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Music: Nine Inch Nails
Cheer up, Trent Reznor, you're famous!

"Something's gonna get BROKEN!"
Trent Reznor

Nine Inch Nails is an Industrial Metal band who have been rolling around the musical scene since 1989, releasing music videos which have ranged from politically subversive to the sort of video which answers the question 'What if Hostel had been a set for music videos?'

They're somewhat unusual in that it's essentially one man, Trent Reznor, who's done all of it. Most members have come and gone, occasionally contributing to albums but mostly staying for the live shows. (One such member, Richard Patrick, has struck out on his own and formed a little band you might've heard of, called Filter.) As of 2009, Reznor decided to retire from touring, though he's going to continue to release albums under the Nine Inch Nails name. And as of 2013, he changed his mind, launching the Tension tour.

The music is surprisingly varied, from ear-destroying screaming guitar-death on Broken to beautiful, mellow piano pieces on Still and all kinds of twisted sounds in between; but most of it falls squarely under True Art Is Angsty.

In contrast to his highly brutal Industrial Metal output, Reznor in person is more of a Mean Character, Nice Actor, being very active in his community and generally a pretty nice guy. Also in the same vein, he was friends with Tori Amos - he even sang backing vocals on one of her songs (the past tense is Courtney Love's fault).

In the past few years, though, Reznor has taken a break from new Nine Inch Nails work and instead focused on a project with his wife, Mariqueen Maandig, called How To Destroy Angels, as well as on film soundtracks. Along with Atticus Ross, Reznor has composed the score for The Social Network, for which the duo won an Oscar for Best Original Music Score, and 2011's The Girl with the Dragon Tattoo. (Reznor also provided the soundtrack to Quake and recorded tracks for Doom 3 that didn't make it into the final game (although they can still be found in the game files)).

Luckily for fans, though, Trent can't stay away, and he revealed in interviews that he would spend much of 2012 writing material for Nine Inch Nails, and in early 2013 it was announced that the group would begin touring again in the summer. Later in the year, it was announced that Reznor had been writing and recording music for a new NIN album, and on June 5, 2013 the first single of the Hesitation Marks album, Came Back Haunted, was released.

There have been nine major Nine Inch Nails albums as of August 2013:

  • Pretty Hate Machine (1989) - Nine Inch Nails' debut, at points showing the way towards the Industrial Metal that they'd popularise and at other points sounding like evil Depeche Mode.
  • Broken (1992 EP) - this is where Reznor definitely adopted harsh Industrial Metal, updating his electronics, putting the guitars in the forefront and employing a more abrasive production.
    • Fixed (1992; a remix album of Broken)
  • The Downward Spiral (1994) - a Concept Album, bordering on Rock Opera, about one man's anger, downfall and eventual suicide. Loved by critics, and yes, it's the one with the "fuck you like an animal" song on it)
    • Further Down the Spiral (1995) - the remix album of the above.
  • The Fragile (1999) - a double album (and possibly another Concept Album, albeit one with a less tightly structured narrative than The Downward Spiral) beloved by fans. Famously debuted at #1 on the Billboard charts, then dropped to #16 the next week, the only album ever to have dropped that low from #1.
    • Things Falling Apart (2000) - remix album
  • And All That Could Have Been (2002) - live album recorded during the Fragility 2.0 tour.
    • Still (2002) - acoustic, stripped-down companion piece to the above, including alternate versions of older songs as well as some new and thoroughly depressing tracks)
  • With Teeth (2005)
  • Year Zero (2007) - a futuristic-dystopia-type Concept Album; accompanied by an extensive ARG)
    • Y34RZ3R0R3M1X3D (Year Zero Remixed) (2007) - after the clever names for the other remix albums, something of a let down, though it is a clever reference to the hackers and digital 1337-folk that discovered the Year Zero sites.
  • Ghosts I-IV (2008) - contains 36 instrumental tracks on four discs.. Notable for being obtainable in about twenty different ways, and all the tracks not having proper names and being called by names such as '2 Ghosts I' and '22 Ghosts III'
  • The Slip (2008) - released completely for free on the website as a "thank you" to fans. Theories exist among fans that this is another Concept Album, following the aftermath of Year Zero.
  • Hesitation Marks (2013) - the comeback of Nine Inch Nails, after Trent Reznor releasing two E Ps and an album with his side project How to Destroy Angels

