kenny Bania, to a lesser extent. Jerry can't stand him, yet Bania thinks they're great friends.
Ditto for one-episode character Pat Buckles, another crappy comedian who really wants to hang out with Jerry.
Roommate Com: Jerry's apartment is the meeting place for the gang, which includes his neighbor Kramer, friend George, and ex Elaine. One of the show's taglines is that it's "a show about nothing," as it's mostly just about watching these entertaining personalities play off one another.
Rule of Symbolism: In "The Little Kicks", when Kramer attempts to film "Cry Cry Again" but does a poor job:
Jerry: No no no no no no NO. What were you thinking when you shot this? Kramer: That's fine! Jerry: Do you even know what this scene is about? Kramer: It's about a guy buying a loaf of bread. Jerry: No, bread is his soul. He's trying to buy back a loaf of his soul. Kramer: (baffled) What? Where?
Rule of Three: In "The Trip, Part 2", Jerry is on the phone with the police, who want to meet him.
Jerry: Do we know where the 101 is? (George shakes his head) No... do we know where 170 is? (George shakes his head) No... do we know where 134 is? No. (George stares blankly)
Jerry: Where did you get those? Those are private!
Discussed in "The Bris." Jerry tells a skeptical George that there certainly are women who would find a Pigman attractive.
Jerry: Believe me, there'd be plenty of women going for these pigmen. Whatever the deform is, there's always some group of perverts that's attracted to it. [Singsong voice] Oooh, that little tail turns me on!
Running Gag: Any reference to the name "Art Vandelay", as well as George's ambition to be an architect (or to pretend he is one).
Jerry got himself an amazing stable of girlfriends on a near weekly basis just so they could have a gag at the end where she would storm out over whatever element of the plot offended her and Jerry would stand in the doorway calling back "What's wrong?!"
During season 6: "Hi, Mr. Pitt! Is Elaine there?"
Repeated references to 'Rochelle, Rochelle.' note A young girl's strange, erotic journey from Milan to Minsk.
Someone (usually George) calls someone else (usually Jerry) requiring some insane help, and the callee will respond "Who is this?"
Sadist Teacher: Mr. Hayman, George's gym teacher in high school. He would always call George "Can't-stand-ya", and even gave him a wedgie. He gives George a second wedgie 25 years later, an atomic one this time.
Same Language Dub: Famously, George Steinbrenner was physically portrayed by Lee Bear and at least one other actor, and voiced by Larry David. David also voiced Saddam Hussein in "The Dinner Party".
In "The Pledge Drive", Dan was played by Brian Reddy, but dubbed by a woman.
Sassy Black Woman: The clerk at the thrift store when George tries to return his 'bathroom book.' She first appeared in "The Muffin Tops" as a woman who hassles Elaine for trying to unload muffin stumps on the homeless.
Scrabble Babble: According to Kramer in "The Stake Out", when a patient gets difficult, a doctor quones them.
Screwed by the Network: An in-universe example. Jerry and George had been pushing for a long time to get their "show about nothing" approved by NBC. Finally, their first episode is aired and is successful. However, at the same time, the head executive who had approved the show goes AWOL and is replaced by a vindictive woman who cancels the show out of spite.
Screw the Rules, I Make Them!: Subverted in "The Chicken Roaster", when Elaine (filling in for Peterman as boss) is audited by the accountant for extravagant purchases.
Roger: Ms. Benes, I noticed you have been charging quite a bit of merchandise on the Peterman account. Elaine: Well, I am the President. Roger: Yes, and we're all very impressed. Nevertheless, the expense account is for business purposes only. Elaine: (confused) Well, isn't the president allowed to do anything that they want? Roger: ...No.
Seamless Spontaneous Lie: In "The Sponge" Jerry calls a woman whose number he got off an AIDS walk list, and glosses over that by mentioning he was shopping for a speedboat.
Second Episode Introduction: Elaine doesn't appear in the pilot because the character had not yet been created. She was added to the second episode when NBC demanded that a woman be added to the show or they'd cancel it.
See You in Hell: In "The Voice", George's boss Mr. Thomassoulo begged George to leave the job, by offering him six months' pay of his contract. George didn't bite: "See, if I stay the whole year, I get it all."
Mr. Thomassoulo: You wanna play hardball, huh? FINE. (gets on the company intercom) Attention, Play Now employees: George Costanza's handicapped bathroom on the sixteenth floor is now open to all employees and their families. (gets off it) George: Well played. Mr. Thomassoulo: I'll see you in Hell, Costanza.
One episode had Jerry and Elaine stuck at a party with people they didn't even know waiting for Kramer to arrive. Kramer didn't show up until several hours after the party had ended and in the mean time they were forced to engage in... gasp... small talk.
