“This is just how the film industry works nowadays; critics give bad opinions, the public usually has a differing opinion, and all is well in the world of Hollywood since the studios made their millions anyway.”

Sometimes, a movie, book, game, TV show, or song is released and the critics hate it. They just hate it. Entire forests are destroyed printing scathing reviews that dissect such media down to the bone, showing in every possible way that the general public should stay away in droves. But, no matter how bad they are... no matter how many bad reviews they receive, the public loves it. The movie becomes a blockbuster. The book sits atop the New York Times best-seller list. The game flies off the shelves and becomes a must-have. The show is weekly appointment viewing. The song is on everyone's iPod...

The reasons for this phenomenon are myriad and diverse. Critics are often not fans of the source material being adapted (if any), so they look upon things from a layman perspective. Some dislike the style and humor, preferring more 'sophisticated' works. Sometimes the fans are so hardcore that they'd accept anything from the source, and sometimes, it's made to be fun. In fact, many who see/buy the work may not even think the best of it either, but it's familiar enough that it manages to stand out and market itself. Sometimes it's simply become popular through being So Bad, It's Good, or by fans acknowledging the work's flaws but considering them insignificant.

When no critic in the world can affect a work's popularity, it is Critic-Proof.

Compare Love It or Hate It, Critical Backlash, It's Not Supposed to Win Oscars, Critical Dissonance, and He Panned It, Now He Sucks. Contrast with Acclaimed Flop, Confirmation Bias, Reviews Are the Gospel and Guilty Pleasure. Not to be confused with Protection from Editors.


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    Anime and Manga 
  • Haruhi Suzumiya:
    • The much-reviled Endless Eight episodes of the second season were released across four DVDs in Japan. Given that said arc consisted of the same episode eight times in a row, it's surprising that the first DVDs sold (relatively) well. Though the later ones to a lesser extent; the second and third sold only half the amount the first one did.
    • On the other hand, the North American licensors of Season 2 knew very well that they would not be Critic Proof (plenty of fans had already vowed a boycott due to the extreme unpopularity of Endless Eight), and simply released all 14 episodes in a single set.
  • SHUFFLE got panned by review sites as just another annoying harem show, and even when it was first licensed, overwhelming opinion was that FUNimation must like losing money, because nobody would buy it. The DVD sales in North America were a surprising success, to the point that Funi produced a collector's box with the final volume.
  • Bakugan Battle Brawlers is widely considered as one of the worst kid shows of all time and has been bashed for its flat animation, bland characters, and ugly art. Yet it has a lot of toys and given a trading card game.
  • Pokémon: Despite not having any international theatrical releases since the Johto era, in Japan the twelfth film, Arceus and the Jewel of Life, has become the highest-grossing anime film of 2009. People complain about the anime itself. Although it has lost some popularity, it's still extremely popular.
  • Mobile Suit Gundam SEED Destiny is very popular among the Japanese audiences and even won the Anime Grand Prix award for Most Popular Anime in 2004 and 2005. Western reviewers liked the series but not as much as its prequel. However, if you ever ask this to a Gundam fan prepare to hear how this series is one of the worst things Sunrise ever created.
  • Sword Art Online: Bloggers generally agree that it is anywhere from bad to mediocre, at best, but not a great show. It was the most popular anime of 2012. A second season premiered in summer 2014, retaining its popularity. In addition, other works from the Sword Art Online franchise began to make it overseas in that same year: a PS Vita game called Hollow Fragment got an English release around the same time, and Yen Press began to publish English translations of the light novels beginning April 2014.
  • The anime of Diabolik Lovers flopped and was trashed by both Japanese and Western viewers, yet was popular enough for Sentai Filmworks to release an English dub.
  • Eiken is widely considered one of the worst ecchi series of all time and has been bashed for its dumb plot/characters and ugly art. Both the manga and anime however allegedly sold very well, and fanart of the franchise is not uncommon.
  • The anime adaptation of Kantai Collection has been panned by fans and reviewers as mediocre, but sales figures indicate Studio Diomedea aren't going to be hurt in the slightest.

