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Anime & Manga
- Tintin: In The Broken Ear, Tintin and General Alcazar are apparently having an in-depth political discussion in his office. Tintin remarks seriously, "It's a difficult position," and there are several close-up panels of the two of them deep in thought. Then the panel pans out, and the General exclaims, "Checkmate!"
- In Astro City story "Pastoral", when Cammie follows the kitten into the barn, we get a shot of her fact, half in shadow, showing her shock; then we get her back in the house working on a new email that shows she's decided to become a Secret Keeper for Roustabout's Secret Identity. Only after her finishing it do we we get the Reveal Shot that shows Roustabout and her cousin kissing.
- Ubiquitous in Hägar the Horrible.
- Beetle Bailey: The first panel shows a close-up of someone asking Beetle whether Ms. Buxley had walked past in a bikini. The next panel shows the larger scene with Beetle having stepped in his can of paint and a general mayhem around them with soldiers still staring transfixed and having crashed their cars and whatnot. Yes, she had.
Films — Animation
- The Incredibles: Bob Parr/Mr. Incredible has tossed his boss through a wall. Camera pans to the hole, revealing that he had thrown his boss through four walls.
- Chicken Run has Rocky teaching the chickens to fly. One shot has him getting all the chickens to run off of the roof of a coop. When it gets to Ginger's turn, she runs, jumps... and stays in the air, flapping her arms. Then she looks down, and it turns out she's standing on the pile of chickens who had gone before her.
Films — Live-Action
- The Hunt for Red October:
- The film first reveals the full size of the submarine this way. The "Typhoons" really are big submarines -- biggest ever built. Combined with glorious Crowning Music of Awesome, this scene ranks as one of the best moments in the film.
- Later in the film, when the Red October a shot follows a torpedo as it is seconds away from striking the Red October, when we suddenly see The USS Dallas interceding herself between the torpedo and its prey to draw it off. The only warning the audience or characters get is the extra pinging sonar sound a few moments before.
- The Fellowship of the Ring movie — we open with a shot of a dark menacing tower in Mordor, apparently Barad-dûr, home of Sauron. Then the camera pulls back... and back... and back... until we are able to get a full view of the ungodly immense, dozens of times larger and infinitely more menacing tower that is the true Barad-dûr, revealing the initial tower we saw as one of the hundreds of (relatively) tiny lookout towers spaced around Barad-dûr's outer wall.
- Used in The Blues Brothers: The Brothers speak with agent Maury Sline to get a gig for the following night in a sauna. After closing the deal, we see that the entire ten-person band has been there the whole time.
- The finale of Mystic Pizza does this with a woman and her fiance, who were at odds throughout the movie. The camera pans out to reveal her wearing a wedding dress, showing that she decided to go through with the wedding despite everything.
- Star Wars:
- The opening scene of A New Hope. First the Princess' ship goes overhead, everything is normal. Then the Star Destroyer starts to slowly go overhead... and goes... and goes and you realize that the ship is HUGE. At this point, if you were first watching it in 1977 when it came out, you suddenly realized how awesome this movie was going to be. Differs from the others in that the Star Destroyer enters (and enters and enters!) as opposed to the camera zooming out. (Parodied, of course, in Spaceballs.)
- Used brilliantly again in The Empire Strikes Back when early in the movie, the Star Destoyers are shown again in their majestic glory when all of a sudden they start getting eclipsed by something. The audience is keenly aware that something massive is above these things we were so in awe of in the first movie. The camera switches to a lower angle pointing upwards as a Star Destroyer looks so small compared to the ship above where just a portion of it fills the scene. Then, the camera reveals in all its glory Vader's new flagship, the Executor, a Super Star Destroyer that makes every other ship look like an insect.
- The Force Awakens: While fleeing from the TIE-fighters' bombardment on Jakku, Rey dismisses the off-screen spaceship Finn is suggesting as "garbage", but the other ship they were heading to gets blown up. This leads to the decision that "the garbage will do", with the camera panning to reveal to the audience that the aforementionned piece of junk happens to be the Millennium Falcon.
- The opening scene from Safety Last! makes it look like an execution is about to unfold. We see the hero behind bars, the gallows waiting in the back, his sobbing relatives and a minister comes to shake his hand. Cut to a shot from a wider angle which reveals the setting to be a train station and the occasion to be a Train-Station Goodbye.
- Tomorrow Belongs To Me, from Cabaret. Starts out as a nice song, and then you start to see the swastikas...
- The short movie Powers of Ten (and imitators) is entirely based upon this trope.
- This is how Pirates of the Caribbean: The Curse of the Black Pearl introduces us to Captain Jack Sparrow. Standing proudly atop his ship's mast, hero music blaring... and then widens to reveal that not only is his "ship" a dinghy, it's almost totally sunk, hitting the bottom as he jumps onto the dock.
