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Designated Protagonist Syndrome
"But you didn't earn it. You didn't work for it. You've never had anybody come up to you and say you deserve these things more than anyone else. They were just handed to you. So that doesn't make you better than us. It makes you luckier than us."
Anya accusing Buffy of falling into this, Buffy the Vampire Slayer

This is when, compared to the many compelling "supporting" characters, the character whose point of view we have to look through is less interesting. This can cause the side plots (those involving the supporting cast) to be seen as more important than the main storyline.

This isn't about the popularity of the protagonist with fans. Sometimes the protagonist isn't even intended to be a fan favorite. They are just there to provide a way to watch the characters that are cool. The protagonist is generic in order to provide an Audience Surrogate or The Everyman.

Not to be confused with Designated Hero, which is a character who the story plays up as being heroic, but comes off as being distinctly unheroic. A Pinball Protagonist may also result in this—the poor sap is simply dragged around the plot by stronger characters. Compare the Standardized Leader who is similarly generic in order to lead The Team of more complex characters and be accessible to viewers.


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    Anime and Manga 
  • Invoked in Puella Magi Madoka Magica. Nothing could be more blatant than the title character, Madoka Kaname, not becoming a Magical Girl while the four other members of the main cast beat the crap out of witches and each other. As the story goes on, we find out that this is justified, as mahou shoujo in the series are doomed to become the very witches they fight, and Homura has been keeping Madoka in this role to protect her. In the end Madoka does become an ultimate savior.
  • Bleach has this on both sides. The True Companions are regularly overshadowed in popularity and screentime by the Gotei 13, leading to Chad and Ishida being referred to as main characters sarcastically. However, the inverse is also true; Sosuke Aizen has become a Creator's Pet, primarily due to over-reliance on Gambit Roulettes, Complexity Addiction and his descent into an insufferable Smug Snake.
  • A variation of this is common in shows with harems or Love Triangles. Often, the first girl or obvious winner is much more down-to-earth than the competition.
    • Any female Tsundere character who is also supposed to be the "Official Couple" with the main male lead is also often accused of this, which often leads to causing various types of Fan-Preferred Couple. It doesn't help that they're the most common harem winners.
    • Not to mention the harem leads themselves tend to be less well regarded than their female co-stars, Tenchi Muyo! and its spinoffs being prime examples. Heck, look at the games that many harem series are spun off from. The Dating Sim as a genre has existed since the dawn of gaming, beginning with Porn Without Plot games; though 1992 brought the first games that really developed the haremettes, there wasn't a truly fleshed-out male lead until Yuuichi from Kanon, and that game came out in 1999.
    • It should be noted that a major aversion, the Rance series, has existed since 1989. Rance had a unique and fleshed-out personality long before 1999.
  • Tenchi Muyo! lampshades this in its own title. It can be translated as "Useless Tenchi" and is officially translated as "No Need For Tenchi".
  • Many find the characters of Eureka Seven who are not named "Renton" and "Eureka" to be alot more interesting than them, and are disappointed that the show often shoves them to the side in favor of Renton and Eureka's development.
  • Sena from Eyeshield 21 is a pretty likable kid, but can never hope to be as popular as his anti-hero captain, Hiruma, whose placed first in nearly every character poll by a landslide.
  • The Fate/stay night anime series presented a Scrappy Shirou to viewers unfamiliar with the visual novels, where Shirou is much more complex. Not until halfway through the show did he become as watchable as the rest of the ensemble. 'Unlimited Blade Works' improved his standing by spreading more screen time to other characters, and giving him more crowning appearances when he did appear.
  • Pick any Yu-Gi-Oh! related series, and its almost guaranteed there will be many fans who find one of the other characters more interesting, while accusing the protagonist of winning only through ass pulls. In Yugi's particular case, it appears that Yami has more fans; yes, a rare case in which a protagonist is considered less appealing than his own alter-ego.
    • This is no surprise, considering that Yami is the one who does almost all the dueling (at least in the anime), leading to many Crowning Moments, while Yugi mostly just sits around and/or runs into trouble.
      • Yami is also far more popular than Yugi in the manga, mostly due for the same reasons, though coupled with his darker personality allowing for things such as him challenging someone to a game where the object is to kill someone (while that person has a gun pointed to Yami's head) and winning.
  • Subverted in Pandora Hearts, where Oz initially appears as a Cheerful Child Pollyanna rich kid typical of the Shonen (Demographic) whose only angst stems from being cast into the Abyss for the vague crime of "existing" (and even then, his stint there only lasts a few hours for him, if even that). However, it's eventually revealed that Oz is a Stepford Smiler Broken Hero with Parental Abandonment and identity issues and that his own father, the one person he wanted desperately to please and who rejected him as a child, was the one who sent him to the Abyss in the first place. Things go downhill for him from there, culminating in Retrace LXXIV where, after his Tomato in the Mirror revelation, Jack's betrayal and subsequent mind break of him, and the sudden loss of his two closest friends, he enters into a Heroic BSOD, effectively becoming one of the most complex and tragic characters in a series known for its overload of complex and tragic characters.
  • Neon Genesis Evangelion. Most fans won't admit to liking Shinji over, say, Rei, much to Anno's confusion.
  • Ikki Tousen's Sousaku Hakufu: Sure, people appreciate her Fanservice and the spanking scenes, but otherwise she's not seen as particularly interesting or appealing compared to the more varied (and large) cast.
  • While Ryoma Echizen of The Prince of Tennis is still one of the most popular characters, he is considered by many to be the Creator's Pet. He doesn't have a great deal of character development, and suffers one significant loss in the entire series. Sanada even remarks on how he is merely a product of their generation's talent, with not much unique for himself.
  • Despite being the eponymous character, fans find Seiya from Saint Seiya either an annoying Hot-Blooded Idiot Hero or less interesting than Shiryu or the other Saints. Also overlaps with Plot Armor.
  • Touma from A Certain Magical Index is seen as this by some of the fandom. Though not an Idiot Hero, he often comes off as reckless and naive as well as quite plain and uninteresting. It's not helped by the major side stories focusing on Accelerator going on rampages to save Last Order.
    • This is a major matter of opinion though, as Touma has placed 1st and then 2nd in a multi-novel character poll, placing better than Accelerator and Mikoto both times.
    • For example. Mikoto's A Certain Scientific Railgun is much more popular than the main plot following Touma, but this is a subversion as Mikoto is a pretty run-of-the-mill tsundere and her supporting cast isn't any better than Touma's, just more popular too. Touma could even be seen as more original, having a more passive power rather than an offensive ability, which leads to interesting battles where he must protect himself first and figure how his opponent's special power works to be able to do something, making each fight unique and interesting. Mikoto has standard electric powers and thus fights more normally, albeit she's the Lightning Can Do Anything variety at least, so she isn't terrible either.
  • Medaka Box: The eponymous character receives some flak for her God-Mode Sue qualities, even though she does have flaws and is supposed to be a deconstruction. Fans seem to prefer her Arch-Enemy and later, Vice-President Kumagawa.
    • To a lesser extent, Zenkichi's everyman traits are considered boring by some of the fandom.
  • WarGreymon from Digimon Adventure was not well liked by many fans due him spending most of the fight each fight with the four Dark Masters helpless, creating the need for the other Chosen Children's digimon and their allies to bail him out. This even results in the loss of several digimons' lives. All WarGreymon really does is sneak in the last blow while the bad guy is distracted and weakened. Despite all this, 90 percent of the action is focused on him, and he's often framed as being solely responsible for his victories.
  • Shu Ouma from Guilty Crown. As one blogger put it: Shu is not a character: he is a plot device. Whatever the plot needs him to be, he becomes, whether this is Hitler or Jesus. And yet the entire show revolves around him. The show keeps pulling more and more stuff out of its ass to keep true to this.
  • JoJo's Bizarre Adventure: In a rather extreme case of Americans Hate Tingle, despite being the most popular Jojos in Japan, Jotaro and Giorno are some of the least popular elsewhere due to being perceived as bland and being overshadowed by much more interesting party members.
  • The eponymous character of Saki is often seen as less interesting than some of her teammates and rivals. This may be the result of relatively little attention being given to her backstory and attempts to reconnect with her sister and reunite her family, although the event that resulted in her family being torn apart has recently been alluded to.
  • Inverted with Tadakuni from Danshi Koukousei No Nichijou. He's a plain Generic Guy with no backstory and he has less relationships with other characters than his two friends Hidenori and Yoshitake. Tadakuni's suffers from being Out of Focus ,with basically no presence in some episodes and many chapters. His status is often lampshaded. However, Tadakuni is one of the most popular characters in the series and he's much more popular than Hidenori and Yoshitake. He's Out of Focus after the first volume and episode 5, making him somewhat like an Ensemble Dark Horse.