Seinfeldian Conversation: The first episode opens with Jerry and George talking about how the second button on the latter's shirt is too high 'in no man's land' and this continues for nine seasons.
Whether or not Iron Man wears anything underneath.note He does
Does Superman have Superhumor? note George has never heard him say anything funny
Why chocolate fudge should be on the bottom of the sundae.
"You know so much about nothing".
The missing lyrics to a certain song from Les Miserables.
Ending in the Series Finale in a Brick Joke where the first conversation from the first episode is brought up, in prison.
Senior Sleep Cycle: Jerry's parents, to the point that they eat dinner at 4 in the afternoon and consider waking up at 5:30 a.m. to be sleeping in.
This is even made part of a plot point in "The Cadillac", when Morty is accused of embezzling money as condo president, and this claim is "proven" when Jerry insists that they go out to eat at 6 PM, thus missing the "early bird special" (which is cheaper).
Jack: (accusingly) Must be nice to have that kind of money...
Serial Killer: The Lopper from "The Frogger". Why "The Lopper"? Because he goes around lopping off people's heads.
Serial Spouse: Mickey, to the point of calling a girl whose second marriage just ended a "lightweight".
Series Continuity Error: In "The Statue" George says he broke the statue that sat on his paerent's mantle, in "The Pledge Drive" he claimed he'd be a totally different person had his parents had a mantle.
Serious Business: George had a habit of taking little things personally, and going far out of the way to achieve his idea of "justice." See "X Called ..." below for a good example.
Jerry and George's argument about whether Iron Man wears underwear under his outfit.note In case you're wondering, he's usually in some kind of clothing or bodysuit, except for the Extremis and Bleeding Edge versions.
George: (angrily) And I still say he's naked under there!
In "The Old Man" The title character is named Sidney Fields, the name of both the actor and landlord character of The Abbot and Costello Show
At the end of "The Raincoats", Elaine's boyfriend who had been overly nice to Jerry's parents has a mini-breakdown about their canceled trip to Paris, and gives a speech very similar to Oskar Schindler's in Schindler's List, saying "I' could've done more. I could've gotten them out!"
In "The Doodle," the publisher at Viking Press who interviews Elaine for a job is played by Guy Siner, who is known for having played Lieutenant Hubert Gruber on 'Allo 'Allo!. At the end of the episode, when Kramer is mad at Newman for taking the last peach, he sics a bulldog on him in revenge. He refers to the bulldog as "Hubert."
There's another Godfather reference (besides the blatant quoting in the episode where Jerry and Elaine are named godparents to a friend's baby) in "The Andrea Dorea", which paraphrases Godfather II.
Jerry: Elaine, Newman is my sworn enemy. And he lives down the hall from my home - my home, Elaine! Where I sleep, where I come to play with my toys.
In "The Muffin Tops", Newman's called in to take care of a problem (that is, eating all the excess muffin stumps). His sports car and the line, "If I'm curt, I apologize" are references to Harvey Keitel's character The Wolf in Pulp Fiction.
In "The Millennium", two scouts for the Mets have lunch with George at the coffee shop. George realizes that he must get fired from the Yankees to get a job with the Mets, but when he wants confirmation of this, they deny it, saying "We're just... talking." This is a reference to a similar scene in Glengarry Glen Ross.
Show Stopper: Kramer; around season 4, the applause at his entrances lasted so long, the crew had to ask the audience to stop clapping when he came on.
Show Within a Show: In addition to the ill-fated TV pilot Jerry and George try to produce and the Super Terrific Comedy Hour that aired a clip from same, and numerous fictional movies often appear, some of which play a major role in the plot and many of which are mentioned more than once. Many of them are based on actual screenplays some of the show's writers unsuccessfully tried to pitch. Notable ones include:
The aforementioned Rochelle Rochelle, which later got a Tony-nominated musical adaptation.
Coronary Country, a PBS special which convinces George he has a heart attack the next day.
Scarsdale Surprise, a musical about the highly publicized murder of Dr. Herman Tarnower.
Mountain High (a survival action movie starring Kevin Bacon and Susan Sarandon that Kramer imitates the trailer for), Death Blow (an explosion and gunfire-heavy action movie which Jerry was forced at gunpoint to bootleg), Chow Fun (presumably a comedy), and Sack Lunch (a family comedy starring Dabney Coleman) are others that are referenced in the series.
Slipping a Mickey: One of the plots of season 2's "The Revenge", when George slips a mickey in his boss's drink. Also present in season 9's "The Betrayal".
Slow Motion: Demonstrated at the end of "The Race" during the climactic rematch race between Jerry and Duncan.
Also demonstrated in "The Little Jerry" during the cockfight. Oddly, despite being in slow motion, the voices of Jerry, George, and Elaine are all in normal pitch, just delivered in a slower manner.
