Beware the Nice Ones: Kyouko can be very scary when angered or just irritated, as the poor unfortunates who have seen her in that state can testify. The phrase "She is a very scary kind of actress" has become a Leit Motif for everyone who refers to her.
Bi the Way: Debatable. Kyouko may or may not like Moko in THAT way. She is certainly a Large Ham for whom a baseless Anguished Declaration of Love is not out of place, but the frequency and severity of some of her Moko-induced spasms still leads some fans to wonder about her.
Haunted Heroine: Kyouko is haunted by a number of little demons that embody her desire for vengeance. An important point of her new life is to get rid of these little monsters so she can fall in love again.
Laughing Mad: How she first reacts to hearing what Sho really thinks about her and when she's having an Imagine Spot thinking about finally getting her revenge on him (or anyone else that has slighted her) she generally ends up this way.
Stepford Smiler: During her relationship with Shou, Kyouko made a concerted effort to never cry in front of him because she knew it upset him. when she worked in his family's ryokan she hid her feelings to not let the customers know she was upset. Which is one of the reasons why they wanted her to inherit the ryokan.
Yamato Nadeshiko: A deconstructed version, a former Stepford Smiler to be specific. She had the strength of will to put up with a shitty life to support Shou without complaining. After the break up, she put that inner iron to a different use.
Jerkass <-> Jerk with a Heart of Gold: He jumps between the two but remains more of a jerkass. His kindness is shown in the Dark Moon arc toward Kyoko but because she constantly attacks him when he really is trying to be nice to her, he ends up lashing back and goes back to being a jerk.
The Vamp: Sexy, villainous, and very good at manipulating women, even his vengeful ex.
What Is This Thing You Call Love?: Becomes a major plot point in the Dark Moon act, where he has difficulty with a role for the first time in years because he doesn't really understand the concept of love.
Kanae "Moko" Kotonami
Kyouko's rival-turned-friend and the second person to join the Love Me team.
Promotion to Parent: Her de-facto role in her family because her parents are prone to Hands-Off Parenting and her older siblings have their own families to care for (and are also Hands-Off Parents anyway). It doesn't help that she's the only one in the family who is at all responsible when it comes to money and she's stuck paying the bills for her entire family.
Shotacon: Her interactions with the 11, and later 12-year-old Hiou are more than a little suspect. Don't worry, she's not having sex with a minor, and it's hard to imagine her ever even considering it, but all signs point to her reciprocating his Precocious Crush on her.
The eccentric director of LME, the agency that Kyoko joins.
Bunny-Ears Lawyer: He may seem like an eccentric rich idiot to the unaware, but there’s a good reason why LME is THE more successful talent agency there is and why he’s so well respected by pretty much anyone that knows him beyond his image. He can also read people like open books, being well aware of the strengths and weaknesses of all his talents (this being the main reason he created LoveMe to begin with); and in particular, he was well aware of Ren’s lacking skills for love acting and also realized he had fallen for Kyoko after just one look at his expression towards her.
"I respected my father, and always thought I wanted to become like him, so I was happy in the beginning, but... "Your likes are the same." "Your hobbies are the same." "Your artistic style is the same." When it seemed like I was always being told that I was imitating my father, I became disturbed.
Ocular Gushers: Even though he is seen crying far fewer times than Kyoko, in the anime his total tear output very likely rivals her own what with him having created two different raging seas with his tears!