Everybody Hates Hades
aka: Everyone Hates Hades

http://static.tvtropes.org/pmwiki/pub/images/rsz_hades_hate_2965.jpg
Left: Hades, from Classical Mythology. Animal Lover.
Right: Hades, from Disney's Hercules. Obviously Evil.

"Oh and you think I enjoy this? I'm sick and tired of always being the bad guy! What I do has to be done!"
Death, Family Guy

Oh, c'mon, what's wrong with Hades? He's a pretty nice guy. Not his fault he drew the lot of being god of the dead... why is Hades always the God of Evil in media? Why?

Death and the afterlife are scary. We fear death and what comes after because it's unavoidable, happens to everyone, can come at practically any time in many forms and what comes after is often clouded by many various and/or conflicting viewpoints on the matter.

So, by default, anything associated with death can't be good, right? And since Bad Guys Do the Dirty Work, a god who brings death must be an evil one, right?

Well, not always.

Many religions throughout history have produced deities who rule over and/or represent some aspect of death (or destruction) and are not portrayed as being malicious. They're not evil, they're just doing their job. Those dead souls won't collect themselves.

Of course, that doesn't stop some modern writers from looking upon these otherwise benign beings and seeing nothing but an easy villain for their mythology based opus. After all, who cares about accuracy? Viewers Are Morons after all, and most people see death as something to loathe and fear anyway, so half the work is already done! And then there is the whole Satan analogue; cultural myopia leads some in Christian-dominated America to expect that Hades is just the Greek version of the devil, when actually he's more of a cross between Saint Peter and God.

It's also quite possible that they simply didn't know better. Or were limited by time constraints and had to do something with what they had on the fly.

To put it simply, this trope is invoked whenever an author takes an otherwise benign or at least neutral death-related deity and makes them evil for whatever reason.

A Sub-Trope of Sadly Mythtaken and Demonization, and a form of Adaptational Villainy. Compare with Satanic Archetype and Hijacked by Jesus, when the similarities with Christianity are painfully obvious. Contrast with Don't Fear the Reaper and Everybody Loves Zeus. See Historical Villain Upgrade for when this is applied to historical rather than mythological figures. See also The Theme Park Version and occasionally Mythology Upgrade.

Named after the Greek God of the Underworld, Hades, who is often a victim of this in modern times.


Examples:

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    Anime and Manga 
  • Both Mazinger Z, Great Mazinger and Shin Mazinger involve Greek Mythology, and Hades is the villain. In Shin, Mazinger Z Rocket Punches him in the face. Zeus does like-wise with his severed arm.
  • Hades is a major antagonist in the Saint Seiya anime/manga series. He's portrayed as more mellow and melancholic than the likes of Poseidon or Ares, though — he seems to have become a villain because of his disappointment on mankind, whose sins just grow worse and whose respect and reverence for the gods is disappearing. That mythological bit about letting Orpheus and his beloved Eurydice go back to life just because he was touched by his music is present here.
    • He's the primary antagonist of the prequel, Saint Seiya: The Lost Canvas. Or so it seemed until near the end, when it was revealed that his human host was simply pretending to have been possessed, while Hades was really still in deep slumber inside of his soul; Hades does awaken and takes over after said host's ultimate defeat, though.
  • Astro Boy: Pluto, of every incarnation, including one where he's the title character.
  • Sailor Saturn from Sailor Moon, the warrior of death and destruction, was greatly feared by the other Outer Senshi and declared the evil Apocalypse Maiden. That is, until they learned her true and good nature of her powers and her duty as the warrior of death and rebirth; to sweep away the dead and broken so that life can grow anew.
  • The spider in Hell Girl is the ruler of Hell and the one who invented the Hell Correspondence, in which people sell their souls for revenge, as an Ironic Hell for Ai. Considering the setting, he's basically a stand-in for Enma. The show never goes into whether he's doing it out of malice or if it's just his job, though.
  • In-Universe in Kamigami No Asobi - the spirits of the dead curse Hades because they blame him for their suffering in the underworld, and misfortune follows him everywhere he goes. Played straight in some sense, but in a positive(-ish?), All Girls Want Bad Boys sort of way (since he is an option in the harem).

    Art 
  • The altar painting of the Sistine Chapel, The Last Judgement, has two examples.
    • The wise judge of the Greek Underworld, King Minos, sorted all of the dead, either into the blissful Elysium, the plain Fields of Asphodel, or the Fields of Punishment. In The Last Judgement, the king stands besides the fire of Hell as the damned are cast into it, while allowing a demonic snake to coil around his body and giving no implication of his role in judging those who enter Paradise.
    • Charon, who carried all the dead to the Greek afterlife, is shown beating a group of people off his boat into a horde of demons, who drag the people into Hell.

    Comic Books 
  • The Marvel Universe version of Hades, who's referred to by his Roman name of Pluto. Pluto has earned the enmity of both The Incredible Hercules and The Mighty Thor, and has been shown as trying to overthrow Zeus and seize control of the Greek pantheon for himself.
    • This is also the case of Hela, the Norse goddess of the dead (well, the dead who didn't die in heroic battle, anyway). Sometimes it is justified, as she on occasions took the role of a villain and tried to take over Valhalla, but it still doesn't justify the hatred she gets when she only tries to care for the souls under her charge.
    • Other Marvel characters subvert this. The Marvel universe contains the embodiment of Death, who is often depicted as True Neutral — she takes all life, good or bad (as she told Danielle Moonstar the Valkyrie, who said "you cause pain!" — "and end it."), though has ordered the deaths of billions just to take back the balance. There are also other "reapers" in the MU that aren't really evil, like Doorman from the Great Lakes Avengers.
    • Also, in The Thanos Imperative, we see a dimension without Death (Somehow, someone managed to kill her), and it's not pretty.
  • Zig-Zagged in Wonder Woman. "King Pluto" was a villain in his first (1946) story, using kidnapped women to decorate his castle in the Underworld. He was manipulated by the Anti-Monitor during Crisis on Infinite Earths, but later reneged on their alliance at his wife's request. Post-Crisis generally stuck with the mythological portrayal of him as Dark Is Not Evil. (Like many gods, he also modernized, looking like a Victorian undertaker.)
    • In the New 52 series, Hades is presented as kind of a dick, but not outright evil because he doesn't seem to honestly understand how his actions affect others. It's suggested that no one can love him because he himself can't understand what love actually is. This may change after an encounter with Eros' guns (which serve the same purpose as his bow and arrows in the old days).
  • New 52 Doctor Fate does a number on Anubis. Full on destroy the world goals, with the supposed aim of "restoring Maat."
  • In the Smite comics, Hades helps Loki kill Zeus.

    Fan Fiction 
  • In the dreaded My Immortal the "goffic" analogue of Sirius Black uses the nickname Hades. Much like all supposed "good guys", he is at best unsympathetic (plus his sadism). Given that the "goffs" are satanists, it implies that Hades is satanic. The fic is most likely a Stealth Parody of, among others, DarkFics.
  • Hades in the JLA Watchtower universe was first class. Yes, the whole thing was an Evil Plan to get Athena off the throne of Olympus; he believed that, as he was eldest of Chronus and Rhea, he should have been in charge anyway. His tactics during the plan were appalling, however. Mind-wiping and seducing Omen? Blatantly cheating during the Titans' challenge of his heroes versus them? Forcing Nightwing into a fight to the death and making sure Nightwing lost?! Killing Arsenal after the Titans won despite the cheating, then sending in a Zombie Apocalypse as a last resort? Yeah, good thing he got his in the end...
  • Divine Blood inverts this. Hades is the only good one of the big three of the Greek gods.
  • The Disney version of Hades is an unseen character in Bad Alert: The Extreme. Though still a villain, he is directly responsible for the deaths of four of the villains.
  • Subverted in Princess of Themyscira. Hades shows up, but outright refuses to aid Ares in his plans, not even when offered a way to ensure he gets plenty of souls for his domain (stating that everyone ends up there eventually anyway). In fact, the only reason Ares gets any support from Tartarus is that Persephone tells him about the Alicorn Amulet's abilities, because she somehow thinks she's helping her husband out. As it turns out, she was helping — she was counting on Ares failing and ending up sealed in Tartarus at Hades will, something he's been trying to get done for a long time.
  • Subverted in Hope Springs Eternal, which has Hades undergo Character Development to shift him closer to his mythological self. The "abduction" of Persephone is entirely consensual and his biggest failing is difficulty properly managing the Underworld.
  • In The Prayer Warriors, Hades is not only evil like the other Greek gods, but he's also depicted as demonic, with satanic horns, burning red skin, smoke breath and black flames on his hands. He's also said to be the greatest of the false gods of the Greeks, but he's defeated almost effortlessly by the Prayer Warriors once they pray to God. note 
  • Subverted in Pony POV Series twofold:
    • Mortis, the God of Death, has the full name Mortis Thanatos Charon, making him named after two entities of death. However, Mortis is a nice guy, if a bit worn down from his position, and not evil in the slightest. The one time the world didn't actually need him, he was happy to take a vacation.
    • Havoc, the Anthropomorphic Personification of Tartarus, is an example of Good Is Not Nice, but ultimately benevolent. His only antagonistic actions were driven by the desire to protect his family, and he's generally rather polite when met by anyone not condemned to his realm. He merely serves as the Warden of Tartarus and tormentor of the wicked imprisoned there, and even allows good souls from Heaven to come try to redeem the fallen souls under his guard.
  • In the fic Showa & Vampire shortly before the series' cancellation one of the heroes is given the Hades gun from Black Cat. He insists on giving it a new more positive-sounding name.