- Used in I Love You Phillip Morris. Early in the movie it is suggested that Steven (the protagonist) is heterosexual and happily married. In a scene he is shown passionately kissing his wife, and the camera cuts into a scene of Steven having sex, his sexual partner being off-screen. One can't help but to assume he is having sex with his wife, until the camera pans out revealing his sexual partner to be a man... To top this off Steven narrates: "Oh, did I forget to mention I'm gay?".
- Note: this is not an example of Close-Up on Head as we see Steven's torso from the beginning of the scene.
- In The War of the Roses, the opening credits play over billowing folds of white fabric which appear to be a bedsheet but turn out to be a handkerchief once the camera pulls back.
- In Tremors 2: Aftershocks, when Earl calls up the beloved Burt Gummer, the camera pulls back from Burt to comedically reveal a graboid head mounted on his basement wall.
- In Inner Space, the opening credits occur over weird, shifting, oddly coloured shots which suggest a bizarre, alien world, in keeping with the film's plot. Then, the camera pulls back...to reveal we've been watching ice cubes swirling around a glass of whiskey.
- In A Fish Called Wanda, one scene begins with a shot of what looks like Archie standing against a building, beginning to apologize to Otto. Then the camera flips upside down and pulls back, revealing that Otto is dangling Archie out of a window by his feet.
- Arrested Development was a big fan of this trope. One particular example from the episode Bringing Up Buster: George Sr. is detailing to Michael all the ways Buster has failed him as a son. We hear a prolonged, familiar yawn and the camera pulls out to reveal Buster sitting between them; he then states simply, "We're just blowin' through nap time, aren't we?"
- Father Ted:
- "Think Fast, Father Ted." Jack crashes a car into two lorries. When Ted and Dougal inspect the car, the front (all we can see) looks okay, and Dougal hopes the car isn't damaged. Cue the Reveal Shot, and we see that the back of the car has been scrunched like an accordion.
- "Kicking Bishop Brennan Up the Arse." It's the end of a long Fawlty Towers Plot, and Ted is performing the last bit of fast-talk he needs. It looks like Brennan is about to be fooled. Then comes the Reveal Shot, and we see that Ted is (without realizing it) standing next to an incriminating photo that has been blown up to the size of a house.
- It's Always Sunny in Philadelphia had one episode where Charlie and Mac got a mail room gig to qualify for the company's health benefits. Mac dumps all the responsibilties on Charlie, who then does... this
- Stargate Atlantis does such a shot when Shepard has to climb a few stories to shut down a self-destruct because of a malfunctioning quarantine system, revealing it's a long way down.
- In Coupling, Jeff is trapped in a photocopier (It's a Long Story), and in order that his colleagues shouldn't know that it was him trapped, refuses to come out until they've all gone home. He walks into work the next morning, secure in the knowledge that no-one knew he'd made a prat of himself the previous day. He sits down at his desk. And the camera pans up to reveal... 500 A4 photocopies of his head, pasted to the wall behind him.
- In season 1, used for comedy. Michael and Jack appear to be having an intense discussion about a dire problem, but they turn out to be debating a golf shot. In season 4, this is repeated with Sawyer, Hurley, and Risk.
- Of course, it's also used for drama, such as the end of "The Economist," where a pan reveals Sayid's associate to be Ben.
- On Top Gear: The caravan holiday. James May, standing next to what looks like a Lotus Exige, explains they've got something very special as the tow car for their caravan. Perspective flip and pan out to reveal... the inauspicious-looking Kia Cerao.
- Used as a fakeout and then straight-up within one scene in the Alias episode "Phase One", which ends with Sloane telling Sark to 'check in on [their] new asset'. The sound of a ringing phone transitions to the next scene, where it is revealed Sark is calling...Francie! However, the camera then pans around to another angle to show the real Francie's corpse with a bullet wound in the forehead.
- A sketch by Spanish comedy duo Crackóvia.
- Buffy the Vampire Slayer. "I Was Made to Love You" opens with Buffy pounding away at what appears to be a punching bag, but a wide shot reveals it's Xander in a huge padded sumo suit.
- In Monty Python's Flying Circus, what looks like a sheer mountain slope that climbers are arduously inching along is revealed to be a Dutch Angle of the pavement of the Uxbridge Road.
- In the pilot episode of Frasier, Frasier reacts with horror to the news that the mysterious Eddie will be moving in to his apartment, along with with his Dad. Cut to Frasier and Martin watching TV - and then we get our intoduction to Eddie, himself.
- The Sketch Show: In one sketch it looks like a haggard Tim is being tortured by Ronni during a hard interrogation. The shot then reveals that she's dragged him along to go shopping.
- The video to Stripsearch by Faith No More features a seemingly normal guy leaving his apartment in what seems to be a police state, and having officials turn on him. At the end it revisits the opening scene with a wider shot... revealing a submachine gun on a coffee table, hand grenades near the door and a body tied to a chair lying on the floor.
- "Woah, free boat ride for three! Now who should I take? Keef! And....T-pain."
- In Ruiner Pinball, the "Ruiner" table consists of two pinball playfields placed side-by-side. Starting multiball causes the camera to zoom to show both playfields at the same time.
