A character(s) has to come up with a lie or alibi, and it must be believable. What some people would do is come up with a broad yet believable story, and just hope
that the interrogator doesn't Pull the Thread
Not here! The liar here is simply so talented, that in the span of seconds
, they can mentally Pull the Thread
of their own lie, examine the fabric of their fabrication, and sew it back together. Or lucky enough that the words that come out of their mouth just happen to be as smooth as silk, and as impenetrable as a high thread count.
As such, the Seamless Spontaneous Lie
is when someone is prompted to lie, and instantly comes up with a lie so incredibly detailed that there's little left to break or counter. The liar has lied so thoroughly that the interrogator could only reveal their lie if any of the following (or combination thereof) happens:
- They, often rightfully, assume that the liar must be lying.
- Some outside detail, usually the most minor one possible, pokes a hole in the lie.
- The liar comes clean.
For a greater challenge, several characters come up with the same lie or alibi, and present it in a way that is dependent on each other for specific facts or confirmation, but cannot coordinate it explicitly with each other. The lie is said and believed anyway, due to the confirmation of the high number of facts. This lie could either be done with all liars in person, or separated. The key is that they cannot actually coordinate it with each other, because then it wouldn't be spontaneous. Also, Rule of Funny
or a strong relationship and understanding of each other keeps the lie coordinated.
Compare Blatant Lies
and Snowball Lie
, and Strange Minds Think Alike
. Contrast Pull the Thread
(or Stereo Fibbing
for the plural version) and Hesitation Equals Dishonesty
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Anime And Manga
- Kanade Suzutsuki from Mayo Chiki! is a master of this trope.
- When Kureha, the sister of main character Jiro, asks about Kanade's butler Subaru being a guy or girl (because she had seen a "cross-dressing" Subaru with Jiro in the previous episode), she tells Kureha that Subaru is in fact a boy, and that she's dating Jiro, much to his surprise. Kureha immediately falls for both lies.
- Later, in episode 7, while Subaru is on the beach in a bikini, Kureha runs into her, and initially thinks its Subaru (which she is). Kanade immediately points out that it's obviously a girl, and that said girl is Subaru's "cousin", Punyuru. Kureha once again falls for the lie.
- At the end of episode 7, Nagare, Subaru's father and the butler for Kanade's dad, shows up at the beach to bring them home. At first both girls are a bit scared by his presence, but then immediately start questioning each other if they know who that guy is. Despite his pleas, both girls make it seem like he's really just a perverted stalker, and everyone immediately buys it. Cue Nagare looking confused as to why his daughter is doing this (mostly to keep him from blowing her cover since she can't be butler if anyone finds out she's not really a guy).
- Kanade's lies are a little less effective on Usami however. When she tries to tell Usami about running away with Jiro to marry him on the beach, Usami sees right through it. Luckily Subaru approaches and overhears something which causes her to run away, prompting Jiro to chase after her. Usami tries to follow but Kanade stops her, and asks where she's spending the night at.
- THE iDOLM@STER - The Producer (helped by Haruka) to Makoto when she's having a fit for being recognized as a Prince instead of a Princess.
- In Anatolia Story, Yuri, Kail, and their True Companions are generally good at coming up with cover stories on the fly, usually to explain what they're doing poking around in various city-states when they're preparing for some conquest.
- This is brilliantly used in The Usual Suspects. At the end we find out that the story told by Verbal Kent was based on names and phrases he read from objects in the room where he is interrogated. We never find out how much of it was actually true.
- In Moulin Rouge!, Christian and Satine, caught in flagrante delicto, lie to the Duke that they are rehearsing a play. Within minutes, the rest of the main cast show up (they were spying on our heroes but couldn't hear what was being said) and fall without hesitation into the pretense that it's a rehearsal, including making up the plot of their new play on the spot.
- In Reservoir Dogs, there's a long sequence in which Mr Orange practices a fictional anecdote to tell to the other thieves to convince them that he's a legitimate criminal. His police contact tells him that he needs to get used to filling in details to the story as necessary so that it withstands scrutiny. When he finally tells the anecdote, he fields several off-script questions from the thieves, delivering the answers flawlessly and then seamlessly resuming his performance.
- Murder on the Orient Express by Agatha Christie is centered on the murder of an American businessman on a train. As Poirot interrogates the passengers of the train. In the end, we find out that everyone on the train was a part of the murder. They had to make up several lies to throw him off their trail. This was something like a dozen people. That kept up a lie under the scrutiny of Poirot. On a train in the middle of the Alps.