Small Name, Big Ego: Elaine in particular, but Kramer has his moments too (for example, he seems to think he's fluent in American sign language).
Small Reference Pools: Inverted; on three different occasions, the show referenced a fairly obscure series of audio recordings of bandleader/musician Buddy Rich chewing out his band members:
In "The Opposite", George chews out some rude moviegoers:
George: Shut your traps and stop kicking the seats! We're trying to watch the movie! And if I have to tell you again, we're gonna take it outside and I'm gonna show you what it's like! You understand me? Now, shut your mouths or I'll shut 'em for ya, and if you think I'm kidding, just try me. Try me. Because I would love it!
In "The Understudy":
Frank: Her father would look at me and say, "eno enoa juang". Which means, "This guy... this is not my kind of guy."
In "The Butter Shave", Jerry confirms to Kramer that he's taking a dive so Kenny Bania doesn't have a good lead-in act:
Jerry: I'm laying down! Then let's see how he does, up there, without all the assistance!
On an unrelated subject, in "The Trip", Jerry's line "It's so nice when it happens good" is based on a quote that Fred De Cordova once gave him after Jerry was successful on The Tonight Show.
Smug Snake: Newman, though he tends to think this way about Jerry.
Sock It To Them: Kramer and Newman reverse their peepholes "so they can tell if somebody is hiding in their apartments with a sock filled with pennies". Later in the episode, an acquaintance is attacked by their superintendent (under the belief that he was sleeping with his wife) a sock of pennies.
Some of My Best Friends Are X: George desperately tries to get a black friend in "The Diplomat Club" so that Morgan will think he's not racist. He ends up calling a guy that fumigated Jerry's apartment in "The Doodle".
In "The Masseuse", George tries to get along with Jodi (Jerry's latest girlfriend), but fails. He keeps obsessing about it the whole episode, claiming that everyone has to like him. Finally, by episode's end, George has dumped his own girlfriend to go after Jodi, because he claims that being hated by someone is "irresistible".
"The Chicken Roaster" had Jerry and Elaine on the phone before Jerry was put on hold so Elaine could talk to the company accountant, at which point it cuts to three screens. However, Elaine forgot about Jerry after being made nervous by the accountant and left Jerry hanging on the other end. "Hello?..........Anybody?"
"The Millennium" had Jerry switching back and forth between two women (thus, two different split screens) as he tried to work out the speed dial controversy.
Springtime for Hitler: George's attempt to get fired from the Yankees in "The Millennium". While the first two attempts failed and thus played this trope straight (wearing a Babe Ruth jersey and spilling strawberries on it; streaking on the field while wearing a flesh-colored body suit), the trope was almost averted when George drove around the parking lot of Yankee Stadium yelling demeaning things about the club and Steinbrenner, all while dragging the World Series trophy. If only Wilhelm hadn't taken the credit for all of it and was fired in George's place...
Lampshaded by Jerry, who takes joy in noting that while George's life is bad and Elaine's is good (and sometimes vice-versa, though rarely) he always "breaks even" at life.
Deconstructed throughout the entire seventh season. George, after realizing he's unhappy with what his life has become, decides to make some major changes. With the big one being asking ex-girlfriend Susan Ross to marry him. Unfortunately, throughout the season, this "epiphany" is gradually phased out. And, by the time Susan passes away at the end of the season, the status quo has officially returned. With George having learned absolutely nothing from the experience.
Jerry: Well, I think you're wrong. George: Well, we'll just see. Jerry: Yes we will. George: Yes we will. Jerry: I just said that. George: I know you did. Jerry: So good for you. George: So good for you. Jerry: What are you repeating everything I'm saying? George: What are you repeating everything I'm saying? Jerry: Well George is an idiot. George: Well G-
Strange Minds Think Alike: In "The Puffy Shirt", a man with a self-control problem is referred to as not being "master of his domain" by another character.
In "The Deal", both Elaine and Kramer react to Jerry giving Elaine cash for her birthday the same way: "What are you, my/her uncle?"
In "The Boyfriend", both George and Kramer suggest that if Jerry helps Keith Hernandez move, the next step will be driving Keith to the airport.
Jerry: I'm not driving him to the airport!!!
In "The Good Samaritan", both Elaine and George say variants of "I'm speechless! I am without speech!" after Jerry tells them something.
In "The Junk Mail", both Betty (an old woman Kramer knows) and George ask the same valid question about why Kramer's post office dummy is wearing a bucket:
Kramer: It's to symbolize we're blind to their tyranny. Betty/George: Then, shouldn't you be wearing the bucket?
In "The Cigar Store Indian", both Ricky and Al Roker say with a grin, "Interesting." when Elaine clarifies that she doesn't have a boyfriend.