    Films — Animated 
  • The Disney animated movie Hercules casts Hades as the villain, probably the most well-known example of this trope. This portrayal, in addition to some of the other liberties taken with the myth, meant that the movie had to be marketed as Beyond the Myth of Heracles in Greece to avoid a national backlash, which... didn't exactly work. However, due to how funny and genuinely likeable Disney Hades is, you probably won't find any viewers (Greek Mythology buffs excepted) who hate Hades, except for being That One Boss in Kingdom Hearts.
  • Disney's done this trope waaaaaay back in the past: the 1934 Silly Symphony The Goddess of Spring is a retelling of the Persephone myth, and Hades looks like a proper Mephistophelean stage devil, with his realm basically being Hell, containing fire and imps. You can watch it here for now.
    • Though while Hades visually looks like a Christian demon, his behavior is arguably much less evil. After seeing that there's no way for him to make Persephone happy, he releases her on the condition that she spends half of each year with him.
  • Subverted in the Wonder Woman animated film. Hades looks like he's agreeing to free Ares so the restored god of war can kill, well, everyone, on Earth and provide Hades with their souls, but it turns out there's only one soul Hades is really interested in, revealed when his Evil Plan comes to fruition.
    • His evilness is up for debate. Sure he was a bit of a dick but he did put one of the worst psychopaths ever on a permanent lockdown and well... Ares and his son deserved it.
    • Though he is a bit of a Jerk Ass all the same.
    • Ares himself gets a case of this, just substitute "death" with "war". Back in ancient times, war was a necessity and was not really considered as "evil". Though accurate to the myths, as most Greeks (Spartans aside) had much nicer things to say about Hades than Ares, whom they considered at best terrifying.
  • The Princess and the Frog has the evil Hollywood Voodoo doctor Facilier sell his soul to a group of evil spirits referred to as his "friends on the other side". No actual Loa are named (and blasphemed), but it's far from a balanced portrayal of any vodou entity. Though it might count as a slightly exaggerated portrayal of petro ghede.
    • Although they also have Mama Odie, a good voodoo priestess. She also has a pet snake named Juju, which would be considered good in voodoo even as it defies the usual Reptiles Are Abhorrent rule of Disney films (twice even, as the alligator character is also unambiguously a good guy).
    • And to be fair the spirits Facilier is affiliated with are not portrayed as exactly evil outright, just very dark, and the reason why he suffers their wrath in the end was because he was unable to fulfill his end of the bargain with them.
  • Fantasia: Chernabog was a black god, but wasn't evil as a pre-christian slavic deity. Subverted as Walt said he was meant to be Satan anyway, just like he was demonized after the spread of Christianity. Though we don't really know enough about Chernobog to say whether he was or wasn't evil, it's certain he wasn't a giant Satanic figure who called up the spirits of the damned. Then again, Disney pulled the name Chernabog right out of their ass because the Satan figure in the film caused so much controversy. Yeesh.
    • Disney may have gotten the idea from Sir Walter Scott's Ivanhoe, in which the "witch Ulrica" calls upon "Zernebock" to give the villains their comeuppance. (She isn't very nice either.)
  • Subverted in The Book of Life.
    • La Muerte is unambiguously good.
    • Xibalba's a rather nasty death god but he's more petty and uncaring of humans than outright evil. He's quite capable of selfless love and admitting when he's been proven wrong.
  • Legends of Valhalla: Thor. Here Hel is the big villainess. (Maybe the makers read the Marvel comic entry above?) A particularly embarrassing example, since it's an Icelandic film — basically, this trope has become so widespread that writers feel even the need to apply it to their own culture.

    Films — Live-Action 
  • Drive Angry has an excellent subversion. There's a Satanist cult behind most of the film's events, and the Accountant encounters one of them left alive after the hero's rampage through their 'church.' The Accountant makes it clear that, from his personal interactions with Satan, he's a well-read and rather pleasant guy. He made a foolish mistake eons ago, and has spent the entire time since then stuck as the warden to the worst prison in the universe. And what really ticks him off is having to watch people on Earth commit atrocities and claim that he had a hand in them.
  • Indiana Jones and the Temple of Doom states Kali to be "The Goddess Of Death" and shows her followers acting like satanic cultists. The Hindu God Of Death is actually Yama, but Kali and her consort Shiva are also associated with death and change. Though she has violent qualities, particularly in her battle against Raktavija, Kali is considered a benevolent goddess by mainstream Hinduism. The villains of the film, however, are (very loosely) based on Thuggee cults, who did place Kali as their patron goddess.
  • The League of Extraordinary Gentlemen: Kali is the "the goddess of death" in one scene, though this may have been an example of the trope being played with, as Mina suggests that by worshiping a goddess of destruction (or, incorrectly, of death) that Nemo is untrustworthy and possibly evil. However, a Victorian educated woman would have had little understanding of Hindu deities, and the whole scene served to illustrate that the team misunderstood and distrusted each other.
  • Zig-zagged in The Movie of Percy Jackson and the Olympians, which threw out the book's original plot (which actually had Hades played right) and made Hades an antagonist; however, he is merely Chaotic Neutral and not the main villain. They even gave him the ability to turn into a huge demonic entity, complete with flames. He is also hilarious. Being played by Steve Coogan certainly helps.
  • The plot of the Clash of the Titans remake revolves around Perseus fighting against Hades to get his love back, contrary to the original myth or movie. To be fair, Hades isn't the only god with a Jerkass streak in the film, nor was he attempting to summon a "hell on earth" as the trailers suggested. Plus in the sequel he ends up doing a Heel–Face Turn.
  • The Mummy Returns: Anubis receives similar treatment, being responsible for providing a murderous army of jackal-headed warriors to the Scorpion King in exchange for his soul. Considering Anubis was a chiefly neutral deity whose main job was to guide and protect the dead, this seemed rather contrary to his purpose.
    • This is made stranger by the fact that Anubis aided the heroes in the first first film by making Imhotep mortal when summoned. He actually does this again during The Mummy Returns when he evens the playing field for the final showdown.
    • Seeing as the trilogy draws thematic inspiration from old pulp stories that used Egypt and its mythology as adventure fodder, it's possible that the mistake was a deliberate attempt to emulate the typical mistakes of those stories.
  • Child's Play: Charles Lee Ray invokes the power of Damballa to transfer his soul into the Good Guy doll. A less knowledgeable movie watcher might assume Damballa is a Dark God of Voodoo but Damballa is actually the Sky God of the Loa, Haitian Gods and the creator of life.
  • Thor: Ragnarok: Hela, the Asgard Goddess of Death and Odin's first child, is the movie's villain. She was key in Asgard's rise to glory, leading a brutal conquest of the Nine Realms which vastly enriched their kingdom. When Odin decided to reform the kingdom as benevolent rulers, Hela refused and tried to seize the throne resulting in many Asgardian deaths. Once freed from her prison, she intends to claim the throne and return Asgard to its, in her opinion, true glory.
    • Hela does have moments that soften the negative portrayal. She's genuinely shocked Odin erased her name from history and remorseful on seeing what has become of her favored mount, Fenris.