- Specifically, they made two lies. They were supposed to have the entire train car except the victim, so presumably were were just going to murder the guy and then act normal, until Poirot replaced one of the conspirators in the train car, at which point they had to act out several hours of pantomime in front of him to frame someone who didn't exist.
- And then an unforeseen snowstorm meant it was obvious that the imaginary person they invented couldn't have left the train car, so that person had to be a passenger, so they have to scramble to rewrite their entire story, on the fly, to deliberately frame several of them, reasoning it was better for a few to go down then all of them.
- A Song of Ice and Fire features so many talented Manipulative Bastards playing Xanatos Speed Chess that this happens quite frequently.
- Sansa tells Tyrion that she doesn't want to stay in the part of the castle he has chosen because her father's men were all killed there, (the real reason being that it would interfere with her escape plans). Tyrion, who is quite a Guile Hero Magnificent Bastard in his own right, accepts this (very reasonable) explanation immediately, perhaps Foreshadowing that Sansa might not be totally out of her depth in this Crapsack World after all.
- Petyr Baelish tells Catelyn that the dagger used in a murder attempt was his dagger that he lost in a bet to Tyrion Lannister. We learn later that Petyr improvised the story on the spot and had no pre-determined plans on how he would benefit from the story. He simply wanted to cause discord, which would create opportunities further down the road. The dagger was actually Robert Baratheon's and was stolen by Joffrey.
- His story does alert Tyrion and Jaime to the fact that he's plotting against them (and not just mistaken), since it only works if you accept that Tyrion bet against Jaime, and Tyrion never bets against Jaime. It's amazing, however, how little mileage Tyrion gets from Catelyn with his, "Hey, I didn't try to murder your son! I think the guy who tried to kill him by shoving him out a window is so awesome that I would never do anything against him!" story.
- Anne Fine's book The Tulip Touch has this as one of Tulip's most notable characteristics. Being an abused child who craves attention, she frequently makes up implausible stories, but does it very well; the book's title refers to her habit of putting in that one little detail that always makes one wonder if she might be telling the truth just this once. She also fits this trope, because even when she is challenged, she is able to make up another, surprisingly plausible, explanation for the inconsistency.
Live Action TV
- A frequent tool of Scrubs.
J.D.'s Narration: Now you're gonna lie here. Don't be too specific!
J.D.: Since 1:42 yesterday afternoon. His wife did not want him to do it. She's beautiful, by the way - one green eye, one blue. She's from Luxembourg. They're both from Luxembourg. I believe they're, uh, Luxem... bourgian.
Dr. Cox: Where in Luxembourg? I spent two weeks there.
J.D.'s Narration: What are the odds? Just stay vague.
J.D.: Uh, outside Mertert, near the German border.
Dr. Cox: Ah.
J.D.: They say what they miss most are those lazy summer afternoons on the Moselle River.
J.D.'s Narration: You are channeling that seventh grade book report!
- "My Intern's Eyes", after Carla catches J.D. sneaking around the apartment he's no longer supposed to be living in:
Carla: Are you wearing boxers?
J.D.: Yes, I am, Carla, because I know when Turk's sad, he likes me to come over in my boxers because he likes to call me his Honky Adonis, and that's what friends do.
- On Arrested Development, Lucille uses a lie like this to cover up the fact that her children's Nana died, and she's been keeping the inheritance money they want for herself. By this point in their lives, the kids know not to believe her. This just makes Lindsay try even harder to find out what happened in order to get the money.
- Barney from How I Met Your Mother sums this up pretty well: "If someone questions you, distract them from the original lie with more lies."
Here, let me demonstrate: I own a pony.
Ask me a question.
Marshall: Okay. Um, what color is your pony?
Barney: Well, when I first got Dandelion she was a deep, chestnut brown, but, sadly, her stable is located near a chemical plant which contaminated the drinking water. So, over time, she's turned a sickly, grayish-white color and there's nothing the vet can do to fix her.
- Robin also came up with a series of believable lies when Ted tried to test whether she had actually been married at a mall (to explain her aversion to malls). While she came up with fairly believable answers about the food, the wedding cake and the band, she tripped herself up when she couldn't remember the name of her non-existent husband.
- Breaking Bad.