There have been five DVDs (sort of):

  • Broken Movie (1993) - essentially one long extended music video for the Broken EP, made to look (very convincingly) like a Snuff Film. Never officially released. VHS tapes of the film exist, torrents of the film were made by Trent in 2006, and the film was put up by download, also by Trent, in 2013. Directed by the late Peter Christopherson.
  • Closure (1997) - two-disk VHS/DVD set, one tape/disk chronicles the chaotic Self Destruct tour of '95-'96, the other is a collection of music videos that had been released thus far. (The DVD version got caught in red tape, so Trent got fed up and released torrents of that as well.)
  • And All That Could Have Been (2002) - included with the "deluxe" album of the same name, it's the live concert DVD of the 2000 Fragility 2.0 tour, and is littered with Easter Eggs.
  • Beside You In Time (2007) - live concert DVD of the 2005-2006 Live: With Teeth tour.
  • Another Version of the Truth (2009) - an entirely free fan-created live concert film assembled from over 400 GB of clips Reznor released on the Internet. In response to the finished product, Reznor responded, "Nine Inch Nails fans kick ass. Blown away."

Tropes named after NIN songs:

Tropes headed with quotes from NIN songs:


Tropes used in NIN videos:

  • Amusement Park of Doom: "Starfuckers, Inc."
  • And I Must Scream: "Pinion".
  • Bad Vibrations: "Only".
  • Bound and Gagged: Trent in "Closer". Trent in "Sin," too, though only for the bound part. Also, the character in "Help Me I Am in Hell".
  • Bowdlerise: In the music video and radio edit versions, "Starfuckers, Inc." became "Starsuckers, Inc."
  • Call Back: "In This Twilight" calls back to "Survivalism:" "...the world we set on fire..."
    • "The Big Come Down" contains a brief excerpt of off-key guitars and buzzing nearly identical to "The Downward Spiral." Fitting, given the former song's subject matter.
  • The Cameo: Marilyn Manson appears as the guitarist in the video for "Gave Up". And as the girl in the "Starfuckers, Inc." video.
  • Careful With That Axe: Many examples, most notably the blood-curdling scream at the end of "Down In It".
  • Deliberately Monochrome: "Survivalism", "We're in This Together".
  • Epileptic Flashing Lights: "Came Back Haunted." Even has a seizure warning at the beginning of the video.
  • Fan Disservice: "Closer", "Happiness in Slavery".
  • Gorn: The Broken movie. Textbook Gorn. Also "Happiness in Slavery," to extremes.
  • Hell-Bent for Leather: Many music videos include someone wearing leather. Trent himself also appears in latex in the video for "Wish".
  • Jigsaw Puzzle Plot: "Deep".
  • Last Note Nightmare: "Hurt".
  • Mind Screw: "The Perfect Drug", "Help Me I Am in Hell".
  • The Oner: "March of the Pigs".
  • Performance Video: "March of the Pigs," "Gave Up," "The Hand that Feeds," "Wish," "Survivalism."
  • Rule of Symbolism: Both "Closer" and "The Perfect Drug", directed by Mark Romanek, hold symbolic imagery that mostly have to do with famous photos.
  • Snuff Film: Broken, again. Footage from "Down in It" was also investigated by the FBI, as one of the weather balloons a camera was attached to drifted off and was later found and reported to them.
  • Spit-Trail Kiss: "Deep", though it's technically a spit trail lick.
  • Stop Motion: The video for "Only" features animation via one of those push-pin novelty toys generally found in Spencer Gifts or similar stores.
  • Take That: "Starfuckers, Inc." The song itself is a huge 'take that!' at celebrities and fame in general, and Word of God admits it had a lot to do with Marilyn Manson in particular. Marilyn Manson (the person) realized this and rather than getting pissed like most people would, made a video out of it, which took more specific shots at Pamela Anderson, Fred Durst, Gene Simmons, and Trent himself, among others. Oh, and it also portrayed a fat, ugly Courtney Love.
  • Three Minutes of Writhing: In the literal, death-throes sort of way.
  • Tomato Surprise: The identity of the girl who follows Trent around in "Starfuckers, Inc." It's Marilyn Manson.

