Clockwise from top left: Jeff, Sally, Patrick, Susan, Steve, Jane.
"Let me explain, Patrick. Here on Earth, there is a gap between seeing someone you like and having sex with them that we like to call conversation. In Jeff's case, it can last for up to ten years."
— Steve, "The Man With Two Legs"
Coupling was a British Sitcom from 2000 to 2004 about a circle of friends and their complicated sex lives. Written by Steven Moffat, produced by his wife Sue Vertue, and based very loosely on their early relationship. (The Word of God is that Steve and Susan went on to make a sitcom about their lives, and Steve is now working on "some old kids' show they recently pulled out of mothballs".)The series was notable for its meticulously-crafted plots, revolving around lies and misunderstandings in the Fawlty Towers Plot and Three Is Company veins, and hilarious cases of Digging Yourself Deeper. Each episode was very detailed and expansive on matters such as impotence, masturbation, pornography and lesbianism. It's different to other 'traditional' British comedy and certainly isn't anything like Blackadder or Father Ted.The characters are intended to represent a spectrum of confidence and paranoia in relationships among men and women. They are:
Steve Taylor: A nice, if somewhat neurotic everyman, who starts dating Susan after breaking up with Jane.
Susan Walker: A snarky and practical blonde with the occasional mean streak, who starts dating Steve after breaking up with Patrick.
Jeff Murdock: Steve's best friend. A paranoid Man Child obsessed with women's bits who provides the show's most awkward moments.
Sally Harper: Susan's beauty-obsessed best friend. Although originally written as a one-note character, she gets plenty of serious character development after the first series.
Patrick Maitland: Susan's ex, a laid-back casanova who does have his heart in the right place on occasion. He is also very well-endowed (a "tripod", apparently). Although he's not too bright, he has his serious moments.
Jane Christie: Steve's ex. A walking mess of crazy with many hidden layers of even more crazy, although hidden underneath all of that crazy, she seems to be a very sweet, very scared woman.
Oliver Morris: The final series' replacement of Jeff. Owns a fantasy/sci-fi store and is worse with the opposite gender than the rest of the cast combined. Notably, even Jane thinks he's crazy.
It had a US remake that lasted about four episodes before being chased off the face of the Earth. (The Greek version ran for a whole series.)Came fifty-fourth in Britain's Best Sitcom.
This show provides examples of:
Aborted Arc: Jeff and Jane were implied to have an interest in each other at the end of series 3, but Richard Coyle left the show and this was never mentioned again.
This was, however, salvaged for Oliver in the fourth series.
Jeff: All of us, in our time, are visited by the Melty Man. Patrick: The what? Jeff: Don't say his name, Patrick! Don't even think his name! Or he will rise from the shadow dimensions to do his evil work inside your terrified pants. Patrick: (scoffing) Terrified pants?! Steve: (gravely) There's nothing funny about the Melty Man, Patrick! Patrick: You know about the Melty Man, too? Steve: We all know the Melty Man. Patrick: Who is he? Steve: The arch-enemy of trouser confidence. Jeff: Professor Moriarty, in groin form. Steve: Darth Vader. Jeff: Without the helmet!
We do talk about Captain Subtext, but only when we mean something else...
Jane: Where are we going wrong? Are we supposed to hang around bars, shag every man in sight, get ourselves pregnant and then trap some poor loser into a lifetime of misery and heartbreak? Sally: Of course not. Jane: Okay, you suggest something!
Susan attempts this with Steve:
"We never really got 'round to organizing a wedding. Thought maybe a whole human being would be easier."
Bad Liar: Patrick has this problem, leaving him unable to keep secret the fact that he slept with Jane.
Susan: Jeff, Jeff! Listen to me! Women want someone with command, with confidence, someone who won't take no for an answer. We want somebody arrogant and gorgeous with a terrifying sexual appetite and an amazing range of sexual technique. But when it comes right down to it, d'you know what? We'll settle for a man! Steve: (after Jeff leaves) So have you settled for me, then? Susan: Oh, don't be paranoid, Steve. (beat) Of course I have!
Susan even does this in Sally's head in "The Melty Man Cometh":
Sally: What am I doing? (Susan and Jane appear behind her) Jane: Well, you're about to attempt sex with a close friend. Susan: He's so worried his erection will fail again. Jane: Which will destroy one of the most important relationships in his life. Susan: And his relationship with you!
She gives a very mean-spirited one in "Gotcha", in response to Jane seemingly implying that she's better at turning Steve on than her. Even the audience reacts at her retort:
Jane: Oh, it's pretty easy to get a response out of Steve as long as you hit the right notes. It's like... snake-charming. Susan: Well, personally speaking, I'm not in the habit of charming snakes... I just try to be polite to you. (walks out of the salon) Jane: Well. I think I got out of that okay.
Becoming the Mask: According to Jane, this is how she got the way she is. She went on holiday, pretended to be her own imaginary insane twin sister, and eventually it just stuck.