    Comic Books 
  • Wolverine ever since Marvel started hyping him up as their "Superman". He draws in the casual crowd, but more dedicated fans are sick of seeing him everywhere, especially when the books focus on him at the cost of other characters' development. Or the fact that he is on the cover of the comic despite not being in the story.
  • Duke from G.I. Joe is fairly bland and doesn't have very much characterization aside from being "the leader" and for refusing a promotion so he could stay in the field. His teammates include a silent ninja master with a wolf, a Vietnam veteran who was once a street thug, a heavy machine gunner who surfs and plays bass guitar, and a gourmet chef who wields a massive chaingun.
  • Tintin was deliberately designed so that every reader could identify with him, so he has no family, no back story, no personal connections, nothing apart from what is shown in the adventures. So it is no coincidence that he was not just overshadowed by the colourful Captain Haddock - who for instance has Captain Chester as a friend from the days before his first appearance as well as a famous ancestor from the days of Louis XIV - but even the Thom(p)sons and Bianca Castafiore seem to be more popular subjects of critical treatises.
    • The thing though is that the series is first and foremost about Tintin - he has plenty of old friends, but readers were shown how he first met them in the course of his adventures. Thus while Haddock introduces Tintin to Captain Chester, he only gets to know e. g. Abdallah, Alcazar, Oliveira da Figueira, and Chang through Tintin.
  • Also from Franco-Belgian Comics, Astérix sometimes gets eclipsed by his best friend Obelix due to having a more bland personality compared to the quirky Fat Idiot.
  • Coverstars from old DC Thomson anthology comics, such as Biffo the Bear from The Beano and Korky the Cat from The Dandy some times appear to fall victim to this.

    Films — Animated 

    Films — Live-Action 
  • Brad and Janet are the main characters/heroes in The Rocky Horror Picture Show, and, while they do have a pretty decent number of fans, they're nowhere near as popular as Dr. Frank N. Furter, Riff Raff, Magenta, Columbia, or Rocky Horror himself. It's pretty telling that their fan nicknames are Asshole and Slut.
  • Will Turner and Elizabeth Swan are the protagonists of Pirates of the Caribbean: The Curse of the Black Pearl, but they get overshadowed by the world's hammiest pirates. Their involvement in the two sequels only made this more apparent for some critics. Come the fourth film, the role of protagonist goes to the Ensemble Darkhorse Captain Jack Sparrow.
  • The most common complaint about Pacific Rim usually involves the main protagonists and how they, as our main narrative thread, were fairly boring compared to the more colorful side characters, especially the Russian, Chinese, and Australian Jaeger teams. All three of the latter have turned out to be Ensemble Darkhorses and Memetic Badasses.
  • G.I. Joe: The Rise of Cobra stayed true to its comic roots. Ripcord is funny and charming, Heavy Duty is tough and awesome, Breaker is lovable and clever, Snake Eyes is a dang ninja, and Duke is... the main character.
    • The fact that he dies and Dwayne Johnson, a more interesting lead replaces him furthers this point.
  • In his review of The Chronicles of Narnia: Prince Caspian, Roger Ebert's editor Jim Emerson invokes this. Mr. Emerson writes about how charismatic is the centaur Glenstorm on screen in comparison with the eponymous character, and regrets "his fate was decided a long time ago... by an Irish writer who dwelt in England's green and pleasant land". He also applies this overall to the monarchy of the Pevensies; why does a magical land like Narnia need human rulers? (In the books, the explanation is that humans are the ones who brought evil to Narnia right at its creation, thus were tasked with protecting it in order to make amends, something not quite made clear in the films.)
  • Some of the viewers of Julie And Julia were far, far more interested in watching Meryl Streep's portrayal of Julia Child, and weren't nearly as emotionally invested in the scenes depicting writer Julie Powell.
    • However, non-U.S. audiences were helped a lot by the Julie scenes, as Julia Child isn't as well known outside of America. They helped to show international audiences how much she meant to people.
  • Michelle from the Subspecies series. She's a fairly stand horror film victim-protagonist in the original. She spends most of the three sequels crying and whining about becoming a vampire and being chased by Radu. For two sequels, Michelle's sister drives the plot far more by looking for her. Ultimately, Radu comes off as the Villain Protagonist of the series.
  • It seems that the mark of a mediocre James Bond movie is when Bond is not overshadowed by the Big Bad and/or the Bond Girl. Casino Royale provides an exception.
  • Something that comes as a constant surprise to anyone who studies the Marx Brothers and their movies on a serious basis is how many of them have Zeppo playing the main character.
  • John Reid, AKA The Lone Ranger, which is lampshaded in-story by Tonto.
  • The most interesting post-robbery scenes of 3000 Miles to Graceland consist of expospeak about the psychopathic Thomas Murphy's backstory. We will probably never know why that took a backseat to the predictable story of Murphy chasing Michael Zane.
  • Luke Skywalker is this for some. While the original trilogy is his version of The Hero's Journey, AFI's list of the greatest movie heroes includes Loveable Rogue Han Solo and The Mentor Obi-Wan Kenobi instead of Luke. Add an adversary that not only thickens Luke's mythical qualities but ends receiving movies that make the series his hero's journey...