    Comic Books 
  • Big events and Crisis Crossovers in general. No matter how poor the reviews and fan reaction are, these tend to be the best-selling superhero comics of the entire year whenever they're released. When asked at a convention panel Marvel Comics keeps putting out massive crossovers despite fans saying they're sick of them, a rep from the company simply shrugged and said that they'll stop doing event crossovers when people stop buying them in droves.
  • Brian Bendis and Mark Millar are two comic writers who've earned vocal detractors among certain fans, and yet their mainstream work for Marvel almost always sells huge amounts. Despite all the hate and controversy it garnered, Bendis' New Avengers was one of the best-selling iterations of the Avengers franchise in years. Ditto for Millar's The Ultimates, which is hated by many fans and critics but was still one of the biggest sellers Marvel put out at the time.
  • Geoff Johns is another example. A lot of his work (save for Aquaman) has been critically panned, but it still usually sells huge numbers. His Justice League relaunch with Jim Lee is a good example; trashed by critics, and yet still one of the best-selling comics of its year.
  • Jommeke is among the best-selling Flemish comic strips of all time, but has hardly had any serious critical attention or praise, mostly because it's a pure formulaic children's comic. Author Jef Nys was interviewed just a few times throughout his career and only received exhibitions, awards and a biography in the final decade of his life.

    Films — Animated 
  • Cars 2 is Pixar's worst-reviewed animated film (currently in the below 40% range at Rotten Tomatoes), but that hasn't stopped the film from making huge bucks at the box office (though it was Pixar's lowest-grossing movie at the box office until The Good Dinosaur came along). The Cars franchise managed to make a whopping ten billion dollars in merchandise, although they're not as liked as other Pixar works.
  • Although Chicken Little is disliked by a large portion of Disney fans, with a 36% rating on RT, it manage to become a mediocre success in the box office. On the other hand, Chicken Little didn't become a franchise, unlike Cars 2 (excluding a cameo of the title character in Kingdom Hearts II).
  • It seems like nothing can dent the fanbase of the Alpha and Omega films — critics dismissed them as mediocre, general animation fans dismissed them as mediocre, and wide audiences dismissed them as mediocre. However, the fanbase of the films is composed mostly of wolfaboos and furries. Given the undiscerning taste of both groups, it should probably come as little surprise that the series has four (Direct-to-Video) sequels.