Pretty Trope Machine:

  • Addiction Displacement: After finally getting clean of drugs and alcohol, Reznor became a weight-lifting enthusiast.
  • Album Title Drop: "...this broken machine!" - From "Happiness In Slavery"
  • Alone in a Crowd: "All the Love in the World."
  • Angst: Most songs.
  • Arc Words: "Nothing can stop me now."
  • Ate His Gun: How the character in The Downward Spiral (both the song and the album) chooses to go. The Freudian imagery is everywhere.
  • Audience Participation Song: Quite a bit, especially from The Downward Spiral:
    • The "and I control you" line in "Mr. Self Destruct."
    • At any given performance of "March of the Pigs," the audience is often at least as loud as the band.
    • The chorus of "Ruiner."
    • "Don't you tell me how I feel" in "I Do Not Want This."
    • Eraser.
    • And, of course, "I wanna fuck you like an animal!" from "Closer."
  • Author Vocabulary Calendar: The fact that this page exists.
  • Awesome McCool Name: Trent Reznor. Just say it.
    • This trope also applies to his children Lazarus Echo Reznor and Balthazar Reznor.
  • The Backwards R: The Cyrillic И, often used to make the initials symmetrical.
  • Badass Beard: Has been known to sport one on occasion and had a nice one at the Oscars
  • Bishōnen: Reznor was quite pretty in his younger years.
  • Call Back:
    • "Nothing can stop me now," used primarily to illustrate the protagonist's delusion in various Downward Spiral songs, reappears on The Fragile ("La Mer" and "We're in This Together") in a much more optimistic context, and again on one song on With Teeth, "Sunspots."
    • "Down In It" had the lyric "Just then a tiny little dot caught my eye, it was just about too small to see", which was referenced in "Only" with the line "The tiniest little dot caught my eye, and it turned out to be a scab".
    • A line in "With Teeth" calls back to the end of "Now I'm Nothing":
    Wave goodbye / to what you were / The rules have changed / the lines begin to blur - "With Teeth"
    All that I can do / Is break myself in two / I fucked it all away / Now I'm nothing / Wave goodbye - "Now I'm Nothing"
    • Also, it is believed that the title of "The Line Begins to Blur" on the same album calls back to the very same line from "With Teeth".
    • "The Wretched" from the album The Fragile contains the line "Back at the beginning/Sinking, spinning...," which may very well be a reference to the title of the previous album The Downward Spiral.
  • Came Back Wrong: Unsurprisingly, the song "Came Back Haunted" has shades of this, whether metaphorically or literally.
  • Canon Discontinuity: Any release without a Halo number. Most of these were forced by the record company. Reznor is very open about how he feels about that.
  • Careful With That Axe + Metal Scream: One must admit Trent's got a great voice for Industrial Metal.
  • Cluster F-Bomb: "Starfuckers, Inc."
  • Concept Album: The Downward Spiral, which follows a man solipsistically shedding every aspect of his world from him until he commits suicide; The Fragile, which is loosely about depression and trying to re-assemble one's life, only to end up "where it starts [with] the same emotion"; and Year Zero, which presents a dystopian version of 2022 in which nuclear war and bioterrorism has started to erupt and (at the very least) American civil liberties are eliminated.
  • Continuity Nod: "Only" is basically this to "Down in It": the latter is halo 1 while the former is halo 20, the vocal delivery is very similar, and "Only" even refers to a lyric from "Down in It":
    Just then a tiny little dot / Caught my eye it was just about too small to see / But I watched it way too long / It was pulling me down - "Down in It"
    Well, the tiniest little dot caught my eye / And it turned out to be a scab / And I had this funny feeling / Like I just knew it's something bad - "Only"
    • Taking Word of God into account, "Adrift and at Peace" is the conclusion to "La Mer".
    • "Nothing can stop me now," Arc Words in The Downward Spiral, reappear on the songs "Sunspots" and "We're in this Together," both from two other albums.
  • Control Freak: Trent himself admits to being this, and it shows up in many songs.