    Literature 
  • In The Red Abbey Chronicles, the crone aspect of the goddess is as revered as her maiden and mother aspect, but the protagonist fears the crone and when the crone calls to her does everything in her power to have nothing to do with that aspect of the goddess, as it represents death, among other things. The fact that her little sister died in a famine winter may have something to do with it.
  • Percy Jackson and the Olympians: Hades is the prime suspect of the theft of the master bolt in order to overthrow the gods. It turns out to be a subversion. It's not him; he thinks it was Percy and only wants the bolt so he can return it, along with his stolen helmet. The real thief? Ares, being manipulated by Luke, being manipulated by Kronos. Humorously, this version of Hades mentions on his profile page on the official Percy Jackson site that Disney's Hercules is one of his favorite films. He even claims to like being portrayed as the bad guy for the movie; his only gripe was the blue flaming hair. (It's possible he's being sarcastic.) Percy even starts to feel a little bad for him as he sees him as the Olympian Black Sheep due to his job as lord of the dead, pointing out their treatment of him would make anyone bitter.
    • In a way, the Book even has a Take That! to this trope: everybody assumes Hades would want a war to kill many people and get more subjects in his realm. When Percy actually confronts him, Hades is infuriated that people think he would want more subjects, seeing how he already has his hands full with the incredibly large numbers of dead that are already there.
    • In "The Last Olympian" Hades plays a slightly more antagonistic way, imprisoning Percy in the Underworld. Hades also refuses to help his family, though it is revealed Zeus killed Hades' lover when trying to kill their children, making Hades' resentment at his family more understandable. Hades finally comes to help battle Kronos' army towards the end, and is given recognition by the other Gods.
  • Myth-O-Mania has an in-universe example. Zeus claimed that Persephone only became Hades' queen because he kidnapped her, when actually she hitched a ride on Hades' chariot while escaping her overprotective mother.
  • Watership Down: The Black Rabbit of Inlé: he is not actively malevolent, being neutral and a servant of the rabbit analogue of God (who incidentally happens to be good), but nobody likes him because of his job as an entity responsible for death.
  • In Lloyd Alexander's The Chronicles of Prydain the Big Bad is Lord Arawn, whose goal is to take over the world. The books are based on Welsh mythology, in which Arawn isn't that bad a guy. However, Alexander does note this change in character in his introduction...he just decided to make Arawn the villain anyway.
  • Neil Gaiman's American Gods:
    • Odin, aka Mr. Wednesday, who's a scheming bastard and one of the main villains.
    • Czernobog is an inversion, depicted as a Boisterous Bruiser who is a little hardcore, but not that bad.
  • The Silmarillion: Played around with with Mandos. While he's completely in line with the will of Eru Ilúvatar (like the rest of the Valar), he tends to be a little harsh regarding the interpretation, something of a "devil's advocate".
    • Mandos is a fairly standard "grim, gloomy, fatalistic, but not that bad of a sort" death god, and is portrayed as being strict but not malicious, and he can be moved to show mercy. Morgoth, Middle-Earth's actual God of Evil, is also associated with death, but he's more accurately the god of the fear of death (among other things), rather than death itself. Indeed, natural death is called the "Gift of Men" and is supposed to be a blessing—as the Elves would tell you immortality isn't all it's cracked up to be. The most effective way Morgoth- and later, Sauron- has of getting humans into trouble is to inspire them to aspire to actual immortality. It's always going to end badly.
    • Death isn't even really his thing per se (though he does live where the Elves wind up when they die). His actual "hat" is to speak prophesy; it's implied that unlike most of the Ainur, he was paying attention during the Music, so he knows all things that have happened or are going to happen, though he keeps his mouth shut about the future unless Manwë asks him. And of course those he does give harsh dooms to certainly seem to deserve it.
  • In Mort when Death is testing out the pleasures of being human, he allows himself to get drunk at which point he starts drunkenly moping about how everyone hates him and he has no friends. Death is portrayed as being incredibly lonely.
    • Even in the first two books (The Colour of Magic and The Light Fantastic), Death never really manages to seem outright evil. He's considerably less of a sympathetic character than he is in the later books, though.
    • Discworld's Death in general is a pretty nice guy, likes humanity, and is usually on the hero's side or one of the main heroes himself.note  He even convinced the other Horsemen to ride out for humanity instead of against it once.
    • Reaper Man (which sums up the attitude of the series in general with the quote "What can the harvest hope for, if not for the care of the reaper man?") gives us our old familiar buddy Death, and the new non-anthropomorphic Death that the Auditors prefer. The new Death plays the trope absolutely straight.
      • Interestingly, the New Death is pretty tightly allegorized with an early model of a combine harvester, giving the novel a fairly unusual Luddite feel, especially with shopping malls being anthropomorphized as literal parasites in the novel's parallel plot. Unusual for the Discworld, where progress towards a modern-looking world is generally taken as a neutral fact of life, with both benefits and drawbacks.
  • Deconstructed in Flavia Bujor's The Prophecy of the Stones where Death, who is actually quite lovely, gets tired of being hated and quits. We are told this is not the first time it has happened.
  • Subverted in the Shadowmarch series; the god Kernios is a pretty blatant counterpart to Hades (he's a god of death, darkness, and the underworld, and his brothers are a sky god and a sea god to boot) and it's heavily hinted throughout the books that he's the mysterious supernatural entity who is manipulating the mortal villains. Nope- Kernios is in hibernation and has been for millennia. The Big Bad is Zosim the trickster god, who'd been impersonating him.
  • The last book of the Dreamland Chronicles trilogy subverts this; Hades is the only decent god. While the rest of the pantheons are preparing for an interfaith war, Hades is trying to get back his rightful throne from a usurper who has upset the balance of life and death. He deals fairly and honestly with the heroes to get their help.
  • In A Song of Ice and Fire the Faith of the Seven has the Stranger as one of their deities. The Stranger represents death and the unknown, and it's considered bad luck to mention him. While most regard him with fear, he isn't considered evil, and he's even occasionally prayed to. The Silent Sisters, caretakers of the dead, are sworn to his service.
    • The Faceless Men believe Death is the Only God, referring to him as the Many-Faced God due to their belief many Gods, such as the Stranger, are just one of his faces, and treat death as a merciful end to suffering.
  • In The House on Hackman Hill, Anubis is portrayed as a monster who mummifies people alive and threatens the main characters.
  • There are plenty of evil gods in Everworld, but probably the worst for sheer Nightmare Fuel is Hel, Norse goddess of death.
  • Downplayed in The Reynard Cycle. The lunar deity Wulf is a trickster figure, as well as a god of death, and he is admired for being cunning. One of his schemes even led to the creation of humanity, and people raise a toast to him whenever they sit down to a drink or a meal . . . But it's also believed that his motivation for doing so was so that he could inflict suffering on the human race in order to amuse himself, and that speaking his name draws his attention, so most people avoid mentioning him directly, calling him The Watcher.
  • The Riftwar Cycle subverts it. The first servants of the Goddess of Death that we see are the Nighthawks, an order of religious fanatics and contract killers in ninja outfits. However, the mainstream Temple of Lims-Kragma soon disavows the Nighthawks when they start working for Murmandamus. Pug and Tomas meet with Lims-Kragma in a later book, and while she is a very scary goddess, she turns out to be fair-minded and kind-hearted, even though she has a tendency to deliver bad news.
  • Mocked in Skin Game when Harry Dresden comes face to face with the genuine article. Cerberus turns out to be a Big, Friendly Dog (not unlike Harry's own oversize pooch Mouse but with more heads) and Persephone willingly eloped with him rather than being kidnapped (Hades blames empty-nest syndrome on Demeter's part for the myth). Hades himself is a Consummate Professional and a decent guy Not So Different from Dresden. Harry notes that, Persephone notwithstanding, the Greeks did think Hades was a good guy. Oh, and he's in on Queen Mab's plot to ruin Nicodemus.
  • Rogues Of The Republic: Byn-kodar, God of Death, is seen as a vile daemon, and those who worship him are mostly insane and sociopathic necromancers. True death priests are rare, but they are very powerful, with complete dominion over all magic, and are nearly impossible to kill. Except Byn-kodar doesn't actually exist. He is a name given to the death powers that all the gods share. When, on rare occasion, a death priest is needed, they select a devout priest of a normal god and grant them the powers. This is why death priests have power over magic; all magic ultimately comes from the gods, and the death priests are being blessed by all the gods at once.
  • Oddly enough averted in "The Canterbury Tales", where Pluto and Persephone are portrayed as King and Queen of the Fairies, and Pluto restores a man's sight so they can see their wife having an affair. However there are hints he and Persephone's marriage is not entirely happy.
  • The Divine Comedy uses Dis, a Roman name of Hades, as a name for Satan, and Lower Hell is referred to as the City of Dis, with Hell basically being the Classical Underworld (though the Elysian Fields section still exists as the First Circle, where the virtuous Pagans aren't punished). At the Fourth Circle of Hell, for Avarice, the God of Wealth Plutus appears, chanting out an apparent prayer to Satan. He may represent Pluto though. In the 1911 film he is referred to as Pluto and shown as a black devil with horns. King Minos the Judge of the Underworld is shown as Judge of the Damned, with a serpentine tail he wraps around himself.
  • Starkly averted in Moonflowers where Hades is one of the first deities to help out the Song family. He arrives because he's worried that Alima Song's grief for her presumed-dead parents has gone on for months without closure, then takes great offense when he finds out they AREN'T dead. He initially thinks that The Wild Hunt is playing a sadistic "prank," and nearly starts a speech about how they're fucking up "the natural order." When he finds out The Wild Hunt wants to all-out murder the Song family on Halloween/Samhain in the Fairy Raid (because it turns out he dealt with the murder-victims of the LAST one), he and Persephone immediately help out the Songs as much as possible.