Such a Phony: Elaine to George in "The Postponement", where she is jealous of his engagement, and the trope name drop and partly off-screen example of Mike Moffitt and Jerry in "The Parking Space".
Suddenly Sexuality: Susan. Dated George for several episodes, but then became a lesbian at the drop of a hat. Went back to men because her lesbianism "didn't take."
After receiving a somewhat erotic massage from a male masseuse, from which George admits that he got an erection from, he spends the rest of the episode being a closeted homosexual. This only lasted an episode, of course.
Suddenly Shouting: In "The Puffy Shirt", Jerry says he feels ridiculous wearing a pirate shirt on national TV, and suddenly the quiet talker Leslie shouts from off-screen: "YOU BASTARD!!!"
Gumbel: Did you hear that? Jerry: That, I heard.
In "The Voice", after George breaks into his boarded-up office:
George: (on the phone) Hello Margery, George Costanza. How are you sweet heart? Listen, can you give Mr. Thomassoulo a message for me? (...) Yes. If he needs me, tell him I’M IN MY OFFICE!!! (...) Thanks.
Supreme Chef: The Soup Nazi - which is why everyone (except for Elaine) put up with his behaviour.
Swapped Roles: In "The Opposite", George and Elaine switch places. George, who had been chronically unemployed since season 2, finally got a job with the New York Yankees, moved out of his parent's house, and got a girlfriend. On the other hand, Elaine, who had a fairly successful job at Pendant Publishing, is laid off due to the company closing (which she accidentally helped cause), is kicked out of her apartment due to a list of grievances, and Jake Jarmel breaks up with her.
Literally happens in "The Chicken Roster." After Jerry and Kramer switch apartments, they also switch personalities.
The Tag: When the episodes got more packed with story material, it became regular for an additional scene over the closing credits. The first two seasons had still photos of Jerry's stand-up act over the closing credits, but due to the longer running times of the earlier seasons, Jerry's closing stand-up was edited to become The Tag in syndication.
Take Our Word for It: Several times, such as the horrific B.O. in Jerry's car, in "The Smelly Car" the eponymous character's knee-buckling soup in "The Soup Nazi", the dot on the cashmere sweater in "The Red Dot" or Elaine's erotic message in "The Tape".
Also the horrific results of George's girlfriend badly-performed nose job in, what else, "The Nose Job". We only see her from the back during those scenes.
In the episode "The Shoes", we never actually see the eponymous Botticelli shoes that Gail was fascinated by and Elaine got defensive about.
In "The Chicken Roaster", we just see Jerry and Kramer looking up, commenting on the giant neon chicken sign.
Take This Job And Shove It: George quits his job in real estate in "The Revenge" because he wasn't allowed to use the same luxury bathroom as his boss.
George: That's it. This is it. I'm done. Through. It's over. I'm gone. Finished. Over. I will never work for you again. Look at you. You think you're an important man? Is that what you think? You are a laughingstock. You are a joke. These people are laughing at you. You're nothing! You have no brains, no ability, nothing! (knocks over an object on his desk) I quit!
He tried to do the same to Steinbrenner when he got an offer from the Mets, but couldn't get himself fired.
In "The Fatigues", all of Elaine's underlings quit when they find out that Elaine promoted Eddie Sherman just to get him out of her department.
Employee: I bust my hump ever day. (...) As far as I'm concerned, you and your demented protege can run the catalog by yourselves! I QUIT! (everyone else joins him) Elaine: Wha... hey. Hey! HEY!!!
Elaine herself wanted to do this in "The Diplomat's Club", until Mr. Pitt interrupted her resignation to say he's included her in his will.
Talkative Loon: Steinbrenner. George walks out on his unrelated rants several times.
The Tease: In "The Masseuse", Jodi is this to Jerry, though not for sex, but for her legendary massages.
Jodi: No means no. Jerry: Look, who are you kidding? You come up to my apartment with your table and your little oils, and I'm not supposed to expect anything?! You're a massage teaser! Jodi: Listen, I massage who I want, when I want. I don't submit to forcible massage!
Tech Marches On: A large number of episode plots would be ruined if the characters had cell phones. (Admittedly, they did show up in the last two seasons, but still.)
Kids not realizing when the episode was filmed probably wonder why George doesn't just sell the red-flagged book he took into the bathroom on eBay.
Which would have been hilarious if the eBay admins somehow discovered it was flagged and refused to have it on their site.
Lampshaded in the episode "The Betrayal" (in which the story proceeds backwards). During the ending scene which takes place in the early 90s, Jerry says to himself "What's email?"
In addition to the technological advances, the social mores surrounding some of the plot points have changed sufficiently that they seem rather odd:
In one episode, Jerry and George berate Elaine for making a call to ask about someone's health on a cell phone. Today, with the ubiquity of cell phones, no one would bat an eye of that.