Jane: D'you know, I could get away with anything when I was my crazy twin Jane. Sally: But you are Jane.
Better Than Sex: Jeff once said this in "The Cupboard of Patrick's Love" of a childhood activity that involved writing the word "naked" hundreds of times on a sheet of paper and rubbing his face in it.
Big Brother Mentor: Jeff tries to be this to Steve, even though they're the same age and Jeff is presented as pretty incompetent in his encounters with women.
Bigger Is Better in Bed: Patrick, so much so that a former girlfriend used him as a model for a sex aid—without his knowledge.
Steve: I think you may have been had, mate. Jeff: And a lot more often than you realized!
In his personal opinion, he's also "got technique". His ex Jane disagrees, advising him that, when kissing, he should stop considering the epiglottis at the back of the throat a target and that he should stop trying to make nipples revolve like the knobs on an etch-a-sketch.
Big "NO!": In "Faithless", Jane lets one out when she realizes that the guy she likes is against premarital sex.
Bilingual Bonus: "The Girl With Two Breasts" plays with this, the latter half showing the same conversation twice: once from Jeff's perspective, then again from his Israeli crush's.
Bi the Way: Jane mentions early in the show that she's bisexual, and mentions it often, but Susan thinks she isn't bisexual at all. At one point in "Size Matters" she claims that being bi means she can go out with gay men, and simply won't believe the gay man in question when he tries to put her straight. However, in the episode "Nine and a Half Minutes", when Susan snogs her in order to turn on Steve, Jane is very obviously affected by it.
Bondage Is Bad: Averted in the episode "The Freckle, the Key, and the Couple Who Weren't". Jeff and his girlfriend are shown to take part in bondage as part of their relationship and it is shown as part of a loving consensual relationship... or would be if Jeff weren't so bad at it.
Brick Joke: In most episodes, there's often a particular joke that keeps coming up at the first half, and is then set aside until the near-end of the episode. Sometimes, jokes even reoccur in later episodes, and often when you least expect them.
In "Size Matters", Jeff rambles on about celebrities hooking up because all the people who are currently having sex and fantasizing about each of them create a kind of psychic charge. At the end of the episode, when Susan sleeps with Steve, the scene cuts to Angus Deayton and Mariella Frostrup meeting each other, being the objects of both Susan's and Steve's fantasies respectively.
Susan: So is it absolutely necessary to think about somebody else? Jeff: Well, everybody does. That's why there are so many celebrity marriages. Sally: I'm sorry? Jeff: Well you know, if you fantasize about someone else during sex, and so does your partner, and you know, those two people that you're fantasizing about happen to meet while you're still doing it, you know, they're bound to sense something, aren't they? Because, you know, they're connecting on like a virtual plane! So can you imagine what it was like when Posh first met Beckham? They were the epicenter of a non-stop, nationwide, virtual shag! I mean, it's no wonder she got pregnant!
After Jeff explains the "unflushable" concept in "Flushed", it doesn't come up again until the season 1 finale, where Steve gets dumped and Jeff asks how he feels. He simply answers, "Flushed."
In "Split", Susan constantly remarks that hearing Jane's voice makes her grind her teeth. At the end of the episode, she sees Steve asleep on her bed, and performs oral sex on him. Meanwhile, the phone rings, and as the answerphone picks up the call, Jane's voice plays, after which Steve immediately sits up and screams.
Susan: I'm sorry. Steve: I'll be fine... Susan: It's just Jane's voice... doesn't it set your teeth on edge? Steve: It will now...
"Faithless" has Jeff overreacting over saying "Hi" to a colleague at work, complaining that there are very few ways to end an "H" sound. The last word he can think of is "Hippo". Later in the episode, flustered by said colleague's casual admission that she's also in a relationship but still wants to date Jeff, he ends up saying "Hippo." In the season 3 finale, Steve says "Hippo" when he reacts awkwardly to Susan's revelation that she's pregnant.
Category Traitor: In "Size Matters", Sally accuses a gay man of being a traitor because he supports the Conservatives.
Howard:Maggie Thatcher, in my opinion... Sally: Now listen to this, Patrick, this is the voice of an oppressed minority! Howard: Maggie Thatcher, in my opinion, is THE best Prime Minister we've ever had. Sally: You can't say that! You're gay, you're on our side!
Cerebus Syndrome: Started rearing its head in series 3 with the increasing Patrick/Sally tension, but became more noticeable after Jeff left.
Jeff himself was going through this just before he left, especially in his last conversation with Jane - it's filled with plenty of jokes but it slowly becomes clear just how lonely and deeply unhappy they both are, especially when they get onto talking about their love interests who are supposedly 'exploring their feelings' which as Jeff sadly points out means they are actually being dumped.