    Live-Action TV 
  • Rome: An enraged Lucius Vorenus shouts, "I am a son of Hades!" The line works on modern audiences because it sounds like he's calling himself the son of Satan, ie a horrible, monstrous person. However, the line also works from a Roman perspective, since Hades/Pluto/Dis is a rather grim god, and screaming that you're his son would make you sound like a lunatic with a death wish. Though Pluto/Hades wasn't an evil deity per se, but invoking his name was an extreme taboo, only done when swearing an unbreakable oath. Vorenus declares himself utterly relentless and merciless, as well as desperate enough to call upon the Stygian deity.
  • Xena: Warrior Princess: gives this treatment not to Hades, as might be expected, but to Dionysus. In Classical mythology he's the god of wine, intoxication and excess (and a bit of a douche with a chip on his shoulder, like all Greek Gods) but in the TV series he's clearly a devil (red skin, horns and everything) whose worshippers are clearly vampires.
  • Charmed never used Hades (except for a rather dishonorable mention as the father of the demon Nikos in the novel), but Hecate, another underworld god(dess), came off particularly badly, being turned into a demon. (Way to go, have witches fight the matron of witches.) Yama also got this treatment, becoming the amoral gatekeeper of Chinese hell who tried to snatch whatever spirits were not "properly buried" and drag them to hell, regardless of whether they were good or evil.
    • The Angel of Death on the other hand, is portrayed more or less sympathetically, especially during his first appearance. He does his job in ensuring that everyone dies at the appropriate time. If somebody who must die does not, it will cause the natural flow of death to halt and put the entire world in chaos.
  • Stargate SG-1: Though none of them are actually the gods they've adopted the personae of, Anubis of the Goa'uld is considered the most evil of the bunch, even by the Goa'uld themselves. The higher echelons of their race are all psychopathic despots with a god complex, but Anubis is the only one who's a complete Omnicidal Maniac.
  • In episodes of The Twilight Zone featuring a personification of death, he was usually nice and just wanted to help people move on, but was feared.
  • In the Greek Myths spin-off of Jim Henson's The Story Teller, Hades is presented as a bitter being.
  • In the television version of The Nine Lives of Chloe King the Jackals are a rival race to the Mai and are the children of Anubis just as the Mai are the children of Bast. They are described as mindless killing machines who reek of rotting flesh. On the other hand this description is given by the Mai and should be taken with a grain of salt. When actually encountered the Jackals are nasty but not as one dimensionally as described and there's at least one sympathetically portrayed one.
  • Death on Supernatural is notable in that, among the Four Horsemen of the Apocalypse, he's the only one who's not outright evil.
  • In Once Upon a Time Hades is the villain of the second half of season 5 when the heroes go to The Underworld (which is basically Purgatory) to save Killian and he doesn't want any souls leaving his domain for any reason. He's so vile, in fact, that he's able to pull Eviler Than Thou on every previous villain in the series, who are all shown to be downright terrified of him.

    Mythology and Religion 
  • While Disney did go a bit over the top, Hades was not a favorite god of the Greeks, who didn't even like to say his name and would avert their eyes when sacrificing to him. He was said to "enrich himself with our sighs and our tears" by Sophocles. In Homer's Iliad, Agamemnon described him saying "Hades who is utterly unyielding—and hence he is, of all gods, the one most hateful to mankind." While he was not considered out-and-out evil, being a death god put the kibosh on him ever becoming that popular. To be fair, making Hades a "Good Guy" god in the eyes of modern audiences would require you to whitewash some aspects of his character and background, especially concerning how Persephone becomes his bride...note 
    • Classical opinions of Hades were quite diverse. Hellenic poetry depicts him in negative terms, but orphic hymns treated him cordially, if not as gloriously as Zeus. Pythagorean thought depicted him as a very relevant and high god (on par with Zeus, far more so than Poseidon), while rural peoples either appreciated his bounty, reviled him, or used macabre rituals to kill their enemies. Hades was a fairly complex god as far as opinions went.
    • In addition with Pythagorean shamanism, Hades is pretty on par with Zeus in the celestial hierarchy, being one of the four gods associated with classical elements (the exact one is a riddle, but it is speculated to be either Fire, Earth or Air, the latter based on the classical Greek association of the soul with Air).
      • To add to the modern confusion regarding how classical Greeks viewed Hades, his wife Persephone was the goddess of springtime. Persephone lived for half the year with Demeter, and helped crops grow during the spring, but during the other half of the year, Persephone was with Hades (who had abducted and tricked her into eating the food of Hades) and Demeter caused summer in her despair.note  So, yeah, Greece does not have much to like him for, climatologically speaking.
    • Disney didn't exactly start making him outright evil - you can really blame Medieval Christians for their common practice of demonizing pagan deities. Hades had his name lent to Hell, while aspects of Pan were put into the Devil himself.
      • To top it off, the innocent Persephone sometimes becomes the "Queen of Hell" (e.g. in Spensers "Faerie Queene").
      • Some other common "demons", such as Baal, Dagon and Beelzebub, were demonizations of Semitic deities. Beelzebub and Ba'al were both corruptions of the same god, in fact! Dagon's demonization is a fair bit more recent, and comes from the pen of H.P. Lovecraft, who made him into one of the Eldritch Abominations of the Cthulhu Mythos.
      • Dagon, as the god of the Philistines, doesn't come across too well in the Bible itself either, though he isn't really "demonized" since that would require depicting him as something more than a figment of the Philistines' imagination.
  • In Old Testament Apocrypha, the Archangel Ramiel is described as the Archangel that watches over the dead. In the Books of Enoch (considered among the oldest of the Apocrypha), he joins Semjâzâ and later Satanael in their Angelic rebellion as the only Archangel of the group (Satan serves as the usurper of the rebellion while Semjâzâ serves as the founding leader). It's also implied in the second book of Enoch that Ramiel's own rebellious actions (due to Pride, which implies that he's the Leviathan who's "king of all who are proud") led to the founding of the rebellion, making him the Man Behind the Man to Semjâzâ (who'd later get hijacked by Satan once he learned of the rebellion). Samael, the Archangel of Death itself, had no part in these rebellions.
  • Norse Mythology:
    • Some mythologists actually theorize that Loki, the default Big Bad of the myths, got hit with this as soon as Vikings started embracing Christianity. Unfortunately, this was around the same time the Vikings started writing down their mythology.
    • His daughter Hel, who is actually the goddess of death, was probably another victim of this. Older myths tend to depict her as a serene guide to the other world for departed souls who had died from natural causes. Demonization of pagan deities by the Christians made her an hideous hag preparing an army of the dead for her father. And, similarly to Hades, can you guess where the word Hell comes from? Baldrs Draumar pretty much shows her welcoming Baldr with a feast, and some have theorised that this is a surviving depiction of what Hel was like before demonisation. Older sources also don't speak of Helheim in particularly negative terms, implying that it wasn't that awful.
  • An odd case of aversion in traditional Chinese religion. The Chinese afterlife is called Diyu and you are interviewed by the higher powers before they allow you into heaven. If you fail, you will have to go through a maze to exonerate yourself of sin. There's an apocryphal story about Christian missionaries trying to convince the Chinese that they will go to Hell if they don't convert. The response the Chinese gave was "that's what you call it?" So while Diyu got a scary name like Hell attached to it (see Hell bank note), it's not necessarily an eternity of hellfire and brimstone, making this a failed attempt at demonization.
  • Mostly subverted with Supay- the reason the Conquistadores though he was the Incan Devil was due to the fact that he was portrayed as genuinely greedy and vicious, causing death in the world as repayment for taking his property, the ore of the Earth, and known for actually making a Deal with the Devil (a much shorter life in return for that life being of fantastic wealth and success, since he will inevitably get his money back when the other party dies). Again, mostly subverted, as he wasn't portrayed as evil so much as ruthlessly fair.
  • In Turkic Mythology, Erlik Khan, who was originally a god of death and the underworld, was eventually re-interpreted as a demonic Big Bad to oppose Tengri, Lord of the Eternal Blue Sky.

