Note: This page is for the American series of films only. For the Japanese series of films, see Ju On.The Grudge is the 2004 American remake of the Japanese film Ju On: The Grudge, with added elements from Ju On: The Curse. The film was released in North America on October 22, 2004 by Columbia Pictures, and is directed by Takashi Shimizu (director of the original series) while Sam Raimi produced and Stephen Susco scripted. In the same tradition as the original series, the plot of the film is told through a non-linear sequence of events and includes several intersecting subplots. The film has spawned two sequels: The Grudge 2 (which was released on October 13, 2006) and The Grudge 3 (released direct-to-DVD on May 12, 2009, after having the original release date pushed back), this time directed by Toby Wilkins with Shimizu as executive producer. Also, a fourth film is planned (with Shimizu supervising).There is also a collection of short films, entitled Tales of the Grudge, which were used to promote the second film. These shorts are included on the Director's Cut edition of The Grudge 2 DVD.
Provides Examples Of:
Abusive Parents: Mrs. Davies is emotionally abusive towards Aubrey, clearly favouring Karen over her. Also, Kayako's mother "fed" evil spirits to her daughter when she was a child. The former's death at the latter's hands could be seen as Kayako's revenge for what her mother did to her.
Asshole Victim: Played with, in that most of the curse's victims are decent people who are in the wrong place at the wrong time. However, some victims, such as Takeo (who has the dubious honour of being the curse's very first victim) and Vanessa, qualify for this trope.
Ax-Crazy: Takeo, after discovering his wife's diary. He remains just as violent after death.
Bedmate Reveal: Played with (well, sort of) in the freakiest way possible.
Blondes Are Evil: Probably stretching this a bit, but Vanessa is most certainly not a pleasant person. (Perhaps played a little more straight when she becomes a part of the curse.)
Same with the principal when she too becomes a part of the curse.
Blood Magic: Kayako's sister, Naoko, claims the curse can be lifted via an exorcism ritual that ends with a willing witness consuming Kayako's blood. It doesn't work.
Blood-Splattered Innocents: Not only does poor Aubrey actually witness Karen's death, but she gets splattered with her blood as well. Ouch.
Bloodier and Gorier: Many of the deaths in The Grudge 3 are bloodier than the deaths in the previous installments (not counting Yoko, obviously).
Body Horror: Similar to the original Japanese movie series, a particular type of Body Horror is used for the death of Yoko. A similar example of Body Horror is seen in the alternate/extended ending to the sequel (in which Karen and Aubrey's mother dies in a very similar way to Yoko).
The death of Gretchen in the third movie.
The brief sight of Kayako's fingers emerging from the back of Karen's head in the first movie.
The Cast Showoff: Takako Fuji really can move like that, and has said in an interview that she sometimes likes to pull out her Kayako-moves to freak people out at parties. In addition, any scene with her crawling down the stairs was done without any wirework whatsoever.
Cat Scare: Considering that Toshio's pet cat is also part of the curse.
Chase Scene: Kayako pursuing Karen through the hospital in The Grudge 2; the former also pursuing Dr. Sullivan in The Grudge 3.
Chekhov's Gun: Kayako's diary, the Saeki family photo, and the photo of Peter found in Kayako's diary.
Chest Burster: Used in the alternate/extended ending of the second movie. Kayako ejects herself violently from Mrs. Davies' mouth.
Composite Character: Detective Nakagawa shares the name and profession of Detective Nakagawa from the original Ju-on film series, but his personality and actions are closer to that of retired detective Toyama, also from Ju-on. Like Toyama, he lost his colleagues to the curse, and also tries to burn the house down.
Yoko seems to be a combination of three Ju-on characters: Yuki and Kanna from Ju-on: The Curse, and Rika from Ju-on: The Grudge. Like Yuki, she is dragged into the house's attic by Kayako; like Kanna, her jaw is torn off; like Rika (with whom she was originally going to share a name), she is a social worker.
Continuity Nod: From The Grudge 2 to its prequel: "This is where the girl from the international college killed her boyfriend two years ago." There are also a few nods to the previous films in The Grudge 3.