Young people who see Season 3's "The Pen" probably wonder what the big deal is over 'a pen that writes upside down'.
Telethon: Jerry works the WNET 13 telethon the night his Nana goes missing in "The Checks".
Tempting Fate: On more than one occasion, Sid Farkus told someone (to George in "The Sniffing Accountant", and Kramer/Frank in "The Doorman") that barring some unforeseen development, he would hire George and sell the manseire, respectively. Immediately after Sid said this, something would occur that would sour the whole deal. In "The Sniffing Accountant"'s case, it was George feeling Ms. De Granmont's material, and in "The Doorman"'s case, it was Sid asking out Estelle (she and Frank were separated at the time).
Bookman: Yeah, I know what you're thinking: "What's this guy making such a big stink about old library books?" Well, let me give you a hint, junior. Maybe we can live without libraries, people like you and me. Maybe. Sure, we're too old to change the world, but what about that kid, sitting down, opening a book, right now, in a branch at the local library and finding drawings of pee-pees and wee-wees on The Cat in the Hat and the Five Chinese Brothers? Doesn't HE deserve better? Look. If you think this is about overdue fines and missing books, you'd better think again. This is about that kid's right to read a book without getting his mind warped! Or, maybe that turns you on, Seinfeld; maybe that's how you get your kicks. You and your good-time buddies.
This and That: Jerry and Elaine discussing the "friends with benefits" agreement in "The Deal".
Elaine repeatedly refers to a penis as "it" in "The Stand-In". Arguably, the blatant avoidance of the word is what makes the scene funnier, especially since Kramer (who walks in late on the conversation) knows exactly what Elaine means when she tells him, "He took it out."
This Is Gonna Suck: Jerry, in "The Voice", right before a rubber container filled with oil hits Jerry's girlfriend from a few stories up:
Three-Way Sex: notable for being one of the earlier uses of it in modern mainstream fiction. In fact, it's even referred to by the French name (ménage à trois), as the term Three-Way Sex hadn't been popularized yet. George devises this as a scheme to help Jerry become romantically involved with the roommate of the woman he's currently dating. It would offend the current girlfriend, making her break up, while the roommate would be flattered and thus open to a relationship. It backfires when they actually agree to it, and Jerry has to backpedal because he considers the proposition more Squick than erotic. "I'm not an orgy guy!".
George later tries it to get her to break up with him when he discovers the velvet furniture he adored (and was the entire motivation for moving in with her) actually belonged to her other (male) roommate. She gleefully exclaims to the male roommate "he's into it!" Fade to Black.
Timmy in a Well: Parodied in "The Andrea Doria": Kramer is sick with a nagging cough, and he's told to get police when Elaine starts stabbing her boyfriend. Kramer runs up to some cops but by this time, has lost his breath and can't talk without coughing. The cops have to decipher that he's saying there's trouble at the Old Mill Restaurant.
Title-Only Opening: Every episode either starts with the credits shown over one of Jerry's stand-up routines or a cold open.
Title Please: The titles are never shown on-screen; in a fashion similar to Friends, (almost) every episode is named "The [most memorable or significant plot element]."
George: Could it be because you don't want him to know you have a friend who pees in the shower?! Elaine: That is not the reason! George: Oh, I think it is! Elaine: Why couldn't you just wait? George: I was there, I saw a drain! Elaine: Since when is a drain a toilet?! George: IT'S ALL PIPES! What's the difference?! Elaine: Different pipes go to different places! You're gonna mix them up! George: I'll call a plumber right now! Jerry: All right, can we just drop all the pee pipe stuff?!
Token Good Teammate: Kramer is the only member of the cast who is consistently shown to be kind-hearted and caring, who goes out of his way to help people. It should be noted that his efforts to help others rarely succeed, though.
Too Many Halves: At the end of "The Sniffing Accountant", Jerry describes his shirt as "half silk, half cotton, half linen".
In "The Yada Yada":
Karen: I like your shirt. Mickey: Oh thank you. It's 100% cotton, and some wool.
Tough Room: While Jerry's friends have occasionally chuckled at his jokes, most of the time they don't, especially in the later half of the series.
Jerry: Slapping hands is the lowest form of male primate ritual. In fact, even some of them have moved on: They're doing sign language now.
Elaine: It's that bad?
Jerry: What do you think the Nazis were doin'? That was the heil-five.
Elaine: (unamused) Isn't that from your act, like, ten years ago??
Jerry: It was a good bit in the '80's, and it's still relatable today.
Also, in "The Cartoon", Elaine doesn't laugh at Jerry's suggestion for how to make her New Yorker cartoon (about a pig at a complaint department) funny. Somewhat justified in that Elaine was cranky from staying up all night on it.