From "Inferno", when Steve is forced to justify owning a VCR tape of lesbian porn:
Jill: How could you possibly enjoy a film like that? Steve: (exasperated) Oh, because it's got naked women in it! Look, I like naked women! I'm a bloke, we're supposed to like them, we're born like that! We like naked women as soon as we're pulled out of one! Halfway down the birth canal, we're already enjoying the view! Look, it is the four pillars of the male heterosexual psyche; we like: naked women, stockings, lesbians and Sean Connery best as James Bond, because that is what being a boy is! And if you don't like it darling, join a film collective! I want to spend the rest of my life with the woman at the end of that table there (gestures at Susan) but that does not stop me wanting to see several thousand more naked bottoms before I die! Because that's what being a bloke is! When man invented fire, he didn't say, "Hey, let's cook!" He said, "Great! Now we can see naked bottoms in the dark!" As soon as Caxton invented the printing press, we were using it to make pictures of, hey, naked bottoms! We've turned the Internet into an enormous international database of... naked bottoms! So, you see, the story of male achievement through the ages, feeble though it may have been, has been the story of our struggle to get a better look at your bottoms. Frankly, girls, I'm not sure how insulted you really ought to be.
Even Susan has one in "Split":
Susan: Okay. You know what's really getting me mad? My boyfriend, my fiancÚ, the man who, against all my better judgment, I actually love, chatted up a woman in a bar. And on the very same day, the very same day, I chatted up a man. Do you see? Do you get it? I'm equally at fault. How can I ever forgive him for that? Well, of course, I'm not going to forgive him, because men, and I don't mean to generalize, are crap! They're the human race's only failed gender! Who needs them? And why are they so difficult to keep hold of? Do you think they realize, that were it not for the genetic imperative to populate the earth, they wouldn't get a date? That's one hell of an inducement: "No pressure, girls, but shag one of these or it's curtains for all humankind!" That's harassment! But you know what? Do you know what's even more crap than men? We are more crap than men! All those stupid books you guys have, and... and these magazines! A hundred pages of "men are useless bastards" and an article about why you should wake him up with a blowjob! Am I alone in spotting the inconsistency here? And these places! (referring to the salon) Because, for God's sake, don't let them see what we really look like! Just let them enjoy the results, don't let them see how it all happens! Jane: You know, I went out with Steve for six years, and— Susan: No, you didn't! You went out with him for four years, I checked! Jane: Oh. Well, it seemed longer. Susan: Yeah. Yeah! Of course it seemed longer! I myself have been going out with him since the 12th century! Or possibly since last week, it's hard to keep track. Because how are you supposed to measure time with the one you want to spend the rest of your life with? What would make sense? Centuries? Nanoseconds? Sally: Eggs.
Cloud Cuckoolander: Sally and Patrick have their moments when the Rule of Funny demands, but Jeff and Jane have bought a 2-bedroom maisonette in Cloud Cuckoo Land and only return to reality once a month to collect their mail.
Cluster F-Bomb: Sally's reaction to discovering Patrick's engagement ring in the series finale.
Sally: Fuck... Fuck... Fuckity-fuck... Patrick: Was that a yes?
Corpsing: Thanks to Jeff introducing the concept of the Giggle Loop, the other guys start having this problem at Jane's aunt's funeral.
Country Matters: When Susan is in labor in the series finale, she wants to have a natural birth, but tells Steve to ask her three times if she wants the drugs. Midway through, though, she changes her mind about this:
Nurse: She said "you can't." Steve: Yeah, trust me, the word wasn't "can't."
Lampshaded throughout the episode "My Dinner in Hell" with Steve's "whistling".
Implied in "Dressed" with Jeff:
Jeff: What's wrong? Steve: It's Jane. She's stuck naked in someone else's flat! Jeff: Naked? Steve: Yeah, she's only got her coat! Jeff: Can I speak to her? (Steve hands him the phone) Hi Jane, it's Jeff! Jane: Hi Jeff! Jeff: (returns the phone to Steve) Thanks. Jane: Jeff? Steve: Oh, he's gone to the loo. Might be some time.
Discussed in "Naked":
Jeff: I am a prison for sperms. Those poor little tadpoles have been sentenced to life in Jeff Murdock's groin. And let me tell you, that can be a pretty lonely place. Steve: I'm sure you could always... "lend a hand". Jeff: Yeah, there's that, but uh... you know, that's not what the boys are wanting, is it? See, they wanna think they're going somewhere when they go. I keep thinking about my brave lads all excited on the launch pad and suddenly it's, "Oh, no, daylight!"
Sally: Facial - Wednesday evening. Susan: Well, just don't count every time you find a wrinkle. Sally: Do I do that out loud? Susan: You have a running tally in my file!
In "The Girl With Two Breasts", when the girls look jealously at the Israeli woman at the bar:
Sally: I bet she doesn't lie on her back and fill her armpits. Hah! Susan: Sally. In case you didn't realize, you just said that out loud.
Sally: No, not Jeff... Susan: Yes. Sally: But she's not meant for a guy like Jeff. He's supposed to have someone plump and organized. Healthy-looking, but mottled. Probably called Joan or Frieda, all chunky jackets and hill-walking and they'll get married and she'll age badly, and I'll just seem prettier and prettier. Susan: Sally. Still out loud.