    Professional Wrestling 
  • Hades wears lots of intimidating spikes and routinely blows out fire but is usually a Face on the US Indy scene. His opponents usually try to convince cheering audiences that he's Obviously Evil to no avail.
  • In WWE, Kali appears as "The Great Khali" (spelled with a silent "h" and pronounced "kah-LEE" rather than "KAH-lee," perhaps to play off contemporary fears of Arab terrorists, a theory strengthened by the fact that his original manager, Khosrow Daivari, was Middle Eastern). Khali is a cruel Punjabi giant portrayed by Indian actor and wrestler Dalip Singh Rana. Other than being Indian, having (relatively) dark skin, and sticking out his long tongue once in a mockery of The Undertaker, the wrestling "Khali" really bears no relation to the goddess he's named after, and has in fact undergone two Heel Face Turns in the course of his career. So, Quadruple Subversion?

    Tabletop Games 
  • Dungeons & Dragons
    • The 3rd edition splatbook Deities & Demigods lists Hades as Neutral Evil largely so they could give him levels in the assassin Prestige Class. The book specifically notes that he isn't actively hostile or vicious, and that he mostly just is; everyone dies eventually, and someone has to run the afterlife. However, a clarification from the writers later on is that Hades is listed as Neutral Evil because of the oldest class-based artifact in D&D's history: Hades has the class Assassin, which requires the person with it to be evil, if the DM removes a deity's class stats (which they should), Hades would be be somewhere between Lawful Neutral and True Neutral. Anubis on the other hand was listed as Lawful Neutral. Hel, of course, gets the "evil" treatment (and one that affects her personality more, likely due to her being half rotting corpse), despite being by far the least antagonistic of Loki's children in the original myths. Ironically, Loki has a strange case of this: in the section on Norse deities, the book tells the DM that if the setting is before the slaying of Baldr, Loki, despite being Chaotic Evil, would not be actively evil.
      • Averted back in second edition Planescape, where Hades' realm, Hades, is certainly not in a nice place, but Hades himself is depicted pretty much as a cynical version of his Greek Myth self. Hades is Lawful Neutral. Hecate, however, abandons her mythologic role as a complex goddess and falls more in line with Shakespeare's vision of her in The Scottish Play.
    • Nearly every deity of death and/or the underworlds in that book is Lawful Neutral or Neutral Evil (mostly the latter). The big exception is Osiris, who's listed as Lawful Good. In various other books, the deity of death tends to be Lawful Neutral instead, and there tends to be a different underworld for each alignment.
    • From the Greyhawk pantheon, the death god Nerull is sometimes called the Hater of Life and the Foe of All Good, and his clergy are all serial killers. The hatred is heartfelt and mutual.
    • Averted with Greyhawk's other major death diety, Wee Jas. She's a Lawful Neutral goddess of magic as well as death who's not terribly nice or popular but is respected.
    • On top of this we have the Demon Lord Orcus and the Archdevil Dispater, Roman deities often conflated with Hades.
    • Sadly, played very straight in 5th edition, where the lack of a Death domain in the Player's Handbook (it's instead found in the Dungeon Master's Guide, as a class option for villain NPCs) is explicitly handwaved with the "fact" that most Death gods are evil and so most Clerics with the Death domain will be villains. It does mention that it's possible for Death Clerics who aren't evil, specifically citing Anubisnote  and Nephthysnote  of the Egyptian pantheon, who contrast Set,note  as reasons why, but it's only mentioned in passing.
    • Varies somewhat in the Forgotten Realms setting, where there have been a total of four gods of death over the years. Jergal was uncaring and unsettling, Myrkul was cruel and capricious, and Cyric was outright Ax-Crazy. The incumbent Kelemvor, however, is Lawful Neutral and directs his clergy to comfort the bereaved and slay undead rather than propagate them (which is sometimes difficult when your temple is a repurposed one to Myrkul or Cyric, due to Kelemvor only having been on the job for two years as of 3rd Edition).
    • In the first edition Deities & Demigods, Hades is in a class by himself when it comes to what's called divine horror. He out-horrors every other deity in the book (including truly revolting non-human gods such as the troglodytes' Laogzed and Vaprak of the ogres; even Lovecraftian deities like Cthulhu and Hastur don't inspire as much horror) with a charisma of –9.note  It's the lowest score of any deity in the book.
  • Averted in Pathfinder with the core deity, Pharasma. She's pretty reasonable overall, gets along with nearly all the other gods, her church has a reputation for being good mediators and avoiding conflict, and even though she's The Grim Reaper, she has no problem with you being resurrected (it wasn't really your time yet). Just don't be undead. Ever. Deities of undeath, on the other hand, tend to play this straight, see Urgathoa. Additionally, Zyphus, the Grim Harvestman, a lesser member of the Core Deities plays with it. He's the god of accidental death and tragedy (read: Dropped a Bridge on Him) and vehemently opposes the idea of a there being such a thing as an appropriate death. That being said, he's Neutral Evil, has been in a Rage Against the Heavens mode for as long as he's been a deity, and happily works with the Four Horsemen. The Tian Xia god, Yaezhing, is a zig-zagging case of this: he's the Tian-Shu deity of murder, death, and punishment which exceeds the crime; he is patron of ninja and assassins, and despite being Lawful Evil is more of the Noble Demon type (he's a Punch-Clock Villain and enforcer of justice among the gods).
  • Scion: Averted — Hades is presented as he is in the myths - probably the only level-headed person in the Dodekatheon. Aside from mild tendencies towards greed and irritation at being a "dwarf planet", he's an all right guy. Among the Pesedjet, Osiris looks after his subjects, taking care of them, but is also someone who can tell you up front he's a manipulator, and still get you to go along with him because he seems so good and wise, while Anubis is a dedicated worker who hates being disappointed by his compatriots. Then there's Baron Samedi of the Loa, who's the ultimate party creature, living (un)life to excess. On the other hand, Miclantehcuhtli of the Atzlanti is portrayed as being evil in a spiteful, petty bureaucrat sort of way; Hel of the Norse Aesir is cold, cruel and unfeeling, and the Ragnarok supplement mocks players who want to make her happy through the power of true love (although it does leave open the possibility); and Izanami of the Amatsukami torments other gods and Scions for being unable to save her from her tortured and rotten state as ruler of the Japanese underworld (but she's still for all that a gracious hostess, and reluctant to have anyone condemn themselves to her fate). All of these are pretty close to their respective myths, no less. White Wolf likes to do the research.
    • Somewhat. Getting into the various little inaccuracies of Scion's depictions of certain gods can cover a lot more than this trope, but Mictlantecuhtli wasn't evil at all. He was very terrifying in appearance, sure, but he was really just a grump that took his job VERY seriously. That job being keeping living people out of Mictlan and making sure dead people stayed in it.
    • Of the non-core pantheons in 1e, Manannan mac Lir of the Tuatha de Dannan is a psychopomp, a quick-thinking trickster and seducer, while the Morrigan is seer, warrior and death-queen, a fearsome figure even to her fellow gods, but not unsympathetic; the Celestial Bureaucracy's Yanluo is a compassionate figure, who seeks to help the dead work through their sins; and of the Hindu Devas, Yama is a dispassionate judge who lacks a sense of humour, Kali is a fierce, terrifying change-agent, a necessary part of the cycle, and Shiva is a dancer, a nightmare, a destroyer and an ascetic mystic by turns.