- When Skyler suddenly needs to justify the large amount of cash her husband Walter earned from making meth, she spins a tale about Walt gambling that also explains the falling out they had. It's so good that Walter himself begins to listen in awe.
- Walter does this fairly frequently as well. It starts out as clumsily handled Multitasked Conversations, but becomes increasingly complex.
- On Unforgettable a murder suspect being interrogated by the cops, realizes that they have discovered that the murder scene was staged so he has to come up with a new story to distract the detectives. He uses the "take names from the bulletin board" technique to tell a believable story and the detectives spend a fair chunk of time chasing this red herring.
- George on Seinfeld is usually terrible at lying, but he does have one shining moment when he sneaks an IQ test to supposed genius Elaine to take for him, then has to explain the food stains she got on it by concocting an elaborate story about how he went out the window to get some snacks.
- For a character who is well known for being not very smart, Joey from Friends has managed to do this remarkably well on a few occasions.
- One is when he manages to completely flip Chandler and Monica's lie that he is a sex addict in an attempt to cover up their affair, telling a tale close to the truth, that he slept with Monica and that now she's obsessed with him.
- Another is when Monica asks Joey for a loan and asks him to keep it secret from Chandler, after which Chandler then asks him for a loan, which Joey can't refuse without revealing his loan to Monica.
Chandler: Monica and I are having a little financial trouble.
Joey: Yeah, I know.
Chandler: What? What do you mean, you know?
Joey: Uh, I just figured it out. You know, I mean, you're not working, and the economy is bad.
Chandler: Oh, right.
Joey:: [to himself] That is the fastest I have ever thought!
Chandler: Anyway, uh, I need to borrow some money.
Joey: Oh, sure, yeah. How much? Two thousand dollars?
Chandler: Yes, two thousand dollars exactly. How did you know?
Joey: Well, I know how much you used to make, and I know how much your rent is.
Chandler: Oh. Okay.
Joey:: [to himself] I am on fire!
- Game Of Thrones: When Joffrey brings up the rumours about Renly and asks about why Margaery would have been married to a degenerate like that, she hesitates for only a moment before haltingly agreeing with him on the basis that he never seemed to want to have sex with her except for one night, when he suggested something that 'sounded very painful and could not possible result in children.' While it's true that Renly was gay, Margaery never minded and they were both perfectly kind to one another. But she pulled it off so well that she managed to not only convince Joffrey of her innocence but garner his sympathy as well.
- Very common in Ace Attorney, where characters who are caught out on their lies often come up with entirely different, equally detailed stories within very little time. Of course, due to the nature of the game, these are always found out eventually.
- Probably the best example is Luke Atmey from the third game. For the last bit of testimony, this witness/suspect rapidly puts together a series of "patches" for the various holes in the story. All of them hold up surprisingly well to scrutiny... unless you realize that one of the explanations he gives includes information that you have, but he wouldn't have unless he had either been in your courtoom when your suspect had testified (which he couldn't have possibly), or had been at the scene of the crime around the time it had happened (which he claimed he hadn't).
- Roger of American Dad frequently manages to utilise one of these (given his multiple dress up personas, he is likely come to be accustomed to it).
- Stan actually labels it something of an endearing trademark for him when he seemingly reads off a number of redemptions he vows to acomplish off a sheet of paper (it's all just a spontaneous lie, the paper is blank).
- In the South Park episode "Toilet Paper", Eric Cartman delivers one in Motor Mouth fashion when fabricating a cover for their eponymous incident:
Cartman: Okay. Last night, all four of us were at the bowling alley until about 7:30, at which time we noticed Ally Sheedy, the Goth chick from the Breakfast Club, was bowling in the lane next to us, and we asked her for her autograph, but she didn't have a pen, so we followed her out to her car, but on the way we were accosted by five Scientologists who wanted to give us all personality tests, which were administered at the Scientology Center in Denver until 10:45, at which time we accidentally boarded the wrong bus home and ended up in Rancho de Burritos Rojos, south of Castle Rock, and finally got a ride home with a man who was missing his left index finger, named Gary Bushwell, arriving home at 11:46.
- Undercover agents and police officers are trained to do this. A key tactic is to create a cover story that matches your real life as closely as possible, but varies in key points, then practice those differences over and over until it comes naturally (so, not exactly spontaneous), and add plenty of details, which will often be true. Well trained agents can apparently routinely beat lie detectors this way.