Creepy Child: Toshio is the very definition of this trope. Kayako seen as a child in flashbacks is also somewhat creepy, although seriously adorable at the same time.
Cruel and Unusual Death: The death of Mrs. Davies, as seen in a deleted scene from the second film, definitely qualifies - after a tearjerking scene in which she mourns Karen and Aubrey, she not-so-coincidentally comes across Kayako's diary...before having a much more severe coughing fit than usual, which results in her coughing up Kayako in the form of a giant hairball-come-eyeball, which rips her jaw off. The fact that you can actually see her face start to rip makes it a lot squickier.
The death of Gretchen in the third movie could also qualify. Yes, it's an offscreen death, but the state of her corpse when it is discovered by Max is just plain horrific - it seems that she's had her eyes gouged out and her jaw ripped off (Kayako really likes doing that to people, doesn't she?).
The death of Jake. Having nearly every bone in your body twisted and snapped has got to suck.
Kayako's death, too. Her own husband snaps her neck and leaves her to die (and it is also a possibility that, like in the original films, he slashed her with a utility knife, given the amount of blood on her when her body is discovered). By extension, Aubrey's and Naoko's deaths apply, too.
Max's death. Naoko bites his throat out. Considering how the latter died, it can be assumed that this is her prime method of killing.
Darkness Equals Death: Although a lot of the deaths happen in bright daylight, some occur in the attic of the house, and in assorted dark rooms. In addition to that, the curse also seems able to cause electric lights to suddenly stop working.
Death by Falling Over: Peter Kirk dies when, highly likely to be under the curse's influence, he throws himself out of his apartment window. In The Grudge 2, Kayako pulls Karen off the roof of the hospital (although some speculate that Kayako may have killed her just before she fell).
Death by Sex: Averted in the third movie, and played with in the second movie - Miyuki dies in the love hotel she checks into with her boyfriend.
Demonic Possession: How Kayako, Toshio, Takeo, and the cat seem to affect the apartment residents in Chicago.
There is a deleted scene from the first movie in which Matthew is possessed by Takeo. This is a recreation of a scene from the first Japanese theatrical movie.
In the third movie, Rose becomes possessed by Kayako after consuming her blood.
Determinator: Karen and Naoko really do give it their all to try and best the curse. Sadly, their attempts only make things worse.
Executive Meddling: Kayako did not have much of a backstory in the original film series, and Takashi Shimizu wanted to keep it that way. However, he was told to give her a backstory for The Grudge 2, which he reluctantly went ahead with . In an interview, Shimizu also stated that executives kept insisting that Kayako should have "a twin", which baffled him. In The Grudge 3, Kayako is revealed to have a sister (though not a twin sister), which has to make one wonder if that was a case of executive meddling, too.
Eye Scream: In the third movie, Kayako kills Gretchen (offscreen) by, amongst other things, gouging out her eyes.
Fan Disservice / Fanservice: The shower scenes in the first and second movies and the bath scene in the third movie contain a combination of both tropes. Max's Shirtless Scene in the third movie also counts.
Femme Fatalons: To an extent. Miyuki has extremely long, blue-painted fingernails, and this carries over into her ghost form.
Final Girl: Karen in the first film and Lisa in the third.
Foreshadowing: In the second movie, when Aubrey pays a visit to Kayako's mother, we see the latter, through her eyes, suddenly witnessing Kayako's spirit taking the place of Aubrey, who comes and kills her. This could possibly be foreshadowing the ending.
Also, in the third movie, Gretchen's portrait of Rose is slashed and splattered with red paint, resembling blood, by Kayako. This could be foreshadowing Kayako's eventual possession of Rose.
Freak Out: Takeo has one after discovering Kayako's huge crush on Peter.
Freeze-Frame Bonus: Two occur during Susan's vignette: When Susan is in the taxi, look at one of the adverts on the back of the front passenger seat. There's a staring eye printed on one of them. Later, when Susan discovers she has a very unwelcome bedmate, look at the wall. For about a second, you can see Susan's shadow and... the shadow of Kayako, even though she isn't above the bedcovers.