    • The character in The Downward Spiral appeared to be this, as well.
  • Cover Version: Quite a few - and (almost) all English musicians, to boot.
    • "Physical" (Adam Ant)
    • "Suck" (Pigface) note 
    • "Get Down Make Love" (Queen)
    • "Dead Souls" (Joy Division)
    • "Supernaut" (Black Sabbath [with 1000 Homo DJ's])
    • "Memorabilia" (Soft Cell)
    • "Metal" (Gary Numan)
    • "Zoo Station" (U2)
    • Two from his Dragon Tattoo soundtrack, albeit with female singers: Led Zeppelin's "Immigrant Song" (with Karen O of the Yeah Yeah Yeahs), and Brian Ferry's "Is Your Love Strong Enough" (with Mariqueen from How To Destroy Angels).
  • Creator Breakdown: Oh, the Creator Breakdown... see The Downward Spiral for the results!
  • Cut Song: Most notably, "Just Do It", which was left off The Downward Spiral at the advice of producer Flood, who considered it too "up front" about the act of suicide.
    • From that same album, "The Beauty of the Drug."
  • Cybernetics Eat Your Soul: "The Becoming," symbolically.
  • Dark Is Not Evil: See above.
  • Dark Wave: Pretty Hate Machine is a bit more synth-heavy than later releases and sounds very much like twisted Synth Pop.
  • Deliberately Monochrome: Lots of publicity photos.
  • Digital Piracy Is Okay: Encouraged by Reznor himself, out of spite for the record industry. Reznor actually encouraged fans to steal his own music due to his loathing of how badly his record company was screwing his fans (he specifically used the word "steal" repeatedly, too). No doubt that because of Trent's preference for free downloading of his albums, the albums The Slip and Ghosts I-IV were released under a Creative Commons license that allows unlimited non-commercialnote  sharing and modification as long as credit is given. (These can be downloaded legally at no charge from archive.org, though physical copies are also available for a fee.)
  • Doing It for the Art: Considering how he doesn't mind piracy of his albums as well as licensing more recent work under a non-commercial Creative Commons license, it's obvious Trent just really likes making music.
  • Downer Ending: The aptly titled The Downward Spiral ends on an excruciatingly depressing note with the character's suicide, while Year Zero ends with The End of the World as We Know It.
  • Epic Rocking: Closer (6:13), Reptile (6:52), Hurt (6:14), We're in This Together (7:15), Ripe (With Decay) (6:34), Zero-Sum (6:14), Corona Radiata (7:33), All Time Low (6:18)
  • The End of the World as We Know It: How Year Zero ends.
  • Everything Is an Instrument: Trent has been exploring and exploiting the ways computers and samples can be used to make music from the beginning. The melody at the end of "Terrible Lie" was created by sampling a woodblock and then processing it with filters and distortion.
    • Used especially in the Ghosts series, which included, for instance, a cookie sheet with a chain laid across it being struck percussively.
    • Exceptions: according to Trent, The Fragile is mostly guitars with a lot of the textural sounds being from instruments that he didn't know how to play properly.
  • Excited Show Title!: "HYPERPOWER!"
  • Earn Your Happy Ending: Trent's sobriety and newly-founded family have seemingly made him a much happier individual compared to the Downward Spiral era. The angst factor has significantly dropped because of it. This however divides the fans of the group even to this day, with one side preferring the "old Trent" and the other preferring the "new Trent".
  • Fading into the Next Song: Nearly all albums use this extensively.
  • Funk Rock: Pops up on occasion in the NIN ouvre — due, no doubt, to his admiration for Prince. "Closer" arguably qualifies; "All Time Low" and "Satellite" from Hesitation Marks, without question.
  • God Is Dead: "Heresy".
  • Happiness in Slavery: The song is the Trope Namer!
  • Hates Everyone Equally: From "Wish":
    "Don't think you're having all the fun
    You know me, I hate everyone"
  • He's Back: Hesitation Marks had this effect, after a long time spent with How To Destroy Angels.
  • Heterosexual Life-Partners: From about 1985 until 1997, Trent had this kind of relationship with Chris Vrenna.