  • Frodo Baggins, from The Lord of the Rings isn't really disliked by fans, but he is noticeably less popular than any other member of the Fellowship, and plenty of the side-characters surpass him in popularity as well. Faramir, Aragorn, Arwen, Éowyn, Legolas and Gimli, and even Tom Bombadil seem to get more attention from the fans than Frodo, whose enormous burden seems to make him inaccessible. Sam is regarded by many as the "real hero" of the story, and Tolkien was not unreceptive to the idea, either. (It doesn't hurt that Sam is one of the very few canon characters to not give into the Ring's temptation.)
  • K. A. Applegate once suggested this was true of Jake from Animorphs: while the other characters had clear, definable traits that made them easy to identify (Marco's ruthlessness, Rachel's bloodlust, Cassie's empathy, Ax's alienness, Tobias' conflicted nature as a hawk and a human) Jake had the dubious honor of being the "normal" one. Late into the series, it's made up for when he grows into the role of The Chessmaster. He also pretty quickly develops a serious complex regarding his leadership qualities. In many ways, he's like Cyclops, only without as much fan-hate.
  • Fans and detractors of Twilight seem to mostly agree that Bella, who's specifically written so that the reader can step into her shoes, lacks a personality and is generally boring, especially when you compare her backstory (Cool Loser moves from Phoenix to a small town in Washington, becomes popular, falls in love with supernatural beings) with that of Carlisle (devout Christian vampire hunter becomes vampire, spends his life helping people even though they're his natural prey), Rosalie (girl becomes a vampire after being raped and left for dead by her fiance, kills him), Jasper (ex-Confederate soldier and some of his friends raise a vampire army), or... well, almost anyone else in the series, really.
  • Many readers of The House of Night series find the side characters more interesting than the protagonist Zoey, especially when they're shown to get things done and undergo significant Character Development while Zoey angsts about her Unwanted Harem and comes across as an indecisive, weak-willed character who makes poor decisions, can't control her hormones or stick to one boyfriend to save her life, and appears to have been chosen to be the next High Priestess only Because The Plot Says So.
  • Many fans of the Black Dagger Brotherhood continue reading to find out what happens to the side characters, who then become the main characters and are less interesting than the side characters in the new story, who then become... and repeat.
  • Some books in the Troubleshooter series have this issue, though fans argue about which books this applies to.
  • Terry Pratchett says that when he wrote Guards! Guards!, he thought Carrot was the main character. He compares it to Marx Brothers movies starring Zeppo - technically some of them do, but no one goes to see a Marx Brothers film because Zeppo's in it.
    • He soon realised that other characters — namely Vimes — were much more interesting, and it's obvious at what point he did; almost as soon as Carrot gets to Ankh-Morpork, Vimes becomes the main character of the book and is the focus of all the later Watch books.
  • In any novel by Simon R. Green, there's a good chance of the hero being this. This is less a fault of the characters, as, for example, John Taylor is an interesting character in his own right, it's just that Dead Boy, Razor Eddie, Suzie Shooter, and Julian Advent are far more interesting.
  • In The Heroes of Olympus (the sequel series to the Percy Jackson books) introduces Jason Grace as the new hero and leader. The first book spends a lot of time telling readers how powerful and good looking he is but gives no original character traits. The fact he's lost his memory and is replacing the beloved (and much more interesting) Percy, doesn't help.
  • The protagonists of Hothouse Flower and the 9 Plants of Desire are, for the most part, either static characters, jerkasses, or otherwise devoid of any sort of personality. The secondary characters (however archetypal they may be) somehow manage to display more personality in they few chapters they appear in than the protagonists do in the entire book.
  • Sisterhood Series by Fern Michaels: It seems that as the series goes on, the characters who are not the main characters become more interesting. This could be due to the fact that the main characters remain the same as the series goes on, while everyone else gets affected by their actions and react to them in different ways.
  • September, the protagonist of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, is a clear Audience Surrogate, to the point where she's outshone by every single other character in the book.
  • The most underwhelming character in Harry Potter may well be Harry Potter himself.
    • He spends a lot of time in the books pushing away his friends (ostensibly for their safety, but done rather rudely), only to have them come to his rescue at critical points, and his initial claim-to-fame basically amounts to "he didn't get murdered when he was a baby".
  • This is a common problem with the Goosebumps series, and the reason it's a Villain-Based Franchise.
  • The Tortall Universe series Daughter of the Lioness has been accused of its heroine Aly not going through much of a journey or being important enough to the story to justify her being the main character. And it heads into some Unfortunate Implications given that Aly is white, and stealing the hero role from a bunch of dark-skinned people.
  • The Inheritance Cycle is particularily infamous for its protagonist, Eragon. Many fans consider the Anti-Hero Murtagh to be much more interesting and likable.