    Films — Live-Action 
  • The Passion of the Christ had a downplayed case of this: it got mixed critical reception, but became the highest-grossing R-rated movie of all time in the U.S. and third-highest such movie internationally after The Matrix Reloaded and Deadpool, both which received significantly better reviews, especially Deadpool.
  • Michael Bay films are like this:
    • Transformers: Revenge of the Fallen is currently the worst-reviewed movie ever to earn $400 million at the U.S. box office. And it actually made over $800 million worldwide, the first movie of 2009 to do so (even beating at least one of The Dark Knight's records), so it will take some beating.
    • Transformers: Dark of the Moon (which got better reviews than Revenge of the Fallen, but still extremely negative nonetheless) grossed over a billion dollars worldwide and was the fifth-highest-grossing movie ever until 2013.
    • Transformers: Age of Extinction got the worst reviews of any installment in the Transformers Film Series, but it was 2014's only film with a ten-digit gross worldwide.
    • Bad Boys II, which Bay directed four years before Transformers, actually used all the same conventions. Critics hated it while the audience ate it up.
    • Armageddon was internationally the highest-grossing film of 1998 against a backdrop of mediocre-to-frosty reviews from critics, though it seems largely forgotten now.
  • The only entry in the Scary Movie series to get overall positive reviews was the first one. This didn't keep the others from making money, albeit not as much as the first.
  • The Pirates of the Caribbean sequels, especially Pirates of the Caribbean: At World's End were poorly received by critics but they made even more money than the significantly better-reviewd Curse of the Black Pearl.
  • Subverted with The Lone Ranger. For a Johnny Depp film, you'd expect it to earn big bucks. It was savaged by critics, but the audiences didn't eat it up like they did for the Pirates movies. Armie Hammer, Jerry Bruckheimer and Johnny Depp blamed critics for "conspiring" against the film to make it bomb, which in turn led to Duralde's response in the page quotation, and this more tongue-in-cheek one from Mike McGranaghan.
  • Rambo: First Blood Part II was savaged by critics, but made triple its budget domestically and triple that internationally; Rambo III was only slightly better reviewed and didn't do so well domestically, but still did pretty well internationally.
  • Rocky IV was panned by critics upon its release and it even got about 9 razzie nominations, including "Worst Picture", yet it didn't prevent to make over $300 million worldwide and become the most high-grossing Rocky film of all time.
  • The live-action Alvin and the Chipmunks movies (the latter three in particular) have received nothing but hate from most critics. That hasn't stopped either from being huge successes.
  • The Twilight films, all which were given negative reviews,. Roger Ebert's reaction to New Moon, for example.
  • Wild Wild West. Not just critic-proof, but participant-proof as well. Even star Will Smith and director Barry Sonnenfeld said they realized the movie was crap. It didn't stop it from making a ton of money.
  • Many of Tyler Perry's movies, though not considered awful, are usually not liked by critics. His movies do extremely well with African Americans, though.
  • Critic James Berardinelli used the trope name regarding AVP: Alien vs. Predator, as the mere concept of two beloved cinematic monsters fighting for the first time will draw in audiences regardless of the film's quality.
  • G.I. Joe: The Rise of Cobra: Mostly for being purposeful Ham and Cheese, with prestigious actors such as Christopher Eccleston and Joseph Gordon-Levitt realizing just how cheesy it was and deciding to eat all the scenery in sight.
  • Kevin Smith tried to invoke this with Jersey Girl by saying it "wasn't for critics". It didn't work so well. Then Penny Arcade tried to parody it by coming up with absurdist nonsense perpetrators Twisp and Catsby, and taunting all the critics who couldn't criticize them because it wasn't for them. This backfired on Penny Arcade as well, when Twisp and Catsby instead became insanely popular.
  • The mostly negative critical reviews for The Hangover Part II didn't keep it from being hugely successful at the box office, largely due to good will from the critically-acclaimed original.
  • All of Seltzer and Friedberg's movies have had overwhelmingly negative reviews, yet they still manage to more than make back their budget (except Disaster Movie). Epic Movie and Meet the Spartans both debuted at #1 at the box office on their opening weekends, and Vampires Suck at #2. All of their movies also have fairly low budgets, so really, no matter how bad their movies get, there will be enough people going to see them to make back their budgets several times over.
  • Moonraker is widely regarded as one of the weakest James Bond films, but it became the highest-grossing film in the franchise until GoldenEye was released.
  • Batman & Robin: Intensely panned by critics and fans alike, but made over $100 million at the box office. It may be a Double-Subverted example, though, as the movie is still viewed widely as an embarrassment that killed Batman movies until The Dark Knight Saga.
  • Street Fighter: The Movie: The scathing reviews it got from critics didn't stop it from becoming one of the highest-grossing movies of 1994.
  • The Phantom Menace is the third-highest-grossing film in the Star Wars franchise, adjusted for inflation, despite polarized reception. The same can be said for Attack of the Clones too: most critics liked it only modestly, but fanboys still turned out in droves to see them.
  • God's Not Dead, a Christian propaganda film chronicling a devoutly Christian college freshman's bout with a snide atheist professor, was pummeled by many secular movie critics and even some discerning Christian movie critics. Yet it grossed more than $60 million in the U.S., which is both very rare for a propaganda film (of any kind) and actually pretty remarkable given the film's shoestring budget of two million dollars. Released a mere few weeks later, Heaven is For Real made $91 million on a 12 million budget, seen by legions of religious Christians and starting a trend of poorly-made Christian propaganda films that cost remarkably little but were seen by very many right-wing, religious viewers who cared more about the films' values and messages than their quality.