    • This friendship spanned earlier than that; they became friends as teenagers, owing to the fact that they grew up within fifty miles (90 km) of one another (Vrenna is originally from Erie, Pennsylvania; Reznor is from a town called Mercer, about forty minutes south).
    • Lately, he seems to be developing this type of relationship with Atticus Ross.
  • Humanoid Abomination: The Presence from the Year Zero universe (arguable as only an arm of it is ever visible), a massive four-fingered arm descending from the sky that strikes intense feelings of terror into anyone who sees it. It is eventually responsible for The End of the World as We Know It.
  • "I Am" Song: "Mr. Self Destruct" and its remixes, "Big Man with a Gun," and "Sanctified."
  • I Am Becoming Song: "Becoming", natch. It's even invoked in the lyrics.
  • Important Haircut: Trent cut his trademark long, messy hair sometime after getting over his addiction problems and recording With Teeth. He's had a buzz cut ever since, with a transitional shorter cut seen in the photo at the top of the page.
  • Incredibly Lame Pun: This gem from "The Only Time": My moral standing is lying down (geddit?).
  • Incredibly Long Note: At the end of Hurt. Also counts as a Last Note Nightmare.
  • Industrial Metal: The Trope Codifier, too.
  • Industrial: Songs like "Heresy" and "The Becoming" off of The Downward Spiral show that Trent still (back then, at least) could make genuine Industrial music.
  • Intentionally Awkward Title: Despite various apocryphal origin stories, Trent's basic story on how he came to "Nine Inch Nails" as the band name is simple: it sounded cool and abbreviated easily.
  • Intercourse with You: So many of their songs. ''Closer'', to nobody's surprise. Reptile and Sin too, though arguably they're more about the destructive impact of a relationship than actual sex.
    • Often Lampshaded when "The Only Time" is performed live; Trent often introduces it with "This song... is about... FUCKING."
  • Large Ham
    I AM A BIG MAN YES I AM, GOT ME A BIG GUN
    • Another stupendously notable one:
    I am the GREAT DESTROYEEEEEEEEEEEEEEEEEEEEEEEEEEEEEER
  • Last Note Nightmare: "Hurt".
  • Lighter and Softer: "Everything" off "Hesitation Marks" could be the most un-NIN song yet. It's an 80s-style rock song, with pop and power influences thrown in - and even with Lyrical Dissonance thrown in, the narrator's finally accepted the other "thing" inside him from the previous songs.
  • Lyrical Dissonance: "Everyday is Exactly the Same" is one of NIN's softer and, quite frankly, more "mainstream" songs. It's also one of the most depressing.
    • "Everything" continues the dark lyrical theme of the previous "Hesitation Marks" song - it, at first, seems like the narrator is happy, but only because he's accepting whatever has been eating at him away inside and will wither away to die.
  • Madness Mantra: "Echoplex".
    • From "The Becoming": "It won't give up, it wants me dead, and goddamn this noise inside my head". Also counts as Nightmare Fuel.
    • The Arc Words of The Downward Spiral, "nothing can stop me now," are often utilized this way, with some variation ("nothing can stop me now 'cause I don't care" in "Piggy," "nothing can hurt me, nothing can stop me now" in "Ruiner," etc.).
    • Also, "Into the Void"... And more. Trent's very fond of this trope.
    • The gut-wrenching ending of I Do Not Want This: "I wanna know everything, I wanna be everywhere, I wanna fuck everyone in the world, I wanna do something that MATTERS..."
  • Minimalistic Cover Art: Broken, The Downward Spiral, With Teeth... ah hell, most every one of their albums has this.
  • Miniscule Rocking: "Big Man With A Gun," "The Frail," "HYPERPOWER!," and "999,999," plus one or two songs from Ghosts I-IV.
  • Misogyny Song: Satirized in "Big Man With A Gun" according to Word of God, inspired by its prevalence in Gangsta Rap. Unfortunately, it was misinterpreted as an example itself.
  • Mohs Scale of Rock and Metal Hardness: All over the freaking place, from a 1 or 2 (Hurt, The Great Below, Right Where It Belongs, A Warm Place) to an 8 (Gave Up, Starfuckers Inc.) or even an arguable 9 (Big Man with a Gun, some of the stuff on Broken). Most of the heavy stuff`s around 6-7, though.