    Live-Action TV 
  • Community has this issue. With Troy, Abed and Annie all becoming an Ensemble Darkhorse, Jeff Winger has been left behind by the fandom, although he's not really The Scrappy - Pierce gets that dubious honour.
  • The Many Loves Of Dobie Gillis. The show was named for a Dobie, but he was just an average guy, a Straight Man who had an odd friend named Maynard G. Krebbs, a beatnick who was always getting into madcap situations. Dobie never did anything, really, except tell the audience Maynard stories.
  • Oz avoids this by making the narrator, Augustus Hill, a minor character and perhaps the most sympathetic in the series, and by otherwise having Loads and Loads of Characters.
  • A noticeable problem in Dollhouse, where a major point of the series (season one especially) is that Echo slowly develops a personality after having been repeatedly mind-wiped. This makes it hard for her to compete with the side characters who already had fascinating personalities, or even her fellow Dolls Sierra and Victor, who managed to have character development early on via their romance. By the end of season one she became more interesting, especially since Victor and Sierra repeatedly had the same character development while she moved on, but season two managed to go in the precise opposite direction by making her so super-special-awesome (while constantly waxing lyrical about her) that it bordered on Canon Sue. Her original personality, Granola Girl Caroline, didn't help a bit.
  • In another Whedon project, some Buffy the Vampire Slayer fans find Buffy boring or annoying. Meanwhile, Willow and Xander were more popular, Spike had the funniest lines (and both he and Angel ended up with a large female fanbase for some reason or another), and a lot of the recurring villains (for example, Dru) and monsters of the week were pretty enjoyable.
  • Whedon, again, in Angel. Angel himself often came off as bland and depressed all the time, while his "sidekicks" Wesley, Fred, Gunn, Spike, Doyle, and especially Cordelia had far, far more interesting characters and dialogue.
  • In The Sarah Connor Chronicles, the eponymous character turned out to be the least interesting of the bunch. It doesn't help that she was sharing screentime with Robot Girl Cameron and Time Traveling Terrorist Vigilante Derek. Mostly, Sarah was important because John would be important, but that meant that both of them couldn't be important at once. The more John becomes The Chosen One, the more Sarah becomes just another sidekick... and in this case, in the face of all the tremendous BadAssery all around her, that means becoming The Chick again. Despite the precedents from the first film, the writers never figured out how to let Sarah Connor turn back into The Chick and make it work.
  • This was a serious problem for Star Trek: The Original Series. While all of the seven-plus main characters could support a story, Kirk was conceived as the star, and Shatner aggressively campaigned for more screen time. Attempts to rotate the secondary characters into the spotlight (e.g., doing Kirk-and-Spock episodes, Kirk-and-Scotty episodes, Kirk-and-Sulu episodes, etc.) failed because Spock was so darn popular, and the Kirk-Spock-McCoy Power Trio dynamic worked so well..
  • Serena is generally treated as the main character on Gossip Girl while the fans complain that they want to see more of Blair and Chuck... even though they do. (Season five was all about Blair to the virtual exclusion of Serena, and proved how true the saying "Be careful what you wish for; you might get it" is.)
  • Finn and Rachel from Glee. For starters, many fans were unimpressed that a show that values racial and sexual diversity has a straight white couple as its teen leads. It doesn't help that Will blatantly plays favorites with the two of them when the other kids are just as talented or more (not hard to do in Finn's case). Granted, Rachel's spotlight-hogging and Finn's weak vocals have become significant plot points within the show, but many fans feel their relationship has become a Romantic Plot Tumor.
  • iCarly: Carly and Miranda Cosgrove suffer from this, mostly by virtue of Carly usually playing the straight woman to Sam and Spencer; with Sam and Freddie being part of the Seddie ship, and Gibby the current Ensemble Dark Horse, it appears in some fan forums that she is the least popular character. Carly gets accused by fan haters of being boring, a 'waste of space', and 'the worst thing about the show'.
    • Tori, from sister show Victorious, suffers this but in the opposite way. Instead of being boring, she's done things like kiss the two other main female characters' boyfriends, one of which caused them to break up, and caused Tori to Never Live It Down for the other. She also got stick for being the only person to get to sing on the show for quite a long time.
    • On the subject of Victorious, go to any YouTube video with Ariana Grande, the actress who plays Cat, and half the comments are about how she's infinitely better than Tori.
  • Ally on Austin & Ally is a surprising aversion considering how easy a Straight Man (i.e. Ally) lead can slip into this in the kid-com genre. The reasons could include that only Austin and Ally sing, ruling out the intra-fandom rivalry that other shows like Victorious suffer from. There is also no realistic opponent to the Austin/Ally 'Auslly' Shipping pairing, which would cause Die for Our Ship in the event of a lopsided Fan-Preferred Couple that does not include Ally. Finally with such a small cast of four main characters, there is no room for a typical overshadowing Ensemble Dark Horse to suck all the popularity on the show away from the main two cast members.
  • Lost Girl has Bo, the bland main character who is constantly overshadowed by the more interesting cast of supporting characters. They include a goth pixie girl that comes from a family highly connected with Russian organized crime, a doctor who is a literal slave, the bartender who was once an all-powerful king who now lives anonymously, and a valkyrie who has laid waste to entire armies. Not to mention that one of Bo's frenemy's is a mesmer who owns several bondage clubs, one of the light fae cops has a long family history, and even the leaders of the sides have vast histories. With colorful supporting characters, it's easy for the rather generic to get lost.
  • Meredith Grey from Grey's Anatomy is seen as a whiny and self-obsessed load whose only redeeming factor is that she's not Izzie Stevens. Now that karma has finally caught up to Izzie, resulting in her being fired, expect this to hit a lot worse.
  • An example involving real people shows up in Wheel of Fortune. Pat Sajak may be the host, but it's Vanna White that often shows up in all the board and video games based on it.
  • Another occurs in American Idol, with judge Simon Cowell being more associated with the show than host Ryan Seacrest.
    • That might have something to do with the fact that he was the common element between the UK's Pop Idol and the Americanized version, American Idol. Also, the judges generally get more attention than Seacrest, particularly during the first half of the season when he's relegated to hallway interviews.
  • Outsourced received criticism because the main character was considered boring compared to the rest of the cast.
    • Especially because the bland white boss was considered the main character while his more interesting, almost entirely Indian staff and friends were relegated to secondary status at best.
  • Sookie and Bill from True Blood, especially in the fifth season once it becomes clear that Bill has gone insane, yet the show still treats him like the main hero.
  • Scott McCall from Teen Wolf is often ignored by many of the viewers, especially for his snarky best friend, Stiles Stilinski.
    • Likely because many viewers are annoyed by his wangst over becoming a werewolf, and his relationship with Alison.
      • In his defense, his life completely changed when he was bitten and Alison is a hunter whose family wants to kill him. Slowly.
    • Many who don't like Scott are also "Sterek" shippers, who'd rather see Stiles and Derek hooking up than Scott and Allison.
  • On Heroes, Sylar is not only more powerful than the show's heroes and cooler than the show's heroes, he's also a lot dumber than the vast majority of them, too.
    • And on the hero side alone, Peter is considered the dullest between having an absolutely broken power and just being dumb as a sack of hammers.
      • The fourth season makes Peter a lot more likeable, with his Character Development finally catching up to him. In addition to this, he lost his old powers and gained the power to absorb one power at a time. This makes fights with him a lot cooler, as they become an exercise in strategy, outmaneuvering opponents, relying on his wits and creativity in addition to the combat prowess that's been Taught by Experience. Considering he's one of the few characters who embodies the mentality of a hero, this makes him a lot more fun to watch. Though he still has Dull Surprise and some bad writing, sadly.
  • Knight Rider's original series might seem to be this, with KITT overshadowing Michael Knight in just about every way, but if you read the original production notes it turns out this was completely the point. The producers wanted a show with an attractive lead actor who had to do as little acting as possible, with the car otherwise holding the show.
  • Entourage's Vincent Chase as played by Adrien Grenier is easily the weakest link in the cast (possibly because of how hard it is to be convinced by an unknown TV star playing a movie star), with most of the supporting characters having pretty big fanbases but Vince being generally disliked.
  • Stefan in The Vampire Diaries. He's supposed to be the hero, but the majority of viewers call him boring and prefer Damon, his more interesting and complicated older brother. It's not really getting better as the series progresses since side characters like Caroline, Tyler, Klaus, Rebekah, and Jeremy are all becoming more interesting than Stefan too.
    • Elena also falls into this. Occasionally there's a tentative foray into giving her characteristics, but mostly she's the Good Girl who everyone obsesses over for some reason. Her self-described flaw is that she's "too good".
  • WKRP in Cincinnati had this problem with Andy Travis, who was written to be the Only Sane Man protagonist a la Bob Newhart or Mary Tyler Moore, but was cast with an unknown young actor, Gary Sandy, who was overshadowed by the rest of the ensemble cast. The writers recognized the problem and reconfigured the show so all the characters were roughly equal in importance.
  • All of the lead characters in the Laguna Beach / The Hills franchise tend to look this way compared to their sidekicks or the villains. In seasons one and two, the plot is supposed to be centered on Lauren, yet it's Kristen who became the defacto lead due to her over-the-top, free-wheeling antics that stole screentime from everyone one else (and resulted in the latter being the first cast member to parlay her role into mainstream success). In the third season, Tessa (and Racquel) look ineffectual compared to the scheming Kendra and Cami (whose storyline are often much more interesting). In Newport Harbor, Chrissy is the protagonist, but her only storyline is a disapproving father who gets in the way of her dating, while Allie (the villain) gets an entire character arc where she learns that money isn't everything, and has to take charge so she won't rely on her parents. In The Hills, Lauren takes a backseat to Heidi and Audrina's antics, and in The City, the straight-laced Whitney looks bland compared to Olivia and co-workers Erin and Roxy.
  • Game of Thrones has this issue with regards to Robb Stark. The TV series greatly increases his screentime by making him a viewpoint character, whereas he is only viewed through the eyes of other characters in the books. This increased focus has been at the expense of Catelyn's character by making her more of a supporting player to Robb. Many fans have also noted that by aging up Robb (played by Richard Madden, who is in his mid-20s) in the series, he is more like a Ned Stark 2.0 and almost all of the boy-king aspects of Robb's character have been cut out.
  • This became the case for the four main characters (Merlin, Arthur, Morgana and Guinevere) in the final two series of Merlin, all thanks to the writers' inexplicable reluctance to move their character development forward or explore aspects of the storyline that would have facilitated said development (namely, Merlin revealing his magical powers to the other three).
  • Bohannon in Hell on Wheels. His search for revenge is initially the pivotal plot point, but it quickly stagnates while other characters develop. He remains an important character, but gets relatively little screentime - even being completely absent in a few episodes.
  • Smash has this problem with Karen. Although she does undeniably have a big voice, she's a pretty generic actress and weak personality, yet all the characters rave about her having that "it" (to the point of one calling her his muse); made even worse by the fact that her rival Ivy has an equally strong voice (arguably one more suited for Broadway-style music) and much more complexity both as an actress and a character. Which makes it hard when, in the Season 1 finale, she gets the role of Marilyn and we're supposed to be glad for her, but instead only wonder what she did to deserve this. It doesn't help that while Karen is played by actress Katharine McPhee, who has no Broadway experience, Ivy is played by Megan Hilty, who has headlined two Tony-nominated Broadway musicals, Wicked and 9 to 5.
  • In Scrubs, despite Lucy taking over as the main character in Series 9, many fans found her to be the least interesting character, in part due to her learning lessons the audience had already gone through with J.D. Despite Series 9 being typically considered the worst series of the show, some felt that the burgeoning relationship between Drew and Denise proved to be the highlight and wondered why those characters weren't the focal characters, particularly since their B-Plots often eclipsed the main one.
  • Jenny in Call the Midwife, likely because many of the other characters were only lightly sketched in the source books and received considerable Adaptation Expansion as a result. She's likable enough, but really more of a lens through which we get to see, among others, the deeply hilarious Sister Monica Joan, the lovable Chummy, the lovely and adorable Sister Bernadette, and the concentrated awesome that is Sister Julienne.
  • LOST had both Jack and Kate, helped by the excessive flashbacks which got more and more melodramatic as time went. While the last two seasons gave the Character Development that got Jack Rescued from the Scrappy Heap and made audiences care when he accepted to really be the protagonist. Kate didn't have such luck, with many thinking that the characterization didn't evolve and despite some good moments she mostly didn't earn her screentime.
  • Some viewers think Nolan from Defiance fits this- compared to all the fascinating aliens in town, he's just some guy.
  • Some fans have this opinion of Emma Swan in Once Upon a Time, especially when she's pitted against more interesting chracters like Regina, Rumplestiltskin, etc.
    • This may be due to the fact that unlike many of the other aforementioned characters, Emma has barely any flashbacks focused on her past.
  • Some fans of How I Met Your Mother felt that Ted slipped into this during the last two or three seasons, especially considering the entirety of season nine focuses on Barney and Robin's wedding. It could easily be said that the show's writers themselves forgot that Ted was supposed to be the show's main character.
  • People who came late to watching Big Bang Theory could easily be forgiven for not knowing that the main character of the show is Leonard and not Sheldon, and that the creator's original intent was to concentrate on Leonard and Penny's relationship and not on Sheldon's buffoonery.