    The same can be said for most Christian movies, such as the massive wave of wide-released religious propaganda that followed the wake of God's not Dead and Heaven Is For Real: Moms' Night Out, a critically-panned Christian rom-com; Left Behind, a critically-panned Christian apocalyptic thriller based on the book and starring Nicolas Cage; Do You Believe, a critially-panned Christian drama; War Room, a militant Christian drama and Miracles From Heaven, a somewhat better-reviewed but still poorly-received Christian domestic drama. Poorer performers, however included The Identical, a music-based Christian drama; the infamous, Razzie- winning Saving Christmas and Woodlawn, a Christian sports film, all which failed both critically and commercially. Well-reviewed Christian films do exist, but tend to be better-made and less didactic.
  • Zig-Zagged with Batman v Superman: Dawn of Justice and Suicide Squad were panned by critics as being inferior superhero team up movies when compared to the Marvel Cinematic Universe yet became incredibly successful, helped in part by dedicated DC Comics fans, but on the other hand, the films, especially the former, reportedly fell quite a bit short of DC's financial expectations.
  • Assassin's Creed (2016 Film) has generally received bad reviews. One of the most positive called it "the best video game movie ever" and acknowledged that this was a backhanded compliment. Yet it made 60.5 million more than its budget of 125 million within a month despite opening within a week of Rogue One.

  • The Left Behind series. The books are generally poorly written, and there have been many articles written that give specific examples of just how stupid the characters act. Even from the perspective of Evangelical Protestant Christianity, the theology behind it is suspect. Yet the target audience strongly believes in the books' message and likes them anyway.
  • The various books in the Twilight saga:
    • Twilight might cross over into So Bad, It's Good territory; many who really do hate the writing style read it as a Guilty Pleasure, and there's all the people who plow through it just so they can bash it without being accused of complaining about books they haven't read.
    • Breaking Dawn. Despite the frequent hate you see, the earlier books got some decent reviews when they were released, it was later that the group of detractors grew as large as it did. Breaking Dawn, however, was actively disliked by many fans of the series, and still sold incredibly well.
  • A fictional version, from Ben Bova's Cyberbooks: at a meeting in a publishing house, the staff discuss the latest "Sheldon Stoker" manuscript and judge it to be complete rubbish, but a guaranteed bestseller. They recommend, "Hold our noses and buy it."
  • Bestselling author of the Mike Hammer series Mickey Spillane can't be harmed by critics. He also admits that he's Only in It for the Money:
    I have no fans. You know what I got? Customers. And customers are your friends.
    Inspiration is an empty bank account.note 
  • Alice's Adventures in Wonderland was originally panned by critics, who found the story hard to follow and preposterous, but it was positively adored by its readers. It would eventually become one of the most influential and popular novels of all time.
  • Many critics panned Ayn Rand's Atlas Shrugged, including Whittaker Chambers of the National Journal, who said in a review of the book that "from every page, I could hear the book screaming, 'to a gas chamber, go!'" Notwithstanding critics dislike of the book, it still continues to sell tens of thousands of copies every year, unusual since the book was first published in 1957, and has been continuously in print ever since.