    • "March of the Pigs" and "Big Man With A Gun" are a 9, with the former being a borderline 10.
  • Mondegreen: In one interview Trent Reznor wanted to drive home the point that in "Head Like a Hole" he is saying "God/money" and not "Got money?", and in "Down in It", he is saying "I was up above it" and not "Eyes of a puppet."
    • There's a photo out there of one of guitarist Aaron North's setlists on the With_Teeth tour, that reads "Down In It, aka Eyes Of A Puppet", along with a few other jokes.
  • Mood Dissonance: "The Becoming" contrasts ominous industrial sounds and lyrics about dehumanization with surprisingly low-key vocals.
  • Mood Whiplash: "March of the Pigs," and "With Teeth." Also arguably "I Do Not Want this," especially if you agree with the popular theory that it's two different sides of the character speaking.
    • "Head Down." Enough said.
    • Song-to-song transition example: on The Downward Spiral, the noisy and hyper-aggressive "Big Man with a Gun" is followed by the calm ambient soundscapes of "A Warm Place," which is then followed by the slow-burning aggression of "Eraser."
    • Which is then followed by the pulsing, ripping sound of "Reptile."
  • Mr. Fanservice: Trent Pre-With Teeth: Somewhat waifish, long flowing black hair and at times bordering on outright Bishōnen. Post-With Teeth: Kicked his drug addictions and took up weigh lifting to compensate. The end results were... impressive, to say the least.
  • My God, What Have I Done?: Quite a few of Trent's songs are about regret; notable examples are "Gave Up" (After everything I've done / I hate myself for what I've become) and "Zero Sum" (Shame on us / After all we've done.)
  • New Sound Album: All of them, technically. Pretty Hate Machine had an evil synthpop sound to it, then while the Broken/TDS era came around, they switched to a more aggressive, industrial metal sound. The Fragile featured more industrial elements and it was a little less heavy, then years later, With Teeth was released, and it had a more straightforward rock sound. Year Zero was very electronically influenced, and The Slip reverted back to the sound of With Teeth.
  • Nietzsche Wannabe: The character in The Downward Spiral, to the point of actually quoting him. Trent himself had moments like these in earlier interviews.
  • Obligatory Bondage Song: Subverted by "Happiness In Slavery".
    • Quite frankly, Trent has many songs that seem like this unless you're following the continuity of the album they're in. "Meet Your Master" is a good example of this. Alternatively, you might not realize that songs like "Happiness in Slavery" or "Head Like a Hole" are actually about record labels unless you actually know about Trent's history with them. There's also "Sin," which sounds like a song about D/s, which really isn't helped by the ridiculously fetishistic Music Video...which is a lot like most of their videos. So really, it's more like Obligatory Bondage Music Video...
  • Obsession Song: A few songs have themes of this, in particular "Closer to God," a remix of "Closer," and "Kinda I Want to."
  • Ominous Message from the Future: The entirety of the Year Zero ARG is this, with the earliest quantum computers suddenly receiving a bunch of websites from their future selves, depicting a dystopic future and the end of the world in 2025. Unfortunately, the messages sent back were partially corrupted by the future computers being damaged during the upload, either by government agents or The Presence. Nonetheless, the implication remains that having received the messages has changed the timeline and averted the events of Year Zero.
  • Piss Take Rap: The weird, hybrid sing-rapping Trent does in "Down In It".
    • Also, "Where Is Everybody" and possibly "Capital G" might count.
  • The Plan: The entire game leading up to the release (and beyond) of Year Zero. It's complicated.
  • Please Don't Leave Me: Directly lampshaded in "Please."
  • Pop-Star Composer
  • Posthumous Narration: In The Downward Spiral, the narrator kills himself in track thirteen, then makes one final song. "If I could start again" indeed.