    Newspaper Comics 
  • Shermy and Patty (not Peppermint Patty, she came later) of Peanuts. The original cast, which also consisted of Charlie Brown, Snoopy, and later Violet, had next to no personality, besides Charlie Brown being an occasional nuisance to the girls and Violet being an aspiring homemaker. Once Schroeder, Lucy, and Linus showed up, Charlie Brown grew into the sad-sack we all know and love, and Snoopy began thinking, Shermy was left with little to do and by the mid-Sixties had all but vanished. Patty and Violet then took up mocking Charlie Brown, but this eventually became Lucy's role once she got her Plot-Relevant Age-Up, and Patty faded away while Violet briefly became a Rich Bitch before disappearing as well. In short, many of the original protagonists were so bland they barely made it a fifth of the way into the strip's run.
  • To a considerable portion of the reader base, the Patterson family of For Better or for Worse evolved into this during the last few years of the strip's original run. Except for youngest daughter April, who is usually seen as the Only Sane Man by these readers, the whole Patterson clan turned into unlikable characters with unrealistic successes and varying attitude problems the size of Ontario.
    • It doesn't help that April seemed to be The Unfavourite, and that anything she did or liked was automatically bad or lame for no apparent reason.
  • On The Fastrack creator Bill Holbrook admitted that original protagonist Bob Shirt was this, and that he had to switch focus to save the strip.
  • FoxTrot became this over time, with the focus shifting from the entire family to Jason as the latter became more and more popular. One summer series follows Jason at a science camp, with no sign of any other members of the family until his return home that fall.

