Recycled Trailer Music

"Listening to it now, I'm a bit surprised I got away with such nutty music for a coming attraction. Of course, those days are long all trailers now seem to be mandated by law to be beefed-up variations of Carl Orff's Carmina Burana..."
Danny Elfman, on the music written for the trailer of Mars Attacks!

When releasing a film to the public, the film's score is usually the very last thing to be completed. This means that there will be enough finished scenes to make a trailer, but no soundtrack yet. What's a studio to do?

Slap in some music from another film, stock music, or even a pop song, that evokes the general mood they're going for, that's what.

The first film of a franchise is most likely to use this trope, whereas trailers for future films tend to reuse music from the previous ones. For example, most Star Wars trailers after A New Hope used portions of John Williams' score for that film, whereas the original trailer for A New Hope used stock music! Once the score is completed, the studio might release a new batch of trailers using the film's own music.

Licensed music made entirely for trailers by groups like Two Steps from Hell and used to advertise several unrelated products is not an example of this trope as that's just stock library music. Also not part of this trope are classical compositions or songs initially released as just.. well, music, take those examples to Standard Snippet and/or Stock Trailer Music.


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  • An advertisement for the Nickelodeon Cruise had the KaBlam!! theme playing...though the show itself is not featured on the cruise, and has been forgotten by Nick.

  • An overused score is the main theme from Requiem for a Dream, "Lux Aeterna" which is used for "serious" movies... and certain NASCAR commercials. Most ads don't use the original recording; instead they tend to use the big orchestral arrangement which was recorded for the trailer of The Two Towers.
    • The Requiem for a Dream version was used in a chrurch for a video montage of World Youth Day preparation.
    • Neatly mocked in this Telus commercial, featuring some fairly epic meerkats.
    • A LOT of YouTube videos use this piece.
  • You HAVE heard this piece. And when you listen to it you will say "oh, the movie trailer song" at 1:38.
  • It's frequently used on Britain's Got Talent. It seems like a typical usage until you realize that one of the storylines in Requiem For A Dream involves someone compromising their values and ultimately sacrificing their sanity for a chance to be on television.
  • It is also used in the trailer for Cupcakes: The Movie.
  • "Nara" is the track used most often, it seems—that's the Cold Case one and it was in the trailers of Unfaithful and Vanity Fair.
  • A lot of trailers use music from the Stargate movie.
  • Incidentially Stargate used music from Wojciech Kilar's BramStokersDracula which was used for numerous other trailer's itself: including 12Monkeys, Pirates of the Caribbean, Demolition Man, Underworld and What Lies Beneath
  • In the previews for the movie No Reservations, part of the music used consisted of the ending credits music from A Series of Unfortunate Events. Its own trailers were using music from Paramount's The Addams Family films. And some trailers for A Series Of Unfortunate Events used the Edward Scissorhands theme! The first trailer for Burton's Alice in Wonderland used music from A Series of Unfortunate Events — the cycle is complete. Naturally Corpse Bride also used music from A Series of Unfortunate Events.
  • The "Flying" theme from the '03Peter Pan is used in children's fantasy-adventure trailers almost as much as "What's This". That movie's trailer used "The Crystal Chamber from Atlantis: The Lost Empire'', which was also from James Newton Howard. It's especially odd to hear on the commercials for the Disney Theme Parks, considering Disney has its own version of Peter Pan.
  • "Bishop's Countdown" from Aliens pops up a lot in trailers involving action sequences building up to a crescendo.
  • "Aquarela do Brazil" is slowly becoming one of these songs, especially in its incarnation as the Central Services theme song from Terry Gilliam's Brazil.
    • It was used in a WALL•E ad.
      • Which oddly brought the song full-circle, as "Aquarela do Brazil" (Portuguese for "Watercolor of Brazil") debuted in an early Disney feature, "Saludos Amigos", where Donald Duck meets Brazilian parrot Jose Carioca.
      • The reason for its use in the WALL•E teaser trailer: Michael Kamen, who did the music for Gilliam's "Brazil," was originally going to score WALL•E. But then he died. And people were sad. And then Thomas Newman came to the rescue. And everyone was happy again. The end. The theatrical trailer used "With Great Power" by Immediate Music and "Super Strength" by Two Steps From Hell, two epic trailer music pieces.
  • The choral bit called "O Verona" from Baz Luhrmann's William Shakespeare's Romeo + Juliet sounds a bit like Carmina Burana and gets used a lot. It was also used in the trailer for The X-Files: Fight the Future, certainly.
  • Edward Scissorhands - Danny Elfman said, as part of a commentary track for the DVD, that every now and again his friends will call up and say "Edward's back!" when some trailer uses that music. It's also frequently imitated in ads for other companies - indeed, if any ad's BGM involves an slightly spooky choir, it's probably an imitation of this score.
    • Elfman's title music for Beetlejuice is also heard frequently in trailers for kid's movies.
  • Some family films use the main theme from Liar Liar during their trailers.
  • The trailer for Australia (the movie, not the country!) uses "The Ecstasy of Gold" from The Good, the Bad and the Ugly and the heroic leitmotif from Pirates of the Caribbean. It also used the music that plays during the St. Crispian's speech in Kenneth Branagh's Henry V.
  • Nicely averted by The Proposition which used its own soundtrack, probably because the soundtrack was one of the film's main selling points. This is also true of MirrorMask.
  • The ecstatic, sweeping "Prime Minister's Love Theme" from Love Actually crops up in any number of trailers, particularly romantic comedies.
  • The "Word of Warning" teaser for Alien swiped some of the score from Logan's Run.
  • The trailer for Mr Magorium's Wonder Emporium used Danny Elfman's "Breakfast Machine" music from Pee-wee's Big Adventure.
  • Several of Disney's trailers in the late '90's-early 2000's would use a symphony instrumental of the Cut Song "If I Never Knew You" from Pocahontas.
  • Tomoyasu Hotei's "Battle Without Honor Or Humanity" began cropping up all over the place after Kill Bill made it famous.
  • Elfman's main theme to Rodney Dangerfield's Back to School has been trailer music for plenty of boisterous comedies.
  • Hans Zimmer's piece You're So Cool from the movie True Romance, gets used in trailers quite often.
    • Which itself is almost a direct rip-off of Carl Orff's "Gassenhauer".
  • Trailers for the film adaptation of Constantine use "Pain and Retribution" from the score to The Crow.
  • The teaser to Bedtime Stories had music playing from 102 Dalmatians.
  • The "Flying" theme from Hook is another exceedingly popular children's fantasy piece. Give a listen, and you'll probably recognize it.
  • Aversion: the first trailer for The Phantom of the Opera (2004) used a churning, string-section-heavy part of the actual score (though that may have been a different recording than the one used in the film), followed by a small snippet of Gerard Butler singing "The Music of the Night". The trailers for the DVD version, oddly, still contained the score, but little to no singing (similar to the Sweeney Todd example above), except the narration still called it "Andrew Lloyd Webber's triumphant musical"!
  • One of the first teasers of Ridley Scott's Gladiator used "Anvil of Crom" from Conan the Barbarian (1982) by Basil Poledouris. What better way to set the epic tone for the then upcoming movie? The film had music by Hans Zimmer, Klaus Badelt and Lisa Gerrard.

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Alternative Title(s): The Elfman Effect