Digging Yourself Deeper: Jeff, in spades - the trope was formerly named for Jeff's epic "Bucket of Ears" speech in "The Girl With Two Breasts". Steve has his moments, too.
Dramatic Irony: Used masterfully for comedic effect in "The Girl with Two Breasts."
Drama Queen: Steve, with his hypochondria and his passionate speeches about everyday annoyances.
Earpiece Conversation: Jeff gets talked through a possibly-a-date with a co-worker in the consecutive episodes "Faithless" and "Unconditional Sex".
Everything Sounds Sexier in French: In "The End of the Line", it's mentioned that Susan has a bad weakness for an Aussie accent. According to Sally, when they were visiting Australia, they always knew it was time to leave town when a new bar was named after her. As the episode plays out, it turns out that the French woman that Susan was talking to at the start of the episode was Julia invoking this trope on who she thought was Jeff.
Executive Meddling: The original pilot for the U.S. version was based off the episode "Inferno" and was more faithful to the original show, which confused NBC execs, so they gave showrunners Deborah Kaplan and Harry Elfont and original series director Martin Dennis the heave-ho, along with Kaplan's husband, Breckin Meyer (Melissa George had also been fired and replaced by Rena Sofer a month earlier) and Emily Rutherford, Cheers executive producer Phoef Sutton was subsequently brought in to redevelop the show.
Extreme Doormat: Steve "It's up to you" Taylor, at least where women are concerned. Can't say no to girls in bars, can't stand up to his girlfriend, and couldn't break up with his ex without assistance.
The Friend Nobody Likes: Jane is Steve's ex; Susan seems to genuinely loathe her, Steve is uncomfortable around her and no-one else seems to particularly like her, but she continues to hang out with them apparently out of sheer obliviousness to how they feel.
Freudian Excuse: Jeff's mental stability is largely a result of the way his mother raised him.
Freudian Slip: Lampshaded with Captain Subtext in "Her Best Friend's Bottom".
From "Size Matters", after a discussion about when "dinner" really means "sex";
Susan: When I say "dinner", I mean dinner. Steve: I know that, absolutely. Susan: Plain, ordinary cooking. Steve: Well, I wasn't expecting a fish course. (Jeff cracks up)
Occurs frequently in "Gotcha":
Susan: (noticing the wedding invitation) What's that? Steve: Ah, just a final demand— I mean, a wedding invitation!
Susan: Sorry I'm late. Steve: That's okay... Susan: Should've called. Steve: They took my phone away. It's at the front desk. Susan: Oh, really? Steve: Well, you know, phones can be a bit irritating when you're trying to eat a bra— A meal! Not a bra, a meal! Did I say "bra"?
Susan makes one in "The End of the Line":
Jane: So what's the guy like? Susan: I'm with Steve now. Jane: Yeah, but if you had a night off from Steve, is he the kind of guy you'd go for? Susan: There's nobody I'd go for. Absolutely nobody. Nobody at all. Or an Australian. Jane: Australian? Susan: (embarrassed) Sorry... I don't know where that came from. Sally: Australians are her weakness.
Patrick gets stuck in one in the episode "Her Best Friend's Bottom":
Steve: Okay. Anyone want another drink? Patrick: Better not. Came in my penis. I'm taking it to the garage; been having a lot of trouble with it lately, it just won't start. Steve: Your car? Patrick: I said "penis" there, didn't I? Jeff: So. Having a bit of "car" trouble, are we? Steve: Anything you wanna share with us? Jeff: Any of your "motoring" difficulties? Patrick: Hey, hey! Now look, you guys, you two may have subconsciouses but let me tell you, there's nothing going on in my head! Jeff: All right, only joking... Steve: Just kidding, Patrick! Patrick: Anyway, it was your fault. You started talking about traitors in the first place. Penises! Not traitors, penises!
Happens to Jane in "Faithless":
Jane: I do not say "penis" when I mean penis! I mean, penis! Penis, car, penis, car...
Hair Today Gone Tomorrow: As shown in "Remember This", Jeff is clean-shaven in the present, but in a flashback to about two years earlier he has a goatee and shorter hair. He also has 5000 fewer synonyms for 'breasts' in his collection.
Happy Place: In "Circus of the Epidurals", when Susan tries to talk to her birth partner Sally about the possibility of the doctors having to make "an incision", we cut to Sally sipping champagne in a white room, looking serene as a string quartet play Madame Butterfly. Susan's voice calling her then starts to fade in, then the scene cuts back to Susan shaking her awake. "Sorry... I went to my safe place."
Hidden Depths: Jane. Compared to Susan she's still pretty shallow but she's actually less insane and more sensitive to others' feelings than she appears to be. She is, however, still an Attention Whore.
Susan, on the other hand, is actually more shallow than she appears to be.