  • The George Bernard Shaw play "Candida" was written as a vehicle for Shaw's proto-feminist views and to explore the role of women in society at the turn of the twentieth century. This could have been quite good if he hadn't chosen to do this by having an emotionally needy Purple Prose-spouting teenaged Blue Blood and an insufferably smug Clueless Chick Magnet vicar in a pointless fight over the vicar's Mary Sue wife Candida, who drifts through the play casually mocking and laughing at them both. Meanwhile the far more interesting, likeable and funny characters of the curate, the vicar's secretary and Candida's unashamedly corrupt father go off having zany adventures together and performing wacky antics offscreen, which the audience only get to hear about. The sad part is Shaw managed to write plays exploring the same idea that were genuinely entertaining with engaging characters.
  • While most Cirque du Soleil shows avoid this by giving the viewpoint character an interesting personality and/or a lot to do, the From Beyond The Fourth Wall everyman Philemon in "O" doesn't get either and is thus not nearly as engaging to watch as Le Vieux, the Zebras, etc.
  • Common in many great Shakespeare plays: Shylock is unquestionably the better role than Antonio, and Mercutio and Tybalt are way more fun than Romeo and Juliet. In fact, it's a mark of just how great of a playwright Shakespeare was that we can, for example, acknowledge that Othello is a fantastic role that any actor should covet, and yet at the same time it's almost universally agreed that Iago is an even better one.

    Video Games 
  • This is VERY common in video games, often intentionally. Since the hero is often meant to represent the player, many games will give them a minimal personality (or none whatsoever) so the player can project themselves in their place, thus the supporting cast gets all the personality and most of the drama to themselves. Especially prevalent in the case of a Heroic Mime. Unlike examples in other media, many fans love having this in their games and will sometimes complain if the hero has a strong personality, though the reasons can vary from not being able to insert themselves into the role to the strong personality being one they find utterly abhorrent.
  • Far Cry 2 is quite a notable example of this as the player chooses from one of 12 characters to play as at the beginning. The remaining 11 are found throughout the game, and interact with the player, usually are quite interesting and have distinctive personalities. The player's character on the other hand becomes a personality-less Heroic Mime. Players would find it most enjoyable therefore to play as their LEAST favorite character.
  • Far Cry 3 follows a similar trend. The main character, Jason Brody, is a virtual cypher, with the only real information about his past and relationship with his girlfriend showing up in the first few missions. Meanwhile, the supporting cast includes a villain who plays up the "definition of insanity", a tribal queen who alternately seduces and sends you on quests, a kooky survivalist with suicide vest-wearing monkeys (but only if you bought the DLC) and plenty more mysterious side characters. Compared to them, Jason's generic "rise to warrior" arc means he comes off looking ineffectual and uninspired.
  • Sora of Kingdom Hearts tends to get a lot of flak for this, being claimed to be a Static Character at best and a Canon Sue at worst. Though, of course, part of the reason is a good number of his detractors happen to be fans of Organization XIII.
    • Sora is an interesting case as, while he started out as a clear audience surrogate, he later becomes an audience surrogate with Character Development, who is wily enough to avoid pitfalls that plague the rest of the cast. For the most part.note  Defying the Failure Hero traits of other characters has led to a strong fan base, but his odd-man-out status has led to the accusations of Sue-ness. The Japanese are more receptive to Sora than the west, as he is apparently a major videogame icon (according to a large scale somewhat authoritative poll, he ranks among the five most popular videogame characters, sharing the spotlight with Mario and Solid Snake among others).
  • Warrior of Light in the original Dissidia: Final Fantasy and Lightning in the sequel Dissidia Duodecim Final Fantasy are cast as The Hero of their respective games, even when fan favourite heroes and villains (as well as several characters who got a massive popularity boost through these games) populate the cast so heavily.
  • Feelings of certain characters in Valkyrie Profile bounce all over the place; many fans simply see Lenneth, the main valkyrie and protagonist of the first game, as a useful party asset, but otherwise find her trite, dull, and lacking compassion - unless the player gets the Golden Ending in which she breaks face and learns the truth about the valkyries. On the other hand, many of the Loads and Loads of Characters that Lenneth can recruit are also pretty thin. The most intriguing characters to most are the antagonistic yet witty Lezard Valeth, and Lenneth's two True Companions Arngrim (A Guts Captain Ersatz and Mystina (a sorceress and Lezard's rival).
  • Street Fighter III's main character is supposed to be Alex, but you'd have no way of knowing that without official statements from Capcom. Popularity-wise, Alex wound up being overshadowed not only by the returning cast members from earlier Street Fighter games, but by many of the newly-introduced characters like Dudley, Yun, Yang, Ibuki, Elena, and Makoto as well.
    • Alex is a peculiar case in that his stint as the protagonist is widely overlooked despite him having ties to the Big Bad (most would tell you that Ryu is still The Hero, which isn't too farfetched considering that Ryu's been integral to the plots of the first game, Alpha, and IV), but he's still widely regarded to be a popular character in the grand scheme of the series. For example, his surprise appearance on the roster of Tatsunoko vs. Capcom was warmly received.
    • Subverted with Abel. While more or less touted as the face of IV (like Alex, he also possessed a link to the main villain of the subseries), he was overshadowed by Crimson Viper and (come Super) Juri. However, he still has a fairly sizable fanbase and is regarded more favorably than the remainder of the newcomers, who have either received mixed reactions or are outright detested. He's liked enough that while absent in Marvel vs. Capcom 3 with Crimson Viper being there, he appears in Street Fighter X Tekken without Viper and warmly welcomed there, unlike a certain other.
    • Speaking of Ryu, he's possibly hit the hardest, not only due to being the biggest protagonist, but also one of the fathers of Shotoclones everywhere. The other major protagonist, Guile, manages to avoid this somewhat thanks to being a Fountain of Memes.
  • You can't go without mentioning Mortal Kombat; In a World with energy-wielding ninjas, Physical Gods, fantastic creatures, Cyborgs, et all, the most anyone seems to remember about Liu Kang, the actual protagonist of the series, is that he's the Turkey Boy. Shuujinko is also an example.
  • Mega Man X himself. This is partially justified, since Zero's design was orignally meant for the new Mega Man, but Executive Meddling forced Inafune to create a more familiar protagonist. Nevertheless, Zero became an Ensemble Dark Horse and the one with the more important storylines.
  • Welkin of Valkyria Chronicles sometimes falls into this. He's the main character and instantly becomes the leader of Squad 7 despite all of his major subordinates being veterans, while this is his first tour in real combat. He's had officer training, but he's mostly in charge because he's the guy who owns the tank. The rest of Squad 7 is notoriously colourful, with three DLC stories centering around secondary characters and one centering on Selvaria. Unlike many video game heroes, Welkin does have a personality of his own, but it makes him less a generic game hero and more a generic romance-story hero, and he pales in comparison to the more interesting, quirky Squad 7 soldiers.
  • Reimu from Touhou has had some problems with this. It took a while for her to develop much of a personality, and said personality is really somewhat unpleasant. Notably, even the creator seems to somewhat prefer the deuteragonist, Marisa, with her getting more focus in a fair amount of the side material.
  • While Chris Redfield of Resident Evil is considered to be the main protagonist of the series, you'll never know it from the fans who consider Jill, Leon, Claire, and Wesker more likable and interesting than him.
  • Interestingly inverted with Sonic the Hedgehog; one of the biggest complaints against the series has been that all of the Loads and Loads of Characters introduced over the years have been gradually stealing the spotlight away from the eponymous blue hedgehog. SEGA has even noted their attempts to maintain spotlight on Sonic, with the most recent titles having him as the sole playable character and with a minimal supporting cast.
    • Some complain that, compared to every other character in the franchise, Sonic has no real personality or backstory.
    • Alternate media interpretations of Sonic drift in and out with this, especially since a lot of them have similarly large cast ensembles that the story struggles to balance. In Sonic X in particular, Sonic is fazed into the background as the role of The Ace, with Audience Surrogate Chris Thorndyke played more as the show's lead. Neither garnered well with fans over other supporting characters who had more colorful personalities and Character Development. The Archie Comics have similar problems due to having spotlight stealers from nearly every take of the franchise.
  • Although Corpse Party is more of a Ensemble Cast game, Satoshi is called the central protagonist. Problem is, he's considered the most uninteresting of the entire group, being a generic teenage boy surrounded by people with more interesting personalities, motivations, and reactions to being sent to a hellish ghost school. His sole defining trait, being somewhat cowardly, doesn't even come into play apart from some dialogue options. It certainly doesn't help that while Ayumi and Yoshiki are getting to the bottom of the mystery and getting things done, Satoshi spends a whole chapter stuck in a subplot trying to find a bathroom so his little sister can go pee.
  • Happens to main character Makoto Naegi in Danganronpa even in-universe; the other characters chosen by Hope's Peak Academy for being remarkably skilled in some aspect, and as a result they are all quite colourful and interesting. Makoto, on the other hand, got into the Academy by pure chance and even criticizes himself for being so utterly average.