An in-universe example occurs in the second movie, when Eason is watching an old taped interview with Nakagawa as part of his investigation. On the recording, he notices a very brief, blink-and-you'll-miss-it shape in the corner of the door behind Nakagawa, as well as a strange noise. Cue Eason rewinding the recording and playing it in slow-motion...
Frying Pan of Doom: Unfortunately for the horror film, its use in The Grudge 2 is just hilarious. The fact this is a recreation of a scene from the not-very-well-received Ju-on: The Curse 2 doesn't help.
Gross-Up Close-Up: Present a few times in the Director's Cut. Examples include a more close-up shot on the corpses of Matthew and Jennifer, a close up of Peter's face (as well as the pool of blood) after he kills himself, and a more lingering shot of Yoko's disembodied jaw.
Toshio witnesses Kayako's murder, shortly before being killed himself.
After dealing with the terror and the knowledge that something is deeply, horribly wrong in the apartment block, Jake discovers his father's corpse and witnesses his possessed stepmother being drowned to death.
Rose witnesses her beloved big brother Max becoming steadily more and more vicious as his possession gets worse, and later has Kayako inhabiting her body.
Heroic BSOD: Allison suffers this after being exposed to the curse and subsequently being stalked by the ghosts of Vanessa and Miyuki.
Max has one after Takeo stops possessing him.
Heroic Sacrifice: Rose drinking the blood during the climax of the third film could be seen as this, although it isn't likely she knew exactly what the consequences would be. However it doesn't seem like it helped much in the long run, and it wasn't in time to save Naoko (and her death starts a new curse) - although it did manage to save Lisa... at least for the time being. We shall see.
Hope Spot: A couple of utterly merciless examples occur in The Grudge 3. First, it appears that Naoko's ritual (which already has a slim chance of success as it is) may work - until she is killed by Max, which starts a completely new curse. Second, Rose goes ahead with the ritual, thus saving Lisa from becoming a victim of Kayako's wrath. However, it isn't quite over yet. Yes, the ritual did manage to seal Kayako's spirit away...the catch is, she was sealed inside Rose's body. Not only that, but it is heavily implied that being sealed away will not stop her.
Housewife: Kayako (before she was killed and became a really, really angry ghost, that is).
Incurable Cough of Death: Mrs. Davies has a very nasty cough and breathing problems, although it is never mentioned what sort of illness she is suffering from. However, she doesn't die in the finished movie. A deleted scene does show her death ( in which her cough does actually kill her... well, sort of), but it's anyone's guess as to whether this will end up being canonical.
Infant Immortality: Averted with Toshio, and Jake. Partially averted when Kayako possesses Rose at the end of The Grudge 3.
Leitmotif: The main theme, which is heard in all three films during the opening and ending credits, and also pops up during the rest of the musical scores a few times. Then there's also the One-Woman Wail that occurs throughout the second film's score.
Logo Joke: At the beginning of The Grudge 2, the Columbia Pictures logo starts as usual, but the torch flickers, briefly causing the Torch Lady to turn into Kayako and the word "COLUMBIA" to turn into "GRUDGE 2."
Love Hotels: Miyuki and her boyfriend go to one in The Grudge 2.
Make It Look Like Suicide: The authorities believe that Takeo killed himself; the Director's Cut of the first film reveals that his death was, in fact, Kayako's doing.
Neck Snap: How Kayako is killed. Also happens to Aubrey in The Grudge 2, and to Dr. Sullivan in The Grudge 3.
Also subverted in The Grudge 3 in that the film makes you think that this is how Naoko is going to die... until she gets stabbed through the back of the throat. Admittedly, this does manage to sever her spinal chord, but it doesn't fit the trope.
Never Found the Body: Several of the curse victims' bodies are never found by the authorities, simply because they get pulled into nowhere. Notable victims include Susan, Miyuki and Allison.
New House New Problems: Woe betide anyone who moves into/enters the cursed house. Later, the curse isn't just limited to the house, spreading to those who have nothing to do with the house whatsoever...
From the second movie onwards, woe betide anyone who enters/moves into/already lives in that Chicago apartment block...
Similarly, Naoko's ritual to contain her sister's spirit. She's killed by Max, thus starting a new grudge curse, and Rose now houses Kayako's spirit after drinking Kayako's blood.