Jeff: If you're gay, see... if you're gay, masturbation is practice. Y'know, you can have a good old practice on your own, and then later, when you're ready, when you've got the hang of it, you have a go on someone else's. It's a piece of piss... See, it's different... it's different when you're a straight bloke. When we finally get our hands on the gear, let me tell you, it's not a drill. Gays have their own practice kit, but you don't get any practice women. We're supposed to fly those babies the first time we get in 'em! Howard: That's a very good point, actually. Sally: No it's not, it's homophobic, you stupid queen!
If You Die I Call Your Stuff: According to Jeff in "Flushed", "porn buddies" are a variation in which the surviving buddy has to retrieve all the porn from the dead one's flat before their family goes through their effects, to spare the dead man's post-mortem embarrassment and help the survivor through the grieving process.
Susan: Go! Jeff: But she won't understand a word I'm saying! Susan: Yeah, but on the plus side, she won't understand a word you're saying! Jeff: I hadn't thought of that...
"Where are you going" and "up to you" in Season 2's finale, "The End of the Line." Steve feels like he's constantly being asked, "Where are you going?" while Susan is annoyed at Steve's indecisiveness, answering "It's up to you" whenever he's asked to express an opinion. This is Played for Laughsuntil the end of the episode, where Susan is left uncertain of their commitment to one another and leaves Steve's apartment. Steve asks her, "Where are you going?" to which she replies, "It's up to you."
Patrick: Sally, you need someone who'll love you forever, properly. You're my friend, Sally, and I wanna see you with the best. You need Mister Amazing, Mister Incredibly-Superbly-Fantastic... ness. And in your heart, I'm sure you know I'm right. Sally: I don't want Mister Incredibly-Superbly-Fantastic-ness, you stupid, stupid arse. I want you. Patrick: Oh, for God's sake, Sally... Sally: What? Patrick: ...I was talking about me!
Kavorka Man: Plenty of women have slept with Patrick despite finding him intellectually, politically and/or personally repellent, if not physically unattractive, apparently just because he's so well hung. He's even described as not being great in bed.
Leaning on the Fourth Wall: In the episode "Split", during Steve's unsuccessful attempts to call Susan after they broke up, the characters realize that they can confirm that Steve is the one phoning Susan by dialing 1471. Before they come to that realization, Sally asks, "Shall we say it together?", after which even the men say it with Sally and Susan.
In a specific example, he says that he wrote "Inferno" based on a similar situation where he was caught with porn in his VCR; however, he admits to adding the "spanking" part because it made the whole things just a little more twisted.
Master of the Mixed Message: Played with; one episode revolves around Jeff, who has a girlfriend, being convinced a work colleague is one of these, when she's really very up-front about the fact that she wants to have an affair with him. Gets to the point where the whole gang, sitting on the other end of an Earpiece Conversation (with the women there to "translate"), hear the following;
Wilma: OK, before we go any further it's cards-on-the-table time. I fancy you like mad, and I think you fancy me. Am I right? Susan:[listening in] Need any help translating that one?
Messy Hair: Jeff. Lampshaded in "The Cupboard of Patrick's Love", when Jeff reminisces about his obsession with the television:
Jeff: One day, I lost control in front of my whole family during Songs of Praise! Steve: Lost control? Jeff: Completely wrote off the television! Steve: So you're telling us that as a young child, and despite the obvious electrical dangers, you sexually assaulted the television set? During Songs of Praise? Patrick: Is... is that what happened to your hair?
Metaphorgotten: Some of the humorous bits of the show are of this nature.
From "Size Matters":
Steve: This pause is just expanding and expanding like, this out-of-control... thing! Jeff: Yeah, like in The Blob! Steve: Yes, like in— What? Jeff: The Blob! Fifties horror movie. This Blob comes from outer space and just keeps growing and growing. Steve: Right, thanks... Jeff: It eats people. And in the end they kill it by electrocution. (beat) But that bit really doesn't apply here.
Steve himself gives one in "My Dinner in Hell":
Steve: Well, if music be the food of love, then masturbation is just a snack between meals!
Happens twice in "Her Best Friend's Bottom" after Steve inadvertently sees Sally naked, and she insists he stop thinking about her bottom:
Steve: You keep bringing it up! I can't get it out of my head... it's expanding! Sally: Expanding!? Steve: Like... space jelly! Sally: What's space jelly? Steve: I don't know! Sally: My bottom is not expanding space jelly! I'm just big-boned! (shows Steve her breasts) Steve: Oh, great! Now I've got breasts! ** Later in the same conversation:
Sally: As Susan's best friend, I am, to you, a bit like Australia. Steve: Australia? Sally: Very distant, largely uninhabitable, and with areas of great danger. Steve: Oh, right! I see! Sally: Good. Steve: I thought it was about having a lot of convicts. [winces] Sally: I was trying to say, Steve, that there are very few areas of me where you can go in safety. Steve: Right, good, yes. Very delicate way of putting it. Sally: Thank you. Steve: You mean, I can visit your Sydney, or your Melbourne... Sally: Exactly. Steve: But I'm not welcome in your bush.