  • The Fighting Fantasy universe has Death as the ultimate God of Evil, with his brothers Disease and Decay just a step behind him in power.
  • The Freedom City setting for Mutants & Masterminds has Hades as a criminal mastermind trying to extend his reach on Earth, complete with an invasion by the forces of Tartarus back in the Silver Age. For bonus point, Baron Samedi is also a douchenozzle in setting, though that may have something to do with his choice of mount.
  • Palladium's Rifts is particularly bad about this. Here's a breakdown by pantheon:
    • Aztec: Predictably, the cultural Values Dissonance wreaks havoc. With the exception of Quetzalcoatl and his pal/sidekick Xolotl, the entire pantheon is made up of bastards and a few gods who feel they don't have a choice in following them. Mictlan, the lord of the dead (well, it's actually the name of the underworld, but by this point, who cares, right?) deserves special mention, as it's the Eldritch Abomination co-ruler of Hades (the place, which is crawling with a bunch of demon races; Hades the god rules another chunk of it) with fellow abomination Modeus.
    • Sumero-Babylonian: Apsu (an obscure water god mentionned in the Enűma Eliš as Tiamat's husband) is a titanic, even-more-overpowered-than-usual Eldritch Abomination sealed just prior to the gods' rebellion; Ereshkigal (goddess of the dead) and her husband Nergal (god of the sun and destruction; both rule over the underworld) are secretly but gleefully on Apsu and Tiamat's side and wait for the moment when they can rejoin them and destroy the rest of the pantheon.
    • Egyptian: Anubis is The Dragon within the Pantheon of Taut (the "evil" half of the pantheon, led by Set), who for lack of other evil forces besides Apep/Apophis had to be filled with other rather ridiculous choices such as Anhur (who's there mostly because of Honor Before Reason), Bes (who supposedly became an evil psycho long ago for... some reason), and Amon (who's now a woman who became evil and ugly "just because").
    • Greek: Ironically, Hades gets off the easiest, coming off mostly as a Jerkass Knight Templar; Ares is a bullying jerk, but that's the same as in actual myth. Hera is a Soap Opera-style Queen Bitch who's finally gone insane from Zeus' philandering, and is actively fomenting strife between Olympus and other pantheons, as well as thinking about freeing the Titans. The Titans themselves are either Eldritch or Humanoid Abominations - Cronos is a black blob of eyes and tentacles who created the first olympian gods as edible power batteries, and Hecate, while more or less human in appearance, is a ruthless power-hungry pragmatist who's mercenary enough to deal with the Splugorth (a whole species of eldritch abominations whose hat is being Corrupt Corporate Executive imperialistic slave-traders).
    • Norse: Mostly untouched (Loki's a bad guy), but Hel (goddess of the dishonorable dead)'s bad side is turned Up to Eleven: She's an Ax-Crazy Omnicidal Maniac who wants to ally herself with the Mechanoids (who are borderline Dalek expies) to exterminate all humanoid life in The Multiverse.
    • Hindu: Kali gets the full treatment (Ax-Crazy Blood Knight who betrayed the pantheon to the aforementionned Splugorth For the Evulz), but then so does Yama, god of death (psychopathic, sadistic Omnicidal Maniac; notice a pattern yet?). Even Varuna is a bitter Bitch in Sheep's Clothing who'll stoop to any level to get back his former power.
    • Chinese: The Yama Kings (all of them) have come through the Rifts with armies of demons to carve up most of China into their personal little kingdoms, and each is a Hell on Earth of a different flavor (or flavors - the Chinese have a lot of hells), so so they're probably not nice people.
    • Maya: Barely touched upon, but all we see (the lords of the underworld of Xibalba and bat-god Camazotz) are demon lords.
    • And then there's a bunch of pretenders and impostors passing themselves for existing legitimate gods, usually for less-than-virtuous reasons, many of whom are actually Eldritch Abominations (notice another pattern?)
  • Averted in the Theros cycle of Magic: The Gathering. Erebos, the stand-in for Hades/Pluto/Erebus, is the god of (among other things) many unpleasant things like envy, bitterness, misfortune, and misery. Nonetheless he is a Benevolent Boss to both charges and his followers, indeed he seems to be the nicest of the Theros gods. While none of the other gods seem to care about their worshipers Erebos at least empathizes with the desire for acceptance. His only flaws usually stem from his tunnel vision regarding potential escapees; You're dead, dammit, and you don't get to Screw Destiny by returning to life.
  • Champions is actually pretty scrupulous about this. In the fourth edition there was a sourcebook for the Greek gods, and it specifically said Hades isn't evil and really only concerned with running the underworld. We also got a 40's villain called the Doberman who was given immortality by Anubis, but Anubis's real reasoning for doing so was giving new heroes an easy villain to hone their skills on. Fifth edition onward gave us the villain Anubis, but he's actually an agent of Set. For some reason.
  • Warhammer: Age of Sigmar is an interesting case. In the Old World, there were many Gods of Death, and foremost among them was Morr, who was a pretty nice guy all things considered and closer to Discworld's Death than anything else. Then, in the thousands of years between the setting's destruction in Warhammer The End Times and the time of its successor game, the sociopathic Jerk Ass who invented necromancy in the setting, Nagash, managed to usurp all of them, and now rules every afterlife, and the Mortal Realm tied to death magic, to boot. So, an outright evil Death God took the places of several that this trope fit.

    Theater 
  • Subverted in Stephen Sondheim's The Frogs. Listen for yourself.
  • The main antagonist of Once On This Island is Papa Ge, a Vodou Loa associated with death whom the actual lore seems to portray as a pretty decent guy (at least as far as The Other Wiki can be trusted on the subject).
    • Even in the play's storyline, this trope is played with- Papa Ge is implied to just do his job and isn't entirely evil. He even hangs out with the three other gods like good friends.
    And Papa Ge was gentle, as he carried her to shore...
    • Especially when you consider that the main plot boils down to a bet over whether love or death is more powerful, and Papa Ge doesn't really do anything besides offer the main character the option of choosing death. Add to that the fact that it's somewhat implied in some productions that Erzulie, the goddess of love, more or less used her powers to make Timone (the main character) fall in love with somebody unsuitable (an affair that can only logically end in pain for somebody), plus the other gods' general manipulation (which boils down to "it's fun to play with humans") and you get a case of all four being Jerkass Gods at worst and operating under Blue and Orange Morality at best.
  • In Hadestown, Hades is depicted as a welfare capitalist, with all the false promises (to the dead in general, and Eurydice in particular) that entails.
  • Parodied in Jacques Offenbach's Orphée aux Enfers (Orpheus in the Underworld). Although the operetta plays with the Mephistophelian on a few occasions, Pluton is portrayed more as a lovable lech who is in many ways more sympathetic than big hypocrite Jupiter. Also the Underworld is shown to be much more of a fun place than stolid Olympus.
    • In case you didn't know, the characteristic piece of music associated with the "Can-Can" dance is from this piece (it's formally called the Galop Infernal).
  • In Sarah Rahl's Eurydice, the Ruler of the Underworld is portrayed as an unpleasant literal Manchild and stalker who coerces Eurydice to wipe her memory in the waters of Lethe. Persephone is not present in the play.

    Toys 
  • In LEGO Pharaoh's Quest, the Anubis Guards are Elite Mook serving Amset-Ra, a wicked and ambitious mummy wanting to Take Over the World. It is up to debate whether their jackal heads are masks or indeed their heads, however it is clear that they have malicious intents to the mortals.

