What Lies Beneath
is a 2000 American supernatural horror-thriller film directed by Robert Zemeckis
. It stars Harrison Ford
and Michelle Pfeiffer as Norman and Claire Spencer, a couple with a seemingly perfect marriage who experience a strange and terrifying haunting that uncovers secrets about their past and seems to threaten their lives.
Zemeckis made the film during a hiatus for Cast Away
, waiting for Tom Hanks to lose enough weight to play a man stranded on an island for four years.
This film contains examples of:
- Ax-Crazy: Norman, once everything is out in the open.
- Bittersweet Ending: Madison gets her vengeance by killing Norman and is able to finally move on. Claire is undoubtedly left mentally scarred from everything that's happened, but her visit to Madison's grave seems to imply that she's making steps towards getting on with her life.
- Body Horror: Madison's decomposing corpse.
- Broken Bird: Claire has shades of this after her oft-mentioned car accident, and there is no possible way she makes it through the rest of the film unbroken.
- Dog Scare: How the seance ends.
- Clingy Jealous Girl: Madison is painted as one by Norman, although it's very likely another lie.
- Creepy Souvenir: One of Madison Elizabeth Frank's hair braids.
- Dangerous Key Fumble: Claire fumbles with the keys when escaping from the house towards the end, giving Norman just enough time to hitch a ride without her noticing.
- Dark Secret: Norman isn't quite the perfect husband Claire thinks he is...
- Demonic Possession: Claire allows herself to be possessed by Madison, which allows her to find out the truth about the affair. She later inadvertently allows another possession as Norman attempts to drown her.
- Domestic Abuser: Subverted. Warren Feur initially comes across like this, but it's all a misunderstanding.
- Driven to Suicide: Norman claims Madison killed herself when he tried to break off their affair. He's lying. He also intends to make Claire's death look like this as well.
- Eye Awaken: Unconscious Norman's eyes fly open as Claire makes her escape from the house during the climax.
- Finger Twitching Revival: Norman's fingers twitch as he's lying unconscious at the bottom of the stairs.
- Foreshadowing: Claire having a car accident prior to the events of the film is mentioned a few times. It turns out she had the accident after driving off in a heartbroken rage after discovering Norman's affair, and the accident left her unable to remember the affair - until Madison makes her remember.
- Freeze-Frame Bonus: Madison is briefly seen reflected in the bath water for a second time (during the "YOU KNOW") scene. She only appears for about a second. Another example occurs at the very end of the film: as the camera pans down and the screen fades to black, an image of Madison's face can be seen in the snow.
- Ghostly Goals: A combination of both Type A and a little bit of Type B: Madison wants to exact revenge on Norman, but also leaves clues for Claire to lead her towards the truth.
- Go Out with a Smile: Madison's spirit, having avenged her own death, gives a small, peaceful smile as she floats through the lake.
- Haunted Heroine: Claire.
- Homage: Some scenes are an homage to Psycho and Rear Window.
- The Immodest Orgasm: The Feurs' "Sexual Olympics", as described by Norman.
- Jump Scare: Several, but perhaps the best example is Madison's first appearance, reflected in the bath water.
- The first time Claire's face morphs into that of Madison's is jarring enough. The second time it happens - when Claire's face suddenly morphs into Madison's very dead, very decomposing face - is downright horrifying.
- Karmic Death: Norman is killed in the same way he murdered Madison - via drowning. Not only that, but he dies in the same lake in which he disposed of her body.
- Make It Look Like an Accident: After killing her, Norman placed Madison's body into her car and rolled it into the lake.
- Mirror Scare: All over the place. This film will probably make you paranoid about looking into water or bathroom mirrors for a long time.
- Mistaken for Murderer: Warren Feur.
- Nightmare Face: Claire's face morphing into Madison's dead, blue face.
- Nothing Is Scarier: Much of the film runs on this.
- Oh, Crap: A particularly chilling version happens towards the end, when Claire realises that Norman most certainly did not dial 911. Later, during the climax, Norman has one when the very dead Madison tilts her head towards him.
- Rear Window Investigation: Claire towards the Feurs.
- Red Herring: The couple next door are perfectly nice — if a bit intense — and neither is dead or a murderer.
- The Reveal: Several, but none are more shocking than the fact that Norman is the killer.
- Shout-Out: Robert Zemekis consciously shot the film in the style of Alfred Hitchcock, if he had access to digital technology. Also, there are many references to Hitchcock films, such as Psycho, Rear Window, Vertigo, Rebecca and Spellbound.
- Snow Means Death: The film's final scene is of Claire placing a rose on Madison's tombstone, in the midst of a snowy winter day
- Spooky Seance: Claire and Jody use a Ouija board to try and contact the ghost.
- Supernatural Proof Father: Norman plays this annoyingly straight throughout much of the film.
- Trailers Always Spoil: The trailer completely spoils the fact that Norman had an affair with Madison, and by extension also spoils that the ghost is not Mary Feur, but Madison Elizabeth Frank.