- The Jack Benny Program used the audio equivalent a lot. In one episode, the cast is traveling by train, and Phil is complaining about having to share a bunk with Jack due to Jack's cheapskate nature. They begin to argue... and then Dennis pipes up, "Shut up, I'm trying to sleep!"
- Then there was The Goon Show.
Knock knock knock
Seagoon: Come in.
Knock knock knock
Seagoon: Come in!
Bloodnok: It's you that's knocking!
Seagoon: Oh! Then I'll come in!
- "Reveal Shots" were a regular fixture of ensemble comedy shows on BBC radio. In The Burkiss Way you might get an elaborate setup like
Midwife Mr Smoth? Your wife's had her baby... errr... you might want to prepare yourself for a shock.
Smoth: Is it a boy?
Smoth:Oh, it must be a girl!
Midwife well... no.
Smoth:(perplexed) Then what is it?
Midwife I'm afraid it's an...
(Eric Pode voice cuts in) '''Eric Pode of Croydon!"
- The original Doom ends this way: After defeating the final boss, the player character is teleported back to Earth, where we see an idyllic grassy field. Then the camera pans left, the music gets Darker and Edgier, and we see a city. In flames. Followed by a bunny head impaled on a pike (which is later implied to be the head of the Space Marine's pet rabbit).
- Fallout 3: The intro cinematic begins with a shot of a radio playing "I Don't Want To Set the World on Fire", then zooms out to reveal a wrecked bus and the nuclear war-torn ruins of Washington, DC. Fallout: New Vegas handles this the opposite way: the game opens with a shot of the ruined Lucky 38 casino, set to "Blue Moon," only to pan out further, showing the Strip itself, which is a thriving community, and further, that society in the Mojave is actually functional.
- Quake IV: A Marine is facing away from the camera, which then pans around to show that he is gorily dismembered and floating in space amongst the wreckage of a ship and the mutilated remains of its other crew members.
- In Pokemon Omega Ruby and Alpha Sapphire, the game beings with the exact same "Welcome to the World of Pokemon" sequence, down to the GBA graphics and music. Then the camera pans out to reveal that it's playing in-universe on the player's Pokenav before displaying the land of Hoenn in glorious 3D graphics.
- Played for laughs in If the Emperor Had a Text-to-Speech Device:
Magnus: There's still time to warn him! I could save everyone... (zoom out) If there wasn't a f***ing WALL IN THE WAY!
- This is how Ruby Quest first revealed what genre it was. Ruby looks through a slat in a door, and sees only Stitches's eyes. When she finally gets the door open, she sees his face... then sees that his head is the only part of him that's fully intact.
- Works for villains as well as heroes: The 1980s cartoon Jem did this. Eric is about to tell the small crowd that he has that "The Misfits" are the winners of the first annual Starlight "Battle of the Bands"—but before he can—new music is heard—and the crowd goes off in that direction. The camera pans out to show "Jem and the Holograms" performing for the first time.
- The Simpsons:
- Homer crashes his car in snowy conditions. He gets out to inspect the damage and says "well, at least I got him as well as he got me". Cue pan-out, revealing that he'd made it to his driveway and the car he hit was in fact his other car.
- In another episode, Lisa seeks to reassure Homer that Smithers, who was fired because of Homer's actions, "can get a great job at any corporation he wants." The next shot is a close-up of AT&T's wordmark. Panning out, we see that Smithers has gotten a job at "NEAT & TIDY Piano Movers."
- Likewise, Futurama used this when Bender's worried that a bureaucrat he insulted is standing behind him. Cue the Reveal Shot and that bureaucrat saying that she is in fact, in front of him, less than a foot away.
- Six Teen: After Jonesy says that things might actually work out after all (by which he means that he can cope with Nikki's departure), the last scene in the finale zooms out to show the other characters going about their business; what this, of course, means is that her leaving only really affects the five main characters.
- On an episode of Adventure Time, after a scene transition, a shot of the main characters' house is shown. Then the camera zooms out to reveal that the shot was just a framed picture of the characters' house. A definite Rewatch Bonus.
- On an episode of SpongeBob SquarePants, the group is supposedly sent home from the grasp of the Flying Dutchman. The camera pans out from SpongeBob's pineapple house only to reveal that it's a real pineapple, and they're all inside a giant blender.
- My Little Pony: Friendship Is Magic: In "Dragonshy", there's a scene where Fluttershy (whose wings have locked in fright) makes a big deal about not daring to jump over a chasm after the others. From all the shots so far, it looks like the chasm is pretty wide, though the other ponies clear it easily. When Fluttershy finally gets enough courage to try, Twilight Sparkle says a Don't Look Down right in the middle, which somehow seemingly causes Fluttershy's jump to terminate in the middle because she gets frightened. She falls — and the camera pans out to show both sides of the chasm at once for the first time, showing that the chasm is narrow enough that she's just left with with her back hooves on one edge of it and front hooves on the other. It's still not a short jump to make, she has to stretch her legs to do that, but the perspective earlier made it seem much longer.