Jerry: How about if it said something like, "I can't find the receipt, my place is a sty."?
Both in-universe and in Real Life, Jerry loves cereal. In fact, it was lampshaded on at least two different occasions, one of which where during the Clip Show, Jerry address the audience by pointing out, "Nine seasons... 190 episodes... same twelve boxes of cereal..." Later still in the second half of "The Finale", Helen packs boxes of cereal for Jerry since he says it's the one thing he misses the most.
Troll: Jerry could fall into this at times; in "The Couch", for example, he baits Poppy to divulge his stance on abortion, leading to a restaurant-wide division of opinions (with some leaving). Jerry later reflects:
Jerry: Oh, you really missed something. And I have to say... (proudly) it was pretty much all my fault.
Tropaholics Anonymous: George was once taken to a "Rage-aholics" meeting. David Puddy is also apparently a recovering "Germ-ophobe".
Troubled Production: In-universe, Jerry is this. Between the show jumping between in production and cancelled (mostly due to George repeatedly screwing things up with Russell) and the temperamental actors (the man playing Kramer refused to talk to George; the woman playing Elaine insisted that Jerry call her by her character's name, even when not filming), the main issue was that the plot to the pilot was contrived and had lame attempts at humor. It was cancelled by the new president of NBC only a couple minutes after the pilot aired on TV.
True Art Is Angsty: Invoked in the episode "The Comeback." Vincent at the video rental store seems to believe this, much to Elaine's chagrin, as she describes the movies he promotes as "emotionally exhausting." When Kramer suggests a summer comedy instead, Vincent does not take it well.
George: "Yes, I look forward to many years of looking at the triangles."
Jerry dates an artist who guilts George into buying one of her paintings.
George: "Look at it! What is it? It's just a bunch of squiggly lines! You're telling me you couldn't paint this?"
In the same episode:
George: "I don't get art. I always need somebody to explain it to me, and then I need someone to explain the explanation."
Truth in Television: When Jerry tells his old college buddy that he almost had his own show in Japan, but doesn't speak Japanese, he remarks in confusion, "So... you would have done it in Japan, but in English?", to which Jerry isn't sure. Japan actually has a rather large English-speaking population, so it's not entirely far-fetched that Jerry could have his own (in-universe) show in Japan, and it be done in English.
Uncanny Family Resemblance: Jerry Stiller plays Frank Costanza and implied relative Giuseppe in "The Doll", poorly disguised by Seinfeld standards, even compared to Jerry Seinfeld and Jason Alexander playing their characters in high school in "The Library".
Wayne Knight appears in a photo of Newman's mother in "The Bottle Deposit". Equally poorly disguised.
Undying Loyalty: According to Elaine, the women on this show have this towards their preferred birth control methods of all things.
In "The Handicap Spot" Jerry mentions "every big [boxing] fight" in the same breath as the Super Bowl.
Averted with Puddy's Martin Brodeur jersey in "The Face Painter". Brodeur went on to play for the New Jersey Devils for two more decades after the episode aired.
In one episode, George wishes that ketchup and mustard would come in squeeze tubes (similar to toothpaste), though Jerry tells him they do come in squeezable bottles now, though George argues he's never seen such.
Keith Hernandez lights up in a bar in "The Boyfriend". Rather dated now that many states have adopted "no indoor smoking" policies.
Milos: ANOTHER GAME FOR MILOS!!! (...) Hey Patty, look at this guy. He's awful! He's not a man, this Jerry. He's not even married like I am. Jerry: Hey, uh, Milos, I don't mind rolling over here, but could you lighten up on the "not a man" stuff? Milos: Hey everybody, look! The little chicken girl wants me to ease up. He can't handle this, so he cries like a woman! (later...) Milos: Look at the big baby! HAHAA!!! Hey, big baby, are you wetting yourself? Maybe it is time for you to be changed!
Jerry sees two goons carrying a body wrapped in a carpet leaving Kramer's apartment.
That nut's always up to something.
In another episode, George is sleeping in Jerry's cupboards. Jerry opens the door, closes it, opens it again, and exclaims that he accidentally bought something in low-fat instead of regular with no mention of George.
In another episode, Kramer came in, had a conversation with Jerry and George, all the while going to Jerry's sink, filling up a bucket with water, and walking back out.
George: ...he doesn't have running water? Jerry: I don't ask those kind of questions anymore.
George got used to them as well, as proven by an episode where Jerry and George were watching television when they heard a woman scream from down the hall. Jerry casually remarked that Kramer must have something to do with it and they both went back to the television.