    Video Games 
  • In Castlevania, Death is Dracula's Right Hand Man. And while Hades is not present in this series, his wife Persephone is a villainous Ninja Maid.
  • Subverted in the God of War series, where Hades is no more evil than the other gods of Olympus despite his demonic appearance. However, it's played straight in the manual, which describes him as "a greedy god who is greatly concerned with increasing his subjects." In the sequels, he is finally motivated to kill Kratos out of revenge for his niece (Athena), brother (Poseidon) and wife (Persephone), thus making his actions at least understandable.
    • The subversion is undone in the PSP title Ghost Of Sparta, where Thanatos, a death god whose existence is said to preempt that of Olympus, is a right bastard, who goes to significant lengths to keep Kratos from finding his brother, and when that fails kills Deimos, and constantly mocks Kratos the entire boss fight. This implies that Hades is not so much the god of death as he is of the afterlife (which was his actual role in Greek Mythology).
  • In Immortal Throne, the expansion to Titan Quest, Hades is cast as the villain. The reason being that after the connection between the godly realms and earth was severed in the first game and Typhon was destroyed, Zeus decided that the Olympian gods would take this as an opportunity to depart from the world and leave humans to their own affairs as they had proven themselves capable of such. Hades went rogue, formed a demon army, and started to assault the overworld, and it was the lot of the player to put an end to Hades, of whom Zeus had predicted his actions and actually set the player on the right path to deal with him.
  • While Hades can be considered the main antagonist of the myth of Orpheus, it was largely because dead people aren't supposed to come back to life. However, in The Battle of Olympus, he had Orpheus's love interest killed so that he could marry her, justifying the subsequent beating administered by the player.
  • Kingdom Hearts, being based of Disney Animated Canon, also cast Hades as a villain. Oddly enough, he and Captain Hook were the only Disney villains to not fall into darkness. It's worth noting that this version of Hades is more of a Jerk Ass than anything, his only real reason for joining Maleficent's entourage is to get rid of Hercules.
  • In the Egyptian one (Pharaoh), the gods need to be pleased lest they visit diverse catastrophes on your city... though not the ones you'd expect. Osiris' influence is only on the Nile (he can withhold the Inundation or destroy all Nile farms if he's pissed off), Seth will be all too happy to burn down your forts and soldiers (Anubis is only present via an add-on to Seth's temple that makes your embalmers go through less linen), Ra reduces your reputation (bad) or makes cities trade less (very bad), Ptah destroys industries and storage yards, but the one who hits really hard by sending a plague on your city? Bast.
  • In all of the Might and Magic games, whenever your party dies, you get a chilling but well-intentioned speech from Death itself, who chides you that your time in the land of the living is not done, and sends you back... but not before warning you that "... but I am quite sure that we will meet again."
  • Battlezone (the 1998 game, not the 1980s classic) implies that the mythical Hades was inspired by an evil, violent faction of Ancient Astronauts.
  • Izanami is revealed to be a villain in Persona 4. Somewhat appropriate in that she is kind of a villain in Shinto myth.
    • It's also hard to tell whether this character is particularly good or evil, as the reason behind everything is that Izanami is testing humanity to grant its apparent wish depending on who wins: Adachi (Emptiness), Namatame (Despair) or the protagonist (Hope). When the protagonist wins and defeats her, Izanami accepts her defeat and congratulates him.
  • Played with in Age of Mythology. While some of the villains will choose to worship him early in the campaign, Hades himself never shows up. Also the real villains are Poseidon, who actually did try to overthrow Zeus in the myths, and Kronos.
  • Kid Icarus has Pluton, an invincible and incredibly annoying ogre thief, whose name is the original Greek spelling for Pluto (Ploutōn). The Grim Reaper (shortened to Reaper) and the God of Revenge are also enemies. The first may come from Pluto's other portfolio, being the god of wealth.
    • In Kid Icarus: Uprising, Hades makes his debut as the true leader of the Underworld Army. Thanatos, the actual god of Death, shows up as well, but Hades manages to both outrank and out-evil Thanatos. His only motivation for anything he does in the game is to cause death and destruction to expand his realm. The game is a bit of a tangled web regarding who hates who, but, true to the trope, everyone hates him... except the player maybe.
  • Shin Megami Tensei Devil Survivor has Yama, Buddhist judge of the underworld, making a contract with one of the people inside the Tokyo Lockdown. He reveals himself to be a Hanging Judge to whom All Crimes Are Equal (and death being the only sentence). To be fair, though, we only see him interact with people guilty of crimes like murder, abuse of authority and similar — he ignores the party, who are not guilty of anything, until you attack him.
  • The Atari game Riddle of the Sphinx featured Anubis as the main enemy. You know, Anubis, the kindly, jackal headed god of the newly dead who just wants to get you to the Land of the Dead safely. It's made even more glaring given the fact that Egyptian Mythology already had a sort of Satan figure in Set, the fratricidal god of the Underworld.
  • It seems that the Valkyrie Profile verse doesn't like Hel. She's the unseen Big Bad in Valkyrie Profile: Covenant of the Plume.
  • In Too Human, a Cyber Punk adaptation of Norse Mythology, Hel is a Mad Scientist who cybernetically reanimates the corpses of the dishonored dead that she is entrusted with as cannon fodder, including Baldur's beloved wife, and is loyal to her father Loki.
  • Thanatos is a demon lord in Panel de Pon but there is a subversion here, he was a fake.
  • In the remake of Spelunky, the True Final Boss is King Yama, who rules over a Fire and Brimstone Hell. Although it's hard to say if he's really evil, being a Giant Space Flea from Nowhere even in a game with no plot.
  • While Queen Odette, ruler of the Underworld in Odin Sphere isn't directly based on a real mythological figure, she's still treated as the Designated Villain, though not without reason. Despite her sadistic tendencies, such as torturing the Pooka who enter her realm without pause and not caring for the state of her subjects regardless of their sins in life, she still makes it clear that everyone needs to stop traipsing in and out of her domain and stealing her magic crystals to make Psyphers, which pervert the natural order of life, and to try and bring people back to life. If everyone would just stay out of the Underworld, they'd never even have to deal with her, unless your name is Oswald, thanks to a Deal with the Devil he didn't even have a say in. In fact, when she's finally Killed Off for Real, it allows King Gallon, who she's kept locked up this whole time for being too big a threat, to take over the Underworld in her place and try to kill living being in Erion in one of the biggest Nice Job Breaking It, Hero! moments of the game. Then again, she's partially to blame for making him an immortal regenerating corpse that can only be killed by her power to begin with.
  • Smite features various Gods from various mythologies, and yet managed to have aversions, subversions and examples. Gods relating to death and underworld such as Hades, Anubis and Hel are treated with Dark Is Not Evil treatment, they may be scary but they're just doing their jobs in managing the dead (though Hel has a severe case of Split Personality, which was probably a good compilation of the aforementioned 'Serene Hel' and 'Demonized-By-Pagans Hel' in the Mythology section). Thanatos is kind of a subversion, because while he's out to reap the souls of every Gods that turns out he dislikes, he has a good reason for it: He's The Grim Reaper, Gods being immortal is an insult to his job and philosophy of 'All beings will die one day', but in terms of taking the souls of mortals, it's just a daily job he does with no complains or extra enthusiasm (although kind of bored since it poses no challenge). Loki, however, plays it straight, being one of the more Obviously Evil Gods whose purpose to kill the Gods is merely For the Evulz.
    • With the release of the Mayan god Ah Puch, this trope was finally reconstructed with a Death god. Much like Apep from the Egyptian Mythology, people don't pray for Ah Puch, they instead do things to make sure Ah Puch doesn't claim the dead to be tortured. Hell his lore even makes him sound just straight-up monstrous. This isn't even a case of Sadly Mythtaken: This is how Ah Puch has been in the original mythology. Eventually, Izanami also joins the 'reconstruction' camp, as she's very malevolent and aiming to kill off everyone for her revenge, much like in the original myth, no one seems to like her for good reasons. But if you're paying attention with the original myth, she comes off less of a reconstruction because she wasn't doing it For the Evulz, but because of a tragedy.
  • This trope is prevalent in-universe in AdventureQuest. Among the gods of the Lorian pantheon is The'Galin, god of uncreation. He can remove people or concepts from coming into existence, and he is known as "The Devourer" among those who fear his coming. The'Galin disdains that nickname and the malicious interpretation people have of him, since he uses uncreation to keep order, and even then, he only resorts to it if he has no other options.
  • In BlazBlue, the eventual final antagonist turned out to be the mythological Izanami... who ends up playing the part of Generic Doomsday Villain who wants to create a World of Death because that's what she does (though the future may change on that trope). At least that's what the Japanese version does, but in the English version and carrying over to Central Fiction, they slapped the name Hades in front of her, turning her name into 'Hades Izanami', making it a double whammy for both myths.
  • Zigzagged in Arcanum: Of Steamworks & Magick Obscura. Arronax is a Satan figure, an ancient elf from the Age of Legends who had been banished to the Void by Nasrudin, and his worshippers are planning to bring him back and exterminate or enslave all non-elves. Arronax isn't behind any of this, and in fact has been trapped in a shell for thousands of years. Kerghan the Necromancer has been impersonating him, and Kerghan's goal is to end all life on Arcanum, because the afterlife is a place of peaceful rest for all. He's an enemy of all life, but a reasonable guy for all that, and can be convinced to abandon his plan and die instead. Note that in Arcanum, "godhood" seems to be in the eye of the beholder, except for the Old Gods (who are only known through their blessings and curses). Kerghan is worshipped as a god, and is powerful enough to annihilate all life on Arcanum, ergo he is a god.
  • The Elder Scrolls
    • Arkay, the God of Death, averts this in the Imperial and classic Aldmeri pantheons, due to being the God of Death and Life. He is typically considered a compassionate god who sometimes has to do bad things so that something good will happen elsewhere, or ensuring that the world doesn't become totally static by allowing death so that new life can arise. He also averts this as his Yokudan/Redguard aspect, Tu'whacca, who guides the souls of the dead to the Far Shores, of which he is the caretaker.
    • Played straight by Arkay's Old Nordic aspect, Orkey, the "Old Knocker", who is despised by Nords for giving them shorter lifespans than the hated Mer in their mythology. He also shows up several times in their mythology as a villain, such as when he and Alduin teamed up to reduce all Nords to the age of children. (Wulfharth Ash-King undid it using the Thu'um, but accidentally aged himself up too much and died.)
  • Zeus Master Of Olympus: Subverted with Hades, who's one of the more useful gods, being present as lord of the Underworld and all the silver inside it. His temple creates veins of silver ore, he wanders around the city making tax collectors produce double (gives new meaning to the saying "Death and taxes", doesn't it?), praying to him gets you even more money, and his Hell Hound goes around eating troublemakers. Conversely, when pissed off he sends Cerberus at you or curses those same buildings, and worst of all, kills a large amount of walkers just by showing up. Thirteen Olympians (and Atlas) appear in the game, where they can be both helpful and inimical. Enemy gods are determined by the scenario, and can rampage through your city if you don't have a temple built in honor of a more powerful god to defeat him/her.