    Web Comics 
  • Antimony of Gunnerkrigg Court, whose general calm and open-minded approach to everything, combined with her ability to be near-central to every subplot she comes across just by existing and the enticingly vague development of the other students, tends to make her the least interesting of the Court's residents. Less so later on after it's revealed that she's part fire elemental and unknowingly responsible for her mother's death, both of which give her emotional depth. Plus, she started having fun with it.
  • Homestuck:
    • John was the first character introduced out of the stupendously large cast and acts as the Audience Surrogate through much of the series, being the kid to whom all the bizarre and improbable game mechanics have to be explained, so he wasn't nearly as well-developed as some of the other characters at first. He's gotten a bit more Character Development now that we can see his actions through other points of view, so he's ended up as a subversion.
    • Karkat on the Alternia side is the first troll introduced and becomes team leader, which in the end is responsible for their victory. But from introduction onward, most other trolls are more interesting to watch than him, though he does get his moments of awesome later by calming down his homicidally insane friend by shoosh-papping him into submission. Saying this, the greatest strength of both John and Karkat as characters is how well they play off everyone else in pesterlogs. They're both natural diplomats, underneath their respective derpy / jerkass exteriors.
    • Averted later too. John starts to express his own personality traits once the "main" protagonist role is fractured between himself, Karkat, Jane, and others, while Karkat becomes the more unique troll left alive. Kanaya and Terezi are relatively laid back, while Aradia and Sollux have been heavily Out of Focus throughout most of Act 6 and Gamzee is an outright villain.
    • Terezi undergoes a lot of this in Act 6, as she becomes relatively bland, while John and Karkat received a Character Check to their original personalities. Luckily, she eventually goes back to the Crazy Awesome Terezi that we all know and love.
  • The smart and refined title character of Keiki fell into the sidelines as the comic progressed, with her mischievous and Book Dumb classmate Beefer becoming the likeliest candidate for the new main character. The year the comic turned nine, Keiki didn't make any appearances at all. The cartoonist has even gone so far as to lampshade her Mary Sue-ness at least twice, and admit in her character bio that her status as the main character is "debatable."
  • Ash of Misfile has been falling into this for years, thanks to a combination of overexposure and lack of character evolution, to the point the comic openly admits plots are being recycled. At one point, a younger version of the female Ash had a brief scene that ended up making things worse as people couldn't stop comparing the bright, cheerful and proactive girl to the moody boy who does nothing to help the situation besides bitch.

    Web Original 
  • The title character of Homestar Runner gets overshadowed by Strong Bad quite a bit. The creators acknowledge it; even in the intro video, Strong Bad notes that "Basically, I'm the reason you're here."