    Live-Action TV 
  • TV Guide had a review disparaging a Goosebumps special. Kids watched it anyway.
  • It's always like this when it comes to many of the kid-coms produced by Disney Channel, especially since the days of Hannah Montana and High School Musical (and in some cases, Lizzie McGuire). Their shows are always savaged by both critics and 'traditionalist' Disney fans (in other words, fans of the live-action films made when Walt Disney himself was alive, most — if not all — of the Disney Animated Canon, classic Disney Characters like Mickey Mouse and Donald Duck, and the Disney theme parks), but that won't stop the network's target audience of tweens 8-14 from watching them anyway.
  • The Lawrence Welk Show was attacked as early as its 1950s debut by satirists and critics who even then accused it of being sappy, old-fashioned, un-hip, or downright reactionary. Despite a predominately middle-aged and elderly audience, and despite clinging stubbornly to musical styles that were rapidly falling out-of-fashion, it ran in various incarnations from 1955 until 1982, and has been more-or-less continuously appearing on TV in reruns ever since. Over sixty years after its debut, you can still catch episodes every weekend on many PBS stations throughout the US, while most of its younger and hipper competitors have long-since left the airwaves.
  • Oz never got the kind of acclaim that other HBO shows like The Sopranos, Six Feet Under, and The Wire did. Nevertheless, it had (has) one of the staunchest fan bases and was one of the network's highest-rated shows.
  • True Blood became increasingly derided in its later seasons but it didn't seem to make a dent in the ratings.
  • Critics were largely dismissive of Stargate Atlantis, regarding as a pale imitator of Stargate SG-1. Nevertheless, it was an excellent ratings performer for Sci-Fi Channel.
  • My Family has been slaughtered by critics, and even the stars refused to film one episode because it was so bad. Yet it's one of the UK's top-rated sitcoms and has aired over ten series.
  • Almost anything on the Belgian television network VTM could qualify. Critics despise the network due to it being the first commercial Belgian network, which allows room for more commercial fare that critics just will absolutely hate (such as Wedden, dat...?, Walters Verjaardagsshow, Rad van Fortuin, Blind Date, Bompa, Nonkel Jef etc.) with only the rare TV show on it (such as Moeder, waarom leven wij?, Ons geluk and The Raf and Ronny Show) being exempt from this fate and blame it for making society dumber due to the fact that they permanently give shows on there low ratings, but the network was so successful that Medialaan, the creator of that network, started publishing four more networks in Belgium in addition to that one.
  • Every trash television show, from The Morton Downey Jr Show to The Jerry Springer Show has been condemned by critics as 'the absolute worst in TV entertainment', but they always had high ratings.
  • Big Brother, a reality TV series condemned by all TV critics worldwide in all countries, yet had some of the highest viewerships of all time.
  • My Kitchen Rules is a very huge Snark Bait magnet; almost every recap articles of the episode would contain not-so-subtle insults regarding the contestants' fake personalities and their cooking skills. Even on its own FB fan page, a lot of viewers would spew their hate for the show's exaggerated drama and the painfully obvious fake dialogues, that it's frequently dubbed as "My Kitchen Rigged". The show itself have consistently placed as #1 in terms of viewer's numbers in Australia.
  • Jessie on Disney Channel. There is hardly a review published that didn't call this one of the worst TV shows out there, to the point where sites that don't even normally review TV shows (like sports news site Deadspin and humor site Cracked) would join in just to point out how awful this show is. Yet it was one of the most watched and most renewed show on Disney Channel when it ran.
  • Every Witch Way on Nickelodeon likewise got huge episode orders and enough viewership to justify a spin-off despite nearly every critic who screened it claiming it almost literally unwatchable.
  • In spite of the criticism Dude, What Would Happen? got, it somehow lasted for 2 years. The same goes for Destroy Build Destroy, but was received a little better than the former due to it having Andrew W.K..
  • Thuis is one of the most hated sitcoms in Flanders with critics and people alike, but it keeps getting the award for "highest amount of viewership" on Vlaamse Televisie Sterren.