Patrick makes a strange one in "Dressed":
Patrick: Thing is, Ivan, I don't share my woman. It's like finding the right tennis racket. Once you've got one you really like using, you keep on using it until it falls apart and you have to get a new one... only more emotional.
Sally gives one in "Split":
Susan: It just seems like a needy thing to do. I don't do needy. Sally: You're a woman. Needy is our golf! Susan: What does that mean? Sally: I don't know. I didn't think it through...
Miss Conception: Jane apparently believed that you couldn't get pregnant 'if you didn't really know the man'
Missing Episode: Only four out of ten episodes of the U.S. version aired on NBC before the show was cancelled. Though the remaining episodes did air in Europe, the original pilot for the U.S. version (which featured Melissa George as Susan) has never aired.
Mistaken for Gay: Sally, by Patrick's girlfriend, probably because Patrick told her "that Sally is the sort of woman who...is a lesbian." She is oblivious to this, however, and it leads to a wacky misunderstanding, of course. See One Dialogue, Two Conversations.
Happens earlier in "Inferno" when the gang mistakes Jane's therapist for her lesbian lover and the therapist mistakes Patrick for gay due to his haircut.
Mood Whiplash: Pretty much Susan's specialty. She frequently goes from faking outrage (as an impish prank) to genuine outrage, which is especially awkward when the thing that she's now actually angry about turns out not to be the case and she's angry for no reason, but stays angry. Several of the series finales end with one of the couples seeming to break up for real (killing the comedic atmosphere) only to have them come back together with such speed and ferocity that it can make your head spin.
The award-winning episode "The Girl With Two Breasts" is a variation, showing Jeff's cross-linguistic conversation with an Israeli woman from each of their perspectives.
Occurs somewhat literally with Jeff in "Faithless" when his co-worker asks him if he fancies her, while Julia asks him on the phone if he loves her. He simply answers, "Yes."
Happens in "The Girl with One Heart" to Sally with Patrick's Girl of the Week Jennifer - Sally thinks Jennifer was fooling around with Jeff, but that she's aware that Sally is in love with Patrick. Jennifer thinks Sally is a lesbian and is coming on to her. Which is something she's totally okay with.
One-Hour Work Week: Neatly averted, as most episodes either take place in the pub where the characters meet in the evening after work, or (more rarely) in one of their workplaces.
Over and Under the Top: Steve and Susan are an Everyman couple, and their relationship is the focus of the series. Jeff and Sally are far too neurotic about relationships while Jane and Patrick are overly casual.
From "The Cupboard of Patrick's Love", when Sally complains about being the only woman who hasn't slept with Patrick yet:
Sally: This isn't fair! I was gonna have Patrick! Susan: Sally, please— Sally: (to Jane) Now you're having Patrick! (gesturing to Susan) And she's had Patrick lots of times! I'll be the only one who hasn't been Patricked! Jane: You're the only one who hasn't been Steved! Sally: Oh, Jane. Steve's nice. But Patrick's enormous!
Jeff does this in "My Dinner in Hell", and Patrick follows suit after Jeff explains:
Jeff: Did she ask? You know, ask... Patrick: If you still... you know... Jeff:Frostrup. Patrick: Frostrup? Jeff: Yeah, Steve's whole fantasy life revolves around Mariella Frostrup. Steve: Jeff, please... Jeff: If he ever meets Mariella Frostrup in person, his right hand will shout, "Mother!" Steve: Jeff! Jeff: It'd be like, you know, the end of E.T. when he saw the spaceship. There'll be organ music, you know... Steve: Thank you for clearing that up, Jeff. Jeff: Hey! Organ music! Steve: Yes, Jeff... Patrick: (to Steve) So did she ask, about your, you know, um... Frostrupping?
"The End of the Line" is divided into several sections: "The End of the Line", where Susan tells off her French client Giselle and hears that there's a bar named after her owned by an Australian; "The Other End of the Line", where the Australian that Susan talks to is revealed to be Steve; "The Beginning of the Line", where it turns out that the Frenchwoman Susan was talking to in the beginning was actually Jeff's girlfriend Julia; and "The End", where all the misunderstandings of the episode are finally clarified for everyone.
"Remember This" elaborates on the story of Patrick and Sally's first meeting (and first kiss) at a party in Susan's office.
From Patrick's recollection of the story: Sally: How did you get to the party, then? Patrick: BMW M3. Midnight blue. Nought to 60 in five seconds, on to 100 in another six. Sequential semiautomatic gear box, traction control, and black leather seats.
From Sally's recollection of the story: Sally: How did you get to the party, then? Patrick: Car.
Reality Is Unrealistic: The girls react this way when they nitpick at the appearance of the Israeli woman in "The Girl With Two Breasts":
Susan: (referring to the woman's breasts) Yeah, but the point is, are they fake? Sally: Of course they're fake; they're so realistic. Jane: Yeah, they're so pert and firm. Are we supposed to believe that?