    Western Animation 
  • Mickey Mouse ran headfirst into this for a long time, where he made few appearances compared to the rest of the Disney cast because he couldn't do anything extraordinary. Disney seems to be correcting this problem now.
  • Many Golden Age shorts gained shades of this due to the traditional "Invincible Hero vs Ineffectual Sympathetic Villain" formula. Bugs Bunny gained popularity for being a more abrasive protagonist than previous stars such as Mickey Mouse and Porky Pig, however as time passed Bugs was toned down and a lot of his foes started to steal the show and sympathy with audiences. Termite Terrace tried to remedy this by making more fearsome opponents Bugs could come off as more likeable against, though since so many were still colorful and popular additions with fans, it was met with varied success. Other Looney Tunes protagonists such as Tweety Pie and Speedy Gonzales had similar effect.
  • In a sense, Captain Planet. He would be considered the Designated Protagonist just because his name is in the title, but he was never characterized beyond being an Invincible Hero who spoke almost entirely in Incredibly Lame Puns. The Planeteers were obviously meant to carry the show. However, the Planeteers themselves usually aren't considered much better, given the fact most seem to have little characterization and flaws; Wheeler is one of the more interesting ones, because he's the only Planeteer that has actual flaws, jackassery be damned.
  • Link and Zelda suffer from this in The Legend of Zelda from the late 80s/early 90s. They're technically the heroes, but they're both almost completely unlikable. Link both brags and complains a lot, hates to do any non-adventuring work, and his Catch Phrase of "Well, Excuse Me, Princess!" grates on the ears after about the third repetition. Zelda is shrewish, ungrateful, and treats Link very badly at times; in particular, the episode where she's charmed by another man and refers to Link as "My fri—acquaint—someone I know slightly" makes the viewer wonder why the hell he's in love with her at all. They do both have some good qualities, but these are vastly overshadowed to the point where they're often forgotten. Ganon, the villain, is far more likable and entertaining than the two of them.
  • Peter Pan in Peter Pan & the Pirates is an asshole. He's cocky, wants everything to be about him, sometimes interrupts the other kids' attempts to tell stories or talk about things to brag about himself ("No one cares about your dream, Michael!"), and stupidly gets the gang in danger. While he is a frequent plot enabler due to his actions often setting things in motion, he's unlikable compared to Wendy and the Lost Boys, and even Hook and the pirate crew. Interestingly, this is much closer to how he was in the original book than most adaptations get.
  • Batman: The Animated Series humanised many previously one-note villains, leading to Batman's Rogues Gallery to be seen as being richer in character than Batman himself in some corners. Batman, himself, contrasted their eccentricities by playing The Comically Serious, even among other superheroes.
    • Beware the Batman also seems to be running into this problem, where people are finding Tatsu more interesting than Batman, which most likely has to do with the fact that she's got a dark character arc involving the League of Shadows.
  • Johnny Test. Johnny is the main character, but he comes across to most viewers as annoying and unpleasant and a bit of a Creator's Pet. Dukey, his sidekick, is far more popular with viewers, to the point that he's the only character with anything resembling a fanbase.
    • Susan and Mary are also far more popular than Johnny, to the point that many percieve them as the actual main characters.
  • An occasional complaint issued to Sonic Sat Am. While a fairly effective hero, Sonic often acts like an arrogant dick, endangering the team by pulling endless Idiot Ball moments due to his cockiness (arguably even more so than Straw Loser Antoine). Many also complain that the goofy Japan-based Sonic seems misplaced in the Americanized dystopian setup, and that the show would have worked as effectively with Sally or another Freedom Fighter as the lead rather than trying to tie in to the games.
  • Thomas the Tank Engine sometimes falls into this due to the Loads and Loads of Characters. Granted a large part in this was that Thomas wasn't the main character in the Ensemble Cast rotated The Railway Series novels they were adapted from, with many fans (and the writers themselves) becoming irritated by the overusage of Thomas to tie into the show (though the main reason for his ascension was due to being an Ensemble Dark Horse of sorts, so he has some star appeal).
    • It is worth noting that in the original novels, Edward was the first protagonist of the series, a role that was quickly taken over by other engines who had more quirks and ambitions (even in his own novel). Even the role of Straight Man ended up stolen by more colorful and wise cracking engines such as Duck, giving Edward very few opportunities for stories. The TV series tried to remedy this by giving Edward a more flawed, insecure personality to enable more leading roles, though the episodes were met with criticism from fans used to Edward's original personality, eventually leaving him demoted back to being a wise, pure hearted but thoroughly underplayed engine.
  • Fry from Futurama has fallen victim to this, especially since the show has been Un-Cancelled. It doesn't help that fewer and fewer episodes are focused on him as a character.
    • Leela gets some of this too, since most of her storylines are now focused more on her relationship with Fry and less her.
  • Kim Possible: Kim isn't really unlikable, and does become a bit more flawed and relatable over the series. However, it seems that In-Universe and out, she's a bit overshadowed, whether it be by the colorful rogues gallery, or her sidekicks.
    Joss Possible: Let's face it, Kim. You can do anything. So facing all those dangers and villains, well, it's just like you say. No big. A fella [like Ron Stoppable] filled with that much fear always chargin' into action with you? Seems to me that's a true hero.
    • Unfortunately the writers went overboard in that respect - flawed and relatable is one thing, seemingly messing up everything unrelated to world-saving (which sometimes seems to be the case) is something else entirely.
  • One of the many problems that fans seem to have with Captain N: The Game Master (aside from making characters nearly unrecognizable and giving the places they visit a similar treatment) is that the main hero Kevin is a very bland character with very little personality and is generally uninteresting to watch. Unfortunately, Princess Lana, Mega Man, and "Kid Icarus" aren't much better, and Simon has his own character-related problems.
  • Although Orson's (from Garfield and Friends) imagination comes to life and he's a leader for a reason, he really isn't as interesting/colorful/funny as Roy, Wade or any of the other U.S. Acres characters. Bo and Lanolin who are great singers along with Orson only got two or three songs to sing, while Orson got to sing alot more songs. Plus there are times when he's supposed to be the "good guy" but he ends up being a Jerk Ass instead. And in the Snow Wade two-parter, he just lets Wade get killed and doesn't regret it!
  • In the early days of Transformers Generation One, Optimus Prime and Bumblebee tended to split the difference for role of main protagonist. Optimus got some flak for being a very archetypal noble hero in the first two seasons, though episodes like Prime Target went a ways towards averting it. Bumblebee's courage in spite of his limitations allowed him to escape much of the same criticism. Many fans of the show preferred members of the large and colorful supporting cast, such as Wheeljack or Ironhide. This was less true for the Decepticons, as the main trio of Megatron, Starscream, and Soundwave have received fewer complaints, but there are many who prefer lesser-seen Decepticons, such as Skywarp or Rumble and Frenzy. This also seems to hold true of the human characters; as the Audience Surrogate, Spike is often viewed as a Flat Character and therefore bland in the face of more interesting people like Chip Chase or even his own father Sparkplug.
  • Green Lantern: The Animated Series spends his sole season to give Character Development to Red Lantern Razer and the artificial intelligence Aya while Hal Jordan, the titular Green Lantern, and his buddy Kilowog stay more or less the same.
  • Rufus and Amberley of The Dreamstone. While getting decent exposure in the pilot, they soon proved less flexible and colorful characters than the Urpneys and contributed far less to the show's slapstick, usually ending up Out of Focus while the Urpneys served as borderline Villain Protagonists. Even compared to the rest of the heroes they suffered due to lack of defining abilities, many episodes having them pad screentime as a useless first wave before the others shown their stuff and fixed everything for them (some episodes leaving little explanation why they were even sent first outside for the effects). Later episodes attempted to remedy these issues, making them more comical and isolating them from the other characters so they could handle dilemmas themselves, but they still seemed the least remarkable characters of the show.

Cowboy Bebop at His ComputerApathy IndexDid Not Do The Bloody Research
Designated HeroJustForFun/Tropes of LegendDraco in Leather Pants
Deleted RoleCharacters and CastingDisabled Character, Disabled Actor
Denser and WackierCreativity LeashEnsemble Darkhorse
Default Setting SyndromeIndex SyndromeFang Thpeak
Damsel ScrappyUnexpected Reactions to This IndexDisappointing Last Level
Depending on the WriterCharacterization TropesDetermined Defeatist
Communitied OutAudience ReactionsHard Core
Designated Love InterestBad Writing IndexDesignated Villain

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