Urine Trouble: In "The Couch", Poppie pees on Jerry's brand new couch, so Jerry gives it to George who plans to flip the urine-stained cushion over. Then, in "The Doorman", George's father, Frank Costanza, comes to visit George and sleeps on the couch. Later, when Kramer blabs to Frank about the stain on the couch, Frank gets upset.
Kramer: I thought Jerry didn't want that couch, because of the stain. Frank: What stain?
Kramer: Oh, you didn't notice? It has a pee-stain. Frank: (to George) You had me sleeping on a pee-stained couch?.
George: No, no. The cushion was turned over. Frank: But, the very idea. You had me lying in urine!
Vigilante Execution: Susan's parents are seen purchasing a handgun during the trial in the season finale presumably with intent of carrying out one of these on George as retribution for Susan's death if the gang is found not guilty.
Vocal Dissonance: A plot point in "The Pledge Drive": A guy named Dan had a voice which sounded like a woman's. Elaine got Dan's voice mixed up with his wife's, Noreen, which caused headaches aplenty when she let it slip to Dan that Noreen was flirting with Jerry.
Vomit Discretion Shot: In "The Pitch." More specifically, a Vomit Discretion Cut, when Kramer, having drunk the expired milk, vomits all over Susan the NBC executive's vest.
An example also occurs in "The Gum", when Kramer vomits on the sidewalk after eating a 70-year old hot dog.
An example of this was created in "The Fatigues". Originally in the scene parodying Platoon they were going to have the soldiers spit fake vomit at the camera, but the director decided that showing the vomit wouldn't be funny, so what we end up seeing is a bunch of food poisoned soliders vomiting into their hats.
In "The Dinner Party", Jerry heads for the bathroom to vomit up the black and white cookie he ate earlier. Afterwards...
Elaine: How was it? Jerry: Good as it gets.
Vorpal Pillow: In "The Heart Attack", George asked Jerry to put him out of his misery. Jerry decided to play along and stuck a pillow over George's face, who apparently wasn't expecting Jerry to actually do it.
In "The Diplomat's Club", Elaine, already under suspicion of wanting to kill Mr. Pitt so she could collect the money from his will, walked towards Mr. Pitt's bed holding a pillow. Mr. Pitt's estate lawyer, witnessing this, looked aghast.
Walk and Talk: In "The Bottle Deposit", Wilhelm is walking and talking with George in the halls of Yankee Stadium, and mentions having an assignment for George when he abruptly stops to use the restroom. George waits for him outside, not realizing that Wilhelm just kept on talking while he was in there. George spends the rest of the episode (and it's a two-parter!) trying to figure out what the important assignment was.
Kramer eats an ancient hot dog from the concession stand of a really old movie theater, to which the cashier responds "Are you out of your mind? That hot dog's been here since the silent era, you'd have to be insane to eat it." Predictably, Kramer becomes rather ill after tasting it.
After developing a craving for eating cake in the afternoon, Elaine consumes a piece of leftover wedding cake ... from the wedding of King Edward VIII ... that's worth $29,000 ... and over 60 years old. Peterman decides not to fire her over this, because he thinks that what she's about to go through will be punishment enough.
Elaine: Together we can put Putamayo out of business, and make Cinco de Mayo numero uno!
We Want Our Jerk Back: In "The Bizarro Jerry", Elaine realizes she can't deal with the Bizarro Jerry, George and Kramer, because they're simply too nice.
Wedding Ring Defense: George goes for the inversion in "The Apartment", when he wears a fake wedding ring to a party to attract female interest. It backfires on him, as while he meets several women, they're all turned off by his "married" status.
Wham Line: In "The Limo", O'Brien's followers are revealed to be anti-Semitic neo-Nazis instead of basketball fans when George proofreads O'Brien's speech:
George: "And the Jews steal our money through their Zionist occupied government and use the black man to bring drugs into our oppressed white minority communities." Jerry: ...You're not gonna open with that, are ya?
We never find out why Audrey rejected the piece of pie.
The eponymous character of "The Old Man" is still apparently wandering around lost at the end of the episode, only later being seen safe at home in the season 4 finale "The Pilot", where he sees Jerry on TV and exclaims, "That's the idiot who took all my records!"
Who's on First?: In "The Tape", Elaine reveals to George that she was the one to say lewd things into Jerry's tape recorder, but asked George not to tell Jerry because she wanted to have fun with it. Towards the end of the episode, George reveals that, due to the tape, he's become attracted to Elaine.
Jerry: Does she know? George: No. Jerry: How did it happen? George: I can't say. Jerry: Well, why can't you say it? George: Because I promised her. Jerry: I thought you just said she doesn't know?? George: She doesn't. Jerry: So how can you promise her? George: Because she asked me to. Jerry: What is this, an Abbott and Costello routine?!
