"Alas, not for long will you see what you do now: any breath of wind may spill from a hagi frond the last trembling drop of dew."
"When all life is dew and at any touch may go, one drop then the next, how I pray that you and I may leave nearly together!"
"In this fleeting world where no dewdrop can linger in the autumn wind, why imagine us to be unlike the bending grasses?"
— "The Rites", The Tale of Genji, one of the most famous exchanges in all of Japanese literature.
By most modern definitions this was the first written novel, written by a woman known as Murasaki Shikibu; as it was written in the early 11th century, all tropes in it are necessarily Older Than Print at least.Hikaru Genji (literally "Shining One of the Minamoto Clan") is the son of the Emperor of Japan in the Heian Period (11th Century) and is considered too handsome for his own good. The novel is split into 54 chapters, beginning with the circumstances leading to his birth and ending shortly after his death. The plot moves with the reckless speed of a ceremonial oxcart (ie: about two miles an hour) but the exotic customs of the unfamiliar Heian world hold the reader's attention - when she isn't wincing in disbelief at Genji's hijinks.Note that despite sharing a name with the author, Princess Murasaki is not an Author Avatar. In fact, the author was named for the character after the fact, since, like many women from that era, her real name is not known.Not to be confused with Genji, which is (loosely) based on the Tale of the Heike.
Arranged Marriage: A very common custom at the time. Genji marries Princess Aoi shortly after his coming of age due to the high rank of the princess and the relations that his father wanted to build for him.
Bishōnen: Genji is a prime example, according to the frequent and detailed descriptions of him. Occasional comments are made that, with his beauty, he should have been born a woman.
Cannot Spit It Out: Actually a cultural artifact of the time: frank, direct language was typically considered rude. Most casual conversations between nobles, especially for romantic purposes, were made via allusion, metaphor, and circumlocution, typically via poetry. Genji takes this a bit farther during his more Jerkass moments.
The Casanova: Even by the standards of the time, Genji's exploits are notorious.
Chivalrous Pervert: Genji again. Once he takes up with a woman he continues to support and protect her even after he's lost all interest in her sexually - as the Lady from the Village of Falling Flowers and the homely Princess Safflower, among others, can attest.
Costume Porn: Most of the detailed descriptions of costumes are cut by modern translators, but they were fully justified when written, because choice of costume told Murasaki's contemporaries all kinds of things about a character.
Deadly Decadent Court: Not so much deadly, rivals are usually eliminated by exile rather than assassination, but decadent? Oh yeah!
Death by Sex: Or possibly an aneurysm, but this didn't stop Genji from thinking it was something he did.
A Death in the Limelight: Several characters receive more character development and sympathy just before they die or leave the narrative.
Destructive Romance: The story of Genji's life starting with his father's favorite wife continuing through a catastrophic marriage, a clingy obsessive lover whose living ghost kills another of his women in his arms, his brother's betrothed, later that same brother's daughter in ANOTHER disastrous marriage... The guy CANNOT get a break!
Did Not Get the Girl: Believe it or not Genji cannot have every woman he wants. A cousin of his, Princess Asagao, refuses to give him the time of day. Later his son and grandson compete for the same woman, neither gets her.
Everyone Is Bi: Several male characters are known to burst into tears upon seeing Genji, and Genji himself doesn't let a little thing like gender get in the way of his romantic pursuits.
Of course, it should be noted that, at the time, attraction and love affairs between males - particularly if one or both of said males were physically attractive, as bishounen Genji was - were not especially scandalous, or even more noteworthy than a heterosexual affair (so long as certain social conventions were followed, like the requirement that the "passive" partner be a child or adolescent).
Everyone Calls Him : Aside from Genji's friend and retainer Koremitsu, pretty much every single character - including the protagonist - is referred to only by their title, rank, place of residence, or by nickname. And there are multiple retirements, promotions, and moves between houses in the book, meaning that the same name is sometimes used for several characters.
Also, the sources of nicknames could be pretty tenuous. Genji's first wife, Aoi, is only known by that name because the chapter in which she features most prominently includes a poem written by someone else entirely, and having nothing to do with her, which mentions the aoi plant.
The Four Gods: At one point Genji and his four wives and concubines settle down in four houses arranged at the cardinal directions.
I Have to Wash My Hair: A very good excuse not to receive one's lover or husband given the length of an Heian Lady's hair. The attendants of his wife use it on Prince Niou who complains about the timing.
The Jeeves: Koremitsu, Genji's manservant, who usually ends up cleaning up Genji's various messes.
Laser-Guided Karma: And how! Genji begets the Emperor Reizei on his own father's wife. Decades later Genji's own young wife bears another man's son. To Genji's credit he figures it's no more than he deserves and accepts the boy as his own.
Law of Inverse Fertility: Poor, poor Murasaki. Her Yamato Nadeshiko chops are sorely tested on this one. This is part of the reason why she is willing to raise Genji's daughter by the Akashi Lady as her own, since it's the closest she'll ever come to having kids. She does an excellent job raising her, too, to the point where she eventually becomes Empress.