  • Liberace was undoubtly a talented pianist, but critics despised him from bringing Classical Music to kitschy low ends. In a famous reaction to this criticism Liberace said: "I cried all the way to the bank."
  • Rascal Flatts, at least from about 2004-2010. Ever since Dann Huff became their producer, they've been widely criticized for many reasons: Huff's bombastic production; Gary LeVox's over-the-top, whiny, nasal singing voice; and unimpressive song choices. Such derision didn't stop them from continuing to land in the Top 10, sell lots of albums, win lots of awards, and overall be the top band in country music for several years running. It would seem that the band eventually learned their lesson in 2010, when their label (Disney-owned Lyric Street) closed, and they moved over to the indie label Big Machine Records to greater critical acclaim, but generally diminishing returns on the charts as Lady Antebellum and Zac Brown Band took over as the dominant bands in the genre (before the former tapered off too).
  • Both Led Zeppelin and Black Sabbath were dismissed by critics in their early years, which didn't stop them from becoming very popular anyway. Nowadays the critics are usually more appreciative, however.
  • Grand Funk Railroad was largely savaged by critics and even found themselves at the butt of an urban legend, yet found significant commercial success even outside the Lowest Common Denominator. As Snopes put it:
    And Grand Funk wasn't an act of the cute, well-groomed, sugary variety (like their contemporaries the Osmonds or the Bay City Rollers, or later entries such as the Spice Girls or the Backstreet Boys) who garnered huge followings by appealing to prepubescent girls or drooling adolescent males — their records were bought by, and their concerts attended by, "real" rock fans.
  • Nickelback can be seen as the modern-day version of Grand Funk Railroad in this respect. They have been widely panned by critics and were once voted the worst band of all time; there exist countless YouTube videos devoted to picking apart how all their songs sound the same. It hasn't stopped them from selling more than 50 million albums worldwide. As Chad Kroeger once noted, "Yeah, everybody hates us. We suck. Sure. But you know, somebody out there is buying our albums anyway."
  • A lot of late-1970s/early-1980s Arena Rock bands were despised by critics while still selling multi-platinum albums. None got it worse than Toto, who were accused of using their industry connections (they'd all been prolific session musicians before they formed the band) to rig the Grammy Awards in 1983.
  • In the 1980s, Stevie Nicks was commonly dismissed by 'highbrow' rock critics (Rolling Stone was particularly egregious in this regard) who fawned on her former lover and current bandmate Lindsey Buckingham, notwithstanding that his albums were only a fraction as popular as hers. Many of those same critics did a perfect about-face and hailed her as an elder stateswoman of rock and roll in the late 1990s and 2000s.
  • Music critics hated the entire Hair Metal genre during the 1980s, but that didn't stop it from becoming the biggest music genre in the world during that decade. When Grunge became popular in the early 1990s and pushed hair metal out of the spotlight those critics breathed a sigh of relief and embraced the 'earthy, genuine, and intelligent' new rock genre. In the last few years, how ever, Hair Metal has experienced a resurgence in popularity with bands like Mötley Crüe and Poison having highly successful tours, with some of these bands even releasing new albums.
  • Britney Spears has one of the biggest groups of detractors in all of pop land, but somehow manages to get those #1 singles and albums, sell out tours, get hired for big bucks for TV shows and generally remain relevant and popular in the public eye.
  • Dubstep. It is reviled by every music critic, lambasted as a tuneless disgrace to all music. Now watch any video game trailer in the last year or two. That stuff is popular.
  • Funk, a genre in Brazil that is a derivative of Miami bassnote . People mention the oversexualization of women and the genre's association with drug dealers and other kinds of criminal elements as reasons), and as such is reviled by critics, but still very popular by the masses.
  • When she first appeared, most critics said, and not without some justification, that Lady Gaga would still be a C-List Girl Singer with no record contract were it not for her outlandish behavior, and that her 'true talent' wasn't music, but rather PR management. Millions of her fans surprisingly failed to care and buy her albums in droves.
  • Classical music is often thought of as being above such battles, but Giacomo Puccini is an example of a composer who's effectively Critic Proof. There is a large body of informed opinion in the classical world which argues that Puccini may have had a knack for catchy tunes, but compared to his compatriot Giuseppe Verdi he had very little talent for constructing musical drama, and most of his stories, however promising, are effectively ruined by the steaming ladles-ful of musical Narm that he poured over them. However, none of this seems to affect Puccini's box office, and he remains one of the most popular opera composers ever. As Verdi once advised opera house director Giulio Gatti-Casazza, the box office receipts are the only gauge of success. "The theater is meant to be full, not empty."
  • Billy Joel has been known to have been savaged critically, at least at the height of his success, but according to Wikipedia has sold 150 million albums worldwide as of 2013. His 1978 album 52nd Street (which bears the distinction of being the first album mass-manufactured for Compact Disc in 1982) won the Grammy Award for Album of the Year, he's a member of the Rock and Roll Hall of Fame, and many of hs hits have become standards.
  • The Kidz Bop albums definitely qualify, albeit not so much with professional critics as with more casual music fans. The main complaints are that they Bowdlerize already mediocre songs by censoring the lyrics (in some cases actually making the lyrics dirtier and even so, the lyrics are still not appropriate for kids) and have kids sing the songs, never mind that they can't even sing and might not not even be going through puberty, yet these albums still sell enough to warrant 31 albums.
  • Elton John very rarely, especially at the height of his fame got the kind of critical respect he had during his singer-songwriter period for his albums (although he had released his fair share of inconsistent albums as well, even his more notable albums and songs received unfair criticism), yet he remained one of the top acts of The '70s and has been very successful at many times since his heyday. Much the the blame can be due to his very high profile all over the media, and some of it due to the fact he adopted an increasingly flamboyant image as he changed to a more glam-rock and pop-oriented sound by Honky Chateau.
  • The Eagles: One of the most popular rock bands of all time, and one of the most universally critically reviled. Allmusic is one of the few review sites that has anything good to say about them.