Real Person Cameo: Mariella Frostrup and Angus Deayton appear in a weird, possibly imaginary sequence in "Size Matters"; Mariella appears in a later episode ("My Dinner in Hell") for real. Later, Mariella reappears in another dream of Steve's in "Split".
Reality Has No Subtitles: Played With in the episode "The Woman with Two Breasts". The Israeli woman that Jeff is talking to speaks no English, and no subtitles are provided because he, like we, has no real idea what she's saying. Then, in the second half, when the whole sequence is run again with her speaking English and Jeff speaking nonsense, we again get no subtitles, and have to rely on our memories of what his side of the conversation was. Plus, we get to find out that some of his assumptions about what she was saying were... less than accurate. "I was looking for Shadayim."
Jeff: Okay. Have you thought through your foreplay yet? Sally: (overhearing, to Susan) They know about that? (Susan and Sally hide from the men) Steve: What do you mean, foreplay? Jeff: What do you think I mean? I mean, when exactly do you take your socks off? My advice is to get them off right after your shoes, and before your trousers. That's the Sock Gap! Miss it... and suddenly you're a naked man in socks. No self-respecting woman will ever let a naked man in socks do the squelchy with her! (Susan and Sally nod to each other) Patrick: That's your foreplay tip? Socks? Jeff: (turning to Patrick with a grave expression) Many men have fallen through the Sock Gap, Patrick. Under the sexual arena of earthly delight, there lurks a deadly pit of socks.
Shirtless Scene: Every male lead gets at least one, though Steve's are rather conservative.
Steve Taylor almost shares a name with Steven Taylor, a companion on Doctor Who. Oliver also has Doctor Who merchandise in his bookshop, and when going to a dinner with the gang in "Bed Time", wears a sweater reading "Bring Back Doctor Who" on the back.
Steve: But Susan, Sally, Jane, this... is a sofa. It is designed by clever scientists in such a way so is to shield the unprotected user from the way of skin abrasions, serious head trauma, and of course - [he collapses behind the sofa and reemerges] - Daleks!
The Melty Man in "The Melty Man Cometh" is referred to as "Darth Vader without the helmet." In an imaginary scene with Patrick, another more specific Star Wars reference turns up:
Patrick: Melty Man! Melty Man: Join me. Patrick: Never! You killed my erection! Melty Man: No, Patrick. I am your erection! Patrick:No!!!
The whole show is laden with these, all highlighting Moffat's geeky nature: Steve describing the deep meaning of Alien to men everywhere, the Melty Man being shown as a Darth Vader parody, as well as various references to comic book superheroes.
Single Malt Vision: Subtly done in one of the many sequences involving a Perspective Flip; Sally is at a party and some people, especially Patrick, are acting in an odd or annoying fashion. However, it's eventually revealed that Sally is actually completely trolleyed and Patrick and his friend are actually the same person.
Snark-to-Snark Combat: In "Sex, Death and Nudity", Sally gets into this with an old woman who claims that Sally looked like her when she got married:
Sally: And look at my neck. Look at the under-hang of my jaw. No way is that a forty-year-old under-hang. Old lady: It's getting a bit... segmented. Sally: What do you mean? Old lady: That's how it starts, you know. (reaches out to touch Sally's neck) Sally: (recoils in terror) Don't touch me! I'm full of moisturizer, you might drain it all off! Old lady: What? Sally: It'd be like rain on a desert; it would all get sucked away. You'd probably reflate. Old lady: Forty-five. Sally: What? Old lady: I was forty-five when I got married, when I looked just like you. Sally: And what age are you now? Old lady: Ninety-two. Sally: You must be pretty nervous then. Old lady: Nervous? Sally: Let's be honest. This has got to be your last funeral standing up. Old lady: You use a lot of face cream, don't you? Sally: Yes. Old lady: So did I.
Spit Take: Both the women and the men in "The Naked Living Room" when Jane/Oliver tells them Jane and Oliver were taking a stroll toward Oliver's apartment and Jane asked: "Can I come up?"
Splash of Color: In "Faithless", Jane has a black-and-white flashback to the first time she saw James, in which he's driving a bright red, very phallic convertible into a very tight parking space. Freud Was Right; Jane intends her ice-breaker to refer to his car, but instead, this happens:
Split Screen: Done beautifully in the episode titled, well, "Split". The two screens follow the women and the men, managing to keep the conversation and the story going on both sides even while focusing on only one group at a time. In the latter part of the episode, the split screens follow Steve and Susan an hour apart at the same place.
In fairness, the above alluded view on homosexuality was Jeff suggesting that: (paraphrased) "Sex is easier for gay men, because all of the masturbating men do in their lives turns out to be practice. All the while they have a 'practice kit' for the real thing, but straight men don't get any practice women". While this certainly IS a somewhat bizarre view, its perhaps not as offensive as it seems without details. It's also worth noting that this was supposed to be a drunken conversation, after a dozen pints very late in the evening and both of the guys are visibly drunk acting. Howard may well have been winding Sally up anyway, because she got really snarky about him being a Tory earlier in the scene.