Love at First Sight: Heian ladies customarily hid themselves behind screens and fans. On the rare occcasions a man did manage to get a glimpse of one the effect was instant devastation and lots of plot complications. In some extreme cases the sight of her calligraphy alone was enough to do the job.
Male Gaze: Extremely frustrated (see above). Male characters spend an inordinate amount of time trying to get a really good look at various ladies. Even when they succeed all they can see is her face and maybe her hands.
Murder the Hypotenuse: Although it likely wasn't intentional on her part, Lady Rokujo's wandering spirit kills both Yugao and later Genji's wife Aoi.
No Ending: The final chapter is more a quiet fade-out than a real resolution of anything.
Not Staying for Breakfast: Very much ritualized in Heian society, meaning that actually staying for breakfast was frowned upon. A man was expected to make a quick and elegant exit after an amorous evening.
'Staying for breakfast' in fact indicated a desire and intention on the gentleman's part of puting the relationship on a formal and official footing. This development was not always welcome to the lady, for all kinds of reasons.
Oedipus Complex: It's implied that several of the women Genji admires remind him of his late mother, and this doesn't go without comment from the other characters. Also, his first lover is one of his father's concubines.
A concubine who was chosen specifically because she reminded everyone - the Emperor, Genji's father, included - of Genji's late mother.
This even initially applies to Murasaki herself as she first came to Genji's attention because of her striking resemblance to Fujitsubo, the aforementioned concubine he's so obsessed with who reminds everyone of Genji's late mother.
The Ojou: Most of the female characters fit this in some form or another, being noblewomen in the imperial court at Kyoto.
Out Damned Spot: After her wandering spirit kills Genji's wife Aoi, Lady Rokujo can smell poppy seeds on her clothing (traditionally used to quell spirits) and she repeatedly tries washing her hair and clothing to get the scent out, to no avail.
Polyamory: For a time, Genji and his four women live peacefully together.
Rapunzel Hair: The norm in Heian Japan where a lady's hair was ideally deep black, perfectly straight and as long as she was.
In a fairly famous passage, Genji, having been rejected by a lady he is pursuing, takes her young (12-13 year old) brother to bed with him. It's not clear whether this scene is supposed to imply sleeps with or "sleeps with", so it may or may not count.
Take That: Several characters are based off of people Shikibu knew in her real life, including a reference to Sei Shonagon, a rival woman poet in the court.
Tears of Blood: A popular poetic trope of the time, referenced in several poems with regards to emotional upheaval on the part of the characters.
Tender Tears: Everybody in Genji's world sheds gallons of tears over mono no aware, the sadness of things.
Time Skip: Many. As one example, there are about five years of Genji's life when he was 12 through to 17 that we're told little of - indeed, about the only thing we are told of is that he at least tried to have an affair with his first cousin.
Tsundere: Several of the ladies in Genji's life, most notably Utsusemi who makes both him and herself a little bit crazy with all the back and forthing.
Upper Class Twit: Nearly everyone in the story, to great degrees of "Upper Class" and "Twit". Genji says some very dumb things, faints at the drop of a hat (literally), and is totally clueless about how the real world works in many ways. Nevertheless, he's willing to ignore social class in the name of love (The Lady of the Evening Faces), and royal propriety in the name of emergency (when he calls for help after finding one of his paramours wounded or dead in bed beside him)—far more than most of his contemporaries would. His liberalism eventually sees him expelled from the court for a period of time.
In fact, the utter cluelessness of the Imperial household and the bureaucrats who served them, and their willingness to outsource their leadership tasks to hired warriors ("Samurai") whom they despised eventually led to the overthrow and downfall of the Heian court depicted in the Tale of Genji. An early Samurai actually appears in one chapter and is roundly mocked and despised for his lack of taste; it was actually a chapter frequently censored because the genteel courtiers couldn't stand even reading a description of such an uncouth person.
Genji is physically sickened by the appearance of the father of one of his many lovers, who was the governor of one of the rural provinces. His disfigurement? Tanned skin.
Very Loosely Based on a True Story: How much of what happened in the book is true is unknown, but there was a real Genji who may have even read parts of the novel while it was being written.
While Rome Burns: While you don't actually see it, this was actually what the Heian court was doing. While Genji is off pursuing his intricate love lives, banditry and warlordism were wracking Japan, and would eventually lead to the Age of the Country at War.
Wife Husbandry: Early in the story, Genji and some of his friends discuss the difficulty of finding the perfect woman, and conclude that perhaps the best thing to do is to raise her yourself. This is exactly what Genji later does with Murasaki. This example is so famous that it spawned the term Hikaru Genji Plan, which was formerly used as the trope name for Wife Husbandry.
Yamato Nadeshiko: Murasaki can't keep Genji in line (at all), but nevertheless, she is still the "perfect" woman, center of the Imperial household, and Genji's one true love. To the point where, when she dies, he follows in grief shortly thereafter.