In the second movie, Allison catches a flight back to the US, hoping that the curse won't follow her. It does. She ends up spreading the curse to the apartment block, resulting in the death of her family, Jake's family, and anyone else who enters the building, thus setting up the events of The Grudge 3.
Oh Crap: Aubrey gets a moment like this when she encounters Takeo.
Eason's face when Kayako emerges from one of his photographs.
Kayako's face when she discovers that Takeo read her diary.
Once More with Clarity: Second movie: Following Aubrey sharing the same fate as Kayako, the earlier scene with Allison being menaced in the cupboard by Kayako plays out again, only this time the woman emerging from the attic is not Kayako, but Aubrey.
The Other Darrin: As with the original Ju-on series, Toshio has been portrayed by three different actors. In the first film and in flashbacks/photographs for the second and third films, he was portrayed by Yuya Ozeki (who also portrayed the version of the character in the two theatrical Ju-on films). In the second film, he was portrayed by Ohga Tanaka. In the third film, he is portrayed by Shimba Tsuchiya. (Unfortunately, the difference is rather jarring in the third movie, as Toshio looks a lot older than in the previous films.)
Not only that, but Takako Fuji, who has played Kayako from the very beginning of the Ju-on saga up until The Grudge 2, has been replaced in The Grudge 3 by Aiko Horichi (although Fuji does appear as Kayako in the third movie's flashbacks and photographs). According to Takako Fuji herself, she was getting tired of playing the same role over and over again.
Also, in the Tales of the Grudge shorts, Kayako is portrayed by Anna Moon.
Parent with New Paramour: The situation with Jake's father and his new wife Trish is a Type 2 example. It averts the Wicked Stepmother trope - Trish is a genuinely nice person and tries her best to get on with Jake, who feels uncomfortable with the fact that his father is with someone else. Jake's sister Lacey deals with the situation a lot better than he does.
Parental Favoritism: Mrs. Davies greatly favours Karen over Aubrey, and is pretty unpleasant towards the latter.
Recut: The Director's Cut, widely considered to be a lot better than the theatrical release due to the new scenes genuinely adding to the atmosphere and feel of the movie, including more explicit violence (most obviously the flashback showing the Saeki murders, although there are others) and deepening the characters' personalities. In addition to the extra scenes present, Susan's vignette is also switched around.
Also, when Peter discovers Kayako's corpse, the room features a pile of cut-up family photographs, with Kayako's face removed from all of them, and subsequently pinned to the door of the cupboard leading to the attic.
Shout-Out: In the first movie, the scene where Susan runs from her workplace and hails a taxi to get home is an homage to Suspiria. Later, there is an homage to The Evil Dead when Kayako's diary flips open seemingly by itself.
The scene in the darkroom in the second movie may be a homage to a visually-similar scene in Shutter. Also, earlier in the same movie, the scene where Kayako appears in the reflection of Eason's TV screen after he switches it off may be a reference to an almost identical scene from Ring.
Single Tear: Aubrey, towards the end of the second film.
Spooky Painting: Used in the third movie when Kayako's face suddenly appears in one of Gretchen's paintings, and again a short while later, when she emerges out of a different painting.
Spooky Photographs: Eason is killed when Kayako emerges from a photograph he is in the process of developing. Later, after Aubrey discovers the corpse of Eason and is subsequently menaced by Kayako, all of the photos in the darkroom change to show Kayako's face staring out of all of them.
Twisted Ankle: In the second movie, Aubrey breaks her ankle while fleeing from Takeo, which results in her having to crawl down the stairs to try (and fail) to escape. This implies that the same thing (or at least something very similar) happened to Kayako. A similar occurance happens in the third movie, when Max breaks Naoko's knee.
What the Hell, Hero?: Jake to Allison when he confronts her about the mysterious deaths in his apartment building, including his whole family; Allison is promptly killed by Kayako right in front of him.
With Friends Like These...: Poor Allison is manipulated, mocked and cruelly pranked by both Vanessa and Miyuki, who use her naivety to their advantage. Also, Vanessa even seems to treat Miyuki in a cruel manner, in spite of their supposed friendship.