  • Product Placement: Could easily be a coincidence, but in a film that Reznor worked on the soundtrack for a character is seen wearing a Nine Inch Nails t-shirt.
    • Trent Reznor and then-NIN engineer Sean Beaven created the soundtrack for the game Quake. The NIN logo was used in-game on all of the ammo boxes for the nailgun.
  • Rap Rock: "Capital G.", "Down In It"
  • "The Reason You Suck" Speech: "No, You Don't" is basically one big verbal bitch-slap to someone who may or may not be Courtney Love (she gets a more direct mockery in the video for "Starfuckers Inc."). Also, "You Know What You Are?", and arguably "Happiness in Slavery".
    • Also, "Starfuckers Inc." itself counts as one (possibly also at Courtney Love, though it's also said to be directed at Fred Durst and Marilyn Manson as well- it even imitates Manson's apparent habit of having to record vocals in MANY takes... Funnily enough, he later joined Reznor on stage to perform it.) (Of course, Manson was also in the video.)
    • Those songs only really count as this outside the context of the albums they're part of (with the exception of You Know What You Are?", which does not come from a concept album). Within the context of the albums to which they belong, they mostly just reinforce said concept and are (or seem) much less directed at any one person...
      • "Not So Pretty Now" is another exception.
    • "March of the Pigs" is one towards society as a whole, and "Ruiner" is one about God. For that matter, so is "Terrible Lie".
  • Record Producer: Trent's personally produced every single NIN album, with help from various others at some points, like Adrian Sherwood and John Fryer (Pretty Hate Machine), Flood (Broken, The Downward Spiral) and Alan Moulder (The Fragile, With Teeth). All the NIN albums since Year Zero have been credited to Reznor, Moulder and Atticus Ross.
  • Recurring Riff: There's a descending melodic line that appears in several songs on The Downward Spiral, albeit in different keys.
    • "La Mer" and "Into the Void" both share basslines, though on "La Mer", it's not the main riff.
  • Recycled Trailer Music: Quite a few action movies use NIN songs in their trailers nowadays.
  • Refrain from Assuming: The song "Fuck You Like an Animal" is actually called "Closer". Not helped by the single release (as well as a remixed version or "Closer") being titled Closer to God.
  • Religion Rant Song: "Heresy" and "Ruiner" from The Downward Spiral, "Terrible Lie" from Pretty Hate Machine, and judging by Word of God, "Capital G" from Year Zero as well. "Find My Way" is a weird version, as the narrator begs the Lord to watch over him and take him back - even though he knows there's no Lord.
  • Sampling: Not only from the obligatory old horror and sci-fi movies, but also occasionally from other artists. Pretty Hate Machine's liner notes thanked Prince, Public Enemy and Janes Addiction among others because Trent sampled them. "Big Man with a Gun" from The Downward Spiral begins with a sample of what is apparently a porn star having an orgasm, heavily processed so as to be unrecognizable. The album booklet gives the sample the Non-Indicative Name of "Steakhouse".
    • The most prominent unprocessed sample is the "Goodnight, whoo!" and crowd noise featured in the single version of "Starfuckers, Inc."
    • An expansive list can be found here. The most unusual samples on the list include Saddam Hussein's trial verdict and a YouTube video of BioShock cosplay.
  • Sanity Slippage Song: The Downward Spiral is 14 tracks of this, but notable examples include "Piggy" (which sets the whole thing off, after the narrator gets dumped), "Ruiner" (which seemingly has the narrator convinced he's defeated God), and "Big Man With a Gun" (in which the narrator loses it completely and rapes someone).
    • "Echoplex", "Somewhat Damaged", and "Slipping Away"
  • Self-Backing Vocalist: Virtually all of the background vocals on Trent's songs are...well, Trent. The only songs with audibly non-Trent contributions from the band's entire career are "La Mer" (which is instrumental apart from Denise Milfrot's French mumbling) and "Pilgrimage" (which is instrumental with indistinct militaristic chanting in the background).