    Webcomics 
  • Lampshaded in this page of the webcomic "The Family Party". The gods are aware that Hades is actually quite a nice guy, but the only (ex)human at the party freaks out.
  • Jack, the assigned Grim Reaper, really doesn't like his job of (among with a whole list of other things) ripping lovers apart.
  • The Order of the Stick seemingly both discusses and subverts this trope with a good deal of Shown Their Work. Though the arguments put forward are kind of ruined by the revelation that the character making them is a vampire whose god demands mortal sacrifices.
    • And then following on from the spoiler above, Hel turns out to be looking to try a Klingon Promotion, by having everything reset from scratch and letting her usurp Odin.
  • In Public Humiliation Hades is a pretty laid-back guy who spends most of his time partying on the Isle of the Blessed. But he doesn't really have any mortal worshipers. He's also the grandfather of the teenage necromancer protagonist, Lan.
  • An In-Universe example occurred in the backstory of Slightly Damned with one of the creator gods, Father Syndel who did just as much to create Medius and its inhabitants as Mother Gaia but he was shunned (likely due to the fact his demons torture the souls of sinful medians) while Gaia and her angels received most the praise. Eventually he got fed up with it and started The Great War by making a deal with a power-hungry general and having his demons invade Medius.
    • Subverted with the third god Death who doesn't seem to be viewed negatively and remained neutral in the war.

    Web Original 
  • In Deathigner, all death deities aside from the titular, pacifist protagonist are depicted as assholes at best, and as murdering monsters at worst.

    Western Animation 
  • Played straight in Justice League, where Hades might as well be Satan, and is possibly Wonder Woman's father.
    • Subverted in a later episode when it is revealed he never wanted to leave Tartarus in the first place, he just wanted Diana's mother. When he is rescued from a usurper due to the Balance being disturbed, he comments on it when Diana frees him.
    Diana: "If it were up to me, you would stay here. But even here there must be balance."
    Hades: "Nobody ever appreciates your work until you're gone..."
  • Mighty Max:
    • In one episode, a snake monster is trying to summon Kali, but she's only evil under his mind control. Once Max snaps her out of it (using an idol of Shiva, another Dark Is Not Evil god, she deals with the snake monster for them and leaves.
    • Another episode, "The Mummy's Hand," involves Isis trying to resurrect Osiris, and willing to chop off lots of hands in order to do it. When she finally manages to do it (with Max's hand, which thankfully doesn't need to be chopped off) Osiris actually chides her, saying that she went too far and forgot to treat mortals the way she was supposed to.
  • Subverted in the TV series Class of the Titans. While Hades is kind of... swishy (and purple-skinned), he's actually a very friendly guy. He's unfailingly pleasant to the heroes, he loves his dog Cerberus, and he and Persephone absolutely adore one another.
    • Thanatos (the Greek god of death), Hades's subordinate, is sometimes used as a villain, but on these occasions he usually turns out to be mind-controlled by Kronos; he outright states that he is effectively a True Neutral being and is compelled to obey whomever wears the Helmet of Darkness. He is otherwise a kindly bespectacled old man - who can transform into a bony horror with wings. And it should be admitted that he sometimes does seem to enjoy his job too much...
  • Played straight in Mummies Alive!, in which Anubis is a dim-witted villain who works alongside Set. In mythology, Set disowned him, since Anubis chose to side with Horus and helped Isis mummify Osiris and restore him.
  • Family Guy parodies this trope. Death is a recurring character who hates his job but notes repeatedly that, like it or not, death is as much a part of life as birth. He's also protrayed as The Woobie, and is completely miserable because of his job. One episode focuses on Peter trying to help Death improve his life while still maintaining his duty.
  • Inverted in Mythic Warriors Guardians Of The Legend. In the retelling of the story of Hades and Persephone, not only does Hades not kidnap Persephone at all, but he is portrayed as a perfectly nice guy, if socially awkward. Hades is completely innocent of any scheme to keep Persephone in the underworld forever, and actually warns her that if she eats anything, she won't be allowed to leave. Instead, it's one of his minions who tricks her into staying, and when Hades finds out, he actually defies the law of the underworld to get Persephone back to her mother. When you add in the fact that other episodes do not shy away from showcasing the Jerkass tendencies of the other gods in the pantheon, Hades actually ends up as the nicest and most honorable deity in the whole series.
  • Regular Show portrays Death himself as a Badass Biker who always goes by his word. However, he's a bit of a Jerk Ass and sometimes a cheater in sports (using his powers to try to win a Bowling Tournament despite the rules saying no powers). But he's also solidly a good guy, having came to the aid of the Park several times over and is rather amicable with Mordecai and Rigby, especially since they're the only babysitter's who've consistently been able to put his son, Thomas, to sleep at the end of Death's and his wife's dates. The only person he doesn't seem to like is Muscle Man.
  • Averted in Gargoyles—while it's not particularly accurate to portray Anubis as The Grim Reaper (and also a member of The Fair Folk), he's an unabashedly True Neutral figure, neither sympathetic to the Emir's loss nor malicious about it. Then his powers get stolen by Jackal, and everyone gains a better appreciation for Anubis's impartiality.


Alternative Title(s): Everyone Hates Hades, Everybody Hates The Death God, Everyone Hates The Death God, Everybody Hates The God Of Death, Everyone Hates The God Of Death

http://tvtropes.org/pmwiki/pmwiki.php/Main/EverybodyHatesHades?from=Main.EveryoneHatesHades