  • The Jewish/Irish ethnic comedy play Abie's Irish Rose opened on Broadway in 1922, and quickly became a laughingstock of theatre critics. It closed five years later, having run longer than any previous Broadway show.
  • Andrew Lloyd Webber's Eighties musicals Cats and The Phantom of the Opera were — and are to this day — heavily criticized as empty Spectacle, but were phenomenally successful with audiences anyway. This is parodied in the The Musical of Musicals: The Musical! pastiche "Aspects of Junita," where Junita sings her farewell:
    Did I have genius? Never.
    Did I have greatness? Never.
    But was I a commercial success?
    Yes—now and forever!
  • Les Misérables:
    • It was panned by critics after the first performance in the 1980s. The cast expected empty seats at the next performance, yet Word Of Mouth by theatregoers who absolutely loved it ensured that now, even a quarter-century plus later, it's a box-office hit.
    • Les Mis received negative reviews in the U.K. at the beginning but that American critics and audiences were united in application, with the musical making the cover of Newsweek and getting much press, thus making it an Inverted Trope/Played Straight depending on the location.
  • In-story example: In Dream Girl, Jim is fired by a publishing house after he turns down Always Opal (an obvious Fictional Counterpart of Forever Amber), which proceeds to sell out at bookstores everywhere. "If I had it to do over again, I'd still turn that book down," he tells his sister-in-law Georgina, who completely agrees with him on the book's trashiness: "It's nothing but a lot of dressed-up smut, atrociously written, and all in very bad taste, if you ask me."


    Video Games 

  • Ctrl+Alt+Del. Despite, or perhaps because of, the group of detractors that the webcomic and its proprietor accrued, it maintains a solid following
  • TwoKinds has been savaged by many a Caustic Critic yet it's run strong for 12 years and the creator manages to sell physical books of the comic and even an art book for it in his store.
  • Really furry Webcomics in general tend to be received unfavorably by outsiders and critics, but do extremely well with their intended audience.

    Western Animation 
  • Any children's show that is predominantly made to be Merchandise-Driven will be savaged by critics: Transformers, He-Man and the Masters of the Universe (1983), Teddy Ruxpin, Teenage Mutant Ninja Turtles, Thunder Cats, Mighty Morphin' Power Rangers, Samson, or even anime like Pokémon, Digimon... but children will watch it religiously and beg their parents to buy them every product in the franchise. (It should be noted that being Merchandise-Driven doesn't necessarily make it a low-quality work, simply that critics tend to dislike them and kids tend to love them regardless of writing quality.)
  • Family Guy: Despite getting a considerable amount of hate since its resurrection in 2005 for handling controversial topics in a Dude, Not Funny! fashion and being lower-brow than many other shows, it's still one of Fox's highest-rated shows.
  • Early reviews for The Looney Tunes Show ripped it apart, calling it an insult to the Looney Tunes franchise, but that didn't stop the show from gaining (at least at first) huge ratings and even a sizable Periphery Demographic, including classic Looney Tunes fans.
  • Johnny Test allegedly got very good ratings and ran for about six or seven seasons, yet it's considered by many critics and viewers to be one of the worst (if not the worst) kids' cartoons ever made. In fact, it's believed to be behind-the-scenes issues that finally killed it, not its bad reception.
  • Ultimate Spider-Man is possibly one of the most polarizing superhero cartoons ever made, and yet it still ran for four successful seasons. The toys in particular (the shilling of which was one of the most criticized aspect of the show) proved very lucrative for Hasbro and Marvel.
  • On the DC side, there's Teen Titans Go!. The show has been airing on Cartoon Network for three years and has gathered a massive disapproval from fans of the original series who feel this show is an insult to the original (and the show seemingly takes shots at those fans) and fans of Cartoon Network's other shows who feel this show doesn't deserve all the airtime it gets. Despite the overwhelming vitriol, however, it is one of Cartoon Network's highest rated shows and has gathered a sizable fanbase.
  • The Flintstones: From its 1960 inception, critics and Golden Age Animation purists hated it because it's, well, Hanna-Barbera. And Hanna-Barbera has always had a large segment of detractors. But that didn't stop The Flintstones from enjoying a six-year primetime run, various spinoffs and two theatrical movies, and Hanna-Barbera staying in operation for over four decades.