  • Single Stanza Song: "The Day The World Went Away," "The Way Out is Through," "Big Man With a Gun," "The Downward Spiral," and "Eraser."
  • Spoken Word In Music: Used in "Closer", "The Downward Spiral" (the song), "The Becoming" and "Zero-Sum".
  • Stop and Go: "God Given"
  • Subdued Section: practically the king of this trope. Songs from The Downward Spiral were especially prone to this.
  • Subverted Rhyme Every Occasion: "All the Love in the World."
  • Surprisingly Gentle Song: "A Warm Place"
    • "Zero Sum," the last track on Year Zero, and "Lights in the Sky," from The Slip.
    • "Everything" from Hesitation Marks is a... power pop/rock song.
    • Most of his piano pieces fall under this.
  • Take That: Many.
    • The "eat your heart out, Steve" whisper at the start of "Physical" is directed at Steve Gottlieb, the head of TVT Records who tried to interfere with the recording of Broken and prevent Trent from moving to Interscope. Further insults are in the "Gave Up" video, where one shot of a Macintosh running Pro Tools has the sequence title "fuck you steve", and the Broken liner notes, which end with "no thanks: you know who you fucking are" and "the slave thinks he is released from bondage only to find a stronger set of chains."
    • "Starfuckers, Inc." is a huge 'take that!' at celebrities and fame in general, and Word of God admits it had a lot to do with Marilyn Manson in particular.
    • The video for "Starfuckers Inc." mocks Courtney Love, and depicts Trent throwing copies of his own album and Mechanical Animals in the trash at a carnival attraction, and smashing porcelain figures of other musicians. It's basically a giant middle figure at the entire music industry.
    • "March of the Pigs" is one for literally everyone. "Ruiner" also fits. It's a Take That for God, by the way.
      • It's a little more complicated than that, though, since after verbally ripping into God in "Ruiner" and metaphorically "killing" him, the narrator loses his soul and sense of morality and ends up a soulless machine in "The Becoming" and "I Do Not Want This," which then leads to him raping someone in "Big Man With a Gun."
    • During his feud with Manson, Trent mocked his cover of Depeche Mode's "Personal Jesus" in response to a fan letter, saying he'd love to record a cover that sounds exactly the same as the original.
    • Strobe Light is quite an obvious piss-take at Chris Cornell's expense. Trent had previously mocked his badly-received Scream on Twitter, writing "You know that feeling you get when somebody embarrasses themselves so badly YOU feel uncomfortable? Heard Chris Cornell's record? Jesus."
  • Testosterone Poisoning: "Big Man With a Gun".
  • Textless Album Cover: The Fragile (only a portion of the NIN logo is visible), Year Zero, and The Slip.
  • Title Only Chorus: "With Teeth," "Terrible Lie," "Starfuckers, Inc.," "That's What I Get."
  • Title Track: The Downward Spiral and With Teeth are straight examples. Ghosts I-IV takes this trope to its Logical Extreme: every single song on that album (yes, all 36 of them) are titled with their track number, the word "Ghost" and either I, II, III, or IV.
  • Uncommon Time: The verses of "March of the Pigs" are three bars of 7/8 followed by one bar of 8/8. Similarly, most of "The Becoming" takes the form of a bar of 7/4 followed by a bar of 6/4.
  • Understatement: The song "Somewhat Damaged" is about a guy who's really, really damaged. (It was apparently used by Tom Hiddleston as psychological preparation for playing Loki in The Avengers, if that says anything.)
  • "World of Cardboard" Speech: Good God, "The Great Destroyer."
    "I hope they cannot see the limitless potential
    living inside of me to murder everything
  • Vocal Evolution: Like it or not, Trent's voice and style has changed a lot from the beginning, particularly in how deep it's gotten. This is most evident in Year Zero.
  • X Meets Y: Black Celebration-era Depeche Mode meets Ministry and Skinny Puppy.
  • Zeroes and Ones: The very last lyric on Year Zero.
    Shame on us/for all we have done/and all we ever were/just zeroes and ones

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alternative title(s): Nine Inch Nails; Trent Reznor
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