Swallow the Key: Done accidentally in "The Freckle, The Key, and The Couple Who Weren't", when Jeff Murdock holds the key to his girlfriend's handcuffs in his mouth and then does his best Darth Vader impression. He spends the episode trying to find a way to get it out before she realizes what's gone wrong.
Unexpected Positive: In the season 3 finale, Sally buys three pregnancy tests because she doesn't know what a negative test looks like and asks Susan and Jane to take one each. The entire episode builds up to the reveal of whose test is positive.
Unexplained Accent: Richard Coyle (Jeff) doesn't have a Welsh accent, and he was never asked to do one for the show. His mother has a very RP English accent, though we never meet his father. According to Steve Moffat in one of the commentaries, Coyle simply showed up on set doing the accent, and since he wasn't a well known actor no-one noticed for ages until they got to know him better, by which point the first episode had been filmed and there was nothing they could do. Most likely Rule of Funny - while it's pretty authentic and so isn't really a 'comedy accent', there is no denying it gives a certain something to Jeff's bizarre sexual metaphors.
Unusual Euphemism: Jeff has one for everything sex-related. In the first episode ("Flushed") he introduces "The Boyfriend Zone"note the stage of a relationship where the man is entitled to certain sexual favors from the woman and "Unflushable"note a person who just can't seem to be dumped in the opening five minutes.
There's also the Sock Gapnote the point where a man who's undressing has to deal with removing his socks lest he end up naked except for them, the Nudity Buffernote the time period between seeing a woman for the first time and getting stuck with the mental image of them naked and the (non-sex-related) Giggle Loopnote a thought during a mandated silence where you contemplate the awkwardness of you laughing in the midst of the silence, and every time you suppress that thought, the laugh you're holding back gets bigger and bigger.
The others got in on it, too. Susan explains "The Fuck-me Fork"note a man's dilemma of either agreeing to sleep with a woman he isn't supposed to or implying to her that he doesn't find her attractive in the episode "Unconditional Sex".
In "My Dinner in Hell", due to Steve's very awkward reaction to a BBC show explaining how men continue masturbating even while in a relationship, the characters refer to his habit as "whistling".
Waking Non Sequitur: In "Circus of the Epidurals", when Susan attempts to have a frank conversation with Sally about how the doctors may need to make an incision to facilitate her giving birth, Sally tries to retreat to her Happy Place. A giant scalpel intrudes on her serenity, and she snaps out of it screaming, "Mummy, I'll be good!"
Word of God: Responding to a message board request, Coupling creator (and sole writer) Steven Moffat wrote a breakdown of the characters' lives several years after the fourth and final series. This gave Moffat the chance to write an "ending" for the character of Jeff, despite actor Richard Coyle leaving the previous year. Unfortunately, because the primary source (an old Doctor Who forum called Outpost Gallifrey) has closed, The Other Wiki wouldn't keep it on the show's page anymore because of lack of citation, so if it pleases the crowds, here is the text to be preserved for everyone to read:
"Sally said yes to Patrick, they got married and are very happy... especially as Sally beat Susan to the altar, and finally did something first. Patrick is now a completely devoted husband, who lives in total denial that he was anything other an upstanding member of the community. Or possibly he's actually forgotten. He doesn't like remembering things because it's a bit like thinking.
Jane and Oliver never actually did have sex, but they did become very good friends. They often rejoice together that their friendship is uncomplicated by any kind of sexual attraction - but they both get murderously jealous when the other is dating. Jane has a job at Oliver's science fiction book shop now - and since Oliver has that one moment of Naked Jane burnt on the inside of his eyelids, he now loses the place in one in every three sentences. People who know them well think something's gotta give - and they're right. Especially as Jane comes to work in a metal bikini.
Steve and Susan have two children now, and have recently completed work on a sitcom about their early lives together. They're developing a new television project, but it keeps getting delayed as he insists on writing episodes of some old kids show they recently pulled out of mothballs. She gets very cross about this, and if he says "Yeah but check out the season poll!" one more time, he will not live to write another word.
Jeff is still abroad. He lives a life of complete peace and serenity now, having taken the precaution of not learning a word of the local language and therefore protecting himself from the consequences of his own special brand of communication. If any English speakers turn up, he pretends he only speaks Hebrew. He is, at this very moment, staring out to sea, and sighing happily every thirty-eight seconds.
What he doesn't know, of course, is that even now a beautiful Israeli girl he once met in a bar, is heading towards his apartment, having been directed to the only Hebrew speaker on the island. What he also doesn't know is that she is being driven by a young ex-pat English woman, who is still grieving the loss of a charming, one-legged Welshman she once met on a train. And he cannot possibly suspect that (owing to a laundry mix-up, and a stag party the previous night in the same block) he is wearing heat-dissolving trunks.
As the doorbell rings, it is best that we draw a veil."