Will They or Won't They?: Elaine and Puddy are a subversion, since it's pretty much outright stated they had no intention to get serious and were just "having a good time". Also, George and Susan.
Also Jerry and Elaine. They dated before the series began but then existed as 'just friends', leaving many to wonder when and if they would ever get back together. They hook up (or nearly hook up) a few times over the course of the series but nothing ever really comes of it. Their sexual tension gets a couple of brief mentions in "The Finale" but only as diversions from what will turn out to be the true ending. "The Reunion" on Curb Your Enthusiasm only pushes their relationship further into ambiguity when it turns out that Elaine and Jerry have had a baby together... sort of.
Julia-Louis Dreyfus said on her appearance on Inside The Actors Studio that in her opinion Jerry and Elaine were meant for each other but, their chief problem was that they were both too immature to realise that, hence their set-up of just being friends.
The Worst Seat in the House: In one episode Jerry, a big New York Rangers fan, was desperate to attend NHL playoff series games between the Rangers and the New Jersey Devils at Madison Square Garden. By the end of the story, Jerry's one means of getting a good seat is with Elaine's boyfriend, Puddy, and his friends... but they're all going with their chests painted to spell out the team name, and to only make things more embarrassing for Jerry, Puddy's group is composed of Devils fans.
The ending to "The Label Maker" also counts: Due to a mix-up, Jerry gets a seat right next to Newman at the Super Bowl. Jerry has barely any room next to Newman's girth, not helped by the fact that Newman keeps leaning over when talking.
Wrong Genre Savvy: The basis of the episode The Merv Griffin Show is Kramer finding the set of The Merv Griffin Show in a dumpster, and setting it up in his apartment. He then spends 10 hours a day conducting a talk show, down to taking 'commercial breaks' (read: awkward silences) and 'revealing' a secret to Jerry's girlfriend while she was 'backstage', with hilarious results.
Kramer ignores Newman's warnings just before getting ambushed by mail agents in "The Junk Mail" because Newman mentioned "a mailman you know" would be involved in such an attempt.
Xanatos Gambit: Jerry thinks the doorman in "The Doorman" used this, especially when the lobby couch is stolen after Jerry (who was covering for the doorman) ditched, but there was proof that he was there at the time because he signed for a mail package:
Jerry: Diabolical. He thought of everything. He was setting me up from day one!
X Called; They Want Their Y Back: When George is scarfing down a plate full of shrimp, a co-worker says (to much laughs) "Hey, George. The ocean called, they're running out of shrimp!"
George later thinks up the "perfect comeback", and goes out of his way to recreate the same scenario in which to use it (even though the co-worker in question had since gotten another job and moved to Ohio). "Yeah? Well the jerk store called, they're running out of you!", which gets no laughs and is casually countered by "What's the difference? You're their all time best seller!" George then counters with what Kramer believes is the ultimate comeback for any situation. "Well, I had sex with your wife!"
In the tag, George comes up with the "perfect" comeback when driving home: "The life support system called..." We never hear the punchline, but apparently it's good enough to turn the car around and drive back. Keep in mind that this was after he got back to New York, meaning he had to either take a plane or drive for a long time to go between the two cities.
Yank the Dog's Chain: In "The Pilot Part 2", mere seconds after the pilot finished airing on TV (and after Elaine told Jerry and George that they'd probably get picked up and become famous), Rita Kierson (who replaced Russell) called Jerry to let him know that she was passing on the show.
Ye Olde Butcherede Englishe: "Thou who cureth can maketh ill", attributed for laughs to the Bible by Kramer in "The Slicer". Kramer's convincing attitude may put this into fridge territory.
You Are Grounded: Frank grounded George in "The Cigar Store Indian" after George had sex with a woman in Frank and Estelle's bed.
You Are Number Seven: As a tribute to his favorite player, Mickey Mantle, George plans to name his firstborn child "Seven".
Jerry: You know George, just because you had a terrible childhood doesn't mean you have to ruin someone else's.
Your Approval Fills Me with Shame: Jerry dates a girl that he really likes, but everyone else thinks is a huge loser. Her own friends thank him profusely for going out with her as if it was a saintly act of charity, while George and Kramer are so worried that something has gone wrong in his life that they stage an intervention. Desperate for someone to approve of his relationship with this girl, Jerry flies in his parents to meet her. When they tell him that they really like her, suddenly Jerry doesn't like her anymore.
Your Cheating Heart: George secretly getting together with Marisa Tomei in "The Cadillac". His fiancée Susan is unaware, until she asks Elaine (who is supposed to have a cover story) and George the same questions, and both give different answers. Susan punches George.
You Say Tomato: One episode involves George breaking up with his girlfriend because she's pretentious, pronouncing words such as "pap-ee-ay mache" instead of "paper mâché."